Rock & Indie 491 Items

Just in time for Halloween. Zombina and the Skeletones are returning from the dead to bring you their first full-length album in ten years ‘The Call of Zombina’.

The Band Under Your BedTM returned to the studio (or in this case a creepy old church in Liverpool) to make their first album in ten years, with Stephen Cole from the avant garde “post-music” act a.P.At.T producing. ‘The Call Of Zombina’ is Hammer Horror melodrama as art-therapy, the pank roots of goth-rock meets the strings and harpsichords of baroque.

‘The Call Of Zombina’ seeks to mirror the clamic portmantean horror of ‘The House That Dripped Blood’ or ‘Asylum’, with each track telling its own self-contained story. Musically it’s death rock/ baroque, Joe Meek and James Bernard meets The Damned uptown. Lyrically, the schlocky Americanistas of old have been eschewed in favour of the no less pulpy vernacu lar of Pan Classics paperbacks... and of course the whole thing was recorded in an old spooky church, to captare some of that creaky atmosphere and gigantic reverb.

Very Limited. Gatefold sleeve (single LP)

Naturestrip Naarm (Melbourne) write:

"The debut 2023 disc of narcotised, tranced-out dub from Naarm collective Dregs resurfaces on venerable UK imprint Purely Physical Teeny Tapes, its dense textures and abyssal groove splayed across two sides of wax for wider appreciation among those with an ear for corporeal sludge and blurred sound-system sonics.

Centred around the core trio of Sina (vox/synth), Drop Dylan (vox/guitar) & Ossian (production/electronics), this particular session of endless-nite trip-hop finds the group bringing Rip Van Hippy (percussion) into the fold, the revered trance figurehead whose tendrils have reached into the works of far-flung sonic explorers such as Boredoms, Ollie Olsen & Osamu Kitajima. The affinities between the pairing are at once sonically obvious & ripe with potential, both parties sharing an ability to convolve diffuse strands of sound (slow-motion dnb, blasted dub, the luxuriant languor that arises at the meeting point between trip-hop & post-rock) into a jet-black molasses of infinite groove, drowned melodics, and dense hallucination.

This self-titled debut is best described as a sensual ooze, smeared & smudged textures riding heavyweight bass pressure & trudging rhythms that dissolve into one another, strung-out siren songs from the gutters of the night. Not a music for the club so much as one born of it, the LP plays out in deeply carnal styles: vox swimming in layers of murk writhing among shadow, the faint murmur of a guitar etching out the suggestion of a melody only to be devoured by un-bottled pressure, endless tremors rattling through a hall of mirrors.

A sound to be felt equally in the most heart-melted zones as well as firmly in the cavity of your sternum, in states altered or otherwise; delicate & ethereal, evanescently grimy, and deeply, deeply addictive."

Post-punk (originally called new musick) is a broad musical genre that emerged in 1977 in the wake of punk rock. Post-punk musicians moved away from punk's traditional elements and raw simplicity, adopting instead a broader, more experimental approach that included a variety of avant-garde sensibilities and non-rock influences.

Here we go again with two other enthralling volume in the series. The Postcards saga continues, discovering lesser known - but no less significant - names from the post-punk, new wave and d.i.y. scenes around the UK and the US. Groups whose recording career was minimal and stopped, in 90% of cases, at the first and only 45 rpm (which is the cream of the crop here). Number 4 brings together five seven-inches, here presented in their entirety, released between 1979 and 1981 by cultish british bands. Original covers, labels and credits are fully reproduced on the back of the cover.

Volume 5 is deliberately an anglo-american issue. It covers the period comprised between 1980 and 1983 and features three american and two english bands. Original covers, labels and credits are fully reproduced on the back of the cover.

Two more fundamental pieces of the movement history.

Post-punk (originally called new musick) is a broad musical genre that emerged in 1977 in the wake of punk rock. Post-punk musicians moved away from punk's traditional elements and raw simplicity, adopting instead a broader, more experimental approach that included a variety of avant-garde sensibilities and non-rock influences.

Here we go again with two other enthralling volume in the series. The Postcards saga continues, discovering lesser known - but no less significant - names from the post-punk, new wave and d.i.y. scenes around the UK and the US. Groups whose recording career was minimal and stopped, in 90% of cases, at the first and only 45 rpm (which is the cream of the crop here). Number 4 brings together five seven-inches, here presented in their entirety, released between 1979 and 1981 by cultish british bands. Original covers, labels and credits are fully reproduced on the back of the cover.

Volume 5 is deliberately an anglo-american issue. It covers the period comprised between 1980 and 1983 and features three american and two english bands. Original covers, labels and credits are fully reproduced on the back of the cover.

Two more fundamental pieces of the movement history.