House | Deep House Used Vinyl 213 Items

St Petersberg's Dobro label is noted not just for the quality and playability of its funky house and disco re-edits, but also for its value for money. This, their seventh release, is another great example, with no less than six floorfillers included on one 12", each bringing their own individual mood to the table. 'Flowers Festival' from Sun Rhythms has throbbing organs and fruity keys, topped off by a gorgeous Russian vocal. DJ Merci's 'Timetable' goes for chunky rave pianos and Fairlight stabs, lending it an 80s Italo-disco feel, before Ground Plane Aerial's 'Transition SP' closes the side with slap bass and stripped down house vibe that echoes some of Roule Records' more accessible moments. Side two VIGI's 'I Am You', is the most memorable of the whole package, with its idiosyncratic female vocal weaving a magical spell around the listener, before we finish off with a double whammy of Monny Me's swirling stringfest 'The Name Of The Game' and the parping horns and strutting groove of Ugly Frankie's 'Free Alcohol Shit', the latter including a bewitching and unexpected piano solo. Great work all round.

1532/2000

Only opened to verify version.

Vinyl with a couple of light scuffs

Test pressing

Azura is back!! The mysterious duo return to World Building with “Theme From Azura”. A pumpin’ sun-drenched follow-up to their number one underground club hit “Paraíso ‘89”. Hands up for the “House Version”, heads down for the “Dream Version”. When you get a chance to dig through the unreleased Azura archives, you go for it!! Another timeless WB anthem!!

Close to VG+

Label sleeve. Record is close to NM.

June 2018, Amsterdam, NL: 12 months ago we concluded a series of experiments with a test subject named Ben Penn. A year on, we decided to repeat this experiment at his Tilburg base. Once again, the results were starting.
After being provided with a sizeable dose of an enhanced and notably stronger derivative of 4-Ho Met (codenamed ST011), Penn not only reported intense hallucinations but also enhanced music production capabilities. With the aid of electronic instruments and hardware, he worked quickly, producing both his trademark “higher level inter-dimensional funk” and compositions that defied our previous expectations.
During the early stages of his ST011 experience, Penn completely ignored the provided Rhythm Composer and instead crafted a colourful, humid, jazzy and beat-free track entitled “Nix”, which boasted loose and fluid synthesizer motifs. As his hallucinatory experience intensified, Penn giddily tapped out tropical rhythms on the provided beat-making device, smothering them in alien electronics and sticky melodies. When we asked what this devilishly good cut was called, he simply replied: “Not Important”.
As the test went on and the most intense symptoms died down, Penn was much like his old self. Before the ST011 wore off completely, he was able to finish two examples of his trademark “inter-dimensional funk”: the skewed, introspective, bassline-driven wooziness of “Ben” and the mazy, kaleidoscopic goodness of “People”. The latter composition was particularly potent and ear pleasing, suggesting that his ST011 experience had finished on an intense high.

close to NM

The last issue of the random color series, with 555 individually colored records. The record you get is 100% random color.

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Generic label cover

Note: INCOMPLETE!
Side A&B only.
Side C&D is missing.

Cover is missing.

Label cover.

2022 reissue. Still sealed with hype sticker.

Cover with bent corner

repress

Still shrink wrapped.
Cover corners slightly dented.

Red vinyl!

Record is close to NM.

Record with just a few paper scuffs.

Label cover.

Vinyl close to near mint.