Soundtracks 123 Items

Clear Vinyl Edition.

Record is slightly warped but still enjoyable.
Includes booklet.

Record Store Day. Blue Vinyl Edition.

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Includes original insert.
Record is close to VG+.

Last year, we got together with The Netherlands Institute for Sound and Vision’s RE:VIVE initiative for the second time, inviting four local artists to breathe new life into four archival films from the Sound and Vision and EYE Filmmuseum archives. Jordan GCZ, Suzanne Kraft, Parrish Smith and Upsammy were all assigned short animated films dating back to 1921. The films and their new scores debuted at EYE on August 2nd as part of Dekmantel Festival 2018. Unsurprisingly, each artist imparted their unique styles onto the films that they previously had no relation with. From Suzanne Kraft's sparse atmospherics that have become more apparent in his new SK U KNO project to Jordan GCZ’s free flowing hardware jams. Parrish Smith showed his contemplative side and sparse orchestrations that he demonstrated on his RE:VIVE release, Genesis Black, a sonic departure from his bombastic releases and DJ-sets while upsammy showed yet again her deft hand for melody and texture, a style that dominates all her releases to date.
These four scores can live apart from their films, fitting seamlessly into each artists' growing catalogs of work. But when combined, it’s as if the films and music were made simultaneously with the artist and filmmaker together in the same room. Dekmantel and RE:VIVE are proud to present these new works as the electronic music scene in The Netherlands continues to show its multifaceted talent that continues to expand far beyond the dance floor.

Original US Winchester pressing.

Cover with a beginning seam split at the upper edge.
Record with just a few paper scuffs.

Vinyl close to VG+. Cover with saw cut. Original inner sleeve with seam splits

Original US Pinckneyville Pressing.

Black/White Label Promo Copy! Cover has a golden promo stamp on back, vinyl is close to NM.

Clear vinyl.
Records are slightly warped but still enjoyable.
Dogeared cover.

Record is close to VG+.

During his long and illustrious career the French composer and musique concrète pioneer Pierre Henry created a lare amount of incidental music to accompany literary texts, both on record and for the stage, from Jules Verne to Victor Hugo, from Lautréamont to Antonin Artaud. This incredibly rare LP from 1959 is a radio play about the life of French pilot and writer Antoine de Saint Exupéry, based on the 1956 book by Luc Estang on the subject. The interpreters are a small theater troupe including French actor Paul Meurisse (1912-1979), famous for popular films and as a member of national theater company, La Comédie Française. Underlying key scenes, Pierre Henry’s contribution to the play consists of electronic and musique concrète sounds, adding a contemporary dimension to the text. A beautiful piece from one of the mid-20th century's truly brilliant sonic explorers.

From the director and composers of ‘Nekromantik’
Limited Classic Black Vinyl pressing, comes with obi
First ever vinyl release as an expanded editionOne Way Static Records presents: Jörg Buttgereit’s ‘DER TODESKING’ (Original 1989 Expanded Motion Picture Soundtrack by DAKTARI LORENZ, HERMANN KOPP & JOHN BOY WALTON).

Jörg Buttgereit is a Berlin based writer and director known for his controversial movies. The film that got the most attention and started of his career was no doubt ‘Nekromantik’ from 1987. Nekromantik became an international cult film that was banned in several countries. Two years later, in 1989 Jörg directed ‘Der Todesking (The Death King)’. This experimental style movie, which does not use central characters, explores the topic of suicide and violent death in the form of seven episodes, each one attributed to one day of the week. These episodes are enframed by the vision of a human body, slowly rotting during the course of the movie.

Daktari Lorenz, Hermann Kopp & John Boy Walton make up the holy trio of composers called upon by film maker Jörg Buttgereit. Between the three of them they produced some of the most haunting and beautiful tracks to be paired up with Buttgereit’s controversial on-screen works of art.

The Lo-Fi synthesizer music in the movie is dark and quirky and contributes an essential part of the movie’s atmosphere, and is something you would very, very rarely hear otherwise. The main theme of the movie, “Die Fahrt ins Reich der Menschentrümmer part I-III” is a classical masterpiece. The score for ‘Der Todesking’ displays the dynamic ability and range of the composers. It strikes a perfect balance of beauty, horror, joy and dissonance. The score is both minimalistic and hauntingly atmospheric at the core, and yet remarkably complex at the same time. A wide variety of instruments and sound effects are utilized throughout it’s making.

One Way Static now proudly presents for the first time on vinyl as an expanded release, the complete soundtrack to ‘Der Todesking’. This limited vinyl release contains the original soundtrack (released back in 1990 as a limited 7”EP) and unreleased material sourced from recently discovered tapes.

This almost unheard score holds some never before heard Budd gems. Dynamite Cuts release for the first time a 7” 45 with a selection of original cues and dialogue taken from the Film. How, James Coburn as Professor Robert Elliot creates a masterful plan to get four people, who know too much, to kill each other is a fine example of a classic British thriller with a superb twist at the finale. This 45 is a journey through the film that includes some never before heard tracks. A must have!

Penelope Spheeris’ ground-breaking documentary The Decline Of Western Civilization captured the agony and the ecstasy of the Los Angeles punk scene of the late 1970s and its excellent soundtrack is required listening for all west coast Punk fans. The raw, jagged live sets by icons such as Black Flag, the Circle Jerks, the Germs, and Fear must be heard to be believed and the numbers by X point to their later commercial breakthrough; Catholic Discipline, with Claude Bessy of Slash magazine, provide another nugget. Totally essential!

Zelda & Chill contains lo-fi- hip hop arrangements of music from the original LoZ, Link To The Past, Majora’s Mask, Wind Waker, Ocarina of Time, Skyward Sword, and Breath of the Wild.

Shunsuke Kikuchi is one of the best-known composers of background music for Japanese television and film soundtracks. Born in 1931 in Hirosaki, located in the far north of the main Japanese island of Honshu, Kikuchi enjoyed a long and illustrious career that began in the early 1960s, having presided over dozens of popular soundtracks into the new millennium, including those for the Dragon Ball series as well as various Gamera monster films. A graduate of the Nihon University College of Fine Arts and Music, Kikuchi is largely associated with anime and effects-laden tokusatsu films, along with action dramas, and jidaigeki period films. Whether crafting up-tempo action themes or slow background pieces for long-running television series, establishing the reputation that any television show featuring his music was bound to hit. One of his songs, “Urami Bushi,” from the Female Convict Scorpion series, ended up in the soundtrack of Kill Bill. He is the recipient of various awards, including a lifetime achievement award, granted in 2015 at the Japan Record Awards. The Hurricane Polymar series of action anime was initiated in 1974, the plot concerning a crime fighter with a special suit that allows him to change shape while wearing it. This soundtrack album is drawn from the original 1974 TV series, with all manner of tense music for fight scenes, heroic fanfares saluting our here and other semi-electronic incidental interludes, highlighting the irresistible allure of Kikuchi’s atmospheric compositions

12 tracks incl. 'are you man enough' performed by The Four Tops ... classic blaxploitation soundtrack!!

- "Shaft in Africa" sampled by Beatnuts for "It's Da Nuts",
Cookie Crew for "Born this Way",
Diamond D for "Best Kept Secret",
Dismasters for "Black and Proud",
Hakeem for "Hip Hop Reborn",
Naughty by Nature for "The Hood Comes First",
Ras Kass for "Rasassination",
Tony Scott for "Get Into It" and
Tuff Crew for "Soul Food"

Original US pressing.

Cave Interactive CO., LTD., in collaboration with Limited Run Games and Brave Wave Productions, is proud to unveil the 19th entry in the Generation Series of video game soundtracks, DoDonPachi SaiDaiOuJou The Definitive Soundtrack for CD and vinyl. Originally released for Arcade (2012) and on Xbox 360 (2013) in Japan, DoDonPachi SaiDaiOuJou is the latest arcade release in the DoDonPachi series in the legendary hardcore bullet-hell shoot-’em-up franchise, long respected by dedicated players for its frantic action and rewarding gameplay. The soundtrack features 13 memorable songs by acclaimed Japanese game composer Manabu Namiki. Whether players are scrolling through a relatively simple section or fighting for survival as they’re assaulted by enemies on all sides, this gem of a soundtrack is seeing its first release outside of Japan for the first time on physical formats.

Original Soundtrack in a collectors edition.

In the cinema, the composer must go to meet the filmmakers, enter their world, but without giving up his own. This is the difficulty or the paradox of music for the image. By collaborating with directors from a wide variety of backgrounds, I think I have indirectly discovered a lot about myself. It helped me to progress, to explore territories that were not naturally mine. Cinema is a laboratory where I have sought to construct original orchestral formulas combining Corsican polyphonies, musicians from jazz, variety, classical, or even rappers. Like the world today, a fragmented world where all cultures mingle. So said Bruno Coulais, one of the most innovative composers of contemporary cinema, during the tribute paid to him in 2011 at the Cinémathèque de Paris

In 1978, Bruno Coulais, a young composer of concert works, discovered in film music a new means of expression, a way of bringing the demands of his writing to the masses. François Reichenbach, then Josée Dayan, Jacques Davila, Souleymane Cissé or Laurent Heynemann, first on television and then in the cinema, lead him of his own accord in the discovery of this new world.

In 1995, he composed the music for Microcosmos. This centimeter-scale initiatory journey offers him the opportunity to reveal the full dimension of his writing. He injects into his score a strange lyricism, between wonder and fantasy, confirming the lesson learned from François Reichenbach: "to any documentary image, music brings a part of fiction".

The success of Microcosmos established the musician and made him the indispensable composer of other natural tales, notably alongside Jacques Perrin (Le Peuple migrateur, Oceans, Les Saisons, etc.). Other long-term relationships will be forged, in particular with Benoît Jacquot, with whom he has worked for more than a decade, not to mention Frédéric Schoendoerffer, James Huth or Jean-Paul Salomé.

In addition to great popular successes such as Les Choristes, Brice de Nice or Sur La Piste Du Marsipulami, it is hardly surprising that this insatiable curiosity has found in the animated cinema the most inspiring playgrounds, in particular through his collaboration with two exceptional designers, Henry Selick and Tomm Moore.

The first, American director of The Nightmare Before Christmas produced by Tim Burton, invites Bruno Coulais to sign in 2009 the magnificent score of Coraline (film nominated for the Oscars). 10 years later, he is about to find him for a new and beautiful Wendell & Wild adventure. For Irishman Tomm Moore, Bruno Coulais has already composed the music for two Oscar-nominated films, The Secret of Kells (2009) and Song Of the Sea (2014), and in 2020 he will sign the score for Wolfwalkers.

Whether it is about author's films or more mainstream films, Bruno Coulais maintains the same standards, always considering his art as a window open to the world. Much less wise than it seems, he reveals in it a gift of a modern alchemist and a very personal way of mixing the most diverse cultures in universal harmony at work.

Tracklist :

A WolfWalkers Theme Wolves Running with the Wolves (WolfWalkers Version) Mechanical Wolf or Girl I’m a WolfWalker Howls the Wolf (Moll’s Song - Wolf Run Free) Our Forest

B What Are You Doing Here? This Is Intolerable Please Mummy My Little Wolf Our Victory Follow Me Mébh’s Tune Robyn’s Tune

Original US Santa Maria pressing.

Japanese industrial/synth-duo Group A partner with choreographer/performer Dana Gingras, Montréal artist Sonya Stefan & Finnish lighting designer Mikko Hynninen for athe multimedia project. Performance, installation of televisions, sound, light and image converging to create an exhilarating event placing a living, breathing and transmuting body at the heart of the experience.

Original US pressing.

Splattered Vinyl Edition.

Clear Vinyl.

John Carpenter is a legend. As the director and composer behind dozens of classic movies, Carpenter has established a reputation as one of the greatest filmmakers in the history of modern cinema, as well as one of its most influential musicians.

The minimal, synthesizer-driven themes to films like Halloween, Escape From New York, and Assault on Precinct 13 are as indelible as their images, and their timelessness was evident as Carpenter performed them live in a string of internationally sold-out concert dates in 2016.

"Anthology: Movie Themes 1974-1998" collects 13 classic themes from Carpenter's illustrious career together on one volume for the first time.

Each theme has been newly recorded with the same collaborators that Carpenter worked with on his hit Lost Themes studio albums: his son, Cody Carpenter, and godson, Daniel Davies.

Anthology is a near-comprehensive survey of John Carpenter's greatest themes, from his very first movie, the no-budget sci-fi film Dark Star, to 1998's supernatural Western, Vampires.

Those sit alongside the driving, Led Zeppelin-influenced Assault on Precinct 13 theme, Halloween's iconic 5/4 piano riff, and the eerie synth work of The Fog.

Carpenter and his band also cover Ennio Morricone's bleak, minimalist theme for The Thing.

Transparent Orange Vinyl Edition.
Cover as new with slightly dented corners.
Records are close to VG+

For the 25th anniversary of the legendary SNK's game series Metal Slug, Wayô Records is proud to present this new complete edition of the Metal Slug X soundtrack in vinyl format!

For the first time ever, Record Kicks is pleased to announce the release of the long lost soundtrack by Whatitdo Archive Group to the Italian Cinematic Masterpiece "The Black Stone Affair'' on beautiful gatefold vinyl, CD and digital format on April 09 2021. Long thought to be lost alongside the movie itself by the production studio, the soundtrack's master reels were recently recovered and its audio meticulously restored and remastered by J.J. Golden in Ventura, CA.

The movie itself was understood to be unusual for its time: a globetrotting adventure/western-noir written and directed by aspiring visionary, Stefano Paradisi. Unfortunately for Paradisi, the tragic loss of his masterpiece during a fire also meant the end of his short lived career in movies. People who worked on the film have been cited as saying this film was very ambitious, set to be a turning point in Paradisi’s carrier putting him on the map alongside the likes of Sergio Leone and Antonioni.

While the movie never saw the light of day, the soundtrack by obscure band Whatitdo Archive Group has thankfully been recovered. The music itself is staggering to hear, each track evoking all the senses almost all at once. "The Black Stone Affair (Main Theme)" sets the story with its dizzying bassline

underneath a Morricone-esque harpsichord melody eventually all digressing into a psych-freakout of guitars swirling over what is the overarching motif groove of this iconic soundtrack.

We then get taken into the giallo-steeped melody of "Blood Chief". What can only be the theme of the antagonist, this cut offers crunchy drum breaks, reverb-drenched bongos and a sinister baritone guitar line that seems to be indicative of its character. "Ethiopian Airlines" transports the movie into exotic lands with its afro-centric rhythms and mysterious horn melody. The search is on for the elusive Black Stone, an artifact so coveted it had been hidden for decades for its fatal power of seduction. For fans of KPM and De Wolfe Music, "Il Furto Di Africo" definitely delivers a similar 'library' flavor popular at the time. Our ears are treated to an ambiguous sense of center. What were Whatitdo Archive Group thinking? There almost seems to be two key centers at once and a slithering flute line blending between both. We can only imagine that the Black Stone was successfully stolen from the small Italian village of Africo with this track.

What movie really is complete without a lounge-y Bossa number? "Italian Love Triangle" delivers that sun-soaked Mediterranean romance. Our cunning female lead, Lola, decides the only way she can acquire the Black Stone is to pit the trio of characters against each other with an erotic love triangle she carefully crafts to exploit the vulnerability of Blood Chief and Beaumont Jenkins. "Last Train to Budapest" finds our two male leads in a gun-wielding, high-stakes train chase through the dizzying mountains of Bosnia racing to Hungary's capital city. The music brilliantly calls upon the soundtrack's multiple melodic motifs to all collide into a single stressful heart-racing track sure to put a knot in your stomach. Probably the most unusual song appearing in this soundtrack is the French infused "L'amour au Centre de la Terre", an obvious yet tasteful homage to the composers' musical hero, Alain Goraguer. A lilting monologue is recited by who seems to be Lola, the tragic female lead in "The Black Stone Affair". Her passage speaks of the entangled romance she shares with the other two male leads and her plan to acquire the elusive Black Stone for herself. It's every man (and woman) for themselves! Paranoia and deceit has crept into the minds and motives of our conniving trio. No one can be trusted and false alliances are crumbling from within.

"The Black Stone Affair (Reprise)" evokes the characters' gut-wrenching feeling with its ever-rising key center. "Farewell Lola" is the saddening funeral dirge and exit of the aforementioned Lola. Sworn enemies Beaumont and Blood Chief stand silently outside the church and watch as Lola's casket is lowered into her untimely grave. This is merely an armistice between the remaining opponents, only to resume after paying their respects to their former 'lover'. A gory fight leaves Blood Chief standing. Beaumont is nowhere to be seen and only a cloud of dust slowly settles into the landscape as the mournful guitar and harmonica of "Beaumont's Lament" plays quietly in the distance. All is not lost. Triumphantly, Beaumont Jenkins stands tall, throws one last devastating blow to Blood Chief leaving him incapacitated. "The Return of Beaumont Jenkins" plays loudly in the face of Blood Chief desperately reaching for the stone only to realize it's a false! Our new hero, Beaumont Jenkins, sustained by Alessandro Alessandroni Jr.'s cinematic whistle, rides away victoriously into the night sky... the Black Stone hidden cleverly in his hat. End credits.

Steeped in obscurity, a cult following of crate-diggers and musical oddity collectors has been brewing over the mysterious releases of the Whatitdo Archive Group. Surfacing in 2009 from the high deserts of Reno, NV, USA, this recording collective focuses solely on curating, performing and preserving esoteric soundtrack, library and deep-groove collections. The personnel of the group consist of three musicians; each of them avid composers, recording engineers and obsessive record collectors. Alexander Korostinsky, Mark Sexton and Aaron Chiazza met in college and have been working together on producing music for over 10 years. (Both Korostinsky and Sexton also happen to write and perform in

critically-acclaimed soul group “The Sextones”). In 2015 they quietly released a small batch of lo-fi deep-groove demos recorded exclusively to cassette in an old garage. This became their first full length offering, Shit’s Dope, and it began to quickly spread across the internet piquing the interest of record collectors and DJs all over the world—a record Fleamarket Funk describes as “Falling in between some Headhunters and Lunar Funk 45s” and becoming a bestseller on Bandcamp of that year.

During this time, the Whatitdo Archive Group also began what is often hailed as a vital turning point in Reno music history; by hosting their famous “Whatitdo Wednesday” residency at a local venue. These packed performances drew the attention of not only live music-goers, but also the most accomplished jazz musicians in the area, often joining them on stage. Eventually, these shows stumbled into the arena of obscure performance art, where the band would facetiously distribute written and multiple choice tests during their performance for the audience to participate in.

After their residency came to a bittersweet end, the Whatitdo Archive Group refocused their attention on the wonderful world of 1970’s soul-jazz, where they wrote and recorded what would be their follow up 7” release, Crocker Way / Steve’s Romp. This limited edition 45rpm became a hot ticket item for UK record collectors who had been previous fans of WAG’s older lo-fi work. Crocker Way was also a featured track on BBC Radio 6. Shortly after producing Crocker Way / Steve’s Romp, the group again started production on their crown jewel of a record, a concept album that had been tossed around for several years beforehand but never executed. As band member Mark Sexton explains “We wanted to create an album that encompassed everything we love and admire about old Italian soundtrack scores, and bring that energy back into the spotlight”. The group spent 9 months of research, digging through their personal collections of dusty LP’s scrutinizing the work of Piccioni, Torossi, Roubaix, Alessandroni and of course Morricone, recording, mixing and working with over 24 skilled musicians. The Whatitdo Archive Group finally completed what would be their finest work to date, The Black Stone Affair. Recorded entirely in Korostinsky’s home studio, this record is a labor of love, dedication, appreciation and respect for the golden age of Italian Soundtrack and Library music.

Cryptozoo is an animated feature-film drama, written and directed by Dash Shaw, featuring the voices of Lake Bell, Zoe Kazan, Michael Cera and Louisa Krause. The film won the Next Innovator Award at Sundance, and premiered internationally at the 2021 Berlinale. It will be released on August 20 in theaters and on demand.

This is John Carroll Kirby’s first time bringing his talents as a composer and producer to film scoring. His score resists easy genre classification, melding together sounds from New Age, exotica, library music, and the sweeter side of electronic music, and makes for a perfect match with artist and filmmaker Dash Shaw’s vibrant animated feature.

Transversales Disques proudly presents Panorama, an excursion through rare French soundtracks & other rarities mostly never reissued or compiled. 11 forgotten nuggets recorded between 1969 and 1980 by famous masters like Francis Lai, Alain Goraguer and Michel Magne alongside underrated composers like Jean Schwarz, Christian Gaubert or Maurice Lecoeur. A cinematic journey overflowing with moody strings arrangements, funky drum breaks, typical French basslines and psyched atmospheres.

By now everyone should know, John Carpenter is not only a celebrated filmmaker but also a musical maestro whose soundtracks have become syn - onymous with the genres of horror, suspense, and science fiction. His innate talent for composition and his deep understanding of how music can elevate storytelling have left an indelible mark on the world of cinema, and a haunting presence in people's record collections. Anthology II continues the celebration of his compositional genius via an excellently sequenced collection of some of his most iconic pieces of music from his extensive filmography, all newly recorded with his musical collaborators Daniel Davies and Cody Carpenter . The compilation opens with "Chariots of Pumpkins" from Halloween III that perfectly captures the eerie essence of the cult classic film with its pulsating synths and haunting melodies. The listener is engulfed by a sense of unease and anticipation, before being thrust into "69th St. Bridge" from Escape From New York , a dynamic track that encapsulates the futuristic and gritty nature of the film via the use of throbbing bass lines, driving rhythms, and electronic textures. The record has also an isolating tone as it skulks through ambient leaning tracks such as "Fuchs" and "To Mac's Shack" from The Thing, and "Walk to the Lighthouse" from The Fog, all of which display a slower tempo, foreboding undertones and an ethereal atmosphere that feels like a distant whisper. All of which has been cautiously laid in preparation to the grand finale. The iconic and instantly recognizable "Laurie's Theme" from the original Halloween. Its simple yet menacing piano melody which has become synonymous with the horror genre, concludes the album by striking fear into the hearts of listeners. These tracks represent just a fraction of John Carpenter 's impressive musical repertoire. With each haunting note and pulsating beat, his soundtracks continue to resonate with audiences, forever etching his name in the annals of film music history.

A jazz & rock rumble! Nicholas Carras' powerhouse score for this angst-filled flick is a tapestry of sounds from fast, jazzy pieces, dark and suspenseful moments, breezy traveling music, and the optimistic ending. The soundtrack also features the earworm of a title cut that will have you pappa do do wah-ing along. Included here is a zine-style insert and a DVD of the outrageous original film, with a special Modern Harmonic edit made to sync with your LP! Another specimen from the glorious power triad of Modern Harmonic, Something Weird Video, and the Nicholas Carras estate. Date Bait joins Mr. Peters' Pets and High School Caesar as part of the Nicholas Carras Soundtrack Collection created from the vast collection of reels the estate preserved. All make their first LP soundtrack debut and all come from the Carras reels through Kevin Gray at Cohearent Audio and onto colored vinyl at Third Man Pressing.

Transversales is a French label based in Paris founded by Sebastien Rosat & Jonathan Fitoussi. Transversales is specialised in the reissues of long lost tapes, rare original soundtracks and library.
Jonathan Fitoussi is a French composer residing in Paris. He works on minimalist and contemporary musical forms. He's also audio restoration engineer at INA & INA GRM. Sebastien Rosat is a French Music Supervisor working for Films, TV and Advertising. He's also a member of French electronic duo Sommet.
First ever LP reissue of this timeless masterpiece by Philippe Sarde, the most versatile and talented French film composer. Les choses de la vie, an outstanding score which offers both the wonderful “Chanson d'Hélène” and most of the musical features which appeared later in Philippe Sarde's musical career : Nostalgia, melancholy, experiment and sound discord.
Les choses de la vie is the film which confirms Sautet as a genuine author and Philippe Sarde as a rising composer. This is also the start of a long partnership that spanned twenty-five years and eleven films.
Including the previously unreleased versions of “La Chanson d’Hélène” performed by Romy Schneider and Michel Piccoli in Italian and German. Also Includes Stéphane Belmondo’s version of “La Chanson d’Hélène”.

Clark reworks his score for Naqqash Khalid’s award winning debut feature film ‘In Camera’ into a mesmerising, brilliant and varied album. Containing smoky, timeless synth instrumentals like ‘Running Dreams’, a bittersweet cover of Carpenters / Sonic Youth classic ‘Superstar’ and an epic, rising builder ‘Green Breaking’, it’s a deeply rewarding listen that fits perfectly into the canon of Clark soundtracks.

Director Naqqash says "This soundtrack and body of work Clark has invented feels like another character in the film – like an extension of the film’s atmosphere and interiority – it became so intertwined with my experience and memory of IN CAMERA – it’s difficult to pinpoint where it begins and ends. And for that I feel deeply privileged to have had this collaboration with him… Clark is an essential player in this film”

Clark says “I was going to just include the cues from the film, but got far too into recording new stuff that fitted the tone and emotion of the film. Favourite tracks: Tangent Cloak, Bleeding Building and Sensual Dismay. Little peaches that popped out in one breezy take. It’s got a really specific, colour/tone this record. It’s drenched in muted joy/dark euphoria. It sounds like Sensual Dismay but can’t really call it that, it’s the soundtrack for a film called In Camera.

Full of pointed notes about an industry rife with prejudice and hypocrisy, In Camera deploys elements of surrealism and fantasy to trace how its young British-Asian protagonist’s sense of self is affected by the tokenism of a world he hopes to conquer. Candid and acidly funny, with an unsettling eye for the warped and bizarre, it’s a playful, stylish satire not just of showbiz but also the myriad absurdities of modern life, with a complex, supple central performance from rising star Nabhaan Rizwan.

Materia Collective is proud to team up with Navegante Entertainment once again, to release a gorgeous vinyl edition of Greak: Memories of Azur.

Limited-edition Sea Blue 1xLP, featuring new original artwork by Navegante Entertainment, with layout and design by Isa Alcántara. Music by Oscar Alcalá & Majo Félix.

Greak: Memories of Azur is a hand-drawn, animated game in which players alternate between three characters: Greak, Adara, and Raydel using their unique abilities to fight an enemy faction and escape their lands.

The Greak: Memories of Azur soundtrack was performed and recorded live in collaboration with the Cinco de Mayo Philharmonic Orchestra in Puebla, Mexico. The 20 tracks composed by Oscar Alcalá and Maho Félix were planned to reflect the magical world of Azur and the unique personalities of each of the main characters.

New music from the HBO Series. Euphoria — which paved the way for Labrinth’s opportunity to score the show. His soundtrack, due out in album form this Friday, hums with soft electricity, perfectly complementing the journey of the main character, Rue, a teenager caught in limbo between the euphoria of a drug high and the harsh consequences of addiction. “When you look back to your teenage days,” he says, “it feels semi-magical but semi-crazy and semi-psychotic. I wanted to make sure the music felt like those things.”