Search "little simz" 3241 Items

2LP | 1996 | EU | Reissue (NBN ARCHIVES)

Release: 2022 / UK – Original

Genre: Rock & Indie

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In the winter of 2013, IDVex (a.k.a Ifigeneia Derizioti) formed the one-man band 1/2 Southern North (read: Half Southern North) in Kalamata, Greece. The musical compositions are characterized by heavy melodic lines, a languid and sluggish tempo and the use of prolonged sonic scenes. In addition, the lyrics deal with Mythology, Left Hand Path Philosophy, Occultism and personal experiences. In a nutshell, the band is inspired by several genres such as black metal, doom metal, experimental and avant-garde music.

The aesthetic of the first full length album, “Narrations of a Fallen Soul”, is based on ancient Greek tragedy while the compositions’ structure is similar to the forms of classical music.

The main theme of the album is the essence of Death and the Soul, as the Spirit is freed by Lucifer (the sacred snake Ophis). Death here represents the minor god Thanatos of ancient Greek mythology, who is the last lover of the maiden Soul, a "marriage" of eternity, the bitter inevitability of death and decay. The Soul accepts her destiny and frees herself from the bounds of matter to join the Moon, the ancient Mother of all.

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108

Mission Infinite

29,99 €*

LP | 1994 | EU | Reissue (Interscope)

Release: 1996 / EU – Reissue

Genre: Hip Hop

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NBN Archives is proud to debut a forthcoming series of Hip-Hop and R’n’B reissues with a little known Californian project from "108" a short lived Bay Area group which consisted of rappers Encore (Shaya Bekele) and Grand The Visitor (Everett Aknowledge) along with composer-producer Sedric Edwards. Originally released in 1996 in a very limited quantity of one hundred CD's, the album "Mission Infinite" never really got the attention it deserved until now.

By the mid 90s Encore and Grand had already been gravitating around the San Jose Hip-Hop scene, releasing music in connection with Bay Area Hip- Hop Icon Peanut Butter Wolf - both featuring on one of Wolf’s first 12’s “Step On Our Ego's?” (1996, South Paw Records). In the same year, Grand released his first solo single “The Visitor” on Blind Side Recordings produced by PB Wolf and Encore's first single was one of the very first releases on Stones Throw in 1997. Sedric Edwards was a sound engineer working locally when he met Chris Cut (aka PB Wolf). They set up a studio together where he met the two MC’s. According to Encore: "One day, Sedric was playing some of his Jazz-infused instrumentals in between sessions, and we were like: ‘We should try something with this!’”

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2Pac (Thug Life)

Thug Life (Volume 1)

28,99 €*

LP | 2022 | EU | Original (Rotary Phono Lab)

Release: 1994 / EU – Reissue

Genre: Hip Hop

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Thug Life: Volume 1 is the only studio album by American hip hop group Thug Life, started by 2Pac. It was released on September 26, 1994 by Interscope Records. The group featured Big Syke, Macadoshis, Mopreme, The Rated R and 2Pac.

Among the notable tracks on the album are "Bury Me a G", "Cradle to the Grave", "Pour Out a Little Liquor" (which also appears on the soundtrack to the 1994 film Above the Rim), "How Long Will They Mourn Me?" and "Str8 Ballin'."

The album is Gold-certified by the RIAA.

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3 Zvo

One

12" | 2020 | EU | Original (300 Degrees)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Catchy melodies are gleaming through a colorful cloud of sounds and spheres, constantly driven by extensive grooves.

Andrej Ugoljew and his 3 ZVO crew carry along and invite you into an energized world between hip-hop, afro funk and a nu jazz aesthetic, containing a lot of nodding and little pathos.

The music floats. It is modern, fresh and astonishingly free of clichés. Cinematic trip jazz.

3 ZVO is a septet led by jazz musician and composer Andrej Ugoljew. Very well known and in great demand as a sideman and studio musician, Andrej has worked with Tony Allen, Salif Keita, Nils Frahm, Andromeda Mega Express, WDR Bigband, Megaloh, The Omniversal Earkestra and many more.

A brand new Berlin brew, the band features guitar virtuoso Keisuke Matsuno, bassmaster Thomas Stieger, violin player Johanna Burnheart, percussionist Max Klaas, saxophonist Bastian Duncker, grooving drummer Hanno Stick and Andrej Ugoljew on trombone and keyboards.

A1. 3 ZVO - Easy Does It A2. 3 ZVO - Blue Doc A3. 3 ZVO - Dunkelgold

B1. 3 ZVO - Terre Battue B2. 3 ZVO - Morning B3. 3 ZVO - Ballad From The East

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300 Degrees

Patterns Of Sleep

Stasis Sounds For Long Distance Space Travel I Clear Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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After releasing my 300 Degrees - "Naujas" album on Little Beat Different label, I wanted to continue the theme of making an acid-techno album, but taking out all the main elements like kick and other drum sounds, yet leaving the groove going, making it in to ambient. I have been falling asleep to this album many times my self. This sound became special to me and thanks to all of you, who have bought my previous tape and vinyl releases, it enabled me to fund and release this album on vinyl.

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36 / Zake

12" | 2020 | UK | Reissue (Past Inside The Presen)

33,99 €*

LP | 2024 | Original (Fisher's Folly)

Release: 2020 / UK – Reissue

Genre: Electronic & Dance

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Given the respective outputs of committed ambient explorers and sound designers zake (best known for releasing no less than five fine albums in 2019) and 36 (most recently seen on A Strangely Isolated Place with the superb album "Fade To Grey"), you'd expect this trip into aural deep space to be rather good. It is of course, with the four tracks mixing echoing sonic tones and drifting sound effects with slow-burn electronic melodies and the kind of immersive, sustained chords that were once the preserve of German maestro Pete Namlook. The third track in the suite, appropriately titled 'Stage 3', is little less than stunning, in part because of its grandiose, almost classical intent. No surprise to discover, then, that after a stretch of being out of print it's back via a reissue, this version being a limited clear vinyl edition.

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40 Watt Sun

Little Weight

31,99 €*

Release: 2024 / Original

Genre: Pop

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LP | 2024 | EU | Original (Fishers Folly)

40 Watt Sun

Little Weight

35,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2011 | EU | Original (Project: Mooncircle)

40 Winks

It's The Trip

LP | 2011 | EU | Original (Project: Mooncircle)

Release: 2011 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Join 40 Winks on a road trip to anywhere. Bring your music player and tell your honey you won’t be home for dinner. It’s the trip, not the destination.“
About 40 Winks:
No hay banda! (“there is no band”, Mulholland Dr. 2001) pretty much sums up where 40 Winks aims to go with its instrumental hip hop: meticulously chop and paste samples together, to create an atmosphere of beats and vibes which steps beyond unimaginative loops. 40 Winks hit the scene in 2002, with a whole slew of laidback beats. Eager to share their sound with the world, they released a couple of albums independently. The attention they got from this, allowed them to build with people from around the world. One of these independently released albums, More Than Loops, got reissued in Japan on Swamp Records, after that the ball kept rolling. On their first worldwide release, Extended Pleasure on Escapism Records (2005), they reached listeners well beyond the (instrumental) hip hop community with the song “Melancholia”. After appearances on compilations, like Weapons Of Hope on Little-D (2006), they got a chance to do their thing on the renowned label, Merck Records with Sound Puzzle (2007). All this led them back to Europe, where the German based Project: Mooncircle welcomed them with a spot on the compilation Heart On The Right Spot (2007) and a full album The Lucid Effect (2008). In 2009 they took some time off, doing solo stuff and remixes. In 2011 40 Winks is back with a double LP called It’s The Trip (2011) on Project: Mooncircle.
Artwork By Afreux.

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40 Winks

It's The Trip HHV Bundle

17,99 €*

LP | 1969 | US | Reissue (Lion)

Release: 2011 / EU – Original

Genre: Hip Hop, Electronic & Dance

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49th Parallel

26,59 €* 27,99 € -5%

LP | 2021 | US | Reissue (Trust)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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In the spring of 1969, 49th Parallel had a hit in with ‘Twilight Woman’, a lovely song that sounds like a poppier version of what bands like Tomorrow were doing in England. That success led to the release of 49th Parallel’s only album. All hyperbole aside, it is easily one of the top Canadian rock albums of the psychedelic era. The album is strong throughout—from the pulsating psychedelia of ‘Lazerander Filchy’ and the ultra-strange ‘(The) Magician’, the shimmering beauty of 'Twilight Woman', to the quintessential slashing guitars punk edginess of ‘Now That I'm a Man’ and ‘(Come On Little Child &) Talk To Me’. Dan Lowe's blazing fuzz guitar work stands out on ‘Missouri’ and also when matched by organist Jack Velker's brilliant work on ‘Eye To Eye’, ‘Talk To Me’ and ‘(The) People’.

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7 Seconds

The Crew Deluxe Edition

37,99 €*

The Crew Red And Black Galaxy Deluxe Vinyl Edition

Release: 2021 / US – Reissue

Genre: Rock & Indie

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One of the most iconic albums of the 1980s underground, American scene, 7 Seconds debut album, The Crew, delivers 18 legendary songs in 20 minutes. This classic album became the soundtrack to the suburban youth of that era. It also propelled 7 Seconds into an international headline act, which at their peak drew 2,000 – 3,000 fans per show. Known for their positive and progressive lyrics, 7 Seconds also became one of the first in the genre to address racism, homophobia, and sexism with songs such as “Not Just Boys Fun,” “Colourblind,” and “I Have a Dream,” which are all found on this album. The Crew also includes their hit “Young ‘Till I Die,” a staple in their set from 1984, when The Crew was released, until 2018, when the band officially disbanded. This masterpiece has been remastered by David Gardner from the original analog tapes. It has been repackaged as a gatefold featuring a beautiful, 20-page, full-color book on the oral history of the band from inception through the making of The Crew. It includes insights from the likes of Ian MacKaye (minor Threat), Jello Biafra (dead Kennedys), Keith Morris (circle Jerks & Black Flag), and many others, as well as unpublished flyers, photos, and other fun, little trinkets. The original packaging, including labels, lyric sheet, and original color ways,

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7 Seconds

LP | 2021 | US | Original (Trust)

While My 303 Gently Weeps EP

Release: 2021 / US – Original

Genre: Rock & Indie

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Cobraside has an exclusive color variant (red and black galaxy) limited to 1500 copies! One of the most iconic albums of the 1980's underground American scene, 7seconds debut album The Crew, delivers 18 legendary songs in 20 minutes. This classic album became the soundtrack to the suburban youth of that era. It also propelled 7seconds into an international headline act, which at their peak drew 2,000 - 3,000 fans per show. Known for their positive and progressive lyrics, 7seconds also became one of the first in the genre to address racism, homophobia, and sexism with songs such as "Not Just Boys Fun", "Colourblind", and "I Have a Dream," which are all found on this album. "The Crew" also includes their hit "Young till I Die," a staple in their set from 1984 when "The Crew" was released until 2018, when the band officially disbanded. This masterpiece has been remastered by David Gardner from the original analog tapes. It has been repackaged as a gatefold featuring a beautiful 20-page full-color book on the oral history of the band from inception Through the making of The Crew. It includes insights from the likes of Ian MacKaye, Jello Biafra, Keith Morris, and many others, as well as unpublished flyers, photos, and other fun little trinkets. The original packaging, including labels, lyric sheet, and original colorways, has been reproduced in exact detail.

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747 (Ryan Chan)

12" | 2021 | EU | Original (Aquaregia)

75 Dollar Bill Little Big Band

Release: 2021 / EU – Original

Genre: Electronic & Dance

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It has been a little over a year since the release of 747's debut album, in which the Canadian masterfully drew notes of inspiration from the 90s to create an enchanting hour-long dream. In his first EP since, 747 returns from a temporal leap, bringing with him a blend of sounds and expressions to forge a timeless trip which hinges on the sounds of the 303.

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Live At Tubby's

2LP | 2020 | US | Original (Grapefruit)

30,99 €*

LP | 2022 | UK | Original (Metron)

Release: 2020 / US – Original

Genre: Rock & Indie, Electronic & Dance

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NYC’s 75 Dollar Bill began its prolific career in 2012, after percussionist Rick Brown—a veteran of the indie underground (Fish & Roses, Run On, V-Effect)—and noise scene guitarist and multi-instrumentalist Che Chen—connected via MySpace. Since that initial jam session, when Brown began experimenting with his signature plywood crate drum rhythms, they have released three LPs and a clutch of self-released cassette and digital releases. Last year’s double album I Was Real received serious critical acclaim—The Wire calling it 2019’s Album of the Year. On their first live album, Live At Tubby’s, 75 Dollar Bill assembled a unique “little big band” [Sue Garner on bass, Cheryl Kingan on sax, Steve Maing on guitar, Jim Pugliese on percussion and Karen Waltuch on viola] for the small Kingston, NY club show. Recorded on the last day of their spring tour, the record puts a new perspective on themes from their body of work: a little more intimacy, a little more freedom, a little more controlled chaos. Brown’s idiosyncratic rhythms are all the more hypnotizing in Tubby’s cozy setting, and Chen’s furious guitar work cuts and hums with sounds seemingly only attainable on stage. It’s an album both challenging and immediate. The expanded 75 Dollar Bill’s affinity for improvisation and the avant-garde even leads to a rousing take on the Ornette Coleman classic, “Friends And Neighbors” that feels right at home in their own repertoire. The listener can’t help but feel present and part of the communal joy and catharsis being shared here in this room. This performance at Tubby’s turned out not only to be the last show of their tour, but the last show possible as the pandemic hit. Originally offered as a digital-only release on 75 Dollar Bill’s Bandcamp, Live At Tubby’s now documents a highlight and closure of sorts; this kind of musical improvisation and community interaction being on hold for the foreseeable future. This double album on Grapefruit will have to tide everyone over until it can all happen again.

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7fo

Music For Himitsu

24,99 €*

CD | 2020 | EU | Original (Hip Hop Enterprise)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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For Métron Records' tenth album release, the label welcomes back Japanese artist 7FO (rvng, Bokeh Versions, EM Records) for his second album on the imprint. Originally created to accompany a 2014 exhibition by Osaka art collective Himitsu, Music For Himitsu has now been remastered and pressed to vinyl for the first time. Made up of ceramicist Shiori Nishino, photographer Hiroshi Nakamura and landscape gardener Takashi Torigoe, Himitsu showcased an elemental combination of light (photography), water (plants) and earth (ceramics) to explore a locale of beauty where harmony and discord coexist. Realising their show was missing one final piece of the puzzle, they asked fellow Osaka native 7FO to create a soundtrack for the show. The work was played on a loop throughout the run and on one occasion was performed live. ‘‘The idea was to be in harmony with the exhibition but to stick out a little. We aimed to create an exquisite image that would serve as a backdrop, but not be hidden.’’ Constructed using improvised guitar loops, field recordings and 7FO’s now signature ellipsoid effects and found sounds, the music was originally recorded over an old 90s pop mixtape picked up at an audio store in Nishinari Ward, Osaka. In the spirit of the show, the cassette tape was reclaimed and given a new life as the substrate for Music For Himitsu. The cascading water and verdant soundscapes, shimmering textures of light and tertiary percussion all evoke feelings of nascent optimism. Repetition collides with subtle tonal variation as sections swell, build and mutate organically into vast soundscapes that imbue the digital with the natural.

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99th Demention

2LP | 2005 | US | Reissue (Duck Down)

Release: 2020 / EU – Original

Genre: Hip Hop

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"Let’s take a little time travel vacation to Daly City, California (just south of San Francisco) to September of ‘95. Travel beneath the surface and enter the 99th Demention, yes that’s right, D-e-m-e-n-tion, as dementia (n. mental deterioration), demente

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9th Wonder & Buckshot

Chemistry

36,99 €*

Release: 2005 / US – Reissue

Genre: Hip Hop

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Fresh off of his breakthrough success producing for underground acts like Little Brother as well as mainstream leaders like Jay-Z and Destiny's Child, North Carolina's hottest producer 9th Wonder cemented his name as a force in hip hop in 2005 with this collaborative LP with Buckshot of Black Moon.

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A.A.V.V.

Afrikano Volume 3

13,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Samosa Records dips its toes back into the Afrikano waters with Volume 3 of the Afro themed, genre-busting series and features four deadly tracks from some of Samosa’s most trusted lieutenants.

Breaking the ice as the first track of this exceptional EP is Vincent Galgo and ‘African Rebel’. Mr Galgo has clearly read the brief here – giving us a 125bpm marauder that’s a melting pot of unstoppable horns, furious rhythms and an Afro-pop style bass that is the beating heart of the track.

Track 2 is Samosa regular Frank Virgilio who introduces us to his ‘Mistress’. As a straight up jazz-infused, mid-tempo rhythmic chugger, ‘Mistress’ quickly gets down to the important business of racking up the beats and instrumentation. The generous spread of guitar riffs, assertive bass and organ stabs are expertly lifted by the layered and always rolling drums and bongos induce a trance-like state of mind, so be warned!

On the B-Side Samosa newcomer Casper Leo wears his Tribal heart on his sleeve with the enchanting and utterly captivating jangler - ‘Tom Tom’. You can never have too much Kora guitar and ‘Tom Tom’ has lashings of it, with delicious sprinkles of melodic Marimba – perfect for West African sunsets.

Closing the EP off in style is Afro beats grand master, Lego Edit and the filthy-sexy ‘El Safari’. No other producer can take the essence of the Afro beat structure and bend it to their will like Lego Edit can. Like a late night fist-fight in Club Coco Bongo, ‘El Safari’ punches its way out of the doors. A slinky, wily alley cat of a tune that digs deep with its claws and doesn’t let go and another masterpiece from Lego Edit.

Afrikano Vol.3 has done the impossible and set the bar even higher for this wonderfully diverse Samosa series. We want more. We want ‘4’. With this in your record box, you’ll come with a warning.

Ste Hendry [Black Light Disco]

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A.A.V.V.

(Re)Funk+Head Italo Kutz

A.B. Crentsil's Ahenfo Band

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Samosa Records cranks up the summer groove with another sizzling release in the outstanding (Re) Funk+Head series – a collection of juicy tracks from the Samosa back-catalogue selected and re-edited by the man himself, De Gama.

This sumptuous vinyl cut of ITALO Funk and Boogie kicks off with Mexico’s finest, The Funk District and the enigmatic ‘La Rapina’. This is pure, unfiltered Funk District chemistry from the first bar. Snake hips guitar, rolling bass and that super-solid 4-4-4 beat pound into your consciousness whilst the hypnotic chant and Latino-infused vocal tempt you into sin.

Next up on the A-side is Samosa head honcho DeGama and his deliciously refreshing ‘Piňa Colada’ - a new edit of the original 2011 version never previously released on Samosa. And what a mystery box it is. Tight beats, punchy bass, looped synth and house-tinged high-hat lead us to a haunting, melodic vocal breakdown. There’s a subtle Afro flavour to this one, definitely for sipping cocktails in a hammock or Caribbean beach bar.

On Side B Italian Maestro Paul Older takes the beats down several notches with the explosive ‘Daboom’ – the DeGama Re-Groove of Paul’s first vinyl release way back in 2019. This is a straight up, mid-tempo peacock strut down Funksville Boulevard. Possibly wearing a Zoot Suit. Imagine having breakfast with Herbie Hancock and you might get an idea of just how funky this tune is. He’s passing you the eggs and you’re buttering the toast.

The last track sees DeGama delve into his dark magic box for the mind-melting, film noir themed ‘Higher’. The tempo is scaled right back to 92bpm for this portrait of pain, joy, lust and hallucinogenic dreams. ‘Higher’ reveals a side of DeGama that we know lurks in there, but only sometimes makes it to the surface. Smokey, sassy and sultry, this is definitely one for the dimly-lit after party.

The latest episode in the (Re) Funk+Head has set the Samosa bar even higher. This simply has to be in your summer record box and don’t you dare leave home without it.

Ste Hendry [Black Light Disco]

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Obi Baa Wiase

10" | 1992 | EU | Reissue (Hot Mule / Secousse)

Britain's Dirty Little Secret

Release: 1992 / EU – Reissue

Genre: Organic Grooves

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A.B. Crentsil is a heavyweight of Highlife music and the main vocalist of Sweet Talks, one of the most popular Ghanaian bands of the 1970’s. In 1992, musician Charles Amoah and producer Richie Osei Kuffour offered him the opportunity to explore a new popular sound: Bürger Highlife. Little did he know these studio sessions would give birth to the biggest song of his career. Charles Amoah, who had released his Sweet Vibrations LP in 1984 to great acclaim, extensively toured in Europe with bands such as Black Earth and Saraba, was eager to bring a new sound to Crentsil, an artist he had admired for years. Throughout the 1980’s, Highlife had been changing pretty radically, following the same evolution as Congolese Soukous, Caribbean Zouk and most popular black music genres of that era: Heavy use of drum machines, synths and digital technology was conveniently replacing big bands and expensive analog studios and equipments. Mostly recorded, produced or mixed in Germany, this new breed of electric Highlife dubbed ‘Bürger Highlife’ could be defined as a fusion of Disco, Jazz, Funk and Pop with the popular Highlife beats, rhythms and lyrics. According to A.B. Crentsil, the name was a reference to the ever present American cultural influence on Ghanaian musicians. Charles Amoah has his own take: “I initially called this particular kind of Highlife ‘Ethno Pop’. Bürger is the German word for citizen, and that’s how Ghanaian musicians living and working in Germany were calling each other”. The music for both “Obi Baa Wiase'' and “Sika Be Ba” was entirely composed and played by Charles Amoah, using minimal equipment: a DX7 synth, a Korg M1, a Yamaha RX5 drum machine, and an Akai 1000 sampler. A.B. Crentsil provided the lyrics for both tunes on the spot. Obi Ba Wiase’s message is one of gratitude and faith: it says we should appreciate our life way more and follow the example of people who have a lot less but still praise God all day. Charles remembers fondly Crentsil’s larger than life personality: "A.B. slept a lot, he really loved sleeping. His lack of punctuality was easily dismissed by his wonderful sense of humour and it wasn't uncommon to find musicians rolling with laughter on the studio floor." Charles also remembers vividly the "Obi Baa Wiase" session: he could feel the magic in the air while working on the soon to be hit, and knew something special was happening. A.B. asked for a break in the middle of the session, which Charles adamantly refused until the song was finished and the magic fully captured. Success was not immediate, and Charles was first a little concerned by the lack of buzz following the immediate release of the Gyae Me Life Ma Me album. But a few months down the line, the situation took a new turn. "Obi Baa Wiase" was making its way into radio playlists, weddings and festive celebrations. It was covered by local bands, and soon most of Ghana and its European and American diasporas were hooked. It became A.B. Crentsil’s most requested song at live events for the following decades. As producer Richie Moore wrote on the album back cover : "A perfect integration of two musical geniuses, the result of which are the scintillating tracks of music on this record… so all you party fans go onto the floor and dance the body music".

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A Guy Called Gerald

12" | 2021 | EU | Original (Analog Room)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Ladlo)

A/Oratos

Ecclesia Gnostica

18,19 €* 25,99 € -30%

4LP | 2023 | UK | Original (Rocket Girl)

Release: 2024 / EU – Original

Genre: Rock & Indie

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A/Oratos is a Gnostic Black Metal band formed in Paris in 2016 by Wilhelm, deriving its name from the Greek Aoratos, which could be translated as in/visible.

The band engages in a struggle against the materiality and spiritual void of contemporary society through Knowledge, offering a musical reflection on the connections that govern the realms of the Visible and the Invisible.

Intensely melodic and mystical, featuring progressive variations and acoustic atmospheres, the group draws its reflection from the ancient esoteric traditions of Hermetism, Kabbalah, and Gnosis from the early centuries after AD.

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A.R. Kane

A.R. Kive

147,99 €*

LP | 2024 | UK | Original (Rocket Girl)

Release: 2023 / UK – Original

Genre: Pop

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A.R. Kive collates the three most astonishing works from that most miraculous of

duos - A.R. Kane - comprising the ‘Up Home' EP from 1988 that signified the

band's dawning realisation of their own powers and possibilities, their legendary

debut LP ‘sixty nine' (1988) and its kaleidoscopic, prophetic double-LP follow up ‘i'

(1989).

In founder-member Rudy Tambala's new remastering, the music on these pivotal

transmissions from the birth of dream pop, have been reinvigorated and re-infused

with a new power, a new depth and intimacy, a new height and immensity. Vivid,

timeless and yet always timely whenever they're recalled, these records still force

any listener to realise that despite the habits of retrospective myth-making and the

safe neutering effects of ‘genre', thirty years have in no way dimmed how resistant

and dissident to critical habits of categorisation A.R. Kane always were. Never quite

‘avant-pop' or ‘shoegaze' or ‘post-rock' or any of those sobriquets designed to file

and categorise, A.R. Kive is a reminder that those genres had to be coined, had to

be invented precisely to contain the astonishing sound of A.R. Kane, because

previous formulations couldn't come close to their sui generis sound and

suggestiveness. This is music that pointed towards futures which a whole generation

of artists and sonic explorers would map out. Now beautifully repackaged,

remastered and fleshed out with extensive sleeve notes and accompanying

materials, ‘A.R. Kive' reveals that 35 years on it's still a struggle to defuse the

revolutionary and inspirational possibility of A.R. Kane's music.

A.R. Kane were formed in 1986 by Rudy Tambala and Alex Ayuli, two second-

generation immigrants who grew up together in Stratford, East London. From the off

the pair were outsiders in the culturally mixed (cockney/Irish/West Indian/Asian)

milieu of the East End, with Alex and Rudy's folks first generation immigrants from

Nigeria and Malawi, respectively. The two of them quickly developed and fostered an

innate and near-telepathic mutual understanding forged in musical, literary and

artistic exploration. Like a lot of second-generation immigrants, they were ferocious

autodidacts in all kinds of areas, especially around music and literature. Diving deep

into the music of afro-futurist luminaries such as Sun Ra, Miles Davis, Lee Perry and

Hendrix, as well as devouring the explorations of lysergic noise and feedback from

contemporaries like Sonic Youth and Butthole Surfers, they also thoroughly

immersed themselves in the alternate literary realities of sci-fi and ancient history

(the fascination with the arcane that gave the band their name), all to feed their

voracious cultural thirsts and intellectual curiosity.

It was seeing the Cocteau Twins performing on Channel 4 show the Tube that

spurred A.R. Kane into being - “They had no drummer. They used tapes and

technology and Liz Fraser looked completely otherworldly with those big eyes. And

the noise coming out of Robin's guitar! That was the ‘Fuck! We could do that! We

could express ourselves like that!' moment”, recalls Tambala - and through a mix of

confidence, chutzpah, ad hoc almost-mythical live shows and sheer innocent will the

duo debuted with the astonishing ‘When You're Sad' single for One Little Indian in

1986. Immediately dubbed a ‘black Jesus & Mary Chain' by a press unsure of

Where to put a black band clearly immersed in feedback and noise, what was

immediately apparent for listeners was just how much more was going on here - a

tapping of dub's stealth and guile, a resonant umbilicus back to fusion and jazz, the

music less a conjuration of past highs than a re-summoning of lost spirits.

The run of singles and EPs that followed picked up increasingly rapt reviews in the

press, but it was the ‘Up Home EP' released in 1988 on their new home, Rough

Trade that really suggested something immense was about to break. Simon

Reynolds noted the EP was: Their most concentrated slab of iridescent

awesomeness and a true pinnacle of an era that abounded with astounding

landmarks of guitar-reinvention, A.R. Kane at their most elixir-like.

If anything, the remastered ‘Up Home' that forms the first part of ‘A.R. Kive' is even

more dazzling, even more startling than it was when it first emerged, and listening

now you again wonder not just about how many bands christened ‘shoegaze' tried to

emulate it, but how all of them fell so far short of its lambent, pellucid wonder. This

remains intrinsically experimental music but with none of the frowning orthodoxy

those words imply. A.R. Kane, thanks to that second generation auto-didacticism

were always supremely aware about the interstices of music and magic, but at the

same time gloriously free in the way they explored that connection within their own

sound, fascinated always with the creation of ‘perfect mistakes' and the possibilities

inherent in informed play.

‘sixty nine' the group's debut LP that emerged in 1988 had

critics and listeners struggling to fit language around A.R. Kane's sound. As a title it

was telling - the year of ‘Bitches Brew', the year of ‘In A Silent Way', the erotic

möbius between two lovers - and as originally coined by the band themselves,

‘dream pop' (before it became a free-floating signifier of vague import) was entirely

apposite for the music A.R. Kane were making. Crafted in a dark small basement

studio in which Tambala recalls the duo had “complete freedom - We wanted to go

as far out as we could, and in doing so we discovered the point where it stops being

music”. There was an irresistibly dreamy, somnambulant, sensual and almost surreal

flow to ‘sixty nine's sound, but also real darkness/dankness, the ruptures of the

primordial and the reverberations of the subconscious, within the grooves of

remarkable songs like ‘Dizzy' and ‘Crazy Blue'. Alex's plangent vocals floated and

surged amidst exquisite peals of refracted feedback but crucially there was Bass

here, lugubrious and funky and full of dread, sonic pleasure and sonic disturbance

crushed together to make music with a center so deep it felt subcutaneous, music

constructed from both the accidental and the deliberate, generous enough to dance

with both serendipity and chaos. ‘sixty nine' remains - especially in this remastered

iteration - ravishing, revolutionary.

The final part of this ‘A.R. Kive' contains 1989's astonishing double-LP ‘i' which

followed up on ‘sixty nine's promise and saw the duo fully unleash their experimental

pop sensibilities over 26 tracks, plunging the A.R. Kane sound into a dazzlingly

kaleidoscopic vision of pop experiment and play. Suffused with new digital

technologies and combining searingly sweet and danceable pop with perhaps the

duo's strangest and boundary-pushing compositions, the album did exactly what a

great double-set should do - indulge the artists sprawling pursuit of their own

imaginations but always with a concision and an ear for those moments where pop

both transcends and toys with the listeners expectations. Jason Ankeny has noted

that “In retrospect, ‘i' now seems like a crystal ball prophesying virtually every major

musical development of the 1990s; from the shimmering techno of ‘A Love from

Outer Space' to the liquid dub of ‘What's All This Then?', from the alien drone-pop of

‘Conundrum' to the sinister shoegazer miasma of ‘Supervixens' — it's all here, an

underground road map for countless bands to follow.” Perhaps the most

overwhelmingly all-encompassing transmission from A.R. Kane, ‘i' bookended a

three year period in which the duo had made some of the most prophetic and

revelatory music of the entire decade.

After ‘i' the duo's output became more sporadic with Tambala and Ayuli moving in

different directions both geographically and musically, with only 1994's ‘New Clear

Child' a crystalline re-fraction of future and past echoes of jazz, folk and soul, before

the duo went their separate ways. Since then, A.R. Kane's music has endured, not

thanks to the usual sepia'd false memories that seem to maintain interest in so much

of the musical past, but because those who hear A.R. Kane music and are changed

irrevocably, have to share that universe which A.R. Kane opened up, with anyone

else who will listen. Far more than other lauded documents of the late 80s it still

sounds astonishingly fresh, astonishingly livid and vivid and necessary and NOW.

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A.R. Kane

Up Home!

18,99 €*

Step Off / Don't Fool With The Dips Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Pop

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A.R. Kane were formed in 1986 by Rudy Tambala and Alex Ayuli, two second-generation immigrants who grew up together in Stratford, East London. From the off the pair were outsiders in the culturally mixed (cockney/Irish/West Indian/Asian) milieu of the East End, with Alex and Rudy’s folks first generation immigrants from Nigeria and Malawi, respectively. The two of them quickly developed and fostered an innate and near-telepathic mutual understanding forged in musical, literary and

artistic exploration. Like a lot of second-generation immigrants, they were ferocious autodidacts in all kinds of areas, especially around music and literature. Diving deep into the music of afro-futurist luminaries such as Sun Ra, Miles Davis, Lee Perry and Hendrix, as well as devouring the explorations of lysergic noise and feedback from contemporaries like Sonic Youth and Butthole Surfers, they also thoroughly immersed themselves in the alternate literary realities of sci-fi and ancient history (the

fascination with the arcane that gave the band their name), all to feed their voracious cultural thirsts and intellectual curiosity.

It was seeing the Cocteau Twins performing on Channel 4 show the Tube that spurred A.R. Kane into being - “They had no drummer. They used tapes and technology and Liz Fraser looked completely otherworldly with those big eyes. And the noise coming out of Robin’s guitar! That was the ‘Fuck! We could do that!

The duo debuted with the astonishing ‘When You’re Sad’ single for One Little Indian in

1986. Immediately dubbed a ‘black Jesus & Mary Chain’ by a press unsure of Where to put a black band clearly immersed in feedback and noise, what was immediately apparent for listeners was just how much more was going on here – a tapping of dub’s stealth and guile, a resonant umbilicus back to fusion and jazz, the music less a conjuration of past highs than a re-summoning of lost spirits.

The run of singles and EPs that followed picked up increasingly rapt reviews in the press, but it was the ‘Up Home EP’ released in 1988 on their new home, Rough Trade that really suggested something immense was about to break. SimonReynolds noted the EP was: Their most concentrated slab of iridescent awesomeness and a true pinnacle of an era that abounded with astounding

landmarks of guitar-reinvention, A.R. Kane at their most elixir-like.

If anything, the remastered ‘Up Home’ is even more dazzling, even more startling than it was when it first emerged, and listening now you again wonder not just about how many bands christened ‘shoegaze’ tried to emulate it, but how all of them fell so far short of its lambent, pellucid wonder. This

remains intrinsically experimental music but with none of the frowning orthodoxy those words imply. A.R. Kane, thanks to that second generation auto-didacticism were always supremely aware about the interstices of music and magic, but at the same time gloriously free in the way they explored that connection within their own sound, fascinated always with the creation of ‘perfect mistakes’ and the possibilities inherent in informed play.

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A-Trak

7" | 2023 | US | Original (Flipnjay / Fools Gold)

16,79 €* 20,99 € -20%

2LP | 2016 | US | Original (Aaron Abernathy Music)

Release: 2023 / US – Original

Genre: Hip Hop

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A-Trak! You may have been introduced to him as a World Champion turntablist, an iconic indie record label owner, half of Duck Sauce, a producer, a festival DJ, a remixer, Kanye’s Tour DJ, OR, a former Juicero advocate, but you may not know that he had a Hip-Hop record label in the early to mid 2000’s called Audio Research Records.

During this time, Trizzy hooked up with arguably 2 of the best Hip-Hop groups to come out of that era, producing records for Little Brother and the mighty Dipset! One of the very few Little Brother records that 9th Wonder didn’t produce, “Step Off” falls right in line with the whole LB aesthetic. A-Trak got busy with a bouncy joint that ended up on tons of mixtapes, available Only on ARR 12” until now! Same story with the b-side, A-Trak teamed up with Dipset for “Don’t Fool With The Dips!” featuring 40 Cal, Hell Rell, J.R. Writer.

FlipNJay Records is excited to re-release these joints in collaboration with Fool’s Gold Records on 7 Inch vinyl along with brand new original artwork designed by Rhek!

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Aaron Abernathy

Monologue

16,19 €* 26,99 € -40%

LP | 2024 | Original (Blue Note)

Release: 2016 / US – Original

Genre: Organic Grooves

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Here comes the highly anticipated album release from Aaron Abernathy featuring Black Milk, Deborah Bond, Nat Turner, Phonte (of Little Brother + The Foreign Exchange), Zo!

Aaron Abernathy, is a jazz pianist/soul singer and multi-talented entertainer. Born in Cleveland, Ohio, Abernathy comes from a long-line of historical pioneers including Civil Rights Leader, Rev. Ralph David Abernathy and student of the same high school music program as the late R&B great Gerald Levert.

He joined the ranks of artists like Donny Hathaway and Roberta Flack as a graduate from the prestigious music program at Howard University, where he sharpened his piano playing and musicianship by majoring in jazz piano. With outstanding talents as both a pianist and a vocalist, he has acted as musical director for global touring acts Black Milk and Slum Village and collaborated with Grammy-nominated artists including Jack White, The Foreign Exchange, and Eric Roberson.

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Aaron Parks

Little Big III

28,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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Aavv

Afrikano Volume 2

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Aavv

Earth, Wind & Funk

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 1961 | EU | Reissue (Candid)

Abbey Lincoln

Straight Ahead

31,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Quand Viennent Les Serpents

Abschaum

LP | 2024 | UK | Original (Macadam Mambo)

Tape | 2022 | EU | Original (Sucata Tapes)

Release: 2024 / UK – Original

Genre: Rock & Indie

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After more than 6 years of silence, Abschaum is finally back with a new album, and it was about time because this new opus is sublime!!

‘Shamanic’ Chris (Abschaum’s mastermind), made alone this magnificent piece of Folk, Ambient, Kraut music, that he carefully recorded in the mountains of Jura, experimenting with his guitar and a little electronic set-up, composing beautiful melodies and singing French lyrics with powerful voice to bring us to another level of harmonies, the all merged with special atmospheres that are not without remembering Eno or Froese sometimes. In our opinion, this record could easily been recognise as a timeless masterpiece in the future.

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ACA

Grillito

Arts & Entertainment Seaglass Blue Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Andean inspired home recordings from Tomás Tello - solo and with friends. ACA (roughly translated as right here) is a new project by Tomás Tello enabling him to collaborate with whoever crosses his paths creating a truly mystifying journey of highland mysticism crossed with late night bonfire jams, whichever way you look at it Tello keeps the South American experimentalism torch flying high above in the starry sky. Tomás had this to say about the album: ‘’Where I live the crickets never stop chirping… and during quarantine they kept going and going and going … Grillito (small cricket in Spanish) was recorded in Tavira, Portugal between 2019 and 2020 in various impromptu sessions. Side A begins, appropriately, with the theme Grillito ... the opening is inspired by the music of the Sikuris. Next comes Yarabits, recorded with Raul Jardín and Aya. I recorded the rest of the side by myself including some field recordings of the Quelccaya glaciar in Cuzco, Peru. Side B extends the concept to its illogical conclusion with an infinity mix between the Quelccaya recordings and various songs that I recorded with Daniel Llermaly on bass and a Nintendo making simple beats...I also decided to include an homemade cover of Olas de Verano by Los Pakines and a cumbia samba by Juaneco y su combo. Eventually the album peaks with a long section I recorded with Laura Robles using the Cajón... I mixed those recordings with others of the Pacific Ocean spray in Lima. It’s really nice to have this music committed to tape because when I started playing music it was with Laura Robles, so it's really special to have recorded this! Grillito, for me, is a displacement between different memories and fantasies that appear when I remember traveling on Peruvian roads... each theme is like looking through a window on a bus...you sleep and wake up and you are in another type of territory...in the desert...in the highlands....in the city... in a small town ... next to the sea … inside your memory... these are long, long trips ... The little crickets are there to remind us that we are not alone... a nature musical gift. ‘’

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Ace & Edo

2LP | 2001 | US | Reissue (M3 Macmil Music)

35,14 €* 36,99 € -5%

12" | 2024 | UK | Original (Truesoul)

Release: 2001 / US – Reissue

Genre: Hip Hop

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Limited to 500 copies worldwide. Pressed on Seaglass Blue Vinyl!

Limited to 500 Copies Worldwide!

When asked at the time about what to expect from this collaboration with Edo G, the legend Masta Ace fired back without hesitation: “People are gonna be surprised when they hear the mixture of styles. We both have a different approach. It’s like the old Reeses commercial... Ya got peanut butter walking down the street. Coming from the other direction is chocolate. Someone trips and blam, a peanut butter cup was born. Something new and amazing was created that no one had ever thought of!” When one thinks of Boston and New York, the first thing that comes to mind is the infamous Red Sox/Yankees rivalry. But this time when Boston met New York, it was a collaborative effort to bring the world one of the tightest Hip Hop efforts of 2009. Two of the game’s most exceptionally creative and well-rounded artists, Edo. G and Masta Ace brought the two cities together with Arts & Entertainment. Like their home cities, these artists have a long history and have influenced the world.

Hailing from Brownsville, Brooklyn, Masta Ace got his proper introduction setting off the quintessential Juice Crew posse cut, “The Symphony.” Not long after, Edo G’s debut Life Of A Kid In The Ghetto and it’s lead single “I Got To Have It” went to the top of the Billboard Rap Singles chart with heavy rotation on Yo! MTV Raps. Both Ace and Edo have continued to stay relevant, drop albums, tour the globe, and influence up and coming artists everywhere. Joining the duo on Arts & Entertainment was a notable list of prominent artists from NYC and the Bean including Posdanus of De La Soul, Large Professor, DJ Spinna, KRS-One, Marsha Ambrosius, Mr. Lif, Akrobatik, Chester French, Double O of Kidz in the Hall, M Phases, and more. The album continues to be a fan favorite to this day, especially the never-gets-old cuts “Little Young” and “Dancin’ Like A White Girl,” and this re-issue is sure to be well received once again.

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Adam Beyer / Raxon

The Signal

What You Need Kolsch Remix

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Adam Beyer shares his first Truesoul release in eight years, linking with Raxon for a rare collaborative outing. This year has been one of Adam Beyer’s most prolific of his career, so it seems fitting he’d end it with a return to Drumcode’s little brother imprint Truesoul. His last dance on Truesoul was way back in 2015 with the masterful quartet of rollers ‘Time Flies’, which highlighted the Ibiza summer back then. Meanwhile the Barcelona-based Egyptian Raxon has contributed a pair of EPs to Truesoul, ‘Heliopolis’ and ‘Cosmic Cure’, since his debut in 2017. A Raxon production is a special thing – otherworldly and colourful, inspired by the vastness of the universe. The pair took their time swapping ideas back and forth until Beyer shared the main bassline groove for the Day Mix of ‘The Signal’ and the collaboration immediately started to take shape. The track is built around a riveting call-and-response synth lead, while a mélange of gritty drums with a foot in electro, cosmic and psy, drive proceedings forward. The Night Mix increases the intensity, tuning the main melody for late-night, pumping dancefloor moments.

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Adam Beyer

12" | 2019 | EU | Original (Drumcode)

LP | 2023 | EU | Original (Capitane)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Kolsch makes his debut on Drumcode, as an Adam Beyer favourite gets his classy remix touch.
Drumcode set the standard with its first release of 2019, recruiting Amelie Lens to deliver an electrifying re-rub of Adam Beyer’s ‘Teach Me’, a fitting highlight to mark the label’s 200th release back in January.
As we hit the business end of the year, another Beyer vintage gets the remix treatment as Kolsch adds to his outstanding discography with a maiden DC contribution.
First released back in 2015, ‘What You Need’ was the perfect marriage of deep groove-licked techno and slinky smooth synth lines.
Retaining the exotic riff of the original, Kolsch builds tension and euphoria in equal doses as melancholic chords build up in intensity before dramatic string sequences enter the game.
It’s the kind of end-of-night soundtrack that’ll make even the most hardened raver go a little misty eyed and a classic addition to the Drumcode catalogue.

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Adam Green

That Fucking Feeling

24,99 €*

12" | 2023 | EU | Original (Primary [colours])

Release: 2023 / EU – Original

Genre: Rock & Indie

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The New Yorker Adam Green's 11th and latest solo album, That Fucking Feeling, continues his musical explorations with longtime collaborators Loren Humphrey, James Richardson (MGMT), and Jesse Kotansky. The album places large-scale 'Wall of Sound' style productions alongside home-recordings done during COVID quarantine. When talking about the title track, Adam says: "I wanted to release something home-recorded. Back in the Moldy Peaches days I used to record everything on my parent's kitchen table, but it's been 20 years since I put out something like that. I wrote a few songs in quarantine singing into my laptop, and I like how direct it feels. Not every song has to be big, this is just a little song th...

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Adam K.Roll

The Final Call

12" | 2020 | EU | Original (Second Circle)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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180g Vinyl! The summer of 2008, the Echo Inspectors are touring Germany. One of their stops lands them in Koln, after getting their fix of record shopping at Kompakt they would meet up at a local bar with Pawas who just remixed their latest record. Joining the guys for a mid afternoon beer would be local producer and friend of Pawas, Adam Kroll. Fast forward to 2020 and Adam would reappear on the radar as Adam K.Roll with a fresh new dub sound, completely different to the minimal techno records of the mid 2000s. This fresh take on dub would capture the interest of the Echo Inspectors. Many DMs later would lead to Adam producing five fresh tunes for Primary Colours. Trying to describe Adams music is not easy. Adam seamlessly blends the sounds of Dub Techno, Ambience, Electronica, Jamaican Dub and an infusion of summer island sounds. Primary Colours has the honour of re-releasing one of their favourite Adam K.Roll tunes, Into The Ocean, initially released digitally on Adams on Bandcamp page, Into the Ocean has been reborn on wax. We loved it so much that we got the Echo Inspectors to remix it into a formidable dub techno groover. Kick back, sip on a fine whiskey, light a little number and immerse your aural senses to the sounds of The Final Call.

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Adam Oko

Diet Of Germs

Originals 70s Longsleeve 3 Stripes Tee

Release: 2020 / EU – Original

Genre: Electronic & Dance

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SC016 sees the re-issue of four tracks taken from a little known cassette only release ‘Diet Of Germs’ by British artist and friend Adam Oko. Originally released in 2015 on the now defunct Astro:Dynamics label the four tracks were recorded in Adam’s bedroom studio overlooking Clissold Park in Stoke Newington, London.
Now based in Tokyo but having spent most of his life living between London & Canterbury, as well as producing music and running a regular radio show on NTS radio, Adam also makes mixed media artwork and designs installations & interiors.
All instruments on ‘Diet Of Germs’ were performed by Adam himself except the solo on Suketo which was played by Raven Bush - Kate Bush’s nephew & was actually recorded in Kate’s old studio in South London.

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adidas

49,95 €*

12" | 2022 | EU | Original (Sonder London)

Available Sizes: GIRLS M, GIRLS L

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Vintage vibes meet winter chic with the adidas Originals 70s Longsleeve 3 Stripes Tee. Elegant alpine stylings recreate a turtleneck-like experience that's not too loose and not too tight, but just right. The fabric of the adidas Originals 70s Longsleeve 3 Stripes Tee is ultra-soft and stretchy, so it follows your figure and has a little give to it. 3 Stripes across the front and a Trefoil logo on the chest bring the heritage, so you just have to bring the daring attitude. Regular fit; 64% viscose, 28% acrylic, 8% elastane.

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Admnti & Laidlaw

SNDR001

13,99 €*

Adrian Younge & Ali Shaheed Muhammad

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The first installment of the Sonder London imprint, are two local artists close to sonder london and the brand. With ADMNTi & Laidlaw, this 4 track EP looks to solidify the ethos of the brand and bond, with music that expresses rolling, frenetic rhythms with pockets of high noted grooves.

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Doug Carn Black Vinyl Edition

2LP | 2020 | EU | Original (Jazz Is Dead)

35,99 €*

Adriatique & Marino Canal

Release: 2020 / EU – Original

Genre: Organic Grooves

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Among the heroes and innovators of 70s spiritual/progressive/funk/jazz, Doug Carn has always flown a little under the radar.He has long plied his trade with patience and dedication, releasing absolutely stunning albums that are cherished by cognoscenti but lesser known even to the jazz mainstream, even as his influence can be detected among his colleagues.Carn's newest project, his entry in the Jazz Is Dead album series helmed by Adrian Younge and Ali Shaheed Muhammad, takes his unique and timeless art and places it within the context of a musical culture that has always taken cues from his '70s classics.There's no mistaking the musical mind that created legendary albums like Infant Eyes and Adam's Apple, but the encounter of that with the distinctive jazz-hip hop-funk-noir that is the Younge/Muhammad/JID trademark creates something worthy of comparison to Carn's past work but which could only have been made right now.

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Home Remixes Feat. Delhia De France

12" | 2022 | EU | Original (Siamese)

Tales Of Belle Part 2 Unveiled By Fire

Release: 2022 / EU – Original

Genre: Electronic & Dance

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We are supporting the music of the Fognini Brothers ever since they put themselves on the map of the international electronic music scene. Similar as it is the case with us, Mind Against also select their output very carefully and this also reflects in their DJ sets that can be long and challenging at times. Like their sets also their discography speaks for itself; with a variety of originals, remixes and collaborations, that are not bound to one genre, Alex and Freddie already left a mark in the more melodic realm of techno and house and are continuing to do so in full force. We are happy to have them on board and it is great to see that their interpretation of our 'Home' is so well received.

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Adventure

LP | 2022 | UK | Original (Apollon)

30,39 €* 37,99 € -20%

7" | 2015 | UK | Original (No Wahala Sound)

Release: 2022 / UK – Original

Genre: Rock & Indie

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The second part of the duology on mass-murderess Belle Gunness is due. The follow-up to Tales OF Belle, Part 1 – Across THE Ocean by the Mid-Norwegian six-piece band Adventure continues the unbelievable story of the poor Norwegian immigrant’s hunt for wealth. Part 1 finished with the suspicious death of her first husband and the move to LaPorte, Indiana. Tales OF Belle, Part 2 – Unveiled BY Fire features 10 tracks that were all written and recorded during various states of lockdown in Norway. The theme is now the mysterious death of her second husband, all the men seeking prosperity with the widowed Belle only to disappear, the horrendous fire on her farm, the gruesome findings in the grounds after the fire, the absurd theatre that took place after the news broke, the trial of the farmhand, and finally his confession. Nobody can tell for certain if Belle Gunness perished in the fire or not. There is no final confirmation… Adventure is still exploring the golden era of 70's symphonic hard rock, mixing in proggy and folky elements. The guitar and Hammond organ still the heart of Adventure’s sound, augmented by multipart harmony vocals and a rock steady rhythm section. Clive Nolan of Pendragon and Arena fame has a little cameo appearance. Cellist Marit Aspås from The Trondheim Soloists also appears on a couple of tracks.

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Afro National

Temedi Oh / Den Kick

11,99 €*

LP | 2024 | EU | Original (Colombe)

Release: 2015 / UK – Original

Genre: Organic Grooves

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Little known outside their native Sierra Leone where they were huge stars in the 1970s, Afro National played a brand of afro-pop that was a fusion of myriad styles, including Congolese music, highlife & Afrobeat and whose sound was characterized by up-tempo melodic guitar playing.

This double A side features two choice cuts from their 1972 debut album, the gloriously infectious and up-beat ‘Temedi Oh’ & ‘Den Kick’ which starts as a gentle rumba before launching into a joyous guitar workout.

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Ahamada Smis

Air

Release: 2024 / EU – Original

Genre: Hip Hop

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AIAIAI

TMA-2 Studio (preset)

229,00 €*

LP | 2022 | EU | Original (Public Possession)

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TMA-2 Studio
- Professional modular studio headphones
Product Description.
Professional modular studio headphones with
AIAIAI signature audio and enhanced comfort.
This is a headphone for the discerning music
makers. HIghly detailed audio from the signature
bio-diaphragm driver ensures a precise and
reliable audio for your creative process. Enhance
comfort from super soft and resilient ear cushions
covered in Alcantara, prevents fatigue through
long listening or creative sessions.
Part of the TMA-2 modular headphone system,
notorious for its sturdy build and responsible
design - Designed to last.

Key features.
Trusted by professionals.
Developed with professional artists across a variety of genres. Trusted for music creativity and in the most vigorous environments - in the
studio, on the road, and on stage.
Signature AIAIAI sound tuned for clarity and detail.
Critically acclaimed sound specifically designed for studio use with a clear and highly detailed sound representation.
Enhanced comfort with Alcantara®.
Ultra soft over-ear memory foam cushions covered with resilient, CO2 neutral, and highly comfortable Alcantara® ideal for longer sessions.
Bio-diaphragm speaker for enhanced accuracy.
Diaphragm precision-grown from bio-cellulose making it stiffer lighter and stronger than regular PET speaker units.
High quality cable.
High quality coiled cable extending up to 3.2m for flexible and lossless experience.
Responsible modular headphones - designed to last.
Upgrade and expand as technology or needs evolve to extend the functional lifetime of the product and create less waste for the planet

Sound.
The Bio-cellulose diaphragm
The bio-cellulose speaker diaphragm in S05 is made of a bacterial
cellulose which is an organic compound that is grown using certain
types of bacteria. Bio-cellulose is a really interesting material for
many reasons it’s renewable biodegradable and it has great
acoustic properties.
The role it plays when listening to music
If music is played through a poorly designed headphones that
produce a high amount of harmonic distortion it will simply sound
wrong and unnatural. This is because the harmonic distortion
changes how we perceive the timbre and tonality of the sound
which is obviously really problematic when producing music or
mixing a track. The biocellulose diaphragm on the other hand is
able to reproduce the music faithfully with great clarity even at
high volume levels.
S05
For the S05 we paired the biocellulose diaphragm with a high grade
neodymium magnet which resulted in a speaker unit that offers a clear
mid-range better dynamics and a more natural overall tonality. When
tuning the speaker unit we paid special attention to the clarity in the
mid-range without compromising the extension in the bass range. This
results in a very wide sound stage with great instrumental separation. The
music maker is able to extract and enjoy every little detail in the music.

Specs.
Driver diameter.
40 mm.
SPL at 1kHz.
117 dB
Resonance.
80 Hz
Impedance.
32 Ohm
Diaphragm material.
Bio-cellulose
Magnet type.
High grade Neodymium
Rated power.
40 mW
Max power.
100 mW

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Aiden Ayers

Venus Copper Rose

24,99 €*

LP | 2024 | EU | Original (Little Tokyo)

Release: 2022 / EU – Original

Genre: Pop

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Public Possession proudly presents Aiden Ayers debut album „Venus Copper Rose“. A few words by the artist himself: „ Venus Copper Rose came to me in a dream. The three words are all the same thing, symbols of beauty and material formations of love. Together they are a VCR (videocassette recorder) - a memory machine, a portal into fantasy and myth + a transcriber of dreams. The songs on the album represent the past five years of my life. The oldest of them were written and first recorded in 2017 and the youngest barely made it to the mastering session on time. I am always writing and recording, travelling to and fro, on little islands off the coast of BC, down to the California desert, or in makeshift basement studios throughout Vancouver. Every song has grown up and been captured in a different way - the album is a wild garden of misfits, flowers and weeds. I hope that people feel nourished by this album - I believe that is the ultimate role of music, like another kind of food, light, or love. I hope these songs and this album can help people see the beauty and poetry that flows through their own lives.“

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Airborne Toxic Event

Glory

39,99 €*

7" | 2018 | EU | Original (Little Rocket)

Release: 2024 / EU – Original

Genre: Rock & Indie

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2024 Release, The Airborne Toxic Event returns with their 7th studio album and their first since the critically acclaimed 2020Hollywood Park, the companion album to lead singer Mikel Jollett's New York Times bestselling memoir Hollywood Park.

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Airstream Futures

If I / Pr Nightmares

9,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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CD | 2022 | Original (Revenge)

AJ Tracey

Flu Game

16,99 €*

Release: 2022 / Original

Genre: Hip Hop

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The Soul Vegetable Orchestra

Ajax Tow

LP | 2021 | EU | Original (Stereophonk)

21,99 €*

LP | 2020 | EU | Original (Little Miss Echo)

Release: 2021 / EU – Original

Genre: Hip Hop, Organic Grooves

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When Ajax Tow travels in his Pop Western landscapes, you can be sure there’s always a perfect 70’s road trip soundtrack. Italians cowboys meeting the legendary Miriam Makeba in Rennes suburbs... For his 3rd album The Soul Vegetable Orchestra, Ajax Tow is bringing us on a ten tracks sonic adventure, where many inspirations and references collide. The succession of tracks inspires many feels and moods from sipping a good old bourbon, dance in the kitchen, or gallops though the plains of Napoli. We can found the influence of Danger Mouse paying hommage to the late Ennio Morricone (Roma, 2011), a cinematic side of Shawn Lee and Misha Panfilov, from music library à la JeanClaude Vannier to the Band Voilaa, a little glimpse of pimped Ninja tune, a reworked organic Mo’Wax vibe, all mixed up and spiced up with a Tricky style. This album is also the result of a collaboration with Dan Voisin (Modul-Club, Eighty…) at the production and drums with Rennes city scene musicians who gives a hand on this album: Romain Baousson (Coupe Colonel, Bikini Machine…) on drums, Sax Machine and Racecar (Saxtoys Records) on horns and vocals, Dj Marrrtin (Funky Bijou, Lord Paramour) on beatmaking, Medline (My Bags) on Flûte. As a special guest, the late and legendary Miriam Makeba appears on “Magic Miriam”. “Feel it” is definitely setting a west coast on the LP with a Jurassic 5 inspiration, accompanied by a spicy rhythm, MC Racecar (Sax Machine) flows and lyrics brings even more energy to the track. On “Movie” and “Silence”. Ajax Tow give us a nice taste of his favorite psychedelic blends, romantic and intimate at the same time, where we found back Fuzz guitar with 60’s Eric Clapton style (Cream era) and Pink Floyd synths Flavors. The cinematic style and first notes of “So What” reminds Air first EP and the beautiful bass of “Melody Nelson”. For the dessert, “Smallville” is a kind of wedding cake with 70’s loops sprinkling that brings us to Phillipe Sarde’s La Grande Bouffe soundtrack, but with a more contemporary feeling.

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AK/DK

Shared Particles

20,99 €*

LP | 1981 | EU | Reissue (Wewantsounds)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Even when artists say they they’ve discovered who they are on their latest record, it doesn’t really work that way. You never stop striving to discover more about yourself - that’s just being human; and it’s something that two-headed electronic rock party outfit Ak/dk understand. As Ed Chivers and Graham Sowerby announce the release of their third album Shared Particles, it’s what makes the dual drums and synth pairing such an exciting prospect.

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Akiko Yano

Tadaima

33,99 €*

2LP | 2023 | UK | Original (Lugar Alto)

Release: 1981 / EU – Reissue

Genre: Pop

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2022 repress; LP version. Obi strip; Includes two-page insert. Wewantsounds present a reissue of Akiko Yano's Tadaima., originally released in 1981. The first release Wewantsounds' ambitious program to release Akiko Yano's albums outside of Japan Tadaima. ("I'm home" in Japanese) is Yano's fifth studio album and a synth-pop masterpiece, co-produced by her then husband Ryuichi Sakamoto and featuring all the musicians from Yellow Magic Orchestra (Haruomi Hosono, Yukihiro Takahashi, and Sakamoto), the group she was touring with at the time. Japan's best kept secret, Akiko Yano is one of the most ground-breaking artists to come out of the '70s Japanese music scene along with Haruomi Hosono and Ryuichi Sakamoto. A piano child prodigy, Yano started her solo recording career in 1976 at just 21, recording her debut album Japanese Girl with no less than Little Feat as the backing band. This album created a stir on the Japanese scene and Yano was on the map. She went on to record a series of superb albums mixing funk, electro, and city pop featuring the cream of Japanese (and sometimes American and English) musicians; The fact she was producing, writing and composing herself made her a true maverick in a very male-dominated industry. These albums, incredibly, have never been released outside of Japan to this day. Tadaima. is Yano's first attempt to leave the acoustic piano aside and delve into the synth sounds of the early '80s. The result is a fascinating electro pop masterpiece showcasing her talent as a writer, musician, and singer, creating her own unique universe. Mixing Japanese and English lyrics, Yano crafts perfect pop songs such as "Tadaima.", "I Sing", "Harusaki Kobeni" (which became one of her most famous songs after its use in a Japanese cosmetics ad), while "Taiyo No Onara" is a suite composed of nine short stories written by children. Contributors on Tadaima. also include Shigesato Itoi, one of Japan's most famous copywriters (for Studio Ghibli among others) who wrote two tracks on the album and his friend legendary illustrator Teruhiko Yumura -- aka King Terry -- who revolutionized underground manga in the '70s with his "heta-uma" (bad-good) style, as showcased on the album's striking artwork. Tadaima. is the perfect entry point to Akiko Yano's unique body or work. This reissue includes original artwork by cult illustrator King Terry and a new introduction by renowned DJ Joakim.

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Akira Umeda

1988 2018

36,99 €*

2LP | 2022 | EU | Original (3am)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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"In this album, Akira Umeda mixes 42 recordings, dated between 1988 and 2018, which, in a sense, reflect the incredible range of his creative work: from songs, to ambient music; from field recordings to prank calls. The cassette tapes, whose contents make up this double-LP, had been stored in Umeda’s house in São José dos Campos, in São Paulo, Brazil.

Restless, and easily bored, Akira moved seamlessly from one activity to another – he was a little bit of everything (and nothing at all). Such people usually go unnoticed and unrecognized, something which Umeda found perfectly acceptable. Nevertheless, unlike most people, he had no right to see himself in this light – in the light of ephemerality and anonymity –, for in everything he tried his hand at, he inevitably left an impressive and distinctive mark.

The term cruising refers to the practice of seeking and obtaining instant, no-strings-attached sexual gratification with strangers. Akira Umeda was well-acquainted with this term, but his practice of it was not restricted to the aforementioned context. Rather it extended into all spheres of his life and work. A historian by training, he later became a ceramicist, a photographer, a visual artist, a draftsman, a graphic designer, a DJ, a musician, an audio technician, a writer, a researcher... He made forays into a myriad of artistic and academic fields – with a single intention: to achieve a specific objective and promptly exit stage left, as it were."

Music & mix by Akira Umeda. Mastering by Dubplates & Mastering (d&m). Artwork by Sometimes Always. Cover Photo from Arquivo Público do Município de São José dos Campos, 1997. Gatefold by Akira Umeda. Special thanks to Laura Deckers and Victor Meyer.

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Al Bradley

Little Treasures

41,99 €*

Al Campbell & Little John

Release: 2022 / EU – Original

Genre: Electronic & Dance

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3am Recordings brings you its debut album, from label boss Al Bradley. While it would be much easier to get some huge name in for this who is previously unrelated to 3am, it was never going to be like that here. Staying true to the ethos of the label, it was important that this milestone was a reflection of the label and what it has always stood for. The move back to vinyl in 2015 has firmly planted the label back in its place as one of the UK's most consistent for house music, retaining its value of working with artists who have been involved with the label over its 19-year history, or who have been firm supporters of 3am during its time. Over the 9 cuts there are a variety of vibes, 'Little Treasures' aims to cover a selection of sounds that represent Al's influences & styles, having been buying records since the mid-80s & playing vinyl as DJ since he got his decks in 1991. The past is important as it represents where we started, the future is equally important, as it's the area of the unknown & we have to embrace it... Covering deep house, dub techno, broken beats, raw machine funk, beatless ambience & more, the album is one that is dancefloor-aimed, but works beyond that area too. With support from the likes of Placid (We're Going Deep), Carlo Gambino (We_R_House), Lolu Menayed (Rawtrax), Lars Behrenroth (Deeper Shades of House), Loz Goddard (Oath), James Reid (Sonet), Moodymanc (2020Vision) & many more, the album reaches right across the spectrum of electronic music.

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Mash It Already

7" | JM | Reissue (Volcano)

7,99 €*

Release: JM – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

LP | 2009 | US | Reissue (Fat Possum)

Al Green

Let's Stay Together

30,99 €*

LP | 2019 | US | Reissue (Now-Again)

Release: 2009 / US – Reissue

Genre: Organic Grooves

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180g vinyl

- "Let's Stay Together" sampled by Little Brother for "Light it Up"

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Al Manfredi

Blue Gold

56,99 €*

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Al Manfredi is the father of hip-hop producer Exile, and Blue
Gold is his little-known West Coast rock masterpiece from
1973. Manfredi’s dreams of securing a record deal with this
album faded, but he spent the rest of his life recording
music. This version of the album was overseen by Exile.
Born into a musical family Al Manfredi started writing songs when he was child. As a teenager in 1965, he formed the Nuts
& Bolts in the small beach town of San Clemente, California. Inspired by the Kinks, the Beatles and the Byrds, the group
separated themselves from the pack by also performing original material written by Manfredi and band mate Mike Ingram.
In late 1966 they changed their name to the Lost & Found and relocated to Phoenix, Arizona, where they cut a rare single,
“Don’t Move Girl” b/w “To Catch the Sun,” which now commands high coin from ‘60s garage collectors.
When they returned to San Clemente in early 1967 their music had taken a more psychedelic direction. The Lost & Found
were riding high that year, until tragedy struck. Ingram was found hanged under suspicious circumstances and soon after
Lost & Found drummer Mike Ryer died of cancer at the age of 19. Heartbroken, Manfredi gave up on the band scene
completely and moved to Garden Grove to teach at his family’s music store.
But alone, behind closed doors, he kept writing songs and working on his music, recording hours of tapes, often tracking
all the instruments himself. In 1973 he chose six of his best songs, some of them written back in the Lost & Found days,
and had them custom-pressed as an LP. Only a handful of copies were pressed, and most of these were sent out to various
record companies in the hope of landing a deal. Despite the outstanding quality of the music, there were no takers. But
decades later, collectors discovered the Al Manfredi album and hailed it a West Coast rock masterpiece. In his Acid Archives
book, Patrick Lundborg called its discovery a deus ex machina and compared it to David Crosby’s first solo album and
Hawaii-era Merrell Fankhauser, “not just the acutely captured mellowness, but the self-confidence and the talent.”
This little-known West Coast rock masterpiece was rediscovered and celebrated by Acid Archives founder Patrick Lundborg
and others around the time that Manfredi died in 1995. This version of the album, overseen by Manfredi’s son Exile,
and with Manfredi’s story told by Ugly Things’ founder Mike Stax, presents the complete package of an incredible lost and
found artist.

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2LP (One Little Independent)

La Peste

Genre: Rock & Indie

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Last Train To Mashville Vol.2

LP (One Little Independent)

34,99 €*

Genre: Rock & Indie

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2LP (One Little Independent)

Mor

Genre: Rock & Indie

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2LP | 2016 | Reissue (One Little Independent)

Outlaw

Release: 2016 / Reissue

Genre: Rock & Indie

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2LP | 2016 | Reissue (One Little Independent)

Power In The Blood

Release: 2016 / Reissue

Genre: Rock & Indie

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Vase De Noces (Wedding Through)

Alain Pierre

LP | 2024 | EU | Original (Sub Rosa / Mydy)

Alan Howarth And Andrew Vanwyngarden

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The first ever publication of the original soundtrack composed by Alain Pierre for the Belgian cult film Vase de noces, directed by Thierry Zeno in 1974... Limited edition of 400 copies with letterpress sleeve. In memory of Alain Pierre: 1948 - 2024. Co-produced by Sub Rosa and Mydy

Vase de noces was made with very little money. Thierry used 16mm reversal film, utilizing the ends of reels he obtained from friends who worked as TV cameramen. Similarly, I salvaged magnetic tape from my workplace, the Équipe sound studio. Film professionals looked down on him because he filmed everything on his own, without relying on technicians. The remarks became even more disparaging when they saw the quality of the result.

Thierry told me about a certain sequence from his film, and I had the feeling that this music would work wonderfully with that sequence if I slowed it down to the extreme, to the point that it would be unrecognizable. Very rudimentary special effects. I had manipulated music sung by castrati this way for O Sidarta, and he liked it. My suggestion was accepted. (Alain Pierre)

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OST Cosmic Dawn Red Vinyl Edition

LP | 2023 | US | Original (Ship To Shore)

26,99 €*

OST Retribution Blue Green Pinwheel Vinyl Edition

Release: 2023 / US – Original

Genre: Soundtracks

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Composer Alan Howarth (Star Trek, They Live, Halloween series) with Andrew VanWyngarden of MGMT
Limited Edition Red Vinyl
Soundtrack to Jefferson Moneo’s 2022 film, Cosmic Dawn

Ship to Shore PhonoCo. is proud to announce the release of Cosmic Dawn: Original Motion Picture Soundtrack by Alan Howarth & Mgmt’s Andrew Van Wyngarden! After her mother is seemingly abducted by aliens, a disturbed young woman seeks answers by joining a UFO cult… but all is not as it seems.

Alan Howarth (best known for his collaborative work with John Carpenter on soundtracks such as Big Trouble In Little China, Prince Of Darkness and Halloween III: Season of the Witch) teams up with Andrew Van Wyngarden of Mgmt to create a 40 minute opus of unsettling moodiness. A unique mixture of ominous synthwave & dark ambience (occasionally blended with some psychedelic funk rock) and mixed with audio samples from the movie, the score invokes an uneasy dreamlike atmosphere that you will want to return to again and again!

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Alan Howarth

LP | 2024 | JP | Original (Mystic Vault)

45,99 €*

A Lot About Livin' (And A Little 'Bout Love) Vinyl Me, Please Edition

Release: 2024 / JP – Original

Genre: Soundtracks

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Retribution original motion picture soundtrack, composed by Alan Howarth (known for composing Halloween 2 & III, Escape from New York, They Live, Big Trouble in Little China). Dark ambient synthesizer score for the 1987 film “Retribution” directed by Guy Magar.

Film Description: Supernatural terror erupts on a Halloween night when two men simultaneously die. A frustrated artist jumps off the roof of his flea bag hotel, at the exact moment that Vito, a small-time hood, is viciously tortured and set ablaze by thugs. Upon their deaths, the two souls intertwine. George survives only to be possessed by the tortured soul of Vito.

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Alan Jackson

LP | 2024 | US | Reissue (Vinyl Me, Please)

35,99 €*

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
“Alan Jackson’s 'A Lot About Livin’ (And a Little ’Bout Love)' is maybe the most straight-ahead album to top the country charts in the modern era. It’s an album that could have come out in 1992, 2002 or 1972, in that it’s built on the pillars of country music: honest songwriting and a kickass band. It’s an album that strips all artifice and is easy to love; you just get the straight dope of Jackson’s life lessons on everything from romantic disappointment to how to get over a fight with your wife. It’s a rare album that delivers on its title — nothing more, nothing less."

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LP | EU | Original (Cult Legends)

Jagged Little Live '96

16,99 €*

Release: EU – Original

Genre: Rock & Indie

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LP | 1995 | US | Reissue (Maverick)

Jagged Little Pill

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Jagged Little Pill Acoustic Black Vinyl Edition

2LP | 2005 | EU | Reissue (Music On Vinyl)

33,99 €*

Release: 2005 / EU – Reissue

Genre: Pop

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Jagged Little Pill Acoustic is an acoustic studio version of Alanis Morissette's international breakthrough album Jagged Little Pill (1995). When Jagged Little Pill Acoustic was released in 2005, it commemorated the tenth anniversary of the original album. The album's single in the U.S. was "Hand In My Pocket". The video for the track received rotation on VH1.

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Supposed Former Infatuation Junkie (Thank U Edition) Black Vinyl Edition

2LP | 1998 | WW | Reissue (Rhino)

41,99 €*

Release: 1998 / WW – Reissue

Genre: Rock & Indie

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Im Jahr 1998 standen Alanis Morissette und Co-Produzent Glen Ballard vor der herausfordernden Aufgabe, ein Album zu kreieren, das dem riesigen Erfolg von "Jagged Little Pill" gerecht werden konnte. Doch die beeindruckende und vielfältige Mischung auf "Supposed Former Infatuation Junkie" lässt "Jagged" fast zahm erscheinen. Das Album bietet eine bunte Palette an Stilen und Themen und erfüllte die Aufgabe, Alanis' Ruf nach dem großen Durchbruch ihres Debütalbums zu festigen, mit Bravour. Anlässlich des 25. Jubiläums des Albums bringt die neue 'Thank U Edition' eine 2LP-Wiederveröffentlichung mit neu gestalteten Artworks sowie eine digitale Deluxe-Edition heraus, die seltene B-Seiten und Demos enthält. Zu den Hits zählen „Thank U“, „Unsent“ und „That I Would Be Good“.

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Supposed Former Infatuation Junkie (Thank U Edition) Crystal Clear Vinyl Edition

2LP | 1998 | WW | Reissue (Rhino)

50,99 €*

Alba Maria Valencia Y Cantoras De Yerbabuena

Release: 1998 / WW – Reissue

Genre: Rock & Indie

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Buen Viaje (Chigualo) / Alhajita (Arrullo)

7" | 2023 | JP | Original (Okra Brand)

21,99 €*

12" | 2014 | EU | Reissue (Yoshitoshi)

Release: 2023 / JP – Original

Genre: Organic Grooves

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The joyful and melancholy songs of the soul that have been sung on Tumaco, a small island in the Pacific Gulf of Colombia that has been exposed to violence, abandoned, and isolated, are now echoing across the world's dance floors. The world's first recording of Alba Maria Valencia and her group Cantoras DE Yerbabuena, the bearers of a little-known local tradition, who were born and raised on the small island of Tumaco, also known as "the pearl of the Pacific," and have been singing the songs they learned from their parents for over 65 years! The artwork for the sleeve is by Yukie Monnai. The semicircular arch in the background, which was a symbol of Tumaco, collapsed earlier this year and is no longer there. Alba Maria Valencia and the members of Cantoras de Yerba Buena are very happy to have this arch painted on the sleeve.

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Alcatraz

Give Me Luv Remixes

LP | 2021 | EU | Original (Mylja)

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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It takes a lot to achieve the status of legendary or era defining in dance music, its sands shift so quickly artists, genres and labels have often come and gone before you realise.
So it's with some pride and deserved justification that Yoshitoshi marks its 20th anniversary with celebratory remix packages of its most iconic tracks.

Already riding high in the Beatport charts with the success of the Uto Karem and Robosonic mixes of Eddie Amadors House Music, the latter of which has spent the past month in the overall top 5, the label now plans a one, two punch with the follow-up: Alcatraz seminal Giv Me Luv.

We thought long and hard about how we scheduled this 20th anniversary project, says label boss Sharam, little point launching big and then following up with a whimper so we deliberately chose Alcatraz for this difficult task.

But the challenge didnt end there; a massive record still deserves a massive remix and I think its safe to say we found the perfect woman for the job...
Step forward undisputed techno titan Nicole Moudaber who leapt at the opportunity to remix the track.

Ive got so many fond memories of Giv Me Luv, it was one of my favourite tunes from my formative clubbing days, recalls Nicole happily, so, when Yoshi mentioned the idea of me remix-ing it I just couldn't say no.

In fact I was so familiar with Alcatraz I was already awash with ideas of what I could, or should, do with it.

As I got into the mix one of those ideas just grew and grew, namely an extended breakdown that constantly builds; layering the memorable vocal to an intense pay-off and (hopeful) moment of real dancefloor drama. Nicoles humble description doesn't quite do the end result justice, which is a modern, masterful take on the classic.
Her iconic techno beats, dark twisted stabs and arrangement of that bassline drive toward the mentioned break, which will undoubtedly rival the fireworks of any impending NYE celebrations.

In fact, expect this track to be THE soundtrack to many a dance floor come the all-important hand-over to 2015. And, just in case that weren't enough, Yoshi has also secured the skills of Tent Cantrelle to deliver the perfect deep house foil to Nicoles techno ferocity as Sharam concludes, We wanted a real slice of contemporary funk from the companion mix.

Yoshi is synonymous with exploring the line between deep house and techno, perhaps no more so than during its formative years, so this re-mix completes the package perfectly.

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Alchi

Full Of It

14,69 €* 20,99 € -30%

Alessandroni Proibito Volume 2

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Krijn Moons aka Alchi emerges as a new voice in instrumental electronic music with his debut ‘Full of It’ released with Mylja. Inspired by artists such as Nicolás Jaar, Boards of Canada, Sigur Rós and James Holden, Alchi produces and performs music that is rooted in experiment rather than a single genre, flowing between and weaving through alternative dance, instrumental electronic postrock and neoclassical influences. Playing with imperfections and disarray, Alchi’s work honours emotional ambiguity, cultivating a sound that can be equally euphoric as it can be melancholic, a feeling that words cannot - and do not have to - articulate. This is also the approach to composition and production for ‘Full of It’, Alchi explains. “More than the sum of its parts, the sound of a song creates a space that it starts to exist in, an intangible context shaped by the details that come from zoomed-in sound design and production or even working with old or broken instruments. At a certain point, in this space that feels somewhat unknown and familiar at the same time, everything comes to life.” Within this ambiguity, Alchi finds a place to liberate himself from instrumental boundaries, creating landscapes that value coincidence, playful sound choices and a little bit of chaos. ‘Full of It’ portrays an uncommon kind of music that, in its abstraction, layers and linear structures, will balance both the familiar and the surreal.

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Alessandro Alessandroni

5x7" | 2023 | EU | Original (Four Flies)

89,09 €* 98,99 € -10%

2LP | 2022 | EU | Original (Holidays)

Release: 2023 / EU – Original

Genre: Organic Grooves

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After the success of the first Alessandroni Proibito box set, which sold out in pre-sale before it even hit the stores, Four Flies is proudly back with Volume 2 of the compilation. This new release too features five exclusive 7-inches, housing a total of 10 seriously rare tunes. All previously unreleased in physical format, the tracks have been carefully selected from the soundtracks of five obscure Italian films from the late ‘70s – sexy flicks that flirted with the line between erotic and explicit, and which are now largely forgotten, having been out of circulation for decades.

As was the case with the previous volume of the compilation, Alessandroni's music rises above the films' flimsy plots, improvised actors, and amateurish production, exuding his distinctive touch thanks to the (typically Italian) artisanal approach he took to his musical craft. The composer let his creativity run free, playing with his instruments at home as if he were in his own little amusement park; trying to have fun and produce something entertaining and captivating with just the few means at his disposal.

This creative freedom turned even budget limitations into musical strength. Armed with just a 4-track Teac, Alessandroni recorded the rhythmic elements first and then added layers of melodic variations on top, at times relying on wordless vocals provided by skilled family members (Alessandroni himself in “Racing”, or his wife Giulia De Mutiis in “Ticket”), and at others on affordable or readily available instruments from the Italian folk tradition, such as the mandolin, the accordion, the melodica, or the diatonic harmonica. And of course, let’s not forget his unmistakable guitar! Whether classical or electric, it's the heartbeat of every track in this compilation, from the seductive suspense of “Luci Rosa” (i.e., ‘pink lights’) to the groovy disco-funk of “Snake Disco (Reprise)”, all the way to the brilliant proto-wave of “Climax.” To top it off, a splash of DIY electronica – think minimalist drum machines and quirky synths – injects a modern feel into what we now call Italian erotic sound.

This time as well, the box set comes with artwork by Eric Adrian Lee, along with a matching 30x70cm folded poster inspired by the insert-size posters that used to deck out movie theaters.

Alessandroni Proibito Vol. 2 (Music from Red Light Films 1976-1980) is being released in a limited edition of just 400 copies and will never be reissued. So, be quick – it's first come, first served!

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Alessandro Bosetti

Plane/Talea 31-34

27,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Since a few years Alessandro Bosetti has been collecting voices that become part of the Plane/Talea archive. The creation of the archive stems from dozens of individual meetings and recording sessions, in which each voice is detached from its owner or originator and anonymized. With each new iteration and performance, Bosetti plays the archive as if it were an instrument. He searches for hidden details and correspondences through exploration, immersion and contemplation. Each re-activation of the archive results in a dense and swarming polyphony made up of thousands of short utterances - shorter than any word bearing a meaning - recombined and interwoven into complex textures. The particularity of the grain of Plane/Talea lies in the autonomous and darting life that each of these fragments lives in a teeming community of voices. Such polyphonies are rich in microtonal detail emerging from the incessant juxtaposition of vocal objets trouvés. Harmonic relationships are sometimes rough and chaotic, other times surprisingly just. The voices are never treated electronically but only recombined and musical tension is provided by the particular grain, inflection, energy of each one of them in counterpoint to the others and to a frugally used instrumentarium (Harpsichord, Ondes Martenot, Cristal Baschet, grand piano, analog synth, Hammond organ). Implicit reference goes to ancient, modern and postmodern forms of vocal polyphony. "Plane/Talea 31-34" - the continuation of the homonymous 2016 LP - is a work of sampling that projects an imaginary community and a disembodied choir. The four arching and extensive tracks were created between 2017 and 2018 and bear the trace of two specific moments: August nights in a country house in Vicobarone, in the hills of Piacenza (31-32) and a week-long residency at the "Studio Venezia", an environment created by French artist Xavier Veilhan in the French pavilion at the 2017 Venice Biennale (33-34). « Encounters of this sort did happen, with the voice still clinging onto its own origin, and then seen, as it were, coming out of the original mouth and caught saying other things, with a slightly different intonation, a slightly different timbre, maybe due to a little aging, an extra cigarette, a cold. At that point we would come out unsettled, or maybe convinced that it was not the same voice anymore, but another. »

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Alessi

Pulcina Milchaufschäumer

38,95 €*

Alex Campbell , Ola Belle Reed & Deacon Brumfield And The New River Boys

Available Sizes: One Size

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The Alessi Pulcina milk frother combines high-quality design with functionality to prepare the perfect milk froth for your coffee. The Pulcina milk frother is not only an eye-catcher in the kitchen, but also ensures creamy, fine-pored froth that gives your coffee experience that little bit extra.

Alessi Pulcina milk frother - Features:

• Easy handling and cleaning
• Rechargeable battery
• Dimensions: 7.5 cm x 5 cm x 4 cm
• Design by Michele De Lucchi
• Material: steel & thermoplastic resin

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Little Moses / Steel Guitar Chimes

7" | US | Original (New River)

5,99 €*

Release: US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

Phantom Of The Club / Amiamoci Di Meno

Alex Fernet

7" | 2023 | US | Original (Peoples Potential Unlimited)

11,99 €*

LP | 2023 | EU | Original (Vampisoul)

Release: 2023 / US – Original

Genre: Organic Grooves, Electronic & Dance

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First single from Alex Fernet's debut 2023 album entitled, Lucidanotte. Produced at Overdrive Recording Studio with Edoardo "Dodi" Pellizzari Drums by Diego Dal Bon Cp80 by Little Albert Artwork by Riccardo Michelazzo

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Alex Rodriguez

Busqueda

26,99 €*

Can I Hear The Sound Of A Falling Branch

Release: 2023 / EU – Original

Genre: Organic Grooves

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First time vinyl reissue of this awesome 1978 Latin jazz-funk gem by Venezuelan guitarist Alex Rodríguez, featuring top musicians like Jorge Dalto, Nené Quintero and George Benson's band members Dennis Davis and Stanley Banks, among many others.Originally self-released and distributed in tiny quantities, "Búsqueda" has reached grail status among collectors worldwide. The album contains quite a few heaters for the dance floor, like 'El Mercado', and tight, keys and guitar punctuated fusion jams! (just check the groovy opener 'Cumana'.)Rodríguez is a classical and jazz trained guitarist who in the early days of his career joined some of the best orchestras in Venezuela, including Aldemaro Romero's Onda Nueva. He put together a brief project, La Retreta Mayor, in 1976 which only released one album and would later move to New York where he had the opportunity to record his own songs with renowned musicians of the city at that time, like Víctor Paz, Charlie Camalliari, Sam Burtis, Mario Bauza, Guillermo Edgil, Bernard Purdie, Jorge Dalto, among others.It took him a little more than a year writing the songs and preparing the material for "Busqueda" but in 1978 Alex Rodríguez would return to New York City. Jorge Dalto had spoken with Dennis Davis (drums), Stanley Banks (bass) who played together with George Benson, and Víctor Paz contacted Alex with Ronnie Cuber (saxes), an excellent saxophonist, who later recorded 'Cumana' on his own album "The Eleventh Day Of Aquarius".Before going to the recording studio they did a rehearsal to review the music, and the next day Dalto, Banks, Davis, Cuber and Alex Rodríguez were recording in the CBS studio on 52nd street in Manhattan.The production and mixing of the album were finished in Caracas, at Sono 2000 studios, with the participation of excellent Venezuelan musicians such as Nené Quintero, Lucio Caminiti, Edgar Saume, Carlos Acosta, Alberto Naranjo, Rolando Briceño, Leo and Frank Quintero, among others. The resulting album contains quite a few...

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Alex The Fairy

Tape | 2022 | UK | Original (The Tapeworm)

LP | 2018 | EU | Original (Little Beat Different)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Alex the Fairy is an artist based in Berlin producing music with an emphasis on electronic and concrete methods. Alex the Fairy is also part of the 3Ddancer trio, a live act focusing on improvisation and expression using electronics.

Alex The Fairy writes: "I had sent The Tapeworm tracks before, but I was being difficult so was asked to send a new bunch, with a deadline. I sent the new bunch, a fairly odd collection expecting perhaps some of them to be combined with the older stuff but not seeing any coherence in them. I figured The Tapeworm would find at least something. To my surprise the suggestion that came back was exclusively the tracks I had sent the second time, and, re-listening through the tracks in this new order after returning from a Christmas dinner lying on the floor of my nephews bedroom gave them a completely new context. Despite them being quite varied in terms of age (one had been flung together a few days earlier on the train while another was approaching Schulreife) they seemed to meld together in such a way that I hardly recognised them…

Last year my grandmother died. My last grandparent. I had put off seeing her during corona, as I thought it best not to put her at risk and had almost left to visit her days before her death but had delayed my departure because of a medical appointment. My failure to her weighs heavy on my mind - fates grimacing grin: too little, too late. The approaching march of death, one generation closer was a confrontation I wasn't prepared for.

While clearing out her flat in the following weeks I had kept some of my grandfathers cassettes, live recordings of jazz greats, Pink Floyd, Sade and some classical among them, none originals, several presumably from the radio e.g. a church organ rendition of Bach. At the time I wasn't sure why I was hanging on to them, other than the urge to hoard, and that it felt wrong not at least to keep some. Half a year later, half way through mixing this cassette, suffering from my first bout of Covid, I had the insatiable urge to hook up the cassette player I had received from my grandfather after his death around nineteen years earlier and had been dragging along with me since. I stuck a cassette in only to immediately return to the safety of my covers. I began to work my way into what I had saved, hearing the fruits of my grandfathers labour decades before. It felt like quite an intimate interaction with someone I had long lost contact to/was long gone. Quite a wonderful thing, these time traveling cassettes.

I returned to the tracks to mix them shortly before my corona/cassette experience, with a new mixing console at hand. I had been looking for one for several years, but nothing had ever clicked, until I found this old broadcast desk 30 minutes from my place (it also coincided with a payment from a job the sum of which matched the price identically… fates return). Installing became a massive hassle and I doubted my decision continuously, but the further it was implemented the more it made sense. The first track I recorded with the mixer is on this cassette. Shortly before the mixing I was introduced to an Effektgerät by a friend, Rapha. Another good friend Art lent me their one, and I ended up using copious amounts of it throughout mixing, alongside my usual space creators. All the tracks on this release were mixed again on this mixer and are in a sense all a bit of a dub of the originals. I wouldn't have worked this way without the mixer, and the effect gave me a dimension I hadn't had before, so, from a technical perspective, the mixer and this effect define this release, giving it a coherence, at least for me. Emotionally of course the chaos and turbulence of the preceding year and my newfound appreciation for the medium give it a meaning I will struggle to formulate." – Alex The Fairy, Berlin, 9 May 2022

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Alexander Goldscheider

LBDISSUES002

16,99 €*

Isn't She A Pretty Girl / Love's Knockin'

Release: 2018 / EU – Original

Genre: Electronic & Dance

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This LP samples Alexander Goldscheider’s music produced for records, films, TV and even an art exhibition in the space of 25 years starting from 1975. In its second venture into reissuing hidden gems of electronic music produced in Eastern Europe in the 20th Century, Little Beat Different Issues focuses on the work of a Czech composer, musician and producer, Alexander Goldscheider. Born in Prague in 1950, Goldscheider started as a music correspondent in New York in 1968/69, went onto reading Music at Charles University whilst continuing as a music critic and radio/club DJ, before becoming a record producer at the top Czech label, Supraphon. As a composer, he pioneered the use of synthesizers in his songs for major Czech pop/rock singers as well as in his own instrumental tracks. After moving to London in 1981, he first recorded two albums at the renowned Red Bus Studios, then proceeded to work at the legendary BBC Radiophonic Workshop, before co-founding and establishing Romantic Robot, a software and hardware design and manufacturing company which later moved into music recording and publishing. Of the many original products, The Music Typewriter was ground-breaking software enabling the writing and printing of real notation on the Sinclair ZX Spectrum. Similarly Terezin: The Music 1941-44 was the first ever release of CDs with music written in the Theresienstadt Concentration Camp during World War II.

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Alexander Morris

7" | UK (Izipho Soul)

Street Food Coloring Book - Delicious Treats From Cities Around The World

Release: UK

Genre: Organic Grooves

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Angel Dove Global / 812 Records / JAM Deuce / Izipho Soul Records are proud to present the first vinyl release from the current lead singer of The Four Tops - the soulful, raw and real Alexander Morris! Upon hearing ‘pretty Girl’ you are probably asking yourself, how on earth has this new recording got such an authentic ‘Northern Soul’ vibe - well the answer is the musicians are the cream of Detroit players, led by Earl Van Dyke Jr. - music director, arranger and conductor for The Four Tops. Written and produced by fellow ‘Top’, the legendary Ronnie McNeir. Our thanks extend to Ronnie for allowing Alex to stamp his own mark on this Detroit classic. Love’s Knockin’ was set to be recorded by The Temptations until Dr Marlin McNichols used all his powers of persuasion to keep it ‘in house’ and we are so pleased he did. Immerse yourself into this slow jam - two minutes in and there’s no going back - the truly outstanding close ‘God did make little green apples…..’ will leave you wanting more!

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Alexander Rosso

Dokument

9,99 €*

LP | 2018 | CA | Original (Secret City)

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Looking for a fun and unique way to experience the world of street food? Look no further than the Street Food Coloring Book! From the classic fish and chips in London, döner kebap in Berlin and New York City pizza slices to hotteok in Seoul and tunnbrödsrulle in Stockholm. Street Food Coloring Book is packed with all your favorite street food dishes – and much more! Over 50 pages of intricate designs featuring everything from tacos and hot dogs to noodles and falafel, Street Food Coloring Book will transport you to the bustling streets of some of the world's most vibrant and delicious food destinations. Dream away to distant cities and new taste experiences. Plan your next food trip or the next home-cooked dinner while you relax and color the world's delicious street food. Whether you are a well-traveled foodie or have a newly awakened interest in the delicious world of street food, you will discover new things and be inspired by the Street Food Coloring Book. And make sure to treat yourself and have a snack on hand while coloring! Street Food Coloring Book is printed on marker and grease friendly paper, so your felt-tip pens won't bleed through and don’t worry about spilling some hot sauce on the pages. Street Food Coloring Book is illustrated by Alexander Rosso an acclaimed graphic designer and street food fanatic whose resume includes everything from restaurant designs to running a street food establishment himself. Street Food Coloring Book is perfect for anyone who loves food, travel, or art. It makes a great gift for friends, family, or anyone who needs a little bit of creative inspiration in their life. So why wait? Grab your coloring markers and get ready to embark on a colorful journey through the world of street food.

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Alexandra Streliski

Pianoscope

34,99 €*

Release: 2018 / CA – Original

Genre: Classical Music

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2LP | 2024 | EU | Original (Music On Vinyl)

Alexandre Desplat

Little Women

Release: 2024 / EU – Original

Genre: Pop

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12" | 2021 | EU | Original (Weighty Ways)

Alfredo Romero

Retrain Station

13,99 €*

LP | 1980 | JP | Original (A&M)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Weighty Ways strongly believe that every now and then the Universe aligns a series of elements that leads to the uprising of a unique talent. Enter the Room 'Alfredo Romero', alias of Alfie Aukett, Music Extraordinaire hailing from West London. Alfredo Romero is the byproduct of where a philosophical understanding of the sonic landscape meets all its capabilities. With little regard for the restraints of traditional music theory and drawing influences from improvisational genres such as Jazz (which Alfie studied to a molecular level at Leeds University) makes for a superior musical tapestry woven by a man far beyond his years. Alfie's quest for musical enlightenment started at a very young age as a Chorister and experimented with a plethora of musical instruments. This profound musical understanding is evident in "Retrain Station", a four track EP born from the ashes of a desolate 2020. A collection of seamlessly flowing production with tones drawn from the musical nuances of Jazz, Blues and Classical through to the ever evolving face of the electronic music scene from both sides of the pond. Strong on all flavours from Jungle to Jazz. A magnificent EP from a truly special individual.

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Ali Thomson

Take A Little Rhythm

2LP | 2021 | EU | Original (Finest Hour)

Release: 1980 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Vinyl close to NM

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Aliana

Universal Voyage

LP | 2021 | EU | Original (Morning Trip)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Finest Hour delivers its first 2 x LP, “Universal Voyage”, courtesy of Ukrainian up and coming producer Aliana, seamlessly matching the label’s aesthetics with her non-conformist sound offering hints of minimalist neo-detroit house and early 90s electro as well as UK tech-house influences. After a little sabbatical year, Finest Hour comes back with a subtle bang, presenting its first full cover artwork cover in the process.

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Alice Damon

Windsong

LP | 1974 | ES | Reissue (Wah Wah)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Morning Trip & Yoga Records are proud to finally reveal one of the ultimate lost masterworks of new age music: Alice Damon’s Windsong. Gently propelled by Damon's haunting breath-of-life vocal winds reminiscent of Joan La Barbara underscored by field recordings and Damon's fretless bass sound calling to mind mid-70 Joni Mitchell, Windsong is traveling music, for the roads or for the skies. Instantly moving, it conjures vistas both romantically familiar and cosmically mysterious — waterfalls and wind, the voice of the earth, as heard through heavenly prisms. Damon attended college in Massachusetts, where she formed and fronted the all-female garage band called The Moppets in the late 60s. The band began to garner national attention, but Damon moved instead to the wilds of northern Vermont to homestead and raise a family. In 1981 or thereabouts she was able to gain use of an early Sony digital home recorder, and created her masterwork, Windsong. But Damon waited until 1990 to release a packaged version of this album, now titled "Windsong II", and sent samples to regional distributors like Vermont’s fabled Silo-Alcazar, where a copy of the album was first discovered, but little evidence exists of a proper commercial release. Alice Damon passed on in 2011 and remained essentially unknown until the landmark I Am The Center: Private Issue New Age In America 1950-1990 first revealed her genius to a wider audience two years later. Now, just in time for the recording's 40th anniversary, Alice Damon's Windsong may at last be heard as one of the most singular, moving and profound examples of new age music's psychedelic essence. Morning Trip & Yoga Records proudly present Windsong.

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Alice Island Band

Splendid Isolation

Tape | 2024 | UK | Original (Tru Thoughts)

Release: 1974 / ES – Reissue

Genre: Rock & Indie

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Originally pressed in a limited run of 1000 numbered copies in December 1974 The Alice Island Band is one of the rarest UK folk private pressings, having sold in auction for over 600 pounds. Little would school friends Keith Hughes, Tim Phillips and Roger Moore imagine that when they formed The Conqueroos blues band back and subsequent projects like Cinderella's Party Songbook from 1967.

By 1974, Keith, Tim and Roger were ready for something special, and the arrival of Cinny - the ‘Princess’ from the principality of Wales - completed the line up for the next LP. They became The Alice Island Band and recorded Splendid Isolation - Tim, Keith and Cinny played, Roger produced and recorded the 14 songs, some of which had been conceived back in 1968.

For those into the UK folk and psych scenes who love the homemade recordings of Peter Howell and John Ferdinando's projects (Tomorrow Come Someday, Alice Through The Looking Glass, Agincourt, Ithaca...), the bare, raw sound of Comus or those impossibly rare folk albums cut through the Deroy Sound Services – but also for lovers of good crafted songs with male & female vocals and mostly acoustic performances.

Done in close cooperation with Keith and Roger who have been very kind to provide original masters, information and photos for the gatefold insert which also includes the original lyrics – here are 500 copies for those who cannot afford or find an original copy. Comes housed in a reproduction of its original sleeve. Order yours before they fly!

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Alice Russell

I Am

25,99 €*