Search "dj+kentaro+contrast" 11627 Items

Raag Kirwani On Tabla Tarang

Release: 2024 / EU – Original

Genre: Electronic & Dance

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We’re happy to cordially invite you to the Regression Session, hosted by eternal Philadelphia scene flag bearers Zillas ON Acid! And if you think this sounds awfully lot like a scam, you’re probably right: „Regression Session“ is just a front of their illegal black market operation, trading raw uncut gems on a large scale. Just listen to the opener and title track and you won’t exactly have a strong case for the Zillas selling out, but rough as it is, this thing is capable of destroying any dancefloor it touches. Looking at their recent releases it’s fair to say the Z’s are on quite a run, putting out music on labels like Permanent Vacation, Throne Of Blood, Multi Culti or Ivan Smagghe’s Disques de la Mort. Tunes like the sneaky rough slow burners „Underling“ or „Start Digging“ sound like they could be lifted from the latter’s infamous DJ sets, while the deceptively titled „Cha Cha Cha“ or closer „Casual Observer“ justify the „Acid“ in the artist name. „Shining Snakes Across The Lake“ is what some years might have been called a mid-tempo house roller and probably counts as downtempo these days. Speaking of tempos, the penultimate „Sweet Days Of Discipline“ starts of masquerading as reaaally downtempo, but ends up throwing 155bpm kick drums at you, so better watch out, all you k-hole ravers! Let’s not forget to talk about „bquiet“, which is what you’d call mid-tempo house these days (125bpm) and uses the eternally banging combination of a jacking beat, a polyrhythmic bass line, some lead-synth stabs and talking vocal slices. You can practically smell the sweat. So what’s left to say? What you see is what you get: They are Zillas, and they are on Acid. And they provide a collection of eight tunes that probably each don’t necessarily have a double-digit amount of tracks in their DAW projects, and that’s exactly what makes them so forceful. Join the regression session!

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Kamalesh Maitra

LP | 2024 | EU | Original (Black Truffle)

31,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Carrying on a string of stunning archival releases from major figures of Indian classical tradition... Hello Everybody, In recent years, the introductory texts for the Pop Ambient compilation series... Masterpiece by Samo DJ & Kamohelo! You can´t resist! Limited to 150 copies worldwide! Vinyl only! Patrice Bäumel makes his most welcome return to Kompakt’s Speicher series and it’s exactly as compelling as you expect... We’re happy to cordially invite you to the Regression Session, hosted by eternal Philadelphia scene flag bearers Zillas ON Acid...

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Self-Actualization And The Ignorance & Hesitation

Anorak

LP | 2024 | US | Original (Counter Intuitive)

Release: 2024 / US – Original

Genre: Rock & Indie

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Chromesthesia: The Colour Of Sound 1

LP | 2024 | US | Original (Chromesthesia)

47,99 €*

Devon Goldberg / Morricone Youth

Release: 2024 / US – Original

Genre: Electronic & Dance

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Brainchild of British-Egyptian historian Hannah Elsisi (NYU AD, Cambridge), Chromesthesia-aptly named "the colour of sound"- tracks afro-diasporic rhythms from the Whole Mangrove World. Featuring a veritable avengers team of everyone's favorite producer: Sho Madjozi, Asher Gamedze, Nick Len, Deena Abdelwahed, Kelman Duran, GAIKA, Lord Tusk, Covco, Julmud, LYZZA, Maurice Louca, Baby Cocada, 3Phaz, LAFAWNDAH, Double Zuksh, Lamin Fofana, DJ Babatr. In it's first of more-to-come iterations, Chromesthesia launches it's inaugural compilation mapping centuries of movement, resistance, and creolite as they have been inscribed in sound. From Rio to Cairo, Miami to Kampala - Chromesthesia probes the audiopolitics of diaspora, tracking soundscapes of errantry and migration along 20 sites of what Elsisi calls The Whole Mangrove World. This Volume 1 VA compilation comes on transparent orange vinyl, adorned in a gatefold sleeve with printed inner featuring the original artwork Woven Chronicle, 2016 by Reena Kallat (Museum of Modern Art, New York), printed inner sleeve featuring Dark Out text by Hannah Elsisi and original illustration by Cvco E. Kikaya, and A4 insert poster featuring Closer to my Dreams, 2024 by Cvco E. Kikaya. Genre: Electronic

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OST Eight Eyes Eyeball Clear With Red Blood Vessel Swirl Vinyl Edition

LP | 2024 | US | Original (Country Club)

OST Night Of The Living Dead

Release: 2024 / US – Original

Genre: Soundtracks

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"Eight Eyes" Original Soundtrack LP on "Eyeball Clear with Red Blood Vessel Swirl" 150g vinyl. The Original Motion Picture Soundtrack to 2024 horror film "Eight Eyes" from director Austin Jennings (director/co-writer of Shudder’s "The Last Drive-In With Joe Bob Briggs") which world premiered at the 2023 Fantasia Film Festival in Montreal, shot on 16mm and Super 8 on location in Serbia and Macedonia and starring Scream Queen Emily Sweet (V/H/S ‘99). The original score is composed by Devon Goldberg and performed by Morricone Youth. The film was co-produced by Vinegar Syndrome as the Blu-ray reissue/restoration label’s first entirely original production and is distributed by Shudder in North America and Donau Film in Europe. The film is available for streaming on Shudder as of September 23, 2024.

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Morricone Youth

LP | 2016 | US | Reissue (Country Club)

24,99 €*

12" | 2024 | EU | Original (Heist)

Release: 2016 / US – Reissue

Genre: Soundtracks

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Night of the Living Dead LP (5th pressing on “Romero film poster” blue/black swirl 150g vinyl. The band’s long out-of-print 2016 live re-score of George Romero’s 1968 zombie classic Night of the Living Dead performed in movie theatres, art museums, rock clubs and DIY venues all over the world.

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DJ Sneak

Synesthesia EP

12" | 2024 | Original (Aus Music)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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DJ Sneak returns to his roots on his Synesthesia EP on Heist Recordings.

Last year, when DJ Sneak visited our studio during ADE, we spoke for a long time about his newly found joy in house music, producing music in the current landscape, and letting go of all the things that made him uneasy with the scene for a long time. At one point, he grabbed a bunch of his hard drives, fired up our Dave Smith & Pioneer Toraiz sampler (the one we used for our live shows and the workstation he swears by for producing and arranging all his music), and showed us what must be one of the most impressive collections of demos we’ve ever seen. He talked us through his ideas for a new record on Heist with the enthusiasm of a producer who had just bought his first MPC60 back in the 80s. His ‘Back to love’ EP was still due to release and we already knew the follow-up would be equally amazing.

Fast forward about a year and after amazing feedback on his Heist debut from platforms like XLR8R, DJ Mag, Faith fanzine and plenty of radio coverage, along with DJ support from the likes of Joy Anonymous, Louie Vega, Jamie Jones, Honey Dijon, TSHA, Dj Seinfeld, Jennifer Cardini, Carista, he drops a new record on Heist recordings; The Synesthesia EP is another showcase of the raw talent of DJ Sneak, skillfully working his gear and churning out massive tunes full of classic Chicago house references, 90’s euphoria, and chunky synths.

The EP kicks off with ‘I can tell what you want’, a deep and bubbly groover where DJ Sneak takes some naughty chopped up R’n’B vocals and adds a pinch of the ghetto sound that he adopted in his formative years in Chicago. Sneak manages to take that influence and deliver something altogether contemporary with this track, ticking all the right boxes of catchy vocals, moody chords, a nasty bassline, and clever sampling.

If the first track embodies his Chicago spirit, then ‘A taste of the 90s’ embodies DJ Sneak’s New York spirit. With funky guitar and key licks, loopy horns, shuffling percussion and plenty of changeovers in the arrangement, he masterfully shows us the joy of classic house music. There’s always another element that gets added or taken away to build anticipation or release the energy with its chunky low end. It’s a true party starter with the energy of a young DJ Sneak spinning his first records way back when.

On the flip, we’ve got ‘Dirty jazz’. This delicious piece of Deep House is built around off-kilter drums with a syncopated bass line and quirky sample cuts. It’s got enough beef to keep the energy going, and the right amount of weirdness to grab your attention whenever this is played.

The closing track ‘You know what I mean’ adds another layer of weird-sounding vocals that will stick with you until long after the song is over. This track – and the whole EP for that matter – oozes the playful energy of a producer who’s completely comfortable with his musicality. It’s fun and playful, delivered with the class that only a hero of the underground like Sneak can do.

On the Synesthesia EP, DJ Sneak takes you deep on a trip through his musical roots and keeps you on the edge of your seat with 4 tracks bursting with personality.

Grab this record while you can and share the love,
Heist Recordings.

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Dam Swindle

Come Back

Real Time - 40 Year Anniversary

Release: 2024 / Original

Genre: Electronic & Dance

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Dutch duo Dam Swindle appear on Aus Music's 200 series and two new house originals come with remixes from K-Lone and Chloe Robinson & DJ ADHD
Dam Swindle have been helping to define the underground house sound for a decade, not least with their Heist label. The pair deal in timeless, fad-free sounds that are rich with dance floor dynamics and hint at a love of everything from disco to tech and plenty in between. They are notorious crate diggers who have played the world's most cultured clubs, their recent track Allright (Just A Tribute) on Phonica’s 20 year celebration has received widespread love by DJ’s this summer on the festival circuit and now they offer up two more of their studio gems for their 3rd full release on Aus.
This EP is the second in a series of four releases from different artists to mark the 200th outing of Will Saul's influential Aus Music. It is an era-defining label that has platformed some of the scene's brightest stars way before they broke out. Since launching in 2006, the label has remained dedicated to releasing club-ready music with a cultured edge from deep and melodic house to the earliest bass- driven post-dubstep fusions.
This EP kicks off with 'The Last Time', a blissed-out deep house sound with impassioned vocal cries tugging at the heartstrings. Mellifluous synth daubs percolate through the mix to a captivating, feel- good effect. Next is 'Come Back,' an infectious house bubbler with gloopy synths and something of a garage shuffle in the kicks. It's fresh and packed with neon colour that brims with soul.
New school house and garage tastemaker and core Aus Music family member K-LONE steps up with a remix hot on the heels of his two-part EP series on the label. His version of 'The Last Time' is typically deft as soft focus chords swirl around prickly garage house beats. The distant vocal, the cavernous bass and the wistful feel all make it another classic.
Last but not least, Chloe´ Robinson & DJ ADHD are frequent collaborators on labels like Fabric Originals as well as Chloe´’s Pretty Weird imprint where they serve up potent, bass-heavy sounds. Their version of 'Come Back' is expertly stripped back. It teases and pleases with a blend of filthy low- end oscillations, slinky drums and tooting chord hooks that are effortlessly fun and effective.

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Zer-O

12" | 2024 | EU | Original (Running Back Super Sound Singles)

Songs Of Wishes And Bones

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Greg Wilson returns to Running Back with another special project.
Forty years on from the release of the groundbreaking ‘Street Sounds UK Electro’ LP, ‘Real Time’ (two versions of which opened the separate sides of the album), finally gets a 12” release. Despite its prominence on ‘UK Electro’, it was the only inclusion not to be issued on 12” back in 1984.
Zer-o, like Syncbeat and Forevereaction, were the same trio – Manchester musicians, Martin Jackson and Andy Connell, and DJ Greg Wilson, making his first foray into record production. They also teamed up with rappers, Kermit and Fiddz, for the Broken Glass
track, ‘Style Of The Street’, one of the early UK hip hop releases. Fictional production and songwriting credits were added by Street Sounds to suggest a thriving British electro scene, the music having blown-up in New York during ‘82/’83, with the ‘Street Sounds Electro’
series, launched in October ’83, documenting these developments and unlocking a significant youth market who’d religiously collect these compilations.
Featured here is a Greg Wilson edit of ‘Real Time’, the ‘retrospective dub’ (the ‘UK Electro opener, which was in fact the original demo version of the track), and a Gerd Janson bonus beats edit. Flip it over and you’ll find a pair of 2024 reworks – the retrospective
dub, and the more downtempo introspective dub – courtesy of Greg and Ché Wilson, whose recent collaborations have included remixes for Gabriels and Confidence Man.

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O'o

LP | 2024 | Original (Infine)

30,99 €*

Da Hard Ov Frayser Galaxy Ruby Colored Vinyl Edition

Release: 2024 / Original

Genre: Electronic & Dance

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Recorded in the southwest of France, O’o’s second album broadens the group's musical horizons, enriched by the contrasts and surprises of rural life. Revisiting the animal parables from their first album Touche, Victoria Suter's lyrics draw inspiration from literature where humor and eccentricity blend with the mystery and supernatural elements of rural life, making her voice resonate in all its uniqueness. Mathieu Daubigné's productions serve as an ideal expressionist backdrop, showcasing incredible musical versatility by combining his expertise in club atmospheres, dynamic synthpop melodies, and contemplative experiments. Songs of Wishes and Bones is an album of chiaroscuro tones and a new centerpiece of the French indie-dance scene.

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MC Money & Gangsta Gold

LP | 2024 | US | Original (Now-Again)

30,99 €*

Mortality Is Lit! Translucent Pink Vinyl Edition

Release: 2024 / US – Original

Genre: Hip Hop

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Available IN A Galaxy Ruby Colored Vinyl Pressing With A 12-page Booklet The next release in Now Again's Memphis Rap series is Da Hard Ov Frayser, the only album by MC Money & Gangsta Gold produced by the legendary DJ Sound and presented on vinyl for the first time ever. This is part of Now Again Records multiple LP series on the History of Memphis Rap, which attempts to capture Memphis and its underground rap scene as it began to produce some of the most distinctive music of the 90s. This was a unique hip-hop strain - visceral and often vicious. It was a local, low-fi, cassette-tape based movement - yet it went on to change the course of rap music. These albums have never been pressed on vinyl - until now. From Skinny Pimp and Carmike to Gangsta Blac and Shawty Pimp, these albums have been relegated to the proverbial bins of history and bootlegged, with unofficial copies still fetching top dollar on the secondary market. These albums were all licensed directly from their original creators, and come on limited edition colored vinyl with artist-approved imagery for their first LP iterations. You can read the story of the Memphis Rap scene in a 12-page, oversized booklet with notes by Torii MacAdams. It captures the story of Memphis rap starting with the city’s founding and ending with an auto supply shop that sold these albums over the counter, with all points in between.

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Blockhead

2LP | 2024 | US | Original (Future Archive)

38,99 €*

Straight From The Decks Volume 4 HHV x Guts Exclusive Turquoise Vinyl Edition

Release: 2024 / US – Original

Genre: Hip Hop

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Pressed on Translucent Pink with Blue Splatter Colored Vinyl and housed in a Deluxe Gatefold Jacket Limited to 250 copies! NYC producer Blockhead returns to the newly revived Future Archive Recordings with a fantastic new album - Mortality Is Lit!. For some it would be easy to laugh off at first glance, but it’s more than just a humorous title - it’s a calling card for a record that frequently meditates on death, afterlife, endings and cycles. While some tracks are overtly pointed remarks on popular theories about human expiration (”All Dorks Go To Heaven,” “Hard Pass On The Afterlife”), this is not just a shallow and simplistic take as the theme is expanded throughout the record into a more overarching concept of things coming to natural endings, cyclic patterns continuing past the individual experience of them, and most importantly of all being at peace with these occurrences as an accepted or even celebrated part of life (”They Got Therapy For That,” “Earth’s Farewell Tour”). As anyone who is familiar with Blockhead knows, even the most serious of messages always come with healthy servings of humour, irony, sarcasm, and a knowing wink. The title itself further reinforces this by using ‘Lit’ as a fad synonym for excitement which is itself at the end of its own life cycle in popular culture... The lowkey hero of the indie hip-hop and instrumental beats scenes, Blockhead first made his name on Def Jux as the go-to beats man for Aesop Rock before joining legendary UK label Ninja Tune as a solo producer and purveyor of the most exciting sample-based instrumental music this side of The Avalanches and DJ Shadow. Now Blockhead is rightly considered a bona fide master in his craft after an enviable career in underground hip-hop with his signature all-you-can-eat buffet of musical samples spanning every kind of audio you can imagine, always catering to both the audience who want to dig deeper and those who just like to dance. As he creates expansive narratives mostly without words, opting for a few choice vocal samples to provide some core guidance and themes. Contrasting between downtempo and upbeat often in the same track, he traverses eras and styles spanning jazz, funk, blues, easy listening, disco, exotica, cinematic, and tv show snaps, all crafted together with a hip-hop sampling sensibility that is truly inimitable.

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Guts

2LP | 2024 | EU | Original (Pura Vida Sounds)

Straight From The Decks Volume 4

Release: 2024 / EU – Original

Genre: Organic Grooves

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Because it's the passion for music that drives the person behind the decks, a dj's debut is bound to exude authenticity. It's often themselves they're recounting in music, posing on the slip mats their DNA and what makes them who they are.
When you're just starting out, you're faced with a multitude of routes to take and styles to play. When you know just how devastating it can be to step out of line and empty the dance floor even faster than it filled up, it often takes a lot of audacity to break the unity of a funk evening with a punk track.
Over time, to evolve is to find oneself facing only two roads.
On the first one, to satisfy the greatest number of people and not lose the credit for his fees, the dj adapts to the trend. Whether he likes what he's playing or not, the road has become a freeway and, indeed, a very comfortable one. The audience already knows everything there is to hear and doesn't come to hear anything else. Thirty seconds, or even a minute of each track, is more than enough. Everything has to flow quickly. Everything is marked out and secured. Those who respect the regulations will (normally) make the journey without accident. Several times a week, several times a month, several times a year. Curiosity disappears altogether.
And then there's the other road. Where nothing is expected nor sometimes even ever heard. The road of an unquenchable passion for diggin' and the desire to always know more and more. A passion billed at the price of hours of research-finding spent in the discomfort and possible disappointment of never coming across anything exciting, as well as nights exploring platforms and multiplying clicks resulting in a good old headache. Until that moment of grace happens when, after thousands of fruitless shakes, the nugget stands alone in the sieve, without the slightest doubt as to its quality.
Coming from places never mentioned for their music, sometimes classics of their genre, they are also rarities miraculously saved from total disappearance, as much as current marvels, but threatened to never leave the immensity of the web. Even if the possibility of a text with substance is never excluded, they can tell long stories or be destined solely to make you dance till you're dehydrated. Scintillating with spirituality, some can also vaporize energy and replace it with a pure emotion capable of touching hearts in the bareness of simple percussions.
This road is marked by sincerity, singularity and surprises, but always in a communion between the dj and the audience, who embark on it together, with mutual confidence in the promise of hours of sharing and discovering.

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Guts

2LP | 2024 | EU | Original (Pura Vida Sounds)

In My Dreams (I’m A Bird And I’m Free)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Auntie Flo

LP | 2024 | UK | Original (A State Of Flo)

26,99 €*

LP | 2024 | EU | Original (MAQUIAVEL)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Brian d’Souza, better known as Auntie Flo, delivers his brand-new fourth studio album, ‘In My Dreams (I’m A Bird and I’m Free)’, set for release on 21st November. The album, a rich blend of electronic music, live instrumentation, and global influences features collaborations with the likes of Nicola Cruz, Joshua Idehen, Shingai Shoniwa, Yohan Kebede (Kokoroko) and even his Goan Auntie Florie, where the Auntie Flo moniker is derived from. Each track on the album transports you to a different location: Goa, Istanbul, Nairobi, Mexico City, Waiheke Island, Rio De Janeiro, Havana, Seoul are all destinations to nest in across its ten tracks. It will be available in both digital and vinyl formats on his own label, A State of Flo Records.

Auntie Flo’s latest body of work is the culmination of a five-year journey that has seen d’Souza expand both personally and musically. Known for his unique ability to fuse electronic sounds with rhythms and influences from across the globe, d’Souza takes his craft to new heights in this album, offering listeners an intimate look into the experiences, places, and stories that have shaped his artistic evolution. The groundbreaking DJ and producer presents an expansive, deeply personal exploration of global sounds, collaboration, and migration.

Following the success of the Afro-disco single Green City—a dynamic tribute to the legendary Fela Kuti and Luke Una’s ‘track of the year’—In My Dreams (I’m A Bird and I’m Free) ventures further into uncharted musical territory. The album, however, is more than just a continuation of Auntie Flo’s signature sound. It is a reflection of d’Souza’s life and career, capturing his exploration of identity, migration, and cultural fusion. With tracks that draw inspiration from field recordings collected around the world, the album resonates with a profound sense of place and memory.

In My Dreams (I’m A Bird and I’m Free) is not only a reflection of d’Souza’s creative journey but also a commentary on migration—both human and musical. The album draws on the freedom of birds to migrate across borders as a metaphor for artistic and personal freedom, juxtaposed with the challenges that political barriers impose on human migration. As d’Souza explains, “Birds have the freedom to migrate wherever they choose, while humans face constant barriers”.

A State of Flo supports Earth Percent. 10% of the revenue generated from this release will be paid to environmental charities.

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Citizen:Kane

Blow

12" | 2024 | UK | Original (Kapsela)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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“We know what jazz is when we hear standards or music that is close to the same source, to a recognized pattern. But what is jazz? Here, a starting point. "Blow" showcases an accumulated CITIZEN:KANE techno vocabulary but it quickly tones down the sensation by introducing frequent breaks in the rhythm, as in "Peiote". But even there we are able to "feel" techno by recalling Wolfgang Voigt's M:I:5 and its parallel yet contrasting rhythmic grids. Elsewhere, manifestations of opposite forces: the beat keeps a body firm on the floor, eminently physical but not commanding; and melodies, cosmic threads, suggest ascension as well as a drive towards the within, creating space for feelings and/or rationalization. "The Fence" or "Montreal" stand as good examples. One less evident aspect of beauty in this record is the apparent coldness of the music, almost rigid and devoid of passion, and thus we declare it more true. As the mind performs a synthesis of what was learned after a class, last track "Family" (expressively) gathers impressions of what went before, adding poetry to the moment. "Blow" may be a reference to the most familiar instruments used in jazz but it can also figuratively mean an explosion, an aesthetic liberation, even with (our) knowledge that for now, and theoretically, the artist chose to concentrate on this thing called jazz.”

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Objekt

Chicken Garaage

Good Night, Whatever That Is

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The second release on Objekt’s newly established Kapsela imprint arrives in the form of Chicken Garaage, a solo 2-track EP by Objekt that explores the fertile terrain around 00s breakbeat and garage. The A-side, Chicken Garaage, is a playful and poignant nod to the pioneering proto-dubstep explorations of the early 2000s, as the genre was first beginning to crystallise, by the likes of Horsepower Productions, DJ Abstract and Benny Ill. First sketched out on tour in Melbourne while eating takeaway chicken karaage, it’s the first outcome of an experiment with a new workflow to produce music with an accelerated approach and more immediacy and expressivity; encouragingly, it has the lowest final version number (55) of any Objekt track in recent memory. B-side “Worm Dance” leans into Hertz’s headsier inclinations – constructed mostly from field recordings made at a lake house outside of Berlin in 2022, it channels mid-00s T++ into a moody, elastic breakbeat roller.

The vinyl comes with a free lossless download.

Mastered by Kassian Troyer at Dubplates & Mastering

Artwork by Brodie Kaman

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Architectural

12" | 2025 | Original (Turbo)

Samtvogel Transparent Yellow Vinyl edition

Release: 2025 / Original

Genre: Electronic & Dance

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Years of simmering mutual admiration between Turbo and Architectural finally erupt with Good Night, Whatever That Is, the Asturian producer's first release on the label.

Nothing gets us hot and bothered like the prospect of featuring a true artist on Turbo. In fact, we are so f-ing jazzed to be working with techno genius Architectural that we even dropped scrappy “fun-house” producer Archie Textures from our roster to avoid confusion.

The Good Night, Whatever That Is EP imbues the timeless platonic forms of techno with an energy, craft and depth that will feel instantly familiar to anyone who has built a cathedral with their bare hands. And yet the unadulterated power of lead single “Steampunk” and the even-less-adulterated power of “Tubular Funk,” confirm that this release also has one foot squarely planted on the secular dance floor, coursing with the searing bio-fluids that drive and torment all sexual beings. Meanwhile, your deep human need for contrast will be sated by the IDM-ambient euphorics of “Eternity Land” and the highbrow breaks of “Rousing Rhythms”.

In the interest of exposing this work to as many thought-hungry minds as possible, we will be randomly hiding 10,000 copies of the EP on CD-R in bottles of Drakkar Noir energy drink at participating supermarkets throughout the Americas and Eurasia. Our hope is that this marks the moment many of you finally become teachable, fully accepting that getting razor-like shards of CD-R lodged in your throat is simply the price of admission to the Idea Man’s Ball.

Key Selling Points
-Architectural debuts on Turbo Recordings with a 6 pack of pure gems.
-Timeless dub techno, for the dancers.

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Günter Schickert

LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)

37,99 €*

Release: 1974 / Reissue

Genre: Rock & Indie

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’Samtvogel’ has been out of stock for a while but it is still one of more requested releases, so here is an updated pressing with availability in ultra limited 100 only runs of 3 different colored vinyl options. And because we do love old black vinyl, also a limited run in black. Chose your colour or collect the whole set! ;-)

By far one of the most important Krautrock experimental albums made during the ’70s. There are records that come from the soul. No matter how primitive may be the recording techniques the musician has access to, the soul gets its way to the heart and mind of the listener. “Samtvogel” is one of those records. Günter Schickert recorded that amazing piece of human greatness in 1974, using the media he had at the time, putting his brain at work to find the best way of taping everything he had to say. “When I was recording “Samtvogel” in 1974 I had only 2 Taperecorders. I played one track and while listening I added the second one. And so on. Four times. When I mixed all together I borrowed a 3rd taperecorder. And still added the last track to the master. I had a small mixer with 2 stereo and 1 mono but it was possible to pan tracks. No equalization. It all came out of my still living G2000 Dynacord guitar amplifier, of course valve, with no master, even the voice recorded through it. If I made a mistake in 1 track I had to repeat it from the beginning. And if while mixing I was not fast enough in changing the tape I had to start again. So it took me more than 3 months to get ready.”

Thanks to these three months of work, between June and September of 1974, ‘Samtvogel’ was privately issued that same year. It would later be issued on the Brain label, with a small change in the artwork –titles added to the front cover, which weren’t on the original private pressing. Brain also reissued it on the label’s “Rock On Brain” LP series, this time with a completely different sleeve. The album contained two tracks on side one and just one on side two, and its sound has often been compared to the most explorative works of Syd Barret – however it must be pointed that Schickert did not need any mind spreading substances to allow his sounds float out of his mind & soul, they just came out in the most natural way. It will also appeal fans of the echoed athmosferic guitar work of other kraut innovators such as Ash Ra Tempel, Manuel Götsching or A.R. & The Machines, and some may find on the vocal passages certain resemblances to Damo Suzuki on Can's 'Tago-Mago’ era.

The Wah Wah reissue is housed in a quality sleeve that reproduces that of the original 1974 private pressing and features a 4 page insert with liners and photos - sound remastered at Eastside mastering Berlin. Get this bird now, before it flies away again!

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adidas

Country Japan

129,95 €*

12" | 2024 | EU | Original (Time Passages)

Available Sizes: EU 38, 38⅔, 39⅓, 40, 40⅔, 41⅓, 42, 42⅔, 43⅓, 44, 44⅔, 45⅓, 46, 46⅔, 47⅓, 48

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Coming Soon 2024-11-01, 10:00 CET

The adidas Country Japan is a tribute to the highest quality version of this shoe, which was produced in Japan at the time of its release. Similar to the cities series, the adidas Country Japan is a simple yet powerful 70s design with a unique sole construction, thanks to the slanted midsole at toe and heel.

The adidas Country Japan's features include:

• premium suede upper
• contrast 3 Stripes appliqués at side panels
• adidas Trefoil woven label at tongue
• leather lining
• foamed footbed
• 2-layer EVA foam mdsole
• rubber outsole with herringbone tread
• adidas Trefoil logo printed on heel patch
• adidas gold foil branding embossed on side wall

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DJ Hell

Crazy Things At Night

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

Fred Fisher Atalabhor & His Ogiza Dance Band

W.T.F.S / Ebi Lolo

12" | 2024 | UK | Original (Mukatsuku)

17,99 €*

LP | 2024 | EU | Original (Boogie Butt)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Mukatsuku returns with another superb little remastered package here on limited 12" hand-numbered to 400 copies. It features the Afro disco sounds of Fred Fisher Atalobhor And His Ogiza Dance Band .'wtfs' was originally released back in 1981 from the African Carnival album.
It's a booty-wiggling cut with myriad funky lines, squelchy synth motifs, lush chords and soul drenched vocals that bring the sunshine and party in equally playful measure. On the flip is 'Ebi Lolo' which is defined by its big brass section and loosey-goose guitar lines, bright chords and subtle funk and currently being championed by Charlie Dark on social media and his recent DJ sets….

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Lord Funk

Breaking To The Bus Stop

22,99 €*

Rhythms From World Volume 1 EP

Release: 2024 / EU – Original

Genre: Hip Hop

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"Breaking to the Bus Stop", is a project around B.Boying, one of the four elements of Hip Hop ; a challenge can happen at any time, in the street, the subway, a bus stop... to settle scores. These songs are part of Marc-Aurèle Vecchione's Arte series "Boys & Girls Africa". Compiled by A1 Record historic sample dealer, Lord Funk, Each cover will be hand-drawn by the street artist's "Golf", 300 units limited. 2 tracks were played at the Olympics final of breaking A few more donuts such as "Perkushun", "Latin Breakdown", "Tex Mex Breaking" have been added to the cypher. Two of the songs, including the series' theme song, were composed with my DJ LC, from Légitime Processus. Strictly for hard core power moves. An authentic record to enjoy on a unique vinyl edition 300 copies tagged, numbered and signed by street artist "Golf".

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Terry Tester / Jay Sound

12" | 2024 | EU | Original (Series Of Taboo)

Tell Them I Said Something Great

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Series of taboo records present its third release a split EP featuring two artists. The first artist is the established Copenhagen producer Terry Tester, two-decade long career as a turntablist and beatmaker his eminent take on house, hip hop and soul has been commissioned by artists such as Gilles Petterson for his ‘Bubblers’ compilation series on Brownswood or for the BBE remix together with DJ Jazzy Jeff.

Terry’s latest outings has yielded spins from influential selectors such as Soulection, Carista, Alexander Nut (nts), Mr. Beatnick (nts), Marina Trench, EVM 128, James Rudie and Sassy J (Red light Radio).

The second artist is the talented producer Jay Sound, keyboardist and composer based in Detroit, known in the scene with productions played by artists of the caliber of Funkineven, Benedek and many others.

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Man Power

12" | 2024 | EU | Original (Echocentric)

12,99 €*

2x12" | 2022 | US | Reissue (Micron Audio)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Man Power returns to Echocentric. Swirling, hypnotic genre escapism for the open-minded DJ.

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DJ Stingray

F.T.N.W.O.

27,99 €*

Release: 2022 / US – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

12" | 2024 | EU | Original (Pintai)

Various Artists 01

12" | 2024 | UK | Original (Find Your Own)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

Pintai began its initial forays into events as a small get-together in Amsterdam, built around friends, friends of friends, coffee, food and records. Nowadays, Pintai has been gently growing into a community of music lovers and begun to take form as a strong purveyor of deep and dynamic dance floor driven sounds out of the Dutch capital.

Leading the release is Gråzon’s ‘Dealing Is Healing’, since his debut on Molly’s RDV imprint back in 2018 Gråzon has been slowly shaping his music into its now melodious, delicate style, this new track ‘Dealing Is Healing’ is exemplary of this, fusing together ethereal textures with acid bass tones and a reduced rhythm section. Zurich’s Pango follows with ‘Freo’, following a sting in the UK his sound became very much shaped by Bristol and London and this emanates out of this near eight minute composition fuelled by crisp drums, bouncy subs, fluttering dub chords and dreamy atmospherics.

Pintai co-founder, DJ, producer and live act Hame then opens the B-side next with ‘I Long’, following on from his debut EP on Lola Haro’s Small Steps and EP’s for French imprint Noire & Blanche, Hame offers up more of his emotion fuelled style, employing intricately intertwined leads, choppy bass notes and swinging drums. Tren then concludes the EP with ‘I Missed Having You In My Life’, perfectly rounding things out via hazy saturated pads, dreamy spoken word and shuffled off-kilter drums.

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Ceri, Alex Arnout & Cna

Higher

Audio Smith Volume 3 Charles Blue Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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THE Remix IS Vinyl Only!

With Early DJ support from: Lakuti, DJ Deep, Kerri Chandler, Chloe Caillet, Fred P, Jeremy Underground, Cici, D'Julz, Chez Damier and more…
Ceri and Alex Arnout launch their new collaboration alias 'CnA', for the eagerly anticipated third release on Ceri's Find Your Own Records label.

The A Side 'Higher' is a happy house summer festival banger, inspired by getting High from the Music, and the B side 'Show me What you Got' is an eerie slice of breaksy techno, reminiscent of the early UR sound.
On the remix is Ukranian Se62, famed for his releases on labels like My Love is Underground and Slapfunk. He reworks the original into a dubby summer laid back deep house minimal cut.

The first two releases sold out on vinyl, had plays on BBCRadio1, BBC6Music, Have rave reviews in dance music press, as well as being MixMag's Techno 'tune of the month', and was also supported by some of the biggest and most respected selectors in the scene (such as Ben UFO. Fred P, Mr G, Midland, George Fitzgerald, Paranoid London, Move D and more).

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AMON.CIN

12" | 2024 | EU | Original (QH)

grooveman Spot a.k.a. DJ Kou-G

Release: 2024 / EU – Original

Genre: Electronic & Dance

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This is the compilation album series of the craft brand QH, titled “Audio Smith.” The title is a portmanteau of ‘audio,’ meaning ‘sound,’ and ‘smith,’ signifying ‘blacksmith.’ It represents a new channel for QH that introduces music created based on the craftsmanship, which is the motto of QH.
This album was produced in collaboration with ‘AMON.CIN,’ a South Korean underground electronic music producer.
AMON.CIN is a DJ and producer based in Seoul. He produces electronic music through sampling based on classical soul, funk, and jazz. In this album, he utilized the technique of sampling as one of the tools of craftsmanship.

Artwork was done by Korean tatooist and Illustrator Metal Pinkman.

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[ Eternal Development ] Remixes Part.2

12" | 2007 | JP | Original (Planetgroove)

Release: 2007 / JP – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

12" | 1999 | DE | Original (Zeitgeist)

DJ Buzz

Situations

Release: 1999 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 2003 | US | Original (Addict Records)

J-slim

Binary Breaks - 0 Vs 1

9,99 €*

LP | 2024 | EU | Original (Escapismo Ediciones Limitadas)

Release: 2003 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Price tag.

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Escapismo

31,99 €*

12" | 2024 | EU | Original (Revolt!)

Release: 2024 / EU – Original

Genre: Pop

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The first Escapismo output was described by Bleep as “a slow burning synth-pop killer”. Bandcamp’s “New & Notable” section has defined Escapismo as “Marvelously gothy electronic music from Barcelona. A New Wave delight”. And according to Boomkat, “Escapismo brings a touch of ‘80s romance”. This LP includes the first three Escapismo EPs (a short run of 10″s which fastly sold out) plus one additional song. A mixture of post-disco, dark italo, new wave, post-punk and a hint of Belgian new beat. An obscure collection of songs already supported by renowned DJs like Stephen Dewaele from Soulwax / Despacio or Ivan Smagghe and Nathan Gregory Wilkins, who have played Escapismo on their Channeling show on NTS Radio.

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Liou

Night Warrior EP

19,99 €*

Central Intelligence & Victor Reyes

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-08

REVOLT proudly presents its latest release, a powerful 4-track EP by Liou, recorded in his Athens studio. This limited vinyl-only release showcases Liou's signature blend of diverse sounds and influences, seamlessly weaving unexpected twists with rich sonic textures and immersive atmospheric soundscapes.

Night Warrior kicks off the EP with punchy basslines and epic vibes, enhanced by acid and cosmic vocals, perfectly crafted for peak-time dancefloor action. Dark Matter delves into a breaks workout, creeping up your spine and taking control of your movement, making it a secret weapon for any DJ set. With Atom, Liou offers deeply electrifying rhythms infused with twirling acid riffs and raw emotion, a track that resonates on a profound level. Equinox rounds out the record with energetic dreamy synths, ideal for those early mornings. Music destined to unite bodies in the rave zone.

Comes with a color-printed tracing paper poster designed by Angeriki, inspired by the paradox, the freedom of thought and the twisting of perception.

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Wings Of A Butterfly

12" | 2024 | EU | Original (Statica)

12,99 €*

Where Light Touches (A Nima Story)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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We proudly present the first release under the Statica imprint “m2-9: Wings of a Butterfly”STATICA001 comes in the form of a split ep from two extremely unique & talented artists. With two dance floor ready, techno driven tracks full of unpredictability and excitement from the prolific Central Intelligence on the A side.Followed by a B side of reflectionism within the 4/4. Two emotional, energetic tracks, from madrid based producer Victor Reyes.A contrast of sound that showcases everything that Statica sets out to encompass…”Forces in Equilibrium” ...

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Rasmus Faber

2LP | 2024 | UK | Original (Farplane)

32,99 €*

12" | 2000 | US (Not On Label (James Brown))

Release: 2024 / UK – Original

Genre: Classical Music

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Rasmus Faber 'Where Light Touches' [A Nima Story] Album Farplane Records / Fp076 https://www.rasmusfaber.com https://www.instagram.com/rasmusfaber/ https://myanimelist.net/people/36680/Rasmus_Faber https://rossdraws.com https://www.instagram.com/rossdraws
Available IN Dolby Atmos Where Supported.
Sweden's worldwide acclaimed composer, producer, DJ and pianist, Rasmus Faber, reveals his first album of ambient / neo-classical work, 'Where Light Touches' [A Nima Story]. The album is inspired by, and in collaboration with, Los Angeles based illustrator Ross Tran (RossDraws), as an audio interpretation of his highly praised book, 'Nima'. Crafting a fully immersive listening experience, Rasmus paints stunning audio pictures with delicate melodic hues, abound with atmospheric conversations between emotive pianos, soothing strings and sophisticated electronica that gracefully flow through this enchanting body of work. Composed, arranged and produced entirely by Rasmus, and conceived and mixed using Atmos surround sound, the album was recorded with a full orchestra in Stockholm and fused with contemporary electronic elements from Rasmus' rich musical heritage.

'Where Light Touches' [A Nima Story] began after Ross contacted Rasmus to make music for one of his projects. They immediately found admiration and kinship in each other's work. Ross sent Rasmus his new illustrations book entitled 'Nima', which served as the perfect catalyst for a musical idea Rasmus had - to make an album of subtle beauty and immense production and technical dexterity. Rasmus became absorbed in the characters and worlds in the 'Nima' book, encouraging him to match his composing and production skills with Ross's otherworldly illustrations and boundless talent. The result is something quite extraordinary and beautiful that can be enjoyed accompanying the 'Nima' book, or purely as an audio gift for the senses.

Rasmus Faber started his career as a Jazz musician and house DJ, touring the world, performing to fans of the melodic side of electronic music over the last two decades. His success as an artist in Japan, and being fan of Anime and Manga opened the doors to becoming a composer (one of the only non-Japanese) of music for Anime. He's composed music for the Meta Quest VR platform, AAA games such as Metal Gear Solid and is behind an almost constant stream of music releases under aliases and his on name garnering hundreds of millions of streams.

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James Brown

DJ Tool: Volume 1

12" | 2013 | DE | Original (Negabass)

Release: 2000 / US

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

promo

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Sylabil Spill & DJ Ara

Miami Vice.Bescheid

9,99 €*

Release: 2013 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2000 | JP | Original (Second To None)

DJ Aku

Mixing Cooking

Release: 2000 / JP – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

12" | 2002 | DE | Original (Breakz R Uz)

Peabird & Da Afrikakorpz

Non Stop Nude Breakz

LP | 2006 | US | Original (Mon Mothma)

Release: 2002 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

tear on front cover

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Boba Fettucini

Borat Breaks

33,99 €*

Invisbl Skratch Piklz Vs. Da Klamz Uv Deth

Release: 2006 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened

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Invisibl Skratch Piklz

12" | 1996 | US | Original (Asphodel)

More Catholic High School Girls In Trouble

Release: 1996 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Still in shrink but opened. Promo copy

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3DJ Streak

LP | 1999 | US | Original (We Dig Chicks)

Release: 1999 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: G+, Cover: VG+

Mission Cartel Presents ... DJ 2 Fresh

Electro Sox

12" | 2002 | US | Original (Breaks Ahead)

Release: 2002 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

The International Men Of Leisure

Hot Shower Breaks

LP | 2004 | US | Original (Yellow Lab)

12" | 2001 | DE | Original (EMF Entertainment)

Release: 2004 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened

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Weeh 78

Wieso Weeh

Danger Zone / Mic Messiah

Release: 2001 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: G+, Cover: VG+

dj wear

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DJ Sat-One

12" | 2001 | US | Original (Soulspazm)

Release: 2001 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

20 Year Anniversary Serato Control Vinyl Pressing

Beat Junkies

12" | 2013 | US | Original (Serato Pressings)

65,99 €*

2LP | 2012 | EU | Original (Equinox)

Release: 2013 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Glow in the dark vinyl. Plastic sleve. With OBI. Vinyl has a few paper scuffs. Only 1 record!!

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DJ Scientist

For Better, For Worse

Release: 2012 / EU – Original

Genre: Hip Hop, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 1999 | US | Original (Blackberry)

DJ Revolution

Forever

Release: 1999 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

12" | 2004 | US | Original (Dirt Style)

Mr. Henshaw

Needle Thrashers Gamma

Mirror People / Kool DJ Dust

Release: 2004 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: Near Mint

Still in shrink but opened. Tiny wear.

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Echo Life / Back To The Future

12" | 2010 | DE | Original (Permanent Vacation)

Release: 2010 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1999 | AT | Original (Deck8)

Waxolutionists

Nudist Essentials

Release: 1999 / AT – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

seam split

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LP | 2006 | US | Original (Yosumi)

Evil Breaks

12" | 2003 | US | Original (Satanik Mash-Ups)

Release: 2006 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Close to VG+

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Inhumanz

Satanik Mashups Vol. II

Release: 2003 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2022 | Original (Baguette Magique)

DJ E

JMG 88'

12" | 2004 | DE | Original (Superstar)

Release: 2022 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Cover has small seam split. stickers on labels.

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DJ Errik

Fast Cars & Bitches

Release: 2004 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1995 | BE | Original (Radikal Fear)

DJ Attik

Up In Da Attik E.P.

DJ Balli Is The Wrong Nigga To Fuk Wiz !

Release: 1995 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Generic label cover

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Otoscratch The Ultimate Wax To Remove The Wax!

12" | 2006 | IT | Original (- Belligeranza)

12" | 2006 | US | Original (The Inside)

Release: 2006 / IT – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

seam split

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DJ Tigerstyle

Zero

21,99 €*

12" | 1996 | US | Original (Tree)

Release: 2006 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened with hype sticker.

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DJ Icey

Treehouse / Picture

59,99 €*

12" | 2022 | Original (Private Lane)

Release: 1996 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with a couple of light scuffs. Writing on labels

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Noiro, DJ Void

Dream Drivers Ep

Release: 2022 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2019 | DK | Original (Nes)

DJ Popup

Heather

12" | 1991 | IT | Original (Wicked & Wild Records)

Release: 2019 / DK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Record has light hairlines and surface marks

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DJ H. Feat. Stefy

I Like It

Release: 1991 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Tape | 2024 | UK | Original (Doyenne Books)

Bios Contrast

Red River

Release: 2024 / UK – Original

Genre: Rock & Indie

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Kolkata-based musician Nilotpal Das aka Bios Contrast's new album 'Red River', arrives as a narrative sequel to his 'Dragon Rising' LP on Hong Kong DIY label Mouhoi. The concept behind the record is a speculative historical drama and myth taking place during the deadly Kalinga War in the Mauryan Empire of India.

Following his intensive 24-hour harmonium drone compositions, Das's 'Red River' uses recordings of Bell 407, a civil utility helicopter as the main body of the record together with a 47-year-old harmonium, field recordings at Chandraketugarh, custom built woodwind prototype instruments together with guitar, violin & vocal improvisations.

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Cambridge Audio

Melomania P100

279,00 €*

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Over-ear Headphones with Active Noise Cancellation

• Crafted for stunning sound – Class A/B amplification through custom 40mm diaphragm drivers
• 100-hour battery life – five minutes of charge gives up to four hours' playback
• Designed for life – with adaptive hybrid Active Noise Cancelling, seamless multi-device pairing, wear detect and gaming mode.
• Engineered by experts – aptX™ Adaptive Audio, aptX™ Lossless, Clear Voice Capture™ Echo Cancelling, Noise Suppression and Bluetooth 5.3 Multipoint Connection
• Environmentally conscious – User-replaceable battery and earpads, premium reclaimed materials and plastic-free packaging

Feel your music, everywhere
We believe exceptional sound should be a part of everyday life. Our new headphones take the incredible quality of our award-winning audio systems on the go, so you can immerse yourself in the music you love, wherever you are.

Every beat counts
Good music deserves to be played right. We’ve designed and fine-tuned the P100 across a wide range of genres, to deliver phenomenal sound, no matter what you’re listening to.

Superior amplification
Class AB amplification — core to our award-winning CX-series amplifiers — powers our signature sound. A proven technology that’s audibly better than the standard tech found in 99% of headphones.

Discovery is in the detail
Our meticulously crafted 40mm drivers preserve all your music’s energy, immersing you in sound and uncovering nuances in your music in ways you’ve never heard before.

Lossless clarity, adaptive connectivity
aptX Lossless Bluetooth delivers flawless bit-by-bit transmission of your music, maintaining uncompromised sound quality during wireless listening. Snapdragon Sound also streams at an astounding 24bit/96kHz – better than aptX HD.
aptX Adaptive intelligently monitors and maintains connection quality, for uninterrupted performance in challenging locations.

One charge. 100 hours.
Enjoy up to 100 hours of listening on a full single charge (60 hours with active noise cancelling). And if you’re running low, a 5-minute charge provides up to four hours playtime.

Active Noise Cancellation
Turn the bustling noise of the city into a sanctuary of calm. High performance adaptive hybrid noise cancelling combines an array of mics and cutting-edge technology for a truly immersive experience. To hear the environment around you, activate transparency with a single tap.

Premium Comfort, Conscious Design
Viscoelastic memory foam earcups and a soft vegan leather headband offer unparalleled all-day comfort. Lightweight aluminum details ensure maximum durability, so you can enjoy your music as it should be — anytime.

Effortless listening
Easily control your listening experience with simple, intuitive controls, and enjoy seamless compatibility with Siri and Google Assistant.
A smartphone screen displaying an equalizer app for the Melomania P100 headphones, allowing users to tailor the audio experience to their preference.

Customisable sound
We’ve tuned P100 to deliver precise highs and dynamic lows, but we get that you might want to do your own thing. Customise your listening with Melomania Connect. Create your own presets or choose from six expertly curated profiles.

Independent sound, intricate engineering
Made by music and crafted by experts, the P100 pushes the envelope in audio engineering for headphones, combining industry-leading acoustic technologies, fine-tuned for a fantastic listening experience.
Certified for superior sound quality, it guarantees lossless music, low latency, and high-resolution glitch-free audio with lower power consumption. Echo-cancelling and noise-suppression means calls are uninterrupted and crystal clear, so it’s great for both dedicated listening and daily life.

Crystal clear phone calls
Multiple beamforming microphones and Qualcomm’s latest Clear Voice Calling cVc 8.0 technology suppress background noise and deliver outstanding voice clarity.

Make the most of your music
Connect to two devices simultaneously and seamlessly switch between your playlist, a movie on your laptop, or calls on your phone—without the need to reconnect. Connect with the provided cable too, at 24bit/96kHz.

For music and for the planet
Promoting circularity and minimising waste, 100% of our rare earth neodymium and 50% of the plastic used are recycled. All of our packaging is eco-friendly and plastic-free. Both the battery and earpad cushions are user-replaceable with standard tools, ensuring long-term use.

What's in the box:
• Melomania P100
• Carry Case
• Quick Start Guide
• USB-C to 3.5mm Jack
• USB-C to USB-C

Technical specifications:
• AMPLIFICATION: Class A/B amplification
• DRIVER: 40mm three-layer composite (PEEK+PU+PEEK)
• BATTERY PLAY TIME: Up to 100 hrs (dependent on volume, settings and other factors)
• BATTERY PLAY TIME (ANC ON): Up to 60 hrs
• CHARGING TIME: <160 minutes
• FAST CHARGE: 5 minutes gives 4 hours playback (ANC Off)
• POWER SUPPLY: USB-C
• WIRED MODE: USB-C or 3.5mm Jack
• NOISE ISOLATION: Hybrid ANC
• TRANSPARENCY MODE: Yes
• WEAR DETECT: Yes
• WIND NOISE REDUCTION: Yes
• GOOGLE FAST PAIR: Yes
• VOICE ASSISTANT ACTIVATION: Yes
• MICROPHONES: 6 Mics total
• VOICE PROCESSING: 2-Mic Qualcomm® cVc™ Echo Cancelling and Noise Suppression Technology
• LOW LATENCY: <80ms - Gaming Mode accessible via Melomania Connect
• MELOMANIA CONNECT APP: Yes
• FIRMWARE UPGRADABLE: Yes - via Melomania Connect
• BLUETOOTH VERSION: 5.3
• SUPPORTED PROFILES: A2DP, AVRCP, HSP, HFP
• SUPPORTED CODECS: aptX™ Lossless, aptX™ Adaptive, AAC, SBC
• TRIPLE-CORE PROCESSOR ARCHITECTURE: Qualcomm QCC3084, Powerful tri-core processor architecture, Dual-core application subsystem 32/80 MHz operation, Single core 240 Mhz configurable Qualcomm® 32‑bit Kalimba audio digital signal processor (DSP) core, flexible clocking from 2 MHz to 240 MHz to enable optimization of performance vs.power consumption, Analog Devices ADAU1787 dedicated low power codec with FastDSP for ANC processing
• OPERATING TEMPERATURE: 0°C to +40°C
• OPERATING RELATIVE HUMIDITY: 10 to 80%, Non-condensing
• DIMENSIONS (HEADPHONE): 250 x 204 x 59mm
• WEIGHT (HEADPHONE): 330g
• COLOUR/FINISH (HEADPHONE): Black or White

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Cambridge Audio

Melomania P100

279,00 €*

UNIT-4 Wireless+ Single Unit

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AIAIAI

450,00 €*

Scratch Studio 8 - Legend Of The Scratch

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AIAIAI introduces world’s first professional wireless studio monitor

UNIT- 4 frees the music creation process with battery powered portability and ultra-low latency wireless audio.
With UNIT-4, what was previously confined to the traditional studio is now liberated in the hands of the creator, enabling them to break free from boundaries. Whether at home, on the road, or with friends, UNIT-4 allows for freedom of movement and increased opportunity for collaboration.

AIAIAI brings innovation in audio technology and acoustic design that packs professional studio monitor performance into a compact size of only 2.5kg. UNIT-4’s advanced wireless technology allows for wireless, uncompressed audio with only 16ms of latency. Three different modes of connection means complete versatility in one speaker with Wireless+ ultra-low latency, Bluetooth and cabled options. Designed from the inside out without using glue, UNIT-4 allows for total disassembly and component replacement, and is made from 100% recycled plastic.

The introduction of UNIT-4 is AIAIAI’s latest step in expanding its family of products using the W+ Link technology, which began with the introduction of the TMA-2 Wireless+ headphones in December of 2021. The W+ Link has been specifically developed for wireless audio with ultra-low latency in a stable and robust connection, designed for enhanced freedom for music making.

The UNIT-4 Wireless+ studio monitors allows creators to finally break free from the cable and expand their creative freedom. Experience unparalleled flexibility and truly liberating mobility in your creative process as a music producer. These studio monitors allow you to create and mix music with accurate sound representation and powerful performance wherever you are. Connect wirelessly to your devices and enjoy crystal clear audio without the hassle of cables.
Take control of your creativity and elevate your music to the next level with these wireless portable studio monitors.

The key features uniquely designed for enhanced freedom and set UNIT-4 apart from other speakers are the following:

Complete wireless freedom
• Battery powered with 20H+ of playback time
• W+ Link ultra low latency wireless audio for music creation - only 16ms of latency, uncompressed audio and robust connection
• Complete wireless freedom - both audio and power cables

Reference monitor performance
• 2 way active monitor featuring a 4 inch high-excursion woofer and 1 inch silk-dome tweeter
• Precision tonal accuracy over a flat +/-2dB frequency response from 50Hz to 20kHz
• Bass vent and boosting EQ tuned to provide a clean bass extension down to 40Hz
• Precise soundstage and point-source accuracy provided by the minimal front panel design, incorporating a directivity controlling tweeter waveguide
• Stage monitor design enables you to place the speaker upright or angled horizontally, to optimise your sound field in changing workspaces
• Shape UNIT-4’s sound to your environment or preference using the AIAIAI app customisable 5-band EQ

Portable, compact and rugged
• Size and weight of only 3 litres / 2.5kg
• Rear bass vent designed to be a comfortable carrying handle when on the move
• Removable steel grille provides sturdy protection for the woofer and tweeter

Connect to everything
• W+ Link - use the X02 transmitter for low latency wireless music creation
• Bluetooth 5.2 - listen to music from your Bluetooth enabled devices
• Cable - connect directly via 3.5mm mini-jack and 6.3mm balanced TRS inputs

Responsible design
• Main components produced from 100% recycled plastics, from post-consumer sources
• Designed for disassembly in a glue-free design - take the whole speaker apart using twoscrewdrivers
• Replace worn out components including battery and drive units
• Future-proofed for new technologies with upgradeable wireless electronics

WHAT’S IN THE BOX?
• UNIT-4 Wireless+ Studio Monitor

TECHNICAL SPECIFICATIONS:
UNIT-4 AUDIO
• Response: +/-2dB 50Hz-20kHz
• Low cut-off: 40Hz
• Peak SPL: 104dB
• Enclosure: Bass reflex
• Woofer: 4 inch high excursion
• Tweeter: 1 inch silk dome
• Crossover: 3kHz
• Amplifier: Class D 2x 80W peak
• DSP: Loudness adaptive bass EQ
• EQ adjustment: 5-band (AIAIAI app)

UNIT-4 AUDIO CONNECTIONS
• Low latency audio: AIAIAI W+ Link
• Bluetooth version: 5.2
• Analog inputs: 3.5mm aux / 6.3mm balanced

UNIT-4 POWER
• Battery playback time: 20 hours
• Charging time: 2 hours
• Battery capacity: 77Wh
• Power supply: 120-240VAC - 15VDC

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Megaman

12" | 2001 | US | Original (Extensive Research)

30,99 €*

Release: 2001 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

12" | 1999 | DE | Original (Kontor)

Trickster (CMV's)

Stomp

Release: 1999 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

Smile In Your Face Clear Deep Blue Vinyl edition

Boo

7" | 2024 | JP | Original (Universal Music)

23,99 €*

Release: 2024 / JP – Original

Genre: Hip Hop

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Preorder shipping from 2025-02-26

A bold R&B-flavored 7-inch featuring a sample from Tatsuro Yamashita's "Sparkle" by producer/DJ Muro, singer BOO, and composer/arranger Ryoki Matsumoto. The B-side includes a remix by DJ Tatsuo Sunaga. Pressed on clear deep blue vinyl.

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LP | 2024 | JP | Original (Hip Land Music)

Vivaola

Aporie Vivant

33,99 €*

Release: 2024 / JP – Original

Genre: Hip Hop

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Preorder shipping from 2024-12-11

VivaOla, who received high praise for his 2021 debut album "Juliet is the moon," now releases his much-anticipated second full-length album "aporie VIVANT." This album contrasts with his previous fictional storytelling, instead offering a more relatable and nonfiction perspective, exploring the clash between "VivaOla the artist" and his personal identity as an individual. Co-produced by Kota Matsukawa, it focuses on standard R&B sounds and features increased English lyrics.

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Tape | 2024 | JP | Original (Mango & Sweet Rice)

Coppe'

(Un-)/Tweaked.(Compiled)

23,99 €*

Release: 2024 / JP – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-15

Coppé, the Japanese Godmother of Electronica, who made headlines for her participation in Orbital's latest work "Optical Delusion," continues to be active worldwide. Her cassette (her first!) release, which was highly praised at the 2024 Cassette Week UK, is now set for release in Japan! Her album "(Un-)tweaked.," featuring the genius pianist Jacob Koller, and "(-)tweaked.," remixed by Luke Vibert, Plaid, DJ Kensei, and others, are compiled together into this complete version on one cassette, allowing listeners to enjoy the "untweaked" and "tweaked" concepts in one package!

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12" | 2024 | EU | Original (hh)

DJ Hh

DJ Hh Volume 1

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-29

2 proper Happy Hardcore tracks from DJ HH, taking us back to when happy hardcore was the real deal! A: Love Again. 96 97 sound vocal happy hardcore. B: Rampage. 95 96 style happy hardcore with plenty of breakbeats, steaming piano and rave stabiness. Going down really well with the oldskool crew and even got a cheeky play at Glastonbury this year!

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Work.Life.Money.Romance EP

Dukwa

12" | 2024 | EU | Original (Shall Not Fade)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-12-06

Italian DJ // producer makes his debut for Shall Not Fade with the killer five track EP work.life.money.romance.

Dukwa showcases his dreamy take on modern House music, pulsating synths meet mesmiring vocals and rolling drum patterns, forming a stunning body of work.

work.life.money.romance EP drops December 6th via Shall Not Fade.

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Controcorrente Clear Vinyl Edition

Kaiser

12" | 2024 | EU | Original (K S R)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-22

Label owner Gianluca Caiati recognised as Kaiser is back on his own imprint with a new EP called Controcorrente. To the DJs, for the DJs. To the club, for the club. What is written behind this new story?

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The Best Of Both Words Volume 1

12" | 2024 | UK | Original (Undagrnd Freqz)

12" | 2024 | EU | Original (Club U Nite)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-12-30

Matt Jam Lamont & Scott Diaz first joined forces more than a decade and a half ago and have been at it ever since, remixing Raze, Craig David, All Saints, Adina Howard, Rosie Gaines and more, as well as making waves with DJ appearances like their iconic B2B Glastonbury appearance. Having formed their Undagrnd Freqz label in 2020, serving up a brace of floor-slaying classics including a collaboration with US garage pioneer Todd Edwards, and 'Haribo' with Smokey 'Bubblin' B, clocking up more than a million streams and 36 million views as part of Fred Again's now legendary Boiler Room session. Their latest, 'The Best of Both Worlds', nods at their skill for fusing the best elements of both house and garage across four tracks of razor-sharp vocal chops, bumpin' beats and classy production flavours. Absolutely essential.

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St. David & Mellow Man

Limited Edition Split EP

12" | 2024 | EU | Original (Kma60 Rezpektiva)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-12-20

Club U Nite Records presents a Split EP you don’t want to miss!

Two labels. One vinyl. Maximum vibes. Club U Nite Records (Cat. No. Cunt035) and Theory Of Swing come together for a split EP that’s dripping in deep, oldschool energy. Strictly for the heads, this limited-edition wax is pure heat – and it’s not gonna last long.

On the Theory Of Swing side, Italy’s rising DJ & Producer St. David sets the tone. "Undagroov" is a secret weapon, ready to ignite any underground set with its deep female vocals and hypnotic house piano. It’s a straight-up vibe.

Follow it up with "Get On Dance" – a filthy swing groove with jazzy keys that keeps things raw and real. St. David doesn’t miss.

Flip to the Club U Nite side, and it’s all about Mellow Man. "Club U Nite Is In The House" is a straight-up club slammer – dirty, heavy, and designed to make the system shake. Then, Mellow closes things out with "Favourite Song" – another brilliant throwback to the golden era of house. Early ‘90s feels, soulful vox, and infectious piano riffs that will have the floor in a frenzy.

Don’t sleep on this one – this limited vinyl is flying fast!

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DJ Khetama

REZ32thirtytwo

THE FALL: A Series of Documented Experiences

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-15

DJ Khetama aka Stefan Reimer released a steady stream of records on labels Hyper Hype and Time Unlimited during the mid 90's with much acclaim. For this Rezpektiva we have compiled tracks from those releases and put them onto one vinyl. Rezpekt to DJ Khetama !

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Borusiade

LP | 2024 | US | Original (Dark Entries)

22,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-22

Borusiade lands on Dark Entries with their triumphant third LP, THE FALL: A Series of Documented Experiences. The Romanian producer and DJ Miruna Boruzescu aka Borusiade has a track record of genre-bending releases on tastemaking outlets like Cómeme, Pinkman, Cititrax, and of course Dark Entries, who unleashed their stunning 2020 sophomore album Fortunate Isolation. THE FALL builds on Borusiade’s mythos with its 9 brooding and sophisticated tracks investigating the contours of memory and embodiment - the “fragile bridge between body and mind” in Borusiade’s words. Moody basslines and melancholy synths wrestle with muscular rhythms; this is electronic body music for the heart and head. This is their most diaristic work to date, as well, chronicling love and loss through the gauze of reflection. Tracks like “Save Me”, “Recovery and Redemption”, and “The Fall” sprung from painful breakups, periods which Borusiade identifies as some of their most creatively fruitful, finding themselves “making the best music when I was brokenhearted.” There are odes to musical titans we’ve lost: the minimal electro producer Porn Darsteller is comemorated on “Darsteller”, while industrial legends Genesis P-Orrige and Lady Jaye are honored on “Pandrogyne.” THE FALL comes housed in a sleeve using Gautier D'Agoty’s “Essai d'Anatomie,” an anatomical work from 1745, and also includes a lyric sheet. Trauma, from lost love to pandemic isolation, informs THE FALL, situating itself as a gap that can only be accessed through sound and the creation of art. “What can I add? When life gives you drama, make music.”

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Samba

299,95 €*

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For its Fall/Winter '24 collection, adidas has teamed up with Wales Bonner, a real heavyweight in the world of fashion. Wales Bonner is a London-based menswear label that has been pursuing a unique concept since 2014, combining European heritage with an Afro-Atlantic spirit.

When first introduced in 1962, the adidas Samba was the first football training shoe developed for frozen pitches. Eventually the Samba developed and established itself a the premier indoor football shoe. Since then this shoe has evolved to a terrace staple and has now gone on to become a modern day street classic in its own right.

The version remixed for the adidas x Wales Bonner collab only resembles the original Samba in terms of shape and a few basics – the most striking innovations are the use of high-quality cowhide with croc skin texture embossed as the upper material, satin-finished textile lining as well as the eye-catching structured tongue in a contrasting color that also features a handcrafted adidas x Wales Bonner label.

The adidas x Wales Bonner Samba's features include:

• slim silhouette
• premium cow leather with embossed croc texture
• gold metal eyelets at lacing
• satin textile lining
• 3 Stripes nubuck leather appliqués on side walls
• foam-padded insole
• rubber outsole
• adidas x Wales Bonner handmade woven label on textured tongue
• 3 Stripes branding embossed at heel patch
• moustache deco-stitching at heel

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Samba

299,95 €*

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Fleece Top

349,95 €*

Available Sizes: GIRLS XS, GIRLS S, GIRLS M, GIRLS L

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Short Sleeve Polo

149,95 €*

Available Sizes: S, M, L, XL, 2XL

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adidas x Korn

Korn Track Top

159,95 €*

Available Sizes: XS, S, M, L, XL, 2XL

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Coming Soon 2024-10-31, 10:00 CET

Celebrating the 30th anniversary of Korn, adidas collaborates with the band to reinvent classic sportswear designs infused with Korn's signature style. The adidas x Korn Track Top features a high collar and two-way zip closure for optimal comfort. The Korn and Trefoil logos on the chest and back give the track top a distinct look, while the iconic adidas 3-Stripes on the shoulders and sleeves add a finishing touch, making this track top perfect for everyday wear or concerts.

adidas / Korn Track Top - Features:

• High collar
• Two-way zipper closure with custom pull
• Two zippered front pockets
• Ribbed cuffs and hem
• adidas Trefoil logo on left chest
• Korn logo on right chest and back
• Contrasting 3-Stripes on shoulders and sleeves
• Regular fit
• Made from 100% recycled polyester

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

Beautiful Soul HHV Exclusive Violet Pink Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Spectac & Amiri

LP | 2024 | US | Original (Ill Adrenaline)

26,99 €*

CD | 2024 | US | Original (Ill Adrenaline)

Release: 2024 / US – Original

Genre: Hip Hop

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Preorder shipping from 2024-12-13

Limited to 100 copies. Underground hip-hop legends Spectac & Amiri are back with their latest offering, "Beautiful Soul", set for release through Ill Adrenaline Records. Known for their signature jazzy, soulful soundscapes and introspective lyricism, this album builds on the success of their critically acclaimed project Soul Beautiful. Once again, Amiri's soulful production lays the foundation for Spectac's sharp, reflective rhymes, proving the duo's chemistry is as potent as ever.

Amiri has long been praised for his ability to blend golden-era vibes with modern production techniques, crafting beats that seamlessly combine jazz, soul, and boom bap. Over the years, his work has earned a respected place in the underground scene, producing for a wide array of artists while staying true to his unique sound.

On the mic, Spectac is a seasoned emcee from South Carolina with roots in North Carolina, known for his witty wordplay and freestyle prowess. With a career spanning over a decade, his lyricism often explores personal experiences and societal issues, making his verses both relatable and thought-provoking. Together, the duo has earned the respect of underground hip-hop heads globally, delivering consistently high-quality music that blends nostalgia with fresh creativity.

Having worked with the likes of 9th Wonder, Big Daddy Kane, and A Tribe Called Quest, Spectac & Amiri are most definitely veterans in the game. Their releases have always been rooted in the spirit of true-school hip-hop, which has enabled them to maintain their underground presence for decades.

The lead single from Beautiful Soul, titled "Yeah Y’all", features their long-time friend and collaborator DJ Shakim, who adds his signature blend of scratches and cuts over Amiri’s dreamy instrumental. Spectac's effortless flow shines with lines like, "…me and Amiri not the greatest but close enough, a stone throws away from a J-Dilla donut…"

With tracks like "When We Do It", "Sermons for Bentleys", "Got a Feeling", and "Wake Up!", the duo dives into themes ranging from reflections on their personal journeys to commentary on the political and social challenges they've witnessed throughout their careers. As always, the album serves a balanced mix of lyrical depth and soulful vibes, offering something for both new listeners and longtime fans.

For those familiar with Spectac & Amiri, Beautiful Soul is a return to form, delivering the kind of lush, thoughtful hip-hop that's become their trademark. And for newcomers? Consider this your backstage pass to one of the best-kept secrets in the underground. Get ready, because once you hit play, you're not just listening — you’re vibing with legends.

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Emma Lee M.C. & Roccwell

Chocolate Bars

12" | 2024 | EU | Original (Mutual Rytm)

Release: 2024 / US – Original

Genre: Hip Hop

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The debut collaboration by Harlem, New York City raised, Ugandan born, award winning hip-hop creative Emma Lee M.C. and decorated German producer Roccwell is a potent offering of globally creative proportions. Merging her bold, flowful vocals and piercingly imaginary lyricism with his smooth, classic, world-renowned "boom bap" production over seven tracks, the two who met during a pandemic aimed to stifle their artistry have used the "new normals" as opportunity to create new energy, tell new stories and re-balance tastes in the culture.

On the lead single “Like It’s 93” featuring hip-hop legend Masta Ace, listeners are treated to a unique twist on nostalgia. Emma Lee personifies hip-hop by lyrically describing a dysfunctional but loving relationship using over 40 classic rap album titles all released in the year 1993, with Masta Ace responding metaphorically in a classic rebuttal. The track rolls in with a dreamy soundscape over Roccwell's signature snare drum spine, lifts and waves with Emma Lee's softly layered vocals in the hooks, and ends with a sonic collage of reflective cuts by DJ LP2 reminding us why we fell in love with hip-hop. As mentioned from "Digable Planets to Doggystyle," this track is a witness and poetic questioning of a pivotal time in music.

The follow-up single "Cravings & Withdrawals" with hip-hop legend Bahamadia holds its own as one of the smoothest rap duets put to wax in a long time. As Roccwell riffs the beat like a spacey and jazzy interlude, an elite skill level of emceeing is on display by two generational talents unapologetically pouring onto the track. The dream duo gives us an unbeatable breather during the hooks which are elevated by an adaptation of classic neo-soul R&B, asking whether listeners are "craving something real?" Clever cuts by DJ LP2 once again punctuate the odyssey and are sure to please most music heads.

“Chocolate Bars” by Emma Lee M.C. & Roccwell stays true to its rooted theme and includes a few musical twists, start to finish. From its concept, choice of instruments, variation, undeniable lyricism, sounds and messaging, it creates both curiosity and satisfaction, and leaves hip-hop lovers surely wanting more.

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Kink & Raredub

Time To Change

12" | 2024 | EU | Original (Housewax)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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KiNK & Raredub inaugurate new sub-label Spectra on SHDW's Mutual Rytm, backed by remixes from icon Marcel Dettmann.

Spectra is a new sub-label from contemporary techno powerhouse Mutual Rytm, with the project set to showcase memorable singles alongside feature innovative remixers. The name Spectra reflects the wide range of vibes the label will deal with and the diversity of sounds that emerge through these creative reinterpretations.

Needing little introduction, Bulgaria's KiNK is a synth wizard and live specialist who gets more out of machines than anyone else on Earth. He has dropped endless standout tunes ranging from Running Back to Hypercolour and, more recently, Mutual Rytm with his 'Quantum Shake' EP earlier this year. For this latest outing, he works with fellow Bulgarian talent Raredub, known for his own high-octane, distinctive and dynamic sound that has gained supporters From Fjaak to Paul Woolford.

The original 'Time to Change' has already generated buzz and has been a favourite of DJs from across the electronic realm, bringing a forceful and slamming cut with plenty of machine funk. A buzzy lead synth roams through the mix to bring great menace, while garage-like percussive loops keep things moving over a monstrous bassline.

One of techno's most influential DJs and producers, long-time Berghain resident Marcel Dettmann joins the release to offer his unique touch as the first remixer on the project. His 'Reconstruction' brings subtle nuances as he slows the beats to a more dubbed-out house vibe and layers in bright synths and swirling vocal loops that will get hands in the air. His 'Universal Raw Mix' closes the package in style, delivering a stripped-back roller with freaky vocals and eerie synth details.

KiNK & Raredub 'Time To Change' drops via Mutual Rytm Spectra on 25th October 2024.

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DJ Moreese

S51 EP

Beautiful Soul Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Influenced by such legends as Dennis Ferrer, Kevin Saunderson, Todd Terry, Derrick May, Roger Sanchez, and Terrence Parker, DJ Mo Reese has entertained around the world for over 25 years. Most recently, he performed at Tresor, in Berlin, Germany and Kitsch in Eindhoven, Netherlands. A crowd of over 100,000 was blown away as he performed his special four turntable set at the Detroit Movement Festival. He banged the box at the Cornerstone Event near Chicago before a crowd of 600+. DJ Mo Reese shined at the Winter Music Conference in Miami, and has been featured on stations Wgpr, Wjlb and won the Mixidome contest on Whyt. As a performer/producer, DJ Mo Reese inspires audiences with his uplifting and soulful style of House music.

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Spectac & Amiri

LP | 2024 | US | Original (Ill Adrenaline)

24,99 €*

Release: 2024 / US – Original

Genre: Hip Hop

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Preorder shipping from 2024-12-13

Underground hip-hop legends Spectac & Amiri are back with their latest offering, "Beautiful Soul", set for release through Ill Adrenaline Records. Known for their signature jazzy, soulful soundscapes and introspective lyricism, this album builds on the success of their critically acclaimed project Soul Beautiful. Once again, Amiri's soulful production lays the foundation for Spectac's sharp, reflective rhymes, proving the duo's chemistry is as potent as ever.

Amiri has long been praised for his ability to blend golden-era vibes with modern production techniques, crafting beats that seamlessly combine jazz, soul, and boom bap. Over the years, his work has earned a respected place in the underground scene, producing for a wide array of artists while staying true to his unique sound.

On the mic, Spectac is a seasoned emcee from South Carolina with roots in North Carolina, known for his witty wordplay and freestyle prowess. With a career spanning over a decade, his lyricism often explores personal experiences and societal issues, making his verses both relatable and thought-provoking. Together, the duo has earned the respect of underground hip-hop heads globally, delivering consistently high-quality music that blends nostalgia with fresh creativity.

Having worked with the likes of 9th Wonder, Big Daddy Kane, and A Tribe Called Quest, Spectac & Amiri are most definitely veterans in the game. Their releases have always been rooted in the spirit of true-school hip-hop, which has enabled them to maintain their underground presence for decades.

The lead single from Beautiful Soul, titled "Yeah Y’all", features their long-time friend and collaborator DJ Shakim, who adds his signature blend of scratches and cuts over Amiri’s dreamy instrumental. Spectac's effortless flow shines with lines like, "…me and Amiri not the greatest but close enough, a stone throws away from a J-Dilla donut…"

With tracks like "When We Do It", "Sermons for Bentleys", "Got a Feeling", and "Wake Up!", the duo dives into themes ranging from reflections on their personal journeys to commentary on the political and social challenges they've witnessed throughout their careers. As always, the album serves a balanced mix of lyrical depth and soulful vibes, offering something for both new listeners and longtime fans.

For those familiar with Spectac & Amiri, Beautiful Soul is a return to form, delivering the kind of lush, thoughtful hip-hop that's become their trademark. And for newcomers? Consider this your backstage pass to one of the best-kept secrets in the underground. Get ready, because once you hit play, you're not just listening — you’re vibing with legends.

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LP | 2024 | EU | Original (Golden Rules)

The Originals 4

23,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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12" | 2024 | EU | Original (Artisjok)

Hyas

Footnotes Player

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Artisjok Records is happy to present you the second EP on the label of 'Hyas' - a Lyon based DJ / Producer who knows no bounds in merging different influences. The release kicks off with "Level", a fusion of broken beat and dub techno that creates a deep, textured sound, setting the tone for the entire journey. "Yellow Zushi" follows with a jazzier approach, weaving broken beat drums with smooth, melodic elements. For footwork aficionados, "Dontgiveashit" delivers at 160 BPM, blending a funky, jazzy vibe that captures the producer's energetic yet laid-back style. "In Walked Dub" then introduces the bass-heavy wobble of dubstep, featuring a homemade bassline that will shake any sound system. Finally, "Exclusive" pays homage to the early days of Skream with raw, dubstep-inspired grooves that will resonate with fans of the genre.

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12" | 2024 | EU | Original (Body 'N Deep)

BND Project Volume 5

12" | 2024 | EU | Original (Da Demolition Squad)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Jovonn's Body'N Deep label continues its fine form with the not to be missed BND Project Volume 5. The 5th in the series features heavy hitters such as DJ Spinna, Atjazz, Demuir and Dirty Harry. Buy on sight!

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DJ B

The Acid Rain EP

12" | 2024 | EU | Original (Era Specific Noise)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Due to popular demand, DJ B's 2023 'Acid Rain EP' is finally available on wax. 4 mouth watering hardcore jungle techno tracks built on tracker software, oozing of DJ B's unique and modern approach at production.

Sorry my Gmail account ran out of storage if you guys sent me any other emails in recent days it is likely that I haven't received them so please send again!

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Richardson

Espn001

12,99 €*