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Mytee G. Poetic - Com'n Wit Nuff Ruffness HHV Exclusive Blue Vinyl Edition
Mytee G. Poetic
Com'n Wit Nuff Ruffness HHV Exclusive Blue Vinyl Edition
2LP | 2018 | EU | Reissue (Hip Hop Enterprise)
42,99 €*
Release: 2018 / EU – Reissue
Genre: Hip Hop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
HHV exclusive vinyl edition on blue vinyl, limited to 100 copies.

Straight outta New Jerusalem, Mytee G. Poetic's classic "Com'n Wit Nuff Ruffness" is back on wax and CD in very limited fashion.

Only 2 copies per customer.
JPEGMAFIA - LP! Yellow Vinyl Edition
JPEGMAFIA
LP! Yellow Vinyl Edition
2LP | 2021 | WW | Reissue (Godmode)
58,99 €*
Release: 2021 / WW – Reissue
Genre: Hip Hop
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LP! is the fourth studio album from renowned Baltimore rapper Jpegamfia. Released on October 22nd, 2021 (his 32nd birthday), the album features guest appearances from DatPiMaa, Kimbra and Tkay Maidza. It received a great critical response from Pitchfork, NME, and more. The album thematically speaks to JPEG’s struggles within the music industry and staying true to his art, and is entirely self-produced like much of his work. Jpegmafia has established himself as one of today’s premiere contemporary and experimental hip hop artists, with over 1.5M monthly listeners on Spotify, and 500k+ Instagram followers. His fanbase is dedicated, excited and engaged with everything Jpegmafia does.
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
JPEGMAFIA - Veteran Clear Vinyl Edition
JPEGMAFIA
Veteran Clear Vinyl Edition
2LP | 2018 | WW | Reissue (Godmode)
49,99 €*
Release: 2018 / WW – Reissue
Genre: Hip Hop
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Megadeth - Rust in peace
Megadeth
Rust in peace
LP | 1990 | US | Reissue (Capitol)
36,99 €*
Release: 1990 / US – Reissue
Genre: Rock & Indie
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limited edition 180 gram vinyl
Gary Bartz - Another Earth Vinyl Me, Please Edition
Gary Bartz
Another Earth Vinyl Me, Please Edition
LP | 1969 | US | Reissue (Vinyl Me, Please)
33,99 €*
Release: 1969 / US – Reissue
Genre: Organic Grooves
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Why you'll love it...
During the pagan hours of an otherwise uneventful Harlem pre-dawn in 1963, Gary Bartz glimpsed a galactic mystery that conventional aeronautics could not explain. Only a few weeks prior, the nascent alto saxophone virtuoso had acquired his first telescope to pursue a newfound passion for astronomy. The purchase was already yielding dividends.

The recent Juilliard graduate’s fascination with the heavens began with astrology, but the then 22-year-old quickly realized that those celestial sketches were just photographs of the sky as captured during a specific orbit. Why bother with the rough blueprint when you could witness the entire electromagnetic spectrum in its full glory?
Linkin Park - A Thousand Suns
Linkin Park
A Thousand Suns
2LP | 2010 | DE | Original (Warner)
42,99 €*
Release: 2010 / DE – Original
Genre: Rock & Indie
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Spectac & Amiri - Beautiful Soul HHV Exclusive Violet Pink Vinyl Edition
Spectac & Amiri
Beautiful Soul HHV Exclusive Violet Pink Vinyl Edition
LP | 2024 | US | Original (Ill Adrenaline)
26,99 €*
Release: 2024 / US – Original
Genre: Hip Hop
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Preorder shipping from 2024-12-13
Limited to 100 copies. Underground hip-hop legends Spectac & Amiri are back with their latest offering, "Beautiful Soul", set for release through Ill Adrenaline Records. Known for their signature jazzy, soulful soundscapes and introspective lyricism, this album builds on the success of their critically acclaimed project Soul Beautiful. Once again, Amiri's soulful production lays the foundation for Spectac's sharp, reflective rhymes, proving the duo's chemistry is as potent as ever.

Amiri has long been praised for his ability to blend golden-era vibes with modern production techniques, crafting beats that seamlessly combine jazz, soul, and boom bap. Over the years, his work has earned a respected place in the underground scene, producing for a wide array of artists while staying true to his unique sound.

On the mic, Spectac is a seasoned emcee from South Carolina with roots in North Carolina, known for his witty wordplay and freestyle prowess. With a career spanning over a decade, his lyricism often explores personal experiences and societal issues, making his verses both relatable and thought-provoking. Together, the duo has earned the respect of underground hip-hop heads globally, delivering consistently high-quality music that blends nostalgia with fresh creativity.

Having worked with the likes of 9th Wonder, Big Daddy Kane, and A Tribe Called Quest, Spectac & Amiri are most definitely veterans in the game. Their releases have always been rooted in the spirit of true-school hip-hop, which has enabled them to maintain their underground presence for decades.

The lead single from Beautiful Soul, titled "Yeah Y’all", features their long-time friend and collaborator DJ Shakim, who adds his signature blend of scratches and cuts over Amiri’s dreamy instrumental. Spectac's effortless flow shines with lines like, "…me and Amiri not the greatest but close enough, a stone throws away from a J-Dilla donut…"

With tracks like "When We Do It", "Sermons for Bentleys", "Got a Feeling", and "Wake Up!", the duo dives into themes ranging from reflections on their personal journeys to commentary on the political and social challenges they've witnessed throughout their careers. As always, the album serves a balanced mix of lyrical depth and soulful vibes, offering something for both new listeners and longtime fans.

For those familiar with Spectac & Amiri, Beautiful Soul is a return to form, delivering the kind of lush, thoughtful hip-hop that's become their trademark. And for newcomers? Consider this your backstage pass to one of the best-kept secrets in the underground. Get ready, because once you hit play, you're not just listening — you’re vibing with legends.
Art Blakey - Moanin'
Art Blakey
Moanin'
LP | 1958 | EU | Reissue (Blue Note)
23,99 €*
Release: 1958 / EU – Reissue
Genre: Organic Grooves
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More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958’s Moanin’ — featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt —was the perfect crystallization of the band’s bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time.

Originally self-titled, the album was later renamed Moanin’ due to the popularity of Timmons’ unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including “Along Came Betty” and “Blues March.”

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
The Joe Harriott Quintet - Movement 60th Anniversary
The Joe Harriott Quintet
Movement 60th Anniversary
LP | 2024 | Original (Decca)
28,99 €*
Release: 2024 / Original
Genre: Organic Grooves
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Rick Wade - Detroit Noir EP
Rick Wade
Detroit Noir EP
12" | 2024 | EU | Original (Rawax Motor City Edition)
13,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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We are very happy to welcome back Mr. Rick Wade on the 25th Rawax Motor City Edition! It's almost the 4th release form Rick Wade on this series, which is dedicated to the Love for Detroit Music and in our opinion the strogest so far!
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
Lord Huron - Strange Trails
Lord Huron
Strange Trails
LP | 2017 | US | Reissue (Iamsound)
28,99 €*
Release: 2017 / US – Reissue
Genre: Rock & Indie
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Limited colored vinyl LP pressing. Lord Huron's debut album, Lonesome Dreams, was released in 2012 and the track "Ends of the Earth" was featured in the finale for the television series Community. The band's name was inspired by Lake Huron, the lake which frontman and Michigan native Ben Schneider grew up visiting and where he would spend evenings playing around the campfire. The group's second album, Strange Trails, was released in April 2015 and received positive reviews from music critics. Rachel Brodsky of Spin called the album "enchanting from start to finish," praising the lyricism, vocals, and instrumentation. The album's final song "The Night We Met" was featured in the popular Netflix series 13 Reasons Why.
Byrne & Barnes / Robert Byrne - Love You Out Of My Mind / Do You Wanna Make Some Love
Byrne & Barnes / Robert Byrne
Love You Out Of My Mind / Do You Wanna Make Some Love
7" | 2024 | EU | Original (Favorite)
13,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Electronic & Dance
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8 years after the official reissue of the LP “An Eye For An Eye” by Byrne & Barnes, Favorite Recordings proudly presents this new single release. The 7inch first includes the classic “Love You Out Of Your Mind”, extracted from the WestCoast classic LP, which was a one-stop collaboration between Robert Byrne and Brendan Barnes, however both display incredible music career and went on to produce for famous artists such as Pointer Sisters, Patti Austin, Earth Wind & Fire, or Phil Collins to name just a few. The song parades all the elements of the AOR style: a jazzy sometimes fusion approach, with modern soul and groove flavors. The other side features an exclusive and unreleased track by Robert Byrne, dug by the original executive producer up in his archives for our great pleasure. “Do You Wanna Make Some Love” is also nurtured with Westcoast and AOR vibes, while leering to Boogie and Disco influences. We have no doubt it will delight all the Byrne & Barnes music lovers and many more.
BP Infinite - Kill Or Be Killed
BP Infinite
Kill Or Be Killed
LP | 2024 | US | Original (Common Virtue)
32,99 €*
Release: 2024 / US – Original
Genre: Hip Hop
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Tom Petty - Wildflowers & All The Rest
Tom Petty
Wildflowers & All The Rest
3LP | 2020 | EU | Original (Warner)
46,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Janko Nilovic - Pop Impressions
Janko Nilovic
Pop Impressions
LP | 1972 | EU | Reissue (Underdog)
25,99 €*
Release: 1972 / EU – Reissue
Genre: Organic Grooves
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Remastered for the 2014 season!
V.A. - OST Cyberpunk 2077 Radio 1 Yellow Vinyl Edition
V.A.
OST Cyberpunk 2077 Radio 1 Yellow Vinyl Edition
LP | 2024 | FR | Original (Lakeshore)
36,99 €*
Release: 2024 / FR – Original
Genre: Soundtracks
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JPEGMAFIA & Danny Brown - Scaring The Hoes DLC Pack Lavender Vinyl Edition
JPEGMAFIA & Danny Brown
Scaring The Hoes DLC Pack Lavender Vinyl Edition
LP | 2024 | US | Original (Peggy)
31,99 €*
Release: 2024 / US – Original
Genre: Hip Hop
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Lavender Vinyl, 12" EP. JPEGMAFIA and Danny Brown return for the EP extension of their 2023 critically acclaimed album, SCARING THE HOES. SCARING THE HOES: DLC PACK contains four new songs that continue to showcase the energy and quirk of the duo that was revered on the full length album by Rolling Stone, Pitchfork, NPR and many more. These four songs continue to show off JPEGMAFIA and Danny Brown's impressive lyricism and exhilarating dynamics when the two come together.
J. Cole - 4 Your Eyez Only
J. Cole
4 Your Eyez Only
LP | 2017 | US | Original (Dreamville)
37,99 €*
Release: 2017 / US – Original
Genre: Hip Hop
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J. Cole's last album, 2014 Forest Hills Drive, was both a profound personal statement about childhood, sexual insecurities, adult angst, and the follies of success, on top of being an addictive listen with smooth beats that sounded closer to Jay-Z's prime in the early 2000s. But after hints at an early retirement and a declaration in September that he was going to stop performing for "a long time," it's a real sigh of relief to get this album. Partially recorded at the famous Electric Ladyland studios, J. Cole has made this his most intimate and personal album. He even jams out on the piano and guitar along to some of the tracks.
Martinou - Matter
Martinou
Matter
12" | 2024 | EU (Mule Musiq)
17,99 €*
Release: 2024 / EU
Genre: Electronic & Dance
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Oren Ambarchi - Quixotism 10th Anniversary Remastered Edition
Oren Ambarchi
Quixotism 10th Anniversary Remastered Edition
LP | 2024 | EU | Original (Black Truffle)
31,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Black Truffle is pleased to announce a tenth anniversary reissue of Oren Ambarchi’s Quixotism, originally released on Editions Mego in 2014. Recorded with a multitude of collaborators in Europe, Japan, Australia and the USA, Quixotism presents the fruit of two years of work in the form of a single, LP-length piece in five parts. Quixotism takes the driving rhythmic aspect of works such as Sagittarian Domain to new levels, with the entirety of this long-form work built on a foundation of pulsing double-time electronic percussion provided by Thomas Brinkmann. Beginning as almost subliminal propulsion behind cavernous orchestral textures and John Tilbury’s delicate piano interjections, the percussive elements (elaborated on by Ambarchi and Matt Chamberlain) slowly inch into the foreground of the piece before suddenly breaking out into a polyrhythmic shuffle around the halfway mark, and joined by master Japanese tabla player U-zhaan for the piece’s final, beautiful passages.

The pulse acts as thread leading the listener through a heterogeneous variety of acoustic spaces, from the concert hall in which the Icelandic Symphony Orchestra were recorded to the intimacy of crys cole’s contact-mic textures. Ambarchi’s guitar itself ranges over this wide variety of acoustic spaces, from airless, clipped tones to swirling, reverberated fog. Within the complex web Ambarchi spins over the piece’s steadily pulsing foundation, elements approach and recede in a non-linear fashion, even as the piece plots an overall course from the grey, almost Nono-esque reverberated space of its opening section to the crisp foreground presence of Jim O’Rourke’s synth and Evyind Kang’s strings in its final moments. Formally indebted to the side-long workouts of classic Cologne techno, the long-form works of composers such as Éliane Radigue and the organic push and pull of improvised performance, Quixotism is constantly in motion, yet its transitions happen slowly and steadily, often nearly imperceptible, the diverse elements which make up the piece succeeding one another with the logic of a dream.

At the time of its first release, Quixotism was clearly a summation of Ambarchi’s work in the years leading up to it. Now, listening back a decade later, it also seems like an arrow pointing to the future, suggesting paths that would be explored further in works to come: the pulsating guitar layers of Hubris, the album-length collaboration with Jim O’Rourke and U-zhaan on Hence, Shebang’s joyous layering and percussive drive. Now sounding better than ever in a new remaster by Joe Talia, the time is ripe to rediscover its quixotic charms.
DJ Deep & Traumer - Connected EP
DJ Deep & Traumer
Connected EP
12" | 2024 | EU | Original (Gettraum)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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French house legend DJ Deep takes control of get-traum s twelfth installment, incl. a rework from label head Traumer.
Yusef Lateef - Eastern Sounds Original Jazz Classics Series
Yusef Lateef
Eastern Sounds Original Jazz Classics Series
LP | 2023 | US | Original (Craft)
44,99 €*
Release: 2023 / US – Original
Genre: Organic Grooves
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Too $hort - Blow The Whistle
Too $hort
Blow The Whistle
LP | 2006 | US | Reissue (Get On Down)
38,99 €*
Release: 2006 / US – Reissue
Genre: Hip Hop
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Preorder shipping from 2024-11-08
Presented FOR THE First Time Ever ON Vinyl AS A Double LP IN A Gold Vinyl Pressing With A Fold-out Insert In 1996 Too $hort almost retired with album number ten, but of course, he couldn't stay away from the game. In 1999 he returned with Can't Stay Away and would pick back up his streak and release a new album every year until 2003. He had been living in Atlanta for several years and the ATL influence was growing on him as each album would feature more southern Hip-Hop artists and producers. Too $hort was starting to get crunk and made appearances on Lil Jon and The Eastside Boyz albums as their sound was growing in popularity in the early aughts. Lil Jon jumped on Too $hort's 14th album What's My Favorite Word in 2002 and would produce five songs on the 2003 follow up Married To The Game. $hort was not about to retire but took a three-year hiatus after the release of his 15th album. He returned in 2006 and dropped the hyped-up Lil Jon single "Blow The Whistle" and followed with his 16th studio album of the same name with Lil Jon and Jazze Pha behind the boards. The album is a mix of crunk, club, classic pimp tales, and some East Oakland hyphy courtesy of Droop-E and Rick Rock. Almost 20 years later "Blow The Whistle" can get any club or stadium bouncing and Too $hort don't stop rappin'.... Get On Down is proud to present Blow The Whistle for the first time on vinyl.
Khaled Barkat, Cheb Tati & Asif - Maghreb K7 Club - Disco Singles Volume 3
Khaled Barkat, Cheb Tati & Asif
Maghreb K7 Club - Disco Singles Volume 3
12" | 2024 | EU | Original (Sofa / Les Disques Bongo Joe)
18,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance
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Here's the third installment of Sofa Records' Disco Single series! Featuring four standout tracks from Algeria's 1980s music scene, this collection showcases the cultural diversity and creativity of the country. Listen here. Galouli Enshara (a1) and Zourini (b1) are two captivating pop-boogie-funk tracks by Khaled Barkat, a self-taught multi-instrumentalist from Algiers. Produced by Khaled himself in 1983, and recorded at the esteemed brothers Torki’s studio in Algiers along with his friends—and talented musicians —Yazid Fentazi, Redouane Ayoub, Mustapha Mekerkeband Mhenni Benlala. The album, if he had a certain success (Khaled Barkat is considered as a pop music iconin his country)was somewhat overshadowed by the popularity of other genres in Algeria, such as raï music. We're thrilled to put if for the first time on vinyl! And spread this music to a wider audience. Dub El Hammam (a2) is by raï vocalist Cheb Tati, hailing from Oran. In the 1980s, as raï gained recognition in the global music industry, Tati was brought to London in 1989 to record an album with reggae/dub producer Denis Bovell. Among other tracks, this heavy, top-notch 1980s digital dub track resulted from their collaboration. Last but not least, the final track on the single is sourced from the only known recording of Asif, a Kabyle band from Lille formed by three brothers. The band was created in the late 1970s, and the selected track, Tafsut (b2), was recorded in 1985. A beautiful pop-boogie tune that we considered a marvelous conclusion to this single. This record was made in collaboration with Les Disques Bongo Joe. All tracks are fully licensed.
F.Lli Paradiso - La Danza Della Giungla
F.Lli Paradiso
La Danza Della Giungla
12" | 2024 | EU | Original (La Sirenetta)
19,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Electronic & Dance
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Maledetta Discoteca proudly announces the birth of their first daughter LA Sirenetta (*The mermaid) and the release of her first record!

An hommage to the Italian Afro scene of the late 80s, La Sirenetta is a sub-label born to take World Music to the next level for the contemporary Dancing Club Scene. We aim at digging, selecting and editing obscure bangers from our analogue record collections, travelling from Martinique to Ivory Coast, from Nigeria to Haiti, and giving them back to deejays and dancefloors in high-quality, highly collectable, 12” releases.

PS : This is the first release of a series that will delight collectors of Afro and World Music…we won’t stop, we just started!
Legowelt - Dx Days / Bayville Cove
Legowelt
Dx Days / Bayville Cove
12" | 2010 | EU | Reissue (Clone West Coast Series)
14,99 €*
Release: 2010 / EU – Reissue
Genre: Electronic & Dance
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3 classic Legowelt "Slam Jack Deep Chicago Ghetto Technofunk" tracks from the Clone Records vaults get the deserved remaster treatment. The early 2000's Yamaha DX Synth tribute by Scheveningens Jackmaster never sounded better...
Czarface & MF DOOM - Super What? Black Vinyl Edition
Czarface & MF DOOM
Super What? Black Vinyl Edition
LP | 2021 | US | Original (Silver Age)
27,99 €*
Release: 2021 / US – Original
Genre: Hip Hop
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R.I.P. MF DOOM

Superhero? Supervillain? Super WHAT? CZARFACE & MF DOOM's newest team-up record Super What? is, much like the Avengers' arch-enemy Thanos...inevitable (and all-powerful!). The icon MF DOOM unleashes his wizardry and wordplay throughout the record, while CZARFACE (bolstered by the legendary Wu-Tang Clan's Inspectah Deck and Esoteric) slash through each of the Czar-Keys' produced tracks as the team raises the bar on their previous LP, Czarface meets Metalface (2018). Featuring golden-age superhero DMC (of RUN-DMC) and Hieroglyphics' leader Del The Funky Homosapien,
With art by longtime CZARFACE co-creator Lamour Supreme, this album will bring all the thrills of a cosmic summer blockbuster. Recorded and slated for an early 2020 release, and paused while COVID raged, this collaboration of masked men is finally finding its way to you on all formats.
Yellow Magic Orchestra - Solid State Survivor Black Vinyl Edition
Yellow Magic Orchestra
Solid State Survivor Black Vinyl Edition
LP | 1979 | EU | Reissue (Music On Vinyl)
30,99 €*
Release: 1979 / EU – Reissue
Genre: Pop
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YMO's second album Solid State Survivor was released in 1979, and represented numerous crossover tracks from Techno to New Wave. Solid State Survivor is probably the most sampled YMO album, as over the years several artists performed numerous covers of "Behind The Mask". This extremely popular album peaked at # 1 in several charts all over the world.

180g vinyl.
Format (Orlando Voorn) - #1
Format (Orlando Voorn)
#1
12" | 1991 | EU | Reissue (Only One)
12,99 €*
Release: 1991 / EU – Reissue
Genre: Electronic & Dance
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Only One Music presents Format aka Orlando Voorn! This classic masterpiece from 1991, originally released on ESP records, comes re-mastered to you back on vinyl!
Imagine Dragons - Night Visions
Imagine Dragons
Night Visions
LP | 2014 | EU | Original (Interscope)
28,99 €*
Release: 2014 / EU – Original
Genre: Pop
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Piper Y Su Orchestra Pimienta - Pensamiento
Piper Y Su Orchestra Pimienta
Pensamiento
7" | 2024 | EU | Original (Vampisoul)
15,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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The Kelly Family - Over The Hump 30th Anniversary Green Vinyl Edition
The Kelly Family
Over The Hump 30th Anniversary Green Vinyl Edition
LP | 2024 | EU | Original (Kel-Life)
23,99 €*
Release: 2024 / EU – Original
Genre: Pop
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V.A. - Cosmic American Music: Motel California Black Vinyl Edition
V.A.
Cosmic American Music: Motel California Black Vinyl Edition
2LP | 2024 | US | Original (Numero Group)
38,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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A companion to 2016's private countryrock overview Cosmic American Music,this second volume goes way past GramParsons' "country-rock plastic dry-fuck"and explores the twangy falsettos andcommercial curiosity that sent the Eaglessoaring. Though rooted in the west coastfolk rock of the late-'60s, these newkids in town rendered a safe-for-thesuburbssound bleached of the hippie era'spolitical strife. 20 tracks, two LPs, andgatefold tip-on sleeve for easy seed andstem separating are included.
The Cromagnon Band - Bad Night Quadrant
The Cromagnon Band
Bad Night Quadrant
7" | 2024 | EU | Original (BBE Music)
19,99 €*
Release: 2024 / EU – Original
Genre: Hip Hop
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Bladee - Eversince
Bladee
Eversince
LP | 2016 | UK | Reissue (Year0001)
25,99 €*
Release: 2016 / UK – Reissue
Genre: Hip Hop
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Rolando Simmons - Terrestrial Ultra-Doula EP
Rolando Simmons
Terrestrial Ultra-Doula EP
12" | 2024 | EU | Original (Analogical Force)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Not much to say on this one, Mattias Ostling aka Rolando Simmons is back on AF. You should know what you're in for: undeniably beautiful acid stuff, somewhere between propulsive and melancholy, lush but fidgety 4/4 beats...'Terrestrial Ultra-Doula EP' is a 4-track adventure that deftly dabbles in rave, IDM, techno and beyond in classic RS style. In his own words "Every completed project is the failure of an original idea and the triumph of a successful adaptation. These tracks were inspired by a dream and my subsequent reflections on it. Playing music for others is an act of alchemy that can alter thought patterns and life paths to varying degrees. It is a formidable power to wield." Ostling is one of those artists who works in a specific continuum but adds his own touch here and there--and when it comes to reverb-drenched, acid-lashed, wound-up IDM pitter-patter, not many can do it as well, or as elegantly, as this. Word, you're gonna need this one.
Caroline Polachek - Desire I Want To Turn Into You Copper Colored Vinyl Edition
Caroline Polachek
Desire I Want To Turn Into You Copper Colored Vinyl Edition
LP | 2023 | US | Original (Perpetual Novice)
28,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Raye - My 21st Century Blues
Raye
My 21st Century Blues
LP | 2023 | EU | Original (Human Re Sources)
26,99 €*
Release: 2023 / EU – Original
Genre: Pop
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Voilaaa - Remixes EP
Voilaaa
Remixes EP
12" | 2022 | EU | Original (Favorite)
13,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance
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Favorite Recordings presents Remixes by Voilaaa, a new EP built with exclusive versions of some of its biggest hits. Known for its Afro-Disco sound and strong dancefloor-friendly festive bangers, these new mixes bring another light to the successful project of Bruno "Patchworks" Hovart. On A Side, Voilaaa asked famous Brooklyn-based producer and remixer JKriv (Razor-N-Tape) to provide even more club energy to "Ku La Foon (feat. Lass)”, originally released on Voilaaa's third and last album. The result is a powerful bomb that won't give any rest to the crowd. The tracklist goes on with "Ben Bene La (feat. Lass)” reworked by Patchworks himself in a very Latin way, taking inspiration from the NY scene and its dancers, "Spanish Harlem" and Mongo Santamaria. You've got to play it loud and we're pretty sure you'll see some special moves on the dancefloor. On B side, you'll hear another Patchworks remix, this time with probably one of Voilaaa's biggest hits, "Spies Are Watching Me (feat Sir Jean)”. In the footsteps of Moodymann, Masters At Work or the UK Garage scene, Patchworks delivers here some of his classic house music energy. You may know he started his career with house music: he transformed this anthem into a proper deep house cut with the same passion! Finally, Voilaaa remixed himself! Working on "Tu Mens Devant Moi (feat. Ramatou Traore)”, Voilaaa carries the arrangement closer to the Angolese and Cape Verdean sound, reminding also the sound of Super Mama Djombo from Guinea Bissau. A tropical cut that will bring more and more sunshine to the club.
Fugazi - In On The Killtaker
Fugazi
In On The Killtaker
LP | 1993 | US | Reissue (Dischord)
19,99 €*
Release: 1993 / US – Reissue
Genre: Rock & Indie
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incl. Download Code
Feral - Chez Driss
Feral
Chez Driss
12" | 2024 | EU | Original (Hypnus)
20,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Released under the July full moon, 2024.

Early support from Abstract Division, Brando Lupi, Evigt Morker, Iori, Svreca, Takaaki Itoh, Cassegrain, Forest on Stasys, Joachim Spieth, Ness, Norbak, Polygonia, Svarog and Yuka.
Pat Metheny - Bright Size Life Luminessence Series
Pat Metheny
Bright Size Life Luminessence Series
LP | 2024 | EU | Original (ECM)
38,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Adlas - Nothing Else To Go By
Adlas
Nothing Else To Go By
12" | 2024 | EU | Original (Hayes)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Momo. - Gira
Momo.
Gira
LP | 2024 | EU | Original (Batov)
30,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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MOMO. releases his 7th album Gira, on Batov Records bringing together some very special musicians and guests from London"s bustling and hustling jazz community, with fellow Brazilian artists, recorded and cut to tape at East London"s Total Refreshment Center.
Bedouin Ascent - Science, Art And Ritual 30th Anniversary Edition
Bedouin Ascent
Science, Art And Ritual 30th Anniversary Edition
3LP | 2024 | EU | Original (Lapsus Perennial Series)
36,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Science, Art And Ritual' is a story of 'process'. Growing up in Harrow (a then quiet suburb of London) in the 70's and 80's from the age of about 10, Kingsuk Biswas aka Bedouin Ascent's ears opened up to sound as he scanned the airwaves. The undeniable righteousness of 80's dub via David Rodigan's Roots Rockers shows was the first prominent influence he received, and with punk roots --and his burgeoning record collection-- became exposed to the breathless post punk experimentation that followed in the early 80's sweeping up free jazz, noise, dub and much more. Throughout though, he maintained his fascination with Indian Classical music which was a mainstay in his parent's house and spoke with the same infinite space as Joy Division's 'Unknown Pleasures', and King Tubby's Studio dispatches. Through those teens he assembled and de-assembled, knocking about with fellow travellers --punk bands, garage, space rock, noise. Something was happening. On-U Sound, ECM, Factory Records kept him plugged in and sane. At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, Tr-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we'd now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn't yet plugged into the global conversation. At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, Tr-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we'd now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn't yet plugged into the global conversation. 'Science, Art And Ritual' was released in 1994 by Rising High Records and was presented as Bedouin Ascent's debut album, although 'Music for Particles' (released in 1995, again on Rising High) was recorded even before --'sar' sessions span from 1992-1993, whereas 'Music for Particles' were earlier from 1989-1992, with some older 4-track references from about 1986 too. Weaved in throughout the album are subconscious references to music that Kingsuk heard in the past that still remained within sight as companions. The opening track "Ancient Ocean Iii", referencing the extinct ocean Tethis, unapologetically channels Tackhead, Colourbox, Mantronix and Lee Perry. The style was also deliberately juxtaposed to the prevailing sound in techno at the time, which had locked onto a rigid form of symmetrical kicks and light snare drums. Elsewhere 80's soul and funk are frozen and captured in fragile glass lattices. Electric pianos resound throughout, such as in "He Is She", probably a half-memory of 70's MOR radio from childhood sleepy night drives. A duel between kick drums from three generations of Roland drum machines --tr-808, Tr-707 and R-8-- is a central theme in "Transition-R", all in conversation, calling and responding. These were not just machines to Bedouin Ascent, but part of an extended family, with heart and soul. Three decades after seeing the light, Lapsus is proud to present a special 30th anniversary reissue of this left-field techno gem in a repackaged and redesigned edition. All pressed on a deluxe 3LP marbled vinyl and including a limited lithographic insert print of the original album cover. All tracks have been restored and remastered directly from the original DAT tapes, and the album also features previously unreleased tracks such as "In the Clouds" and "Thru Water" --regularly performed live at that time and produced in the same period as the album sessions in 1993. 'Science, Art And Ritual' may refer to esoteric traditions in Indian philosophy, but equally embodies the collision of the science, the art and the ritual that is at the core of being immersed in a deep musical journey.
Favourite Artists (DJ Koze, Robag Wruhme, Superpitcher) - My Dear
Favourite Artists (DJ Koze, Robag Wruhme, Superpitcher)
My Dear
3LP | 2023 | EU | Original (My Dear)
24,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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Total Refreshment Centre - Transmissions From Total Refreshment Centre
Total Refreshment Centre
Transmissions From Total Refreshment Centre
LP | 2023 | EU | Original (Blue Note)
17,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
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All the best music has a community underneath it. The extended family around London’s Total Refreshment Centre (trc) connects continents and generations, creating the rich relationships in full effect on Transmissions From Total Refreshment Centre. It’s an eclectic and electric collection that draws from new school jazz, hip hop, dub, soul, funk, and drill: sounds you’ll hear trailing out of cars as they spin up the Kingsland Road or spiraling out of doorways like so much smoke. Turn it up loud to hear the widescreen young cousins of Guru’s landmark Jazzmatazz in full effect: top players from London, Chicago, and Melbourne seeking out new collaborations, new ways of working, or just new tunes, always coming back to that central truth – that we all need each other.
V.A. - Halloween Nuggets: Haunted Underground Classics
V.A.
Halloween Nuggets: Haunted Underground Classics
LP | 2022 | EU | Original (Rockbeat)
23,99 €*
Release: 2022 / EU – Original
Genre: Pop
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Diogo Strausz - Flight Of Sagittarius
Diogo Strausz
Flight Of Sagittarius
12" | 2022 | EU | Original (Goutte D'or)
13,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Electronic & Dance
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When producer, songwriter and multi-instrumentalist Diogo Strausz arrived in France for the first time, he already had an impressive CV. First, as part of the duo Balako, his music was released on Razor-NTape, Barefoot Beats and Greco-Roman after gaining the attention of Joe Goddard of Hot Chip. His tracks also have been played by Gilles Peterson on BBC 6. He also produced Brazilian indie artists such as Castello Branco and Alice Caymmi and remixed a track by Brazilian legend Gal Costa. Arrived in France, it is by signing the co-production of the disc "Les Bruits de la Ville" of Voyou or tracks for Julia Jean-Baptiste that he drew attention. Freshly signed on Goutte d'Or Records, affiliated label of Cracki Records, to whom we can thank for Agar Agar, Saint DX or Alma Elste, Diogo Strausz will present his first EP Flight of Sagittarius in April 2022. Flight of Sagittarius is both retro and current. Between the old school boogie of Marcos Valle and the jazz funk of Azymuth but also the sunny groove of Nu Genea or the electro-funk productions of Guts.
Björk - Post
Björk
Post
LP | 1995 | UK | Reissue (Caroline)
26,99 €*
Release: 1995 / UK – Reissue
Genre: Electronic & Dance
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Repress 2020 on 140g
Sleepnet - First Light Grey Marbled Vinyl Edition
Sleepnet
First Light Grey Marbled Vinyl Edition
LP | 2021 | EU | Original (Vision)
17,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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Inspired by true events.
Kali Uchis - Sin Miedo (Del Amor Y Otros Demonios)
Kali Uchis
Sin Miedo (Del Amor Y Otros Demonios)
LP | 2021 | EU | Original (EMI)
28,99 €*
Release: 2021 / EU – Original
Genre: Pop
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Hugo Kant - Far From Home
Hugo Kant
Far From Home
2LP | 2020 | EU | Original (Bellring)
23,99 €*
Release: 2020 / EU – Original
Genre: Electronic & Dance
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A download code is included. We are pleased to share with you Hugo Kant's 4th album, Far From Home, out on October 16th 2020 It seems like nothing can change the triennal cycle of his album releases: 2011, 2014, 2017, 2020.

You will recognize his meticulous sound and composition work, his soulful flute, rich percussions, and a wide diversity of traditional and contemporary instruments borrowed from different cultures and music styles. A wide range of emotions, often mixed together. An invitation to a mental journey.

This is a first : This multi-instrumentalist, who usually expresses himself through keyboards, flutes, basse, guitar, drums, flugelhorn, clarinet, and so, added a string to his bow. He did the vocals on both songs Sure The Sun Will Rise and Come With Me.
Jeff Parker - Suite For Max Brown
Jeff Parker
Suite For Max Brown
LP | 2020 | US | Original (International Anthem)
24,99 €*
Release: 2020 / US – Original
Genre: Organic Grooves
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"I'm always looking for ways to be surprised," says composer and multi instrumentalist Jeff Parker as he explains the process, and the thinking, behind his new album Suite for Max Brown, released via a new partnership between International Anthem and Nonesuch Records.
"If I sit down at the piano or with my guitar, with staff paper and a pencil, I'm eventually going to fall into writing patterns, into things I already know. So, when I make music, that's what I'm trying to get away from-the things that I know." Despite its musical departures, in presentation Suite for Max Brown is an informal companion piece to The New Breed, Parker's debut release on International Anthem, which was honored as one of the "Best Albums of 2016" by New York Times, Observer, and Los Angeles Times.
"I made The New Breed based off these old sample-based compositions and mixed them with improvising," Parker says. "That's in a nutshell how I make a lot of my music; it's a combination of sampling, editing, retriggering audio, and recording it, moving it around and trying to make it into something cohesive... With Max Brown, it's evolved." Though Parker collaborates with a coterie of musicians under the group name The New Breed, theirs is by no means a conventional "band" relationship.
Parker is very much a solo artist on Suite for Max Brown. His accompanists are often working alone with Parker, reacting to what Parker has provided them, and then Parker uses those individual parts to layer and assemble into his final tracks. The process may be relatively solitary and cerebral, but the results feel like in-the-moment jams-warm-hearted, human, alive. Suite for Max Brown brims with personality, boasting the rhythmic flow of hip hop and the soulful swing of jazz.
Angelo Badalamenti - OST Music From Twin Peaks Soundtrack Green Vinyl Edition
Angelo Badalamenti
OST Music From Twin Peaks Soundtrack Green Vinyl Edition
LP | 1990 | EU | Reissue (Rhino)
32,99 €*
Release: 1990 / EU – Reissue
Genre: Soundtracks
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The 1990 soundtrack to the TV Show Twin Peaks.
Michael Kiwanuka - KIWANUKA Black Vinyl Edition
Michael Kiwanuka
KIWANUKA Black Vinyl Edition
2LP | 2019 | EU | Original (Polydor)
27,99 €*
Release: 2019 / EU – Original
Genre: Organic Grooves
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Michael Kiwanuka releases his third studio album on 25th October 2019. Store exclusive special edition format includes Kiwanuka pressed onto heavyweight pink vinyl and includes a bonus 7".

‘KIWANUKA’ was recorded in New York, LA and London. Michael returned to the studio with Danger Mouse and Inflo, the same production team that combined so magnificently on Love & Hate, KIWANUKA finds a new assuredness in Michael’s writing, and takes the basic sonic blueprint of that last record to a dizzying new realm.

Michael will tell you of his love for records that entwine their songs with incidental skits and shape-shifting spiralling outros, so the listener experience is almost that of listening to one long, dramatic song. KIWANUKA fulfils that winding, dream-like haze, unhurried.
KIWANUKA is Michael serving from the heart, from the mind, and from the soul.

On the album title, Michael explains “This album, it’s kind of a defiant thing; I’m engaging with who I am and I’m not going to have an alter ego, or become Sasha Fierce or Ziggy Stardust, even through everyone’s telling me I need to be this, that or the other. I can just be Michael Kiwanuka.”
The Roots - Undun Black Vinyl Edition
The Roots
Undun Black Vinyl Edition
LP | 2018 | EU | Original (Def Jam)
22,99 €*
Release: 2018 / EU – Original
Genre: Hip Hop
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Official and limited reissue on Def Jam. Previously released as a 2LP set, this version has now been converted to 1LP, in addition to a limited edition CE color vinyl version.

Undun is the tenth studio album by The Roots, released on December 6, 2011. It is a concept album that tells the tragic, reverse-chronological story of a fictional character named Redford Stephens, a young man who becomes involved in a life of crime and meets an untimely death. The album explores the themes of fate, choice, and the socio-economic pressures that lead individuals into cycles of poverty, crime, and existential struggle.

Undun is told in reverse order, beginning with Redford’s death and slowly moving back through the key moments of his life that led to his demise. This structure provides a reflective, somber narrative, examining the forces that shaped his decisions and eventual downfall.
The album’s narrative structure emphasizes the sense of inevitability and regret, making it a powerful meditation on the fragility of life and the consequences of choices.
The character of Redford Stephens was inspired by a piece of music by composer Sufjan Stevens, titled "Redford (For Yia-Yia and Pappou)." This instrumental track is reinterpreted and appears toward the end of the album, underscoring its emotional weight.

Musically, Undun is a mix of hip-hop, neo-soul, orchestral elements, and art rock. The production is lush yet sparse, with haunting melodies, complex arrangements, and The Roots' trademark live instrumentation.
Questlove’s drumming and Black Thought’s lyricism are central to the album, with the music often using minimalist beats and atmospheric soundscapes to complement the lyrical themes of existential despair and reflection.
The album also features moments of instrumental interludes, which add to the cinematic and conceptual feel of the project.

Key Tracks and Highlights:
"Sleep" – The album’s opening track (which depicts the final moment of Redford’s life) is introspective and haunting. Black Thought raps about the moments before death, with lyrics like "I’ve lost a lot of sleep to dreams" capturing the sense of hopelessness and inevitability.
"Make My" (featuring Big K.R.I.T.) – This single features a melancholic beat and lyrics that delve into regret and introspection, with Big K.R.I.T.'s verse complementing Black Thought’s meditations on life and death.
"One Time" (featuring Phonte and Dice Raw) – A standout track that focuses on the idea of seizing moments and making choices, set to a gritty, understated beat. Black Thought and guest rapper Phonte trade verses, exploring themes of existential crisis and fleeting opportunities.
"Kool On" (featuring Greg Porn and Truck North) – One of the lighter, more groove-driven tracks on the album, yet still reflective, with lyrics addressing Redford’s attempts to navigate the temptations and pressures of street life.
"The Otherside" – A soul-stirring track that looks at the crossroads between life and death, with deeply philosophical lyrics. Black Thought’s introspective verse, combined with Dice Raw’s somber chorus, reflects the haunting struggle between moral choices and survival.
"Tip the Scale" – A reflection on the difficulty of breaking free from the cyclical patterns of poverty and crime, with Black Thought delivering some of the most emotionally raw and philosophical verses on the album.
"Redford" (the instrumental suite) – A moving four-part instrumental conclusion, drawing from Sufjan Stevens' original composition. This suite, made up of piano, strings, and drums, evokes the emotional depth of Redford’s life and his ultimate fate.

Existentialism and Free Will: The album continually questions the role of fate versus choice. Redford’s life is portrayed as a series of decisions that, while influenced by his environment, ultimately lead to his downfall, raising questions about whether he had any real control over his fate.
Social Injustice and Poverty: Many of the lyrics explore how systemic injustice, poverty, and lack of opportunity can push individuals into lives of crime. The album highlights the harsh realities faced by young Black men in America, grappling with the intersections of race, class, and violence.
Regret and Reflection: Much of the album has a reflective, mournful tone as Black Thought and other guest vocalists deliver verses that look back at life’s moments, filled with what-ifs and regrets, exploring the loss of potential and the weight of past decisions.
Production and Collaborations:
The album is largely produced by The Roots themselves, with Questlove overseeing much of the production. The minimalist yet atmospheric production style mirrors the album’s darker themes, with an emphasis on live instruments.
Undun includes collaborations with Big K.R.I.T., Phonte, Dice Raw, Truck North, and Greg Porn, all of whom contribute to the narrative through their verses and vocal contributions.

Undun received widespread critical acclaim for its ambitious concept, narrative depth, and emotional resonance. Critics praised the album for its cohesive storytelling, complex themes, and innovative production.
Many hailed it as one of The Roots' best albums, with its conceptual depth and musical sophistication setting it apart from conventional hip-hop albums.
The album was noted for its maturity and introspective tone, marking a departure from The Roots’ earlier, more outwardly political works, and instead focusing on the internal struggles of the individual within a broken system.

Undun is often regarded as one of the best concept albums in hip-hop, comparable to works like Kendrick Lamar’s good kid, m.A.A.d city for its narrative depth and thematic richness.
The album’s reverse chronology and philosophical musings influenced other artists looking to explore more experimental and narrative-driven albums.
Undun reinforced The Roots' reputation as one of the most innovative and thoughtful acts in hip-hop, further blurring the lines between rap, live instrumentation, and high-concept artistry.

Undun is a deeply reflective and philosophical album, focusing on the life and fate of a character caught between the societal pressures and personal choices that ultimately lead to his demise. With its reverse storytelling, live instrumentation, and poignant lyricism, the album stands as one of The Roots’ most emotionally complex and musically innovative works. It challenges listeners to think deeply about the forces that shape lives and the fine line between survival and destruction.
Wire - Pink Flag
Wire
Pink Flag
LP | 1977 | UK | Reissue (Pink Flag)
27,99 €*
Release: 1977 / UK – Reissue
Genre: Rock & Indie
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Elliott Smith - Roman Candle
Elliott Smith
Roman Candle
LP | 1994 | EU | Reissue (Universal)
22,99 €*
Release: 1994 / EU – Reissue
Genre: Rock & Indie
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Back in print!

"Roman Candle" is the debut studio album by American singer-songwriter Elliott Smith.

Steven Paul "Elliott" Smith (1969 –2003) was an American singer, songwriter, and musician. Smith was born in Omaha, Nebraska, raised primarily in Texas, and lived for much of his life in Portland, Oregon, where he first gained popularity. Smith's primary instrument was the guitar, though he was also proficient with piano, clarinet, bass guitar, drums, and harmonica. Smith had a distinctive vocal style, characterized by his "whispery, spiderweb-thin delivery", and used multi-tracking to create vocal layers, textures, and harmonies.

Smith began his solo career in 1994, with releases on the independent record labels Cavity Search and Kill Rock Stars (KRS). In 1997, he signed a contract with DreamWorks Records, for which he recorded two albums. Smith rose to mainstream prominence when his song "Miss Misery"—included in the soundtrack for the film Good Will Hunting (1997)—was nominated for an Oscar in the Best Original Song category in 1998.

Smith had trouble with alcohol and other drugs throughout his life, while suffering from depression, and these topics often appear in his lyrics. In 2003, aged 34, he died in Los Angeles, California, from two stab wounds to the chest. The autopsy evidence was inconclusive as to whether the wounds were self-inflicted. At the time of his death, Smith was working on his sixth studio album, “From a Basement on the Hill”, which was posthumously completed and released in 2004.
Evanescence - Fallen
Evanescence
Fallen
LP | 2003 | EU | Reissue (Concord)
22,99 €*
Release: 2003 / EU – Reissue
Genre: Rock & Indie
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Finally, again available on vinyl!!

"Fallen" is the debut studio album by American rock band Evanescence. After releasing several EPs and a demo CD, the group signed to Wind-up in January 2001
Laurent Garnier - Speicher 95 Tribute EP
Laurent Garnier
Speicher 95 Tribute EP
12" | 2017 | DE | Original (Kompakt Extra)
12,99 €*
Release: 2017 / DE – Original
Genre: Electronic & Dance
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"One Saturday in February I was having an amazing night playing at Oval Space in London. In the middle of my set I dropped '1-4 Doctor C'est Chouette'. A fan came up to the DJ booth to ask me what I was playing. When I told him it was one of my new tracks, he replied - to my surprise - 'There's so much melancholy in this track, what were you thinking about when you made it?' His question struck a deep chord: he had understood what I was feeling when I made the track - isn't that what music is all about? But did I really have to tell him the story? It wasn't the place or the time to get into a deep conversation, so I simply smiled at him to thank him for his enthusiasm. There are times in our lives when we should dedicate a little something to people or places that are important to us. This is what this record is all about: just to say I love you, I miss you or just simply thank you." Laurent Garnier
Funkdoobiest - Which Doobie U B?
Funkdoobiest
Which Doobie U B?
LP | 1993 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 1993 / EU – Reissue
Genre: Hip Hop
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180 gram black vinyl pressing!

Funkdoobiest is an American rap group from Los Angeles, California.
The original members were Son Doobie, DJ Ralph M and Tomahawk Funk. Which Doobie U B? is the debut studio album by the Latino rap group Funkdoobiest.
DJ Muggs was the executive producer for this album. Tracks on the album are performed by Son Doobie and Tomahawk Funk, including additional Cypress Hill member B-Real on the track "Wopbabalubop".
Hence the album is very much in line with the Cypress Hill productions. "It all works anyway", according to Allmusic review writer Steve Huey, he continues "Muggs is in his absolute prime as a producer here, and Son Doobie's rhymes are fittingly surreal and stoner-friendly, albeit more cartoonish than menacing like his Cypress counterpart".
The album title derived from a line in an episode of the 1970s sitcom What's Happening!!, when the main character, Raj, is introduced to special guests The Doobie Brothers.
Weval - Weval
Weval
Weval
2LP | 2016 | DE | Original (Kompakt)
27,99 €*
Release: 2016 / DE – Original
Genre: Electronic & Dance
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It includes a download code. When Kompakt came across Amsterdam-based Harm Coolen and Merijn Schotte Albers aka Weval back in 2014, we were blown away when we heard their slow-burning, darkly emotive tracks. No doubt about it: this is Weval's most powerful and organic material yet - which means a lot, considering the amount of skill already on display in their small, but weighty portfolio.
Leon Thomas - Electric Dusk
Leon Thomas
Electric Dusk
LP | 2024 | US | Original (Motown)
36,99 €*
Release: 2024 / US – Original
Genre: Organic Grooves
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Leon Thomas - "Electric Dusk" / Celebrating the 1-year anniversary of Leon Thomas' album, Electric Dusk, with this translucent emerald green vinyl and exclusive poster. Featuring the standout singles "Breaking Point" and "Crash & Burn." Motown; Motown Records; R&B EXPLICIT
Labelle - Nightbirds Vinyl Me, Please Edition
Labelle
Nightbirds Vinyl Me, Please Edition
LP | 2024 | US | Original (Vinyl Me, Please)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Why you'll love it...
50 years after its release, Nightbirds stands not only as the group’s peak, but as one of the most vibrant and scintillating releases from the glam rock era. In a moment when popular favor tended to congeal around lone white men making music, Labelle dug into the power of its triadic bond. The three voices wove together, each distinct in its character and yet all pulsing with a singular desire: to cleave open the limits of this world and clear the ground for the future that hung just above the clouds, sounding down to us, so close you could taste it in the rain.
Role Model - Kansas Anymore
Role Model
Kansas Anymore
LP | 2024 | MX | Original (Interscope)
36,99 €*
Release: 2024 / MX – Original
Genre: Pop
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Role Model's sophomore album "Kansas Anymore" is inspired by homesickness, heartbreak, and the process of redefining oneself. He began the project in 2022 but, faced with the ending of a formative relationship, he scrapped much of this early work. On his own and reinspired, he started anew, collaborating with Noah Conrad, Ian Fitchuk, Scott Harris & Jonah Shy to craft "Kansas Anymore" - a folk-tinged, lyric driven album featuring 13 new songs including "Oh Gemini" and "Deeply Still in Love."
Ki/Ki - 5 Mins Of Acid
Ki/Ki
5 Mins Of Acid
12" | 2024 | EU | Original (Slash)
16,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Stepping to the forefront with her commanding acid techno sound, label boss Ki/ki hands out two tickets to late-night mayhem. From the pulsating bass, dreamy pads and feisty acid chunks in '5 Mins Of Acid' - a nod to her live concept and a staple in her recent sets - to the ceaseless pounding of 'Don't Stop', 'slash010' will be the main cause of roaring crowds for the months to come.
Cinthie - You Know How EP
Cinthie
You Know How EP
12" | 2024 | EU | Original (803 Crystalgrooves)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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LP Giobbi - Dotr White Vinyl Edition
LP Giobbi
Dotr White Vinyl Edition
2LP | 2024 | UK | Original (Counter)
34,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Antraum (Anton & Traumer) - OMAKASE 004
Antraum (Anton & Traumer)
OMAKASE 004
12" | 2024 | EU | Original (Omakase)
15,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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When the duo promised to release some of their most sought after tunes at a faster pace, they werent lying? Antraum is back for the fourth installment of their Omakase imprint ? reserve your copy, while you can !
Henkel - Slow Down
Henkel
Slow Down
LP | 2024 | US | Original (Madlib Invazion Music Library Series)
26,99 €*
Release: 2024 / US – Original
Genre: Organic Grooves
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Frits Wentink - Spiritual Basslines Black Vinyl Edtion
Frits Wentink
Spiritual Basslines Black Vinyl Edtion
12" | 2024 | EU | Original (Clone Royal Oak)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Frits Wentink returns to the Clone Royal Oak series with a smooth 4 track EP with his signature intricate rhythms, lush melodies, and playful approach to production. But rather than a technical issue this is all about the spiritual connection with the bassline! Bumpy basslines on the title track, playful and laidback basslines on "Eternity" and "Golfcart Joyride", and last but not least the smooth, deep driving basslines on Olympiad! Works in the club, works in your home. Spiritual connected and well-produced modern house tracks from the man Wentink!
Tom Misch - Quarantine Sessions
Tom Misch
Quarantine Sessions
LP | 2023 | EU | Original (Beyond The Groove)
21,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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$uicideboy$ - Sing Me A Lullaby My Sweet Temptation Green Vinyl Edition
$uicideboy$
Sing Me A Lullaby My Sweet Temptation Green Vinyl Edition
LP | 2023 | Original (G59)
31,99 €*
Release: 2023 / Original
Genre: Hip Hop
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Dbfb - Radiant Ep Red Marbled Vinyl Edition
Dbfb
Radiant Ep Red Marbled Vinyl Edition
12" | 2024 | EU | Original (Planet Rhythm)
13,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Markus Suckut - SCKT10 Galaxy Vinyl Edition
Markus Suckut
SCKT10 Galaxy Vinyl Edition
12" | 2024 | EU | Original (SCKT)
14,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Subtle and straight groovin techno mover. All tracks written and produced by Markus Suckut. Revinyl Version.
Jean-Michel Jarre - Versailles 400
Jean-Michel Jarre
Versailles 400
LP | 2024 | US | Original (Columbia)
60,99 €*
Release: 2024 / US – Original
Genre: Electronic & Dance
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Motorist - Exhibition Of Speed EP
Motorist
Exhibition Of Speed EP
12" | 2023 | EU | Original (Time Is Now)
16,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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Ken Boothe - Let's Get It On
Ken Boothe
Let's Get It On
LP | 2024 | EU | Original (Music On Vinyl)
28,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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Boa - Whiplash
Boa
Whiplash
LP | 2024 | Original (Nettwerk)
25,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Samurai Breaks - Turbo Diesel EP
Samurai Breaks
Turbo Diesel EP
12" | 2024 | EU | Original (Time Is Now)
15,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Preorder shipping from 2024-11-01
V.A. - Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition
V.A.
Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
53,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).
Aqua - Barbie Girl Limited Edition
Aqua
Barbie Girl Limited Edition
7" | 2017 | Reissue (Republic)
13,99 €*
Release: 2017 / Reissue
Genre: Pop
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Spectac & Amiri - Beautiful Soul Black Vinyl Edition
Spectac & Amiri
Beautiful Soul Black Vinyl Edition
LP | 2024 | US | Original (Ill Adrenaline)
24,99 €*
Release: 2024 / US – Original
Genre: Hip Hop
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Preorder shipping from 2024-12-13
Underground hip-hop legends Spectac & Amiri are back with their latest offering, "Beautiful Soul", set for release through Ill Adrenaline Records. Known for their signature jazzy, soulful soundscapes and introspective lyricism, this album builds on the success of their critically acclaimed project Soul Beautiful. Once again, Amiri's soulful production lays the foundation for Spectac's sharp, reflective rhymes, proving the duo's chemistry is as potent as ever.

Amiri has long been praised for his ability to blend golden-era vibes with modern production techniques, crafting beats that seamlessly combine jazz, soul, and boom bap. Over the years, his work has earned a respected place in the underground scene, producing for a wide array of artists while staying true to his unique sound.

On the mic, Spectac is a seasoned emcee from South Carolina with roots in North Carolina, known for his witty wordplay and freestyle prowess. With a career spanning over a decade, his lyricism often explores personal experiences and societal issues, making his verses both relatable and thought-provoking. Together, the duo has earned the respect of underground hip-hop heads globally, delivering consistently high-quality music that blends nostalgia with fresh creativity.

Having worked with the likes of 9th Wonder, Big Daddy Kane, and A Tribe Called Quest, Spectac & Amiri are most definitely veterans in the game. Their releases have always been rooted in the spirit of true-school hip-hop, which has enabled them to maintain their underground presence for decades.

The lead single from Beautiful Soul, titled "Yeah Y’all", features their long-time friend and collaborator DJ Shakim, who adds his signature blend of scratches and cuts over Amiri’s dreamy instrumental. Spectac's effortless flow shines with lines like, "…me and Amiri not the greatest but close enough, a stone throws away from a J-Dilla donut…"

With tracks like "When We Do It", "Sermons for Bentleys", "Got a Feeling", and "Wake Up!", the duo dives into themes ranging from reflections on their personal journeys to commentary on the political and social challenges they've witnessed throughout their careers. As always, the album serves a balanced mix of lyrical depth and soulful vibes, offering something for both new listeners and longtime fans.

For those familiar with Spectac & Amiri, Beautiful Soul is a return to form, delivering the kind of lush, thoughtful hip-hop that's become their trademark. And for newcomers? Consider this your backstage pass to one of the best-kept secrets in the underground. Get ready, because once you hit play, you're not just listening — you’re vibing with legends.
Koherent - Grunge EP
Koherent
Grunge EP
12" | 2023 | EU | Original (Overview Music)
17,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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Cody Jinks - Backside Of 30 Colored Vinyl Edition
Cody Jinks
Backside Of 30 Colored Vinyl Edition
2LP | 2024 | EU | Original (Late August)
22,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Rex84 - Come For You
Rex84
Come For You
12" | 2024 | EU | Original (Juanita)
13,99 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Alonzo and M Parent join forces bringing their gutter-laced sound, through combining their analog and modular studios into a dark cohesion for Juanita Recordings. Alonzo is a Brooklyn based producer, originally from Miami and has released on W.T., Zement, Cultivated Electronics, Kraftjerkz, Rotterhague (as Lithium Parasites with Vidrio), and LSE amongst others. M Parent is a Philly based producer, originally from Connecticut and has released on Zement, Sons of Traders, Acid Camp, Lost Soul Enterprises, and Spectral Sound (as Seer with Maroje T) amongst others.
Masarima - Freak Like U Remixes 1
Masarima
Freak Like U Remixes 1
12" | 2023 | EU | Original (Clone Royal Oak)
13,99 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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The Cure - Seventeen Seconds
The Cure
Seventeen Seconds
LP | 1980 | EU | Reissue (Polydor)
22,99 €*
Release: 1980 / EU – Reissue
Genre: Rock & Indie
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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.
Coldpast & Tuff Trax - Fluffs EP
Coldpast & Tuff Trax
Fluffs EP
12" | 2022 | EU | Original (Time Is Now White)
14,99 €*
Release: 2022 / EU – Original
Genre: Electronic & Dance
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Shall Not Fade family member Tuff Trax is joined by fellow Melbourner Cold Past on an upbeat 5-tracker focusing on danceability and ultimately: fun. Fluffs EP is full of bubbly melodies, anthemic piano stabs and, at times, rolling timpani drums that add another layer of depth.
Antonio Vivaldi - Le Quattro Stagioni / Die Vier Jahreszeiten
Antonio Vivaldi
Le Quattro Stagioni / Die Vier Jahreszeiten
LP | 1959 | EU | Reissue (Vinyl Passion Classical)
17,99 €*
Release: 1959 / EU – Reissue
Genre: Classical Music
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Birth Control - Operation
Birth Control
Operation
LP | 1971 | EU | Reissue (Ohr)
26,99 €*
Release: 1971 / EU – Reissue
Genre: Rock & Indie
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Re-release of the second album of the Berlin outfit on the original OHR label. Produced by the famous photographer Didi Zill in 1971 at Hansa Studios.
FKJ & Tom Misch - Losing My Way
FKJ & Tom Misch
Losing My Way
12" | 2021 | EU | Original (FKJ)
17,99 €*
Release: 2021 / EU – Original
Genre: Electronic & Dance
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V.A. - Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds Of Japan 1980-1988 Cloudy Clear Vinyl Edition
V.A.
Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds Of Japan 1980-1988 Cloudy Clear Vinyl Edition
2LP | 2021 | US | Original (Light In The Attic)
16,99 €*
Release: 2021 / US – Original
Genre: Electronic & Dance
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Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988 hovers vibe–wise between two distinct poles within Light In The Attic’s acclaimed Japan Archival Series—Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 and Pacific Breeze: Japanese City Pop, AOR & Boogie 1976–1986. All three albums showcase recordings produced during Japan’s soaring bubble economy of the 1980s, an era in which aesthetic visions and consumerism merged. Music echoed the nation’s prosperity and with financial abundance came the luxury to dream.

Sonically, Somewhere Between mines the midpoint between Kankyō Ongaku’s sparkling atmospherics and Pacific Breeze’s metropolitan boogie. The compilation encompasses ambient pop, underground electronics, liminal minimalism and shadow sounds—all descriptors emphasizing the hazy nature of the nebula. Out–of–focus rhythms wear ethereal accoutrements, ballads are shrouded in static, and angular drums snake skyward on transcendent tones. From the Avant–minimalism of Mkwaju Ensemble and Yoshio Ojima, to the leftfield techno-pop of Mishio Ogawa and Noriko Miyamoto (featuring members of Ymo), and highlights from the groundbreaking Osaka underground label Vanity Records, these are blurry constellations defying collective categorization.

These tracks also exist in a space of transition when the major label grip on the Japanese recording market began to give way to the escalation of independents. Thanks to the idyllic economic climate and innovations in domestically–manufactured music gear, creators on the edges were empowered to focus on satisfying their artistic visions in the open headspace of home studios. While labels like Warner Music and Nippon Columbia explored new sounds through traditional channels, it was possible for Vanity, Balcony and other indie labels, not to mention self–released artists like Ojima and Naoki Asai, to publish their work via affordable media such as cassettes, 7" vinyl, and flexi–discs.

Expertly curated by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab), Somewhere Between is a collection of music, much of it released for the first time outside Japan, that is bound more by energetic vibration than shared history, genre or scene. They are the sounds of transition and searching—a celebration of the freedom found in floating.

Note: The track “Days Man” by Yoshio Ojima is only available on the LP and Cassette versions.
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