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HHV Records 47434 Vinyl, CD & Tape 45708 Used Vinyl 2198 Merchandise 502 DJ Equipment 747 Print & Design 526
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Yaggfu Front - Action Packed Adventure!
Yaggfu Front
Action Packed Adventure!
Tape | 2024 | EU | Original (90's Tapes)
16,99 €*
Release: 2024 / EU – Original
Genre: Hip Hop
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Limited edition of 100 copies on cassette. Only 1 per customer!

In the midst of North Carolina's Tobacco Road and ACC basketball flowed an eloquent and bizarre Hip Hop juggernaut known as Yaggfu Front. The genuinely warped minds of D'ranged & Damaged, Jingle Bel and Spin 4th fused to form this acronym, a simple edict declaring "You're Gonna Get Fucked Up If You Front".

The 1993 debut album "Action Packed Adventure!" runs deep in lyrics and thick in production. Some of the lyrics are well within the ballpark of MC comprehension, while some transcend left field for the parking lot and on out to the f*#@ing highway. Beat fiends will incredulously shake their heads as the production crackles like that of crate PHD's Diamond and Pete Rock.

Available in a limited run on 2LP+7", CD in jewel case, cassette and digitally on all major platforms.
Common & Pete Rock - The Auditorium Volume 1 Black Vinyl Edition
Common & Pete Rock
The Auditorium Volume 1 Black Vinyl Edition
2LP | 2024 | US | Original (Loma Vista)
36,99 €*
Release: 2024 / US – Original
Genre: Hip Hop
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Legendary hip-hop figures Common and Pete Rock showcase their evolved prowess in their debut collaboration, "The Auditorium, Vol. 1." Despite years apart, their synergy is palpable. Pete's groundbreaking production, blending intricate harmonies, and Common's multifaceted artistry shine through.

Their meticulous process births 15 tracks that blend nostalgia with innovation. With cameos from Jennifer Hudson and De La Soul's Posdnuos, each element is carefully curated, resulting in a timeless masterpiece. This album not only celebrates their individual growth but also sets the stage for future volumes.
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
V.A. - OST Cyberpunk 2077 Radio 1 Yellow Vinyl Edition
V.A.
OST Cyberpunk 2077 Radio 1 Yellow Vinyl Edition
LP | 2024 | FR | Original (Lakeshore)
36,99 €*
Release: 2024 / FR – Original
Genre: Soundtracks
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
Tom Petty - Wildflowers & All The Rest
Tom Petty
Wildflowers & All The Rest
3LP | 2020 | EU | Original (Warner)
46,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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BP Infinite - Kill Or Be Killed
BP Infinite
Kill Or Be Killed
LP | 2024 | US | Original (Common Virtue)
32,99 €*
Release: 2024 / US – Original
Genre: Hip Hop
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Oren Ambarchi - Quixotism 10th Anniversary Remastered Edition
Oren Ambarchi
Quixotism 10th Anniversary Remastered Edition
LP | 2024 | EU | Original (Black Truffle)
31,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Black Truffle is pleased to announce a tenth anniversary reissue of Oren Ambarchi’s Quixotism, originally released on Editions Mego in 2014. Recorded with a multitude of collaborators in Europe, Japan, Australia and the USA, Quixotism presents the fruit of two years of work in the form of a single, LP-length piece in five parts. Quixotism takes the driving rhythmic aspect of works such as Sagittarian Domain to new levels, with the entirety of this long-form work built on a foundation of pulsing double-time electronic percussion provided by Thomas Brinkmann. Beginning as almost subliminal propulsion behind cavernous orchestral textures and John Tilbury’s delicate piano interjections, the percussive elements (elaborated on by Ambarchi and Matt Chamberlain) slowly inch into the foreground of the piece before suddenly breaking out into a polyrhythmic shuffle around the halfway mark, and joined by master Japanese tabla player U-zhaan for the piece’s final, beautiful passages.

The pulse acts as thread leading the listener through a heterogeneous variety of acoustic spaces, from the concert hall in which the Icelandic Symphony Orchestra were recorded to the intimacy of crys cole’s contact-mic textures. Ambarchi’s guitar itself ranges over this wide variety of acoustic spaces, from airless, clipped tones to swirling, reverberated fog. Within the complex web Ambarchi spins over the piece’s steadily pulsing foundation, elements approach and recede in a non-linear fashion, even as the piece plots an overall course from the grey, almost Nono-esque reverberated space of its opening section to the crisp foreground presence of Jim O’Rourke’s synth and Evyind Kang’s strings in its final moments. Formally indebted to the side-long workouts of classic Cologne techno, the long-form works of composers such as Éliane Radigue and the organic push and pull of improvised performance, Quixotism is constantly in motion, yet its transitions happen slowly and steadily, often nearly imperceptible, the diverse elements which make up the piece succeeding one another with the logic of a dream.

At the time of its first release, Quixotism was clearly a summation of Ambarchi’s work in the years leading up to it. Now, listening back a decade later, it also seems like an arrow pointing to the future, suggesting paths that would be explored further in works to come: the pulsating guitar layers of Hubris, the album-length collaboration with Jim O’Rourke and U-zhaan on Hence, Shebang’s joyous layering and percussive drive. Now sounding better than ever in a new remaster by Joe Talia, the time is ripe to rediscover its quixotic charms.
DJ Deep & Traumer - Connected EP
DJ Deep & Traumer
Connected EP
12" | 2024 | EU | Original (Gettraum)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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French house legend DJ Deep takes control of get-traum s twelfth installment, incl. a rework from label head Traumer.
Martinou - Matter
Martinou
Matter
12" | 2024 | EU (Mule Musiq)
17,99 €*
Release: 2024 / EU
Genre: Electronic & Dance
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Piper Y Su Orchestra Pimienta - Pensamiento
Piper Y Su Orchestra Pimienta
Pensamiento
7" | 2024 | EU | Original (Vampisoul)
15,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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The Kelly Family - Over The Hump 30th Anniversary Green Vinyl Edition
The Kelly Family
Over The Hump 30th Anniversary Green Vinyl Edition
LP | 2024 | EU | Original (Kel-Life)
23,99 €*
Release: 2024 / EU – Original
Genre: Pop
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V.A. - Cosmic American Music: Motel California Black Vinyl Edition
V.A.
Cosmic American Music: Motel California Black Vinyl Edition
2LP | 2024 | US | Original (Numero Group)
38,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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A companion to 2016's private countryrock overview Cosmic American Music,this second volume goes way past GramParsons' "country-rock plastic dry-fuck"and explores the twangy falsettos andcommercial curiosity that sent the Eaglessoaring. Though rooted in the west coastfolk rock of the late-'60s, these newkids in town rendered a safe-for-thesuburbssound bleached of the hippie era'spolitical strife. 20 tracks, two LPs, andgatefold tip-on sleeve for easy seed andstem separating are included.
The Cromagnon Band - Bad Night Quadrant
The Cromagnon Band
Bad Night Quadrant
7" | 2024 | EU | Original (BBE Music)
19,99 €*
Release: 2024 / EU – Original
Genre: Hip Hop
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V.A. - Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition
V.A.
Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
57,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).
Rolando Simmons - Terrestrial Ultra-Doula EP
Rolando Simmons
Terrestrial Ultra-Doula EP
12" | 2024 | EU | Original (Analogical Force)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Not much to say on this one, Mattias Ostling aka Rolando Simmons is back on AF. You should know what you're in for: undeniably beautiful acid stuff, somewhere between propulsive and melancholy, lush but fidgety 4/4 beats...'Terrestrial Ultra-Doula EP' is a 4-track adventure that deftly dabbles in rave, IDM, techno and beyond in classic RS style. In his own words "Every completed project is the failure of an original idea and the triumph of a successful adaptation. These tracks were inspired by a dream and my subsequent reflections on it. Playing music for others is an act of alchemy that can alter thought patterns and life paths to varying degrees. It is a formidable power to wield." Ostling is one of those artists who works in a specific continuum but adds his own touch here and there--and when it comes to reverb-drenched, acid-lashed, wound-up IDM pitter-patter, not many can do it as well, or as elegantly, as this. Word, you're gonna need this one.
Chief Keef - Almighty So 2
Chief Keef
Almighty So 2
CD | 2024 | US | Original (Rbc Records)
18,99 €*
Release: 2024 / US – Original
Genre: Hip Hop
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Bedouin Ascent - Science, Art And Ritual 30th Anniversary Edition
Bedouin Ascent
Science, Art And Ritual 30th Anniversary Edition
3LP | 2024 | EU | Original (Lapsus Perennial Series)
36,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Science, Art And Ritual' is a story of 'process'. Growing up in Harrow (a then quiet suburb of London) in the 70's and 80's from the age of about 10, Kingsuk Biswas aka Bedouin Ascent's ears opened up to sound as he scanned the airwaves. The undeniable righteousness of 80's dub via David Rodigan's Roots Rockers shows was the first prominent influence he received, and with punk roots --and his burgeoning record collection-- became exposed to the breathless post punk experimentation that followed in the early 80's sweeping up free jazz, noise, dub and much more. Throughout though, he maintained his fascination with Indian Classical music which was a mainstay in his parent's house and spoke with the same infinite space as Joy Division's 'Unknown Pleasures', and King Tubby's Studio dispatches. Through those teens he assembled and de-assembled, knocking about with fellow travellers --punk bands, garage, space rock, noise. Something was happening. On-U Sound, ECM, Factory Records kept him plugged in and sane. At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, Tr-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we'd now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn't yet plugged into the global conversation. At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, Tr-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we'd now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn't yet plugged into the global conversation. 'Science, Art And Ritual' was released in 1994 by Rising High Records and was presented as Bedouin Ascent's debut album, although 'Music for Particles' (released in 1995, again on Rising High) was recorded even before --'sar' sessions span from 1992-1993, whereas 'Music for Particles' were earlier from 1989-1992, with some older 4-track references from about 1986 too. Weaved in throughout the album are subconscious references to music that Kingsuk heard in the past that still remained within sight as companions. The opening track "Ancient Ocean Iii", referencing the extinct ocean Tethis, unapologetically channels Tackhead, Colourbox, Mantronix and Lee Perry. The style was also deliberately juxtaposed to the prevailing sound in techno at the time, which had locked onto a rigid form of symmetrical kicks and light snare drums. Elsewhere 80's soul and funk are frozen and captured in fragile glass lattices. Electric pianos resound throughout, such as in "He Is She", probably a half-memory of 70's MOR radio from childhood sleepy night drives. A duel between kick drums from three generations of Roland drum machines --tr-808, Tr-707 and R-8-- is a central theme in "Transition-R", all in conversation, calling and responding. These were not just machines to Bedouin Ascent, but part of an extended family, with heart and soul. Three decades after seeing the light, Lapsus is proud to present a special 30th anniversary reissue of this left-field techno gem in a repackaged and redesigned edition. All pressed on a deluxe 3LP marbled vinyl and including a limited lithographic insert print of the original album cover. All tracks have been restored and remastered directly from the original DAT tapes, and the album also features previously unreleased tracks such as "In the Clouds" and "Thru Water" --regularly performed live at that time and produced in the same period as the album sessions in 1993. 'Science, Art And Ritual' may refer to esoteric traditions in Indian philosophy, but equally embodies the collision of the science, the art and the ritual that is at the core of being immersed in a deep musical journey.
Momo. - Gira
Momo.
Gira
LP | 2024 | EU | Original (Batov)
30,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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MOMO. releases his 7th album Gira, on Batov Records bringing together some very special musicians and guests from London"s bustling and hustling jazz community, with fellow Brazilian artists, recorded and cut to tape at East London"s Total Refreshment Center.
V.A. - Halloween Nuggets: Haunted Underground Classics
V.A.
Halloween Nuggets: Haunted Underground Classics
LP | 2022 | EU | Original (Rockbeat)
23,99 €*
Release: 2022 / EU – Original
Genre: Pop
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Jeff Parker - Suite For Max Brown
Jeff Parker
Suite For Max Brown
LP | 2020 | US | Original (International Anthem)
24,99 €*
Release: 2020 / US – Original
Genre: Organic Grooves
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"I'm always looking for ways to be surprised," says composer and multi instrumentalist Jeff Parker as he explains the process, and the thinking, behind his new album Suite for Max Brown, released via a new partnership between International Anthem and Nonesuch Records.
"If I sit down at the piano or with my guitar, with staff paper and a pencil, I'm eventually going to fall into writing patterns, into things I already know. So, when I make music, that's what I'm trying to get away from-the things that I know." Despite its musical departures, in presentation Suite for Max Brown is an informal companion piece to The New Breed, Parker's debut release on International Anthem, which was honored as one of the "Best Albums of 2016" by New York Times, Observer, and Los Angeles Times.
"I made The New Breed based off these old sample-based compositions and mixed them with improvising," Parker says. "That's in a nutshell how I make a lot of my music; it's a combination of sampling, editing, retriggering audio, and recording it, moving it around and trying to make it into something cohesive... With Max Brown, it's evolved." Though Parker collaborates with a coterie of musicians under the group name The New Breed, theirs is by no means a conventional "band" relationship.
Parker is very much a solo artist on Suite for Max Brown. His accompanists are often working alone with Parker, reacting to what Parker has provided them, and then Parker uses those individual parts to layer and assemble into his final tracks. The process may be relatively solitary and cerebral, but the results feel like in-the-moment jams-warm-hearted, human, alive. Suite for Max Brown brims with personality, boasting the rhythmic flow of hip hop and the soulful swing of jazz.
Role Model - Kansas Anymore
Role Model
Kansas Anymore
LP | 2024 | MX | Original (Interscope)
36,99 €*
Release: 2024 / MX – Original
Genre: Pop
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Role Model's sophomore album "Kansas Anymore" is inspired by homesickness, heartbreak, and the process of redefining oneself. He began the project in 2022 but, faced with the ending of a formative relationship, he scrapped much of this early work. On his own and reinspired, he started anew, collaborating with Noah Conrad, Ian Fitchuk, Scott Harris & Jonah Shy to craft "Kansas Anymore" - a folk-tinged, lyric driven album featuring 13 new songs including "Oh Gemini" and "Deeply Still in Love."
Antraum (Anton & Traumer) - OMAKASE 004
Antraum (Anton & Traumer)
OMAKASE 004
12" | 2024 | EU | Original (Omakase)
15,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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When the duo promised to release some of their most sought after tunes at a faster pace, they werent lying? Antraum is back for the fourth installment of their Omakase imprint ? reserve your copy, while you can !
Henkel - Slow Down
Henkel
Slow Down
LP | 2024 | US | Original (Madlib Invazion Music Library Series)
26,99 €*
Release: 2024 / US – Original
Genre: Organic Grooves
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Frits Wentink - Spiritual Basslines Black Vinyl Edtion
Frits Wentink
Spiritual Basslines Black Vinyl Edtion
12" | 2024 | EU | Original (Clone Royal Oak)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Frits Wentink returns to the Clone Royal Oak series with a smooth 4 track EP with his signature intricate rhythms, lush melodies, and playful approach to production. But rather than a technical issue this is all about the spiritual connection with the bassline! Bumpy basslines on the title track, playful and laidback basslines on "Eternity" and "Golfcart Joyride", and last but not least the smooth, deep driving basslines on Olympiad! Works in the club, works in your home. Spiritual connected and well-produced modern house tracks from the man Wentink!
Masta Ace & Marco Polo - Richmond Hill
Masta Ace & Marco Polo
Richmond Hill
CD | 2024 | US | Original (Fat Beats)
18,99 €*
Release: 2024 / US – Original
Genre: Hip Hop
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Richmond Hill, the highly anticipated follow up to Masta Ace and Marco Polo's Breukelen Story, is inspired by Marco's childhood in the titular neighborhood, a small town in Ontario, just outside of Toronto. Between interstitials about Marco's passion for hip-hop and cartoons, his struggle with addiction, and the support of his parents, Marco Polo and Masta Ace tackle the issues of the day head-on with clarity, the rapper using his decades-worth of rapping experience to slice through the producer's warm soul samples and crisp percussion. A cinematic journey that explores how the past echoes through the present, the album welcomes guest appearances from notable names from all eras of rap history, including Inspectah Deck, Coast Contra, Blu, Che Noir, Speech of Arrested Development, Masta Ace's longtime collaborators Stricklin and Wordsworth, and many more.
Markus Suckut - SCKT10 Galaxy Vinyl Edition
Markus Suckut
SCKT10 Galaxy Vinyl Edition
12" | 2024 | EU | Original (SCKT)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Subtle and straight groovin techno mover. All tracks written and produced by Markus Suckut. Revinyl Version.
Ken Boothe - Let's Get It On
Ken Boothe
Let's Get It On
LP | 2024 | EU | Original (Music On Vinyl)
28,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Boa - Whiplash
Boa
Whiplash
LP | 2024 | Original (Nettwerk)
25,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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V.A. - Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition
V.A.
Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
53,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).
Cody Jinks - Backside Of 30 Colored Vinyl Edition
Cody Jinks
Backside Of 30 Colored Vinyl Edition
2LP | 2024 | EU | Original (Late August)
22,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Rex84 - Come For You
Rex84
Come For You
12" | 2024 | EU | Original (Juanita)
13,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Alonzo and M Parent join forces bringing their gutter-laced sound, through combining their analog and modular studios into a dark cohesion for Juanita Recordings. Alonzo is a Brooklyn based producer, originally from Miami and has released on W.T., Zement, Cultivated Electronics, Kraftjerkz, Rotterhague (as Lithium Parasites with Vidrio), and LSE amongst others. M Parent is a Philly based producer, originally from Connecticut and has released on Zement, Sons of Traders, Acid Camp, Lost Soul Enterprises, and Spectral Sound (as Seer with Maroje T) amongst others.
Peter Bernstein - Better Angels
Peter Bernstein
Better Angels
LP | 2024 | Original (Smoke Sessions)
31,99 €*
Release: 2024 / Original
Genre: Organic Grooves
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Not Even Noticed - Feel
Not Even Noticed
Feel
12" | 2024 | EU | Original (Eudemonia)
12,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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not even noticed returns to eudemonia with another great four-track EP. Known for their introspective approach and captivating storytelling, the German-duo has quickly garnered a loyal following, drawing fans in with each release. The upcoming EP is anticipated to highlight their signature style while also exploring new musical horizons.
Leon Thomas - Electric Dusk
Leon Thomas
Electric Dusk
LP | 2024 | US | Original (Motown)
36,99 €*
Release: 2024 / US – Original
Genre: Organic Grooves
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Leon Thomas - "Electric Dusk" / Celebrating the 1-year anniversary of Leon Thomas' album, Electric Dusk, with this translucent emerald green vinyl and exclusive poster. Featuring the standout singles "Breaking Point" and "Crash & Burn." Motown; Motown Records; R&B EXPLICIT
Kant - Paranoia Pilgrimage
Kant
Paranoia Pilgrimage
LP | 2024 | EU | Original (Sound Of Liberation)
27,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Rick Panzer - Music For The Complete Jazz Dance Class With Lea Darwin
Rick Panzer
Music For The Complete Jazz Dance Class With Lea Darwin
2LP | 2024 | EU | Original (BBE Music)
38,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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SU01 - Margin EP
SU01
Margin EP
12" | 2024 | EU | Original (Primordial State)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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For the 3rd release Primordial State drops a driving techno EP by Su01 with a remix by the label heads themselves.
Bright Eyes - Five Dice, All Threes
Bright Eyes
Five Dice, All Threes
CD | 2024 | US | Original (Dead Oceans)
16,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Endon - Fall Of Spring White Vinyl Edition
Endon
Fall Of Spring White Vinyl Edition
LP | 2024 | US | Original (Thrill Jockey)
31,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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The world of ENDON is one of constant evolution and revolution. The Tokyo-based ensemble of Taichi Nagura, Koki Miyabe, and Taro Aiko have made a name for themselves with their relentless exploration of sonic extremes in the vein of artists such as the Boredoms and Merzbow. The resulting music is a powerful emotional release for both artist and listener. Their commitment to evolution and dystopian noise as a playground for exploration and pure expression carried them through the recent departure of their drummer Shin Yokota and the tragic death of brother and band member Etsuo Nagura in 2020. Where some might have tried to replace members, ENDON"s core pressed forward with an autobiographical work exploring these changes and the shifts in their lives. Honest and raw emotions delivered with uncompromising sonic intensity, Fall of Spring is a thrilling tidal wave of sound and raw emotions born of the psyche of three individuals musically congregating into one tumultuous voice.Fall of Spring captures the electricity and unpredictability of ENDON"s live performances in vivid detail. The album harnesses the power of their storied performances through unpredictable movements, deft arrangements and an exhilarating textural palette. By imbuing their sound with raw feeling at every edge of obliteration, the trio are able to create what they call "organic music with inorganic material." For ENDON, those moments of suspense and surprise are the core of their music. As with their shows, Fall of Spring is a vessel for band and audience to share moments, to suspend time and move through grief and pain, and to bask in catharsis and resilience. ENDON continues to be a mercurial force in the world of extreme music.
Ol' Burger Beats - 74: Out Of Time Black Vinyl Edition
Ol' Burger Beats
74: Out Of Time Black Vinyl Edition
LP | 2024 | US | Original (Coalmine)
28,99 €*
Release: 2024 / US – Original
Genre: Hip Hop
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Ol’ Burger Beats’s new opus, 74: Out of Time, is a multifaceted and stunning exploration of sounds and eras. In addition to every track being produced at 74 beats per minute, the album harks back to the year 1974; particularly the music, the records, the activism, the artwork, and the aesthetics. But it’s also incredibly current, as the Out of Time portion of the title very much refers to the present. It promotes a sense of urgency in the face of current affairs such as the Covid-19 pandemic, climate change, as well as contentious politics sweeping across the US and Europe. Beyond those deeply resonating elements to the record, 74: Out of Time is a truly gorgeous representation of hip-hop through the lens of the Norwegian composer, which is undoubtedly his most ambitious undertaking to date. Using 74bpm as his basis, he constructs sublime, jazzy instrumentals that feature some of hiphop’s finest emcees and vocalists. And to say they all gel perfectly together is an understatement—and it would be underselling OBB’s meticulous approach here. Each song blends seamlessly from one to the next spread across the album’s 17 tracks, with the help from a standout supporting cast that includes Fly Anakin, Awon, Quelle Chris, Pink Siifu, Yungmorpheus, Lojii, billy woods, Tha God Fahim, Vic Spencer and Vuyo, among several others.
Classic Der Dicke & Snares - 1990 EP + Instrumentals
Classic Der Dicke & Snares
1990 EP + Instrumentals
LP | 2024 | DE | Original (Krekpek)
24,99 €*
Release: 2024 / DE – Original
Genre: Hip Hop
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Limited to 500 copies.

Classic der Dicke & Snares release their new groundbreaking record titled '1990'. The EP contains six carefully selected songs that are characterized by personal experiences and thoughts. The lyrics are profound and offer an honest insight into the life of Classic der Dicke. The beats are thoughtful and powerful, literally carrying the listener through the tracks. With this album, the artists manage to create a perfect blend of honest lyrics and infectious beats. For the first time, Classic der Dicke shows a very open side - this is exactly how hip-hop should be!
Levin Goes Lightly - Numb
Levin Goes Lightly
Numb
LP | 2024 | EU | Original (Tapete)
27,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Los Campesinos! - All Hell
Los Campesinos!
All Hell
2LP | 2024 | US | Original (Many Hats)
38,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-01
Lunar Rays Vinyl. Double LP. Limited colourway, 1000 copies worldwide. The UKs first and only emo band Los Campesinos! Return with their highly-anticipated seventh album, All Hell. It is perhaps their most ambitious and assured album yet, whilst simultaneously recalling everything we've come to love about LC! #over their faultless discography. Recorded between October 2023 and February 2024, it is the first album to be wholly self-produced by band member Tom Bromley (having co-produced previous albums Sick Scenes and NO BLUES). The album is also self-released on the bands own Heart Swells record label. In the bands words All Hell is an album about Drinking for fun and drinking for misery // adult acne // adult friendship // football // death and dying // love and sex // late-stage capitalism // Orpheus // day dreaming // night terrors // the heart as an organ and as a burden // Tears of the Kingdom // the punks on the playlist // increments of time // climate apocalypse // the moon the moon the moon///
Slayer - Minotaur (Black Magic) - Ultimates! Action Figure
Slayer
Minotaur (Black Magic) - Ultimates! Action Figure
Super7
59,99 €*
 
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In 1983, Slayer burst onto the LA heavy metal scene like an angry Minotaur hell-bent on destruction! This 7” scale, highly articulated Slayer ULTIMATES! Minotaur is inspired by the Baphomet Minotaur on the Show No Mercy cover art and is rendered in a dark grayscale as an homage to the album track “Black Magic.” Featuring intricate sculpt and premium paint detailing, this figure also comes with an interchangeable head and multiple interchangeable hands, a removable soft goods cape, and sword accessory. This Black Magic variant of the Slayer ULTIMATES! Minotaur will be a killer addition to any heavy metal collection- pre-order yours today!

Accessories:
• 2x interchangeable heads
Neutral head
Screaming head

• 10x interchangeable hands
2x Gripping hands (horizontal hinge)
2x Gripping hands (vertical hinge)
2x Throwing Horns hands
2x Baphomet pose hands
2x Fist hands

• 1x Sword
• 1x Cape (soft goods)

Details and Specs:
• Product Material/Process: Injected Plastic & Paint
• Package Dimensions (in): 7"
• Weight (lbs): 2.0 lb
Famous - Party Album Green Vinyl Edition
Famous
Party Album Green Vinyl Edition
LP | 2024 | EU | Original (Untitled)
31,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Over the course of two wildly varied and acclaimed EPs, 2019's England and 2021's The Valley, shape-shifting London outfit Famous has forged its own inimitable sound. A sound that subverts pop's Gospels. A barrage of halcyon melodies, despondent electronics jutting against warming acoustics, and scintillating song structure, all this the singular creative vision of Jack Merrett - Famous' singer, lyricist, core songwriter and only consistent member - that finds convulsively spectacular expression in their forthcoming debut album, Party Album. Coming to prominence as a part of the cele...
Daddy Yankee - Los Homerun-Es
Daddy Yankee
Los Homerun-Es
2LP | 2024 | US | Original (Gasolina)
38,99 €*
Release: 2024 / US – Original
Genre: Reggae & Dancehall
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Limited edition clear vinyl. This album solidified Daddy Yankee's status as a reggaeton powerhouse. "Los Homerun-es" includes tracks like "Pose" and "Shaky Shaky," known for their infectious beats and dynamic energy. It reflects his ability to maintain relevance and innovate within the reggaeton genre.
Motörhead - Lemmy (1981 Tour) - Ultimates! Action Figure
Motörhead
Lemmy (1981 Tour) - Ultimates! Action Figure
Super7
59,99 €*
 
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Lemmy’s signature mutton chops, gravelly voice, and unique way of playing the bass guitar helped solidify Motörhead as one of heavy metal’s pioneering acts! This latest 7” scale, highly-articulated Motörhead ULTIMATES! Lemmy figure is inspired by the legendary rocker’s look on the band’s epic 1981 European Tour. Featuring intricate sculpt and premium paint detailing, this figure also comes with multiple interchangeable heads and hands, and an assortment of accessories including a black and white bass guitar with removable strap, whiskey bottle, and microphone stand. If you like to gamble, now is not your chance- order your 1981 Tour Motörhead ULTIMATES! Lemmy today!

Please note that this ULTIMATES! Figure will not come with a packaging sleeve.

Accessories:
• 3x Interchangeable Heads
1x Neutral Head
1x Snarling Head
1x Sunglasses Head
• 10x Interchangeable Hands
2x Fists
2x Gripping Hands (vertical)
2x Gripping Hands (horizontal)
2x Bass Playing Hands
1x Cigarette Hand (left)
1x Flipping the Bird Hand (right)
• 1x Bass Guitar with removable strap
• 1x Whiskey Bottle
• 1x Mic Stand

Details and Specs:
• Product Material/Process: Injected Plastic & Paint
• Product Dimensions (in): 9.5 x 7.9 x 2.97
• Weight (lbs): 2.0 lb
Mount Westmore - Snoop Cube 40 Short
Mount Westmore
Snoop Cube 40 Short
CD | 2022 | EU | Original (Mnrk)
14,99 €*
Release: 2022 / EU – Original
Genre: Hip Hop
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Masaru Sato - OST The Sword Of Doom
Masaru Sato
OST The Sword Of Doom
LP | 2022 | US | Original (Waxwork)
24,99 €*
Release: 2022 / US – Original
Genre: Soundtracks
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Waxwork Records is honored to present THE Sword OF Doom Original Motion Picture Soundtrack by Masaru Satô! Directed by Kihachi Okamoto, The Sword of Doom is a 1966 Japanese samurai movie that tells the bloody and brutal tale of revenge and redemption. This deluxe LP features new artwork from Yuko Shimizu and marks the first time that the soundtrack is available on vinyl!

Starring Tatsuya Nakadai and featuring Toshirô Mifune, The Sword of Doom tells the story of Ryunosuke Tsukue, a masterful but heartless swordsman in feudal Japan. After deliberately killing an opponent in a training exercise, Tsukue then murders his mistress and flees town. After spending time in a haunted geisha house, Tsukue sees the ghosts of all his victims and spirals into madness, leaving a trail of destruction and bloodshed in his wake. As time passes, the years of brutal killings and evil deeds begin to weigh on his mind, ending in a climactic battle between Tsukue, a group of assassins, and the ghost of his past.

The Sword of Doom soundtrack, composed by Masaru Satô (Yojimbo, Godzilla vs. Mechagodzilla), is full of dark and yet melodic cues, and takes many influences from traditional Japanese instruments and music. A minimalist yet powerful score that brings to life the struggles of Tsukue’s inner demons. The tone ranges from brash fight scene orchestrations into quiet and lilting flute themes, but underscoring it all, Satô's music feels the evils of Tsukue.

Available for the very first time on vinyl, Waxwork Records is honored to work with Toho to present The Sword Of Doom re-mastered on 180 gram Snow, Blood, Flames, and Katana swirled color vinyl, deluxe packaging, new artwork by Yuko Shimizu, heavyweight gatefold jackets with matte satin coating, a 12"x12" art print, and more!

THE Sword OF Doom Original Motion Picture Soundtrack Features:

The Complete Soundrack by Masaru Satô Available For The First Time On Vinyl 180 Gram "Snow, Blood, Flames, and Katana" Swirled Color Vinyl New Artwork By Yuko Shimizu Heavyweight Gatefold Jackets with Matte Satin Coating 12"x12" Art Print
Jimmy Salcedo Y Su Onda Tres - El Mundo De Jimmy Salcedo Y Su Onda Tres
Jimmy Salcedo Y Su Onda Tres
El Mundo De Jimmy Salcedo Y Su Onda Tres
LP | 2022 | EU | Original (Vampisoul)
14,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
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Many music fans will remember Jimmy Salcedo due to his wonderful work as arranger and producer with the duo Elia and Elizabeth in the early 70s. Their delicate songwriting acquired, after his treatment, a special Tropical aroma that even included the funk influences received by Salcedo at that time. He released with his band, La Onda Tres, a few LPs and singles that had a limited distribution, mainly in Colombia only. This anthology comprises a selection of songs that celebrate Salcedo's sound signature: a base of coastal funk with vocals and melodic bubblegum-bomb arrangements and hints of light psychedelia. Many of the compiled songs became popular radio hits in Colombia that Jimmy Salcedo and La Onda Tres recorded and arranged at the Zeida studios in Medellín.These recordings include Latin-jazz tracks ('Mira') with stunning percussion solos, songs recorded under a heavy Caribbean-soul influence ('¡Qué linda es Colombia!' and 'Lo mismo de siempre') 'Maranguango', an irresistible mix of Afrolatin percussion and catchy Tropical harmonies spiced up with moog keyboard sounds, fuzz and wah wah guitars and even touches of hammond, in a psychedelic funk style, an exhilarating moog driven instrumental with a heavy Afro-funk rhythm ('Moogambo') and revisited Latin classics ('Moliendo Café').Jimmy Salcedo's big popularity in Colombia is due however to his long career as TV presenter at 'El Show de Jimmy', running for over 20 years, where he would also perform with his band and act as a comedian. His life was tragically cut short and died in 1992, when he was only 48, due to health issues. This compilation celebrates his superb musical legacy and makes most of these songs available again for the first time.
Extrawelt & 1979 - Speicher 121
Extrawelt & 1979
Speicher 121
12" | 2022 | EU | Original (Kompakt Extra)
11,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance
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Vince Guaraldi - Peanuts Portraits Black Vinyl Edition
Vince Guaraldi
Peanuts Portraits Black Vinyl Edition
LP | 2020 | US | Original (Craft)
34,99 €*
Release: 2020 / US – Original
Genre: Organic Grooves, Soundtracks
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Colin Stetson - OST Color Out Of Space Cosmic Magenta Swirl Vinyl Edition
Colin Stetson
OST Color Out Of Space Cosmic Magenta Swirl Vinyl Edition
LP | 2020 | US | Original (Waxwork)
35,99 €*
Release: 2020 / US – Original
Genre: Soundtracks
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In partnership with Milan Records, Waxwork Records is proud to announce the deluxe soundtrack vinyl release to COLOR OUT OF SPACE Original Motion Picture Soundtrack by Grammy Award-winning saxophonist and multi-instrumentalist, song writer and composer Colin Stetson!

Directed by Richard Stanley (Hardware, Dust Devil), Color Out of Space is based on the short story by H.P. Lovecraft. After a meteorite lands in the front yard of their farmstead, Nathan Gardner (Nicolas Cage) and his family find themselves battling a mutant extraterrestrial organism as it infects their minds and bodies, transforming their quiet rural life into a technicolor nightmare.

About Colin Stetson:

A highly-coveted collaborator to Bon Iver, Arcade Fire, Tom Waits, LCD Soundsystem, The National and more, Stetson brings with him an expansive body of work that includes both genre-defying, avant-jazz records as well as critically-acclaimed original scores for major film, television and game titles (Ari Aster’s Hereditary, Red Dead Redemption 2). Of the soundtrack, Stetson says:

"The question posed initially when conceiving of this score was what exactly is the sonic representation of a cosmic alien color that does not exist in this terrestrial reality? I began trying to answer that by layering the sounds of coral reefs, processing that cacophony and finding the order revealed through harmonic generation of these hyperdensities, and then continued to chase that same concept of 'transfiguring the natural' down every path and application I could see. Turns out it's somewhere between magenta and hot pink :)"

Waxwork Records is thrilled to present the complete soundtrack by Stetson pressed to 180 gram "Cosmic Magenta" swirled vinyl, housed within a heavyweight printed inner sleeve inserted into an old-style tip-on jacket with film laminate gloss coating, and new art by Matt Taylor.
Das Ding - Selected Archival Recordings 1979-1985
Das Ding
Selected Archival Recordings 1979-1985
LP | 2024 | EU | Original (Electronic Emergencies)
22,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Minimal wave legend Das Ding is back on Electronic Emergencies after 10 years with a stunning selection of archival tracks from retrieved tape recordings. In the early eighties, Danny Bosten got together with his friends after school in his bedroom studio, somewhere in the bleak Dutch countryside. They experimented with cheap analogue gear and made music to kill time. The sound is raunchy and slightly experimental, but already unmistakable Das Ding. New wave, early EBM and proto techno are found this album, pressed on clear vinyl. To preserve the original atmosphere and sound, the tapes received the Ruud Lekx mastering treatment.
Pyrrhon - Exhaust Random Eco-Mix
Pyrrhon
Exhaust Random Eco-Mix
LP | 2024 | US | Original (Willowtip)
35,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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V.A. - Eqlb 003
V.A.
Eqlb 003
12" | 2024 | EU | Original (Equilibrisme)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Berlin-based record label, Equilibrisme, has just revealed its third vinyl release. This EP continues the tradition of its predecessors by offering a skillful blend of deep minimal techno, chords, and dubby groove to energize the dancefloor. The release includes tracks from producer Man-L, a collaboration between Man-L and Berlin-based Uruguayan producer and musician Martin Teysera, and Canadian dub techno legend Altitude aka Matt Thibideau.
Alexander Kowalski & Rebar - When Darkness Surrenders To The Light Claudio Prc Remix
Alexander Kowalski & Rebar
When Darkness Surrenders To The Light Claudio Prc Remix
12" | 2024 | EU | Original (Made Of Concrete)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Stripped down techno groovers.New Made Of Concrete by Alexander Kowalski & Rebar.
Charlie Quartet Palmieri - Easy Does It
Charlie Quartet Palmieri
Easy Does It
LP | 2024 | US | Original (Descarga)
23,99 €*
Release: 2024 / US – Original
Genre: Organic Grooves
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180-Gram Vinyl Limited Edition of 500 copies. Known as the "Giant of the Keyboards", Carlos Manuel "Charlie" Palmieri (1927-1988) was born in South Bronx, New York, after his parents migrated from Ponce, Puerto Rico, in 1926. During his extended career, Palmieri worked with his brother Eddie, Celia Cruz, Tito Puente, Herbie Mann, Ismael Rivera, Rafael Cortijo, Ismael Quintana, Bobby Capó, Mongo Santamaría, Cal Tjader, and Ray Barretto, among many others. Presented here is the complete album Easy Does It, recorded in 1959 and featuring him as the main soloist in a quartet only including his piano plus bass and percussion. 180-GRAM VIRGIN VINYL LIMITED EDITION OF 500 COPIES
Daddy Yankee - El Cangri.Com
Daddy Yankee
El Cangri.Com
LP | 2024 | US | Original (Gasolina)
32,99 €*
Release: 2024 / US – Original
Genre: Reggae & Dancehall
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Limited edition clear vinyl. With El Cangri. Com, Daddy Yankee continued to build his reputation in reggaeton. The album features a blend of high-energy tracks and more melodic songs, including hits like "Llamado de Emergencia. " It highlights his growing versatility and his deep connection to Puerto Rican street culture.
Crys Cole - Making Conversation
Crys Cole
Making Conversation
LP | 2024 | EU | Original (Black Truffle)
31,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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crys cole returns to Black Truffle with Making Conversation, her third solo release for the label. After the intimate song-like constructions of Other Meetings (bt096), Making Conversation documents a different facet of cole’s work, presenting three rigorously conceptualised commissioned pieces, each of which extend her signature approach to highly amplified small sounds into new directions.

The side-long title piece is a stereo version of an 8-channel sound installation exhibited in 2023 at the Tabakalera Art Center in Donostia / San Sebastian, Spain. The piece uses a multitude of instrumental, vocal, concrete and electronic sounds to evoke the soundscapes cole encountered during nocturnal listening session in Bali, Indonesia in 2018 and 2019. In this world of night sounds, she explains, she ‘observed the complex interplay between amphibian, lizard, bird and insect communication, domestic animals (roosters, dogs), man-made sounds (airplanes, vehicles, conversations and evening activities) and sounds that were difficult to place’. Drawing on field recordings as memory aids (but including none in the finished piece), cole’s piece uncannily reproduces the spatiality and pacing of environmental sound without attempting strictly to replicate it. We hear insect-like twittering and birdsong fragments, resonant thuds and distant roars, furtive crunches and taps, muffled breath and metallic scrapes. While at times it can be difficult to imagine the source of these sounds, at other points they are clearly instrumental or electronic in origin; in its placement and layering, though, the whole assemblage suggests the glorious, unthinking richness of a non-musical sound environment. Suggesting at once the electronic gardens of Rolf Julius and the little instrument expanses of classic Aacm, the piece is a brilliant enactment of the Cagean drive to ‘imitate nature in her manner of operation’.
Uzoo - Attack Bw Hollow Soul
Uzoo
Attack Bw Hollow Soul
7" | 2024 | US | Original (Ill Adrenaline)
15,99 €*
Release: 2024 / US – Original
Genre: Hip Hop
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Uzoo came to existence in the winter of 2015. Aware of the depth of talent in the Connecticut hip-hop scene, and fed up with being overlooked, Joey Batts called upon his closest friends to form a CT-based supergroup. By bringing the best of the best together into a cohesive unit - one that allowed for individual talents to shine alongside the overall power of the group as a whole - Uzoo brings forth a musical experience reminiscent of the 90's-era Wu-Tang Clan, reminding hip-hop fans of how revolutionary a collective has the power to be. The dynamic collective boasts an eclectic offering of artistry, as each member brings their unique style to the table. Uzoo has something for everyone. The fact that such a wide array of styles are blended together so fluently on wax is a testament to the level of talent that exists within the group. Feeding off of one another's energy, the animalistic tendencies of each emcee is apparent as they trade bars and verses over rugged, grimy production. "Attack" (2017) on the a-side of this limited edition 45 was the group's very first official single - a rugged and grimy posse joint featuring all the Uzoo members, very similar to the Wu's classic "Protect Ya Neck". The b-side contains the catchy but still raw "Hollow Soul (Remix)" with Joey Batts and Crissb. Amazing delivering another certified banger.
Crispy Jason - Shadowcon One
Crispy Jason
Shadowcon One
12" | 2024 | EU | Original (Winthorpe Electronics)
13,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Crispy Jason is a moniker of Rian Trench. Trench, once half of Solar Bears (Planet Mu, Sunday Best, Warp), branches out here into acid-focused IDM. Shadowcon One explores spaced out 303s via retro arcade against furious breaks and ambiguous moodscapes with an offset of introspective disco
Handson Family - If Music Presents: You Need This!
Handson Family
If Music Presents: You Need This!
2LP | 2024 | EU | Original (BBE Music)
38,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Kontrolle - Grau Splatter Vinyl Edition
Kontrolle
Grau Splatter Vinyl Edition
LP | 2024 | EU | Original (Holy Goat)
24,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Ryuichi Sakamoto - OST Tony Takitani
Ryuichi Sakamoto
OST Tony Takitani
2LP | 2024 | US | Original (Avex Trax Japan)
83,99 €*
Release: 2024 / US – Original
Genre: Soundtracks
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Shelby Lynne - I Am Shelby Lynne 25th Anniversary Edition
Shelby Lynne
I Am Shelby Lynne 25th Anniversary Edition
LP | 2024 | US | Original (Monument)
35,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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I AM SHELBY LYNNE (25th ANNIVERSARY EDITION) Limited edition colored vinyl celebrating 25 years of GRAMMY-award winner, Shelby Lynne's album, I Am Shelby Lynne / Led by co-presidents Shane McAnally and Jason Owens and GM Katie McCartney, Monument will reissue Lynne's landmark album, I Am Shelby Lynne, on April 5 in celebration of the record's 25th anniversary with a limited-edition vinyl release to come early this summer.
Michael Giacchino - OST Star Trek: Into Darkness
Michael Giacchino
OST Star Trek: Into Darkness
3LP | 2024 | US | Original (Varese Sarabande)
89,99 €*
Release: 2024 / US – Original
Genre: Soundtracks
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Bongloard - Dytyr?
Bongloard
Dytyr?
LP | 2024 | Original (V2)
22,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Absis - Fenix EP
Absis
Fenix EP
12" | 2024 | EU | Original (Hivern Discs)
16,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Absis returns to Hivern Discs with his Fenix EP. Six cuts that dive deep into Salva's more abstract and slow side keeping his signature reverberating drums and droning landscapes. Comes with poster that will be printed, together with the sleeve, at L'Anacronica in Barcelona, with letterpress on a shiny silver cardboard.
Tom Holkenborg aka Junkie XL - Mad Max: Fury Road
Tom Holkenborg aka Junkie XL
Mad Max: Fury Road
2LP | 2024 | EU | Original (Music On Vinyl)
38,99 €*
Release: 2024 / EU – Original
Genre: Pop
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V.A. - Cumbia Cumbia Cumbia!!! Vol. 2
V.A.
Cumbia Cumbia Cumbia!!! Vol. 2
2LP | 2024 | EU | Original (Vampisoul)
33,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Carlos Pickling Y Orquesta - Cumbia Morena
Carlos Pickling Y Orquesta
Cumbia Morena
7" | 2024 | EU | Original (Vampisoul)
15,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Traffic Sound / Black Sugar - La Camita / La Camita 78
Traffic Sound / Black Sugar
La Camita / La Camita 78
7" | 2024 | EU | Original (Vampisoul)
15,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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`La Camita' is an incredible Latin funk nugget -recorded in Peru by Traffic Sound and later on by funk pioneers Black Sugar, comprising all the right ingredients to shake dance floors worldwide. Both takes on the song were released on records that today are extremely difficult to find in any condition. In 1971 Traffic Sound recorded 'La Camita' where their Latin influences overpowered the psychedelic prog vibe of their previous records. The song became a local hit and several versions were recorded by different Peruvian artists. On the other side of this single we find Black Sugar, a Peruvian band considered to be a pioneer group in Latin America in mixing funk influences with rock and Latin rhythms. In 1976, following their gig at Coliseo Amauta in Lima, opening the night for the legendary Spanish band Barrabás, they started to show a growing interest in disco music, resulting in some line up changes with members leaving the project due to their lack of interest in the new sound and new ones joining in. Their own take on 'La Camita' was released in 1978 and adds a modern twist to the original song, becoming decades later a winner spin at the most discerning dance floors worldwide. Latin party music in all its glory!
Tapir! - The Pilgrim, Their God And The King Of My Decrepit
Tapir!
The Pilgrim, Their God And The King Of My Decrepit
LP | 2024 | UK | Original (Heavenly)
28,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Molly Lewis - On The Lips Black Vinyl Edition
Molly Lewis
On The Lips Black Vinyl Edition
LP | 2024 | US | Original (Jagjaguwar)
30,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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V.A. - Eccentric Funk
V.A.
Eccentric Funk
LP | 2020 | US | Reissue (Numero Group)
26,99 €*
Release: 2020 / US – Reissue
Genre: Organic Grooves
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Twelve unstoppable deep funk burners from across the Numerosphere. A smorgasbord of sounds from R&B's dapper younger cousin. Loose guitars and chunky drums lie in wait for discerning break-makers to finely chop and flip. The only funk record you'll ever need to own.
Jesus Chucho Valdes - Jazz Nocturno
Jesus Chucho Valdes
Jazz Nocturno
LP | 2024 | US | Original (Descarga)
23,99 €*
Release: 2024 / US – Original
Genre: Organic Grooves
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180-Gram Vinyl Limited Edition of 500 copies. The music here marks a fundamental chapter in the evolution of Jesús "Chucho" Valdés' career and development into one of the finest jazz pianists in the world. The concepts that he brought to fruition in the Quinteto Cubano de Jazz, the Orquesta Cubana de Música Moderna, and Irakere, have their roots in the band Chucho formed at the beginning of the 1960's, which due to limited distribution has received little attention from specialists and jazz lovers alike. Chucho's album Jazz Nocturno was recorded in the early 1960's. During the years in which he worked for the Havana Musical Theater Orchestra, he formed his own combo with friend Carlos Emilio Morales on guitar, Paquito D'Rivera on sax and clarinet, Enrique "Kike" Hernández on bass, Emilio del Monte on timbales, Julio Vento on flute, Alberto Valdés on trombone, and Oscar Valdés on congas. It is worth noting Chucho's exclusion of the traditional drum set, considering his intention to play jazz. THE COMPLETE LP + 3 BONUS TRACKS - 180-GRAM VIRGIN VINYL - LIMITED EDITION OF 500 COPIES
Mako - Oeuvre: Part 2 Album Sampler
Mako
Oeuvre: Part 2 Album Sampler
12" | 2024 | US | Original (Universal)
28,99 €*
Release: 2024 / US – Original
Genre: Electronic & Dance
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Mako - Oeuvre: Part 2
Mako
Oeuvre: Part 2
12" | 2024 | US | Original (Universal)
28,99 €*
Release: 2024 / US – Original
Genre: Electronic & Dance
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Hellsongs - Return Of The Hellsingers Black Vinyl Edition
Hellsongs
Return Of The Hellsingers Black Vinyl Edition
LP | 2024 | EU | Original (Tapete)
27,99 €*
Release: 2024 / EU – Original
Genre: Pop
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214 - Easing Into The Night
214
Easing Into The Night
12" | 2024 | EU | Original (Frustrated Funk)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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My log saw something, something significant... Shut your eyes and you will burst into flames.
V.A. - Holy Beat! (A Collection Of 60s Italian Christian Beat)
V.A.
Holy Beat! (A Collection Of 60s Italian Christian Beat)
LP | 2024 | EU | Original (Aberrant)
27,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Holy Beat! - A collection of 60's Italian Christian beat from the vaults of Ariel Records. Nine tracks from three amazing Italian bands, Angel and the Brains, I Barritas & The Bumpers. Originally released as La Messa dei Giovanni in 1966 and recorded live the same year, this record has been the stuff of legend for deep cut Pop connoisseurs and 60's Beat archeologists, a beautiful and mesmerizing gem that goes way beyond the Christian novelty. Presenting here three amazing Italian bands (Angel and the Brains, I Barritas & The Bumpers), this is not just a Christian pop record, this is a collection of beautifully crafted Italian 60's Beat that will blow the mind of anyone remotely interested in 60's music, a must!
Julianna Barwick - Magic Place 2024 Remastered
Julianna Barwick
Magic Place 2024 Remastered
LP | 2024 | US | Original (Florine)
31,99 €*
Release: 2024 / US – Original
Genre: Electronic & Dance
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Preorder shipping from 2024-11-01
Originally released in 2011, Julianna Barwick's debut full length "The Magic Place" is a nine-piece full-length album of magic and solace, bursting joy, and healing tones. Julianna's mostly a cappella music is built from her multi-tracked and looped voice, with backing instrumentation, but it's the vocals-soaring high in reverb-drenched, wordless harmonies-that matter most here. Layered fragments and pieces become an intricate pattern through electronics; it's the sound of a rising thing, a big group harmony as a splash of sunlight through a car window, a sound that feels like hope and ascendance and patience and intimacy. Out of print for years, this 2024 version has been fully remastered by Heba Kadry, and available through Julianna's "Florid Recordings", the imprint she started in 2006 to self release her earliest recordings. There's a very particular joy in listening to Barwick's music. Free of the constraints of narrative and traceable language, it's the same joy in giving yourself over to opera in a foreign language, of letting go of your pesky rational mind and allowing the feeling to come through in the voices and performance. The title track is next, a reverb-y beauty queen that soars to Promethean heights and builds it's own kind of safe haven in the clouds. Even the gaps between songs are essential to the album's listening experience-a sigh between stories or silence-as-drone, each second important. The New York Times called the pauses between Julianna's songs, "the small pleasure of a chance to breathe between the greater pleasures of not wanting to have to." Meet The Magic Place. It's a great place to be
Alan Licht - Havens
Alan Licht
Havens
2LP | 2024 | US | Original (Vin Du Select Qualit)
42,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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V.A. - Now Millenium 2008-2009
V.A.
Now Millenium 2008-2009
2LP | 2024 | US | Original (Universal)
42,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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V.A. - BND Project Volume 5
V.A.
BND Project Volume 5
12" | 2024 | EU | Original (Body 'N Deep)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Jovonn's Body'N Deep label continues its fine form with the not to be missed BND Project Volume 5. The 5th in the series features heavy hitters such as DJ Spinna, Atjazz, Demuir and Dirty Harry. Buy on sight!
Ritchie Valens - Come On, Let's Go!: The Singles & More
Ritchie Valens
Come On, Let's Go!: The Singles & More
LP | 2024 | US | Original (Acrobat)
31,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Platters - Magic Touch: Singles Collection 1955-62
Platters
Magic Touch: Singles Collection 1955-62
LP | 2024 | US | Original (Acrobat)
31,99 €*
Release: 2024 / US – Original
Genre: Organic Grooves
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Lowrider - Ode To Io Remastered Gold Nugget Vinyl Edition
Lowrider
Ode To Io Remastered Gold Nugget Vinyl Edition
LP | 2020 | EU | Reissue (Blues Funeral)
30,99 €*
Release: 2020 / EU – Reissue
Genre: Rock & Indie
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The ultimate edition of the debut album from the progenitors of Swedish desert-rock, fully remastered with bonus tracks in gatefold sleeve!In the wake of defunct Palm Springs originators Kyuss, musicians worldwide coalesced to craft their own visions for the desert rock sound. Standing foremost among them was Lowrider, whose debut, "Ode to Io," became the blueprint countless others would follow. Following their return in 2020 with new album "Refractions," we proudly reissue their seminal chronicle of rumbling desert-heaviness!In their own words:Ode To Io (1-10) was recorded and produced by ourselves at KM Studios, Karlskoga, Sweden in Novembre of 1999.Tracks 11 & 13-16 were previously released as the Nebula and Sparzanza -Lowrider split singles. We recorded and produced them as well, also at KM Studios, Karlskoga, Sewden in May of 1998 (tracks 13-16) and August of the same year (track 11).Track 12 previously released as the "I Am Vengeance" Soundtrack in 2001. We recorded that some time in 2000 - it's a bit of a blur that one.Peder salvaged his dusty old artwork files in a crate and remastered & updated them from the ground up.Ode To IO cover photographs were captured by Daniel Önnerlöv in 1999 at an old creepy viking burial site, Live photograph from Hellfest 2014 captured by Falk-Hagen Bernshausen Press Quotes: 'Ode to Io is desert-rock in its purest and heaviest form. Almost the whole album is indeed explosive, fuzzy and straight to the point... the best definition of stoner-rock you could get.' - Nuno / Sputnik Music, 'Lowrider paved the way for a whole generation of European fuzz...there was Kyuss in the US, and there was Lowrider here.'" -Beeho / The Heavy ChroniclesThe LP is metallic gold nugget vinyl!
Donovan Woods - Without People
Donovan Woods
Without People
LP | 2020 | EU | Reissue (Meant Well)
21,99 €*
Release: 2020 / EU – Reissue
Genre: Pop
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Jeff Mills - Mosainga Re-Visited Splattered Vinyl Edition
Jeff Mills
Mosainga Re-Visited Splattered Vinyl Edition
12" | 2022 | EU | Original (Psycho Thrill /)
13,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance
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Limited Splatter Vinyl Version! There is no doubt that the native Detroiter Jeff Mills, as >The Wizard<, put his own mark on the Cologne Psycho Thrill club-nights and thus the entire West German Rhine Area in terms of Techno in the years 1991-2007 through his innumerable appearances in the Cologne ClubEvent institution. Mills track >Mosainga<, which was given to Claus Bachor in 1996 for publication on his own label, also played a significant part in this well beyond the 2000s. In 1997 for the first time (unofficially) released in advance via Roland Caspers Essence label on a >Psycho Thrill EP< White-Label limited to 500 copies, Mosainga finally appeared remastered in 2004 on Psycho Thrills own >Motor City Dayz Vol.1< (ptne 2111) compilation including a DJ-friendly bonus loop and then finally made its way straight into the clubs of the world. The track then received renewed attention beyond its natural decay value in the Cologne Bnkr years (2011-2016), which were deeply shaped by Psycho Thrill itself for Colognes nitelife, in which the Cologne label completely redefined the entire Techno culture of the Dome metropolis in its own way 2 be propelled forward once again. The desire quickly arose to give the relatively short running time of the original track of around 4 minutes a more extended club play character, which with the longer running time corresponded even more to the dark, monotonously driving sound philosophy of the old Wkii bunker walls. The two Psycho Thrill >Bnkr boyz< Claus Bachor and Chris Baumann therefore re-edited the track in 2 slightly different, powerful variants, and so >Mosainga< succeeded in becoming a downright hypnotic Future Club Classic, whose bass always hit the audience in sheer quality Club euphoria drove. Berlins own Milton Bradley, a friend of the family who was also often present at the Bnkr turntables, subsequently developed his own two Roland TB303-affine >alien Rain< remixes, which stripped >Mosainga< down to its basic structure. And the two new versions further created a floor-effective 90s Acid-House hallucination feel to keep it movin when the crowd said >Go!<. The occasion of the threshold of the labels 29th to 30th anniversary, was exactly the right time to press the tracks interpretations nowadays on vinyl for posterity. Where the Psycho Thrill Bnkr (somewhere in Cologne ...) and Mills legendary Vinyl sets are long gone, >Mosainga< is >written in stone< so to speak, as a timeless, powerful club-anthem, especially in the current Psycho Thrill residency at Düsseldorfs famous Golzheim Club. And a true masterpiece of top-notch quality >forever and one day<, which still continues to leave time and space Mills unmistakably typical behind itself.
BROCKHAMPTON - Family
BROCKHAMPTON
Family
CD | 2022 | US | Original (RCA)
18,99 €*
Release: 2022 / US – Original
Genre: Hip Hop
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Obscene - From Dead Horizon ... To Dead Horizon
Obscene
From Dead Horizon ... To Dead Horizon
LP | 2022 | EU | Original (Blood Harvest)
29,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Conjured in 2016, OBSCENE are a death metal quartet from Indianapolis, Indiana. Following their Sermon to the Snake demo in late 2017, they quickly caught the attention of Sweden's BLOOD HARVEST, who reissued the demo on cassette and digital formats in early 2018. 2020 saw the release of OBSCENE's debut LP, The Inhabitable Dark. The record, earning year-end accolades from the likes of Zero Tolerance, Invisible Oranges, Grizzly Butts, Last Rites, etc. continues to garner praise of fans and critics internationally. 2020 prevented OBSCENE from performing live; in 2021, the band resurfaced for successful festival appearances at Tri State Terror and Full Terror Assault alongside acts such as Nunslaughter, Wraith, and Bat as well as a Chicago crusher with Skeletal Remains and Molder while resuming writing and recording ...From Dead Horizon to Dead Horizon. Now 2022 sees the release of that highly anticipated second album, ....From Dead Horizon to Dead Horizon. Recorded by engineer Noah Buchanan (Midnight, Nunslaughter) at Mercinary Studios and mastered by Dan Swano (Bloodbath, Hail of Bullets) at Unisound AB, the follow-up to the band's critically acclaimed The Inhabitable Dark full-length is as bulldozingly devastating as it is infectious and memorable. Far and away their most surgical performance to date, ...From Dead Horizon to Dead Horizon bursts at the seams with world-eating rhythms, barbaric riffs, and pained howls at the moon. OBSCENE don't care about reinventing the wheel; rather, they opt to keep the faithful wheel turning. The album is suitably adorned with the cover art of Skadvaldur (Coffin Rot, Ripped to Shreds). To kick of the release of ...From Dead Horizon to Dead Horizon, OBSCENE will be touring the United States in support of Morta Skuld. And the wheel keeps turning!
Big Boss Man - Juju Funk
Big Boss Man
Juju Funk
7" | 2022 | EU | Original (Blow Up)
14,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
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Grab while you can. The tracks have already received very strong radio responses from around the world. Both tracks being supported by Gideon Coe and Cerys Mathews at BBC Radio 6 Music, whilst Nasser Bouzida from the band discussed the rhythm influences of Return Of Baron Samedi on the Cerys Mathews show. Specialist funk shows from Australia, Germany, France, Canada and the US have already been supporting these tracks. The tracks are also set to appeal to fans of one of Big Boss Man's biggest tracks 'Sea Groove', which is currently one of the UK's biggest home-grown funk recordings on Spotify currently close to 7 million streams. These are the first new releases from Big Boss Man since their fourth album Last Man on Earth on Blow Up Records.
Artefakt - Brain Dripper EP
Artefakt
Brain Dripper EP
12" | 2022 | EU | Original (Delsin)
12,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance
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Artefakt dives deeper into their electronic universe with a worthy follow-up on their Days Bygone LP on the Delsin Interstellar series from early 2021. 'Brain Dripper' EP explores adventurous paths in dreamy electronics, experimenting with emotive melodies and floating chords rendered into immersive idm and ambient pieces. On the flip the pair fuses their trademark deep techno jams with stepping electro brain workouts.
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