Hip Hop 317 Items

Gatefold cover with comic book! Vinyl has a few scuffs and hairlines, close to NM.

Copy is close to NM!

Vinyl with a couple of light scuffs. Cover with hype sticker

Still shrink wrapped but opened.
Includes original inner sleeves.
Records are close to VG+
Includes CD in NM condition.

This is a very limited edition of only a few test pressings made of Kutmasta Kurt & Kool Keith's collaborative 1997 EP, “Your Mom Is My Wife”.

KutMasta Kurt Digs deep into his archives to put together this compelling 6 track EP of previously unreleased recordings he and Keith recorded in 1996-1997. This Post “Sex Style” and Pre “Dr. Dooom” material helps further illustrate why they are one of Hip-Hop's favorite collaborators from the 90’s and beyond.

Green translucent vinyl.

close to NM. hand numbered limited edition

This is a very limited edition of only a few test pressings made to Kool Keith’s aka. Dr. Dooom’s “First Come, First Served”.

The problem with being recognized as a creative genius is that you've got to live up to it 24/7. Kool Keith was given such a mantle upon the release of the “Dr. Octagonecologist” album, and it's not something he seems happy about: on the first track of “First Come, First Served”, he--as Dr. Dooom--kills Octagon. It's the perfect move for Keith, and it sets the tone for the album, which is a mix of humorous tracks (""Neighbors Next Door,"" which asks you to imagine having Keith and Jacky Jasper living in the next apartment, and ""You Live at Home with Your Mom"") and songs on which Keith lays down the law (""No Chorus"" and ""Leave Me Alone""). Few MCs could hope to match Keith, but here--rapping over knocked-off Octagon grooves (produced with Kutmaster Kurt, they're still more innovative than most) and settling lots of personal scores--he sounds like he's just trying to get a bunch of ideas out of his head as quickly as possible. Still, there's an amazing EP's worth of material here, but it's spread over a full album. Minus the filler, Dooom might just be Octagon's better. --Randy Silver

Limited edition of 300 copies on yellow vinyl

Only 21 numbered copies made with custom Threshold test labels!

For the first time on vinyl.

Finally available on vinyl: "Damn.", Kendrick's fourth studio album!

Celebrating the 5th anniversary of Conway's legendary tape with DJ Green Lantern "Reject On Steroids" with a vinyl reissue in collaboration with Drumwork Music. Tape features guest appearances by Royce Da 5'9" and Benny, and productions by DJ Green Lantern. For the occasion we have two different artworks by Shk, limited to 1500 units each.

The late, great J Dilla is widely regarded as one of the greatest hiphop producers of all time. An innovator who pushed the genre in new sonic directions, the Detroit native born James Yancey crafted
timeless soundscapes for the likes of Slum Village, Busta Rhymes, Common, Erykah Badu, A Tribe Called Quest, The Roots, and many more. Since his death in 2006, Dilla’s mother Maureen “Ma Dukes”
Yancey has worked tirelessly to further her son’s legacy, and her latest effort is the new posthumous album Motor City. Inspired by Dilla’s beloved hometown, Motor City is a collection of rare and
unreleased Jay Dee instrumentals, hand-selected and sequenced by Ma Dukes. Conceived as a “letter” to her son, Motor City is packaged in a limited-edition mailing envelope, complete with a handwritten
message from Ma Dukes to J Dilla inside. Both CD and vinyl formats also include access to an exclusive mix of the album by Dilla’s close friend J Rocc, a world-renown DJ and founder of the Beat Junkies.

Here's another volume of treats from the Othorized archives. Unreleased tracks include the studio version of “Mugshots” (demo version #2), “Kwue's Body Shop”, and “Krakow”. “Bring It On” gets its first vinyl treatment after initially appearing on the group's 1st “Amendment” CDr in 2001. “Flamboyant Rap” you likely know from their 1995 12" and “Money Getters” from their 1994 debut single.
All tracks written and produced by Othorized Fam. Cover art by Spek The Architek, logo design by Othorized, labels by Debonair P.

Repress 2023
After the release of his 2011 debut ‘Blue Slide Park’, Mac Miller started using promethazine to cope with the album’s negative reviews and subsequent stress of his Macadelic tour.
Maybe that’s why his second LP proper, ‘Watching Movies With The Sound Off’, is hazy and somewhat introspective. “You was Easy Mac with the cheesy raps / Who the f*ck is Mac Miller?” a male voice asks midway through the 70-minute recording.
He doesn’t get too personal; instead, Miller spits disoriented rhymes atop an equally disjointed soundtrack. He glorifies his drug habit one moment while atoning for it the next. “Halleluah, thank God I have a future,” Miller raps on ‘The Star Room’; “Praying I don’t waste it getting faded.”
With ‘Movies’, Miller channels his past addiction into an impressive set of stoner rap, far beyond the carefree ‘Blue Slide Park.’ These sounds are heavier and Miller flows naturally in this element. He still likes a good time, but he’s giving us more of himself in the process. Looks like he’s growing up after all. - clashmusic.com

After over a year spent in a slight creative slump in a crumbling terraced house in Tottenham, Jam Baxter rang his label boss while heavily intoxicated to request they fly him to Bangkok forthwith, to rejoin forces with '...so we ate them whole' producer and engineer, Chemo. After an initial period of understandable hesitancy, the flights were booked and Baxter found himself suddenly regurgitated from the belly of a Jet Airliner into the magical and surreal surroundings of ‘Mansion 38’.

The album features Dirty Dike, Dabbla, Lee Scott & Trellion and comes shrink wrapped with a full colour 8 page booklet containing photos and Jam Baxter's 'Morning Revelation Elixir' recipe.

Originally released in 2017, Loyle Carner’s album Yesterday’s Gone will be released on picture disc for Record Store Day 2023.Loyle chose photos of him and his beloved poodle Ringo for the front and reverse of the disc: “People say I should have a rottweiler”, says Loyle, “But I like poodles”. Nominated for the 2017 Mercury prize, Yesterday’s Gone is a certified classic of UK hip-hop which continues to win new fans as it’s remarkable streaming figures prove.

J. Cole's last album, 2014 Forest Hills Drive, was both a profound personal statement about childhood, sexual insecurities, adult angst, and the follies of success, on top of being an addictive listen with smooth beats that sounded closer to Jay-Z's prime in the early 2000s. But after hints at an early retirement and a declaration in September that he was going to stop performing for "a long time," it's a real sigh of relief to get this album. Partially recorded at the famous Electric Ladyland studios, J. Cole has made this his most intimate and personal album. He even jams out on the piano and guitar along to some of the tracks.

Prince Paul hit Chopped Herring up to release this dope early 90's project!!

The first incarnation of the group was formed around 1989 in Amityville, Long Island, New York, although the family grew up in Long Island. The family of four brothers (Anthony, Richard, Joel, and Edward) and one sister (Dawne), of which Anthony (Poetic) was the eldest, were born to Trinidadian parents who moved from Trinidad and Tobago in 1971, making their first residence in Queens, New York for a short time, then moving to Long Island. John Berkeley (a pastor and a local businessman) and Ela Berkeley (a homemaker, cook-nutritionist, and teacher) were both singers and artistic in general, and they encouraged artistic expression in their five children. The family was well-rounded musically, singing gospel and R&B up to their early teens all around New York, other states, and Canada as "The Berkeley Singers". Anthony (Poetic), Dawne, and Joel (Brainstorm) sang, accompanied by Richard on the drums and Eddie (E-Sharp) on the piano or keyboard.

Poetic began rhyming in his early teens in Wyandanch, and was known by many names and building a name for himself as a lyrical battle MC. He changed his name to Poetic around 1985, and in 1986 he formed the crew known as Too Poetic, who in 1988-89 released a modestly popular single called: “God Made Me Funky/Poetical Terror”, under the DNA/Tommy Boy Music imprint. The group’s relationship with Tommy Boy Records eventually panned out for various reasons, scrapping the album and making Poetic very displeased, an early casualty of the politics of the music business.

While Poetic was just beginning his formal hip hop career in 1987–89, Brainstorm was attending college at the State University of New York at Farmingdale, Long Island, where he was the roommate of Brooklyn’s own Super DJ Richie Rich (who had been in Third Base, Clark Kent’s Supermen, and the movie Juice). The university was host to many hip hop artists as visitors for parties and to do shows like Rakim, EPMD, Producer-Super DJ Clark Kent, and Biz Markie.

After Brainstorm finished his college run in 1989, he took time to learn many aspects of the music business, but in 1989 he and Poetic mutually decided to pair up with a hardcore lyrical edge, original word play, and acute metaphors, after many collaborations between them since 1985. Thus, Da Bruthas G.R.Y.M. was born shortly after Too Poetic’s deal with DNA/Tommy Boy had soured. The energy and high chemistry between these true by-blood brothers at the time was, simply put, natural.

In the first Bruthas G.R.Y.M. era (c. 1989–1992), the brothers Poetic (Brother One) and Brainstorm (Brother Two) garnered much respect on the underground hip hop scene of New York Their first official demo featured the underground bangers like “Bruthas G.R.Y.M.”, “Circle-Circle-Dot-Dot”, the politically charged “Popcorn” and “Livin’ In Hell (Had To Survive)”. The demo featured production mastering by Nate "NATO" Tinsley, their in-house producer Semi-Automatic (Pedro Sims, Mr. Semi, Gravediggaz), and the brothers themselves. After blazing underground radio and live shows around New York City, they were listed in The Source magazine as the best unsigned rap group of 1989. The crew was then managed by longtime friend Jack Pope (Jack Sprat, Starving Artists Entertainment), who later became the road manager of the Gravediggaz.

These cassette tape “dubs” floated around the New York streets in the late 1980s and early 1990s, and their demo eventually made their way to the seasoned musical ear of fellow Amityvillain Prince Paul (Stetsasonic, De La Soul, Gravediggaz) from his association with the local Long Island artists who had met the brothers and saw their raw talent. In 1990 Prince Paul decided to fund and executive produce further demos, finding various other known and up-and-coming producers for the unnamed project, as well as being the tentative DJ for the group.

Then the unfortunate happened – being disenfranchised by the politics and games of the music business and life in general, Brainstorm just quit altogether for “personal enlightenment”, before any formal deal could solidify. Poetic understood about Brainstorm’s personal path at that stage in his life, but was silently devastated because they were so close to sealing a major record deal that would have propelled them further into Hip Hop history.

Their original demo, even today, is still one of Prince Paul’s favorites. It was not until 1992 that Poetic, after Brainstorm quit in 1991, that it is said that Poetic “fell on hard times”, including a short period of homelessness.

Brainstorm would continue to write for leisure and therapeutic reasoning, but never to seriously pursue a music career, moving to Brooklyn New York and later down south to various states; in fact, Brainstorm was so “finished with Hip Hop” that he gave Poetic all of his original rhyme books to use at his own discretion – some lyrics ending up on Gravediggaz projects.