Search "Six Organs Of Admittance" 4281 Items

100x 7" Record Inner Sleeves

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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The sole album released in 1974 from this almighty group of nine musicians lead by Chicago native Danny Leake continues to turn up in the hands of the most determined collectors for good reason. Formed in the most unlikely of circumstances as a group of American military workers stationed in Germany, the band made one dazzling leap onto the frontline of soul before promptly disbanding and never looking back. As with all records that get marked with the coveted 'rare' status, what we don't know about the record outweighs what we do, but as the needle fits the groove on album opener "You Keep Coming Back," and the vocal and instrumental harmonies build into a frenzy, the addictive joy of the record takes hold for repeated listens. P-vine is delighted to be bringing this album back from the vaults for a limited pressing fitted with a unique Japanese obi strip.

After the opener rich with soul, "No More City, No More Country" changes pace with a psychedelic funk jam that blossoms into a piece of spiritual jazz and social commentary of 70s America. "Windy C" is an album highlight and kicks off the B-side with a lost funk classic where the individual talents of Steve Maxwell's organ playing, Leake's guitar and John Jackson's percussion all combine to make the deftest of touches count. The wealth of compositional talent behind the album contributes to its varied sound, and the might behind Marvin Daniels' vocals and trumpet playing joins Leake on the songwriting credits with producer Rick Hartung. Leake would later make his name as the trusted sound engineer of Stevie Wonder, but his roots as the mythical bandleader of 100% Pure Poison lives on in the books of rare record folklore.

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Innenhüllen (antistatisch / weiß 80 g/m²)

100x 7" Record Inner Sleeves

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Pure white paper inner sleeve for storing 7 inch records. This inner sleeve is lined with anti-static high density polyethylene. Equipped with a centered die-cut hole.
It's suited for 17.8 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 7" Vinyl Innenhüllen (anti-static) - specific details:

• measures: 180 x 180 mm
• material: 80 g/m² pure white premium paper and polyethylene
• die-cut diameter: 80 mm centered
• anti-static
• selling unit: 100 pieces

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Innenhüllen Deluxe (weiß 90 g/m²)

100x 7" Record Inner Sleeves

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Deluxe paper inner sleeve for storing 7 inch records. This inner sleeve is made from 90 g/m² offset paper and equipped with a centered die-cut hole, so label infos are available at first glance, and it's suited for 17.8 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 7" Single Vinyl Innenhüllen Deluxe - specific details:

• measures: 180 x 180 mm
• material: offset paper, 90 g/m²
• die-cut diameter: 80 mm centered
• selling unit: 100 pieces
• high-quality product, made in Germany

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Innenhüllen (weiß)

9,99 €*

107th Street Stickball Team

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Paper inner sleeve for storing 7 inch records. This inner sleeve is equipped with a centered die-cut hole, so label infos are available at first glance, and it's suited for 17.8 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 7" Single Vinyl Innenhüllen (Mittelloch) - specific details:

• measures: 180 x 180 mm
• material: paper
• die-cut diameter: 80 mm centered
• selling unit: 100 pieces

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Saboreando, Pot Full Of Soul

LP | 2018 | EU | Original (Everland)

19,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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Plus 4 Unreleased Bonus Songs! This is a band project from the late 1960s with a very young Bobby Marin, a leading figure in the invention of BOOGALOO music, a cocktail of Latin music, Rhythm & Blues, Soul and Rock’n’Roll oft he day clearly geared towards the western pop music that made the top of the charts. As he grew up on 107th Street in Harlem / NYC he and his mates played a game called Stickball during the day which is a street variation of baseball originating from the New York area while at night he rehearsed with a doo wop ensemble named THE LATIN CHORDS and others from his team got together in a percussion group in buildings on the opposite site of the street. It was no miracle that both groups soon merged into one act that became the 107TH STREET STICKBALL TEAM producing this sole LP in 1969 with a 7“ decoupled probably upfront that featured the two album tracks „On old Broadway“ and „Mojo shingaling“. Well shaped originals of the full length vinyl go for 200,00 € now as a mono pressing, while even those which fetch lower prices never fall beyond 100,00 €. Therefore this reissue on Everland Records suits us fans of outstanding 1960s music fairly well with even four bonus tracks added that band leader Marin unearthed from his personal vaults. This is clearly a typical album in the field of BOOGALOO music of the later 1960s. Western popular music such as beat with British roots, American soul music with lush arrangements and orchestration and the well known elements of bossa nova, salsa, cha cha cha and merengue team up in an exciting sound that gave us some very intense albums during the short span of it’s real popularity in between 1966 and 1969 around NYC but also far out in the latin world. The anthems of one’s life in the Bronx or in Harlem given by the likes of Tito Puente could be felt pouring out of the relaxed, yet intensely pulsating rhythms from drums and percussion on this record while the melodic constructions on top of this groundwork were either soul inspired such as with the hauntingly dreamy opener „On old broadway“ with a great pop appeal and beautiful horn section and vocal arrangements, had a bluesy approach such as the ballad „Look to me“ in three – quarter time at first but adopting a latin melody and cha cha cha beat towards the end of the song or showed a 1960s pop beat affinity with the vocal melodies on top of a bed of ever grooving mid paced salsa rhythms with powerful horns accompanying the basic structures as you can hear it in the two minute shorty you put a hurt in my heart. But this was only one side oft he coin. There were even more traditional latin songs to be found here which were even sung in Spanish. „Toma Guajira“ could easily be an evergreen on the dancefloor in every bar in Havanna. The mixture was breathtaking for you did not get away from dancing and twirling to the enthralling rhythms upon which sometimes the instruments could take a frantic path such as the organs or the saxophone in the soul inspired instrumental „Barbara with the kooky eyes“, which has this typical late 60s atmosphere. Wherever you put the needle in the groove the music will grab you by the heart and legs. The four bonus tracks fit well with the original album and if you would not know they were added only for this reissue you would never realize they would have stayed unreleased for about 50 years. „Come live with me“ is a hot blooded latin groover with a late 50s soul and doo wop feel merged with cumbia and salsa elements. The melodies drag you straight into the clubs of Cuba’s capital. „Rosemary with the funny knees“ is rather modern soul pop and Northern soul of the day in which more of these Cuban aspects appear for a moment but with the late 60s sound prevailing. It feels like the band drifts from one one world into the other and back without losing a beat. „Hey mama“ is a cross of 60s doo wop vocal music and Latin sounds that makes up a prototypical boogaloo style dance floor sweeper. „Lost in the jungle“ adds some 1950s exotica elements to the haunting 60s pop with latin rhythm groundwork and once more frantic performances from the horns and the singers make it an instant classic. I could go on raving about this album but instead I recommend to buy a copy of the reissue and get the full boogaloo experience. If I should limit myself to only one record from this style it would certainly be this.

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Clamor Luciferi Black Vinyl Edition

LP | 2023 | EU | Original (Heavy Psych Sounds)

22,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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“Clamor Luciferi” means the scream of Lucifer, a hostile scream but it also means noise and uproar! 1782 with this latest work have taken out the most powerful and evil songs they have ever made. The album opens with an organ piece that conveys anxiety, suffering and melancholy. From the second track onwards the heavy and fuzzy riffs start, followed by a powerful and hypnotic drums. As always, the themes are occult and legends of their land. An album that will drag you into the deepest and most deafening darkness, let yourself go and be hypnotized by the Clamor Luciferi!

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Clamor Luciferi Half-Half Black/Yellow Splattered Red Vinyl Edition

LP | 2023 | EU | Original (Heavy Psych Sounds)

36,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Clamor Luciferi Purple Transparent Vinyl Edition

LP | 2023 | EU | Original (Heavy Psych Sounds)

29,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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From The Graveyard Black Vinyl Edition

LP | 2021 | EU | Original (Heavy Psych Sounds)

22,99 €*

12" | 2023 | EU | Original (Former City)

Release: 2021 / EU – Original

Genre: Rock & Indie

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"From The Graveyard" is the second full length of the Occult Doom band 1782. In this album there is a leap in quality as the production is much better than the previous releases. Eight tracks and 43 minutes of pure dark Doom, with slow and powerful riffs, and heavy and massive drumming. After the recording of "Doom Sessions Vol.2", the band immediately enters the studio and records the heaviest tracks they have done so far, and they have done it while maintaining that catchy state they have always had. Here too there are featurings, Nico Sechi on organ (Hammond in "1782" and "Celestial Voices" in the debut album) and Alfredo Carboni's Synth. As in the eponymous debut album, the artwork was done by the mighty Sscvlt. "From The Graveyard" was recorded, mixed and mastered in November 2020 by Alfredo Carboni at "rks Studios" in Ossi, Sardinia (Italy).

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1905

Never Been 2 Bristol

Dust: Recordings 1980-1984

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Introducing "Never Been 2 Bristol" by talented artist 1905. This vinyl release takes you back to the energetic rave scenes of the 2000s with four incredible jungle tracks. Inspired by iconic festivals and raves in England, 1905 presents his unique interpretation, capturing the essence of the era. Influenced by Full Cycle, Roni Size, DJ DIE, Dope Dragon, DJ Zinc, and more, this record immerses you in the magic of jungle music.

He has meticulously crafted this record, drawing inspiration from the golden era of jungle music and his deep connection to the sounds that defined the time. Having spent countless hours immersed in old jungle tape recordings from iconic festivals and raves in England, 1905 presents his unique interpretation through "Never Been 2 Bristol."

Each of the four DJ-friendly tracks pulsates with energy, resonating at 160 BPM, ensuring an adrenaline-fueled experience reminiscent of the rave culture of yesteryears.

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22 Beaches

LP | 2024 | UK | Original (Seated)

21,99 €*

Second Law Of Thermodynamics

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Glasgow based Seated Records return with more 1980s Scottish Post-Punk / New Wave material. In this 8-track mini compilation the label introduces the work of Stirling band 22 Beaches, offering a deep dive into music recorded between 1980-1984 - the majority of which has never seen the light of day! 22 Beaches formed in Stirling in the late 1970s as an evolution of the short lived group ‘Alone at Last’ - drummer Fred Parson’s and guitarist Stephen Hunter being the two who spanned the divide. Out of the six members of 22 Beaches, many were school friends, and the rest naturally fell together. The band toured extensively and played at a truly diverse set of venues across the UK: from a local swimming pool boiler room, to small nightclubs and university parties, to several fundraisers for the miners strike. Maybe most notably of all, drummer Fred Parsons described playing at what he calls “the Grangemouth International”, organised by local promoter Brian Guthrie and which featured an all-star lineup of 22 Beaches, The Exploited and the first incarnation of The Cocteau Twins. A coach was hired to ship the audience to Grangemouth from Stirling, the cost of which was included in the ticket. The gig then paused halfway through for a 'help yourself' buffet. Young promoters take heed. This is how it's done! Over the course of the 80s the band released music on three different, and now sought after, various artists compilation cassettes. “What Day Is It?” and “Sadie When She Died” were released on a compilation of local Stirling artists 'The A.N.K.L.E File'. The track from which the current record takes its namesake - “Dust” - was initially released on a compilation-tape for the fanzine 'Another Spark'. And ‘‘Zoo” (also featured on this record) was first released on Glasgow label Pleasantly Surprised via compilation, 'An Hour Of Eloquent Sounds', where 22 Beaches rubbed shoulders with early music from Scottish names Primal Scream, Cocteau Twins, The Wake and Sunset Gun. Unfortunately, 22 Beaches never met the same level of commercial success as these others and decided to retire the project in 1984 - leaving their recordings and demos to gather dust (hehe)…until now! This compilation, “Dust: recordings 1980-1984” follows the band's journey and the changes in their sound over the years. It moves from the raw, punk energy of early DIY recordings through to the A Certain Ratio style Balearica of their later pieces. The record's opener and title track “Dust” is perhaps the most shining example of the latter. Characterised by the plenitude of sonic space in the mix, “Dust” has an almost dub sensibility that is communicated through centrality of Parsons’ drums, McChord’s percussion, and Fildes’ Bass while the harmonising vocals of Sharkey and McGregor chant over the top to give the track its distinctive psychedelic edge. This is an atmosphere only exacerbated by the lofi quality of the recording which sits the vocals in the same aural realm as much 1960s psych-folk. On “Cartoon Boy”, the band strips things down further. A droning bass line persists through the tape fuzz and is accompanied by the sounds of a sole looping guitar chord sequence and McGregor and Sharkey’s vocals - respectively and carefully dancing around one another before harmonising in the most beautiful way. The result is a haunting and abstract Marine Girls style heartbreaker. ‘That Girl’ again delivers a dub adjacent rhythm section similar to that of “Dust”. However, on this instance crisp guitar chords, a distant, phased organ and blue-eyed soul vocal delivery, produce a track that could easily have been a lost Orange Juice recording from their sessions with Dennis Bovel. On “Somebody Got It Wrong” and “One Of Us” the band employ a more macro approach where a jangling guitar with an almost highlife-influenced tone, vocal ad-libs and syncopated percussion give the music a Talking Heads-esque swagger. Taken together these tracks illustrate a clear trajectory in the band's sound, moving from from the high energy no-wave quality of early recordings towards a more dub influenced, and stripped-back sound - a sonic trajectory followed by so many bands of the time, not least those emerging from the diaspora of Manchester’s Factory Records. On “Breathing’’ we hear the beginning of this transition, with the strong influence of the oddball NYC disco styles of Was (Not Was) and ZE records. All of this is meshed together with the residual punk rock energy of 1980s UK. This combination is employed to excellent effect with the addition of the distinctly Scottish (and what the band confirmed to me to be spontaneous) vocal delivery of: “Do you love me? Do you want me?” “Aye!” “Do you love me? Do you need me?” “Naw!”. On the record’s closing tracks, “Zoo” and “Talent Show”, we hear early examples of the band’s work, playing with their rawest all-in-one-take live energy where Hunter’s spiralling guitar riffs and McGregor's distorted vocal exclamations lead the charge. The band recalls that these initial-forays did not always translate so well into multitrack recording and overdubbing: “the deconstruction took away some of the band's natural feel”. On “Talent Show” the record ends with Sharkey delivering an almost unintelligible spoken word section over the top of the track, making for one final, disorientating, almost manic slice of post-punk. These tracks from 1980-1984 chart the progress of a unique contribution to the world of Scottish Post-Punk and New Wave, encapsulating not only the musical trajectory of 22 Beaches but also echoing the broader sonic landscape of 1980s UK, a testament to the adaptability and creativity of the UK’s underground music of the time.

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30Drop

12" | 2020 | EU | Original (Koryu Budo)

17,99 €*

LP | 2022 | UK | Original (C.A.N.V.A.S.)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Our new slice of wax comes this time from outer space made somewhere between unknown galaxies and black holes. The spaceship’s pilot is 30drop, a mysterious alias that has been running its platform 30D for a long while now and is not often seen outside its realm. So it’s an honor for us to have 30drop onboard. For this special occasion 30drop provides six cuts of futuristic techno but with a ravey approach in a time backspin that brings us back to the 90’s via Sci-Fi, reminding in some way of the early UR records, when Mad Mike and Jeff Mills worked together on the soundtrack of the future. This is our first mini LP with 3 cuts per side. The first cut is Brain reset, the short drone intro soon leads to a relentless groove made of repetitive sequences over a fast groove. Intense and obsessive. Mental Understanding brings more minimalistic ingredients, absence of hi hats, just kick drum and synth lines. Brain effervescence showcases the infamous 90’s hoover sound bringing the rave element and 303 acid lines all merged in a lawless and dense mixture. B side opens with Self awareness, starting with ethereal atmospheres, spiced with resonant bleeps and micro drones in a beat-less exercise. Klapaucjusz brings back the 90’s feeling again with analogue arpeggios and melodies, again over a clean groove in a Detroit oriented number. Closing the release, Knowledge, a space odyssey of strings, abstract synth lines and flotation. A work that showcases the skills of this well-seasoned producer that stands apart from any trends, futuristic, atemporal and scientifically crafted. W&P by 30drop Mastered by Dubplates & Mastering. Work art by Fuataba Hayashi Distributed by Ready Made

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33-69

33,99 €*

4LP | 2024 | US | Original (Ba Da Bing!)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Billy Bultheel & Alexander Iezzi aka 33’s killer debut LP of sharp cuts between hardcore rave, DIY classical chamber music, Trance arps and performance art punk - think a Duma throwdown with Diamanda Galas and yr halfway there.

Pitting Anne Imhof-collaborator Billy Bultheel in a ravenous session with Iezzi and a host of input from Naked, Dylan Kerr, Ivan Cheng, and Patrick Belaga; ’33-69’ stages an opulent complex of numerological enigmas and swarming spirits unbound from tradition. Disrupting disciplines and paradigms in each cut, they enact a ravishing rush of dancefloor drama and tormented cabaret that feels like the 1920’s rushing into the 2020’s, resulting in a time-sick and urgent avalanche of ideas from Leider or Baroque barbed in noise and hardcore rave alacrity, like a performance art piece held in the midst of Berghain or Kit Kat club’s most spangled, gloriously messy moments.

As the first C.A.N.V.A.S. release of 2022, ’33-69’ builds on the sprawling ideas and feelings outlined by Olan Monk, Lugh, Elvin Branhdi, Michael Speers and Alpha Maid since 2018 with a strident confidence that meets the new decade head-on, face-first, as it gets to grips with new cultural schisms and energies. Tearing out with the shearing digital noise and soaring elegance of Ivan Cheng’s vox on ‘369’, it prangs out between machine-gunned trance techno in ‘Fireworks’ to operatic pipe organ and string processional ‘Sexus’ starring countertenor Steve Katona (collaborator of Pan Daijing and specialist in Bach recitals), beside an extraordinary mauling of industrial and BM ritualism on ‘The knife’ featuring a feral Naked in its seat-edge first half.

The second half slips below the belt with a virulent thrust in the panel-beating techno tribalism of ‘Pigeons’, and hinges around brusque techno triplets with the cabaret keys and Italianate trance motifs of ‘Sirens’, before PAN’s cellist-composer Patrick Balaga helps pull it back from the brink in ‘Thomas The Obscure’, lending a fine temper to the crazed/reflective narrative before it launches in a full out techno assault on ‘Heaven’s blade’ and the smoky, distorted growl of ’Speed and beer’ makes perhaps the most unhinged and ultimately moving use of a brass section you’ll likely hear for time.

Stunning.

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Dreamloops

84,99 €*

The Box Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Presenting the first vinyl release of Dreamloops, a collection of long-form tracks that form a stunning two-and-a-half-hour suite over four LPs. The box set has been created, mixed, and designed by Dennis Huddleston, who, as 36 (“three-six”), is among the most celebrated electronic musicians operating today. Praised for his ability to imbue songs with strong, relatable undercurrents, Huddleston achieves a new level of subconscious connection with Dreamloops.

First appearing in 2019 as a series of cassettes, Dreamloops was revisited by Huddleston in 2023 to bring newfound clarity, focus, and cohesion. There are eight pieces, each an 18:00 minute standalone self-contained work. In each song, time slows as an ensemble of sounds builds on themes and develops emotional power. Much like epic works such as The Sinking Of The Titanic by Gavin Bryars, LaMonte Young’s Well-Tuned Piano, Daughters Of Darkness by Natural Snow Buildings and Morton Feldman’s String Quartet II, each fragment of Dreamloops culls developing melodies towards hauntological steps forward. Sound spectrums don’t spread wide but instead focus on a precise musical statement, exploring its absolute potential.

That said, Dreamloops does not exist in its own idealized sphere. Deep listening reveals tape hiss, oversaturation, wow and flutter, and similar imperfections. The fingerprints deepen part of these tracks’ emotional impact. Henryk Gorecki’s humanity meets Max Richter’s sense of grandeur meets Deathprod’s absolute sound mining, as Huddleston deftly maneuvers his songs toward momentous epic impact. “Emotions get tied in our mind with specific sounds,” Huddleston says. “The whole point of creating music is to explore and discover those frequencies.” A simmering nostalgia is ever present.

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Box Set | 2022 | EU | Original (Past Inside The Present)

272,99 €*

2LP | 2017 | EU | Original (Interscope)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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UK producer Dennis Huddleston goes by the artist name of 36. He is a much-loved producer with a fine back catalogue which is investigated here with The Box, a new collection of his earliest and perhaps most admired works. They were all written between 2005 and 2012 and are drawn from albums such as 2009's Hypersona, 2010's Hollow and 2012's Lithea. The bumper six vinyl collection also features a bonus album, Orphans, of all new and previously unreleased tracks. There is a real depth of range and emotion to these tracks so it is no wonder the artist says they are some of the most personally cherished works he has written.

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50 Cent

Best Of

28,99 €*

50x 10" Record Inner Sleeves

Release: 2017 / EU – Original

Genre: Hip Hop

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50 Cent is one of the most polarizing figures in hip-hop. With the aid of Eminem and Dr. Dre he became one of the world's bestselling rappers and rose to prominence. During his career 50 Cent has sold over 30 million albums worldwide and won several awards, including a Grammy Award, thirteen Billboard Music Awards, six World Music Awards, three American Music Awards and four BET Awards. This compilation is made up of 18 of 50's biggest songs ever.

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Innenhüllen (antistatisch / weiß 90 g/m²)

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Pure white paper inner sleeve for storing 10 inch records. This inner sleeve is lined with anti-static high density polyethylene (18µ), equipped with a centered die-cut hole, so label infos are available at first glance and lengthened rear lip for facilitate opening. It's suited for 25 cm diameter vinyl and Schellack records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 10" Vinyl Innenhüllen (anti-statc) - specific details:

• measures: 258 mm x 258 mm
• material: 90 g/m² pure white premium paper and polyethylene
• die-cut diameter: 100 mm centered
• anti-static
• selling unit: 50 pieces
• Made in Germany

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Innenhüllen (antistatisch / creme 110 g/m²)

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Cream-coloured through-dyed and not printed paper inner sleeve for storing 12 inch records. This inner sleeve is lined with anti-static high density polyethylene (contains no additives and softeners that could react with the vinyl). Equipped with a centered die-cut hole, so label infos are available at first glance and lengthened rear lip for facilitate opening.
It's suited for 30.5 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 12" Vinyl LP Innenhüllen (anti-static) without angled corner cut - specific details:

• measures: 301/304 x 309 mm
• material: 110 g/m² cream-coloured premium paper and polyethylene
• made of unbleached pulp, ash- and acid-free, contains no recycled content and develops virtually no dust even when frequently inserting and removing the record
• die-cut diameter: 80 mm centered
• anti-static
• with lengthened rear lip to facilitate opening
• Made in Germany
• selling unit: 50 pieces

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Innenhüllen (antistatisch / creme 70 g/m²)

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Cream-coloured through-dyed and not printed paper inner sleeve for storing 12 inch records. This inner sleeve is lined with anti-static high density polyethylene (contains no additives and softeners that could react with the vinyl). Equipped with a centered die-cut hole, so label infos are available at first glance and lengthened rear lip for facilitate opening.
It's suited for 30.5 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 12" Vinyl LP Innenhüllen (anti-static) without angled corner cut - specific details:

• measures: 301/304 x 309 mm
• material: 70 g/m² cream-coloured premium paper and polyethylene
• made of unbleached pulp, ash- and acid-free, contains no recycled content and develops virtually no dust even when frequently inserting and removing the record
• die-cut diameter: 80 mm centered
• anti-static
• with lengthened rear lip to facilitate opening
• Made in Germany
• selling unit: 50 pieces

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Innenhüllen (antistatisch / schwarz 110 g/m²)

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Black through-dyed and not printed paper inner sleeve for storing 12 inch records. This inner sleeve is lined with anti-static high density polyethylene (contains no additives and softeners that could react with the vinyl). Equipped with a centered die-cut hole, so label infos are available at first glance and lengthened rear lip for facilitate opening.
It's suited for 30.5 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 12" Vinyl LP Innenhüllen (anti-static) witouth angled corner cut - specific details:

• measures: 301/304 x 309 mm
• material: 110 g/m² black premium paper and polyethylene
• made of unbleached pulp, ash- and acid-free, contains no recycled content and develops virtually no dust even when frequently inserting and removing the record
• die-cut diameter: 80 mm centered
• anti-static
• with lengthened rear lip to facilitate opening
• Made in Germany
• selling unit: 50 pieces

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Innenhüllen (antistatisch / schwarz 80 g/m²)

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Black through-dyed and not printed paper inner sleeve for storing 12 inch records. This inner sleeve is lined with anti-static high density polyethylene (contains no additives and softeners that could react with the vinyl). Equipped with a centered die-cut hole, so label infos are available at first glance and lengthened rear lip for facilitate opening.
It's suited for 30.5 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 12" Vinyl LP Innenhüllen (anti-static) without angled corner cut - specific details:

• measures: 301/304 x 309 mm
• material: 80 g/m² black premium paper and polyethylene
• made of unbleached pulp, ash- and acid-free, contains no recycled content and develops virtually no dust even when frequently inserting and removing the record
• die-cut diameter: 80 mm centered
• anti-static
• with lengthened rear lip to facilitate opening
• Made in Germany
• selling unit: 50 pieces

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Innenhüllen (antistatisch / weiß 90 g/m²)

10,99 €*

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Pure white paper inner sleeve for storing 12 inch records. This inner sleeve is lined with anti-static high density polyethylene (contains no additives and softeners that could react with the vinyl). Equipped with a centered die-cut hole, so label infos are available at first glance and lengthened rear lip for facilitate opening.
It's suited for 30.5 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 12" Vinyl LP Innenhüllen (anti-static) without angled corner cut - specific details:

• measures: 301/304 x 309 mm
• material: 90 g/m² pure white premium paper and polyethylene
• made of unbleached pulp, ash- and acid-free, contains no recycled content and develops virtually no dust even when frequently inserting and removing the record
• die-cut diameter: 80 mm centered
• anti-static
• with lengthened rear lip to facilitate opening
• Made in Germany
• selling unit: 50 pieces

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Innenhüllen (Eckschnitt / antistatisch / creme 110 g/m²)

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Cream-coloured through-dyed and not printed paper inner sleeve for storing 12 inch records. This inner sleeve is lined with anti-static high density polyethylene (contains no additives and softeners that could react with the vinyl). Equipped with a centered die-cut hole, so label infos are available at first glance and lengthened rear lip for facilitate opening.
It's suited for 30.5 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 12" Vinyl LP Innenhüllen (anti-static) with angled corner cut - specific details:

• measures: 301/304 x 309 mm
• material: 110 g/m² cream-coloured premium paper and polyethylene
• made of unbleached pulp, ash- and acid-free, contains no recycled content and develops virtually no dust even when frequently inserting and removing the record
• die-cut diameter: 80 mm centered
• anti-static
• with lengthened rear lip to facilitate opening
• Made in Germany
• selling unit: 50 pieces

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Innenhüllen (Eckschnitt / antistatisch / creme 70 g/m²)

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Cream-coloured through-dyed and not printed paper inner sleeve for storing 12 inch records. This inner sleeve is lined with anti-static high density polyethylene (contains no additives and softeners that could react with the vinyl). Equipped with a centered die-cut hole, so label infos are available at first glance and lengthened rear lip for facilitate opening.
It's suited for 30.5 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 12" Vinyl LP Innenhüllen (anti-static) with angled corner cut - specific details:

• measures: 301/304 x 309 mm
• material: 70 g/m² cream-coloured premium paper and polyethylene
• made of unbleached pulp, ash- and acid-free, contains no recycled content and develops virtually no dust even when frequently inserting and removing the record
• die-cut diameter: 80 mm centered
• anti-static
• with lengthened rear lip to facilitate opening
• Made in Germany
• selling unit: 50 pieces

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Innenhüllen (Eckschnitt / antistatisch / schwarz 110 g/m²)

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Black through-dyed and not printed paper inner sleeve for storing 12 inch records. This inner sleeve is lined with anti-static high density polyethylene (contains no additives and softeners that could react with the vinyl). Equipped with a centered die-cut hole, so label infos are available at first glance and lengthened rear lip for facilitate opening.
It's suited for 30.5 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 12" Vinyl LP Innenhüllen (anti-static) with angled corner cut - specific details:

• measures: 301/304 x 309 mm
• material: 110 g/m² black premium paper and polyethylene
• made of unbleached pulp, ash- and acid-free, contains no recycled content and develops virtually no dust even when frequently inserting and removing the record
• die-cut diameter: 80 mm centered
• anti-static
• with lengthened rear lip to facilitate opening
• Made in Germany
• selling unit: 50 pieces

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Innenhüllen (Eckschnitt / antistatisch / schwarz 80 g/m²)

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Black through-dyed and not printed paper inner sleeve for storing 12 inch records. This inner sleeve is lined with anti-static high density polyethylene (contains no additives and softeners that could react with the vinyl). Equipped with a centered die-cut hole, so label infos are available at first glance and lengthened rear lip for facilitate opening.
It's suited for 30.5 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 12" Vinyl LP Innenhüllen (anti-static) with angled corner cut - specific details:

• measures: 301/304 x 309 mm
• material: 80 g/m² black premium paper and polyethylene
• made of unbleached pulp, ash- and acid-free, contains no recycled content and develops virtually no dust even when frequently inserting and removing the record
• die-cut diameter: 80 mm centered
• anti-static
• with lengthened rear lip to facilitate opening
• Made in Germany
• selling unit: 50 pieces

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Innenhüllen (Eckschnitt / antistatisch / weiß 90 g/m²)

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Pure white paper inner sleeve for storing 12 inch records. This inner sleeve is lined with anti-static high density polyethylene (contains no additives and softeners that could react with the vinyl). Equipped with a centered die-cut hole, so label infos are available at first glance and lengthened rear lip for facilitate opening.
It's suited for 30.5 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 12" Vinyl LP Innenhüllen (anti-static) with angled corner cut - specific details:

• measures: 301/304 x 309 mm
• material: 90 g/m² pure white premium paper and polyethylene
• made of unbleached pulp, ash- and acid-free, contains no recycled content and develops virtually no dust even when frequently inserting and removing the record
• die-cut diameter: 80 mm centered
• anti-static
• with lengthened rear lip to facilitate opening
• Made in Germany
• selling unit: 50 pieces

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Innenhüllen (Eckschnitt / creme 70 g/m²)

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Cream-coloured through-dyed and not printed paper inner sleeve for storing 12 inch records. This inner sleeve is unlined. Equipped with a centered die-cut hole, so label infos are available at first glance and lengthened rear lip for facilitate opening.
It's suited for 30.5 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 12" Vinyl LP Innenhüllen (unlined) with angled corner cut - specific details:

• measures: 301/304 x 309 mm
• material: 70 g/m² cream-coloured premium paper
• made of unbleached pulp, ash- and acid-free, contains no recycled content and develops virtually no dust even when frequently inserting and removing the record
• die-cut diameter: 80 mm centered
• with lengthened rear lip to facilitate opening
• Made in Germany
• selling unit: 50 pieces

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Innenhüllen (Eckschnitt / schwarz 80 g/m²)

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Black through-dyed and not printed paper inner sleeve for storing 12 inch records. This inner sleeve is unlined. Equipped with a centered die-cut hole, so label infos are available at first glance and lengthened rear lip for facilitate opening.
It's suited for 30.5 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 12" Vinyl LP Innenhüllen (unlined) with angled corner cut - specific details:

• measures: 301/304 x 309 mm
• material: 80 g/m² black premium paper
• made of unbleached pulp, ash- and acid-free, contains no recycled content and develops virtually no dust even when frequently inserting and removing the record
• die-cut diameter: 80 mm centered
• with lengthened rear lip to facilitate opening
• Made in Germany
• selling unit: 50 pieces

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Innenhüllen (Eckschnitt / weiß 90 g/m²)

9,99 €*

50x 7" Record Inner Sleeves

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Pure white paper inner sleeve for storing 12 inch records. This inner sleeve is unlined. Equipped with a centered die-cut hole, so label infos are available at first glance and lengthened rear lip for facilitate opening.
It's suited for 30.5 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 12" Vinyl LP Innenhüllen (unlined) with angled corner cut - specific details:

• measures: 301/304 x 309 mm
• material: 90 g/m² pure white premium paper
• made of unbleached pulp, ash- and acid-free, contains no recycled content and develops virtually no dust even when frequently inserting and removing the record
• die-cut diameter: 80 mm centered
• with lengthened rear lip to facilitate opening
• Made in Germany
• selling unit: 50 pieces

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Innenhüllen (antistatisch / schwarz 80 g/m²)

9,99 €*

50x 7" Record Inner Sleeves

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Black through-dyed and not printed paper inner sleeve for storing 7 inch records. This inner sleeve is lined with anti-static high density polyethylene. Equipped with a centered die-cut hole, so label infos are available at first glance and lengthened rear lip for facilitate opening.
It's suited for 17.8 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 7" Vinyl Innenhüllen (anti-static) - specific details:

• measures: 180 mm x 180 mm
• material: 80 g/m² black premium paper and polyethylene
• die-cut diameter: 80 mm centered
• anti-static
• selling unit: 50 pieces
• Made in Germany

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Innenhüllen (antistatisch / weiß 80 g/m²)

8,99 €*

50x 7" Record Inner Sleeves

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Pure white paper inner sleeve for storing 7 inch records. This inner sleeve is lined with anti-static high density polyethylene. Equipped with a centered die-cut hole, so label infos are available at first glance and lengthened rear lip for facilitate opening.
It's suited for 17.8 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 7" Vinyl Innenhüllen (anti-static) - specific details:

• measures: 180 mm x 180 mm
• material: 80 g/m² pure white premium paper and polyethylene
• die-cut diameter: 80 mm centered
• anti-static
• selling unit: 50 pieces

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Innenhüllen Deluxe (weiß 90 g/m²)

7,99 €*

Bird Hour Purple Vinyl Edition

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Deluxe paper inner sleeve for storing 7 inch records. This inner sleeve is made from 90 g/m² offset paper and equipped with a centered die-cut hole, so label infos are available at first glance, and it's suited for 17.8 cm diameter vinyl records as well as all covers and outer sleeves of this size.

Record Inner Sleeve 7" Single Vinyl Innenhüllen Deluxe - specific details:

• measures: 180 x 180 mm
• material: offset paper, 90 g/m²
• die-cut diameter: 80 mm centered
• selling unit: 50 pieces
• high-quality product, made in Germany

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7ebra

LP | 2023 | EU | Original (PNKSLM)

25,99 €*

Normal Song Daybreak Blue & Yellow AB Effect Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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7ebra is the project of 25-year-old twin sisters Inez and Ella from Malmö, who grew up playing music together. Inez plays electric guitar and sings, Ella plays a keyboard, organ and Mellotron - whilst manually playing drum samples with her feet - as they both sing haunting harmonies in a way that only twins can. Beautiful but punk, minimalist but epic. The duo are making big waves already, having toured with Future Islands and The Dandy Warhols as well as slots at festivals such as Sxsw, Eurosonic and The Great Escape. On the debut album Bird Hour, they effortlessly combine their own brand of minimalist indie rock hooks with the unique production stylings of Tore Johansson, known for his work on Franz Ferdinand’s debut album and The Cardigans. The album is out via Pnkslm Recordings (ShitKid, Les Big Byrd etc.) and the band will tour extensively during 2023.

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7ebra

LP | 2024 | EU | Original (PNKSLM)

13,29 €* 13,99 € -5%

The Biggest Tour In Sport

Release: 2024 / EU – Original

Genre: Rock & Indie

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PNKSLM Recordings proudly present "Normal Song / Daybreak” from rising stars of the Swedish indie scene 7ebra. The twin sisters' first new material since releasing their critically acclaimed debut album "Bird Hour" in 2023. In a natural continuation thematically from "Bird Hour", the new release sees the duo not only embracing their melancholy, but celebrating it.

7ebra are 27-year-old twin sisters from Malmö Sweden, who grew up playing music together. Inez plays electric guitar and sings, Ella plays a keyboard, organ and Mellotron - whilst manually playing drum samples with her feet - as they both sing haunting harmonies in a way that only twins can. Beautiful but punk, minimalist but epic.

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999

12" | 2022 | EU | Original (Spittle)

12" | 2024 | EU | Original (Samosa)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Formed in London in 1976, at the dawn of punk explosion, and still going strong to this day, 999 are one of UK's finest punk-rock bands of all-time, and certainly one of the longest-lived ones on the scene. Intended to capture the band on their extensive 1980 US tour, producer Vic Maile was flown to NYC to record a show in Long Island. Unfortunately the tapes supplied didn't fit the recording unit and so in order to save the already scheduled release, recordings from an earlier London gig were used instead! First released in the US in November 1980 "The Biggest Tour in Sport" consists of six songs capturing the band's live excitement in performing several of their hits such as "Homicide", `"Emergency" and "Feeling Alright with Crew".

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A.A.V.V.

Afrikano Volume 3

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Samosa Records dips its toes back into the Afrikano waters with Volume 3 of the Afro themed, genre-busting series and features four deadly tracks from some of Samosa’s most trusted lieutenants.

Breaking the ice as the first track of this exceptional EP is Vincent Galgo and ‘African Rebel’. Mr Galgo has clearly read the brief here – giving us a 125bpm marauder that’s a melting pot of unstoppable horns, furious rhythms and an Afro-pop style bass that is the beating heart of the track.

Track 2 is Samosa regular Frank Virgilio who introduces us to his ‘Mistress’. As a straight up jazz-infused, mid-tempo rhythmic chugger, ‘Mistress’ quickly gets down to the important business of racking up the beats and instrumentation. The generous spread of guitar riffs, assertive bass and organ stabs are expertly lifted by the layered and always rolling drums and bongos induce a trance-like state of mind, so be warned!

On the B-Side Samosa newcomer Casper Leo wears his Tribal heart on his sleeve with the enchanting and utterly captivating jangler - ‘Tom Tom’. You can never have too much Kora guitar and ‘Tom Tom’ has lashings of it, with delicious sprinkles of melodic Marimba – perfect for West African sunsets.

Closing the EP off in style is Afro beats grand master, Lego Edit and the filthy-sexy ‘El Safari’. No other producer can take the essence of the Afro beat structure and bend it to their will like Lego Edit can. Like a late night fist-fight in Club Coco Bongo, ‘El Safari’ punches its way out of the doors. A slinky, wily alley cat of a tune that digs deep with its claws and doesn’t let go and another masterpiece from Lego Edit.

Afrikano Vol.3 has done the impossible and set the bar even higher for this wonderfully diverse Samosa series. We want more. We want ‘4’. With this in your record box, you’ll come with a warning.

Ste Hendry [Black Light Disco]

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A.P.C.

Cardigan Kenny

319,95 €*

Available Sizes: S, M, L, XL, 2XL

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The Kenny cardigan by A.P.C. is an elegant and versatile garment that impresses with its high-quality workmanship and sophisticated design. Made from a soft, warm and thick material, this A.P.C. cardigan not only offers exceptional comfort, but also excellent thermal insulation, making it ideal for the cooler months.

The straight cut of the A.P.C. cardigan creates a classic silhouette that is timeless and stylish. The V-neck gives the cardigan a subtle elegance and makes it versatile - whether worn over a shirt for a more formal look or over a T-shirt for a relaxed casual style. The dropped shoulders add a modern touch to the design and contribute to a comfortable, loose fit that is perfect for everyday wear.

A striking detail of the Kenny cardigan is the contrasting knitted A.P.C. logo, which is discreetly placed at the bottom left of the front. This logo adds a subtle touch of sophistication to the design and underlines the minimalist aesthetic that A.P.C. is known for.

The button placket of the A.P.C. cardigan is finished with six-colored Corozo buttons, which give the garment a high-quality yet natural touch. These buttons are not only functional, but also a stylistic element that gives the cardigan additional depth and character.

The Kenny cardigan from A.P.C. is a perfect example of the combination of classic design and modern details. It is the ideal choice for anyone who values quality, comfort and timeless elegance. With its soft material, sophisticated fit and subtle but effective details, this cardigan is an essential garment that deserves a place in every wardrobe.

Regular fit; 100% merino wool.

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A.P.C.

Echarpe Malo

174,95 €*

Available Sizes: One Size

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The Echarpe Malo by A.P.C. is a super soft scarf made from a supple wool blend with an A.P.C. jacquard logo and matching fringes. In addition to the unbeatable hand feel, it's the impressive size that makes this A.P.C. scarf a great accessory for cold days. Dimensions: approx. 225 x 37 cm; 7.5 cm fringes. 70% wool, 25% polyamide, 5% other fibers.

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A.P.C.

Portefeuille Aly

143,96 €* 179,95 € -20%

LP | 2024 | EU | Original (April)

Available Sizes: One Size

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The Aly wallet by A.P.C. is an incredibly stylish wallet made from vegetable-tanned smooth leather that has been produced using natural tannins. Lined with cotton fabric, the A.P.C. Portefeuille Aly is equipped with a compartment for banknotes, two zippered compartments as well as six card slots. To finish off its elegant appearance, the A.P.C. Aly wallet is embossed with the A.P.C. Rue Madame Paris logo in silver on the outside. Dimensions: 11 x 9.5 cm. Main material: 100% calfskin; lining: 100% cotton.

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A Plane To Catch

Soul Piece

2LP | 2015 | EU | Reissue (Pelagic)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-15

Founded in the stillness of 2020 when a group of tight tight-knit up and coming musicians were robbed of their livelihood and greatest joy - live performance - the group came together in a graffiti smudged artist s space in an old industrial facility in Copenhagen s outskirts and created a space for themselves to improvise in a funky, groove based setting.A followup to their 2023 debut Moko Jumbie which explored the rich culture of West African music popularised by Mulatu Asastke and Fela Kuti, as the name suggests, Soul Piece leans further into the tropes, grooves and idioms of Western 60" s Soul and Funk. Recorded live over two days at the Royal Danish Academy of Music, the albums raw, warm production captures the energy, intimacy and excitement of a live performance, transporting the listener right in the centre of a pulsating dancefloor. Each song is rooted in groove and exemplary band musicianship, and made up of every stylistic feature one might crave from the genre: crunchy rhodes tones, percussive clavinets, thick organ textures, grooving tambourines, searing guitar solos, deep pocketdrum grooves, infectious basslines, punchy horn backings and James Brown Brown-esque stabs. Self described as the young lions " of the Danish jazz scene, each member of the six piece is an active contributor to the country s diverse musical output; Norregaard, Langebæk & Besiakov can be heard performing regularly in the Fela Kuti saluting Black Money Orchestra and Bæst, Eskildsen with the Addis Ababa Band, and Thofte & Toftemark each leading their own projects in contemporary hard hard-hop to name but a few of their many ventures.

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A Swarm Of The Sun

The Rifts

33,14 €* 38,99 € -15%

A Vision Of Panorama & Sykes

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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The Rifts is the 3rd album of Swedish duo A Swarm of the Sun and was originally released in 2015. The Rifts is sombre and brooding, heavy and melancholic, crushing and fragile in equal measure: a bleak and beautiful journey through the battered inner landscapes of the heart and soul: a dolorous tale of lost hopes, dreams falling apart, final moments of clarity and redemption... and appositely reflecting the current state of the world 5, years after its release – isolation. The Rifts is the sonic manifestation of a heavy black cloud of abstract yet overwhelming feelings, thoughts, hopes and fears-- a collection of intimate reflections on a very specific, profound and personal struggle which needs to stay somewhat untouchable and diffuse, as further verbal explanations would be divesting this immense work of art of its sheer and raw emotional impact. What initially was a handful of piano sketches, nine song titles, a few lines of lyrics and a notebook full of script-like visual references slowly evolved into something much more dense and layered. Karl Daniel Lidén (The Old Wind, ex- Terra Tenebrosa) was added to the lineup on drums, and he also recorded the album. The sessions culminated with the recording of the pipe organ. The result is absolutely massive, overwhelming, cinematic and pummeling; a sinister foreboding of the emotional truths at the core of this tremendous album. A Swarm Of the Sun is Erik Nilsson and Jakob Berglund. In 2007 the debut EP The King of Everything was released, followed by the critically acclaimed full-length album Zenith in 2010. The Rifts was written and produced by the band and recorded by Erik Nilsson, drums performed and recorded by Karl Daniel Lidén at Studio Gröndahl, mixed and mastered by Magnus Lindberg (Cult of Luna, Refused, Pg.lost). Further contributing musicians are Anders Carlström (The Isolation Process) on bass, Anna Carlsson on vocals, Minna Heimo on pipe organ and Robin Bergh (Aoria) on vibraphone. All artwork and videos directed and produced by the band's own Jakob. Why are we releasing this, 5 years later? Because everyone here at Pelagic agrees that in the nebulous world of post-metal, The Rifts is one of the 5 best albums ever made. We're honored to add this masterpiece to our catalogue.

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Let Me

12" | 2023 | US | Original (Star Creature)

18,99 €*

Release: 2023 / US – Original

Genre: Electronic & Dance

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Avop + Star Creature feels, sounds & tastes like a match made in heaven. Not quite house, disco or boogie, just synthy drum-programmed funk. Avop taps vocalist Sykes here for 2 original collabs plus instrumentals & remixes from elusive underground producers of heat, Pool BOY & Cyril Hahn.

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Abacus

The Lower End Theory

12" | 2022 | UK (NDATL)

16,99 €*

LP | 1976 | EU | Reissue (Radio Martiko)

Release: 2022 / UK

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

St Petersberg's Dobro label is noted not just for the quality and playability of its funky house and disco re-edits, but also for its value for money. This, their seventh release, is another great example, with no less than six floorfillers included on one 12", each bringing their own individual mood to the table. 'Flowers Festival' from Sun Rhythms has throbbing organs and fruity keys, topped off by a gorgeous Russian vocal. DJ Merci's 'Timetable' goes for chunky rave pianos and Fairlight stabs, lending it an 80s Italo-disco feel, before Ground Plane Aerial's 'Transition SP' closes the side with slap bass and stripped down house vibe that echoes some of Roule Records' more accessible moments. Side two VIGI's 'I Am You', is the most memorable of the whole package, with its idiosyncratic female vocal weaving a magical spell around the listener, before we finish off with a double whammy of Monny Me's swirling stringfest 'The Name Of The Game' and the parping horns and strutting groove of Ugly Frankie's 'Free Alcohol Shit', the latter including a bewitching and unexpected piano solo. Great work all round.

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Abdou El Omari

Nuits D'Éte

19,99 €*

LP | 2024 | US | Original (Outside Music)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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A reissue of this ultra rare Oriental psych monster from the organ king of Casablanca, combining traditional rhythms with spaced out modern sounds. This is the first part of Abdou's 'Nuits' trilogy. Mystical sounds from Morocco!

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Abigail Lapell

Anniversary

27,99 €*

12" | 2024 | EU | Original (Hivern Discs)

Release: 2024 / US – Original

Genre: Rock & Indie

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Award-winning Toronto songwriter and multi-instrumentalist Abigail Lapell returns with "Anniversary", an evocative collection of original love songs. Produced with Great Lake Swimmers’ Tony Dekker, the album was recorded at 200-year-old St Mark’s Church in Niagara-on-the-Lake, Ontario. Dekker helped shape the sessions’ spooky, resonant sound and also lent his voice to a couple of spellbinding duets.

Lapell’s deft lyrics jostle with love song tropes, grappling with love’s finitude and the irony of how codependency and longing are revered in popular music. A ghost story is woven through the album: waltzing in the dusty barroom country of “Blue Blaze,” buried in the superstitious lyrical streak of “Rattlesnake” and audible in a wheezing organ as it shuts down at the end of “Footsteps.” Still, "Anniversary" emerges as an earnest celebration of commitment. Earworms like “Anniversary Song” and “Someone Like You” showcase intricately layered harmonies, while closer “Stars” affirms that there’s no place the speaker would rather be than with the one she loves.

Dekker and Lapell assembled a stellar cast of musicians to support Lapell’s powerhouse vocals, piano, harmonica and signature fingerstyle guitar. The core band includes Dan Fortin on bass, Jake Oelrichs on drums, and Tania Gill on the church’s piano, harpsichord and organ. Rounding out the ensemble’s sensitive orchestral arrangements are Rebecca Hennessy (trumpet), Rachael Cardiello (viola), Michael Davidson (marimba and vibraphone) and Joe Lapinsky (pedal steel), who also engineered and mixed the record.

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Absis

Fenix EP

16,99 €*

12" | 2020 | EU | Original (Myst)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Absis returns to Hivern Discs with his Fenix EP. Six cuts that dive deep into Salva's more abstract and slow side keeping his signature reverberating drums and droning landscapes. Comes with poster that will be printed, together with the sleeve, at L'Anacronica in Barcelona, with letterpress on a shiny silver cardboard.

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Absl & Size Pier

Chaines Et Denuement

10" | 2021 | EU | Original (Mecanica)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Myst launches his label and wishes to leave a trace of his past events through immersive records. This first EP takes us back to the Prologue of our history and invites two emblematic artists: ABSL & Size Pier. In these uncertain times, we still want to claim our ideals through this passion that brings us together. Chaines et Denuement will therefore be the first vinyl of a long series.

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Absolute Body Control

A New Dawn EP

18,99 €*

Abul Mogard & Rafael Anton Irisarri

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Absolute Body Control is back with new material after more than ten years. The legendary minimal-synth-wave duo formed in 1980 by Dirk Ivens (The Klinik, Dive, Sonar) and joined a bit later by Eric van Wonterghem (Insekt, Monolith) has been working together again and got finished a new EP. Six songs that fuse their classic sound with a theme that reflects the times of change that humanity is going through.

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Impossibly Distant, Impossibly Close Black Vinyl Edition

LP | 2024 | EU | Original (Black Knoll Editions)

30,99 €*

Abul Mogard & Rafael Anton Irisarri

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Abul Mogard and Rafael Anton Irisarri’s partnership unfolded serendipitously at the sold-out opening of the SoundSet Series at Madrid's Condeduque cultural center in 2023 - a program that featured performances by legends such as Autechre and younger artists like Caterina Barbieri and Kmru. The duo's encore that evening, recorded for Spain's Radio 3, resonated deeply with the audience, igniting a creative spark that propelled them to work remotely in their respective studios.

At the heart of their effort lies a delicate balance of restraint and innovation, evident in the live concert track "Waking Up Dizzy on a Bastion." This piece, inspired by their musical sensibilities, serves as a testament to their shared vision and mutual respect. Utilizing a familiar parallel chord progression, the track builds from a simple melodic motif played live on synths that transforms into a call-and-response interplay between Mogard's synth lines and Irisarri's bowed guitar loops, creating a dialogue-like interaction between the musicians. As the piece moves forward, we are greeted by melting guitar patterns (recalling Kevin Shields most lysergic moments on Loveless), followed by an intense subsonic full body massage - the visceral physicality of the Ampeg bass amps and cabinets stacks on full display.

Building upon the energy of that live performance, Mogard and Irisarri crafted "Place of Forever," a companion piece that combines Mogard's Farfisa organ and modular synthesizers with Irisarri's signature guitar tones and looping techniques at his Black Knoll studio in New York. Starting with a somber and minimal tone, the track gradually evolves, unfurling layers of deep bass tonalities draped in blissful gauze as it progresses during its 17-plus minute duration.

The resulting album exudes a profound sense of alchemy, effortlessly weaving intricate soundscapes that feel simultaneously faraway and intimate. The cover artwork, by Marja de Sanctis, depicts a vase sculpture made of unfired clay. Created and photographed by herself, it reflects lights and shadows of fragility. The rawness of the material mirrors the purity and the delicate nature of the improvised duet’s performance. Daniel Castrejón’s design responds to the image transforming the shape of the vase into lines and empty spaces. His typography on the vinyl jacket features a spot varnish, creating a tactile reflection.

Through these joint pieces, Mogard and Irisarri have created a work that encapsulates the dichotomy inherent in its title: impossibly distant, impossibly close.

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Impossibly Distant, Impossibly Close Dark Green Vinyl Edition

LP | 2024 | EU | Original (Black Knoll Editions)

32,99 €*

Abul Mogard & Rafael Anton Irisarri

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Impossibly Distant, Impossibly Close Yellow Green Vinyl Edition

LP | 2024 | EU | Original (Black Knoll Editions)

31,34 €* 32,99 € -5%

7" | 2023 | EU | Original (Lexi Disques)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Accou

French Fried

9,09 €* 12,99 € -30%

LP | 2024 | US | Original (VHF)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Born a french, fried in Belgium, Accou recently delivered on stage ecstatic dancefloor sets for the techno enthusiast.

Back to he intimacy of his studio, Antoine lets himself go to layered dreamy electronics with a warm loving feeling covered under six feet of snow. On the other side of the record, that noisy guitar sound coming straight out of the early nineties instantly catches the ear to an intense and joyful travel in time.

Lexi Disques is a maverick label based in Brussels since 2008 that explores the rich possibilities of the 7-inch record single. A welcoming home for experimental and adventurous musicians of diverse backgrounds, from fresh and vibrant faces to underground heroes, dwelling between the misty fields of psych-pop to the straight (and not so straight) roads of electronics.

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Acid Mothers Reynols

Vol. 3

27,99 €*

Shadow Wrangler Yellow Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Volume 3 of a set of collaborations between the prolific Argentine polymaths Reynols and the inescapable Acid Mothers Temple. Recorded in Buenos Aires on AMT’s 2017 South American Tour, the music has identifiable sonic elements from both groups but ends up sounding like neither, with a surprising weightlessness that keeps things jammy and psychedelic until the final track’s blustering rock. Taking up most of side 1, “Kicking Air Bricks” has a loose Gong/’70s Euro-classic vibe, with Satoshima Nani getting to swing on the drums in a way that isn’t always part of AMT’s steamroller, while the rest of the gang layers in abstract piano, percussion, glissando guitar, etc. “Multiverse Turtle Reflex” closes the side with a thick drone coda. Side two starts with Miguel Tomasin’s gentle vocal and organ accompaniment on “Smelling Oneiric Asado” before the group gradually gathers momentum with Wolf’s thick bass anchoring layers of clean and loose guitar interplay. “Lemurian Tsunami Inside A Hat” is a thriteen-minute heavy rock epic, with the Reynols’ guitars going head to head with Makota Kawabata’s easily recognized interjections, ramping up into a riffy crescendo.

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Acid Twilight

Tape | 2023 | US | Original (Not Not Fun)

LP | 2022 | EU | Original (Rune Grammofon)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Argentine modal master Acid Twilight’s third raga saga maps a dusty plain of tumbleweeds, circling vultures, and bleached bones, across which rides a nameless stranger: Shadow Wrangler. Inspired by visions of high noon dread and the textures of psychedelic twang, they turned westward, layering shakers, synths, spurs, and six-string navigations into 12 crooked canyon instrumentals.

Shades of spaghetti western, Spacemen 3, and outlaw country whisper in the wind, but ultimately AT’s mode is more silhouette than song, at the axis of campfire jam and commune improv. Loping and loose, windswept and waterless, blowing over the sand of trails long since vanished. Another smoke signal rises in the distance; another scorpion sunset begins to dim. The Wrangler rides on.

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Action & Tension & Space

Tellus

33,99 €*

Solace In Repetition Sit & Shaun Reeves Remixes

Release: 2022 / EU – Original

Genre: Organic Grooves

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The band describe themselves as a spaced out, instrumental loungerock outfit, with added vibes of folk music, jazzy surf, psychedelia, free improvised chill-out, jangly post-rock and travelling bass. Not much for us to add here, apart from possibly a pinch of krautrock. "Tellus" is the quartet's fourth album, and their debut on Rune Grammofon. Being something of an allstar team from the fertile psychedelic spacedrone scene in Haugesund on the westcoast of Norway, the members also pay their dues in bands like Electric Eye, Lumen Drones (ECM), Undergrünnen and The Low Frequency in Stereo, whose album "Futuro" we released back in 2009. On "Tellus" they are joined by Sigbjorn Apeland, a much esteemed musician largely operating in a landscape of folk music, church music and improvisation. He is a member of Nils Okland band (ECM and Hubro) and has collaborated with him for 30 years, also appearing on his two albums for Rune Grammofon; Straum (2000) and Bris (2004). Also appearing on "Tellus" is Ståle Liavik Solberg, a central force on Oslo's thriving improvised music scene. He has performed worldwide with numerous Norwegian and international musicians and curates the excellent Blow Out! festival. With "Tellus" ATS heads into the Hardangervidda (the big plains connecting the eastern and western parts of southern Norway) terrain of wide open spaces, spare vegetation and unruly weather conditions, especially during the winter. The album was recorded in a small studio in Haugesund during two days of heavy rain showers and stormy winds rumbling outside the windows. Per Steinar Lie - Lap-steel and electric guitar Oystein Braut - Guitar, organ and Mellotron Julius Lind - Double bass Orjan Haaland

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Ada Kaleh

12" | 2021 | EU | Original (Dialogue)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Dialogue made its entrance into the Los Angeles events space six years ago, transforming the citys forgotten spaces into temporary windows to global clubland. In continuation of this legacy, the brand has launched a vinyl-only label with the same forward-thinking and minimally minded curation, Dialogue Records. Ada Kaleh rings in this next chapter with the labels inaugural release, Solace In Repetition. Solace In Repetition? bursts with the nuanced, left-of-center sound that the Romanian minimal stalwart is known for. Its mesmeric title track takes listeners down a melodic path, punctuated by hints of breakbeat. ?Affection Over Reason? is equally hypnotic, with a focus on groove and creative filtering. Joining Kaleh on the record are fellow Romanian duo SIT and Visionquest legend Shaun Reeves?a fitting debut for what will become a staple label amongst collectors worldwide. ?Solace In Repetition? already sits at the #1 pre-order spot on Decks ahead of its April release.

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Available Sizes: S, M, L, XL

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Triple Pack of the classic 3 Stripes Crew Socks by adidas Originals with yarn dyed 3 Stripes details plus Trefoil jacquard branding at the ribbed leg as well as reinforced toe and heel areas for durability and comfort. 52% BCI cotton, 44% recycled polyester, 3% elastane, 1% recycled polyamide.

Sizes:

• S = EU 37-39
• M = EU 40-42
• L = EU 43-45
• XL = EU 46-48

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Available Sizes: S, M, L, XL

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Available Sizes: S, M, L, XL

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Available Sizes: S

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Available Sizes: S, M, L

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Available Sizes: S, M, L, XL

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Available Sizes: M, L

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Available Sizes: S, L

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Adventure Tech Cap

27,95 €*

Available Sizes: OSFM, OSFL

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For ages, a headgear item like the adidas Adventure Tech hat has been the smartest choice if you’re looking for a hat with visor. The smooth silhouette with the mid rise front as well as the closure strap for a personalized fit set the stage for a long-lasting friendship.

The adidas Adventure Tech Cap is equipped with the following features:

• 3D Trefoil runner logo on front panel
• venting mesh top side panels
• curved visor with contrast bordering
• adjustable nylon strap with side-release buckle plus ARTIST woven flag label at the rear
• interior includes taped seams and a moisture-absorbing sweatband
• 100% recycled polyester
• OSFM = One Size Fits Men
• OSFL = One Size Fits Large

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Available Sizes: S, M, L

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Triple Pack of the classic Solid Crew Socks by adidas Originals with yarn dyed 3 Stripes details plus Trefoil jacquard branding at the ribbed legs heel as well as reinforced toe and heel areas for durability and comfort. 55% BCI cotton, 41% recycled polyester, 3% elastane, 1% recycled nylon.

Sizes:

• S = EU 37-39
• M = EU 40-42
• L = EU 43-45
• XL = EU 46-48

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Available Sizes: S, M, L

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Available Sizes: S, L, XL

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11,96 €* 14,95 € -20%

Available Sizes: S, M, L, XL

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Mid Ankle Socks (3 Pack)

Available Sizes: S, M, L, XL

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adidas Mid Ankle Socks triple pack equipped with yarn dyed adidas Trefoil branding at the ribbed cuffs. 65% cotton, 32% polyester, 2% elastane, 1% polyamide.

Sizes:

• S = EU 37-39
• M = EU 40-42
• L = EU 43-45
• XL = EU 46-48

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Mid Ankle Socks (3 Pack)

Available Sizes: S, M, L, XL

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Mid Cut Glitter Crew Sock (Pack of 2)

14,20 €* 14,95 € -5%

Available Sizes: XL

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Twin Pack of the Mid Cut Glitter Crew Socks by adidas Originals with 3 Stripes plus Trefoil metallic jacquard branding at the ribbed cuffs as well as reinforced toe and heel for ultimate comfort and durability. 62% cotton, 22% recycled polyester, 13% nylon, 2% elastane, 1% Lurex©.

Sizes:

• S = EU 37-39
• M = EU 40-42
• L = EU 43-45
• XL = EU 46-48

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Mid Cut Solid Crew Sock (Pack of 3)

11,95 €*

Available Sizes: S

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Triple Pack of the classic Mid Cut Crew Socks by adidas Originals with yarn dyed 3 Stripes details at the rib collar plus Trefoil jacquard branding. 58% cotton, 39% recycled polyester, 2% elastane, 1% recycled nylon.

Sizes:

• S = EU 37-39
• M = EU 40-42
• L = EU 43-45

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Premium Mid Crew Sock (Pack of 2)

17,95 €*

Available Sizes: S, M, L, XL

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The adidas Pre Mid Socks twin pack consists of two pair of vintage sports socks equipped with 3 Stripes jacquard branding at the ribbed legs, Trefoil yarn dyed logo et toes as well as contrast, reinforced toe and heel areas for durability and comfort. 68% combed BCI cotton, 28% recycled polyester, 3% recycled polyamide, 1% elastane.

Sizes:

• S = EU 37-39
• M = EU 40-42
• L = EU 43-45
• XL = EU 46-48

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Premium Mid Crew Sock (Pack of 2)

14,36 €* 17,95 € -20%

Available Sizes: S, M, L, XL

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Trefoil Crew Sock Cushion (Pack of 6)

22,95 €*

Available Sizes: S, M, L, XL

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Pack of six pair of classic Trefoil Crew Socks by adidas Originals with Trefoil jacquard branding at the sides of the ribbed legs as well as reinforced toe and heel areas for durability and comfort. 65% BCI cotton, 31% recycled polyester, 3% elastane, 1% recycled polyamide.

Sizes:

• S = EU 37-39
• M = EU 40-42
• L = EU 43-45
• XL = EU 46-48

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Ultraboost 1.0

179,95 €*

Available Sizes: EU 40⅔

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With the UltraBOOST 1.0, adidas introduces the next generation of a revolutionary ultra-lightweight design that's equipped with soft and highly breathable Primeknit upper as well as custom Boost™ technology at the midsole for ultimate comfort and a dynamic run plus adidas Linear Energy Push system for more responsiveness. By the way, with Boost™ technology, adidas managed to add energy efficiency, so with every step the battery gets charged and the runner's signs of fatigue are kept to a minimum. By the way, the adidas UltraBOOST 1.0's Primeknit upper is made with a high-performance yarn which contains at least 50% recycled polyester.

The features of the adidas UltraBOOST 1.0 include:

• recycled Primeknit upper with rib-knit collar
• 3 Stripes TPU stabilizers at side walls
• foam-padded footbed
• Boost™ technology at the midsole for ultimate comfort
• adidas Torsion® system to stabilize the midfoot area
• non-slip rubber outsole by Continental™
• EQT-inspired heel counter
• weight: 333 g (size 42 2/3)

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adidas x Korn

Korn Socks

29,95 €*

12" | 2024 | UK | Original (Fuse London)

Available Sizes: S, M, L, XL

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Coming Soon 2024-10-31, 10:00 CET

Triple Pack of reworked 3 Stripes Socks out of the adidas x Korn collection with yarn dyed 3 Stripes details plus Korn jacquard branding at the sides of the ribbed legs as well as slightly reinforced toe and heel areas for durability and comfort. 57% cotton, 39% recycled polyester, 3% elastane, 1% recycled polyamide.

Sizes:

• S = EU 37-39
• M = EU 40-42
• L = EU 43-45
• XL = EU 46-48

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Admnti

Vibrations EP

15,99 €*

This Is What I Was For A Moment

Release: 2024 / UK – Original

Genre: Electronic & Dance

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UK talent ADMNTi makes his Fuse debut and opens the label’s 2024 schedule with ‘Vibrations’, featuring a remix from Vigenere boss Malin Genie. Whether serving up his take on minimal-leaning house across a wealth of the capital’s key venues, or front-left on the dancefloor himself, London’s ADMNTi has been shaping a sound and curating his ear for years to become one of the city’s most well respected emerging tastemakers. A regular at Fuse over the years, with his sound palette harnessing his roots within the city, his releases on Dansu Discs, Beeyou Records and Caposile Music have seen him rack up love from the likes of Petre Inspirescu, Raresh and Voigtmann alongside mentor Enzo Siragusa. And it’s Siragusa who now welcomes him to his iconic Fuse imprint for the very first time as he makes his longawaited label debut to open the 2024 schedule with four originals across his ‘Vibrations’ EP - with Mandar favourite Malin Genie also joining the package on remix duties. Skippy and armed with a menacing bassline at its core, ‘Vibrations’ brings the heat from the off as slinking percussion warps around hazy pads for a lively opener, while ‘Infinite Function’ brings a paired-back and tumbling groove full of squelchy interludes, bright electronics, resonant organ melodies and subtle chords. On the flip, B1 ‘Original Sin’ is a spacey and cosmic trip into acid-tinged soundscapes, before Malin Genie’s remix of the title cut brings a funk-fuelled and deep dive into the early morning hours as he crafts a slinking groove that captures the imagination instantly.

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Adrian Roman

12" | 2024 | EU | Original (Microcastle)

15,99 €*

Adrian Shaughnessy & Tony Brook

Release: 2024 / EU – Original

Genre: Electronic & Dance

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microCastleâ€™s first offering of 2024 welcomes Adrian Roman back to the label for his second artist showcase. Hailing from Spain, Adrian Roman first rose to prominence in 2021 with a string of superlative releases which redefined his sound, resulting in an aesthetic that was both cutting edge and effortlessly cool. F, nmully formed within the creative confines of his Castello studio, Adrianâ€™s first microCastle project, 2022â€™sâ€˜ Disturbing the Perceptionâ€™ succeeded in showcasing his inventive approach to composition, while remaining club-effective, and in turn earning play from Aera, Fideles and Jimi Jules, amongst others. Moving forward the next eighteen months have proved to be impactful for the young Spaniard, recording standout projects for Azzur and Sum Over Histories, releases which continued to build on his creative acumen, while remaining in the playlists of underground tastemakers Ame and Dixon. With 2024 beginning with Adrianâ€™s latest Sum Over Histories vehicle â€˜Oratorical Abilityâ€™, the Spaniard now makes a welcome return to microCastle with a six-track showcase entitled â€˜This Is What I Was For A Momentâ€™. From the opening monochromes of â€˜Le Sabbatâ€™ Adrianâ€™s craftsmanship reveals itself across this slow-burning piece, one where grating growls, granular flares and panoramic arps ultimately set the pace for the groove-centric â€˜Customized Realityâ€™. Itâ€™s here where Adrian puts a greater focus on the dancefloor, marrying hopeful vocal phrasing and silky chord stabs for a rejuvenating experience, while a drum-driven drop ultimately charts the course for a finale of deconstructed sonics and post-rave bliss. The haywire electricity of â€˜Faces of Belmezâ€™ finds the Spaniard once again flexing his creative muscles, as corrugated bleeps and cataclysmic rhythms provide a vast sense of space, creating the ultimate backdrop for distorted synths to propel choppy rhythms into dark underground passages, and perhaps onto some of the worldâ€™s most adventurous dancefloors. The collectionâ€™s midway point is marked by the hypno-architecture of â€˜Mind Designâ€™. Trickling reverberations and long sighs of tonal tension wade through its pulsating framework, with frayed effects and thumping rhythms submerged beneath a buzzing panoramic glow. Played by Ame and sitting as one of the project's most enigmatic tracks is â€˜TAGDIâ€™ (They Are Gonna Do It). Tinted with contemplative synths and guttural vocals, Adrianâ€™s unique emotionality peaks here, as he crafts a low-slung, slow-building dystopian romance, all while weaving in cerebral manipulations for an unforgettable ride. The mist breaks instantly on the collectionâ€™s final piece, as your thrusted into the muscular grooves of â€˜Fear Trackâ€™. Horrifying vocal stabs strike, leaving the gauzy purple skies of â€˜TAGDIâ€™ behind for a more robust romp, one where anabolic bassline, retro-arps and off kilter percussion bring the release to a feverish peak. A fitting conclusion to a diverse collection of music, one where Adrian creates a journey that speaks to the complexities of life against an immersive and challenging backdrop. Artwork: Maurcio Seidel

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Pentagram: Living By Design

Thames & Hudson

169,99 €*

The Electronique Void: Black Noise

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Five years in the making, an in-depth survey of Pentagram from its beginnings in 1970s London to its current status as one of the powerhouses of international design.

Pentagram: Living by Design (two volumes) is the definitive statement on 50 years of Pentagram. This is an in-depth survey of the group from its beginnings in 1970s London to its current status as one of the powerhouses of international design.

Book one, The Biography, offers a comprehensive analysis of the group, its partners, its achievements, its multidisciplinary approach, and its unique business model. This is accompanied by a plethora of images (some never published), a visual essay of Pentagram’s work across four main sectors, a selection of partners writings, a Pentagram family tree, and much more.

Book two, The Directory, has profiles of 50 partners, past and present, accompanied by extensive coverage of their work. It’s a stellar roll call: from the five famous founders to some of the most celebrated names in contemporary design. It also includes a list of everyone who worked in the firm’s various offices.

Both books are designed by Tony Brook and the Spin design team and use a range of paper stocks and special colours.

'If you want an in-depth look at some of the best work created by some of the best designers in the past fifty years, this book is for you' Creative Bloq

About the Author: Adrian Shaughnessy is a graphic designer, writer and senior tutor at the Royal College of Art, London. He has written numerous books, including a recently published compendium of his design journalism, Scratching the Surface, and monographs devoted to legendary designers Herb Lubalin and Ken Garland. He regularly contributes to design publications and blogs such as Design Observer, Eye, Creative Review and Design Week. In 1988, Shaughnessy co-founded design studio Intro; today he runs ShaughnessyWorks, a consultancy combining art direction, writing, editing and lecturing, and is a co-director of Unit Editions. He is a member of the Alliance Graphique Internationale. Tony Brook is primarily a designer, but also a publisher, collector and curator. Brook founded Spin, his south London-based studio, in 1992, and is a co-director of Unit Editions. He is currently a visiting professor in Graphic Design at the University for the Arts, a specialist arts university in the South East of England.

Format:Hardback Size:27.1 x 21.7 cm Extent:1392 pp Illustrations:3500 Publication date:12 October 2023 ISBN:9780500027462

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Adrian Younge

LP | 2016 | US | Original (Linear Labs)

This Behavior Black Vinyl Edition

Release: 2016 / US – Original

Genre: Organic Grooves

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It was made the way they made electronic music in the good old days, all analog everything, right after synthesizers shrunk to a manageable size and you didn’t have to trek down to a university to use one anymore. Electronic music as practiced and developed by pioneers like Dick Hyman and Raymond Scott and Wendy Carlos is precise and intentional. In making his first electronic album, Younge took his cues from them, reminding a contemporary audience what a synthesizer, deep in its heart, really could be. “Black Noise” is men talking to men about women; “Lemonade” is a woman talking to women about men, and they both orbit around a failure we take for granted like the sun: loving you is complicated. It’s a skill; we forgot. Adrian Younge calls “The Electronique Void” an academic album, by which he means it is both instructional and informational. There’s a problem at the heart of it, a woman who’s been told that she’s loved, but she doesn’t recognize that, can’t feel it, may have heard it all before, may be worrying about the wrong things. Jack Waterson, long a guitarist in Younge’s band, plays the role of narrator, sounding professorial and rather superior as he lays out for the woman where she’s erred. That vocoder you hear is Adrian, talking to her on a subterranean level, the way an artist must. The discourse on the album is the kind of thing that happens when you go blonde and then you can’t keep ‘em off you. These truths are cold and hard, and our hero begrudges the well-meaning advice being rained down upon her as any independent woman would. The science of love, its formulas and if-then constraints, causal relationships and observable properties, is best taught experientially, but learning it hurts so, so bad. Music, especially electronic music, reliant as it is on abstraction and unrepentant as it is about hijacking your physiological responses to tempo and rhythm and dynamics, is a way to get there without going through it.

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ADULT.

LP | 2018 | US | Original (Dais)

LP | 2024 | US | Original (Run For Cover)

Release: 2018 / US – Original

Genre: Electronic & Dance, Pop

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Over the course of the last two decades, Detroit-based duo ADULT. (Nicola Kuperus and Adam Lee Miller) have released six albums and nineteen EPs and singles across some of our favorite labels: Mute, Ghostly International, Thrill Jockey, Clone Records, Third Man Records, and their own label, the revered Ersatz Audio.

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Advance Base

Horrible Occurences

Tales Of Belle Part 2 Unveiled By Fire

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-12-06

Horrible Occurrences is the title of the new Advance Base album,and there is truth in advertising. In these songs_all centeredaround a fictional town called Richmond and featuring an interlinkedcast of characters_you will hear stories of death and disappearance,climactic confrontations and unsolved mysteries. "Richmondis just this place where all the bad memories live," Owen Ashworthexplains, and nearly 30 years into his songwriting career, none ofhis records have packed quite the emotional intensity of this one.And yet something alchemical happens in the telling of these tales.Like a masterful short story collection, Horrible Occurrences isinspiring and alive, idiosyncratic and electric, pulling you closer witheach word.In the six years since his last full-length collection of originals,2018's Animal Companionship, Ashworth gathered ideas fromperforming live and traveling around the country, returning to citiesthat he once called home and revisiting old ghosts, memories,and fragments of unfinished ideas. Blending truth and fiction into adreamlike composite, the songs convey the winding path our memorytakes as the years go by, giving voice to a subconscious that isstill unpacking old memories for new wisdom.Drawing inspiration from the otherworldly loneliness depicted on'80s masterpieces like Arthur Russell's World of Echo and BruceSpringsteen's Nebraska, the music never crowds Ashworth's detailedstorytelling but it also never feels auxiliary. These are beautifulsongs, but they stick with you for their ability to strike dissonant,unforgettable emotional chords. It is this pervasive empathy inAshworth's songwriting_along with his writerly gift for clear settingsand complex characters_that has made him a guiding light for somany independent artists.The things that happen throughout Horrible Occurrences are whatwe tend to call "unspeakable"_events that draw gut-level responsesjust from acknowledging that they could happen. But part of thetriumph of t...

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Adventure

LP | 2022 | UK | Original (Apollon)

30,39 €* 37,99 € -20%

LP | 2012 | EU | Reissue (La Scie Doree)

Release: 2022 / UK – Original

Genre: Rock & Indie

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The second part of the duology on mass-murderess Belle Gunness is due. The follow-up to Tales OF Belle, Part 1 – Across THE Ocean by the Mid-Norwegian six-piece band Adventure continues the unbelievable story of the poor Norwegian immigrant’s hunt for wealth. Part 1 finished with the suspicious death of her first husband and the move to LaPorte, Indiana. Tales OF Belle, Part 2 – Unveiled BY Fire features 10 tracks that were all written and recorded during various states of lockdown in Norway. The theme is now the mysterious death of her second husband, all the men seeking prosperity with the widowed Belle only to disappear, the horrendous fire on her farm, the gruesome findings in the grounds after the fire, the absurd theatre that took place after the news broke, the trial of the farmhand, and finally his confession. Nobody can tell for certain if Belle Gunness perished in the fire or not. There is no final confirmation… Adventure is still exploring the golden era of 70's symphonic hard rock, mixing in proggy and folky elements. The guitar and Hammond organ still the heart of Adventure’s sound, augmented by multipart harmony vocals and a rock steady rhythm section. Clive Nolan of Pendragon and Arena fame has a little cameo appearance. Cellist Marit Aspås from The Trondheim Soloists also appears on a couple of tracks.

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Af Ursin

Trois Memoires Discretes

36,99 €*

LP | 2012 | EU | Original (La Scie Doree)

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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Three introspective instrumental compositions for English horn, flute, percussion, double bass, Hammond organ. Performed, recorded and mixed by Timo van Luijk at Kulta Saha, 2010-2012.

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Af Ursin

Trois Memoires Discretes

22,99 €*

LP | 1970 | EU | Reissue (Bonfire)

Release: 2012 / EU – Original

Genre: Electronic & Dance

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Edition of 400 copies. 3 introspective instrumental (English horn, flute, percussion, double bass, Hammond organ) compositions performed, recorded and mixed by Timo van Luijk during 2010 - 2012 at Kulta Saha. In memory of Hugo Billens, Anja Hiilesmaa, Dirk de Hollander, Ger Boeske, Ourgon and Tosca.

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Affinity

31,99 €*

flat.2 Vinyl-Plattenbügler (record flattener)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, gatefold vinyl The sole album by cultish british prog-blues combo. Originally released in 1970 on influential label Vertigo, their self-titled album is still one of the most original effort of the England jazz-rock scene. Fronted by Linda Hoyle, a powerful vocalist who sounds like a cross between Carol King and Julie Driscoll, the line up was completed by Mo Foster (bass), Mike Jupp (electric and 12-string guitars), Lynton Naiff (keyboards) and Grant Serpell (drums and percussion). Their eclectic mixture was truly compelling moving over a certain psychedelic feel, thanks also to the ubiquitous Hammond organ. A singular effort that made definitely history.

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AFI

3.849,00 €*

A Trip To Bolgatanga Black Vinyl Edition

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AFI flat.2 Record Flattener / Relaxer
The Audio Fidelity Improvement flat.2 is a cutting-edge multifunctional record flattener and relaxer. It flattens vinyl LPs, Maxis and Singles. Using special flat mats and high-quality control electronics the flat.2 achieves an utterly even distribution of heat and therefore results that have been out of reach until now.

Preset programs provide for very simple handling. The Standard program reliably eliminates most of the warps. In addition to that, there is an Expert program with flexible settings.

The flat.2 works very precisely and has several protective mechanisms to ensure very high product and process safety. Allocation of temperature on the surface as well as at the top and bottom is homogenous. Deviation of the target value represents less than 0,25 K.

Another distinctive feature of the flat.2 is the Relaxation program. The vinyl record is heated (and afterwards cooled) very slowly, evenly and controlled to temper the record. This thermal process of tempering is a traditional physical method and causes a considerable sound improvement in most cases.

A slim construction and first-class manufacturing out of special hard glass emphasize the elegant and timeless design.

Characteristics

• special flat mats for even distribution of temperature on every spot of the vinyl record
• homogenous heating surfaces in the interior of the machine
• smart and separate control of top and bottom side
• high-quality magnetic switches for safe contact and longevity
• simple handling of standard programs
• special program of thermal relaxation / tempering for sound improvement
• high process safety due to error detection and temperature restriction mechanisms
• easy-care high-class surfaces made of hard glass
• made in Germany

Technical Specifications

• power input: max. 90 VA
• maximum temperature: 59° C (Standard program), 54-60° C (Expert program)
• deviation of target temperature: less than 0,25 K
• size: 400 x 55 x 500 mm
• weight: 8,7 kg

Review: http://www.afi-record-flattener.com/download/AFI_record_flattener_review_image-hifi_2018.pdf

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African Head Charge

LP | 2023 | EU | Original (On-U Sound)

31,99 €*

A Trip To Bolgatanga Glow In The Dark Vinyl Edition

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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African Head Charge return to On-U Sound with their first new album in twelve years. Titled A Trip To Bolgatanga, the recordings are led by founder member Bonjo Iyabinghi Noah, with close friend and co-conspirator Adrian Sherwood once again at the controls. A Trip to Bolgatanga is a stunning return, bringing together the talents of two masters who, after a hiatus, have created a rich album brimming with ideas and executed with finesse.

Commenting on the gap between records, Bonjo says: “In the twelve years that have passed, I have been spending time with my family in Ghana, but I was still creating things. I still have a lot of things to let off, you know what I mean? At this time in my life I want to work, but I want to enjoy time with my family as well. When I’m enjoying myself, I’m also creating, because when you’re happy it helps you to be more creative, and the greatest happiness is to be with your family.”

Although there are sounds on this album which recall previous African Head Charge classics such as My Life In A Hole In The Ground and Songs Of Praise, it would be wrong to assume that their music is not still evolving. The master percussionist adds: “All the drumming and the chanting, it took a while to do. I’m always meeting drummers, all over Ghana. The Fante, the Akim, the Ga, the Bolgatanga, all the tribes, and they all have their different drums. I try to learn as much as I can, and put it all together. It’s like cooking, when you’re blending all of the elements, like yam, banana, pumpkin, and the end taste, that’s where it matters. That’s how I look at music. Throw a lot of things together, and then you taste it and say, “Yeah man, that tastes good. Yeah man, that sounds good.” That’s what African Head Charge is all about, those different combinations, and then bringing it to Adrian, who helps to make it another thing again.”

Producer Adrian Sherwood concurs: “It’s always a case of getting all the right ingredients sorted for Head Charge, and then having some fun with overdubs and mixing and getting it completely perfect. We always work well together, but I think on this one we have the greatest result."

The group have been active for over four decades, and this album sees other members of the musical entity’s extended family come back to the fray. Multi-instrumentalist Skip McDonald and fellow Tackhead co-conspirator Doug Wimbish contribute to a variety of tracks. Drummer Perry Melius, whose involvement in the project dates back to the early `90s, adds a righteous rhythmic heft to a trio of tunes. In addition there are a number of notable fresh recruits. The horns and reeds of Paul Booth, Richard Roswell, and David Fullwood; Ras Manlenzi and Samuel Bergliter on keys; Vince Black on guitar. There’s additional percussion from Shadu Rock Adu, Mensa Aka, Akanuoe Angela, and Emmanuel Okine, strings from Ivan “Celloman” Hussey, plus the voice of the mighty Ghetto Priest. Very special guest, and one of Ghana’s foremost kologo players, King Ayisoba also provides vocals, and demonstrates his dexterity on the traditional two-stringed lute.

Where previous albums have been a melting pot of global influences, on their new LP African Head Charge have but one place in mind. A Trip To Bolgatanga is a musical journey to Bonjo’s current hometown in north Ghana. A psychedelic travelogue across the landscape featuring their trademark hand percussion and group chanting augmented with rumbling bass, mutated horns, dubbed out effects, wild wah-wah, haunted voodoo dancehall, synthetic swells, disco congas, tumbling layers of electronic effects, blues-inflected woodwind, and funky organ. As with every On-U Sound production, each repeated listen reveals fresh detail, and its power won’t be really understood until heard on a big system, when it’ll reduce all competition to rubble.

- Specs Black 12" Vinyl in polylined inner sleeve in 3mm spine sleeve with 12” poster insert and download code

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African Head Charge

LP | 2023 | EU | Original (On-U Sound)

34,99 €*

After All Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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African Head Charge return to On-U Sound with their first new album in twelve years. Titled A Trip To Bolgatanga, the recordings are led by founder member Bonjo Iyabinghi Noah, with close friend and co-conspirator Adrian Sherwood once again at the controls. A Trip to Bolgatanga is a stunning return, bringing together the talents of two masters who, after a hiatus, have created a rich album brimming with ideas and executed with finesse.

Commenting on the gap between records, Bonjo says: “In the twelve years that have passed, I have been spending time with my family in Ghana, but I was still creating things. I still have a lot of things to let off, you know what I mean? At this time in my life I want to work, but I want to enjoy time with my family as well. When I’m enjoying myself, I’m also creating, because when you’re happy it helps you to be more creative, and the greatest happiness is to be with your family.”

Although there are sounds on this album which recall previous African Head Charge classics such as My Life In A Hole In The Ground and Songs Of Praise, it would be wrong to assume that their music is not still evolving. The master percussionist adds: “All the drumming and the chanting, it took a while to do. I’m always meeting drummers, all over Ghana. The Fante, the Akim, the Ga, the Bolgatanga, all the tribes, and they all have their different drums. I try to learn as much as I can, and put it all together. It’s like cooking, when you’re blending all of the elements, like yam, banana, pumpkin, and the end taste, that’s where it matters. That’s how I look at music. Throw a lot of things together, and then you taste it and say, “Yeah man, that tastes good. Yeah man, that sounds good.” That’s what African Head Charge is all about, those different combinations, and then bringing it to Adrian, who helps to make it another thing again.”

Producer Adrian Sherwood concurs: “It’s always a case of getting all the right ingredients sorted for Head Charge, and then having some fun with overdubs and mixing and getting it completely perfect. We always work well together, but I think on this one we have the greatest result."

The group have been active for over four decades, and this album sees other members of the musical entity’s extended family come back to the fray. Multi-instrumentalist Skip McDonald and fellow Tackhead co-conspirator Doug Wimbish contribute to a variety of tracks. Drummer Perry Melius, whose involvement in the project dates back to the early `90s, adds a righteous rhythmic heft to a trio of tunes. In addition there are a number of notable fresh recruits. The horns and reeds of Paul Booth, Richard Roswell, and David Fullwood; Ras Manlenzi and Samuel Bergliter on keys; Vince Black on guitar. There’s additional percussion from Shadu Rock Adu, Mensa Aka, Akanuoe Angela, and Emmanuel Okine, strings from Ivan “Celloman” Hussey, plus the voice of the mighty Ghetto Priest. Very special guest, and one of Ghana’s foremost kologo players, King Ayisoba also provides vocals, and demonstrates his dexterity on the traditional two-stringed lute.

Where previous albums have been a melting pot of global influences, on their new LP African Head Charge have but one place in mind. A Trip To Bolgatanga is a musical journey to Bonjo’s current hometown in north Ghana. A psychedelic travelogue across the landscape featuring their trademark hand percussion and group chanting augmented with rumbling bass, mutated horns, dubbed out effects, wild wah-wah, haunted voodoo dancehall, synthetic swells, disco congas, tumbling layers of electronic effects, blues-inflected woodwind, and funky organ. As with every On-U Sound production, each repeated listen reveals fresh detail, and its power won’t be really understood until heard on a big system, when it’ll reduce all competition to rubble.

- Specs Glow In The Dark 12" Vinyl in polylined inner sleeve in 3mm spine sleeve with 12” poster insert and download code

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After All

LP | 1969 | EU | Reissue (Out-Sider Music)

23,99 €*

12" | 2021 | EU | Original (Hudd Traxx)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Hailing from Florida, After All was formed by well-experienced musicians with an R&B, jazz and blues background who hooked up with poetry writer Linda Hargrove to record an ambitious album influenced by acid-rock and psychedelic, early progressive sounds. Originally released in 1969 on the Athena label, the album is now considered an obscure classic. Top level psych/prog dominated by Hammond organ / guitar plus explosive drumming. Here’s a welcome new reissue in original artwork plus remastered sound, insert with liner notes.

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Agnes

Now Darts The Spirit EP

Musique Original De Films

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Lovers of fabulously swung, nice ‘n chunky house music have a treat in store on Hudd Traxx 066 as Swiss producer Agnès makes a very welcome, vinyl only return to our label.

Much-loved for his stripped back and dubby style - with previous EP “Got That Music In My Mind” championed by Disclosure on their Mixmag mix - here we witness the Sthlmaudio Recordings founder loosening up with four shoulder-rolling rides of deep house greatness which commemorates his and Eddie Leader’s tour of South America in 2013/14.

It’s the first new material we’ve heard from the producer since his 2016 EP “Accent Grave” and the track “Embryonic Connections” off our 15th year anniversary collection released early in the year.

Effortless in construction, with the genre’s classic tropes of poking organs, sub-tickling bass, rich atmospheres and cheeky, playful vocal samples littered throughout; the EP’s real beauty comes across in Agnès’ unfathomable grasp of swing and shuffle, instantly injecting listeners with a fidgety energy and need to dance. His percussion sounds fizz, pop and crack in a manner that’d make Kerri Chandler blush while neon-hued pads glue the whole thing together with a radioactive warmth. Chuck in an almost shamanic level of dancefloor understanding & connectivity and what you have here is a breakthrough dose of unrivalled hedonism.

There’s a sophisticated simplicity and sympathy at work here; with a reduced, hard-hitting and well thought out sound palette connecting the tracks together with the same impassioned spirit. That fiery flame of a basement and a red light, encapsulated perfectly and destined to rouse the spirits of house heads across world this Autumn.

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Ahmed Malek

LP | 2016 | EU | Original (Habibi Funk)

24,99 €*