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Valid only until Sunday September 29th, 23:59 p.m. and only while stock last!
Code: recorddeal on all HHV Records sale items. Code: recorddeal
Valid only until September 29th, 23:59 p.m.

All Vinyl, CD & Tape Used Vinyl Merchandise Equipment

Pan Rock & Indie 7 Items

Name: Honour - Alaafia
Brand: Pan
SKU: 1152992v1
Price: 33.99 EUR
Availability: InStock

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[PIAS]

Pan

Honour

Alaafia

LP | 2024 | UK | Original (Pan)

33,99 €*

Incl. VAT plus Shipping Costs

Release: 2024 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Honour's debut album is a ligament stretching from Lagos to London and to New York, curling across the diaspora andbrushing the darker hues of blues, hip-hop, free jazz, ambient, gospel with Christian mythology and Yoruba folklore. Ascinematic as it is painterly, Alàáfíà is a meditation on themes of life, death and love that pulls inspiration from theunexpected poetic profundity of casual conversations, field recordings, literature, ephemera, or personal archives. Theresult is an impressionistic vision in Black and Blur that both exhausts and implicates language_substantiating a mythosproposed by Fred Moten that sublimates boundaries between everywhere and nowhere; history and the present; theindividual and the universal.Alàáfíà delineates a gothic landscape cut by overdriven beats, swooping orchestral blasts, choral bursts and ear- splittingfuzz, where the fleshly and spiritual realms commune. Dedicated to Honour's late grandmother, the title track began totake form after their last embrace and remains steeped in her influence and spirit_a tape-saturated composition thatstarts in Lagos and ends in London's smoke-stained cityscape, the song's dream-like quality developed out of the artist'sgrief and PTSD coping with this loss. Beneath the stretched guitar drones and stuttering loops, their grandmother'sshared faith bubbles to the surface."When Angels Speak of Love," borrows its title from two works by Sun Ra and bell hooks, respectively. Sculpting echoesof praise music into disorienting spirals perforated with syrupy DJ Screw-inspired breaks and sharp splinters ofmelancholic guitar, "When Angels Speak of Love" engages a conceptual dialogue with the spirits of both late thinkers,folding them into Honour's pantheon of ancestral guides. The album's ninth track, "Giz Aard ($uckets)," is a dirge ofregimented drums which anchor this somber melody as it whirls into a blizzard of heartache, uncertain if its consequencewill be death or eternal joy.The album's sole lyrical offering,...

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Honour

Alaafia Alternate Cover

LP | 2024 | UK | Original (Pan)

33,99 €*

Incl. VAT plus Shipping Costs

Release: 2024 / UK – Original

Genre: Rock & Indie

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Billy Bultheel

Two Cycles

LP | 2024 | UK | Original (Pan)

30,99 €*

Incl. VAT plus Shipping Costs

Release: 2024 / UK – Original

Genre: Rock & Indie

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Billy Bultheel's debut solo album is an ambitious distillation of the composer's sprawling litany of influences and his unique approach to site-specific composition. A compilation of pieces created between 2016 and 2023, the album is a forceful testament to Bultheel's expansive performance practice and collaborations with cutting-edge visual artists like Anne Imhof and James Richards.

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Upsammy

Germ In A Population Of Buildings

LP | 2024 | Original (Pan)

27,99 €*

Incl. VAT plus Shipping Costs

Release: 2024 / Original

Genre: Rock & Indie

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On her sophomore album "Germ in a Population of Buildings", upsammy moves through her surroundings with thecuriosity of a place-bending landscape architect. The album is rooted in her interest for ambiguous environments inconstant shift, and the feeling of discovering strange patterns in different ecosystems. Often, the Amsterdam-basedartist finds herself zooming in and out beyond a place's most recognizable surface features to inhabit the microscopicand gigantic. Gathering field recordings and evocative environmental sounds, she shapes this source material intovibrating electro-acoustic rhythms and unstable, psychedelic textures.upsammy's debut album, 2020's critically-acclaimed "Zoom", was praised for its careful reimagining of IDM, evolvingvignettes that nodded towards the dancefloor without being shackled to its rigid set of rules. On "Germ in a Populationof Buildings" her process has evolved considerably; the skeletal trace of IDM is still present but it's been trapped inamber, allowing her unique sonic landscape to develop organically. 'Being is a Stone' is a proof of concept in manyways, layering upsammy's contorted voice in rickety patterns beneath a lattice of fragile rhythms and faintly melancholysynths. It's never immediately obvious where the sounds are coming from - a hiccuping beat might be glass crackingunderfoot, and larger pulses could be wet concrete, rusted iron or bent plastic. As the sounds develop they morph intoeach other, demolishing what came before and building on top of the ornamental wreckage.On the dynamic 'Constructing', upsammy's sound design fluxes through hyperactive bass music structures, abstractingexpectations at every turn. Often her sounds are whisper quiet, rattling and vibrating until heavier masonry drops anddisrupts the structure. And when discernible rhythms subside into the background, like on the album's eerie title track,they become almost illusory, morphing between the real world and the electronic. upsammy's processed voice works...

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Marina Herlop

Pripyat

LP | 2023 | EU | Original (Pan)

26,99 €*

Incl. VAT plus Shipping Costs

Release: 2023 / EU – Original

Genre: Rock & Indie

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Marina Herlop is often described as a pianist, a lingering remnant of her classical training. But what strikes the listener on Herlop's breakout track miu is the intricate trickery of her voice, tracing rhythmical clusters around the subtlest of musical beds, in a technique inspired by Carnatic music of Southern India.miu, the opening track of Herlop's new studio album Pripyat, was among the first songs that the young Catalan artist made on a computer, after two albums - 2016's Nanook and 2018's Babasha - that brought spectral elegance to the sound of piano and voice. This spirit of adventure continues into Pripyat, Herlop's first full album produced on a computer, and her most intensely emotional work to date.Listening to Pripyat you can feel the emotional toil and creative endeavour that went into the record. Fans of Nanook and Babasha will recognise the combination of melancholic piano and elegant vocal lines that is found on Pripyat tracks like abans abans. But Pripyat has a far fuller, almost chaotic sound when compared to Herlop's previous work, with the addition of electronic drums, electric bass lines and a wealth of sublime production effects.Added to this production expertise are songs of incredible grace and poise. Kaddisch is a spectral torch song rendered in emotional 3D by Herlop's gorgeous voice; ubuntu has a feeling of deep longing and lingering sorrow; and shaolin mantis is like a pop song refracted through disorienting production effects and percussive vocal cut ups. Pripyat is the perfect combination of computer production trickery and intimate emotional release.

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Anne Imhof, Eliza Douglas, Billy Bultheel

Sex

LP | 2021 | UK | Original (Pan)

26,99 €*

Incl. VAT plus Shipping Costs

Release: 2021 / UK – Original

Genre: Rock & Indie

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Sex Was Composed During The Formation Of Imhof's Art Show Of The Same Name, Previously Exhibited At Tate Modern, London, The Art Institute Of Chicago And Forthcoming At Castello Di Rivoli, Italy, This September. Imhof, Douglas And Bultheel, Reworked The Songs From How They Appeared In The Exhibition `Sex'. The Result Is A Compelling Record That Acts As An Imaginative Accompaniment To The `Sex' Performances, As Well As Standing Alone As A Progressive Collection Of Contemporary Compositions.Sex References Punk, Industrial And Grunge, And Boldly Juxtaposes These Forms With Music Of The Classical And Baroque Period. The Album Combines Classical Formals And Orchestration With Vocals That Are Rooted In Subcultural Traditions, Thus Beautifully Overdrawing And Overwriting These Forms With The Composer's Own. Harpsichord And Oboe Are Combined With Distorted Electric Guitar, Or Exuberant String Ensembles With Heavy Industrial Drums.The Amalgamation Of Genres Contained In The Album Was Also Integral To The Choreography Of Sex, Where Walzes And Tangos Were Contrasted With Stage Diving, Slam Dancing And Moshpits. What Resulted Was A Surreal Ballroom, Loaded With Desire And Aggression. In The Same Vein, The Record Fearlessly Shapeshifts, Blends Genres And Styles Evoking An Impressive Array Of Moods. Oscillating Between Fragility And Flamboyance, Imhof And Douglas' Versatile Voices Reinvent Themselves From One Song To The Next, While Singing Songs Of Love And Hate.The Last Song On Sex Is Ended By A Quote Of The Band Low, `All You Pretty People, You`Re All Gonna Die`. This Ambiguous Moment, A Prophecy Sung In Douglas' Vibrating Baritone Voice, Rattles The Listener Despite The Mundane Truth Of The Statement. This Complexity Is Reflected In The Album Itself, Allowing For An Unusual Multiplicity Of Emotions And Interpretations With Impressive Depth And Dynamism.The Album Is Mixed & Engineered By Ville Haimala And Mastered By Rashad Becker, Featuring Design By Zak Group And Photography By Nadine Fraczcowski. All Tr...

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Toxe

Blinks

12" | 2018 | UK | Original (Pan)

17,99 €*

Incl. VAT plus Shipping Costs

Release: 2018 / UK – Original

Genre: Rock & Indie

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Swedish producer Toxe's sharp ascent through club-cursed climes has elicited the highest praise from the start. In just a few years she has linked up with Staycore and Halcyon Veil, presented an A/V project with The Vinyl Factory, and scored KENZO's FW 2016 prints presentation with close collaborator Mechatok. Her new EP 'Blinks' is a fractal bloom of candied melodies and minor laments set in a sweep of frenetic rhythmic scenes.Developed throughout last year, 'Blinks' journals a period of inward flux. And though this is never presented in an overtly self-conscious way on the EP, Toxe binds a sweet juvenilia with a bustling and eager pensive tone to outline her tessellating sense of self just below the surface.Meditative glimpses of soaring synthetic landscapes are woven across 'Blinks' in brief snatches. Awash in horrific and gripping fluorescent hues, these environments are augmented by a comically mischievous patchwork of voices and saccharine rasps that clamour for attention, hinting at Toxe's impulse to voice a simultaneous and unorganised set of experiences.The release is mastered by Jeremy Cox, featuring art by Jasper Spicero.

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