Search "men+i+trust" 20766 Items

Zy The Way / Mark De Clive Lowe

Release: 2022 / UK – Original

Genre: Organic Grooves

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Individuality, Harmony, Wit. Originating from the heart of Asia - Taipei, Taiwan, Zy The Way is a fusion collective spear-heading a new musical movement in a digital age. As the offspring of a film director, entertainers and multi-genre musicians, Zy The Way aims to create artistic content that will rock your socks. We believe that true balance is achieved not through the uniting of different social groups, but when we come together with our stories as an individual. Voices and vision, musical styles, personalities, and our own beliefs, Zy The Way is the fabrication of our collective imagination, where no one is left out.

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Ten Acres

12" | 2024 | JP | Original (Jazzy Couscous)

12" | 2024 | UK | Original (Jazzy Couscous)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Zy The Way hail from Taiwan and are recognised as pioneers of the jazz scene in Asia. Their signature style is to infuse their work with ancient Chinese poetry and their first outing 'A Different Destiny,' reimagined 3,000-year-old poems curated by Confucius and earned them plenty of plaudits. Now, they unveil two EPs as a prelude to their upcoming album. Collaborating with renowned remixers who operate at the jazz-electronic crossroads, they present 'Ten Acres' with a remarkable remix by Mark de Clive Lowe. Maintaining jazz's essence while igniting the dancefloor, this EP bridges East and West, past and present and shows Zy The Way as a transformative musical force who are pushing boundaries.

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Zy The Way / DJ Spinna

Blue Collar

Trip - Flip-Out - Meditation

Release: 2024 / UK – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-22

Zy The Way hails from Taiwan and are a jazz ensemble that interlaces their dynamic sounds with ancient Chinese poetry compiled by Confucius. They also bring in more contemporary compositions which results in an utterly original sound and great gateway to some of the world's oldest literary works. They recently finished a debut full-length album and now the single 'Blue Collar' from it comes on limited edition vinyl. The track tells the ancient tale of young scholars in love with a powerful narrative and moving melodies. The one and only DJ Spinna steps up on the flip to offer his own classy deep-house remix.

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Zweistein

3LP+7" | 2017 | EU | Original (Wah Wah)

59,99 €*

Präsens Editionen / Motto Books

Release: 2017 / EU – Original

Genre: Rock & Indie

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Originally released on Philips in 1970, Zweistein's trippy kraut psych experimental masterpiece gets its first vinyl reissue ever. Even more experimental than Faust, Kraftwerk or Cluster, their only album was a triple LP housed in a marvelous double gatefold cover, all made in silver & gold cardboard, with the front embossed and featuring a small mirror on it. Electronically adventurous, the sounds give you what's promised in the title in the form of an avantgarde collage produced by Suzanne Doucet -a successful pop singer and TV guest then, and now a famous voice in New Age music- with the help of her sister Diane and sound engineer Peter Kramper, who besides his recognised work as a studio wizard starting with many German beat bands like The Rattles or The Blizzards and later remixing albums by the likes of Hawkwind a.o. He also played synthesizer in some Amon Düül albums an records by other krautrock travellers like Utopia's 1973's self titled LP.

At the time Suzanne didn't want to link the avantgarde experiments collected here with her succesful pop career, so she used a pseudonym and signed the production as Jacques Dorian, while the recordings were issued as being made by a whole band named Zweistein. The photo you see on the cover of their only 45, here included as a bonus, show the Doucet sisters surrounded by friends who where ask to play any instrument they could, be a tambourine, a flute or simply stomp their feet on the ground, on the sessions.

The Wah Wah reissue has been licensed from Suzane Doucet, comes with remastered sound and will include one bonus 7" reissue of their non LP single. Like the original, it will be printed over metallic silver & gold embossed cardboard, plus comes with an insert with liners and photos. Limited edition, only 500 copies pressed!

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Zweikommasieben

#24

14,00 €*

CD | 2011 | DE | Original (Staatsakt)

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The 24th issue of zweikommasieben focuses on an aspect of experimental electronic music that might be rather obvious. Nevertheless, this aspect is integral to the type of discerning perspective adopted in the pages of this magazine: bringing anything to life usually is a collective effort. Our world and its culture thrives on collaboration, be it between artists or the number of people involved to get a release ready and out into the world. Given the abundance of collaborations, a deep(er) dive into their internal structures is warranted. For example, a recent EP by Phillip Jondo, which features Maxwell Sterling and DJ Plead, clearly designates these collaborations as such. However, the details of how this three-way-constellation developed into a shared practice are not as obvious. With the new issue of zweikommasieben, these details are being addressed in a conversation. Despite being a common practice in the scene, the modus operandi of collaboration is far from clear or pre-determined. :3lon explains in an interview that they often rely on intuition in choosing how to go about working together with others instead of deliberately weighing up interests. Swiss-Congolese producer Soraya Lutangu Bonaventure goes one step further by questioning the differentiation between solo and collaborative efforts: “Everything I share as a ‘solo project’ is in fact never experienced as such,” she explains in the pages of this magazine. The things we do are as much enabled by as they facilitate the connections we share with other people. zweikommasieben #24 highlights the conditions, intricacies, and consequences of collective efforts in the featured interviews, essays, columns, and artist contributions.

List of contents: -interviews with Soraya Lutangu Bonaventure & Bobby Kolade, Milyma, Yegorka, :3lON, Phillip Jondo, Maxwell Sterling & DJ Plead -portrait on Nazar -essays on Sound Archives and Rave Variants -columns: Soundtexte (poetry), “Art Review” (art review), and Formations (photography) -further contributions by Elbis Rever and Martina Lussi

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Zwanie Jonson

I'm A Sunshine

11,99 €*

Release: 2011 / DE – Original

Genre: Rock & Indie

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7" | 2023 | EU | Original (I Dischi Del Barone)

Zwangsbeglucktertum

If It Pleases The Court

7,69 €* 13,99 € -45%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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My People ... Hold On / Our Day Will Come Transculent Red Vinyl Edition

Zulu

LP | 2021 | US | Reissue (Flastspot)

34,99 €*

LP | 2014 | EU | Original (Trost)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Straight out of Los Angeles, powerviolence band Zulu are here to share their life experiences and make a comfortable environment for everyone they come in contact with. The latest signing to Flatspot Records, the label will be releasing, for the first time on vinyl, the band’s debut EP Our Day Will Come (2019) and its follow-up My People...Hold On (2020) this summer. Formed by vocalist Anaiah Lei (also of hardcore band Dare) in 2019, Zulu is rounded out by Dez Yusuf (guitar), Braxton Marcellous (guitar), Satchel Brown (bass), and Christine Cadette (drums). Citing influences from Jill Scott to Weekend Nachos, the band’s style is fiercely original, laced with heavy breakdowns intertwined with samples of pivotal moments in black culture. The band has already seen praise from Stereogum, No Echo, and New Noise Magazine, and have a tour on the way with fellow California innovators Scowl this summer. Zulu carries a strong message, but it’s also about having fun, as Anaiah puts it - “Zulu isn’t a political band at all. I started Zulu because I wanted to be in an all black band and talk about what we go through and been going through. But also celebrating our lives at the same time.”

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Zu & Eugene S. Robinson

The Left Hand Path

LP | 2024 | EU | Original (Tartelet)

Release: 2014 / EU – Original

Genre: Rock & Indie

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Zu has always been a mercurial and ever changing entity, not afraid of cross-genre explorations and breaking down barriers between musical styles. Despite playing traditional instruments, major influences on Zu music have always been sonic explorers like Coil, Throbbing Gristle or early Neubauten. 'The Left Hand Path' is the side of Zu that has always been hidden and underlying in all their previous music. It's like digging out a box from the earth. It's everything the band had wished to highlight in previous works: ambient and droney landscapes, and acoustic explorations in obscurity. The album starts programmatically with the sound of a shovel digging the earth. It's a soundtrack for a descent in the underworld. It's moon musick. All the members played electronics and Massimo focused mostly on guitars. The recordings were then sent to Eugene S. Robison of Oxbow fame. Zu knew he was the right person to add vocals and to re-transform the music, resulting in a sort of contemporary post-everything voodoo blues.

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Zopelar

Ritmo Freak

19,99 €*

LP | 2022 | UK | Original (Tartelet)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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In a flurry of madcap sampling pitched towards the heat of the night, Pedro Zopelar builds on the premise of his 2022 electro- funk love letter Charme, shifting his approach towards a particular

90s flair and a method with a specific end result. Ritmo Freak took root in studio experiments for a momentous — and rare — live set at São Paulo festival Não Existe in 2023, where Zopelar was caught up in one of those right-place, right- time moments we carry with us through life. As he explains himself: “This album is dedicated to freaky club culture. While I was playing at the festival there was a crazy tropical storm outside and the room was packed with the freakiest crowd. I’ve tried hard to immortalize that feeling on this record.” With the intended energy in mind, Zopelar focused on a particular mode of production centred around 12-bit sampling from his ample record collection. Considering his background as a trained pianist, here his musical instincts are forced to work within the limitations of short, snappy cuts from dusty 12”s. The lo-fi sound sources and the resourceful ways Zopelar works them gives the record an unmistakable old-skool flavour which he applies to forthright house, techno and electro funk rhythms, always taking care to draw out the soul of the music.

The stylistic touchstones flow past thick and fast on Ritmo Freak. From the amped up fierceness of the title track with its gaudy, cut n’ paste, vintage techno flavour to the effervescent electro funk of ‘Gabriellinha’s Boogie’ on to the surreal Balearic inversion of ‘Distraction’, this is a high-velocity, endlessly charming record bursting with the musicality Zopelar has made his name on. As the driving force behind many warehouse parties in São Paulo,

Zopelar has been immersed in club culture for a long time, and his distinctive catalogue of jazz, funk, acid and techno has graced highly respected labels like Apron, Selva Discos and Mother Tongue. Throughout, he’s displayed an affinity for the tangled roots of the groove with an open-eared, big-hearted sound. That’s what comes through on Ritmo Freak

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Zopelar

Charme

CD | 2009 | UK | Reissue (Righteous)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Zopelar arrives on Tartelet with Charme - an album of effervescent machine funk harking back to a golden era of Brazilian party music, releasing October 21st.

The era of interest for Sao Paulo’s Pedro Zopelar begins in the 1980s in Rio de Janeiro, when a particular phenomenon caught on at suburban parties which became known as Charme. “Charme was like a mix of slow boogie, RnB and new jack swing,” explains Zopelar. “DJ Corello started calling ‘charme’ the moment of the party when he played slow grooves and felt that the people started dancing differently, with sexier synchronized moves. Some years later, charme evolved from an awaited moment of a night to a whole movement of parties just playing that kind of music. On this record I tried to make something that brings this emotional feeling to my music in a modern way.”

Much like the original genre-not-genre he drew inspiration from, Zopelar’s approach across his latest LP spans different moods and tempos. There’s blissful, sultry mystery lingering around ‘Clara’ and ‘Do You Feel?’ while Osagie lends some chops to the exquisite, Rompler-powered synth funk of ‘Chain Net’. The lead singles ‘Shibuya’, ‘Charme’ and ‘Passado’ all tap into varying shades of deep house, from slinky City Pop-tinted loungers to peak-time dance pop and Larry Heard-influenced flavours, with the constant being Zopelar’s immaculate production and the unbridled warmth of his compositions.

Continuing the Latin-rooted theme of the album, the artworkconception of Charme was realized by multidisciplinary artist and curator Ode, showcasing a popular style of street paintings made by anonymous artists throughout Latin America. It’s not about graffiti-culture but a popular solution utilized by small restaurants, bars and other establishments to use their own walls for commercial purposes, hiring artists to paint food and drink menus or other information about their products.

With an emotional sincerity stemming from his move to reconnect with the Brazilian dimension of his creative background, Charme arrives as Zopelar’s heartfelt celebration of life and music, of sentimental moments shared and good times enjoyed.

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Zoot Money

Transition

6,99 €*

No Matter What You Say Orange Vinyl Edition

Release: 2009 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Zooparty

LP | 2024 | EU | Original (Sunny Bastards)

24,99 €*

No Matter What You Say Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Zooparty has been called "Swedens finest punkband" according to Record collector (UK). If you like your punk catchy as hell then I can't recommend this enough" according to Maximum Rock'n'roll (USA). "No matter what you say" is there sixth album and contains 12 brilliant, timeless new songs. Special guest are Glen Matlock/Sex Pistols (and if you listen to "Elephants" it's like a flashback/ hommage to the "Holidays in the sun" times.), Hans Östlund (The Nomads) and the album include lyrics written with Stephen Straughan (UK Subs) and Gaz Moore (The Reverends).Produced by Chips Kiesbye (Sator, Nomads, Hellacopters, The Boys etc) and mastered by Henryk Lipp. They played the Rebellion festival in Blackpool, UK, three times. Toured the UK, Czec...

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Zooparty

LP | 2024 | EU | Original (Sunny Bastards)

12" | 1993 | DE | Original (ZYX Music)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Zooo

You And I

3,99 €*

Release: 1993 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2022 | UK | Original (Satya)

Zone+

For Angels

12" | 2024 | UK | Original (Wtr)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Hailing from Bahrain, sensational and suave producer Zone+ has just rolled out his very first Satya EP titled For Angels. If angels danced, they would flap their wings and soar from just hearing his contagious beats. Expect full body thrills with some emotional chills, as Zone+ delivers signature sounds that are crafted for freeing yourself on the dancefloor and in the outdoors. Optimal listening time? Rest assured - these four tracks will get you rising at dawn and grooving till dusk.

So who’s this mysterious master of deep hypnotic grooves? We’ll happily tell you. Currently based in Jeddah, Saudi Arabia, Zone+ balances the art of creating depth and levels in his music to make his crowd move yet fly through emotional landscapes. Widely known for his mesmerizing sets and memorable productions, Zone+ naturally makes his mark on dance floors all over the world. Starting off as a club resident in Soundscapes Bahrain, he has since continued his musical escapades being an integral part of the growing underground movement in the region.

“I always connect with people and love historical things, buildings and old stories.” - Zeyad Mohsen, Zone+

For Angels epitomizes Zone+ for its recognizable grooviness, always generating a playful yet dreamy soundscape for solo or group listening. Adding in eerie and floaty undertones, Zone+ creates a one of a kind narrative within For Angels, alluring the listener to learn more as the tracks progress.

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Zone+

A Star

3x12" | 2022 | EU | Original (In Waves)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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An uplifting, feel-good record, that takes you on a journey deep into the groove. This EP from “Zone+”, DJ/Producer from Bahrain with an extensive release history with the likes of “Anjunadeep” and “All Day I Dream”, now returnes to WTR with a special vinyl release of previously digitally released “A Star” and “Forever” along with a vinyl-only release of “Petra”.

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Zone+

A Balloon In The Wind

30,99 €*

Stridulum Milky Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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In Waves is a new sister label of Lee Burridge's All Day I Dream. Its third release comes from Zone+ and is a superb 13 track collection that sinks you deep into the artist's rich house sounds. A Balloon In The Wind (Ambient) opens top with dreamy pads and spring day sounds, then supple grooves arrive like Hello to take you away into a hypnotic world. Shinobi has bumpier drums and elastic bass, Bohemian brings worldly percussive sounds and Mandalorian layers up smooth drums with soft pads and angelic vocals. This most heady and cuddly of albums plays out through the clipped house and subtly funky kicks of What's Going On, the bubbly sounds and Middle Eastern vocals of The Musician and widescreen melancholic chords of Luna. Electric Dreams is a fine collab with Usif and the album closes on the tightly woven late night deep house of Uncommon. This is a masterful album of smartly layered grooves, emotional pads and escapist vibes.

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Zola Jesus

LP | 2017 | US | Reissue (Sacred Bones)

24,99 €*

Poor Animal / I Can't Stand

Release: 2017 / US – Reissue

Genre: Pop

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It was winter break at university in Madison, Wisconsin. There was a snowstorm that covered the city with a still white haze. Not a single person in the streets. I was sitting on my bed with a cheap keyboard and a computer, screaming into the void. I barely remember writing the songs. It was a chaotic point in my life. I had no time to think about process or intent. It was a purge. I do remember taking a break from recording, bundling up, and walking through the barren streets while listening to the demos I'd made. The world, at once, felt clear. These songs were a huge leap of faith back then. It was my first time singing without layers of distortion, echo, and reverb. It was the first time I peeled back the layers to find out what was at the core. I'm still on that path today, seeing how far I can push myself into unknown places, whether through clarification or destruction. It's like Stridulum's still here with me, underneath it all." -Nika Roza Danilova

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Zola Jesus

7" | 2010 | DE | Original (Souterrain Transmissions)

Okovi Black White Vinyl Edition

Release: 2010 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited edition, hand numbered Tiny wear.

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Zola Jesus

LP | 2017 | US | Original (Sacred Bones)

12" | 2023 | EU | Original (Who Is Paula)

Release: 2017 / US – Original

Genre: Rock & Indie

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German Exclusive Coloured Edition! Black&White swirl vinyl! Sacred Bones is pleased to release Okovi, the new album from ZOLA JESUS. For over a decade, Nika Roza Danilova has been recording music as ZOLA JESUS. She's been on Sacred Bones Records for most of that time, and Okovi marks her reunion with the label. Fittingly, the 11 electronics-driven songs on Okovi share musical DNA with her early work on Sacred Bones. The music was written in pure catharsis, and as a result, the sonics are heavy, dark, and exploratory. In addition to the contributions of Danilova's longtime live bandmate Alex DeGroot, producer/musician WIFE, cellist/noise-maker Shannon Kennedy from PEDESTRIAN DEPOSIT, and percussionist Ted Byrnes all helped build Okovi's textural universe. With Okovi, ZOLA JESUS has crafted a profound meditation on loss and reconciliation that stands tall alongside the major works of its genre. The album peaks of tragedy with great wisdom and clarity. Its songs plumb dark depths, but they reflect light as well. ,This album is a deeply personal snapshot of loss, reconciliation, and a sympathy for the chains that keep us all grounded to the unforgiving laws of nature. To bring it to life, I decided to enlist the help of Alex DeGroot, who has been the only constant in my live band and helped mix the Stridulum EP back in 2010. It will be released on Sacred Bones, the closest group of people I'll ever have to blood-bound family." - Zola Jesus

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Zobol

Reality Testing

12,99 €*

12" | 2008 | UK | Original (Supa Dupa)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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While it may not be the first electronic music project called 'Reality Testing' to have taken the world by storm, this one is certainly up there with the greats. Electro specialist Zobol has a flair for making acid breakbeat with a futuristic edge, fleshing out all the synthetic, all the bionic, and the cyberpunkish themes you could possibly allude to using just textures and associations alone. Different aspects of reality are explored throughout the five tracks heard here, from the whistly 'Element Of Risk' to the acidically melodic and gritty 'Saturation Diving', a voice in which likes to talk at length about a 'compression chamber'...

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ZlemTree

I.C.U.

6,99 €*

Release: 2008 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 2023 | EU | Original (Nyege Nyege Tapes)

Ziur

Eyeroll

26,99 €*

Zito Righi E Seu Conjunto

Release: 2023 / EU – Original

Genre: Organic Grooves

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The world has changed, we shouldn't try and pretend otherwise. While we were shut away in isolation our routines shifted, social patterns evolved, and our hopes and dreams were twisted into cobwebs we're still trying to wipe from our fingers. Ziúr tentatively approached this on her last album Antifate, an ambitious and complex hybrid pop fever dream that looked back to a Medieval escapist fantasy as the scent of revolution seemed to hum in the air. But when restrictions were eased, she found herself staring down a discombobulated society that had trapped itself in a spiral of microwaved nostalgia and detached, narcotic repetition. Eyeroll then is Ziúr's musical panacea, a tincture to wake us from our creative slumber and prompt external connection and reflection. It's a polyphonous hex that demands human interaction, and Ziúr's hand-picked alliance of collaborators - Elvin Brandhi, Abdullah Miniawy, Iceboy Violet, Juliana Huxtable, Ledef, and James Ginzburg - each provide distinct voices that together herald a bewildering sonic epoch.Ziúr's palette had to evolve to match the scope of the project, but it was pure necessity that informed the album's defining tone. Recording mostly at night, Ziúr was conscious of the noise she was making so developed a unique way to record organic percussion. Using a set of rototoms - low profile tunable drums - she scratched, scraped and gently tapped the skins to build up the undulating and unstable rhythmic backdrop for each track. It's the first sound we hear on the opener 'Eyeroll', rattling like lost marbles against Elvin Brandhi's primal croaks and screams. And when Brandhi's twisted articulations form words, Ziúr matches the energy with chaotic thuds and serrated blasts of saturated electronics. "I roll the shittiest cigarette," she squeals like she's about to start a mosh pit at Paris's GRM Studios. Without pause, Abdullah Miniawy takes over on 'Malikan', building on the promise of material with Simo Cell, Carl Gari and HVAD with corrosive trumpet blasts and charged,...

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Alucinolandia

LP | 1969 | EU | Reissue (Mr Bongo)

22,99 €*

Zito Righi E Seu Conjunto

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Some things take time to happen, some things perhaps take a bit longer than they should but, finally, we are delighted to present an issue of the iconic, and sought-after, Brazilian album 'Alucinolândia' by Zito Righi e Seu Conjunto from 1969.

The trippy, surrealist 60s cover design with hands holding eyeballs is somewhat confusing. Rather than the stoner acid rock record that the art may suggest, 'Alucinolândia' is actually a quintessential 60s gem, mixing samba, MPB, bossa nova, quirky organ-led mod-jazz groovers and easy-listening crooners with a relaxed cool swagger.

Zito Righi aka Isidoro Righi, the Brazilian saxophonist, instrumentalist, conductor and composer brought together an illustrious cast for this masterpiece, including the much-loved vocalist Sônia Santos. Sônia delivers a masterclass on the album's opener, and maybe its crown-jewel 'Poema Ritmico Do Malandro’. The song is fierce and driving with an enticing funk intro that bursts into a Samba / Batucada workout. A real monster that works magic on the dancefloor. Sônia would later re-visit this track in 1971 on a recording for Copacabana Records, which Mr Bongo released as part of the Brazil45 series. The Brazilian songwriter Roberval penned three tracks on the record, including another highlight and the far too short 'Birimbau'; a catchy Brazilian jazzy-samba dancer at its finest. Other musicians include the drummer Fernando who also recorded with the greats Dila & Guilherme Coutinho.

The fact the record was released in 1969 meant it was probably a bit out of step with its contemporaries in comparison to the works of artists such as Os Mutantes, Gilberto Gil et al. The core of 'Alucinolândia' is that of a more optimistic early to mid-sixties party feelgood vibe rather than the angsty, psychedelia, and rebellion of the Tropicália movement. Over 50 years since its release, the work can finally be judged on its own merit; and what a beauty it is.

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Alucinolandia

CD | 2022 | EU | Original (Mr Bongo)

Zito Righi E Seu Conjunto

Release: 2022 / EU – Original

Genre: Organic Grooves

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Alucinolândia

LP | 2022 | Original (Mr Bongo)

20,99 €*

Release: 2022 / Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

CD | 2012 | US | Original (Live:Up)

Zion I

ShadowBoxing

Release: 2012 / US – Original

Genre: Hip Hop

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Modular Guitar Fields I-Vi Colored Vinyl Edition

Zimoun

LP | 2023 | US | Original (12k)

26,99 €*

Release: 2023 / US – Original

Genre: Electronic & Dance

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LP | 2023 | UK | Original (Chopped Herring)

Zimbabwe Legit

House Of Stone EP

LP | 2012 | CH | Original (Oh, Sister)

Release: 2023 / UK – Original

Genre: Hip Hop

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A sick 10 track EP of material from Zimbabwe Legit's 2007 album House of Stone including a few instrumentals and extras, handpicked by myself for the heads. Cats will know ZL from their 1996 DJ Shadow mixed Mo Wax release 'Doin' Damage In My Native Language'. The original release dropped in 1991 on Hollywood Basic [Organized Konfusion!] and ZL are often touted as the first African hip hop act to get a US release.

This slept on project from 2007 only had a CD release and was fairly low key at the time. It is mostly produced by Raw Produce's Cadence [R.I.P.]. Little story for you. I was in Beat Street [Fulton Mall, BK] at the time of one of their massive sales. I found one of the Raw Produce EPs there for 10c a pop. I copped about 30 or 40 [!!!]. Flipped em on the bay and a few years later I was digitally accosted by Seth [Cadence] on the DWG Forum. He was like "Did you bootleg my record!!" etc etc. I explained where I got them and after a little back n forth we squashed the beef and agreed to work on something in the future. Shortly after he passed and shortly after that I hooked up with producer DJ Quazar from New England Hip Hop Massive and released the grail which included Seth's first ever recording from 1992. And here we are now...

The features on this one are massive: Mike G from the Jungle Brothers, Mad Skillz, stic.man from Dead Prez, YZ, Prince Po, Breeze Evahflowin, Apani, Emskee and Cadence himself. Beautiful, conscious, jazz infused vibes from the motherland. Stupendous stuff!!!

Big shout out to my man in Canada Gee Roc for putting Dumi [from ZL] onto Herring to make this one happen. Props to all involved!!

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Zigitros

Cocktails & Dreams

Release: 2012 / CH – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: Near Mint

Dancing In The Dark Random Colored Vinyl Edition

Ziggy Alberts

LP | 2023 | EU | Original (Commonfolk)

19,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Riding Easy)

Zig Zags

Strange Masters

Your Markets Are Volatile

Release: 2024 / US – Original

Genre: Rock & Indie

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“The origin of this record is a weird one. In 2019, we had just returned from two long European tours when we decided to take a ‘little break’ from the road. You all know what happened next. That ‘little break’ turned into a couple of years and during that time Dane, our drummer, decided to quit the band and music in general (no hard feelings). Sean [Hoffman] and I had a discussion and thought about ending the band as a whole, but I knew I had to go out on my own terms. I had an ace in the hole, though. Jeff Murray, drummer from LA rippers The Shrine. I had been friends with Jeff and The Shrine’s founder, Josh Landau since our ‘Scavenger’ 7-inch came out, around 2012. We had run into them in Berlin a few months back and I knew they weren’t playing anymore. I called Josh first, ’cause asking a dude if you can take his drummer, is like asking your girlfriend’s dad if you can marry her. And Josh said ‘go for it.’ And Jeff was in.

“Honestly if he had said no, that would have been the end. I had written a ton of stuff since our last album but I had shelved most of it. I was trying too hard—basically. Eventually Sean, Jeff and I said, ‘Fuck it, let’s make a ‘Fake Live’ record—like Kiss or Slayer did. John Dwyer from Osees was opening his new studio, Discount Mirrors, and it seemed like the perfect place to record it. We settled on re-recording a bunch of old stuff while simultaneously demoing our new material, as the three of us were now starting to really get in the groove. The result is Strange Masters Vol. 1.

“These are not new songs. These are Zig Zags classics re-recorded with a ripping-ass band that’s old and angry and just wants to get on with it. We are already on to recording the next album of new songs. That one is coming soon, but in the meantime, enjoy this one…while you still can!” —Jed Maheu (guitars/vocals for Zig Zags)

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Zhark 0028

12" | 2017 | EU | Original (Zhark)

10,99 €*

ZGTO (Shigeto & ZelooperZ)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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No Average half cooked tunes is going to be fronted with these luv songs. Brought to you by the Big K from the K-MEN Islands. Maximum Versatility meets high level accuracy-punch precision.

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A Piece Of The Geto

LP | 2017 | US | Original (Third Man)

OST Rob Zombie's The Munsters Multicolored Vinyl Edition

Release: 2017 / US – Original

Genre: Hip Hop, Electronic & Dance

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In a city famed for its disparate and varied musical excellence, the Detroit-based alignment of feted electronic artist and producer Shigeto aka Zach Saginaw and rapidly rising Bruiser Brigade member ZelooperZ is an entirely natural thing. Introduced by mutual friends in the city, an instant bond was formed, and ZGTO was born. A Piece Of The Geto is out August 4th on Ghostly International, with a limited edition vinyl pressing by Third Man Records.

For Shigeto, this is the first time he's musically stepped out of the box of a solo artist and worked with a vocalist on a project. There is a ''less is more'' philosophy with the production where the vocals of ZelooperZ are seamlessly interlaced into the fabric of the beats. It's minimal in a sense, but the emotion felt through the words of ZelooperZ makes the songs as a whole intense and heavy with sentiment.

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Zeuss And Rob Zombie

2LP | 2022 | US | Original (Waxwork)

44,99 €*

Zero Tolerance / Total Science

Release: 2022 / US – Original

Genre: Soundtracks

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* Deluxe double LP “Herman” and “Lily” colored vinyl (green & black swirl and white & black swirl) * Exclusive liner notes by Rob Zombie * 12x12 art print * 24 Page Booklet * printed inner sleeves

Waxwork Records is thrilled to present Rob Zombie’s THE MUNSTERS Original Motion Picture Soundtrack! Rob Zombie (House of 1000 Corpses, The Devil’s Rejects, The Lords Of Salem) digs up the origin story of everyone’s favorite family of monsters in the brand new movie. Starring Sheri Moon Zombie as Lily, Jeff Daniel Phillips as Herman Munster, and Daniel Roebuck as The Count, Rob Zombie’s THE MUNSTERS presents to us the strangest love story ever told! Lily is just your typical 150 year old, lovelorn vampire looking for the man of her nightmares… that is until she lays eyes on Herman, a seven foot tall green experiment with a heart of gold. It’s love at first shock as these two ghouls fall fangs over feet in this crazy Transylvanian romance. Unfortunately, it’s not all smooth sailing in the cemetery as Lily’s father, The Count, hasother plans for his beloved daughter’s future, and they don’t involve her bumbling beau,Herman. You’ll laugh, you’ll cry, you’ll howl at the moon as The Munsters make their way to Mockingbird Lane!

The Munsters features a soundtrack and score by Rob Zombie and Zeuss. Waxwork Records is proud to present The Munsters as a deluxe double LP featuring spooky synth-driven jams such as “Disco Vampire” and “Microbat / Megabat”, movie dialogue, and the singles “It’s Zombo” and “I Got You Babe” with performances by Sheri Moon Zombie and Jeff Daniel Philips. The chilling score album features a whimsically malevolent performance by Zeuss thats pays homage to the original 1960’s The Munsters television series. Bells, xylophone, horns, claves, wood blocks, and wooden guiro, are paired with synthesizers and spine-chilling choir choruses to build an eerie and cooky good time!

The deluxe double LP includes 180 gram “Herman” and “Lily” colored vinyl, heavyweight gatefold jackets with matte satin coating, exclusive liner notes by Rob Zombie, a 24 page booklet, a 12”x12” art print, printed inner sleeves, new artwork by Graham Humphreys, and more!

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Busytime (Break Remix) / Never Had A Dream (Furney Remix)

12" | 2009 | UK | Original (C.I.A.)

6,99 €*

Zero Tolerance & DJ Bailey / Zero Tolerance ft Steo

Release: 2009 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Robots (Ulterior Motive Remix) / Walk Away (Zero T 2010 Re-Print)

12" | 2010 | UK | Original (C.I.A.)

7,99 €*

Release: 2010 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 2022 | EU | Original (White Skull)

Zero Netcost

Remixes

History Of ... 40th Anniversary Cleaar Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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It's been a long journey for Romain Bezzina aka Zero Netcost ever since 2002 when he discovered the band that would become his favorite of all time: The British duo Bent through the amazing track "Always" remixed by Ashley Beedle. Twenty years later, the circle is complete with this compilation of remixes from all his idols including, of course, a beautiful atmospheric/downtempo remix from Bent, a cheeky mega drive mix from Simon Mills (one half of Bent), a chunky sunny remix from the legendary Ashley Beedle, and to complete this nice bunch of guys, a very nice sharp balearic remix from the amazing I:Cube. Enjoy!

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Zero Boys

2LP | 1984 | US | Reissue (Secretly Canadian)

37,99 €*

Real Time - 40 Year Anniversary

Release: 1984 / US – Reissue

Genre: Rock & Indie

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LP+7" (Clear Vinyl). When the Ramones lost it, the Zero Boys found it; Adding a slambrigade fist to the Blitzkrieg Beat. The Zero Boys managed tocome with one of the best early 80's punk records, or one of thebest records ever, period.From 1979 to 1983, the Indianapolis-based Zero Boys were thefinest hardcore blitz in the Midwest if not all the lower 48 states.Compiled and released as a post-mortem following the band'sbreakup, History Of_ is the proof, if more was needed, that theirtake of American hardcore wasn't all white bread numbers.Yeah, they played shows with Minor Threat, Dead Kennedys,Subhumans, and others but in Terry "Hollywood" Howe's guitarthere was harmonious terror and unstoppable cadence. Terry'slicks and chops _ a leap beyond two or three chord punk _offered a zone and measured count for drummer MarkCutsinger and bassist David "Tufty" Clough, a rhythm unit in parwith the Minutemen if not The Meters, to run lines likequicksilver. Meanwhile, frontman, Paul "Z" Mahern provides aconstant wash from beginning to end.Originally released in 1984 with a limited-edition reissue in 2009,this 40th anniversary edition includes the original LP of `HistoryOf_' and a 7" featuring four live recordings never previouslypressed to vinyl and recorded at iconic hardcore/punk venueCrazy Al's in 1980: "Livin' In The 80's", "Stick To Your Guns","Commies", and "I'm Absent".

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Zer-O

12" | 2024 | EU | Original (Running Back Super Sound Singles)

2LP | 2018 | FR | Original (Yotanka)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

Greg Wilson returns to Running Back with another special project.
Forty years on from the release of the groundbreaking ‘Street Sounds UK Electro’ LP, ‘Real Time’ (two versions of which opened the separate sides of the album), finally gets a 12” release. Despite its prominence on ‘UK Electro’, it was the only inclusion not to be issued on 12” back in 1984.
Zer-o, like Syncbeat and Forevereaction, were the same trio – Manchester musicians, Martin Jackson and Andy Connell, and DJ Greg Wilson, making his first foray into record production. They also teamed up with rappers, Kermit and Fiddz, for the Broken Glass
track, ‘Style Of The Street’, one of the early UK hip hop releases. Fictional production and songwriting credits were added by Street Sounds to suggest a thriving British electro scene, the music having blown-up in New York during ‘82/’83, with the ‘Street Sounds Electro’
series, launched in October ’83, documenting these developments and unlocking a significant youth market who’d religiously collect these compilations.
Featured here is a Greg Wilson edit of ‘Real Time’, the ‘retrospective dub’ (the ‘UK Electro opener, which was in fact the original demo version of the track), and a Gerd Janson bonus beats edit. Flip it over and you’ll find a pair of 2024 reworks – the retrospective
dub, and the more downtempo introspective dub – courtesy of Greg and Ché Wilson, whose recent collaborations have included remixes for Gabriels and Confidence Man.

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Zenzile, Jay Ree

Meets Jayree

Release: 2018 / FR – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Used Vinyl

Medium: Sealed, Cover: Sealed

Millennial Garbage Preach

Zen Mother

LP | 2022 | EU | Original (Weyrd Son)

12" | 2023 | Original (Whispering Signals)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Produced by Randall Dunn (Marissa Nadler, Sunn O))), Kayo Dot), Millennial Garbage Preach is Zen Mother's third full-length release. The group learned how to distill the most potent aspects of their sound through years of vagabond touring and have refined their approach accordingly. That ongoing refinement hasn't stifled Zen Mother's love for the grandiose- as evidenced by their acclaimed original score to Alejandro Jodorowsky's Holy Mountain (released in 2019 under the title The Ascent). "I think we are possibly less experimental in our compositional style now," Khot says of their current work. Zen Mother continues, "We came to our good friend Randall Dunn with fully produced demos for Millennial Garbage Preach with the 5k frequencies blaring, the wrong elements too high in the mix and Randall produced this record into the dark gauze of anguish it needed to be. Tears were shed, Sheridan Riley (our drummer) just flew in from Japan two days before, Monika had strep throat the whole time... we all felt like we were on acid throughout the making of the record." Zen Mother's trio formation skews the project towards more formal songwriting, but also allows the band to indulge in their lofty ambitions and visionary impulses. The curious nature and multi-faceted skills of the members makes Millennial Garbage Preach an almost untraceable effort, but Zen Mother never loses focus, even when it reaches for the esoteric. They continue, "I think you can hear some of the mania in Millennial Garbage Preach, after all music isn't created in a vacuum and you'll never be in a spot where everything comes together completely and succinctly. It's the struggle that makes something totally worthwhile, and for us this record is a document of an imperfect time, and a totem of where we came from." PRESS: First press links will start being published on the day of the first song premiere (Everything is Noise Mag). We already have other partners who confirmed to write articles and reviews on the same day, or the days and w...

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Zemög

Whs 04

LP | 2022 | US | Original (The Bunker New York)

Release: 2023 / Original

Genre: Electronic & Dance

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Deep suspension, tribal minimalism, and delicate whispers dominate the textured and meditative spaces of Zemög's universe. The imaginary and exuberant places, the waves that travels above the crystal clear water, the mist and the path to an unknown mountain. The drums resound their acoustic vibration and call our ancestors. Daniel[i]'s revisit closes the EP meditatively, a possibility to contemplate, thank, to reflect on our interior and externalize negative energy.

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Zemi17

Gamelatron Bidadari

22,99 €*

Where Is The Love / Dub Version

Release: 2022 / US – Original

Genre: Rock & Indie, Electronic & Dance

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The Gamelatron is many things; one could call it a sculpture, a multimodal installation, an instrument, a robot, a feat of engineering, a vision—and it is all of these things. More importantly, though, it is a concept sustained by Aaron Taylor Kuffner, aka Zemi17, whose Gamelatrons are “sound producing kinetic sculptures” designed to create an immersive, visceral experience for the listener. Not a small feat, and yet the ambitions of Zemi17 are absolutely realized in this long-standing project, culminating now in his third release for The Bunker NY: Gamelatron Bidadari.

The Gamelatron Bidadari is not just a name—it is one of seventy-plus musical sculptures that Zemi17 has conceptualized, designed, and fabricated. Therefore, it would be inaccurate to think of this release as simply a series of arrangements composed in a finite period of time. Rather, it’s a window into a project and a process that is much larger than any single album can encapsulate. Gamelatron Bidardi is the culmination of more than a decade of work, and is central to Zemi17’s evolution, not only as a musician but as an artist.

Having studied gamelan for many years in Indonesian villages and at the Institut Seni Indonesia in Yogyakarta, Kuffner is a musician, an artist, technologist, and craftsman. The gongs in his sculptures are co-created with master Indonesian artisans. Each Gamelatron composition is site-responsive, meaning its sounds are composed for the acoustics and intentions of the space it inhabits, whether it’s an art gallery, a wooded landscape, or the inner temple of Burning Man. The Gamelatron does not stand alone: it is in constant co-creation with its physical environment, and in dialogue with gamelan’s long-standing history.

Originally exhibited at the Smithsonian Renwick as part of a show entitled, No Spectators: The Art of Burning Man, the Gamelatron Bidadari produces sounds that are delicate yet strong, and deeply hypnotic. Textured chiming creates intricate polyrhythmic patterns that are both complex and simple, or in a word, elegant. On Gamelan Bidadari, Zemi17 refrains from adhering to the strict musical structures; his approach to composition is free flowing.

He says, “I want to evoke what the music tells me it has to offer. It is like following water to its conclusion (or non-conclusion).” The arrangements on this album, written by Zemi17 and performed by the robotic arms of the Gamelatron, leaves the listener feeling enchanted, nourished and enriched.

A sense of the mystical comes through in the tonal quality of the instrument, and is conceptually felt in the sculpture’s name: the Bidadari, which loosely translates to “forest nymph.” The music conjures up natural wonder, and the four sculptures that make up the Gamelatron Bidadari, in fact, resemble trees. They are four independent yet connected entities, each with a large gong situated at their structural base—the sonic “roots” of the sculpture—while smaller gongs branch off of a golden, trunk-like spine. The Gamelatron Bidadari is as physically stunning as it is mesmerizing to the ear. A kind of divinity is invoked through its sound, or a sacred cohesion between past and present, tradition and new form. Meant to be viscerally experienced, the sounds of the Gamelatron call for sublime togetherness. Gamelatron Bidadari is not just an album but the crystallization of Kuffner’s work; it is a condensed yet spacious glimpse into the sonic power of Zemi17’s Gamelatrons, which have already been heard and experienced live by over a million people.

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Zed I / Slimmah Sound

7" (Roots Tribe)

8,99 €*

Genre: Reggae & Dancehall

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You Should Dance Feat. Inja Bladerunner Remix

Zed Bias

12" | 2023 | UK | Original (Ifg)

Zeal & Ardor Deluxe Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The legendary Zed Bias is stepping out with a new label I Feel Good Records and intends for it to spread good vibes only through a diverse roster of talent and sounds that span house, bass and beyond. He has more than a quarter of a century of experience in the game and of eyeing new talents and helping them to shine and has always had a collaborative approach to music that will continue to define this label's MO. Zed is minting the label with a new single alongside award-winning d&b MC Inja. 'You Should Dance' pairs his warming tones with infectious garage drums and smeared, soothing chords that radiant heat. It will, indeed, make you feel good. D&b mainstay Bladerunner serves up a remix that has been doing the rounds for a while now and never fails to make an impact.

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Zeal & Ardor

2LP | 2021 | EU | Original (MVKA)

Zeal & Ardor Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Swiss firebrand alchemists Zeal & Ardor are excited to announce forthcoming, self-titled new album!

Hissing and seeping justifiable rage from every pore - yet not an unrelenting musical battering - the 14-track opus was recorded by Marc Obrist and Manuel Gagneux at Hutch Sounds and mixed and mastered by Will Putney at Graphic Nature Audio. All songs were written by the softly spoken, multilingual frontman Gagneux, with some German lyrics intermixed with the English. Gagneux declares, “With the self-titled record, we have arrived at where I imagined this project should sound like. It’s the longest we’ve worked on a single record and I believe it shows. The most important thing for an album of ours to do, is transport you instantly into our mood, our world. Even though this might not be the one you might expect from us, this record certainly delivers on that front. We had time to hone in to what we think makes us interesting and what sounds we would like to explore through this we have found our home. Home is burning. Welcome home.”

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Zeal & Ardor

LP | 2021 | EU | Original (MVKA)

24,99 €*

Wat Ik Dacht Toen Ik Lag (Zea The Dub Remix Album)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Zea

LP | 2024 | Original (Krachladen Dub)

Zé Rodrix E A Agencia De Magicos

Release: 2024 / Original

Genre: Electronic & Dance

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It's the kind of project that brings the old mad scientist cliché out for an airing, "It's insane, but it just might work." The insanity in this case being a motley cast that features Andy Moor (The Ex, Amsterdam), Desmond Denker (Cologne), Phanton (Cologne), Yürke (Düsseldorf), Dubby King Knarf (Knarf Rellöm, Hamburg), Istari Lasterfahrer (Hamburg), Begritty (Cologne) laying down their versions of tracks from the demento-a-go-go-electro-pop-rock-mono-mind known as Zea.

How could we resist the spasmodic schizoid psychedelic menace of that devilish Dutch juggernaut called Zea. This bastardised twelve inch slab of wax has Zea sonically re-assessed, dissected and twisted in side out. And it had to happen, it had to be made.

"Standing up I forgot what came to mind when I was lying on the kitchen floor. Standing up I forgot what came to mind, something I tried to remember before." It's the punky pop intro of the song 'Staande ben ik vergeten wat ik dacht toen ik lag', the Dutch translation of the first sentence of the song that provided the title for this collection of remixes. Zea, a.k.a. Arnold de Boer, a musician who skips sitting down, who either jumps or lies on the floor fumbling with a dictaphone trying to remember the ideas that just came to mind jumping around from the couch straight into the kitchen, trying to write the next song while cooking spicy food that makes his head explode. It's all inthere, everyone is in there; shrinking people, growing people, dead people. And all "Sub specie ludens" (from the perspective of human play).

Andy Moor and Arnold de Boer are in a band together called The Ex, and with Michael Heiber, the Krachladen Dub label maker and idea creator for this project, they share a love of dub, grime, dubstep, drum & bass, breakcore and much more. Zea, with his obstinate breakpop sampler-guitar-voice combination, shared the stage with many off-kilter electronic music artist from 1-Speed Bike to Felix Kubin to Jason Forrest (who all remixed Zea back in 2004) to recently Japanese OLOLOLOP and Arakawa Atsushi. And with his friends Desmond Denker (Cologne),Knarf Rellöm, (Hamburg) and Istari Lasterfahrer (Hamburg). So the logic behind this album isn't far from a friendship being celebrated and the music is very close to a fundamental experience of wonder and joy. Lay this record down and see what comes to mind. Did we say it's essential? It's essential.
Arnold de Boer, November 2023

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O Esquadrao Da Morte

LP | 1975 | EU | Reissue (Mr Bongo)

18,74 €* 24,99 € -25%

7" | 1973 | EU | Reissue (Mr Bongo)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Mr Bongo is proud to present an official reissue of Zé Rodrix E A Agência De Mágicos ‘O Esquadrão Da Morte’. Written, arranged and composed by the genius of Zé Rodrix and performed by his band 'Agência de Mágicos’, this Brazilian library funk beauty is the soundtrack to Carlos Imperial's 1975 film of the same title. Echoing European soundtrack maestros such as Roy Budd and Ennio Morricone, but with a Brazilian swagger, Zé Rodrix's score is a sublime gem that needs rediscovery.

Rich in 70's soundtrack cool, the score is packed with orchestrated jazz, chase scene-funk, breaks, psychedelic freakouts and plenty of drama. The loose and quirky break-beat jazz-funk of 'Assalto' feels almost tailor-made for today's hip-hop production aesthetic. The opening drum break of 'Esconderijo' is a sampler’s dream and has already been reinterpreted by the Turkish Rapper Anıl Piyancı, as well as Brazil's DJ Caique.

Carlos Imperial was a jack of all trades. As a songwriter and music producer, he created a highly impressive back catalogue. It includes working with or writing songs for Tim Maia, Elza Soares, Brigitte Bardot, and Wilson Simonal. He also co-wrote the rare cult Brazilian 7" compacto 'Lindo Sonho Delirante (L. S. D') by Fábio. Carlos Imperial wrote liner notes and was an actor, filmmaker, television presenter, and media figure. His film 'O Esquadrão da Morte' is a violent heist movie starring Beto Bandeira, Claire Chevalier, and Baby Conceicao; in the vein of exploitation films and gritty, raw B-Movie cinema of the day. Both the film and album share striking, macabre artwork by artist Benicio.

The instrumentalist, arranger, and singer-songwriter Zé Rodrix has a musical achievements list that is also one to admire. He’s worked with the cream of Brazilian music, having written songs covered by the greats, including Quarteto Em Cy, Ronald Mesquita, Elis Regina, Karma, and Célia, to name just a few. His written arrangements have graced the music of Luli Lucinha E O Bando and Helio Matheus. He was a member of the iconic group Som Imaginário and played piano and synthesizer on Secos & Molhado's classic 1973 album.

We are super pleased to make this dusty treasure available again. It is a wonderful soundtrack score that more than holds its own with its European and American counterparts of the era.

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Ze Roberto

Lotus 72 D

12" | 1984 | EU | Reissue (Thank You)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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The most requested Mr Bongo reissue /// Ze Roberto aka Joaquim Roberto Braga is a composer, singer and instrumentalist from Brazilian folk music roots.

'Lotus 72 D' is a tribute to the Brazilian Formula 1 world champion driver of 1972, Emerson Fittipaldi.
In Roberto's own words: "Lotus 72 D is a tribute to the sensational talent of Formula 1 driver, Emerson
Fittipaldi, who was crowned world champion in 1972. I can't remember the names of the musicians who participated in the recording because they were hired by the original record label, RCA/Victor. The production team consisted of artistic co-ordinator, Henrique Gastaldello, and arranger, Severino Filho. The year of recording was 1973. I'm not aware of another fast version of the song 'Lotus 72 D'... My contract with the RCA/Victor was for 2 years. All my musical works belongs to me.”

The mystery surrounding the ‘fast version’ stems from the Via Brazil compilation from 2001 – the version featured was pitched up.
Hence, a lot of people know it at that tempo, because it is otherwise impossible to obtain!

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Ze Carlos

Venha 2024 Repress

12" | 1984 | EU | Reissue (Thank You)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Imagine for a moment that Arthur Russel had learned to speak Brazilian and then moved to Italy to produce an Italo-Disco single back in 1984. There's a good chance it would sound like the Dub version of the B side on this record (Remixed by Bob One). A percussive foundation channeling Latin Freestyle beats sets the groundwork for the chill sunset vibed melody to pleasantly unfold intertwined with the alluring Brazilian lyrics. The recording engineering on this production is clearly at a higher standard (than the usual neighborhood italo disco studio from back in the day) with some of the techniques at play giving it a very balanced and sophisticated sound for its time. The meticulous remastering this re-issue underwent allow for a generous low end with crystal clear mid range – game changing on any well calibrated dance floor sound system.

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Ze Carlos

Venha

LP | 2024 | EU | Original (A Colourful Storm)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-11-08

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Zbigniew Preisner

Effroyables Jardins

LP | 2023 | EU | Original (I Shall Sing Until My Land Is Free)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A Colourful Storm presents Effroyables Jardins, a soundtrack composed by Zbigniew Preisner for Jean Becker's eponymous film. Given limited distribution during its initial release, the soundtrack's lustre has only strengthened and it is now considered a lost gem of contemporary chamber composition. An understated triumph of the oeuvre of Preisner, who closely collaborated with Polish director Krzysztof Kie?lowski and was responsible for the film scores of Dekalog, The Double Life of Véronique and the Three Colours trilogy.

"Krzysztof and Zbigniew really found each other, as they were deeply complementary in their need of emotional expression," reflects actor Juliette Binoche upon her work in Three Colours: Blue. A Colourful Storm cites no other film leaving a greater impact on them than Three Colours: Red. These would be the last films the duo worked on together, before Kieslowski's retirement and untimely death.

Effroyable Jardins marks Preisner's post-Kieslowski era of solo composition, shifting from devotional harmonies into a beautifully restrained style of neo-Romanticism. It is his second soundtrack for Jean Becker, following Francis Ford Coppola's commission for The Secret Garden, the César-winning Élisa, and Edoardo Ponte's Between Strangers. Its leitmotif - a delicate, sparse melody for piano and organ, appears only during the opening sequence and, like Preisner's most powerful soundtracks, takes on a life of its own. Compositions for violin, harp and percussion are interspersed with haunting variations on a theme and a masterful use of silence. His music haunts the grieving Julie in Blue, soundtracks Valentine's epiphany in Red, and evokes the sublimity of moments in everyday life.

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Zavoloka

Amulet

22,99 €*

12" | 2018 | EU | Original (Sex Tags Mania)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Ukrainian folk instruments dissolve into abstract psychoactive sounds from the improvisational universe. The meditative engine of multi-instrumental music drives the magical means of influencing perception. This is the sonic amulet, which is decorated with radiant tones and the colorful ceremonial musical outline. Mythological music is spirited by epic historical times and ideas of freedom, dignity, and bravery. The acquired knowledge of ancient generations is infused into the present tense and crystallized into the art of liberation.

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Zarate_Fix & DJ Sotofett

Arjun / Afroz

8,24 €* 10,99 € -25%

Release: 2018 / EU – Original

Genre: Electronic & Dance

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In Any Case By Any Chance

Zanshin

LP | 2022 | UK | Original (Affine)

25,99 €*

LP+7" | 2018 | EU | Original (Wah Wah)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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"What took you so long?" might be a valid question concerning the ten year gap between Zanshin's new album "In Any Case By Any Chance" and his first album "Rain Are In Clouds".
Of course it is a question that the Viennese musician has asked himself quite startled in his usual self-critical manner, just to realize at a closer look that it has not been a lack of creativity or laziness at least. He used the Zanshin moniker on four EP releases and several remixes, plus a game soundtrack. Not to forget all his output as one half of producer duo Ogris Debris (the album "Constant Spring" from 2016 and roughly two dozen singles and remixes) and the many, partly award-winning audiovisual installations and performances with Leonhard Lass as Depart (depart.at). Furthermore he has also built two sound installations in 2021, "I Gong" at Elevate Festival and "Cymatic Sands" at Ars Electronica. In addition, Zanshin performs with the Max-Brand-Synthesizer from time to time as part of the compositions by Elisabeth Schimana, and together with label mate Dorian Concept he has also composed and performed the piece "Half Chance/Music for Moogtonium" for this unique instrument, built by Bob Moog himself.
Not spared by certain global developments of recent years, but rather invigorated by exploring his own resilience, Zanshin had a talk with Affine Records Operator Jamal in the beginning of 2021, speaking of future ideas and releases. And what was initially a single release spawned into a whole album in seemingly no time. An old skit ("Polar Polychrome") on the Roland Mc-505 groove-box that had never really been forgotten, but was rather waiting patiently somewhere in the back of his mind, suddenly proved to be the initial spark for the album.
The term "Zanshin", roughly translated as un-focussed attention, is in fact more than just a pseudonym but rather a directive in the artists life. Zanshin really likes to go in several directions at once, kind of according to Wittgenstein's claim that "The world is everything that is the case.", to find out where his love for music might lead him this time. He also somehow went back to his roots with this album. Not necessarily in the sense of certain musical influences or genres, because then the album would be even more eclectic than it already is. More like a focus on the core values in the fabrication process of the music itself, the freedom to rather follow the structures and sounds than to shape them in a completely predetermined way. Somebody once called it, "to weave what the music demands."
In this regard, Zanshin often feels more like a sculptor and tries not toadhereto strongly to the rules of specific sub-genres of electronic music. Searching for sounds and designing them is one of the energies that fuels his interest the most, thus at the beginning of a lot of tracks there are small skits and ideas that have the freedom to grow in whatever direction.
Hence this album has no elaborate story to tell, there is no extensive "narrative" or big time "storytelling" at work. "In Any Case By Any Chance" is not a novel but rather a collection of short stories (which are certainly dense and have complex plots nonetheless). The result is a long-player where playful electronica, skillful songwriting, extrovert dance music and symphonic film music enter into a symbiotic relationship. Returning to another Wittgenstein quote, "Whereof one cannot speak, thereof one must be silent", the emotional impact of music is the main focus and the results can be quite solemn at times, but around the corner always lurks the next bone-breaking rhythm pattern and gnarly sound design.
The infamous saying, "writing about music is like dancing about architecture", is another brick in the wall of sound in Zanshin's approach to music. He rarely roots himself in traditions or uses them too overtly, he really likes to agglomerate sounds, to challenge the listeners. It seems like he tries to avoid classification on purpose, because he knows that everyone has their own perception anyway. The only thing that this music demands implicitly is a willingness to listen attentively.
Very dense, at times really heavy and massive, then again airy and playful. "Music for clubs that don't exist.", might be another fitting caption to describe this album, which lasts for a little more than an hour.
The opener "Heatseeker" rushes to a sudden head start with its steel pan extravaganza, tropical vibes meet a bass line drenched in electro funk, and electrified synth stabs support the declaration of love in the lyrics. Kind of Jamie XX meets Electro meets Diva House. The monster that is "Bronteroc Brawl" is up next, a serious test for the speakers and a wild ride with metallic, growling sounds. The aggressive sound design reminds of suspense ridden shark chases, vicious dogs and cunning dinosaurs, in any case a track for people who love a proper bass stomper.
A new approach for the "indie discotheque" brings the emotional roller-coaster "In Gloom" with snappy drums and hypnotic synth motives á la Alessandro Cortini, creating an epic atmosphere together with the multi-layered vocals. A psycho-acoustic treat is position 4, the crisp instrumental "Polar Polychrome", you could even go as far as calling this a Zanshin signature track. Like mentioned before, the roots of this track go back to 2002 and you can hear the unmistakable influence of beat wizards like Photek, a piercing bass line is supported by poly-rhythmic drums, while dense pads try to escape the claustrophobic lockdown mood of winter 2020/21.
Another round of intense pathos waits for the listeners in the ensuing track "In Search Of". Moderat say "Hello", a melancholy piano melody is rushed to a climax by a wild bass arpeggio and forceful drums, the desire for a perfect sunrise at the next after-hour to the max. Initially just an appendix to the preceding track, "Time After Thought" swiftly developed from a mere improvisation to an ambient epic with a croaking alien piano, as if Keith Jarrett were on his way to Alpha Centauri.
Up next is the first single "Because Why", a breakbeat driven, synth-heavy track with winged vocals and a popular film quote. The title refers to the movie "Alphaville" by Jean-Luc Godard, a dystopian science fiction film noir, in which an omniscient computer system named Alpha 60 is ruling society and humans can only say "because" but never "why". As if the gears of a galactic mechanism were spinning into motion sounds "Identity Slices". A raspy chord structure finds its counterbalance in a kind of stumbling, wonky beat, and Zanshin would never deny the huge influence that Autechre's sounds and structures always have had on his music. Micro- and macrocosm meet on the same level and this friction is also a metaphor for questions of identity and self-awareness, without using voices or lyrics.
Off we go into the IDM bubble bath of "Enzyme Enigma", the bass drum is stomping and a fizzy acid-line is twisting in all directions behind rolling dub-techno chords. "Corrosion Creak" is a kind of acoustic degradation process, the rave dogs are finally let loose and everything happens at once, funky synths shred, string sounds wail and then there is this bass that sounds like smashing a rusty metal plate in the junk yard with a vengeance.
Towards the end everything slows down a bit, the beat in "Whatever Words" is Warp school cerebral hop at its best and therefore loads of glittery, creaky sounds swarm out until the synapses are overloaded, cumulating in a mighty bass ending. Last but never least, "Rebus Redux" guides us into the limitless night sky, with long indulgent pads dotted by an aimlessly wandering piano, while a compact net of tamed resonances and meandering sub frequencies unfolds in the background, enticing navel-gazing imagination.

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Zanov

Moebius 256 301

LP+7" | 2018 | EU | Original (Wah Wah)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself an EMS VCS3 and started producing works into a 4-track Teac tape machine. French music was at its best, it was the time of Jean Michel Jarre, Didier Bocquet, Richard Pinhas and Heldon, Alain Meunier... Even Gong's Tim Blake was living in France at that time. By the time of his second LP, Moebius 256 301, issued also on Polydor in 1977, Zanov had already gathered a small collection of gear, including an ARP 2600 and an ARP sequencer, his old VCS3, an RMI Harmonic and a PS 3300. Again under the influence of both first and second generation of Berlin school musicians the LP will appeal to fans of Klaus Schulze or Tangerine Dream, but they will also find a big deal of Zanov's own personal sound on it, since as the musician himself reckons he had little contact with other peers of his generation, so besides a general love for the electronic gear used and the sounds you could make out of them the creative ideas behind his works were all his own. On his second album a richer sound is found, not only due to the use of the new gear, since some of its tracks where recorded using only his old EMS, but also due to his won experience after having taken his works to the life stages in the Golf Drouot boite, the Lase Olympia venue (on the basement of the famous Olympia), the Paris Planetarium or those for planned one month tour (of which in the end only four dates were accomplished).

Zanov's three albums met with unanimous critical acclaim for the sound quality as well as for the originality of this very personal universe.

We offer the first ever vinyl reissue of Zanov's Moebius 256 301 under license from Pierre Salkazanov himself and with his cooperation, in a limited edition of 500 copies that reproduce its original artwork, come with remastered sound and an 8 page insert with liner notes and photos courtesy of www.audionautas.com plus one bonus 7" with previously unreleased on vinyl format material.

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Zanov

Green Ray

LP | 2024 | US | Original (Blind Owl)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself his first syths and started producing works into a 4-track Teac tape machine. French music was at its best, it was the time of Jean Michel Jarre, Didier Bocquet, Richard Pinhas and Heldon, Alain Meunier... Even Gong's Tim Blake was living in France at that time. And so Zanov soon caught the attention of Polydor, who released Green Ray in 1976. It is a work made with minimal equipment if compared to other French sythetists, not to mention their German peers, he worked on the EMS VCS3 synth and used a 4-track Teac and a Revox A77 Mk IV reel to reel tape recorders obtaining huge sound results. You can appreciate an influence from the Berlin school, Green Ray walks the same path of what artists like Tangerine Dream and the likes were producing at the time, Zanov had felt under the spell of Ricochet, but his head was boiling with ideas which gave the recordings a very personal, unique touch.

Zanov's three albums met with unanimous critical acclaim for the sound quality as well as for the originality of this very personal universe.

We offer the first ever vinyl reissue of Zanov's Green Ray under license from Pierre Salkazanov himself and with his cooperation, in a limited edition of 500 copies that reproduce its original artwork, come with remastered sound and an 8 page insert with liner notes and photos courtesy of www.audionautas.com plus one bonus 7" with previously unreleased on vinyl format material.

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Zander Schloss

Song About Songs

36,99 €*

OST Windbound White Marbled Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Well known to punk rock aficionados for his nearly four-decade tenure as the Circle Jerks' bassist - Zander Schloss opens a new chapter in his musical career with the release of his first solo recording, Song About Songs, from San Diego-based Blind Owl Records. The album was recorded at Los Angeles' Sargent Recorders, the Filipinotown studio owned by producer and fellow Missouri native Gus Seyffert, who also plays bass on the collection; Seyffert is a well-traveled sideman who has worked with Roger Waters, Norah Jones, Beck, and the Black Keys, among others. Jake Blanton, Seyffert's best friend in Kansas City, Mo, contributed keyboards; he has played behind Brandon Flowers of the Killers and Michelle Branch. Josh Adams, also from KC, is a highly skilled studio drummer who supported Schloss and Wheeler on their second album Other Desert Cities. The emerging singer-songwriter Bedouine guests as vocalist on the track "I Have Loved the Story of My Life." "This is my polar opposite version of punk rock. Punk rock is volume and anger and speed. I wanted to do space and vulnerability and excruciating, almost subconscious emotions, things that I feel so deeply that I would never say them out loud."

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Zander Hulme

LP | 2021 | EU | Original (Mana Wave)

45,99 €*

Release: 2021 / EU – Original

Genre: Soundtracks

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7" | 2024 | EU | Original (A-Lone)

Zambeze

This Is The Night

10,99 €*

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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LP | 2024 | EU | Original (A-Lone)

Zambeze

Portrait Of A Roots Man

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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12" | 2023 | EU | Original (Bordello A Parigi)

Zakmina

For U

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Having featured on the Diamonds in the Night series with the epic “Midnight Opera”, it was only a matter of time before Lukas Zeringis, better known as Zakmina, had his own 12” on Bordello A Parigi. Following appearances on Correspondant, Future Boogie and XXX, the Lithuanian born musician arrives with two tracks that break the mould. A speeding rhythm sees “For U” race out of the stocks. Bright strings arc before a generous break and this old-school rave anthem reveals itself in all of its brazen glory. Glowsticks at the ready for this seven minute romp into sweaty ecstasy. The flip is inhabited by a completely different animal. “Take Me Back” comes to life with blissful notes before rasping rhythms give way to a rumbling arpeggiator. Sailing strings are countered by squalid acid undercurrents as Zeringis finds a sweet spot between braindance bleep and soulful electronics. A seriously strong debut.

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Vertigo Red Vinyl Edition

LP | 2020 | EU | Original (Magnetic Eye)

38,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Zakk Sabbath is the Black Sabbath tribute band featuring guitarist/vocalist Zakk Wylde (Black Label Society, Ozzy Osbourne), bassist Blasko (Ozzy Osbourne, Rob Zombie) and drummer Joey Castillo (Danzig, Queens of the Stone Age), who have been constantly gigging since 2014 with their take on the Birmingham four's early songs. Legendarily recorded in a single day in October 1969, Black Sabbath's self-titled debut was released on a Friday the 13th in 1970, and the world was never the same. "We recorded a live EP and were wondering what we could do next as a cover band, so the 50th album anniversary came just at the right time", explains Blasko regarding Zakk Sabbath's decision to go studio. "Compared to 'Paranoid', which is almost like a best-of record, the bulk of the material on 'Black Sabbath' is deep-cut, really experimental stuff that was never thoroughly explored, so that was a challenge, not to forget that we wanted to meet our own high standards." Describing the DIY process as "very productive," the three respectfully added their own flair to make for a slightly different flavour, also revisiting various live renditions and "extending a solo here or slowing things down because that's what they tended to do on stage." Titled "Vertigo", Zakk Sabbath's ode to the masters won't be available digitally, "to make the release feel authentic to the time when vinyl ruled the earth. It was such a cool time for those of us that grew up during that time. The fan experience with the physical product is irreplaceable with digital and streaming. We wanted to capture that authenticity." The songs were faithfully recorded in the spirit of the original - live in the studio and with a film crew documenting the process - culminating in a new celebration of the greatest heavy metal band of all time and the record that started it all.

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LP | 2020 | Original (Magnetic Eye)

Vertigo

Release: 2020 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Doomed Forever Forever Doomed Transparent Red Vinyl Edition

2LP | 2024 | EU | Original (Magnetic Eye)

38,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Doomed Forever Forever Doomed Gold Vinyl Edition

2LP | 2024 | EU | Original (Magnetic Eye)

42,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Worlds We Leave Behind

Zake / Tyresta

CD | 2024 | UK | Original (Past Inside The Present)

LP | 2023 | UK | Original (Past Inside The Present)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Past Inside The Present proudly shares the release of The Worlds We Leave Behind, the second full-length record from the duo of Zake (aka. Zach Frizzell) and Tyresta (aka. Nick Turner). Building on both quotidian and profound contrasts, and blurring their associations - Turner’s day job as a Chicago social worker, Frizzell’s reverent interest in the sublimities of natural lansdcapes - this record continues the theme already played up by the pair’s earlier collaborative efforts, that of personal strife and experiential wisdom, which colour the impressions we derive from our environments. Being a “spiritual sequel” to the pair’s first album Drift (2023), the album educes long, heavy-set, gut-fluttering ambient montages, from aphasic, fragmentary titles, such as ‘The Worlds We Leave Behind’ and ‘You Will Become A Song’.

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Zake / Tyresta

Drift

32,99 €*

Carolina Opaque Purple Swirl Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Past Inside the Present label regulars zake and Tyresta at long last come together for a well-overdue collaboration. This collection of sounds is called Drift and is all about reflective mood music that will send you deep inside yourself. It's a typically immersive listen from two of ambient's finest practitioners with lots of wide open spaces for you to sink into, slowly shifting timbers to gaze at and poignant atmospheres that cannot fail to leave an indelible impression. As usual, the sound design is top-notch here and the attention to detail second to none. It was well worth the wait, then.

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Zake

LP | 2021 | EU | Original (A Strangely Isolated Place)

12" | 2024 | EU | Original (Enemy)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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According to the artist himself, zake's first solo album of 2020 was recorded and produced during "a four-day excursion in several secluded areas" in South Carolina. As a result, listeners can expect to hear babbling brooks, birdsong and the gentle rustling of leaves beneath Zake's alluring mixture of enveloping ambient chords, unearthly drone tones, opaque electronics and slowly-shifting, heavily processed neo-classical movements. The results are hugely immersive and undeniably enjoyable, with each of the four tracks delivering a head-in-the-clouds journey that ripples with becalmed, atmospheric intent. In other words, it's the kind of ambient music you can get lost in. More please!

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Zahn & Z.I.P.P.O

Tools for Levitation

13,99 €*

LP | 2023 | EU | Original (Trost)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Dustin Zahn & Z.I.P.P.O team up for a brand new EP entitled “Tools for Levitation.” Looking for a party record? Wrong EP. These tracks are designed to bend reality to your will. The record focuses on 4 esoteric Techno tracks with a strong emphasis on sound design, with each track being as heavy as they are mental.

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Zack Zack Zack

Album 2

28,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Candid)

Zacchae'us Paul

Jazz Money

26,59 €* 27,99 € -5%

Things Are Getting Harder

Release: 2024 / Original

Genre: Hip Hop, Organic Grooves

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JAZZ MONEY, the debut album from multiinstrumentalist, composer, and producer Zacchae'us Paul is an irreverent, fresh take on "America's classical music" that speaks to the 24 year old artist’s deep-beyond-his-years understanding of Black music and the African diaspora. Paul stretches and bends jazz sounds around the Atlanta hip-hop he grew up with, the gospel sounds and philosophies that have long shaped his music making, and the Caribbean rhythms he learned studying in Puerto Rico. He has created a wholly personal sound that is youthful, and thoughtful all at once.

"When you listen to this album, listen to it again," Paul says. "A lot of the songs have multiple meanings, and I'd love for people to have different perspectives on them." Made with a cast of improvising upstarts and veterans that includes the album's executive producer, Terri Lyne Carrington, fellow Atlanta native and Candid recording artist Morgan Guerin and Paul's fiancée and star vocalist Melanie Charles, Jazz Money is jazz music for this, and future, generations.

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Zabandis

7" | UK | Reissue (Jah Fingers)

Release: UK – Reissue

Genre: Reggae & Dancehall

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LP | 2024 | EU | Original (Forbidden Colours)

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Zabala

No Club

20,99 €*

LP | 1984 | JP | Original (Malaco)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-08

Nestled against the Bay Of Biscay in Northern Spain, surrounded by towering green mountains lies Bilbao, an industrial port city known for its incredible cuisine and rich cultural heritage. It is here, from within his ‘El Tigre’ studio that composer / producer Zabala (aka Jon Aguirrezabalaga) weaves his auditory tapestries, crafting spacious and enchanting compositions, opening portals to otherworldly realms of consciousness. Following a spate of mind-bending single releases - complete with breath taking visuals (which have gained support from the likes of Nowness Asia), Jon now prepares to release his forthcoming album ‘No Club’ via Basque label Forbidden Colours (also home to Divorce From New York). An expansive and absorbing record, ‘No Club’ sets sail for shores unknown - melding tactile and organic sounds, with sprawling soundscapes and potent electronic sensibilities. Meditating on themes such as the lack of intimacy in today’s often-cold and unforgiving modern world, and our overexposure to external stimuli, ‘No Club’ is a record of ebb and flow, and light and dark. On the release, Jon explains: ‘Music can generate a brand new space, not real, not unreal, with its own rules, laws and dimensions. That is the place I'm looking for’. Moments of intensity give way to peaceful moments of elevational serenity throughout - as dreamlike synth patterns dance across a celestial backdrop, joined by hypnotic rhythms and ethereal textures. With a celebrated cast of Spanish collaborators on board (including Rrucculla, Sara Zazoya, Verde Prato & more) this is a listening experience unlike any other. A truly accomplished and imaginative album from of the country’s most interesting talents.

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Z.Z. Hill

I'm A Blues Man

Z-Man And Tahaj The First

Release: 1984 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing. With insert.

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Animal Slavery

CD | 2022 | US | Original

16,19 €* 17,99 € -10%

Release: 2022 / US – Original

Genre: Hip Hop

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CD | 2022 | EU | Original (Hip Hop Enterprise)

Z-Man

4 Hours Of Sleep

12" | 2023 | EU | Original (SK_Eleven)

Release: 2022 / EU – Original

Genre: Hip Hop

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Z-Man (given name Zamon) is an underground rapper and painter from the San Francisco Bay Area. He has released many full-length studio albums, several of which were self-recorded and released, and he has worked with numerous underground Bay Area rap legends.

He is a frequent collaborator with other artists in the Gurp City collective, composed of Sacred Hoop, Grand Invincible, G-Pek, Conceit, topr, MC Oroville and Bay Area legend Eddie Def. He has also worked with Hieroglyphics Crew, Disflex.6, and Refill Records.

Z-Man is also a painter with a broad body of acrylic-on-canvas paintings that portray cartoon-style hybrid creatures in vibrant, bold color schemes that often have thematic references to black culture. He paints all of his album covers and T-shirt designs, and has painted and drawn many album covers for other hip hop artists.

Back in 1999 Z-Man's "4 Hours Of Sleep" was released on tape only, and many consider this to be his best album. This album led to the Hiero Imperium signing soon after where he dropped "Anti Nerd" and "Dope or Dogfood" in 2003.

Remasterd by Jee Van Cleef and artwork done by LDL. Limited to only 250 copies!

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Z.I.P.P.O

Morfismo

Release: 2023 / EU – Original

Genre: Electronic & Dance

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12" | 2023 | EU | Original (SK_Eleven)

Z.I.P.P.O

Morfismo

Release: 2023 / EU – Original

Genre: Electronic & Dance

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12" | 2016 | FR | Original (YYY series)

YYY

白875

8,99 €*

Release: 2016 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Yvonne Harrison / Joe Nolan

Near To You / Cool It With Reggae

7" (Caltone)

11,99 €*

Genre: Reggae & Dancehall

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Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds) Deluxe Edition

Yves Tumor

2LP | 2023 | UK | Original (Warp)

40,99 €*

2LP | 1994 | EU | Reissue (Wayo)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds) takes us beneath all the bedazzled glam stardom as Yves journeys through the limbo of life and love, escaping toxicity to get higher and holier. From the raw, unapologetic drawl of 'God Is a Circle' comes a mercurially shifting tracklist where Yves picks apart their psyche, discerning lovers and enemies both spiritually devoted to. 'Lovely Sewer' captures the incendiary spark of love, heart racing to the red flags under sunset coloured new wave guitars; a total flipside to the later sultry sighs and strong shuffles of 'Echolalia', where heat rises from the spiralling synths and funky dance grooves.

As Yves explores the pulchritude of purgatory, they move through electrifying rock strains. The technicolour acoustic guitars of 'Meteora Blues' evolve into a high voltage headbanger as they plead, "I'll always pray to an empty sky," sauntering into a falsetto-powered, scathing examination of the popstar on 'Parody' and the cold wave-meets-emo thrashes of 'In Spite of War'. 'Purified By the Fire' is a plunderphonic gauntlet of alchemical transmutation, with shredded loops and cataclysmic beats leading up to the anthemic and heavenly last hurrah of 'Ebony Eye', where Yves Tumor finds glory and salvation, sitting on the throne as the righteous leader of rock music’s contemporary revolution.

The world needed a new rockstar, and Yves Tumor has the answer. From the chameleonic kaleidoscope Safe In The Hands Of Love, to the visceral fusions of Heaven To A Tortured Mind, and the theatrical power jams of The Asymptotical World, Yves Tumor has proved their prowess in any sound their punk spirit inhabits. Hot Between Worlds distills all of this into a masterclass of pop songwriting and rock captivation, with songs that carry a stadium shaking energy having been teased and refined with their band live across the globe.

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Yuzo Koshiro

The Story Of Thor

44,99 €*

OST Actraiser - Original Soundtrack & Symphonic Suite / Digipack 3 Volets

Release: 1994 / EU – Reissue

Genre: Soundtracks

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Celebrate the 30th anniversary of The Story of Thor (also known as Beyond Oasis), the Megadrive's cult action RPG, with its original soundtrack composed by Yûzô Koshiro, available for the very first time on vinyl! Developed by Ancient (Yûzô Koshiro's studio), The Legend of Thor left its mark on several generations of gamers right from its release in 1994, offering rich gameplay and an enchanting soundtrack, the fruit of meticulous composition work by Yûzô Koshiro. The Story of Thor is recognized as one of the A-rpg classics on Sega's console. For this newly remastered vinyl Edition, the music was directly recorded from a Megadrive console following a meticulous process to obtain the best sound quality. The vinyl edition includes 34 tracks on two translucent discs inserted in a gatefold sleeve with an illustrated 12-page booklet.

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Yuzo Koshiro

2CD | 2021 | EU | Original (Wayo)

Release: 2021 / EU – Original

Genre: Soundtracks

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Yuya Uchida & The Flowers

Challenge!

LP | 1969 | EU | Reissue (Cosmic Rock)

19,99 €* 24,99 € -20%

I've Got My Head In The Clouds, But The Server Is

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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All in all the debut album by cultish japanese freak-rockers Flower Travellin’ Band, then called Yuya Uchida & The Flowers. Released in 1969 it features mainly cover songs of influential Western bands such as Cream, Big Brother and the Holding Company, The Jimi Hendrix Experience, Jefferson Airplane. It was named number 34 on Bounce's 2009 list of 54 Standard Japanese Rock Albums.

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Yuun

LP | 2023 | EU | Original (Adp)

25,99 €*

Release: 2023 / EU – Original

Genre: Pop

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12" | 2022 | UK | Original (Cyphon)

Yuu Udagawa

Forever EP

Yutaka Minobe & Tatsuyuki Maeda

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Tokyo-based DJ, producer and sound artist Yuu Udagawa inaugurates the freshly launched Cyphon Recordings with her debut EP, ‘Forever’.

Growing up on a cocktail of everything from rock, hip-hop and Latin jazz to techno and house, Yuu’s immersive musical output draws inspiration from this diverse pool of influences to create ‘uplifting and healing’ music for the mind and body. There’s an elegance and sophistication to her productions, which stems from her desire to make music guided by the Golden Mean philosophy of finding a middle ground between two extremes: excess and deficiency.

Active as a DJ since the millennium, which saw her playing at clubs, festivals and fashion shows across the country, she soon turned her attention to music production and has since self-released a handful of singles and contributed audio commissions for Sony Playstation3, museums, theatres and apparel brands. Yuu’s meditative pallet of sounds instantly grabbed Cyphon’s third ear which led to the tracks that make up ‘Forever’: a collection of analog slo-mo electronica and leftfield minimal house that strike a perfect balance between warmth and depth.

The release opens with the titular track: a deep, emotive electro cut punctuated by a twinkling synthline and blissful vocals. ‘Mojito’ continues the EP’s voyage into the deep, matching softly spoken word with jazz-tinged chords and meandering melodies, before ’Hug Close’ strips things back, guided by a crunchy minimal groove, warm, resolute keys and reflective synths.

The B-Side steers things on a soulful course. The dark, enveloping atmosphere of ‘Illuminated Night’ is lifted by bright synth stabs and harmonic R&B-flavoured vocals. These influences continue on closer ‘Stay With Us’. Slowing down the pace, the track is a wash of shimmering funk-inspired chords and shuffling rhythms, laced once again with effortless, soaring vocal tones.

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OST Skies Of Arcadia CD Box Edition

3CD | 2019 | EU | Original (Wayo)

36,99 €*

Release: 2019 / EU – Original

Genre: Soundtracks

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Foreign Objects / Hard Times

Yusef Afloat

Digipak CD | 2021 | EU | Original (90's Tapes)

Foreign Objects / Hard Times

Release: 2021 / EU – Original

Genre: Hip Hop

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Strictly limited edition of 300 copies on CD.

Next up on "90's Tapes" are the demo 4-track recordings of Yusef Afloat's "Foreign Objects" and "Hard Times".

Known as one half of legendary Westcoast group The Nonce (along with Nouka Basstype aka Sach), MC/producer/musician Yusef Afloat produced tracks for Aceyalone, Supherb, and Figures Of Speech. He also appeared on the original 1994 release of Project Blowed. On May 21, 2000, Yusef "Afloat" Muhammad was found dying on the side of Freeway 110 in Los Angeles, he was 28 years old. The cause of his death is still unknown.

"When I listen to Yusef now, I'm reminded of what I felt then and that is he knew his time on Earth was limited. The tone was new, stern authoritative on his views and expressions of Hip Hop. I knew he was talking to me and each one of our peers. The tapes have been safe for 20 years thanks to Dee Skee for maintaining archives at Weightless Audio. The implications that I knew someone who may have said things because their span was going to be cut. I'm thinking he saw clearer than we could. I felt he wanted to be a guide in the discovery of what kind of Man I would live to be and what kind of Man listening to this music would turn out to be? I don't know if I had inclinations of my time being so short what I would have been spending it doing and he spent his saying these weighted lines. I thought it abrasive at first but I understand now why he said what he said and how with style! I miss him everyday and I'm so proud that Yusef's music can finally be showcased to the world in the beautiful way it is deserving. I'm blown back looking at the pictures, so many sat on that couch Yusef sits Ganjah K, Meen Green. What great sessions… no magical sessions. Preparing to play this record we would probably roll something and get comfortable on that couch… well… drop the needle! Push play!"

Sach - January 2021

"Foreign Objects / Hard Times" is available in limited editions on 2LP, MC and CD as well as digitally.

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Yusef Afloat

Tape | 2021 | EU | Original (90's Tapes)

12,99 €*

Foreign Objects / Hard Times

Release: 2021 / EU – Original

Genre: Hip Hop

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Strictly limited edition of 100 copies on cassette.

Next up on "90's Tapes" are the demo 4-track recordings of Yusef Afloat's "Foreign Objects" and "Hard Times".

Known as one half of legendary Westcoast group The Nonce (along with Nouka Basstype aka Sach), MC/producer/musician Yusef Afloat produced tracks for Aceyalone, Supherb, and Figures Of Speech. He also appeared on the original 1994 release of Project Blowed. On May 21, 2000, Yusef "Afloat" Muhammad was found dying on the side of Freeway 110 in Los Angeles, he was 28 years old. The cause of his death is still unknown.

"When I listen to Yusef now, I'm reminded of what I felt then and that is he knew his time on Earth was limited. The tone was new, stern authoritative on his views and expressions of Hip Hop. I knew he was talking to me and each one of our peers. The tapes have been safe for 20 years thanks to Dee Skee for maintaining archives at Weightless Audio. The implications that I knew someone who may have said things because their span was going to be cut. I'm thinking he saw clearer than we could. I felt he wanted to be a guide in the discovery of what kind of Man I would live to be and what kind of Man listening to this music would turn out to be? I don't know if I had inclinations of my time being so short what I would have been spending it doing and he spent his saying these weighted lines. I thought it abrasive at first but I understand now why he said what he said and how with style! I miss him everyday and I'm so proud that Yusef's music can finally be showcased to the world in the beautiful way it is deserving. I'm blown back looking at the pictures, so many sat on that couch Yusef sits Ganjah K, Meen Green. What great sessions… no magical sessions. Preparing to play this record we would probably roll something and get comfortable on that couch… well… drop the needle! Push play!"

Sach - January 2021

"Foreign Objects / Hard Times" is available in limited editions on 2LP, MC and CD as well as digitally.

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Yusef Afloat

2LP | 2021 | EU | Original (90's Tapes)

28,99 €*

Yungmorpheus & Real Bad Man

Release: 2021 / EU – Original

Genre: Hip Hop

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Strictly limited edition of 300 copies on colored vinyl in gatefold sleeve.

Next up on "90's Tapes" are the demo 4-track recordings of Yusef Afloat's "Foreign Objects" and "Hard Times".

Known as one half of legendary Westcoast group The Nonce (along with Nouka Basstype aka Sach), MC/producer/musician Yusef Afloat produced tracks for Aceyalone, Supherb, and Figures Of Speech. He also appeared on the original 1994 release of Project Blowed. On May 21, 2000, Yusef "Afloat" Muhammad was found dying on the side of Freeway 110 in Los Angeles, he was 28 years old. The cause of his death is still unknown.

"When I listen to Yusef now, I'm reminded of what I felt then and that is he knew his time on Earth was limited. The tone was new, stern authoritative on his views and expressions of Hip Hop. I knew he was talking to me and each one of our peers. The tapes have been safe for 20 years thanks to Dee Skee for maintaining archives at Weightless Audio. The implications that I knew someone who may have said things because their span was going to be cut. I'm thinking he saw clearer than we could. I felt he wanted to be a guide in the discovery of what kind of Man I would live to be and what kind of Man listening to this music would turn out to be? I don't know if I had inclinations of my time being so short what I would have been spending it doing and he spent his saying these weighted lines. I thought it abrasive at first but I understand now why he said what he said and how with style! I miss him everyday and I'm so proud that Yusef's music can finally be showcased to the world in the beautiful way it is deserving. I'm blown back looking at the pictures, so many sat on that couch Yusef sits Ganjah K, Meen Green. What great sessions… no magical sessions. Preparing to play this record we would probably roll something and get comfortable on that couch… well… drop the needle! Push play!"

Sach - January 2021

"Foreign Objects / Hard Times" is available in limited editions on 2LP, MC and CD as well as digitally.

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The Chalice & The Blade

2LP | 2024 | EU | Original (Rrc Music)

33,24 €* 34,99 € -5%

LP | 1987 | US | Reissue (Bar None)

Release: 2024 / EU – Original

Genre: Hip Hop

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Real Bad Man and Yungmorpheus are excited to announce their new album The Chalice & The Blade is out now. The album features Boldy James, Kool Keith, Grip, Blu, Fatboi Sharif, and more.

Yungmorpheus is a highly innovative rapper that consistently endeavors to redefine the boundaries of originality and elevate the art of lyricism. Earlier this year, Yungmorpheus dropped his critically acclaimed album “From Whence It Came” which received praise from The Fader, NPR, Spin, and was hailed by Quip Mag as “Everything you need from a hip-hop record.”

Since 2020, Prolific LA-based producer and designer Adam Weissman (Real Bad Man) has been on a sensational run releasing albums with Boldy James, Smoke DZA, and Pink Siifu. The Chalice & The Blade will be Real Bad Man’s third album of the year following his remarkable collaborations with Blu (“Bad News”) and Kool Keith (“Serpent”).

The Chalice & The Blade showcases a unique ambiance marked by a stoney and atmospheric quality, interspersed with elements of funk. Real Bad Man explains the album making process, "I always tailor the music to the artist I’m collaborating with. I sent Morpheus a bunch of beats that he’d sound good over and once he started picking them, that set the path. We’d record and I’d make more beats, and move stuff around, get rid of some songs and record new ones. It was a good process. I like being able to adjust as we go, I think that makes for a good album. We left some songs on the cutting room floor. Cream rises."

Yungmorpheus discussing the new album, “‘The Chalice & The Blade’ is an album primarily rooted in dichotomies; contemplation of action vs action itself, inner locus vs outer locus, pursuit for self vs pursuit for others. Honesty is always the centerpiece. Play if you want cause I’m not!”

On The Chalice & The Blade, the seamless synergy between Real Bad Man and Yungmorpheus takes center stage, showcasing an extraordinary chemistry that elevates every track to new heights of musical innovation.

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Yung Wu

Shore Leave

26,99 €*