Rock & Indie Vinyl 20589 Items

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Bones Of What You... 10th Anniversary Indie Exclusive Crystal Clear Vinyl Edition

CHVRCHES

LP | 2013 | DE | Reissue (Vertigo Berlin)

Release: 2013 / DE – Reissue

Genre: Rock & Indie

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LP | 2023 | UK (Rhino / Warner)

Gordon Lightfoot

Now Playing

Trinity White Vinyl Edition Edition

Release: 2023 / UK

Genre: Rock & Indie

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Part of Rhino's "Now Playing" Series! - A troubadour is defined as a "wandering storyteller." It's the perfect word for Gordon Lightfoot. For over 60 years, the Canadian singer-songwriter has told us memorable tales of rivers and highways, trains and shipwrecks, and all the love, loss, and loneliness he's experienced along the way. These original recordings of his classic hits and album tracks radiate all the humanity and hard-won wisdom that have helped make Lightfoot a legend.

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Ronnie Atkins

2LP | 2023 | EU | Original (Frontiers)

36,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Riot Season)

Modoki

Luna To Phobos

Lol Tolhurst & Budgie & Jacknife Lee

Release: 2023 / UK – Original

Genre: Rock & Indie

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For fans of scuzzed out space punk rock n roll, Stooges, Gong, Hillage, Skullflower, Japanese psych rock. Quick return from the Japanese/UK power trio Modoki with album number two, 'Luna To Phobos' Composed around the same time as their sold out debut ‘Atom Sphere’. However, this incarnation explores the darker shades of psychedelia & experimentation.

WHO ARE Modoki ? Mitsuru Tabata, Japanese underground rock guitarist, vocalist and composer (Zeni Geva, Leningrad Blues Machine, Boredoms, 20 Guilders, Green Flames, Acid Mothers Temple & The Cosmic Inferno) Mike Vest (bong, 11Paranoias, Drunk In Hell, Blown out, Lush Worker, Downtime, Neutraliser) Dave Sneddon (Gruel, Threads, Flat Earth Records)

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Los Angeles

2LP | 2023 | EU | Original (Play It Again Sam)

38,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Nu-Tone)

Mccharmlys

McCharmlys

Release: 2023 / UK – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Reissue (Cleopatra)

Rose Tattoo

Outlaws

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Confessions Of The Fallen

Staind

LP | 2023 | EU | Original (BMG Rights Management)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2015 | Reissue (I U She Music)

Peaches

Rub

Release: 2015 / Reissue

Genre: Rock & Indie

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Impii Hora Crimson Red Marbled Vinyl Edition

Asinhell

LP | 2023 | EU | Original (Metal Blade)

26,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Bruno Major)

Bruno Major

Columbo

26,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Sony Music Catalog)

Bob Dylan

Shadow Kingdom

28,49 €* 29,99 € -5%

Release: 2023 / EU – Original

Genre: Rock & Indie

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Rumble Of Thunder Deluxe Edition

The Hu

2LP | 2023 | UK | Original (Sony Music)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Death Or Glory Limited Grey Vinyl Edition

Running Wild

2LP | 2017 | EU | Reissue (Noise)

34,99 €*

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Toxoplasma Limited Re-Issue Marbled Vinyl Edition

Toxoplasma

LP | 2023 | EU | Original

Release: 2023 / EU – Original

Genre: Rock & Indie

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Amatssou White Vinyl Edition

Tinariwen

LP | 2023 | EU | Original (Wedge)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Asian Man)

Teens In Trouble

17,99 €*

Trident Wolf Eclipse Silver + White Marbled Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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From Raleigh, NC, Teens IN Trouble is the solo project for singer/ songwriter Lizzie Killian. Comes on pink vinyl. Limited to 500. One time pressing.

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Watain

LP | 2018 | UK | Reissue (Versity Rights)

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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The Wild Hunt Oxblood Red Vinyl Edition

Watain

2LP | 2013 | UK | Reissue (Versity Rights)

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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LP | 2023 | US | Original (Palilalia)

Bill Orcutt

Jump On It

LP | 2023 | US | Original (Woodsist)

Release: 2023 / US – Original

Genre: Rock & Indie

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"It's been ten years since Bill Orcutt released A History of Every One, a compendium of hacksaw renditions of American standards on acoustic guitar—and since ten years is a blink of an eye, you are forgiven for not immediately realizing that we've gone an entire decade waiting for Jump On It, the next Orcutt solo acoustic record. As those of us of 'a certain age' will tell you (ad nauseam), a decade is a blink of an eye containing an infinity of experiential moments, and if this record is any gauge, the weight of those experiences have squashed Orcutt's rough edges, feathered his stop-motion timing into a languid lyrical flow, and snapped the shackles tethering his instant compositional skills to the imperative to deconstruct guitar history. In short, Jump On It is a collection of canonical, mature acoustic guitar soli to contrast against the fractured downtown conceits of previous acoustic releases. For those paying attention to the arc of Orcutt's electric records, which chart a course from Quine's choppiness to Thompson-ian/ Verlaine-ian flow, it should be no surprise that the ten-year gap between acoustic records should expose a similar underlying journey. But what's maybe more surprising is that Jump On It , with its living-room aesthetics and big reverb, packs a disarming intimacy absent from the formal starkness of Orcutt's earlier acoustic outings. Although you might sense the looming human in the audible breath whispering intermittently between chords (a physical flourish reminiscent of the late Jack Rose), such documentarian signposts are the exception rather than the rule. Not quite refuting (yet not quite embracing) the polish of revered watershed records by Bert Jansch, John Renbourn, or Bola Sete, Jump On It treads a path between the raw and the refined, exemplified in tracks such as 'The Life of Jesus' and 'In a Column of Air' that alternate swaying chords with Orcutt's trademark angular quicksilver runs (cut brickwall short). While you won't mistake Jump On It for incidental music, at least not if taken at full strength, stray passages radiate a conversational beauty that would please the most dissonance-adverse listener. Strangely, some of the melted lockstep grooves found in Jump On It evoke nothing other than Music for Four Guitars. While many of the linear runs are clearly improvised, and the phrasing distinctly slurred, intuitive and non-mechanical, the strummed chords hint at a cellular construction similar to Jump On It 's electric predecessor. (Orcutt states that he prefers to keep his strategies obscure—but that implies there is in fact a strategy). Whatever the case, I also hear Satie in Music for Four Guitars, and I hear him here too, hidden within Jump On It 's lilting repetition, which I easily imagine stretching to an infinitely-distant horizon. Like each of Satie's three Gymnopedies, each facet of Jump On It is a tiny miniature bound in a slim volume, an earworm you might savor again and again upon awakening or before drifting off. Each track is a key to a memory, a building block in a shining anamnesis leading to the recollection that hey, we're all humans in a shared cosmos, and music is one way we might make that universe go down easy. And who wouldn't jump on that?"—Tom Carter. Recorded Spring/Summer 2022 at the Living Room, San Francisco. Mixed and mastered by Chuck Johnson.

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John Andrews & The Yawns

Love For The Underdog

Live At The Roundhouse Record Store Day 2023 Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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John Andrews is something of an open secret in a certain corner of the music scene: a versatile musician and animator. A film school drop out whose work hat-tips tradition as much as outsider anti-aesthetics. He’s spent over a decade on the DIY circuit, playing early house shows alongside then up-and-coming peers Weyes Blood and Daniel Bachman. Today he is still out there projecting his sketchy hand-drawn animations during his performances in coffee shops, small galleries and non-traditional venues. Andrews’ painterly approach now introduces the listener to his version of New York City, the place he was bound to end up after years of dwelling in Pennsylvania farm towns and New Hampshire barns. There is handmade vibrancy to the world he’s imagined here: intimate moments seen from the interior, looking outward from hole-in-the-wall restaurants, theaters and the fragments of peace found within the restless and dirty street corners.

Love For The Underdog, his aptly titled fourth release with the Woodsist label, was tracked live to tape in various studios and apartments across the Empire State with help from his bandmates in Cut Worms’ touring outfit, Max Clarke, Keven Lareau and Noah Bond. Buoyant melodies are supported by timeless string arrangements, translated from Andrews’ head to page with the help of friend Simon Hanes. The string quartet follows the tradition of Francoise Hardy, Harry Nilsson, Margo Guryan and Belle and Sebastian, giving the whole thing a cinematic ambience with stark shadows of an Edward Hopper painting. The lyrics tie together narratives of cynical heroes and troubled lovers. Put on the record and sink into well-worn red velvet theater seats, when the lights go down and the flickering of projectors run the title: Love For The Underdog, indeed.

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Midlake

2LP | 2023 | UK | Original (Bella Union Uk)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Ecuatoriana - El Universo Paralelo

V.A.

LP | 2023 | EU | Original (Analog Africa)

LP | 2022 | EU | Original (Contraszt!)

Release: 2023 / EU – Original

Genre: Rock & Indie

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On 12 February 1949 an angry mob stormed into the centre of the Ecuadorian capital of Quito, burning the offices of the city’s main newspaper and its oldest radio station to the ground.

On that tragic day Radio Quito had just broadcast a local adaptation of H.G. Wells’s The War of the Worlds. The novel – first published in 1898 and famously adapted into a radio series by Orson Welles – is one of the earliest stories to depict a conflict between mankind and a hostile race of extra-terrestrials. The large audience - not understanding that it was pure fiction - believed that intergalactic intelligence had invaded the country as all hell broke loose. Thousands began running the streets of Quito looking for shelter, chaos broke out, causing a deadly stampede. People blamed the broadcaster for the tragedy, formed a dense crowd and stormed Radio Quito, setting it ablaze. Several musicians, who were there performing, were killed.

In the decades after the second world war, outer space was on everyone’s mind and the ‘space race’ of the 1950s and 60s not only produced groundbreaking efforts to launch artificial satellites, send space probes to Mars and land a human on the moon, it also had a huge impact on the movie and music industry which was taking advantage of the world‘s fascination with space voyages and lunar missions to create instruments capable of mimicking imaginary interstellar sounds. These synthesised space effects that captivated the imagination of a whole generation of young Ecuadoreans coincided with a period in which workers and musicians from the provinces started flocking to Quito and to the commercial port of Guayaquil, some hoping to find regular work, others looking to break into the musical big leagues by getting hired by one of the prestigious urban radio station. These artists brought riches of rhythms to the major Ecuadorian cities who would soon witness the explosion of what would be known as “Andean Cumbia”.

That fusion, of tropical electronics mixed in with Andean melodies and lyrics describing the cruel reality of migrant workers, achieved massive success. And so while budding Ecuadorian UFOlogy lead to widespread extraterrestrial sightings, Ecuadorian musicians began released various albums consisting of traditional music combined with synthesisers in order to bring their traditional music into the space age. One of these musicians is Polibio Mayorga who had travelled 160km from his hometown of Chisalata to Quito where he showcased his talent as he championed the art of modernising his region’s ancestral rhythms - Huaynito, Sanjuanito, Albazo and many others - using the latest in electronic instruments.

After 4 years with Los Locos del Ritmo, one of Ecuador’s most popular bands, Polibio joined Fadisa (Fabrica De Discos S.A) in 1973 as a solo musician and songwriter before becoming their musical director a year later. While there he would team up with saxophonist extraordinaire Olmedo Torres, and for 10 years they would compose and arrange hits, not only for themselves but also for their fellow artists in the Fadisa family. Although Fadisa had countless labels in their roster, the jewel in their crown was Rondador and it was on that imprint that Polibio would release “Ponchito de Colores” and his famous album “La Farra Está Aquí”. With their novel use of Moog synthesiser, both become huge hit records and were broadcast constantly by Cosmopolita and Marañón de Quito – the two major radio stations of the capital. This led to a surge of interest in Andean cumbia, and the subsequent record sales helped to revive the country’s flagging music industry, turning Polibio into Ecuador’s most influential musician.

Polibio has never considered his music to be “tropical psychedelia” - although he thinks it would make a good name for a band. He has the sense of humour of a genius and the ability to make anyone laugh, yet he remains discreet, eloquent and humble … but as a musician he is daring and visionary, with an intrepid, vigorous style almost impossible to imitate. More than perhaps any of his peers, Polibio Mayorga established a unique place for himself at the vanguard of tropical music.

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Ragana

You Take Nothing

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Contraszt!)

Ragana

Wash Away

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Wanda)

Grindhouse

Sex Punk Power

18,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Drunken Sailor)

Generacion Suicida

Regeneracion

23,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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12" | 2022 | EU | Original (Rundling)

Rummelsnuff & Asbach

Hinterwäldler

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Church Road)

Grivo

Omit

23,99 €*

LP | 2013 | US | Reissue (Weathermaker Music)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Emerging like and ornate relic, Austin-based power trio Grivo combine slow, methodical hooks and warm tube amplifiers to artfully re-establish the line between heavy guitars and downtempo pop. Grivo's tones and effects are utilised as active compositional elements, crafting and pacing their infectious riffs to allow the saturated guitars and bruising low-end to fully bloom. Within the tidal sound waves and bleak timbre, Grivo forges a distinctive personal connection that challenges the modern definitions of doom metal and shoegaze.

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Clutch

Earth Rocker

26,99 €*

Release: 2013 / US – Reissue

Genre: Rock & Indie

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2LP | 2010 | EU | Reissue (City Slang)

Junip

Fields

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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Canary Yellow Yellow Vinyl Edition

Soft Kill

LP | 2022 | US | Original (Cercle Social)

34,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Can You Afford To Lose Me?

Holly Humberstone

LP | 2023 | CZ | Original (Polydor)

12,99 €*

Release: 2023 / CZ – Original

Genre: Rock & Indie

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Sleepwalking Through The Mekong Black Friday Record Store Day 2022 Edition

Dengue Fever

2LP | 2022 | US | Original (Minky)

50,99 €*

Attack On Memory Sky Blue Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Dengue FEVER’s psychedelic take on the Cambodian pop sounds of the ’60s makes them one of rock ’n’ roll’s most unique success stories. They draw enthusiastic crowds from LA to the UK, from Maui to Moscow, and leave critics rummaging through their thesauruses looking for new superlatives to describe their sound. The band’s vinyl release, the double disc vinyl LP soundtrack of the feature film Sleepwalking Through The Mekong, continues the story and evolution of the band as they travel to Cambodia as the first Western group to perform the music of Cambodia since the fall of the Khmer Rouge. Sleepwalking Through The Mekong has received an enthusiastic reception at international film festivals, as well as the Tucson Film Festival, the Silver Lake Film Festival in Los Angeles, the Hawaii International Film Festival and the Margaret Mead Film Festival in New York. Includes a bonus live track with Khmer master musicians. Limited color vinyl release for Black Friday 2022

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Cloud Nothings

LP | 2012 | US | Reissue (Carpark)

2LP | 2022 | EU | Original (Analog Africa)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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To celebrate the 10th anniversary of Cloud Nothings' seminal album, Attack On Memory, the band has announced a very special limited edition vinyl pressing. It’s housed in a foil jacket with all new colorized artwork, is pressed on Sky Blue vinyl, and includes two bonus flexi 7"s with two never-before-released tracks, "You Will Turn" and "Jambalaya" from the original sessions at Steve Albini's Electrical Audio. Including digital download and Steve Albini's “Fluffy Coffee” recipe. In 2009, Cleveland’s Dylan Baldi began writing and recording lo-fi power-pop songs in his parents’ basement, dubbing the project Cloud Nothings. His music quickly started making the Internet rounds, and fans and critics alike took note of his pithy songcraft, infectiously catchy melodies, and youthful enthusiasm. Baldi soon released a string of 7”s, a split cassette, and an EP before putting out Turning On—a compilation spanning about a year’s worth of work—on Carpark in 2010. January 2011 saw the release of Cloud Nothings’ self- titled debut LP, which, put next to Turning On, found Baldi cleaning up his lo-fi aesthetic, pairing his tales of affinitive confusion with a more pristine aural clarity. In the interval since the release of Cloud Nothings, Baldi has toured widely and put a great deal of focus on his live show, a detail that heavily shapes the music of his follow-up album, Attack on Memory. After playing the same sets nightly for months on end, Baldi saw the rigidity of his early work, and he wanted to create arrangements that would allow for more improvisation and variability when played on the road. To accomplish this desired malleability, the entire band decamped to Chicago—where the album was recorded with Steve Albini—and all lent a hand in the songwriting process. The product of these sessions is a record boasting features that, even at a glance, mark a sea change in the band’s sound: higher fidelity, a track clocking in at almost nine minutes, an instrumental, and an overall more plaintive air. The songs move along fluidly, and Baldi sounds assured as he brings his vocals up in the mix, allowing himself to hold out long notes and put some grain into his voice. Minor key melodies abound, drums emphatically contribute much more than mere timekeeping, and the guitar work is much more adventurous than that of previous releases. For all of early Cloud Nothings’ fun and fervor, Baldi admits that it never sounded like most of the music he listens to. With Attack on Memory, he wanted to remedy this anomaly, and in setting out to do so, Baldi and co. created an album that showed vast growth for a very young band.

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V.A.

Perú Selvático

34,99 €*

Let The Festivities Begin (Los Chrismos Bonus Edition)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Less than a hundred miles inland from the capital city of Lima lies the great Peruvian jungle, an untamed land of impenetrable forests and endless winding rivers. In its isolated cities, cut off from the fashions of the capital, a unique style of music began to develop, inspired equally by the sounds of the surrounding forests, the roll of the mighty Amazon and Ucayali Rivers, and the rhythms of cumbia picked up from distant stations on transistor radios. With the arrival of electricity, a new generation of young musicians started plugging in their guitars and trading in their accordions for synthesizers: Amazonian cumbia was born.

Powered by fast-paced timbale rhythms, driven by spidery, treble-damaged guitar lines, and drenched in bright splashes of organ, Amazonian cumbia was like a hyperactive distant cousin of surf music crossed with an all-night dance party in the heart of the forest. While many of the genre’s greatest tracks were instrumental, and others were simple celebrations of life in the jungle, the goal of every song was to keep the party going.

Radio stations in Lima remained unaware of the new electric sounds emanating from the jungle, but a handful of pioneering record producers ventured over the mountain passes to the cities of Tarapoto, Moyobamba, Pucallpa – even Iquitos, a city reachable only by boat or plane – and lured dozens of bands to the recording studios of the capital to lay down their best tracks. Although many became local hits, few were ever heard outside the Amazonian region … until now. With eighteen tracks from some of the greatest names in Amazonian cumbia, Perú Selvatico is both the improbable soundtrack to a beach party on a banks of the Amazon and a psychedelic safari into the sylvan mysteries of the Peruvian jungle.

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Los Bitchos

LP | 2022 | EU | Original (City Slang)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Vinyl Collected Red Vinyl Edition

Daitro

LP | 2010 | EU | Original (Adagio 830)

Release: 2010 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Erste Theke)

1-800 Mikey

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Crazysane)

Aua

The Damaged Organ

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2018 | UK | Reissue (Wrecking Light)

Still Corners

Slow Air

LP | 2022 | EU | Original (Wedge)

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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180g vinyl with DL. Fourth album by Still Corners continues the band's journey with an album full of tension and brooding all the while wrapped in a reverb laden dream. Slow Air nods towards a classic sound with emphasis on the guitar, both acoustic and electric, combined with the alluring and ghostly voice of Tessa Murray. The songs are rounded out with live drums and minimal synthesisers with all the mistakes kept in for maximum human feel and emotion. Still Corners found inspiration in the change of leaving England for the States and traveling around the massive expanse of North America from the deserts of Texas and Arizona to the beaches of California and mountainous regions of the north east New York. Recorded in a new studio designed by Greg Hughes in Austin, TX, Still Corn...

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Tinariwen

Kel Tinariwen

Release: 2022 / EU – Original

Genre: Rock & Indie

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Quid Pro Quo Limited Gold Vinyl Edtion

In Extremo

2LP | 2016 | EU | Reissue (Vertigo Berlin)

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Expressions Tell Everything Box Set

Love

8x7" | 2022 | EU | Original (Pias/New Land)

95,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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DJango DJango 10th Anniversary Edition

Django Django

3LP | 2022 | EU | Original (Because Music)

46,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Double Double Whammy)

Second Grade (2nd Grade)

Easy Listening

Déjà Vu Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Ringing from hi-fi headphones and blown-out boombox speakers alike comes the overloaded guitar genius of ""Easy Listening"", a record of rock ‘n’ roll daydreams and terminal boredom, and 2nd Grade’s long awaited second LP. Like a blue slushy on a hot day, Easy Listening is a sweet respite. Like the Blue Angels touching down on the Las Vegas Strip, Easy Listening is impossible to ignore. And like a janitor mopping up beer on the floor of the Hollywood Palladium in 1972, hours after the Rolling Stones have finished “Ventilator Blues” and climbed onto the bus, Easy Listening knows the glory and cost of escapism, abandon, and the soul of rock ‘n’ roll. Philadelphia’s 2nd Grade (Peter Gill, Catherine Dwyer, Jon Samuels, David Settle, and Fran Lyons) is a band both obsessed with and worthy of rock stardom, and Easy Listening proves their status as virtuosos of the power pop renaissance.
Sonically and lyrically, Easy Listening pays tribute to a guitar lineage linking the Stones to the Flamin’ Groovies, to Redd Kross and Guided By Voices. With its spiraling hooks and handclapped quarter note beat, lead single “Strung Out On You” sounds like an alternate reality post-Radio City Big Star cut. In 2nd Grade’s world, music history is a prism, not a linear progression. Famous teens transcend time on the outro to “Teenage Overpopulation,” a shouted cacophony of names including Tommy Stinson, Lizzie McGuire, and Joan of Arc. The line between the love of an audience and that of a romantic partner is blurred on songs like “Hands Down” and “Me & My Blue Angels.” Across the album, hi-fi and lo-fi styles splice together; playful references and surreal hints of impossibility build a complex, believable world atop a foundation of simple and sticky melodies that resonate on very first listen.

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Novelists FR

LP | 2022 | EU | Original (Out Of Line Music)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Endless Horizon Black Vinyl Edition

Galderia

LP | 2022 | EU | Original (Massacre)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Une Vie Pour Rien)

Claimed Choice

We Won't Give In

Release: 2022 / EU – Original

Genre: Rock & Indie

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El Mexican Rock And Roll Volume 1

V.A.

LP | 2022 | EU | Original (El Toro)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2010 | EU | Reissue (Music On Vinyl)

Golden Earring

Cut

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (You've Changed)

Daniel Romano

La Luna

Release: 2022 / EU – Original

Genre: Rock & Indie

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A Great Big Pile Of Leaves

Pono

LP | 2022 | EU | Original (Topshelf)

23,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Somebody's Closer Deep Purple / Baby Blue Splatter Vinyl Edition

Bleed

LP | 2022 | US | Original (20 Buck Spin)

2LP | 2016 | US | Reissue (Castle Face)

Release: 2022 / US – Original

Genre: Rock & Indie

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The up-and-coming Dallas, Texas based four-piece Bleed digitally self-released their debut EP ‘Somebody’s Closer’ in 2021. With no label backing and only a handful of shows (thus far) the 4 track introduction left a huge impression on nearly all that happened upon it racking up tens of thousands of streams simply by word of mouth.

With seemingly effortless self-assurance Bleed’s music harkens back to a period of time when the 90s were going from mid to late and grunge and more mainstream metal were converging in a flurry of credibly hard-hitting, melodic heaviness that played equally well on college and mainstream rock radio. The band’s songs hit with visceral heavy impact and infectious alt rock hooks, then given further shape by singer Ryan Hughes whose airy vocals glide fluidly overhead.

As the band continue the work of crafting their full length LP, to be eventually released by 20 Buck Spin, the label will first finally issue ‘Somebody’s Closer’ in physical form on vinyl and tape. In the meantime the EP is streaming in full via all platforms and demanding repeat spins.

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Thee Oh Sees

Live In San Francisco

35,99 €*

Expert In A Dying Field Yellow Vinyl Edition

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Perched in the belfry of The Chapel we caught thee mighty Oh Sees, alive and in their natural element, with our shutters aflutter and our tapes on a roll. After a short incubation period, the beast has reached full maturity and it is hideous. Over three nights they pummeled, and we’ve culled some great photographs, a wicked recording, and even a little live video action. Castle Face is happy to announce the first double LP in the Live in San Francisco series, presented on two discs, in a handsome double gatefold jacket, with live video shot by Brian Lee Hughes, Casey Anderson and their crew of merry gentlemen on an included DVD. Finally you depraved Oh Sees freaks have something to take home with you when you lose your shoes and your girlfriend at the show. Put it on at home and pretend to wait in line for the bathroom and it’s like you’re really there. The thrash, the throb, the mob is all present and pushed to the front. Dual drummers synced in each ear, Tim Hellman rounding out the bottom and Castle Face’s own John Dwyer up front on guitar, lasering young brains off and fomenting the crowd to a froth—it’s a great band, in a great room, with a great crowd and it’s cooked to perfection… Take a little bit of it with you this time.

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The Beths

LP | 2022 | US | Original (Carpark)

Vita Mors Colored Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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On The Beths’ new album Expert In A Dying Field, Elizabeth Stokes’ songwriting positions her somewhere between being a novelist and a documentarian. The songs collected here are autobiographical, but they’re also character sketches of relationships – platonic, familial, romantic – and more importantly, their aftermaths. The shapes and ghosts left in absences. The question that hangs in the air: what do you do with how intimately versed you’ve become in a person, once they’re gone from your life?

The third LP from the New Zealand quartet houses 12 jewels of tight, guitar-heavy songs that worm their way into your head, an incandescent collision of power-pop and skuzz. With Expert, The Beths wanted to make an album meant to be experienced live, for both the listeners and themselves. They wanted it to be fun -- to hear, to play -- in spite of the prickling anxiety throughout the lyrics, the fear of change and struggle to cope.

Most of Expert was recorded at guitarist Jonathan Pearce’s studio on Karangahape Road in Tāmaki Makaurau, Aotearoa (Auckland, New Zealand) -- and sometimes in the building's cavernous stairwell at 1am -- toward the end of 2021, until they were interrupted by a four-month national lockdown. They traded notes remotely for months, songwriting from afar and fleshing out the arrangements alone, the first time they’d written together in such a way. The following February, The Beths left the country for the first time in more than two years to tour across the US, and simultaneously finish mixing the album on the road. That latter half felt more collaborative, with everyone on-hand to trade notes in real time, until it all culminated in a chaotic three-day studio mad-dash in Los Angeles. There, Expert finally became the record they were hearing in their heads.

Expert is an extension of the same skuzzy palette the band has built across their catalog, pop hooks embedded in incisive indie rock. The album’s title track “Expert In A Dying Field” introduces the thesis for the record: “How does it feel to be an expert in a dying field? How do you know it’s over when you can’t let go?” Stokes asks. “Love is learned over time ‘til you’re an expert in a dying field.”

The rest is a capsule of The Beths’ most electrifying and exciting output, a sonic spectrum: “Your Side” is a forlorn and sincere love song, emotive; while “Silence is Golden,” with its propulsive drum line and stop-start staccato of a guitar line winding up and down, is one of the band’s sharpest and most driving. “When You Know You Know” skews a bit groovier, pure pop and a natural addition to the band’s live set. “Knees Deep” was written last minute, but yields one of the best guitar lines on Expert. There’s a certain chaos across the 12 tracks, the palpable joy of playing music with long-time friends colliding with the raw nerves of pain.

Stokes strings it all together through her singular songwriting lens, earnest and self-effacing, zeroing in on the granules of doubt and how they snowball. Did I do the wrong thing? Or did you? And are we still good people at the end of it? She isn’t interested in villains, but instead interested in just telling the story. That insecurity and thoughtfulness, translated into universality and understanding, has been the guiding light of The Beths’ output since 2016. In the face of pain, there’s no dwelling on internal anguish - instead, through The Beths’ music, our shortcomings are met with acceptance. And Expert In A Dying Field is the most tactile that tenderness has been.

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The Venomous Pinks

LP | 2022 | EU | Original (Sbäm)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Green Cookie)

Ojibo Afrobeat

Ojiboland

Release: 2022 / US – Original

Genre: Rock & Indie

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Osees Osees (Thee Oh Sees)

Panther Rotate

LP | 2020 | US | Original (Castle Face)

Release: 2020 / US – Original

Genre: Rock & Indie

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We'll Go Riding On The Heavens

Quivers

LP | 2015 | US | Reissue (Hotel Motel)

Come In Butterfly Splatter Vinyl Edition

Release: 2015 / US – Reissue

Genre: Rock & Indie

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We'll Go Riding On The Hearses is the first album from Australia's Quivers. Much like their latest release, Golden Doubt, the album is a jangle rock beautify, with tons of melodies and harmonies in the best indie pop tradition. Quivers is a band formed in Hobart, Tasmania and We’ll Go Riding On The Hearses was first a tape release before the band moved to Melbourne and released again on vinyl for Australia’s Hotel Motel label.

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Weatherday

LP | 2022 | US | Original (Topshelf)

The O'Reillys And The Paddyhats

Release: 2022 / US – Original

Genre: Rock & Indie

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Weatherday is the noise-pop project of the mononymous Swedish artist Sputnik. While they have also found success with their side project, Lola's Pocket PC, it is their cult-acclaimed album Come in that has garnered them a large and dedicated following through its raucous musical universe and serpentine sparklepunk stylings. Often heralded as an achievement of lo-fi bedroom pop tangled with threads of emo and DIY, Come in is better described, in its author's own words, as a 'life goal.' The initial spark that ignited the fiery, heated debut from Weatherday originated from Sputnik's desire to write, perform, and produce a record all on their own, from the ground up. Starting in 2014-2015, their preliminary attempts at what would eventually become Come in first materialized as a shoegaze EP, and then a dream-pop meets chamber-pop LP. Ever the perfectionist though, Sputnik wasn't satisfied with the results and deleted the releases without a trace, finally deciding to set out in the direction of something more akin to their longtime influences of emo and its various subgenres. After two years of tinkering in this stylistic sweetspot, Sputnik settled on the eleven knotted, maximal tracks that comprise Come in. From the caustic, harsh peaks of 'Sleep in while you're doing your best' to the soothing piano-laden passages of 'Embarrassing paintings' and experimental, granular coda of 'Water dreamer the same,' the range of Weatherday's debut is doubtlessly a product of an artist who refuses to compromise a single shred of their vision.

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Green Blood Green Transparent Vinyl Edition

LP | 2018 | EU | Reissue (Metalville)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Your Neighbors Are Failures

Bitter Branches

LP | 2022 | US | Original (Equal Vision)

Release: 2022 / US – Original

Genre: Rock & Indie

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West Coast Pop Art Experimental Band

Volume 3: A Child's Guide To Good & Evil Colored Vinyl Edition

LP | 2017 | EU | Reissue (Jackpot)

LP | 2022 | US | Original (Fdh / Savage)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Released in July 1968 on Reprise Records, “Vol.3: A Child’s Guide To Good & Evil” is considered to be the band’s most accomplished work and a masterpiece of the psychedelic genre. Released just nine months after vol. 2, the band explores their incredibly creative psychedelic pop song writing with an accomplished mastery of studio techniques. Featuring iconic original artwork by John Van Hamersveld (Beatles, Rolling Stones) A long awaited reissue from the master tapes.

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Sweet Knives

Spritzerita

Vom Bosphorus Bis Zum Rhein Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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“From the ashes of Lost Sounds was born Sweet Knives. Originally this project was formed to gather the members of Lost Sounds that remained after Jay Reatard passed away, playing the songs from that band that were not Jay's songs. In place of Jay was JON Grissom, who played in a band named THE Black AND Whites (who both Jay released on Shattered as well and a few other labels worked with including Fdh). After a while Sweet Knives began to write and record new songs and saw releases on both Big Neck and Red Lounge. We are excited that Sweet Knives have a new full length that we will be releasing along with Savage Records (Sweden). This LP will be limited to 300 copies.”

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Ozan Ata Canani & Karaba

7" | 2022 | EU | Original (Fun In The Church)

14,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Stones Throw)

Benny Sings

Beat Tape II

Release: 2022 / US – Original

Genre: Rock & Indie

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The O'Reillys And The Paddyhats

Dogs On The Leash Orange Black Marbled Vinyl Edition

LP | 2020 | EU | Reissue (Metalville)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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LP | 2012 | EU | Reissue (Skuld Releases)

Cross Stitched Eyes

Decomposition

14,99 €*

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Precipice Colored Vinyl Edition

Dälek

2LP | 2022 | US | Original (Ipecac)

Release: 2022 / US – Original

Genre: Rock & Indie

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Ästhetik Des Widerstands Black Vinyl Edition

Alarmsignal

LP | 2022 | EU | Original (Aggressive Punk Produktionen)

Release: 2022 / EU – Original

Genre: Rock & Indie

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In Dub - Rewind Yellow & Green Vinyl Edition

Killing Joke

2LP | 2022 | EU | Original (Cadiz Music)

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Reissue (X-Ray Production)

Asian Dub Foundation

Tank Remastered Edition

37,99 €*

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Enemy Of The Enemy Remastered Edition

Asian Dub Foundation

2LP | 2022 | EU | Reissue (X-Ray Production)

39,99 €*

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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2LP | 2011 | EU | Reissue (Staatsakt)

Ja, Panik

DMD KIU LIDT

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Original (Restless Empire)

The March Violets

Eleven Violet Dances

21,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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75 Dollar Bill Little Big Band

Live At Tubby's

2LP | 2020 | US | Original (Grapefruit)

LP | 2020 | EU | Original (Glitterbeat)

Release: 2020 / US – Original

Genre: Rock & Indie, Electronic & Dance

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NYC’s 75 Dollar Bill began its prolific career in 2012, after percussionist Rick Brown—a veteran of the indie underground (Fish & Roses, Run On, V-Effect)—and noise scene guitarist and multi-instrumentalist Che Chen—connected via MySpace. Since that initial jam session, when Brown began experimenting with his signature plywood crate drum rhythms, they have released three LPs and a clutch of self-released cassette and digital releases. Last year’s double album I Was Real received serious critical acclaim—The Wire calling it 2019’s Album of the Year. On their first live album, Live At Tubby’s, 75 Dollar Bill assembled a unique “little big band” [Sue Garner on bass, Cheryl Kingan on sax, Steve Maing on guitar, Jim Pugliese on percussion and Karen Waltuch on viola] for the small Kingston, NY club show. Recorded on the last day of their spring tour, the record puts a new perspective on themes from their body of work: a little more intimacy, a little more freedom, a little more controlled chaos. Brown’s idiosyncratic rhythms are all the more hypnotizing in Tubby’s cozy setting, and Chen’s furious guitar work cuts and hums with sounds seemingly only attainable on stage. It’s an album both challenging and immediate. The expanded 75 Dollar Bill’s affinity for improvisation and the avant-garde even leads to a rousing take on the Ornette Coleman classic, “Friends And Neighbors” that feels right at home in their own repertoire. The listener can’t help but feel present and part of the communal joy and catharsis being shared here in this room. This performance at Tubby’s turned out not only to be the last show of their tour, but the last show possible as the pandemic hit. Originally offered as a digital-only release on 75 Dollar Bill’s Bandcamp, Live At Tubby’s now documents a highlight and closure of sorts; this kind of musical improvisation and community interaction being on hold for the foreseeable future. This double album on Grapefruit will have to tide everyone over until it can all happen again.

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Lucidvox

We Are

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Destructure)

Kronstadt

13,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Rhino)

Whitesnake

Love Songs (2020 Remix)

46,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Beautiful Ones-Best Of Suede 1992-2018 Deluxe Edition

Suede

6LP | 2020 | UK | Original (Demon)

85,99 €*

Release: 2020 / UK – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Craft)

Between The Buried & Me

Alaska

42,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Castle Face)

Osees (Thee Oh Sees)

Protean Threat

20,99 €*

LP | 2020 | US | Original (YLYLCYN)

Release: 2020 / US – Original

Genre: Rock & Indie

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Witness the ever-changing, ever-mutating threat that is reality. Perception is under duress; sensibility is bending everyday under the barrage of nonsense. One must make note of whom one is and what one has become: look into the mirror of the planet-killers—psychic cannibals infiltrate and contaminate once familiar and seemingly secure territories... formidable foes indeed! What powers these beasts? What fuels discord and hatred? The behemoth of a “civil” society? What are the weapons at one’s disposal? Generosity is the aegis against greed, empathy is the armor to deflect apathy, love is the club to abate hate...the fog is lifting and humans are opening their eyes.And so Castle Face offers this field recording, the Osees Protean Threat, from the pits as a quick booster between protein pills and recycled sweat beverage anthems to assist the listener to not worship at the altar of violence and greed, to not offer oneself up for free, to stand up and be vigilant! Truth will not be found in the speeches and photo ops of the overlords— stand strong and together under the gaze of the oppressors.Stand vigilant, united with those who don’t have the same privileges. Demand respect and a peaceful life for all.This recording is at the apogee of scuzz—punk anthem amulets for the ears and heart, a battery for one’s core. Be strong. Be human. Be love.

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Liturgy

H.A.Q.Q.

Research Reactor Corporation

Release: 2020 / US – Original

Genre: Rock & Indie

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H.A.Q.Q. is the fourth studio album by transcendental black metal band Liturgy. Featuring their characteristic yearning guitar harmonies, epic song structures, and intense drumming, H.A.Q.Q. boils over with harp, piano, gagaku ensemble, pitched percussion, strings, and digital manipulation. It represents a consolidation of the band's sound to date, a combination of the mathematical complexity of 2011's Aesthethica and the glitchy experimental fervor of 2015's The Ark Work. While ecstatically invoking heaven, H.A.Q.Q. is also Liturgy's most vulnerable record for Hunter Hunt-Hendrix, addressing anger and struggles around mental health, sexuality, and religion. In part a reflection on Liturgy's uniquely controversial career, it attempts to render the spirit of a cultural era whose basic fabric is unravelling, and to generate an energy of prophecy and love in the name of what is to come.

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The Collected Findings Of The Research Reactor Corporation

LP | 2020 | EU | Original (Erste Theke)

14,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Fat Wreck Chords)

NOFX / Frank Turner

West Cost Vs. Wessex

Ultra Mono Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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How often does the leader of one of your favorite bands ask you to do a split album? Where his band covers your songs? Singer-songwriter Frank Turner found himself in that situation last year, when Fat Mike of Nofx asked if he wanted to do a split covers album. West Coast vs. Wessex shows Nofx filtering five of Frank Turner’s songs through their singular sensibility, with Turner doing the same on five Nofx songs. But these aren’t simply double-time versions of Turner’s folk-punk tunes or slow, acoustic reworkings of Nofx’s iconic SoCal punk anthems. Both Nofx and Frank Turner took time to play with the possibilities each other’s music presented. They also put a lot of thought into the songs they chose to cover. Both groups really wanted to songs that presented an opportunity to create something unique, and bring something to the song that really made it their own. For Frank Turner’s side, the result was a tracklist that pulls more or less from deeper in Nofx’s discography. Nofx classic “Bob” being the exception, Turner transforms into a wistful country song. “Perfect Government” is joyously turned into a barroom singalong, along with a punked up “Scavenger Type,” the post-hardcore “Eat the Meek,” and a spare, haunting “Falling in Love.” On the Nofx side, their climactic take on “Substitute” could’ve fit on Punk in Drublic. “Worse Things Happen at Sea” simmers with an ominous portent. The jaunty “Thatcher Fucked the Kids” sounds like a companion to Nofx’s “Philthy Phil Philanthropist.” “The Ballad of Me and My Friends,” lilting and bittersweet in Frank Turner’s original, goes balls-out here. “Glory Hallelujah” sounds like a lost track from Fat Mike’s stage musical, Home Street Home. There is no loser on West Coast Vs. Wessex. The Frank Turner-Fat Mike Mutual Admiration Society has produced 10 hooky reimaginings of each other’s music. The novelty may pique listeners’ curiosity, but the songs will keep them coming back.

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IDLES

LP | 2020 | UK | Original (Partisan)

2LP | 2020 | US | Original (Interscope)

Release: 2020 / UK – Original

Genre: Rock & Indie

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If "Joy As An Act Of Resistance" was meant to detail the band's manifesto, the band's highly anticipated third album, "Ultra Mono," is the sound of IDLES heading to the front for these principles, ram in hand. Musically constructed to capture the feel of a hip-hop album (Kenny Beats has also participated in programming on several tracks) the songs have a double language, mixing vitriolic sneers with a direct social comment on the band's past work. Not far below the surface of the slogan they gave themselves, is a deeply complex and brutally relevant album that chews clichés and spits them out in the form of great art for the masses. Active presence and self-acceptance are also at the heart of "Ultra Mono" whose most songs were written in the recording studio, and the phrase "I am I" serves as a lyrical and spiritual mantra. Ultimately "Ultra Mono" is a celebration of the community, the one on which IDLES has been striving to build itself since its beginnings, to form something bigger than itself. As their audience grows, initially attracted by a sense of non-belonging, they create together a diverse congregation of people that offers each of them their place.

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The Rolling Stones

Exile On Main Street

46,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (Megaforce)

Green Leaf Rustlers

From Within Marin

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | UK | Original (Domino)

Anna Calvi

Hunted Red Vinyl Edition

LP | 2020 | EU | Original (Lovely)

Release: 2020 / UK – Original

Genre: Rock & Indie

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One copy per customer.

This is a reinterpretation of Anna Calvi's album Hunter from 2018 featuring Idles, Julia Holter, Coutney Barnett, etc.

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Rotten Mind

Rat City Dog Boy

Suddenly Everything Is Twice As Loud

Release: 2020 / EU – Original

Genre: Rock & Indie

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Combining elements of 77’punk, post-punk and garage rock, Swedish indie- force Rotten Mind are back with their fourth full length album. With Rat City Dog Boy, Rotten Mind returns to their musical roots while embracing new influences to create an album that sounds both fresh and vintage, making the band appealing to old-school punkers as well as newfound lovers of the scene. Since the release of their critically acclaimed debut “I’m Alone Even With You”, Rotten Mind has played shows in Australia, Germany, France, Sweden, Austria, Belgium, Denmark, UK, USA, Spain and Czech Republic, and has been recognized in music magazines such as NME, Vice, Gaffa, and Hymn.

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Alien Nosejob

LP | 2020 | EU | Original (Drunken Sailor)

21,99 €*

2LP | 2010 | US | Reissue (Epitaph)

Release: 2020 / EU – Original

Genre: Rock & Indie

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You'd think Jake Robertson would already have his hands full playing in the likes of Ausmuteants, Leather Towel, School Damage, Drug Sweat et al. But no, evidently there's always time for one more thoroughly wracked project, and Alien Nose Job's focus is as kaleidoscopically scattershot as you'd expect from a man with such a short attention span. Just to confirm: yes, that's a good thing. From the off, we glide through the Coneheads-style Devocore of Television Sets before romping through the jangling lo-fi pop of Weight of the World, which skips and mopes while making like The Clean setting light to their parents' carpet with a magnifying glass. There's also charmingly scruffy soul-pop, chugging sci-fi slop-punk, straight-up college rock balladry and much, much more. But these aren't sketches or tossed-off genre exercises. They're bona fide works of consummate skill that resonate sincerely and effortlessly. Essentially, each song sounds like a challenge to the one that follows, a cry of 'step the fuck up'; Suddenly Everything is Twice as Loud is a treasure trove of mini-masterpieces. Rough as fuck mini-masterpieces, sure, recorded with a cheap drum machine and guitars that sound like rusty drills cutting through power cables, but mini-masterpieces nonetheless. When venerable doyens of the pop establishment make albums of such eclectic scope and genuine songwriting talent, they get called geniuses. When punk as fuck wiseguys like Robertson pull it off, words like 'maverick' get tossed around. Rest assured, his Alien Nose Job project covers both angles. This second album is an instant classic that deserves to be heard far beyond the underground - but if it isn't, who cares? He's probably playing in another seven bands already by the time you read this. I've not heard them yet either, but I can tell you they're all fucking amazing. Just buy this record and join the cult. Will Fitzpatrick.

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Cap'n Jazz

Analphabetapolothology

37,99 €*

Release: 2010 / US – Reissue

Genre: Rock & Indie

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LP | 2018 | EU | Original (Rare Noise)

Anguish