Organic Grooves 1869 Items

Release: 2020 / EU – Original

Genre: Organic Grooves

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Afro Discoteca Reworked & Reloved By Calibro 35, Jolly Mare, L.U.C.A., pAd

Alessandro Alessandroni

12" | 2020 | EU | Original (Four Flies)

19,99 €*

Meat.Karaoke.Quality.Time.

Release: 2020 / EU – Original

Genre: Organic Grooves

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March 2017: Alessandro Alessandroni’s AFRO DISCOTECA is released on a blasting 12’’ containing 4 cosmic/disco tracks drawing influences from African music - never published before these incredibly powerful and evocative recordings were rescued from an old dusty tape found in the Maestro’s vaults. The EP became an instant classic for diggers and worldwide tastemakers, bringing the name of Alessandroni to new audiences, far beyond the circle of film scores and library music aficionados.
March 2019: Four Flies asks to a rock band (CALIBRO 35) and three amongst the most brilliant and visionary Italian DJs and producers (Jolly Mare, L.U.C.A., pAd) to rework the original tracks, giving them new life for refined modern dancefloors.
The result is a stunning collection of electronic/cosmic/balearic reworks, which respects the spirit of Alessandroni’s compositions, projecting them into our present.

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Futura Bold

| 2020 | DE | Original (Umland)

8,99 €*

Release: 2020 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2020 | UK | Original (RareNoise Records)

The End

Allt Är Intet

26,99 €*

It's Only Us Butterscotch Swirl Vinyl Edition

Release: 2020 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Beige vinyl

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Monophonics

LP | 2020 | US | Reissue (Colemine)

27,99 €*

Dialectic Soul Clear Vinyl Edition

Release: 2020 / US – Reissue

Genre: Organic Grooves

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With a timeless sound that blends heavy soul and psych-rock, Monophonics have built a reputation over the past decade as one of the best live bands in the country. Led by singer Kelly Finnigan, the band of has drawn on their colorful history _ both their experiences as veteran touring performers and as individuals growing up in the Bay Area _ to create "It's Only Us," their fourth release since 2012.A reflection of what they see as the current state of the world, the record touches on difficult subjects such as broken relationships, mental health issues, gun violence and power struggles, all with an underlying message of unity, resilience and acceptance. The band's signature style of arrangement has been expanded with top-notch production and creative instrumentation to round out the Monophonics' trademark soul sound, while Finnigan's vocals are more powerful than ever. At times these tracks can feel classic, as familiar as an old song you grew up with, while simultaneously raising questions about the state of music in 2020 and what the future might hold."It's Only Us" is the sound of a group continuing to grow as songwriters, musicians, performers and people _ reflecting on where they've been, and pushing the boundaries of what's possible in the years to come.

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Asher Gamedze

LP | 2020 | EU | Reissue (On Teh Corner)

29,99 €*

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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All News Is Good News Black Vinyl Edition

Surprise Chef

LP | 2020 | EU | Original (Mr Bongo)

LP | 2017 | EU | Original (Favorite)

Release: 2020 / EU – Original

Genre: Organic Grooves

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There is something simultaneously both brand-new and retro about 'All News Is Good News’ - the debut album from Melbourne's instrumental soul group Surprise Chef. It sounds like something dreamt up by lo-fi cousins of David Axelrod and Janko Nilovic, with dramatic Library-music-eqsue cinematic arrangements echoing both light and dark, delving into moments of dissonance and positivity. There is a meticulous education of 1970’s soul on display that touches on the legacies of the great composer / producers, yet at the same time this is a truly contemporary record that could have only been made now. The first limited pressing of 'All News Is Good News’ was released on the band's own 'College Of Knowledge' imprint in November 2019. It slipped rapidly into the collective consciousness of underground music lovers around the world, with all copies selling out within a week and becoming a firm favourite at Mr Bongo HQ in the process. We felt Surprise Chef had made something very special, a future-classic, and that needed to be heard well beyond those lucky enough to have bagged those limited first copies. Formed at the end of 2017, Surprise Chef have grown within the fertile, creative, and supportive Melbourne music scene. Whilst the band is comprised of four core members, the album features friends and family as guest instrumentalists on flute, saxophone, vibraphone, congas, and assorted percussion; all adeptly recorded by engineer Henry Jenkins from the band Karate Boogaloo. The warm-raw-authenticity of the album was captured in the recordings live to tape over a handful of sessions in the band’s home studio in Melbourne’s inner-northern suburb of Coburg. As band member Lachlan Stuckey explains “All of the music we record is tracked live to tape, simply because so many of the records we love most were made that way". The results are a captivating journey of instrumental cinematic-soul that will connect with the hardened Axelrod, Truth & Soul, El Michels Affair, and Daptone's fans, as well as the open-minded first-time listener. We are very excited to share this first slice of Surprise Chef’s world, with plenty more magic from these guys coming around the corner very soon.

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Al Sunny

Time To Decide

Release: 2017 / EU – Original

Genre: Organic Grooves

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Al Sunny is a young composer emerging from the French soul music scene. Soon after learning the guitar, he started composing and became involved in numerous projects and collaborations. Al has been influenced by pop, rock, and electronic music, always with a foundation in the “Black” and “Soul” sound.
During his conservatory studies, he refined his knowledge and confirmed his desire to write and compose. The will to establish himself on a solo project became stronger and stronger. He quickly discovered deep inside himself the music that he truly loves, inspired by artists such as Tim Maia, America, Al Green, and Al Jarreau. Thru his guitar, he gives birth to the majority of his compositions and always seeks to bring the melody of his songs to the forefront. During his studies he met musicians including Florian Pellissier, then professor at the conservatory and a confirmed pianist who worked on various projects such as Guts, Anthony Joseph, Florian Pellissier Quintet, and Shola Adissa.
It's then thanks to Florian that Al Sunny meets Pascal Rioux, founder and A&R of Favorite Recordings. Immediately seduced and impressed by his talent and the various demos that he listened to, Pascal invites the young musician to collaborate and produce an album within Favorite Recordings. Together they agree on a musical direction looking towards the West coast movement of the 70s and 80s. This direction includes influences like Steely Dan, The Doobie Brothers, and Ned Doheny, of whom Al Sunny covers the classic “Get It Up For Love” on the new album.
With Time To Decide, Al Sunny shows us the premise of his music style, infused with Blue-Eyed-Soul, Pop and Folk. Written and composed by himself, it’s in close collaboration with Florian Pellissier that his songs came to life. Under the guidance of Pascal Rioux and Favorite Recordings, the production of this album ensures a sound and a final result worthy of the best classics of the genre.

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LP | 2020 | AU | Original (The Roundtable)

Pyramid Pieces 2

26,99 €*

In Velvet Black Vinyl Edition

Release: 2020 / AU – Original

Genre: Organic Grooves

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Following the critical acclaim of the 2020 compilation Pyramid Pieces, The Roundtable return with a second offering of modernist jazz from Australia. Another vital document further examining the nation’s jazz scene during the late 1960s and 70s. A fertile period that witnessed the birth of an in-dependent movement and the development of a distinct Australian jazz sound. While continuing to focus on the modal forms explored in Volume 1, this second edition shifts direction slightly, this time also surveying other post-bop modes representative of the scene including soul jazz, avant-garde ballet music and Eric Dolphy-inspired free jazz.

Again featuring tracks from the esteemed independent imprints Jazznote and 44 Records, the col-lection also offers never before published pieces from less obvious Australian jazz groups. Compo-sitions by internationally renowned musicians including Bob Bertles (Nucleus/Neil Ardley), Bruce Cale (The Spontaneous Music Ensemble/Prince Lasha) and Allan Zavod (Frank Zappa) alongside pillars of the local scene, Charlie Munro and Ted Vining plus the lesser-known yet formidable free jazz unit ‘Out To Lunch’. Pyramid Pieces 2 is another timely insight into the evolution of the in-credible yet obscured Australian modern jazz movement.

• A compilation of Australian modern jazz. 1969-1980

• Rare modal, soul-jazz and free jazz from artists including The Charlie Munro Trio, Bob Bertles Moontrane, The Bruce Cale Quintet and The Ted Vining Trio.

• Tip-on sleeve featuring artwork from renowned Australian modernist painter James Meldrum.

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Nordmann

LP | 2020 | EU | Original (Unday)

Tape | 2020 | US | Original (Peoples Potential Unlimited)

Release: 2020 / EU – Original

Genre: Organic Grooves

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On the band's third album 'In Velvet', Nordmann reinvent themselves, causing a profound shift in their distinctive sound.They trade in the rock influences in favour of synths, electronic textures and beats. The new music is more reflective, though without ever losing focus on the instincts.

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Wool & The Pants

Wool In The Pool

13,99 €*

7" | 2020 | EU | Original (Mr Bongo)

Release: 2020 / US – Original

Genre: Organic Grooves

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The PPU debut EP from Japan outfit Wool & The Pants. The Tokyo trio includes players; Yu Tokumo (Guitar / Vocals), Kento Enokida (Bass), and Aki Nakagomi (Drums). First discovered in 2017 by Mad Love, Tokumo has been making this music since 2008 drawing inspiration from Jagatara, Kimidori, Daisuke Tobari, Sakana, Think Tank, Les Rallizes Denudes, ECD, Haruomi Hosono, Can, Syd Barrett, Laraaji, and SunRa.

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Jorge Ben

Curumin Chama

7" | 2020 | EU | Original (Mr Bongo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Our much in-demand series of classic Brazilian 45s are back! Featuring a vibrant new design, we’ve curated yet more wants-list regulars and unearthed fresh finds from Brazil that are destined to become collector’s items in their own right. Number 80 in our Brazil.45 series, aptly sees a double-sider focusing on the awesome 80's recordings by one of the giants of Brazilian music, Jorge Ben. First up is the addictive, building groove of 'Curumin Chama Cunhãtã Que Eu Vou Contar (Todo Dia Era Dia De Índio)’. Taken from the 'Dádiva' album from 1981, and originally released on Som Livre Records. A homage to the indigenous people and tribes of Brazil. The flip features one of Jorge's most beloved Brazilian-Boogie joints, 'Rio Babilônia’, which celebrates life in Rio, partying, the beach, and the city’s iconic monuments. The song was originally released on a compacto and taken from the 'Dádiva' album from 1983, it features arrangements by the late-great, Lincoln Olivetti.

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Sven Wunder

Magnolia / Lotus

7" | 2020 | EU | Original (Mr Bongo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Mr Bongo presents a new and exciting collaborative project with Swedish label Piano Piano Records. Hearing the Swedish outfit Sven Wunder for the first time is as refreshing as an ice-cold Limoncello after an Italian meal. One of those bands that feel instantly familiar like an old friend, yet simultaneously fresh and new. Straight away we fell in love with their sound and knew we had to work with them. The Sven Wunder 'Wabi Sabi' 7" is the second collaborative release between Mr Bongo and Piano Piano Records. 'Wabi Sabi' is Sven Wunder’s follow up to the already contemporary cult-classic album 'Doğu Çiçekleri (Eastern Flowers) from 2019. Not one to be complacent and recreate a carbon copy of their previous works, Sven Wunder switched from the psychedelic-Turkish-funk sounds of 'Doğu Çiçekleri' to the Japanese inspired ethereal funk of 'Wabi Sabi'. We have selected the tracks ‘Hanami’ and ‘Shinrinyoko’ for this collector’s edition 7’. Japanese artists such as Hozan Yamamoto, Tadao Sawai, Kazue Sawai, spring to mind, but also David Axelrod and Dorothy Ashby on the beautiful string-led 'Hanami' with it's laid-back funk breaks. 'Shinrinyoku' has a slightly more raw cinematic-funk sound, yet is cushioned with warm strings and tripped-out keys - pure, rare-library music vibes. We are delighted to be able to release these amazing tracks, cut at the Timmion Records Cutting Lab in Finland.

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Sven Wunder

Hanami / Shinrinyoku

LP | 2020 | EU | Original (Piano Piano)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Sven Wunder

Wabi Sabi

LP | 2020 | EU | Original (Polysom)

Release: 2020 / EU – Original

Genre: Organic Grooves

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By welcoming the beauty of imperfection and simplicity, Sven Wunder applies the timeless wisdom of wabi sabi on this musical journey. What you can hear is filtered through Ukiyo-e (which translates as pictures of the floating world), which illustrates everyday life, as well as through Japonism, the study of Japanese art, and more specifically its influence on European works. The result is a surface that creates an illusion by sound. The infusion of Miny? with jazz rock, this hazy scene evokes the landscape of Monets The Water Lily Pond, which depicts the painters Giverny garden, with a Japanese bridge, bamboo, ginkgo trees and the reflection of the sky in the pond. This illusion constructs both time and space.

The surface of the music, like the canvas of the painting, invents a journey between now and then by interpreting the idiom of folkloric and western art instruments. In this composition, the sound of the Western concert flute, which stretches back to the Renaissance and Baroque periods, evokes the sound of the bamboo-flute (shakuchachi), which reached its peak during the Edo period. The guzheng, also known as the Chinese zither, with a more than 2,500 year history, joins traditional Japanese folk melodies with modern pop percussion and 20th century electronic instruments such as the Moog synthesizer, Wurlitzer electric piano and electric bass.

This is the illusion that celebrates the fleeting nature of all things. A journey. A deep inhale and a slow exhale. It has a mix of jazz (both funky and progressive), East Asian and South Asian sounds. The idea of fusing these styles and reframing them with the aesthetic of wabi sabi is to reconnect with nature and concentrate on asymmetries and emphasize ornamentation to generate new ways of looking at the world, here and now.

This record is produced with financial support from the Swedish Arts Council.

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Marcos Valle

Cinzento

37,99 €* 39,99 € -5%

Release: 2020 / EU – Original

Genre: Organic Grooves

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Matthew Tavares & Leland Whitty

Visions Red Vinyl Edition

2LP | 2020 | EU | Original (Mr Bongo)

12" | 2020 | EU | Original (Secousse)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Germany exclusive Edition on Red Vinyl. ‘Visions’ is a new collaborative album from BADBADNOTGOOD co-founders, Matthew Tavares and Leland Whitty. The Grammy Award winning, multi-platinum producers have been performing and writing music together for 10 years. They have achieved international acclaim with BADBADNOTGOOD and Tavares’ recent solo single ’Self-Portrait’ has been championed by tastemakers such as Gilles Peterson and Benji B. ‘Visions’ is the latest upshot of their incredibly fruitful partnership.
Recorded in Toronto, it was produced by Tavares and Whitty - with Tavares also mixing the album and arranging strings. After a three-week writing period it was played in its entirety in one continuous studio session; almost all the tracks on the album are the first take. Tavares is on piano and guitar, Whitty on saxophone and flute. The rhythm section of Julian Anderson-Bowes on bass and Matthew Chalmers on drums completes the players. They make an impressive collective and are performing at the peak of their powers.

Conceptually the album is a canvas for a combination of composition and group free-form improvisation. Tavares and Whitty are the sole composers, but with some tracks collectively improvised, there is also a group dynamic running through the album. The outcome is a sublime melting pot of modern jazz, impressionist classical music and Arthur Verocai-esque arrangements. It is a sound that is hard to date; it is certainly of the now but is also reminiscent of a lost classic. Similar to the process of its creation, the optimal listening experience for ‘Visions’ is in its entirety. As a coherent body of work it draws the listener in with waves of intensity and crescendos that release back into tranquility - there is both darkness and light in the album’s narrative arc. There is also rawness and honesty to the music, which makes it feel like an intensely personal and intimate offering.

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Orchestre Les Mangelepa

Nyako Konya

Anywhere Trouble Feat. Cristina Violle

Release: 2020 / EU – Original

Genre: Organic Grooves

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Nairobi, Kenya, 1978. In the Phonogram Ltd. music studio, the popular Congolese Rumba band Les Mangelepa is finishing a session. Things are going well: they have recorded all the music they planned and still have an hour to kill before giving back the studio keys. How about improvising one last song on the spot?
And this is how “Nyako Konya” was born. An incredible 9 minutes hypnotic jam, that’ll eventually become one of their biggest tunes, earning them a Gold record and international acclaim throughout Africa.
Meticulously restored and remastered by French engineer Nicolas Thelliez, the original version is featured here together with remixes by three talented producers: French House/Disco producer extraordinaire Yuksek and his wall of sound skills, Netherlands’ Afro lovers and world famous studio maverick Umoja delivering a space dub Lee Scratch Perry style, and last but not least, the trademarked syncopated stabs from Brooklyn’s Uproot Andy.

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Franck Biyong

12" | 2020 | EU | Original (Hot Casa)

Bossacucanova & Roberto Menescal

Release: 2020 / EU – Original

Genre: Organic Grooves

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After a few other successful projects, Franck Biyong, French-Cameroonian Afrobeat composer, guitar player and singer is back on Hot Casa with a hot futuristic Afro-Brazilian club anthem.
The similarities and filiations between traditional West-African drumming and Afro-Brazilian religious musical rites are many: under colonial rule African people and African slaves outwardly practiced Christianity but secretly prayed to their own God, Gods, or Ancestor spirits. So we aimed at keeping the gritty urban menacing sound and poetry of Afrobeat with the percussive mass rumble of Batucada and poignant beauty of Carioca. We then got in touch with Cristina Violle, the first lady of “Samba de Roda” in Paris who graced us with a startling inspired and heartfelt melody. The first completed version of the song then briefly went on alternative radio, we also made plans to release a vinyl version, but for one way or another we shelved the project, without thinking we would get back to it again…until a few months ago.
We went back to the studio last summer and started ironing the song again from scratch. That same initial spirit and energy caught hold of us again from the day we started and we worked relentlessly to create a balanced but experimental track, showcasing rootsy sound, pop instrumentation, tight world beat drumming, song structure, jazzy horns, spacey synthesizers, choral-like vocal harmonies with call and response figurative vocals.
We now proudly present this brand new record; Like our predecessors years ago, we subconsciously did our best to keep alive a longtime tradition of cultural tradition of African Artistic Renaissance, pushing further musical themes of contemporary African sound. To be continued…

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Bossa Got The Blues

LP | 2020 | EU | Original (Polysom)

37,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2017 | EU | Original (Favorite)

Joao Selva

Natureza

Afoxe Ponto De Oxossi / Rosa Mulher

Release: 2017 / EU – Original

Genre: Organic Grooves

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Favorite Recordings proudly presents Natureza, first album of Joao Selva. The story of Natureza is made of the meeting between two passionate artists who are Jonathan "Matuto" Da Silva and Bruno "Patchworks" Hovart.
Born and raised in Ipanema and son of a pastor, Jonathan Da Silva grew up in a community of ex-prisoners and converted artists. He made his first guitar notes before his 10th birthday, under the watchful eye of Wanda Sa (muse of the bossa nova), and influenced by a father who in addition to his work, was also a true music lover with a collection, where black music, rock and classical meet. From the age of 18, Jonathan began a life of entertainer, traveling the world to offer shows for disadvantaged children and intensively practicing the Brazilian traditional music arts (Capoeira Angola, Maracatu, Samba de Roda, Coco de Roda...). It was later in France and in Lyon that he put down his instruments. There he formed the trio Forro de Rebeca in 2008, touring the all country and winning many praise in media. The trio recently joined forces with American producer Maga Bo on the project Sociedade Recreativa, whose album was released in 2016 on The Jarring Effects label.
Bruno Hovart is a recognized producer, multi-instrumentalist, and remixer. After passing through Angers, Birmingham and London, he’s based in Lyon since 2001. Bassist and guitarist for various bands, he switched to production in the mid-90s. Passionate about music and tireless creator, Bruno has practiced in almost every imaginable style, when it comes to groove music, collecting many aliases and projects for more than 10 years: Patchworks, Voilaaa, Uptown Funk Empire, Mr President, Taggy Matcher, Mr. Day, Hawa, John Milk, Lightnin 3, The Dynamics or Metropolitan Jazz Affair ... Nothing resists and escapes his talent and production skills. Thus, when he discovered and met Jonathan and his music, Bruno saw an immediate opportunity to broaden the spectrum of his discography a little more, by looking at Brazil.
Beyond its traditional heritage, Brazil has always been a land of extremely varied music, influenced by the international scene. Soul, Jazz and American Pop did inspire many local stars such as Chico Buarque, Carlos Jobim, Gilberto Gil, Tom Zé, or Erasmo Carlos. Both fervent lovers of this movement and these names, it’s with the idea to pay them a faithful tribute, that Jonathan and Bruno began the Joao Selva adventure. Together they gave birth to Natureza and embark us for a trip into the heart of the Tropicalist Pop influences of Jorge Ben and Caetano Veloso, the intoxicating Funk of Tim Maia, and the social poetry of Vinicius de Moraes.

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Grupo Arembepe

7" | 2014 | BR | Original (Candonga)

7" | 2014 | BR | Original (Candonga)

Release: 2014 / BR – Original

Genre: Organic Grooves

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Limited edition repress of those brazilian beauties!

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Grupo Arembepe

Iaia / La Na Esquina

LP | 2011 | UK | Original (Mr Bongo)

Release: 2014 / BR – Original

Genre: Organic Grooves

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Limited edition repress of those brazilian beauties!

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Tom Ze

Grande Liquidacao

Release: 2011 / UK – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Vampisoul)

Los Afroins

Goza La Sala

III Colored Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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The aptly named Goza La Salsa (Enjoy Salsa) is the second album by Los Afroins, the flagship salsa band of the obscure but beloved INS label (Industria Nacional Del Sonido Ltda., Medellín, Colombia). The combo's repertoire focused mostly on cover versions hit tunes from New York, Cuba and Puerto Rico, both classic and contemporary, but for this record, their sophomore outing from 1975, their arrangements got tighter and there are more original compositions, which makes for a satisfying evolution in both style and content. Pianist Agustín "El Conde" Martínez, who would later work with Joe Arroyo and Juan Piña, led the group and did some arranging, with studio session production by INS artistic director Alfredo "Sabor" Linares. The vocals were handled by a pair of fresh-faced singers, Lucho Puerto Rico and Roy "Tayrona" Betancourt, who would later go on to fame in the 1980s, the former with his own Lucho Puerto Rico Y Su Conjunto Sonero and Conjunto Son Del Barrio (both in collaboration with Alfredo Linares), and the latter with Willie Salcedo, Reales Brass De Colombia, and Los Caribes. Additional arrangements were by Luis Felipe Basto of Los Black Stars and Luis E Mosquera, while the rest of the band was made up of INS related studio musicians. Goza La Salsa is just as hard to find as their first record and contains 10 bright and sassy salsa dura treasures that light up the dance floor with their incessant rhythms, syncopated trumpets and trombone and buoyant melodies. There are smoking covers of hits by Panama's Bush y sus Magníficos ('Salsa Al Pindin') and Bronx timbalero Orlando Marín and His Orchestra ('Está De Bala') as well as updated renditions of old Cuban chestnuts 'La Masacre' (written by Joseíto Fernández of 'Guantanamera' fame, and a hit for Cuarteto Caney) and 'Matusa' (originally titled 'Macusa', composed by Francisco Repilado aka Compay Segundo and made famous by Duo Los Compadres). This time around there are six excellent originals with the hottest pair being Lucho Puerto Rico's theme s...

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24 Carat Black

LP | 2020 | US | Reissue (Numero Group)

26,99 €*

Mad Madis Twist / Shultz Thing

Release: 2020 / US – Reissue

Genre: Organic Grooves

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Champagne Wave VinylFrom Shrine to Stax, Isaac Hayes to Gloria Ann Taylor, The Mad Lads to The Staples Singers, Detroit to Atlanta, Kendrick to Pusha-T, Dale Warren's singular voice is the lone constant. Beneath the ethereal beauty of his productions was a genius crippled by his unbridled id. His ever-evolving 24-Carat Black project spanned the '70s, producing a masterpiece and an unfinished follow up. Discovered in a storage space were Warren's 1980s demos cut with grown n' sexy divas Princess Hearn, Vicki Gray, and LaRhonda LeGette right before his untimely death at the age of 50. III is an unfinished symphony that peels away the final layer of Dale Warren's mysterious oeuvre.

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Penza Penza

7" | 2020 | US | Original (Funk Night)

A Cosmic Poet From Martinique (1979-1989)

Release: 2020 / US – Original

Genre: Organic Grooves

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Limited to 300 copies.

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Gratien Midonet

2LP | 2020 | EU | Original (Time Capsule)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Creole poetry, folk mysticism and heavy-grooving cosmic synths combine on this unprecedented survey of spiritual Martinique polymath Gratien Midonet’s first four albums.

“I always broke free from the rules, from codes being too narrow,” says poet, musician and sonic shaman Gratien Midonet. “I have always had this sense of peaceful knowledge that there is no separation between genres, beings and universal things.”

For Midonet, pushing musical boundaries was less a choice than an extension of his spirit. A self-taught guitarist and composer,

drawing on his childhood memories of bélé and beguine rhythms, Midonet’s musical life developed in parallel to his academic and spiritual pursuits. Studying philosophy and psychopedagogy in France, it was his fascination with pan-Africanism and animism which fuelled the transcendent energy of his music. Although Midonet honed his sound in France, the four albums he released during the

late ‘70s and ‘80s were heavily inspired by diasporic nostalgia, or what he describes as the “smells and colours… subliminal noises… fruity notes, the memories of funeral wakes, the bombastic organ of the cathedral and the gasps of the drums” of his childhood home on the Caribbean island of Martinique.

Fittingly, it’s there that Midonet achieved cult status for the title track of his 1979 debut, Van An Lévè, which became a protest anthem for the island’s independence movement, and was briefly censored by the French authorities. Look no further than ‘Mari Rhont Ouve La Pot’, which opens this collection, to hear the propulsive mix of cosmic synths, acoustic folk, and Creole lyricism that became the essence of Midonet’s sound. Released on Martinique label Touloulou, Van An Lévè was followed in 1980 by L’inité, whose tropical acid folk (‘M’en ka Monté Mon’) and majestic, violin-led melodies (‘Kannaval Sakré Pou Tout Z’Heb Poussé’) confirmed Midonet’s unique and intuitive approach to composition.

Not content to skip effortlessly between genres and influences, Midonet also began pushing the boundaries of the album form itself. His third album, Bourg La Folie, released in 1984, was a soundtrack for a lost film about the mysticisms of carnival, while his fourth, Fô Ou Tchimbé, took the form of a ‘conte musical’ (a narrated story accompanied by music) presented at the Pompidou Centre, and spoke to Midonet’s literary prowess as a fierce proponent of the Creole language.

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LP | 2020 | EU | Original (ZYX)

70s Disco Hits

Release: 2020 / EU – Original

Genre: Organic Grooves

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This Is The Andrews Sisters

Andrews Sisters

LP | 2020 | EU | Original (ZYX)

Release: 2020 / EU – Original

Genre: Organic Grooves

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7" | 2017 | Original (Plane Jane)

Miles Bonny

Hello Jesus

9,99 €*

2LP | 2020 | Original (Groove Replica)

Release: 2017 / Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Stan Getz & Charlie Byrd

Jazz Samba

Release: 2020 / Original

Genre: Organic Grooves

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The Legendary Clarinet Of

Mr.Acker Bilk

LP | 2017 | EU | Original (ZYX)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Pleasure, Joy And Happiness Black Vinyl Edition

Eddie Chacon

LP | 2020 | US | Original (Day End)

33,99 €*

2LP | 2020 | UK | Original (Gondwana)

Release: 2020 / US – Original

Genre: Organic Grooves

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Eddie Chacon experienced proper, peak-nineties acclaim in the soul duo Charles and Eddie: they scored a global No. 1 in 1992 with “Would I Lie To You,” appeared three times on Top of the Pops, and featured on soundtracks from True Romance to Super Mario Bros.. Their crooning style was clearly pop-ready, but undeniably reverent: the pair first met when Eddie noticed Charles carrying a vinyl copy of Marvin Gaye's "Trouble Man” on a New York subway train.

By that time, Chacon had already been navigating music in interesting ways, all the way back to his teen garage rock band with the late Cliff Burton (Metallica) and Mike Bordin (Faith No More). In the late ’80s, he released a full-length on Uncle Luke from 2 Live Crew’s label and signed to Columbia as a solo act. He was a working artist, always popping up in unexpected places: through the course of his career, Chacon would write, sing, or produce ten Top 40 hits around the globe.

In the words of Mac DeMarco: “Eddie Chacon is planet earth’s number one musician. Yesterday, today, and forever.”

Years ago, Chacon retired from music for a second calling as a fashion photographer and creative director. In an interview at the time, he said, “I was fortunate to have a 35-year music career and felt that there wasn't that much more for me to say or achieve.” Very thankfully, that’s no longer the case. Private experiments, far from the major-label center he once frequented, began to feel urgent and new. “There’s nothing more exciting for me than getting to start from the beginning again,” he says today.

“Pleasure, Joy and Happiness” will be available July of 2020 on the boutique Los Angeles-based label Day End Records. This is a thoughtfully considered album of quiet, confident R&B: it doesn't jump out at you, but rather gets in you. Produced by John Carroll Kirby, the like-minded artist and collaborator with Frank Ocean and Solange Knowles, it features restrained percussion from Kanye West’s Sunday Service drummer Lamar Carter. Celestial soul as a break from chaos, these are quietly challenging songs as timeless as they are contemporary.

“What a rare and cool challenge it was for me to help Eddie re-emerge after a long hiatus,” says John Carroll Kirby. “I was excited to produce a record for him that captured the chill, laid-back wisdom and easy vocal mastery he has that you don’t see that much these days.”

Lead single “My Mind Is Out of Its Mind” finds a deep groove to try and contain spiraling heartbreak, while the sweet and wobbly “Trouble” balances the delightful near whisper of the title track “Pleasure, Joy and Happiness.” But even the project’s lightest moments feel sincere and mature. Altogether: a truly unifying release, coming from a man who's earned the right to share such a regal, romantic sound.

“I used to think to myself,” Chacon says, “if I ever make a record again, I’d want it to be a record you’d have to be my age to make.”

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Hania Rani

Home Black Vinyl Edition

29,99 €*

Release: 2020 / UK – Original

Genre: Organic Grooves

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Portrait In Jazz Gatefold Sleeve Edition

The Bill Evans Trio

LP | 2017 | EU | Original (Dol)

Red Astaire & Coco Rouzier

Release: 2017 / EU – Original

Genre: Organic Grooves

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Gatefold 180g Includes Rare Or Exclusive Artwork Inside

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Resque Me

7" | 2017 | US | Original (Homegrown)

14,99 €*

7" | 2020 | UK | Original (Casino)

Release: 2017 / US – Original

Genre: Organic Grooves

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Seriously dope downtempo soul track with beats from a Swedish secret weapon and sultry vocals from COCO ROUZIER (an up and coming jazz swinger from DC) b/w the more uptempo, feel good 60s styled "REACHING OUT TO YOU". Two gems that shouldn't be missed.

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Willie Dade

I Cant Speak

Release: 2020 / UK – Original

Genre: Organic Grooves

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The third release on Casino is Matt Early and Lee Jeffrie’s take on Jimmy Bo's treasured and crazily addictive dancer 'I Just Can't Speak'. Great production, fabulous vocal, it doesn’t any more words than that!

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Soul Is My Salvation Chapter 7

12" | 2020 | US | Original (Fantazy)

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves

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“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble. Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item. Chapter 7 sees two prized cuts bursting with that unbridled gospel energy, Spiritual Souls 1982 number - ‘We Came To Show You The Way’ and Heaven’s Sound’s 1984 gem – ‘Fire’.

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Beatfanatic

Ewf & Mj Reworks

Synchronized Record Store Day 2020 Edition

Release: 2020 / US – Original

Genre: Organic Grooves, Electronic & Dance

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The prolific Swede is at it again with two tasty remixes. "fantasy" by Earth, Wind & Fire gets remixed on the A-side while on the flip Michael JACKSON's classic ballad "human Nature" gets tweaked and reworked. Limited hand stamped white label.

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Timeless Legend

LP | 2020 | EU | Original (Expansion)

30,99 €*

John Scofield / Bill Stewart / Steve Swallow

Release: 2020 / EU – Original

Genre: Organic Grooves

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Record Store Day 2020 Release.
Limitation: 1000 copies.

Timeless Legend are Jackie Hogg, Allen B. Burney, Donald Harmon, and Michael Harmon from Columbus, Ohio. Their music is among the most elusive on the rare funk / soul scene with I Was Born To Love You a huge crossover club anthem and with ‘timeless’ appeal. The Synchronised album from 1980 is iconic and one of the rarest ‘rare grooves’ and original copies currently sell for over £1,000 a copy.

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Swallow Tales

LP | 2020 | EU | Original (ECM)

25,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Now You've Got The Upper Hand / You're Acting Kind Of Strange

Candi Staton & Chappells

7" | 2020 | UK | Original (Deptford Northern Soul Club)

Release: 2020 / UK – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (No Format)

Koki Nakano

Pre-Choreographed

Release: 2020 / EU – Original

Genre: Organic Grooves

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Koki Nakano has spent time in the worlds of both classical music and electro-rock (with his band Gas Law). After training at the prestigious Toho Gakuen music school and the Tokyo University of the Arts, he embarked on his career with the strength and serenity of a man who had already ditched all those qualms about identity and heritage that often hobble young musicians.It was back in 2016 that Koki Nakano first came to the attention of those who hunger for the wondrous and unprecedented. The nine pieces on his first album Lift, recorded for No Format! with help from cellist and admirer Vincent Segal, revealed a composer of singular talents. His work displayed a subtle versatility, a high-wire delight in floating above established musical genres. The title of the album evokes a move well-known to ballet dancers: the porté, and conveys the deep relationship, both physical and spiritual, that Koki's music maintains with dance, a bond he's been cultivating ever since he moved to Paris in 2015.Pre-Choreographed is the sequel to that beautiful opening chapter, a new episode in No Format's adventures with the emancipated genii of the piano, which began fifteen years ago with the release of Chilly Gonzales's classic Solo Piano. This project evokes the strong "saudade" for the era when the music and the dance were very close to each other, when they used to function congenially in the society. It also means the state of the music such as "awaiting" or even "missing" the choreography. That is to say, the character of the music is yet very "raw", no direction is given. Koki Nakano's basic intention resides in the urge to re-transcribe the intimate topography of a man's life, whilst remaining deliberately detached from fashions, slogans, from a binary vision of the history of music in which modernity and past, avant-garde and classicism, new and old stand in opposition to each other as a matter of principle. For that reason, his creations never emit the dusty odour of schools and lecture halls, or the perfum...

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Soul Is My Salvation Chapter 5

It Is What It Is Red Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.
Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.
Chapter 5 includes an essential cut from Fay Hill’s tough to find ‘This Is A Blessing’ LP, officially licensed from the WFL record label’s family trust. Backed with Peaches Mann (RIP)’s under the radar ‘Get In Rhythm With God’s Love’. Groovy.

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Thundercat

LP | 2020 | UK | Original (Brainfeeder)

25,99 €*

Release: 2020 / UK – Original

Genre: Organic Grooves

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The album, produced by Flying Lotus and Thundercat, features musical contributions from Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, Steve Lacy, Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox.

“It Is What It Is” follows his game-changing third album “Drunk” (2017). That record completed his transition from virtuoso bassist to bonafide star and cemented his reputation as a unique voice that transcends genre. “This album is about love, loss, life and the ups and downs that come with that,” Bruner says about “It Is What It Is”. “It’s a bit tongue-in-cheek, but at different points in life you come across places that you don’t necessarily understand… some things just aren’t meant to be understood.”

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Tone B. Nimble Presents Soul Is My Salvation Chapter 1

12" | 2020 | EU | Original (Rain&Shine)

The Poet Of The Bossa Nova

Release: 2020 / EU – Original

Genre: Organic Grooves

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“Soul Is My Salvation" is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.
Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.
Chapter 1 includes the brilliant but incredibly tough pull, Rev L. Weaver’s rendition of a Sister Sledge classic. Side two is an Al-Tone extended version of The Pink Family’s Don’t Give Your Life Away.

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Vinicius De Moraes

LP | 2017 | EU | Original (New Continent)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Nu York Groove Sessions #2

LP | 2017 | US | Original (Nu York Groove Sessions)

Blue Train Gatefold Sleeve Edition

Release: 2017 / US – Original

Genre: Organic Grooves

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Nu York Groove Sessions drops another hot LP of rare boogie, disco dub & holy grail cuts! Followers of Larry Levan's Paradise Garage, crate diggin fanatics & trainspotters alike should jump for joy as thus runs the full spectrum for you & yours. Super limited pressings so don't miss out!

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John Coltrane

LP | 2017 | EU | Original (Dol)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Step By Step / On The Beach (AtJazz Mix)

Leon Ware

7" | 2011 | UK | Reissue (Expansion)

10,99 €*

12" | 2011 | DE | Original (Musik Aus Strom)

Release: 2011 / UK – Reissue

Genre: Organic Grooves

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2 brandnew tunes from the modern soul legend!

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Taprikk Sweezee

Poly

6,99 €*

Release: 2011 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 2011 | US (Private Collection)

Kenny Dixon Jr.

Private Collection 2

Release: 2011 / US

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Banda Achilifunk & Original Jazz Orquestra

I Believe In Miracles Yellow Vinyl Edition

7" | 2011 | EU | Reissue (Lovemonk)

12,99 €*

Release: 2011 / EU – Reissue

Genre: Organic Grooves

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In demand 7 inch sees a limited edition in translucent yellow vinyl. Regarding the album: "This has not been off the decks since I first got it and have been hammering it to death on the show. One of the Essential albums of 2011. Perfect in every sense and totally irresistable" Craig Charles (bbc 6Music) Two cover versions taken from the essential album Gitano Real. I Believe in Miracles is an overwhelming take on the Jackson Sisters classic in a rumba funk fashion. Party stomper!! And on the other side, a longer trip departing from McFadden and Whitehead's seminal Ain't Non Stoping Us Now and touching the revered latin disco version of Charanga 76, only to end up as a fabulous clap-driven rumba stormer. Two very necessary sun-soaked tunes for any self-respecting dj on neat black vinyl. And yes, it's a limited edition!

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Soul Is My Salvation Chapter 2

LP | 2017 | US | Original (Daptone)

Release: 2020 / EU – Original

Genre: Organic Grooves

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“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.
Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.
Chapter 2 features a DJ friendly Al-Tone extended mix of the gospel boogie cut ‘Look Up’ by Moments Of Faith Singers, along with Lamont Butlers’ Ungodly War.

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The Como Mamas

Move Upstairs

2LP | 2014 | UK | Original (Soundway)

Release: 2017 / US – Original

Genre: Organic Grooves

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With their first two Daptone albums – Get an Understanding, and as featured singers on Como Now – The Como Mamas established themselves as three of the strongest voices in gospel music today.

In December of 2015, they cemented that reputation by taking their first trip from their home in Como, MS up to Harlem, NY to crush the Apollo Theater as part of the Daptone Super Soul Revue. Taking full advantage of their presence in town, the Daptone crew brought Ester Mae Wilbourn, Della Daniels, and Angelia Taylor into the House of Soul the week after the show to join forces for the first time with the musicians and studio that has defined their label’s sound. Jimmy Hill, Thomas Brenneck, Homer Steinweiss, and Bosco Mann, all stalwarts of the Daptone stable, came together as “The Glorifiers Band,” to put down a churning musical foundation for these amazing singers. The results are some of the heaviest tracks that Daptone has cut to date. If you don’t like raw, soulful gospel music, you’re really gonna hate this one. Move Upstairs is a real mother!

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Meridian Brothers

Salvadora Robot

Release: 2014 / UK – Original

Genre: Organic Grooves

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Tropical rhythms from Latin America and the Caribbean. Meridian Brothers are back with a new studio album, the bizarre and wonderful ‘Salvadora Robot’. Heading deeper into the tropical rhythms of Latin America and the Caribbean each song on the album focuses on a different style and playfully twists it into Meridian Brothers’s surreal landscape.

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LP | 2020 | EU | Original (El Palmas Music)

Color De Trópico

27,54 €* 28,99 € -5%

A World Of Masks Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Color de Trópico is a carefully-compiled work of healing and reconstruction, documenting a special moment in the history of Venezuelan music, when the country’s democracy was just a few years old and the profound impact of the oil industry on society had only just begun. DJ El Palmas and El Dragón Criollo have chosen eight impossibly hard-to-find jewels, originally released between 1966 and 1978, reissued here for the first time on vinyl. In this period, Venezuelan musicians assimilated a wide range of influences and styles, both local and global, to generate something new, a “modern” identity for Venezuelan music; artists who set their eyes on the future without giving up the search for their own sabor (flavour). This is how jazz, rock, salsa, funk, psych, prog and disco, sat next to guajira, cumbia, cha-cha-cha and even the hugely-popular Venezuelan style of joropo. It started a long tradition of Venezuelan musical pioneers, many of whom are still to get the recognition they deserve. Seconds after the needle drops on the vinyl, “El Despertar” (“The Awakening”) kicks off things with a goodbye for it was the last single Los Darts released before their dissolution in 1974. In the 60s they became the youthful face of pop, however, “El Despertar” settles into a later maturity, having digested the tumult of the times. A cha-cha-cha rhythm with bossa nova piano, bluesy stylings and a Caribbean context – a blueprint for tasty miscegenation – with the use of electric guitar, arriving in waves of chords, signalling the onset of modernity. “Guajira con Arpa” by the pioneering Hugo Blanco, who lists the creation of countless rhythms and his early adoption of rhythms like ska amongst his claims to fame, is a fusion that arrives without complexities. It approaches indigenous forms from a multitude of different angles, yet in the middle of its Caribbean approach it creates a melody so close to the pajarillo that the song seems to flip on its head. With “Zambo” the party is on. Here we have an all-star line-up comparable to master Cortijo’s brief project with his Time Machine in Puerto Rico. Alex Rodríguez, one of the most important jazz guitarists in Venezuela and his Retreta Mayor give a twist to the fusion by daring to venture into Latin jazz, funk and salsa. “Gaita Universal” by El Combo Los Capri, gives us a moment of solace, recalling the cultural, rhythmic and even spiritual brotherhood of Venezuela not only with the Caribbean but with the continent, South America and neighbouring Colombia. This cumbia is special, it interweaves musical phrases in the style of a popular party wanting to propose the permanence of culture. Rhythm is the point of union between all human beings and, as its name indicates, its proposal goes beyond the physical and particular. It’s pure tropical hedonism. Nelson y sus Estrellas reminds us once again of the Caribbean wave but here under his “urban” outfit. Nelson plays guaguancó in the style of original salsa, specifically in this version (the theme evolves over time) with a disco-soul twist on “Fantasía Latina”. It takes the sound of early masters like Eddie Palmieri but is developed with eclectic elements, a climatic structure in which a trumpet with vibrato, salsa-rock riffs with acoustic guitars and a flute that, unlike the charangas in those that Johnny Pacheco partook at the same time, rather have a cinematic character. The cosmic “Tu y Yo” from Almendra plots a journey between soul-jazz and psychedelia that sails over a Moog until ending as a P-Funk descarga. Despite the fact that the principal instruments are an organ and a synthesizer, the acoustic guitar provides a unique colour. A tropical psychedelic journey from beginning to end seasoned with congas. The album closes with Tulio Enrique León y Su Organ playing “Bimbom”, a European pop-styled track from 1975. It’s a version of Bimbo Jet’s Eurodisco “El Bimbo” that immediately became famous among popular easy listening orchestras throughout summer in Europe. Tulio Enrique shines by turning it into an enigmatic and spectral cumbia. Tulio was an organist whose blindness did not prevent him from becoming one of the most popular artists in the world, as cited by Billboard in 1965. We have left the politically-incorrect “Socorro, Auxilio” by Germán Fernando for the end. According to music journalist Alfredo Churión “those who saw him attested to having witnessed something indescribable”, a mysterious man who doubted even his sanity and of whom today practically nothing is known. He was someone who dared to show a completely foreign effrontery, signing unintelligibly, moving frantically and throwing himself to the ground before the stunned gaze of his audiences. Venezuelan writer Luis Armando Ugueto states: “his art could go from the sublime to bad taste – and it was craved by the press – when he subjected viewers to strange songs where he pleaded for socorro and auxilio [help].” Germán Fernando had a histrionic proposal that was a thousand times misunderstood and that even popular presenters of the time like Renny Ottolina dubbed “his follies”. A theme close to the jazz orchestra soundtracks of James Bond and Batman accompanies the showman here who comes across like a creole Screaming Jay Hawkins. He creates a whirlwind of sound that, while as agile as a featherweight, is also capable of knocking out all the old ideas we had about Venezuelan music.

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The Heliocentrics

LP | 2017 | EU | Original (Soundway)

LP | 2020 | US | Original (Period)

Release: 2017 / EU – Original

Genre: Organic Grooves

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The Heliocentrics are a group for which genres are meaningless and boundaries invisible. Since first appearing on DJ Shadow’s 2006 album The Outsider the group have gone on to release a string of records that float through jazz, hip-hop, psych, krautrock, and musique concrete whilst collaborating with numerous genre heavyweights from Mulatu Astake to Gaslamp Killer and picking up prestigious fans along the way, such as Madlib and the recently departed David Axelrod.
The primarily instrumental group, who operate out of their vintage analogue studio in East London called the Quatermass Sound Lab, bring in a new singer on album number four - a young Slovakian singer called Barbora Patkova. The result is an album that takes the band, already solidified in ever-expanding grooves and rhythms into new previously unexplored dimensions.The group’s deep-set ability to craft music intuitively and impulsively stems from a desire to avoid typical processes or generic structures. Since its conception, the band’s music has mainly been created from live improvisation. This musical approach gives the band its own sound and identity -”for anything to happen it must be at that time from the people in the room, and on the spot”. A decade of such sonic adventures has resulted in a tightly knit bond that the group refer to as “almost a form of telepathy” with “musical changes that otherwise would be near impossible to write.”

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Django Reinhardt

Memorial Album, Volume 1

Release: 2020 / US – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Dig This Way)

The Springs Band

Disko Funk

20,89 €* 21,99 € -5%

7" | 2020 | EU | Reissue (Gc Production)

Release: 2020 / EU – Original

Genre: Organic Grooves

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The record was produced by the twenty years old Alex Tony Okoroji at the legendary ARC Studios in Lagos, a facility set-up by Ginger Baker. This is the third production for the Alex Tony Okoroji’s fledgling independent label Love Records, the previous record was the pioneering release by Udu - Sound of the People (Love Records, Nigeria 1976) also reissued by Dig This Way in 2020. Musically these two records are poles apart but similar in as much as both the band and producer present a personal musical vision that sounds nothing like their piers’ at the time… The Springs Band formed in Ibadan (Oyo State) which is roughly 130km northeast of Lagos. The seven members met while training to be Reverend Fathers for the Catholic Church and come from both Nigeria and Sierra Leone… in retrospect as unlikely as this sounds (particularly when you hear the record) the band were the Seminaries event house band at the time… Musically, the record consists of five prime time dancefloor gems with two very subtle afterhours numbers to close - not a bad track on here - which at times in itself is unique for records from the region in the late 70s. The first five tracks are complex hypnotic afro funk with an almost mesmerizing organ groove, that is deep and raw at the same time which well represent the time, the place and the people involved in the recording... As odd as it may sound the spiritually of the bands chosen profession is reflected in the fluid deep funk of the groove ... not being there we can only guess how the live performances of this "band in full flight" must have been ... as luck would have it the recording captures all of those elements and that’s what the end result sounds like near unbeatable! Judge for yourself via this enlightening release!!! Reading the original hand written press release for the record it would be fair to say, at the time, the members of the band were potentially not entirely focused on their chosen vocation and, reading between the lines, were mildly concerned what their educators might think… years later it’s pleasing to discover that all of the survivors became as good as it gets in their original career choice… better still… for the Afro-Centric music collector… the very same set of individuals (in their wilder days) recorded one of the most forward thinking and dance floor friendly records of the period… little known until now… “This is our dream world cristalised in vibes. In a world of uniform hate where people experience death in a trance , it is through love's cry that we see through the eyes of wisdom that he needs somebody. Music is the message transmitted in this super disko funk for funky people, to tell the brandifield dad the truth or ask a music-minded-lass, introduce me to your loving. So, if you have anything to say, why not join us and say it...after all it's a happy world... We have a right to the good things of life.”

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Mickey & Them

U.F.O / Hey, Brother Man

Do That Guitar Rag 1928-1935 Colored Vinyl Edition

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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Fully remastered reissue with replica artwork, for the first time since it's original release, one the rarest TX funk 45's. Black 7" dinked centre hole vinyl.

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Big Bill Broonzy

LP | 2020 | US | Original (Yazoo)

Release: 2020 / US – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Dom-Ermitage)

Chet Baker

Live In Milan

19,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Changing Man / I'm Just Your Clown

Power Of Attorney

7" | 2020 | EU | Original (Brewerytown)

LP | 2020 | EU | Original (Soundway)

Release: 2020 / EU – Original

Genre: Organic Grooves

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In the early 1970s, the funk / soul band Power Of Attorney was formed at the Pennsylvania State Correctional Institution at Graterford (30 miles northwest of Philadelphia). The story of their formation is just as powerful as the music that they left behind.

In late 1972, the prison’s Activities Director Theodore “Ted” Wing broke ground on a new recording studio. As part of the rehabilitative arts and music initiative, the space was built to offer a creative outlet for incarcerated individuals to express their musical talents. In November of ‘72, an audition was held throughout the prison to form a band. It has been reported that over 1,600 men auditioned for a spot in the band.

Wing ultimately settled on a lineup that consisted of William Smith (lead guitar), Charles McDowell (bass), Merion Wilson (tenor saxophone), Edward J.X. Smith (guitar), and Otis Graham (drums). With a lineup of gifted musicians and a fresh new recording studio to practice and lay down tracks in, the band Power Of Attorney was officially born.

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Felbm

Tape 3 / Tape 4

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Following on from his previous debut album Tape 1/Tape 2 on Soundway, Felbm delivers Tape 3/Tape 4 : an intimate, emotional, lilting and melodic solo project. These 14 lo-fi, instrumental, jazz-infused sketches were written on guitar, with cascading keyboards, vibraphone and drum machine. Possessing a restorative and soothing quality, it goes some way to balancing out a chaotic year for the world at large. With echoes of the dreamier end of 1980s English indie-pop, minimal ambient music and Brazilian bossa-nova, Topper’s musical storybook includes touches of The Durutti Column, hints of Antônio Carlos Jobim and Baden Powell, whilst all set firmly in the summer fields of Germany and the Netherlands. The recording method used for the creation and recording of Tape 3 and Tape 4 follows the same as his previous release: all sketches were initially recorded onto cassette on a 4-track tape machine. Most notably a vibraphone finds its way onto almost every track fitting Topper’s sound-palette perfectly: warm yet distinctive, a percussive as well as sustaining sound that evokes some melancholy and a certain timeless nostalgia. Features that most certainly also apply to the other ‘new’ instrument on the tapes: mellotron flutes. Tape 3/Tape 4 navigates the space between quiet, open, meditative tunes and more solid instrumental works, reflecting his constant search for an optimal balance between stillness and movement.

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Rhythm & Blues House Party Volume 1

7" | 2020 | EU | Original (Koko Mojo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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8: Kindred Spirits - Live From Lobero

Charles Lloyd

2LP+DVD | 2020 | EU | Original (Blue Note)

29,99 €*

Love Vibrations / Love Company

Release: 2020 / EU – Original

Genre: Organic Grooves

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Charles Lloyd has played the 150-year-old adobe theater in downtown Santa Barbara more often than any other venue, and more often than any other performer. Knowing that Marian Anderson sang there on February 14, 1940 makes it a sacred space for him. In the concert film you can see him bobbing with pleasure beneath his pointy, indigo knit cap, curly white hair, and long goatee. He beams at his neighbors, places the palms of his hands together and pulls them against his black sweater and golden tenor saxophone in the traditional Buddhist greeting. “I always get nervous before I go on,” Lloyd confesses, “but once I get on, Dorothy [Darr] has to come and drag me off. It seems that once I’m on stage I get met by the spirits. I enter the now. Sometimes Prez and Bird will stop by and say, ‘Hi, Charles.’”

A birthday is a door between the past and the future, and this concert reflected that truth. Representing the future were 34-year-old pianist Gerald Clayton, who performs regularly with Lloyd, and 31-year-old guitarist Julian Lage, who had performed with him when he was 12-years-old. Representing the past was 74-year-old organist and fellow Memphis native Booker T. Jones, who had never played with Lloyd at all. This was a one-of-a-kind line-up for a one-of-a-kind ritual.

“I’ve known Julian since he was 12,” Lloyd says. “He’s from the Healdsburg area, and Jessica Felix, who runs the jazz festival there, asked if Julian could play with us during the festival in 2000. Billy Higgins and John Abercrombie were in the group. I knew she wouldn’t ask if he didn’t have something special, so we let him play, and he had something; he had big ears. We’re all seekers in life; we all get the rays of the sun, but some get a stronger dose. A lot of young geniuses flame out and no one remembers their names. But so far, Julian’s balanced: grounded but at the same time ecstatic. Even though he’s the future, he knows the past.”

“Gerald was often back stage when I was touring with the New Quartet. In 2013 when Jason’s other duties became overwhelming, I decided to try out Gerald. His father and uncle are great musicians,” Lloyd says, referring to bassist John and saxophonist Jeff of the Clayton Brothers, “so he comes from something deep. You can hear it when he plays.”

Jones was still in junior high when Lloyd was graduating from high school, so they didn’t know each other when they were both growing up in Memphis. But they both shared the city’s rich cultural heritage, and when they ran into each other at the 2014 Monterey Jazz Festival, they promised to play together at some point. This birthday party was the perfect excuse.

“Memphis was such a rich environment,” Lloyd recalls. “It was like New York City, only with biscuits and gravy. There was an intelligentsia that inspired me to always be a learner. New York was 1300 miles away, and Chicago 450 miles away, but we were on the river, so musicians were always coming through. These out-of-town guys would play the Peabody Hotel and then they’d come over to the joints in our neighborhood to play with us, and we’d put a hurt on them. We didn’t tap dance or do anything for the man. We had our own culture and we knew it was inspired. We knew nothing of the lamb tongues and the gold mines, and I’m so thankful; we were doing it for the music.”

Don Was first made his name as co-leader and bassist of the 1980s funk-rock band Was (Not Was) and went on to produce albums for the Rolling Stones, Bob Dylan, Brian Wilson, Bonnie Raitt, Lucinda Williams, Jason Moran and many more. In 2012, he became president of Blue Note Records and immediately set out to bring his hero Lloyd to the label. By 2015, he had succeeded in his quest and a magnificent series of albums has followed: Wild Man Dance, I Long To See You, Passin’ Thru, and Vanished Gardens.

Harland anchors every project that Lloyd pursues these days—Sangam, the Marvels, the New Quartet—and Rogers is present in every group but the bass-less Sangam. “Eric and Reuben put a magic carpet under me,” Lloyd exclaims, “and I can travel wherever I want to go. They want to be there, and they know that to be there they have to spread their wings in any situation. When we take that journey together; that’s communal living at its highest. Music is not for sleepwalking; it’s for wakefulness. Reuben and Eric understand. My music dances on a lot of shores, and they have the ability to be in the now with all of it.”

The Lobero set list docked at many of those shores. The evening began with the title track from Lloyd’s first album for Atlantic Records, 1966’s Dream Weaver. This infectious reverie begins with breathy exhalations and ends the same way 20 minutes later, but in between, Lloyd’s tenor saxophone attacks the theme with an increasingly edgy fearlessness—and Lage and Clayton follow his example.

“‘Dream Weaver’ is sacred ground to me,” Lloyd says. “That record was fresh and crazily beautiful. It has withstood the passage of the ages. I started playing it again and found new ways of expressing the truth. There are some notes on the saxophone I didn’t have as a young man. They aren’t on the horn; they’re in between the cracks. I’m not denying the young Charles, but as my character becomes whole, the music gets better.” If that tune reached back to the beginnings of Lloyd’s career, the next three came from his much-lauded resurgence in the 1990s through the 2010s on ECM. “Requiem,” which first appeared on 1992’s Notes from Big Sur, used patient tempos and pointillist solos by the tenor saxophone, piano, guitar and acoustic bass to create a mood that fits the title.

The Mexican folk song “La Llorona” from 2010’s Mirror (and 2016’s I Long To See You) opens with a piano solo that slowly builds from quiet to majestic and closes with a tenor solo that manages to always reference the melody as it’s sprinting through the octaves. That segues into “Part 5, Ruminations” from 2017’s Passin’ Thru, which begins with a meditative, free-floating consideration of the harmony before cohering into a more definite theme that inspires a stabbing guitar solo, a classically flavored piano solo, a rumbling drum solo and a low-register tenor saxophone solo.

The second set found Clayton sitting out until the encores. Rogers switched from acoustic to electric bass, and Was sat in for two numbers on acoustic bass. Jones contributed two compositions: the premiere of his birthday card “Song for Charles,” and his 1962 hit as leader of Booker T. & the MGs, “Green Onions.” Two Lloyd compositions from the 1960s, “Island Blues” and “Sombrero Sam,” joined the old hymn “Abide with Me” and the American folk tune “Shenandoah.” For the encore, Clayton rejoined the band to play Lloyd’s “Forest Flower” and Billy Preston’s 1974 hit single, “You Are So Beautiful.”

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Bell Telephunk

7" | 2017 | UK | Original (Super Disco Edits)

Love On The Shelf / Bring Your Love Closer

Release: 2017 / UK – Original

Genre: Organic Grooves

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Back around the early 1970's Bell Telephunk was formed around the New Jersey area. Some members moved to Clevleand Ohio where the group performed in these early days at bars and clubs. The band disbanded early on and the name lie dormant for a few years. Around 1975/76 Michael Calhoun and a few others decided to rejuvenate the name again. They played often at the Kinsman grill located in Kinsman road Cleveland where they cut their teeth! They ventured into the studio just once to record a series of 6 songs. We are now pleased to bring them to light the newly formed Kinsman Record label. Once you hear these you will fall in love instantly with Ron Thatch's amazing vocals skills. This is crossover ghetto soul of the highest order...

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Mighty Fire

7" | 2017 | UK | Original (Super Disco Edits)

Take Over / Bounce And Pull Up White Vinyl Edition

Release: 2017 / UK – Original

Genre: Organic Grooves

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The last and final instalment of the brilliant mighty fire unissued reels. And again two beautiful sides straight from the pen of Melton Bolton. These tracks were sitting around before they cut a deal with Elektra records. Melton Bolton has been a prolific player and musician for over 40 years. Writing for Motown plus a host of other record labels.
The label salvaged the reels, cleaned them up a bit. Nothings perfect in this music world. But the chance to give these songs a new vehicle gives Super Disco Edits always a great pleasure.

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Bosq

12" | 2020 | US | Original (Ubiquity)

14,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

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Kind Of Blue Gatefold Sleeve Edition

Miles Davis

LP | 2017 | EU | Original (Dol)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Paz E Futebol 3 Compiled By Junior Santos

Jazzanova presents

LP | 2020 | EU | Original (Sonar Kollektiv)

Release: 2020 / EU – Original

Genre: Organic Grooves

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The time has come again: Another edition of the much-loved and highly praised by critics from all around the globe compilation «Paz E Futebol» will be released on Sonar Kollektiv. After 2006 and 2016 this is already the third sequel of this terrific series of light-footed Brazilian gems and other rarities transporting the Brazilian feel for the ball musically.

Two times Jazzanova took care of the collection, now Junior Santos is responsible for digging up the tunes. The Brazilian drummer and producer is a true expert when it comes to Brazilian music. He already caught the attention of Jazzanova’s Jürgen von Knoblauch with the 2014 released compilation «Brazilian Disco Boogie Sounds (1978-1982)» on Favorite Recordings. Together the two diggers selected eight songs that fit simply perfectly. Due to licensing reasons, the digital compilation features 2 additional songs. Chico de Abreu and an unreleased track by Beto Luiz called "Uma Canção Que Fale” chosen by Juergen von Knoblauch.. Although the contributions originate from three different decades (1979 - 1992) they all have the discoid and boogiesque vibe in common mainly to come alive in productions from Maranhão, Rio and Bahia.

The release is accompanied by extensive liner notes by Junior Santos (in Portuguese and English). Just now in the colder and greyer season this compilation is great fun and radiates so much joy like only Brazilian music can.

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Outro Tempo Ii Electronic And Contemporary Music From Brazil 1984-1996

2CD | 2020 | EU | Original (Music From Memory)

LP | 2020 | EU | Original (Not Now)

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Outro Tempo II: Electronic and Contemporary Music from Brazil, 1984-1996 is the second installment of Music From Memory’s Brazilian series. This volume picks up where the first Outro Tempo left off, shedding light on a new wave of experimentalism that emerged in Brazil in the late 1980s and 1990s. The twenty tracks collected uncover another area of Brazilian music that looked to the future for inspiration. This time it drifts beyond the rainforest and into the pulsating heart of Brazil’s great cities, where it meets a generation of young artists eager to radically change the face of contemporary Brazilian music. In Outro Tempo II the avant garde and pop worlds meld in a haze of percussion and electronics. It presents another uncompromising and magnetic reinterpretation of the limits of Brazilian music. Outro Tempo II is compiled again by John Gómez and features original artwork by Alice Quaresma. The CD version also includes the 2 tracks 'Bruhahá' & 'Eyes' which were released as a separate single on vinyl and were not included in the 2xLP version.

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Chet Baker

Chet

12" | 2020 | EU | Original (SVBKVLT)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Chesney Henry Baker Jr was more than just a trumpet player. He was so many things to so many people. To some, a Bix Beiderbecke for the post-bebop generation, forever creating lyrical phrases that sometimes jumped for joy, or opting for a melancholy beauty, so sad you could almost hear the tears falling. To others he was a flawed Hollywood hero, a face that set him apart from the usual run of 52nd Street icons; a From Here To Eternity Montgomery Clift or James Dean in headhung frustration in Rebel Without A Cause. Released in 1959 the Chet album proved to be one of the trumpet star s last offerings before heading back to Europe for what would become know as the Milano sessions.

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Seven Orbits

EP0001

Release: 2020 / EU – Original

Genre: Organic Grooves

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Expectancy Blue Vinyl Edition

Rene Costy

2LP | 2017 | EU | Reissue (Sdban)

LP | 2020 | EU | Reissue (Not Now)

Release: 2017 / EU – Reissue

Genre: Organic Grooves

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Some twenty years after René Costy's passing, his work - finally - goes global. Moreover, this being a selection out of more than 400 tracks from a virtuoso, versatile andinsatiable artist, it is hard to underestimate the importance of this compilation, which focuses on Costy's library music production from the 70's.

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Platters

Very Best Of

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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12" | 2020 | EU | Original (Omena)

Dee Tree

Remixes

Release: 2020 / EU – Original

Genre: Organic Grooves

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Up next in the Omena remix series we got Dee Tree from Minsk and four sparkling and effortlessly soulful re-makes from FloFilz, Harry Wolfman, Saine and Lipski. All bringing a beautiful and soulful touch to the bands soul-flecked originals.

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Soul Is My Salvation Chapter 3

LP | 2017 | EU | Original (Skip)

Release: 2020 / EU – Original

Genre: Organic Grooves

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“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.
Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.
Chapter 3 features The Gospel Truth - He Can Do It, a rare cut that barely has a trace online, on the flip you’ll find the instrumental version of McKinley Sandifer’s I Am The Vine, another tough and under the radar tune.

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Tingvall Trio

Cirklar

Release: 2017 / EU – Original

Genre: Organic Grooves

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LP | 2017 | EU | Original (Sdban Ultra)

De Beren Gieren

Dug Out Skyscrapers

Stay With Me LTJ Xperience Remix / Never Stop

Release: 2017 / EU – Original

Genre: Organic Grooves

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This LP comes in a printed innersleeve and a download card. De Beren Gieren confirms their reputation as one of the most adventurous jazz trios of the Benelux with their fourth album. Raw energy, impressionist melodies and complex structures are generated via piano, bass and drums provoking polyrhythmic soundscapes with unexpected twists and sudden turns.

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Mario Biondi

12" | 2017 | EU | Original (Schema)

Release: 2017 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Bill Evans & Philly Joe Jones

Green Dolphin Street

LP | 2014 | EU | Original (Waxtime)

Release: 2014 / EU – Original

Genre: Organic Grooves

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LP | 2014 | EU | Original (Waxtime)

Johnny Cash

Ride This Train

Release: 2014 / EU – Original

Genre: Organic Grooves

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Welcome To Zamrock Volume 2

2LP | 2017 | US | Reissue (Now-Again)

35,99 €*

LP | 2014 | EU | Reissue (Universal)

Release: 2017 / US – Reissue

Genre: Organic Grooves

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By the mid-1970s, the Southern African nation known as the Republic of Zambia had fallen on hard times. Though the country’s first president Kenneth Kaunda had thrown off the yoke of British colonialism, the new federation found itself under his self-imposed, autocratic rule. Conflict loomed on all sides of this landlocked nation. Kaunda protected Zambia from war, but his country descended into isolation and poverty. This is the environment in which the ’70s rock revolution that has come to be known as Zamrock flourished. Fuzz guitars were commonplace, as were driving rhythms as influenced by James Brown’s funk as Jimi Hendrix’s rock predominated. Musical themes, mainly sung in the country’s constitutional language, English, were often bleak. In present day Zambia, Zamrock markers were few. Only a small number of the original Zamrock godfathers that remained in the country survived through the late ’90s. Aids decimated this country, and uncontrollable inflation forced the Zambian rockers that could afford to flee into something resembling exile. This was not a likely scene to survive - but it did. Welcome To Zamrock!, presented in two volumes, is an overview of its most beloved ensembles, and a trace of its arc from its ascension, to its fall, to its resurgence.

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Malia & Boris Blank

Convergence

30,99 €*

Release: 2014 / EU – Reissue

Genre: Organic Grooves

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Kamilya Jubran & Werner Hasler

LP | 2020 | EU | Original (Akuphone)

Hallelujah Chicken Run Band

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Musician, composer and one of the most revered figures for today’s younger generation of experimental and alternative Arabic music-scenes, Kamilya Jubran (text, oud & vocals, collaborates with long standing musical partner, composer, accomplished trumpet player and seasoned electronic musician Werner Hasler (trumpet & electronics).

In Wa (Arabic for and), their third album together as a duo, Kamilya Jubran and Werner Hasler continue to interrogate their listening and their expression, their research and their desires, to unravel a musical universe of possibilities; “a unison of timbres, cultures complementing, the complicity of verses, and modes and languages confronting each other ” in the duo’s own way of communicating respective origins and contemporaneity.

Lyrical, within a sound full of contrast and ornamentation, they pursue an expansion of their repertoire with imaginative interpretation and improvisation. For this release via Swiss label Everest Records, Jubran and Hasler seek new sonic and phonetic territory, based on the wasla compound form found in the classical repertoire of Near Eastern music and in Western modern and improvised music; a suite of musical explorations within one composition. In the 45-minutes-long piece that makes up the full length album, they gradually unveil to us the tenants of this artistic dialogue, as they deepen a longstanding musical pact nurtured since 2002 based on the probing and opening up of musical modes and traditions. The chemistry between Jubran and Hasler’s exchange gives birth to a singular, original and extratemporal sound.

Kamilya Jubran (singer, oud) and Werner Hasler (trumpet, electronics) have been collaborating since 2002. Their first collaboration Mahattaat was their earliest experiment into bringing together disparate cultural and artistic roots. Their next collaboration, Wameedd, released in 2004, combined Jubran’s vocal skill and limitless imagination with Hasler’s melodies and his original aesthetics in electronic music. The duo then released Wanabni in 2010 followed by W asl in 2016, featuring French double bass player Sarah Murcia.

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Take One

LP | 2020 | EU | Original (Analog Africa)

27,99 €*

Allt Är Intet Turquoise Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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In 1972, the country of Rhodesia – as Zimbabwe was then known – was in the middle of a long-simmering struggle for independence from British colonial rule. In the hotels and nightclubs of the capital, bands could make a living playing a mix of Afro-Rock, Cha-Cha-Cha and Congolese Rumba. But as the desire for independence grew stronger, a number of Zimbabwean musicians began to look to their own culture for inspiration. They began to emulate the staccato sound and looping melodies of the mbira (thumb piano) on their electric guitars, and to replicate the insistent shaker rhythms on the hi-hat; they also started to sing in the Shona language and to add overtly political messages to their lyrics (safe in the knowledge that the predominantly white minority government wouldn’t understand them). From this collision of electric instruments and indigenous traditions, a new style of Zimbabwean popular music – later known as Chimurenga, from the Shona word for ‘struggle’ – was born. And there were few bands more essential to the development of this music than the Hallelujah Chicken Run Band.

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The End

LP | 2020 | EU | Original (Rare Noise)

32,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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The English translation of Allt Är Intet is "All Is Nothingness" - an apt enough title for a band already possessed of the scorched earth sonic tendencies and nihilist-leaning name of The End. Yet there's some ambiguity to that philosophy; the most bleak and despairing interpretation can be countered by a more all-embracing, one-with-the-universe meditativeness. Perhaps surprisingly, either conclusion proves to fit Allt Är Intet, the remarkable second full-length album by The End. The powerhouse international quintet is made up of Swedish saxophonist Mats Gustafsson (Fire!, The Thing), Norwegian saxophonist Kjetil Møster (Møster!, Zanussi 5), Ethiopian-born vocalist Sofia Jernberg (Fire! Orchestra, PAAVO), Norwegian guitarist Anders Hana (MoHa!, Ultralyd(, and Norwegian drummer Børge Fjordheim (Cloroform). Anyone familiar with these boundary-leaping musicians' work is familiar with their throttling ferocity and ability to stretch their music into brutal extremes with focused intensity, as evidenced throughout The End's audacious 2018 debut, Svarmod Och Vemod Är Värdesinnen (which featured Deerhoof drummer Greg Saunier in lieu of Fjordheim). But their follow-up, achieved after two years of continued exploration together, strikes an exhilarating balance between it's predecessor's blistering maelstroms and a more densely layered and haunting beauty.

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LP | 2020 | US | Original (Yazoo)

Guitar Wizards 1926-1935

25,99 €*

Mr. Manager (Expanded Edition)

Release: 2020 / US – Original

Genre: Organic Grooves

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The earliest days of blues music has its roots in the deep South region of the United States. It was there that the likes of Robert Johnson, Charley Patton, Big Bill Broonzy, and innumerable other performers cut their teeth, performing and recording largely across the states of Tennessee, Mississippi, and various other deep Southern states, gradually spreading to its most famed hometown of Chicago, Illinois. Oft forgotten in these stories is that of the Carolinas, and the surrounding Atlantic Coast. Frequently overshadowed by their Memphis, Chicago, and Mississippi contemporaries, it's an area that contains some of the blues' oldest traditions. This region was home to major traditional blues players like Blind Blake, Tampa Red, and Sam Butler, among many others, and are collected here in the tracks of Guitar Wizards: 1926-1935.

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Zazou Bikaye

LP | 2020 | EU | Original (Crammed)

19,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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The Jerry Granelli Trio Plays Vince Guaraldi And Mose..

The Jerry Granelli Trio

LP | 2020 | EU | Original (Rare Noise)

27,89 €* 30,99 € -10%

Release: 2020 / EU – Original

Genre: Organic Grooves

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I'm New Here 10th Anniversary Expanded Edition

Gil Scott-Heron

2CD | 2020 | UK | Original (XL)

Release: 2020 / UK – Original

Genre: Organic Grooves

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James Reese And The Progressions

Wait For Me: The Complete Works 1967-1972

LP | 2020 | US | Original (Now-Again)

56,99 €*

LP | 2014 | EU | Original (Alien Transistor)

Release: 2020 / US – Original

Genre: Organic Grooves

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The complete works, including newly discovered recordings, by South Carolinian funk/soul bandleader James Reese, a jazz-inflected producer as ambitious as he was talented. Trombonist, bandleader, songwriter, arranger and producer James Reese never issued an album with his Progressions band, only a series of 45s – some under his own name, some under that of his collaboraors – out of Spartanburg, South Carolina on his Najma label, from the late 1960s until the mid 1970s. He was as ambitious as he was talented, and his ouevre ranges from brutal, deep soul to sophisticated instrumental ballads to jazz-inflected funk.
Now-Again’s Egon first discovered Reese’s music on a 24 lock-in in Concord, North Carolina’s legendary record and antique clock repository, Ye Olde Clock Shoppe, in 1999. After he tracked down Reese, he officially reissued two of Reese’s songs on his seminal Stones Throw anthology The Funky 16 Corners. He later issued more of Reese’s music on the Now-Again anthology Loving On The Flipside. Sourced from rare 45s and multi-track master tapes, Wait For Me: The Complete Works 1967-1972 presents both issued and recently-rediscovered songs in the full-length format, in a cohesive set that shows the brilliance still arising from the American soul and funk sub-strata. Included among them is a remix of the track “Throwing Stones” from longtime Now-Again associate Kenny Dope. Also comes bundled with an extensive booklet detailing the trajectory of Reese and his band. Download card for WAV files included with the LP.

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Alien Ensemble