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Gregg Allman - Laid Back 200g Vinyl Edition
Gregg Allman
Laid Back 200g Vinyl Edition
LP | 1973 | US | Reissue (Acoustic Sounds)
46,99 €*
Release: 1973 / US – Reissue
Genre: Rock & Indie
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Gregg Allman's 1973 solo debut also became his biggest hit, a No. 13 LP featuring his Top 20 classic "Midnight Rider". Analogue Productions now brings forth a sparkling reissue of this classic disc, mastered from the original analog tapes by Ryan Smith at Sterling Sound. And presented as a 200-gram sonic superstar plated and pressed at our own Quality Record Pressings!
»By the end of 1973, the Allman Brothers Band seemed to have it all nailed down«, writes reviewer Rickey Wright. They'd proven their mettle with a fine synthesis of blues, jazz, folk, and country influences; expanded upon it with the definitive Fillmore East set; and moved forward after the separate losses of guitarist Duane Allman and bassist Berry Oakley. The group's myriad strengths, in fact, might've been the reason that one of their most obvious gifts — Gregg Allman's pained, growling voice — was sometimes overlooked.
"Laid Back", Greg Allman's first solo disc, seems in part an effort to gain a little more recognition. It worked, particularly given the strong radio response to its opening track, a loping remake of "Midnight Rider". Likewise, much of the album's remainder finds Allman tweaking the band's blues ("Queen Of Hearts") and country sides (a cover of Jackson Browne's "These Days"); horns and gospelish backing vocals add to the personal, often mournful feel. "Laid Back" is an often convincing version of the man's music.
The Braen's Machine - Temi Ritmici E Dinamici
The Braen's Machine
Temi Ritmici E Dinamici
LP+CD | 1973 | EU | Reissue (Schema)
23,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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“Temi ritmici e dinamici” offers brighter, less psychedelic atmospheres, leaving room to beat sounds,
to a swinging rhythm section, to the Hammond organ and even to moog and synthesizers. Despite a
lighter and an almost purely entertaining context, the album also allows for experimentation, as can be
heard in the two songs that close both sides: “Esercizi Ginnici” and “Aspetti Grotteschi”.
David Bowie - Aladdin Sane 2013 Remastered Edition
David Bowie
Aladdin Sane 2013 Remastered Edition
LP | 1973 | EU | Reissue (Parlophone)
29,99 €*
Release: 1973 / EU – Reissue
Genre: Pop
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Baden Powell - Images On Guitar
Baden Powell
Images On Guitar
LP | 1973 | EU | Reissue (Musik Produktion Schwarzwald)
24,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Rahsaan Roland Kirk - Bright Moments
Rahsaan Roland Kirk
Bright Moments
2LP | 1973 | UK | Reissue (Pure Pleasure)
49,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Pure Pleasure SD2-907
Udo Lindenberg & Das Panikorchester - Alles Klar Auf Der Andrea Doria
Udo Lindenberg & Das Panikorchester
Alles Klar Auf Der Andrea Doria
LP | 1973 | EU | Reissue (Warner)
24,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Marvin Gaye - Let's Get It On
Marvin Gaye
Let's Get It On
LP | 1973 | US | Reissue (Motown)
37,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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Marvin Gaye - Diana & Marvin
Marvin Gaye
Diana & Marvin
LP | 1973 | US | Reissue (Motown)
35,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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Cem Karaca & Mogollar - Ankara 1973
Cem Karaca & Mogollar
Ankara 1973
LP | 1973 | TR | Reissue (Universal Music Taxim Edition)
26,99 €*
Release: 1973 / TR – Reissue
Genre: Rock & Indie
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2021 Reissue, recorded in 1973. studio live session, 180g black vinyl in gatefold cover with 6 posters describing each track.

What a fantastic recording from a man and his band which is a real gem, haunting your soul in the first seconds (especially first track of B side “Alageyik Destani”). Cem Karaca is one of the leading vocal man and songwriter of Anatolian Rock scene, Mogollar (founded in 1967) is the first band which is the inventor of Anatolian Rock in Turkish rock music history. It offers amazing musical taste inspired by the traditional folk heritage of Turkiye. Strictly recommended.
Black Sabbath - Sabbath Bloody Sabbath
Black Sabbath
Sabbath Bloody Sabbath
LP | 1973 | US | Reissue (Rhino / Warner)
32,99 €*
Release: 1973 / US – Reissue
Genre: Rock & Indie
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Sabbath Bloody Sabbath is the fifth studio album by English heavy metal band Black Sabbath, originally released in December 1973. It was produced by the band and Tom Allom and recorded at Morgan Studios in London in September 1973.
For the first time in their career, the band began to receive favourable reviews in the mainstream press, with Rolling Stone calling the album ''an extraordinarily gripping affair,'' and ''nothing less than a complete success.'' Later reviewers such as AllMusic's Eduardo Rivadavia cite the album as ''a masterpiece, essential to any heavy metal collection,'' while also displaying ''a newfound sense of finesse and maturity''. The album marked the band's fifth consecutive platinum selling album in the United States.
Ralf Nowy - Lucifer's Dream
Ralf Nowy
Lucifer's Dream
LP | 1973 | EU | Reissue (Wah Wah)
20,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Born in 1940 in Berlin, Ralf Nowy's musical interest was first exposed to an audience during his school years, when he formed his first rock'n'roll band in the late fifties. After graduation from the Konservatorium, he joined the German jazz scene and also worked for the Saaerland radio station. His recording career began recording exploitation albums designed for dance parties, following the path opened in Germany by artists like Paul Nero (a.k.a. Klaus Doldinger). But with the rise of the krautrock scene he became interested in new, more experimental sounds and joined forces with Paul Vincent (who had played in Klaus Doldinger's Motherhood, from which he would go on to form Hallellujah) and Keith Forsey (also from Hallellujah) - the three, under the name The Ralf Nowy Group, became on of the hottest acts of the Munich scene.

Lucifer's Deram was issued on Global in 1973 and offered an interesting mixture of instrumental sounds which moved freely from psychedelic pop to jazz, progressive rock, and ethnic touches... even some funky guitar is present! In addition to Ralf Nowy (flutes, alto saxophone, oboe), Paul Vincent (guitars) and Keith Forsey (drums) the recording sessions counted on the faboulous work of Al Gromer (Amon Düül, Popol Vuh, etc.) and Liz van Nienhoff on sitar, Gary Unwin and Lothar Meid on bass, Sylvester Levay and Don Anderson on pianos, Andy Marx on guitar, Bernie Prock on percussion and Sankha Chatterjee on tablas.

Ralf Nowy has also contributed on works by Drosselbart, Improved Sound Limited, Tender Aggression, a.o.

First time reissued on vinyl, comes in remastered sound, housed in a fantastic glossy laminated gatefold sleeve reproducing the original artwork, insert with liner notes and the attractive of being an exclusive 500 copies only edition!
Tim Maia - Tim Maia 1973
Tim Maia
Tim Maia 1973
LP | 1973 | BR | Reissue (Polysom)
45,99 €*
Release: 1973 / BR – Reissue
Genre: Organic Grooves
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This is 180g vinyl. A great step forward for the legendary Tim Maia – working here in a style that's even tighter and more sophisticated than before – yet still equally filled with funk and soul.
Sergio Sampaio - Eu Quero E Botar Meu Bloco Na Rua
Sergio Sampaio
Eu Quero E Botar Meu Bloco Na Rua
LP | 1973 | BR | Reissue (Polysom)
39,99 €*
Release: 1973 / BR – Reissue
Genre: Organic Grooves
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This is a classic Latin must-have.
Fela Kuti & The Africa 70 - Afrodisiac
Fela Kuti & The Africa 70
Afrodisiac
LP | 1973 | UK | Reissue (Knitting Factory)
23,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Fela Kuti & The Africa 70 - Gentleman
Fela Kuti & The Africa 70
Gentleman
LP | 1973 | UK | Reissue (Knitting Factory)
22,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Egisto Macchi - Violenza
Egisto Macchi
Violenza
LP | 1973 | EU | Reissue (Cinedelic)
24,99 €*
Release: 1973 / EU – Reissue
Genre: Soundtracks
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The artistic achievement of Egisto Macchi was avant-garde not only for his immense talent and brilliance but for the quality that has managed to infuse every language he used, ranging from instrumental and symphonic music, musical theater, to library sounds more varied and articulated. Towering over all his passion and commitment, is the great inner need to break down the sectarian walls of thinking within categories. He had sensed that beauty could be located anywhere and that the biggest task entrusted to an artist was to leave the surface, always.
Miles Davis - Black Beauty
Miles Davis
Black Beauty
2LP | 1973 | EU | Reissue (Music On Vinyl)
33,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Gian Franco Reverberi - OST Riti, Magie Nere E Segrete Orge Nel Trecento
Gian Franco Reverberi
OST Riti, Magie Nere E Segrete Orge Nel Trecento
LP | 1973 | EU | Reissue (Cinedelic)
37,99 €*
Release: 1973 / EU – Reissue
Genre: Soundtracks
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Finally, after 45 years, comes the soundtrack, from the original master tapes, of the truly mad and weird exploitation euro-erotic-horror cult movie filmed in 1971 (but released only in 1973) by Renato Polselli (Ralph Brown). Incomprehensible and inconceivable beyond the reach of the human intellect, Riti, magie nere e segrete orge nel trecento... shows a cult of pseudo-Satanists in tight red jumpsuit and black cape requiring the blood and eyes of seven virgins in order to resurrect the corpse of the persecuted witch Isabella (Rita Calderoni), who was impaled and burned at the stake some 500 years ago. A precious nonsensical gem, with nervous zooming, nude women's breasts in a colorful scenery, and an overly cryptic storyline; loony.
The soundtrack encapsulates, in its fifteen total tracks (including the 2 released at the time on 45 RPM vinyl), all typical sound elements of the “scary music” ‘of the seventies but with a hard touch of madness, experimentation and psychedelia. Female vocals give out agonizing and distressing groans, tribal African rhythmic, turned over words, plucked stings of the piano, baroque elements and lot of effects makes this soundtrack a cult object, not even to mention the obsessive care of the packaging.
Released in a limited edition of 666 numbered copies in gatefold heavy thick cover with front cover design by Michele Targonato with embossed flames. Bi-color red-blue vinyl. Includes digital download code.
Novos Baianos - Futebol Clube
Novos Baianos
Futebol Clube
LP | 1973 | BR | Reissue (Polysom)
39,99 €*
Release: 1973 / BR – Reissue
Genre: Organic Grooves
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A great 70s album by Os Novos Baianos – a wonderfully youthful group that was one of the bright spots in Brazilian music after the Tropicalia years. The band had a style that mixed folksy percussion with honest personal songwriting, plus occasional touches of elements gleaned from the larger influences in Brazilian rock at the time. The album has a sound that's a lot more intimate than later work, with some especially great work on guitar and bandolim, and great production on the band's vocals. Titles include "Sorrir E Cantar Como Bahia", "Dagmar", "Vagabundo Nao E Facil", "Cosmos E Damiao", "Com Qualquer Dois Mil Reis", and "Os Pingo Da Chuva".
S. Brugnolini,G. Carnini - Beat Drammatico Underground Pop Elettronico
S. Brugnolini,G. Carnini
Beat Drammatico Underground Pop Elettronico
LP+CD | 1973 | EU | Reissue (Schema)
22,99 €*
Release: 1973 / EU – Reissue
Genre: Soundtracks
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A mind-melting opera. Some of the tracks here simply anticipate Techno and generally Electronic music of the early 70s. While Kraftwerk released “Ralph & Florian”, and about one year before the releasing of the milestone “Autobahn”, maestros Sandro Brugnolini and Giorgio Carnini were already experimenting the deep sounds of analogue synthesizer ARP 2600.
The set provides some blending Funk tunes driven by Experimental Electronic music, all with a heavy dramatic feel: the result is an unbelievable, unique and explosive library music LP. “Beat Drammatico Underground Pop Elettronico” is the title that Brugnolini and Carnini adopted for this collection of several TV synchronization themes.
What we had is stunning Drama Cop scores and dark Electronic moods, all surrounded by loads of fuzzy vibes and all that weird, Industrial, Futuristic Synth FX and so on…
This reissue gives back a long forgotten and obscure session originally released on Fonit label in 1973.
Narassa / Zanagoria - UST 7011 : Popfolkmusic
Narassa / Zanagoria
UST 7011 : Popfolkmusic
LP | 1973 | EU | Reissue (Sonor Music Editions)
37,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Originally released on Fonit Cetra Hi-Fi International series in 1973, this mega rare Italian Library still unknown in the record collectors circle features some of the most insane grooves made in Italy. Outstanding, spaced-out Breakbeats with the best up-tempo, Hip Hop beats and B-boy Funk tunes you could ever desire, alternated by Easy Listening scores and happy Synthesizer themes. This killer prolific duo (Brugnolini-Carnini) have pulled out in the early 70s some of the most insane tunes released on the infamous Fonit Library series, composing tons of Library music with the auxiliary of few session men, vintage analogue Synthesizers and Hammond organ. Absolutely incredible and unexpected stunning music written for Italian Rai TV. A mythical Italian Library LP simply to die for! This remastered 180gram LP is limited to 600 copies and comes with a flipback sleeve replica of the original edition.
Edith Peters - This Is the Moment
Edith Peters
This Is the Moment
7" | 1973 | EU | Reissue (Schema)
9,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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A quite unknown artist, Edith Peters was active between the 50s and 70s, singing as a member of the Peters Sisters, and as an actress; after marrying her Italian agent in 1958, she moved to Italy where she starred in several movies, TV series and ads.
In 1973 Sante Palumbo wrote and arranged a couple of songs for Edith Peters, perhaps with the aim of promoting her solo career. It was the same he released “Sway”, which was destined to become a cult LP.
“This Is the Moment” was originally released as the B-side of “Lord Please Hear my Prayer”, a rare 45 published by Cipiti Records. On Cipiti she had already released her rendition of “Speak Softly, Love”, a theme from “The Godfather” soundtrack, though her career was at that time orientated more toward her activity as a TV and movie actress. And when the single was released, it was rapidly overshadowed by more important releases like “The Dark Side Of The Moon” by Pink Floyd.
And it is a shame, since “This Is the Moment”, written by Tony Benn Feghaly (erroneously credited as ‘T. B. Feghall’ in the original release) and Sante Palumbo, is an amazing gospel-soul song. In only two minutes and a half The Sante Palumbo Orchestra accompanies Peters’ entrancing voice, delivering a groovy and intense interpretation – a richness that requires multiple listen to grasp all the nuances of this stunningly orchestrated piece.
The original 1973 version of the song is here featured as a B-side, while Gerardo Frisina signs the A-side of this reissue with a rework of the track – doubling the length and adding his signature rhythm patterns.
Dave Holland Quartet - Conference Of The Birds
Dave Holland Quartet
Conference Of The Birds
LP | 1973 | EU | Reissue (ECM)
25,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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This was Dave Holland's first album as a full-fledged leader. An album of driving, progressive jazz, it is also of historical significance as the only occasion when Rivers and Braxton, two of the music's most strikingly original saxophonists, recorded together. This summit meeting received raves from the press.
Gary Burton & Chick Corea - Crystal Silence
Gary Burton & Chick Corea
Crystal Silence
LP | 1973 | EU | Reissue (ECM)
25,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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The Corea/Burton duo was brought together by producer Manfred Eicher, and “Crystal Silence” brought a new chamber music sensibility into jazz improvisation, distinguished by an effervescence of melody and countermelody, with synchronized cascades of sound in continually changing harmonic movement.

It all begins here, with “Crystal Silence”. The title says it all: silence crystallized into dazzling melodic gems, each its own prismatic doorway into improvisatory translucence. Corea offers a fine set of five compositions (the most notable being the slick opener "Señor Mouse"), along with three beautifully realized tunes by bassist Steve Swallow ("Arise, Her Eyes" being a personal favorite), and another by Mike Gibbs (the somber "Feelings And Things"). In spite of the variety of voices represented here, the album grows like one long, extended story, a dynamic that seems to shadow the musicians wherever they set foot.

The title track is a subdued tour de force in style, presentation, and content. "Falling Grace" (Swallow) is one of the shorter pieces on tap, but what it lacks in time it makes up for in exhilaration. The album ends with an instrumental version of another Return classic, "What Game Shall We Play Today." Each piece is rendered with such dynamic sensitivity that one can immediately recognize the effect Crystal Silence must have had when originally released, and no doubt continues to have to this day. Connected as they are by the same mellow fuse, these tunes need hardly a spark to set them to glowing.
Sun Ra - Discipline 27-II
Sun Ra
Discipline 27-II
LP | 1973 | EU | Reissue (Strut)
27,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Limited edition for Record Store Day 2017!
Rupture - Israel Suite / Dominante En Bleu
Rupture
Israel Suite / Dominante En Bleu
LP | 1973 | EU | Reissue (Sommor)
21,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Impossible to find Spiritual Jazz / Funk / Groove / Psych rarity from France, 1973.

Rupture was born when famous French songwriter Boris Bergman (France Gall, Dalida, etc) decided to record a conceptual album about the history of Israel. He approached ace drummer and singer Sylvain Krief (Airto Fogo, Michel Fugain, Aznavour, Clark Terry, Bud Powell, etc) and soon, other musicians joined: Jean-François Jenny-Clark (Don Cherry, Steve Lacy, etc) on bass, Georges Locatelli (Total Issue) on guitar, Jean-Pierre Mas (piano, organ, guitar, vocals…) In resume, Rupture was a kind of super-group featuring some of the best musicians from the Euro jazz / progressive / fusion scene. It also included collaborations by Michel Fugain and Nicole Croisille.

The album was recorded over a period of three months and the result was released as a very limited private pressing with help from the Futura label. Arranged by Sylvain Krief and Jean-Pierre Mas, “Israel Suite” included a side-long suite on side A and shorter songs on Side B. An incredible mix of vocal / spiritual jazz, funk, progressive, jazz-pop, psych…
Judee Sill - Heart Food
Judee Sill
Heart Food
LP | 1973 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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The second album Judee Sill made, proved to be her last. Instead of using an outside arranger for the strings for her album Heart Food (as she did on her previous album Judee Sill [MOVLP1800]), Sill did all of the work herself.
The Originals / The Upsetters - Got To Be Iry / Iry Iry
The Originals / The Upsetters
Got To Be Iry / Iry Iry
7" | 1973 | EU | Reissue (Upsetter / Reggae Fever)
10,99 €*
Release: 1973 / EU – Reissue
Genre: Reggae & Dancehall
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Check out this classic Roots material by The Originals and The Upsetters from around 1973!
John Holt - 1000 Volts Of Holt
John Holt
1000 Volts Of Holt
LP | 1973 | UK | Reissue (Trojan)
25,99 €*
Release: 1973 / UK – Reissue
Genre: Reggae & Dancehall
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MFSB - Love Is the Message Feat. Three Degrees
MFSB
Love Is the Message Feat. Three Degrees
12" | 1973 | EU | Reissue (Philadelphia International)
15,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Prime are delighted to announce the long-awaited OFFICIAL 12 inch re-release of probably the most revered Paradise Garage anthem of all time - M.F.S.B. feat The Three Degrees and the now legendary "Love Is The Message".

Originally released in 1973, "Love Is The Message" has sustained dance-floors across the world ever since and here we present the full original 11.28 mix from Tom Moulton which is always a £25-30 record if you've ever been lucky enough to find a mint one and copies of the rarer U.S. 12" with the long mix are like gold!

Worry no more as the quality on this 12" is from the best master and 100% sanctioned by Sony Music.

On the flip we are proud to re-release "T.S.O.P. (The Sound Of Philadelphia)" aka the official Soul Train theme, using Tom Moulton's full original 5.42 mix. Another piece of significant dance-floor history.

As double-siders go, it really doesn't get any better than this. There is already high-demand from lots of DJs needing to replace their battered copies so accept no substitute. This is the real deal.
Shadrack Chameleon - Shadrack Chameleon
Shadrack Chameleon
Shadrack Chameleon
LP | 1973 | EU | Original (Out-Sider)
21,99 €*
Release: 1973 / EU – Original
Genre: Rock & Indie
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Reissue with newly remastered sound of this teen basement psych-rock private pressing from the Midwest, 1973. Great distorted guitars, organ, melancholic vocals, raw homemade vibe, inventive songs and some cool Neil Young / Crazy Horse influences. File next to Rayne!
Black Sabbath - Sabbath Bloody Sabbath
Black Sabbath
Sabbath Bloody Sabbath
LP | 1973 | DE | Original (Vertigo)
21,99 €*
Release: 1973 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: Generic
Original sleeve is missing.
Leonard Cohen - Leonard Cohen: Live Songs
Leonard Cohen
Leonard Cohen: Live Songs
LP | 1973 | EU | Reissue (Columbia)
26,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Joao Donato - Quem E Quem
Joao Donato
Quem E Quem
LP | 1973 | BR | Reissue (Polysom)
39,99 €*
Release: 1973 / BR – Reissue
Genre: Organic Grooves
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Cecil Payne - Zodiac
Cecil Payne
Zodiac
LP | 1973 | UK | Reissue (Pure Pleasure)
34,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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It's impossible to talk about this album without acknowledging the spectre of death that hangs over it - not only is it the third entry in Strata-East Records' Dolphy Series, a collection of archival recordings from some of the label's close associates honoring the recently deceased multi-instrumentalist, but it is actually dedicated to two members of the band, Wynton Kelly and Kenny Dorham, who died in between the recording sessions and its release. The point is driven home even further by the fact that the album begins with a tribute from Payne to the fallen Martin Luther King, Jr., a piece that acts as a de facto solo for Dorham - his playing all rosy elegance and regal warmth - before shifting into the lighter (though equally coolly-paced) "I Know Love," a showcase for Payne's sax. While not the most somber jazz track ever recorded, this opening suite is a low-key and mournful way to open the affair, but thankfully the album really picks off and shows these musicians more in their element the rest of the way.

"Girl, You Got a Home" is a funky piece, beginning very soulfully with some tight interplay among the rhythm section of Kelly, bassist Wilbur Ware and drummer Albert Heath. Ware is in especially fine form on this track, tying together the disparate passages of the piece by grounding the more ponderous moments in a deep funk, while Kelly's playing is especially ear catching in the way he stabs at his piano like it's an organ. After the first two tracks take up nearly twenty minutes, the four-minute "Slide Hampton" feels almost impossibly brief, a feeling that's enhanced by its quick, jittery, and infectious rhythm, driven by some really dexterous work from Kelly. The final track, "Flying Fish," may be the album's highlight, a Caribbean-inspired composition that casts the rhythm section as flighty ground for both Payne and Dorham to vamp on. The track is oddly danceable for something released on Strata-East, maybe the most fun moment ever for the label, and relentlessly uptempo. Though this release may be in part defined by the deaths that preceded it, it's clear that the recording process was actually a lot of fun for everybody, as their enthusiasm and energy jumps right out of the speakers. This is one of the first Strata East records I really got into and is still one of my favorites, a must-hear for any fans of the flightier moments of Dorham or Kelly's career, and a fitting tribute for both master musicians.
Sly & The Family Stone - Fresh
Sly & The Family Stone
Fresh
LP | 1973 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Ringo Starr - Ringo
Ringo Starr
Ringo
LP | 1973 | EU | Reissue (Capitol)
31,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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24-Carat Black - Ghetto: Misfortune's Wealth
24-Carat Black
Ghetto: Misfortune's Wealth
LP | 1973 | US | Reissue (Stax)
36,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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Tom Waits - Closing Time Remastered Edition
Tom Waits
Closing Time Remastered Edition
LP | 1973 | EU | Reissue (Anti)
24,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Deuter - OST Princess Of Dawn
Deuter
OST Princess Of Dawn
LP | 1973 | EU | Reissue (Black Sweat)
18,99 €*
Release: 1973 / EU – Reissue
Genre: Electronic & Dance
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New Lp-edition of an obscure un-released library of the early ‘70s.
Together with Florian Fricke, Peter Michael Hamel and Stephan Micus, Deuter is certainly the main responsible of a fruitful encounter between European sensibility and Eastern aesthetics in the German music of the 1970s. Soundtrack was originally produced by Kuckuck in 1973 not for an official and public release, but as a “library” to be used for films, TV and radio. As a library it respects the canonical and typological structure of the genre with 26 short sonic fragments, sequences imagined and conceived like fulminating illuminations. There's still a solid electronic vocation that, however, has put aside the most disruptive effluvia of D (1971) of pure “kraut” ancestry. In fact, the album is more like an ideal passing bridge between some ritual instances of the previous Aum (1972) and the following successful phase of Deuter during the period when he stays in the Bhagwan Shree Rajneesh's ashram in Poona realizing, in parallel to a renewed inner life, masterpieces like Celebration, Haleakala, Ecstasy and Silence is the Answer. Musically speaking, Soundtrack presents itself as a heterogeneous work with nocturnal, cinematic, galactic and atmospheric-environmental implications. Electronics remains the predominant factor but can vary from mantra drones of more ceremonial and meditative “space-relax” tones of some tracks (Triad, Deep Sea, Gothic Velvet or Evening) to the most amused formulations of pulsating analog synths that in the hands of Deuter become “toy-equipement” to modulate and explore (Desert Rock, Synth Effect, Flea Dance or Laser). There is no lack of acoustic moments more ethnically inspired with Arabian and Indian (Reed, Arabia) or devotionally solar themes (Tom Bombaddils Dance), so evoking an air of diffuse peace then completely conquered in the beloved India.
Mike Oldfield - Tubular Bells
Mike Oldfield
Tubular Bells
LP | 1973 | EU | Reissue (Mercury)
22,99 €*
Release: 1973 / EU – Reissue
Genre: Electronic & Dance
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Remastered and pressed on 180g virgin vinyl!
Ann Sexton - Loving You, Loving Me
Ann Sexton
Loving You, Loving Me
LP | 1973 | US | Reissue (Sound Stage)
19,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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Extremely popular on the Northern Soul scene, Ann Sexton's 1973 full-length 'Loving You, Loving Me' gets reissued on vinyl, including reproduced artwork and labels.
El Polen - Fuera De La Ciudad
El Polen
Fuera De La Ciudad
LP | 1973 | EU | Reissue (Buh)
22,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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“Out of the City” was recorded with all of the musicians at the same time in two short sessions at El Virrey studios; which said studio never believed El Polen’s LP would sell so they only released a limited edition of only one thousand copies. Three months later, there were no records in the market. Various musicians from El Polen were contacted in those times by travelers from different parts of the continent who came with the dream of finding a copy… it was not possible, even some of the musicians from the band didn’t have a copy. Today these are rare items still looked for by people from different parts of the planet.
The present edition in vinyl format has been produced from the master tapes with the authorization and supervision of the band itself. This is the starting point for a series of releases of a new collection of our label dedicated to El Polen.
Billy Harper - Capra Black
Billy Harper
Capra Black
LP | 1973 | UK | Reissue (Pure Pleasure)
34,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Mandrill - Composite Truth
Mandrill
Composite Truth
LP | 1973 | US | Reissue (Polydor)
21,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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180 gram pressing!
Boogaloo Joe Jones - Black Whip
Boogaloo Joe Jones
Black Whip
LP | 1973 | US | Reissue (Prestige)
19,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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John Holt - 1000 Volts of Holt
John Holt
1000 Volts of Holt
LP | 1973 | US | Reissue (Trojan)
19,99 €*
Release: 1973 / US – Reissue
Genre: Reggae & Dancehall
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Skull Snaps - Skull Snaps
Skull Snaps
Skull Snaps
LP | 1973 | US | Reissue (GSF)
20,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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180 gram vinyl!
The O'Jays - Ship Ahoy
The O'Jays
Ship Ahoy
LP | 1973 | EU | Reissue (Epic)
26,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Novi Singers - Rien Ne Va Plus
Novi Singers
Rien Ne Va Plus
LP | 1973 | EU | Reissue (Warner Music Poland)
26,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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This is 180g vinyl.
O'Jays - Ship Ahoy
O'Jays
Ship Ahoy
LP | 1973 | EU | Reissue (Sony Legacy)
28,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Sylvers - The Sylvers II
Sylvers
The Sylvers II
LP | 1973 | EU | Reissue (Mr Bongo)
22,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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This is masterpiece. And we mean it. Beautiful, golden-era soul written by Leon Sylvers III, produced by Jerry Butler and Keg Johnson. The Sylvers were a family from Los Angeles who were very successful during the 70’s and into the early 80’s, with chart hits – deep into pop-disco territory by then! – including ‘Boogie Fever’, ‘Hot Line’ and ‘High School Dance’. This is the groups second album, from 1973, and is one of their strongest. Opening with the awesome mid-tempo ‘We Can Make It If We Try’ the record moves
through funk, boogie and deep soul moods, finishing on a hazy, acapella version of The Beatles ‘Yesterday’. The Sylvers always provide a goldmine of samples. This album has been flipped by Madlib (for MF DOOM), Homeboy Sandman, 50 Cent, Ghostface Killah, Black Milk, Roc Marciano, David Banner & 9th Wonder and more. Official Mr Bongo reissue. Replica original artwork. Licensed from Pride Inc. 2006.
Foster Sylvers - Foster Sylvers
Foster Sylvers
Foster Sylvers
LP | 1973 | EU | Reissue (Mr Bongo)
22,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Brilliant funk-soul from 1973. Written by Leon Sylvers III, produced by a heavyweight line-up comprising Jerry Butler, Keg Johnson and Michael Viner. As with the majority of The Sylvers music from this period, the album has been heavily sampled. ‘Misdemeanour’ is a truly classic break and has been utilised by Madlib, Big Daddy Kane, Rodney P, The D.O.C, Pete Rock and many more. Danny Krivit edited the track in 2007, adding an acappella version on the front – still a big record with DJ’s. The Sylvers were a family from Los Angeles who were very successful during the 70’s and into the early 80’s, with chart hits – deep into pop-disco territory by then! – including ‘Boogie Fever’, ‘Hot Line’ and ‘High School Dance’. Official Mr Bongo reissue. Replica original artwork. Licensed from Pride Inc. 2006.!
Pholas Dactylus - Concerto Delle Menti
Pholas Dactylus
Concerto Delle Menti
LP | 1973 | EU | Reissue (AMS)
28,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Billy Cobham - Spectrum
Billy Cobham
Spectrum
LP | 1973 | EU | Reissue (Music On Vinyl)
29,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Billy Cobham is one of the greatest jazz-fusion drummers from
the last decades. Shortly after he left the band Mahavishnu
Orchestra he released his debut solo album Spectrum. Influenced
by the music of Miles Davis he combines elements from the jazz
with rock and psychedelia. From the subtle parts to the more
aggressive moments, it’s an album in which Cobham shows his
identity to the public. The music quartet recorded some lengthy
pieces, out of which “Stratus” is the absolute masterpiece. The
funky grooves and effective guitar melodies blend together very
well and the jazz comes alive in the outstanding drum play by
Cobham. “Quadrant 4” is another great track in which the music
erupts and the synergy between the musicians can be felt.
As a member of the Mahavishnu Orchestra and in his
collaboration with Miles Davis, Billy Cobham earned recognition
for his impressive playstyle and live performance.
Norman Connors - Dark of Light
Norman Connors
Dark of Light
LP | 1973 | US | Reissue (Cobblestone)
15,99 €* 19,99 € -20%
Release: 1973 / US – Reissue
Genre: Organic Grooves
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180 gram vinyl!
Voices Of East Harlem - The Voices Of East Harlem
Voices Of East Harlem
The Voices Of East Harlem
LP | 1973 | US | Reissue (Just Sunshine)
16,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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Michi Sarmiento Y Su Combo Bravo - Abrete Sésamo / Africa Bom
Michi Sarmiento Y Su Combo Bravo
Abrete Sésamo / Africa Bom
LP | 1973 | EU | Reissue (Vampisoul)
14,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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First ever reissue of the sixth album by Michi Sarmiento y sus Bravos, originally
released by Discos Fuentes in 1973. The LP includes several brilliant original songs
plus a number of excellent cover tunes, and a dizzyingly diverse mix of genres:
guanguancó, cumbelé, calypso, cumbión, rumba, paseo, gaita, merengue_ A tropical
Latin dance party! Presented in facsimile artwork and pressed on 180g vinyl.
Gloria Ann Taylor - Deep Inside Of You
Gloria Ann Taylor
Deep Inside Of You
7" | 1973 | US | Reissue (Nature Sounds)
13,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

For the first time since 1973, her famed single “Deep Inside. You” is back in print on 7” vinyl, courtesy of Nature Sounds. Taylor’s records were characterized as “a unique musical brew that mixed northern soul with exotic percussion and fuzzy psychedelic guitars.... [in] a range of tempos and stylings from ballads to disco.” Taylor was nominated for the 12th annual Grammy Awards in the category of best R&B vocal performance by a female for the song “You Gotta Pay the Price”. The singles released by Gloria Ann Taylor are well-established rare
treasures in the Soul music canon. Although Taylor was nominated for a
Grammy, performed live on bills featuring The Emotions, Johnnie Taylor,
B.B. King, and The O’Jays, and had a circle of friends that included
Bootsy Collins and James Brown, by the the mid-1970s her career had
stalled and she abruptly quit the music business. Taylor’s records later
became highly sought-after by DJs and rare groove collectors, prized
for a hauntingly soulful sound that mixed northern soul with exotic
percussion and psychedelic guitars.
Gloria Ann Taylor passed away in December 2017 at the ago of 73.
Now, for the first time since 1973, her famed single “Deep Inside You” is
back in print on 7” vinyl, courtesy of Nature Sounds. This limited-edition
pressing of the often-sampled Columbia Records release also includes
the original B-side “World That’s Not Real”.

Another friday dedicated to the black gold!
Keith Mansfield & John Cameron - Voices In Harmony
Keith Mansfield & John Cameron
Voices In Harmony
LP | 1973 | UK | Reissue (Be With)
24,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Voices In Harmony was released in 1973 as “a selection of contemporary pop titles featuring voices, brass and rhythm”. We choose to describe this collection of works by Keith Mansfield and John Cameron as “a string-laced, harmony-drenched KPM classic”.

From the bright, lilting harmonies of “Liquid Sunshine” to the melting flutes of “Loving Touch” and “Gentle Persuasion”, this is warm, effervescent soul music for dreamy, idyllic moods. The supreme “Husky Birdsong” is so, so smooth, with its unrelenting bossa bassline and warm keyboards. “Half Forgotten Daydreams” is a gorgeous wordless groove.

As with all ten re-issues, the audio for Voices In Harmony comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.
V.A. - Big Business / Wind Of Change
V.A.
Big Business / Wind Of Change
LP | 1973 | UK | Reissue (Be With)
24,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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The two sides of 1973’s Big Business / Wind of Change are mainly the work of the great Keith Mansfield but there’s a killer cameo each from Alan Hawkshaw and David Snell to help deliver “a thematic suite, diverse in mood, applicable to dramatic and environmental situations”. A Be With favourite and truly one for the heads.

The Big Business of side A is all the work of Keith Mansfield. It’s heavy on the suspense and features the vital “Hot Property”, an insistent groove so good that Madlib sampled it to lace the ace “Long Awaited” by Lootpack with Dilated Peoples.

“Sleeping Giant 1” is a more fleshed out version of the equally-dazzling “Fatal Error”, evoking the orchestral magic of David Axelrod. Indeed, it conjures images of Diamond D falling over himself in the early-to-mid 90s to loop its intoxicatingly eerie soundscape. Complete with guitar fills that recall Paris, Texas-era Ry Cooder, you need this record for this piece alone.

The horn-and-flute-led "Tycoon" is a head-nodder and "Power Complex" has some fantastic percussion. Other highlights include the breezy glide of “Whistle Stop Tour” and its sister groove “Clean Air.”

Over on Side B is the more expansive Wind Of Change, which includes the David Snell and the Alan Hawkshaw contributions. But these ain’t no filler. Snell’s shuffling “International Flight” sounds like a smooth Dorothy Ashby track tossed from the heavens. Hawkshaw’s “Road And Rail” is about as luxurious and strung-out as the great man gets and it might just be the highlight of this whole set.

Not to be outdone, if Mansfield’s “Balance Of Power” doesn’t make you feel like king of the world then you must be playing it wrong. Oh, and did we mention “World In Action”?!

As with all ten re-issues, the audio for Big Business / Wind of Change comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.
Marcos Valle - Previsao Do Tempo
Marcos Valle
Previsao Do Tempo
LP | 1973 | BR | Reissue (Polysom)
39,99 €*
Release: 1973 / BR – Reissue
Genre: Organic Grooves
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This is a 180g pressing. Powered by the jazzy electronic feel of Azimuth, Previsao Do Tempo is a highlight in the Valle discography. This beautiful batch of tracks Marcos Valle has him pushing way past his bossa work of the 60s – into a cool 70s mix of electronics and sexy scoring, for a sound that's a mix of Brazilian rhythms with other styles that evoke Italian soundtracks and French pop backing.
Clifford Jordan Quartet - Glass Bead Games
Clifford Jordan Quartet
Glass Bead Games
2LP | 1973 | US | Reissue (Pure Pleasure)
49,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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* Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London / Fifth part of the Strata-East Dolphy Series, Glass Bead Games is arguably the crown jewel of the Strata East movement, an amorphous genre that treads an unusual path between post-bop, 70’s avant-garde and spiritual jazz, with a groove.

Glass Bead Games is full of revelations at many levels. First, the decade of the 1970s did produce genuinely creative, "human" new music flowing from the jazz mainstream; second, Bill Lee was more than Spike's dad: he was a superlative bassist, a team player of the first order, a powerful catalyst who, if anything, deserves to be better known than his son; third, Billy Higgins was, as so many musicians insist, a once-in-a-lifetime drummer—the bellows inspiriting the collective flame.

Most importantly, Clifford Jordan was an artist of the first order, his playing so effortless and unforced, unselfconscious and focused, mature and wise that, at a time when altissimo fury was all the rage, it's small wonder his authentic voice frequently went unheard. His musical rhetoric is so personally expressive, its substance so compelling, the listener couldn't care less about the extraordinary technique required to convey its captivating message. Compared to some of his more acclaimed peers he's a less aggressive yet paradoxically more directive and shaping influence. The climaxes, rather than spelled out, are merely suggested, registering with deep and lasting impact on the listener. It all comes down to learning the language, those precious little beads. Not every player, including Jordan or the listener, can use it like Shakespeare, but all can learn to read Shakespeare and understand its principles of arbitrariness and serendipity, of invariance and transformation.

Jordan, no less than Shakespeare, requires a like-minded cast of players—in this case four musicians of such redoubtable proficiency that each remains committed to keeping the beads in play. He's not a man content with a mere musical "dialogue" with his fellow musicians nor is he about to take the initiative in pulling his troops up to his level. Instead he begins to tell a musical story that's so compelling his three comrades are inspired equally to contribute to a collaborative narrative. This is brilliant music-making by a Coltrane- influenced successor who feels no obligation to mime the predecessor. It may be the most significant saxophone performance on record since Coltrane and, providing the listener stays with it for any length of time, the most deeply satisfying. Jordan's game—so effortless, unforced, and "level"—erases distinctions between composed and improvised, soloist and ensemble, narrator and narrative, the dancer and the dance. It seems incapable of wearing out its welcome.
Charles Brackeen - Rhythm X
Charles Brackeen
Rhythm X
LP | 1973 | UK | Reissue (Pure Pleasure)
34,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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On this record, the little-known Charles Brackeen brings his saxophone to a party with most of Ornette Coleman's band. As might be expected, while Brackeen certainly holds his own, it's Ornette's boys who bring the thunder, playing around Brackeen's muscular alto as if they were a gang jumping on a new member. Haden's bass playing provides the frantic pulse, here and there ceding the stage to Blackwell's flexible drumming and dropping out to provide rolling sheets of sound by bowing his instrument. Brackeen and Cherry wrestle across this solid bedrock, with results that are often surprising and never short of beautiful.
Albert Washington - Sad And Lonely Record Store Day 2019 Edition
Albert Washington
Sad And Lonely Record Store Day 2019 Edition
LP | 1973 | EU | Reissue (Tidal Waves Music)
27,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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* Record Store Day Europe / UK 2019 Exclusive Release!
* Originally released on Westbound Records in 1973
* Pressed on 180gm vinyl
* Limited to 1,000 copies

By the time singer-songwriter Albert Washington went to record the tracks that would be released on his career-defining LP, Sad and Lonely, in 1973, he was already a veteran on the recording scene. He had singles recorded on a dozen labels, in styles ranging from gospel to blues and soul. Washington (born in Georgia, 1939) made his own guitar out of a gasoline can using rubber bands as strings at the age of seven. After the family moved to Cincinnati, Albert started going to clubs in the area where he was exposed to artists from the likes of B.B. King and Sam Cooke who would inspire him to become a performer. By the mid 1960’s, Washington had started his recording career, cutting several singles for various labels. His 1964 recordings for the VLM label, including the song he wrote called ‘Haven't Got a Friend’, got him noticed in England, and this in turn led to a deal with Fraternity Records in 1966. Lonnie Mack later joined Washington on several singles for Fraternity recorded in 1969. In 1970, he released two singles on the Jewel label before finally recording his first LP (Sad and Lonely) for the Detroit-based label ‘Eastbound Records’ in 1973. Recorded with the Memphis Horns, the tracks on Sad and Lonely are prime southern gospel-infected soul, funk and raw Albert King style blues…bearing the heavy influence of both James Brown’s funk and Otis Redding’s Memphis soul. Albert’s music is full of lament, urban hustle and lost love, the precise guitar strokes alongside Washington's soaring vocals create the mood for the blues to invade the funk parts. The female backup singers’ harmonies are the cherry on top and the album is a funky emotional onslaught with relentless dance grooves from start to end. The outpour of talent featured here on ‘Sad and Lonely’ was carefully produced by Bernie Mendelson (Donald Austin, Melvin Sparks, Ceasar Frazier), engineered by Ronnie Capone (Stax) and then mastered by the legendary Howard Craft. Because of complications from diabetes (Washington lost his sight and went completely blind) he had to put his musical career on and off hiatus…but despite the crippling effects and the tragedies that befell him over the course of his life, Albert remained an upbeat, positive figure. Washington continued to perform in blues clubs around Long Island prior to dying of complications from diabetes on October 23, 1998. ‘Sad and Lonely’ was originally released on Eastbound (whose parent label Westbound had hitmakers such as Funkadelic & the Ohio Players on its roster in 1973). This rare album has now attained a cult status and fetches hefty sums on the collectors-market. Now it’s finally back available as a limited deluxe 180g vinyl edition (1000 copies) featuring the original artwork. Released exclusively for Record Store Day (UK & Europe) 2019, available in participating stores on April 13.
Gravy Train - Second Birth
Gravy Train
Second Birth
LP | 1973 | EU | Reissue (Blue Butterfly)
24,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Bob Dylan - Pat Garrett & Billy The Kid
Bob Dylan
Pat Garrett & Billy The Kid
LP | 1973 | US | Reissue (Sony Legacy)
28,99 €*
Release: 1973 / US – Reissue
Genre: Rock & Indie
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The Modulations - Rough Out Here / I Can't Fight Your Love Record Store Day 2019 Edition
The Modulations
Rough Out Here / I Can't Fight Your Love Record Store Day 2019 Edition
7" | 1973 | EU | Reissue (Buddah)
12,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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A killer rare groove classic and a modern soul belter from The Modulations - featuring arrangements by Vince Montana, Norman Harris and Ronald Baker and instrumentation by members of MFSB, key mainstays of the city's 'Philly sound'.
The only original 7 inchs from the 70's are changing hands for £150, so it's high time an official remastered, reissue landed.
Bob Dylan - OST Pat Garrett & Billy The Kid
Bob Dylan
OST Pat Garrett & Billy The Kid
LP | 1973 | EU | Reissue (Legacy)
26,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Offenbach - Bulldozer
Offenbach
Bulldozer
LP | 1973 | US | Reissue (Return To Analog)
21,99 €*
Release: 1973 / US – Reissue
Genre: Rock & Indie
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Gloria Ann Taylor & Walter Whisenhunt's Orchestra - Deep Inside You EP 180g Edition
Gloria Ann Taylor & Walter Whisenhunt's Orchestra
Deep Inside You EP 180g Edition
EP | 1973 | US | Reissue (Ubiquity)
21,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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Previously released as part of a double LP
compilation with her complete output on Selector
Sound and the Deep Inside You EP. However, this is
the first official reissue of the Deep Inside You EP as
it's on stand-alone release.
Soul singer Gloria Ann Taylor has no rags to riches
tale to tell. Her story is one of personal sacrifice,
failed relationships, and missed opportunity. She was
leading a hard knock life before being swept-up by
the flash and promise of a marriage and business
partnership with a successful record producer. She
would be nominated for a Grammy, rub shoulders
with James Brown and Bootsy Collins, and turn
heads from Motown. But in the end she rejected
professional singing, the music business, and the
lifestyle that came with it. Thankfully for music lovers,
before Gloria closed the doors on her singing career,
she left us with some amazing soul songs. Deeply
shaded by gospel roots, her haunting sound clearly
comes from the gut. Gloria did not fake the funk.
Gloria was a partial owner of the Selector Sounds
label, along with her husband/producer Walter
Whisenhunt (previously a right-hand man to James
Brown), and her brother Leonard. They released five
Gloria Taylor singles between 1971 and 1977. They
also released the three-song Deep Inside You EP,
under the name Gloria Ann Taylor and Walter
Whisenhunt’s Orchestra. In the studio Whisenhunt
would work up a unique musical brew that mixed
northern soul with exotic percussion and fuzzy
psychedelic guitars. He moved Gloria through a
range of tempos and stylings from ballads to disco.
Her gritty vocal performance was set to orchestral
arrangements creating a juxtaposition of grandeur
and solace. The pinnacle of their collaborations has
to be the jaw-droppingly epic EP version of “Love Is
a Hurting Thing”; a chugging, string-laden disco
track, that sounds like proto-Theo Parrish
Chelique Sarabia - Revolucion Electronica En Musica Venezolana
Chelique Sarabia
Revolucion Electronica En Musica Venezolana
LP | 1973 | EU | Reissue (Pharaway Sounds)
21,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Ultimate space-age exotica trip from Venezuela.
In the early 70s, well-known composer and arranger Chelique Sarabia (who penned the famous “Ansiedad” when he was just a kid) decided to register an album of traditional & folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog.
Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filtering them through oscillators, playing with feedback, tape delay, synthesized frequencies, echoing sounds… The result was “Revolución Electrónica en Música Venezolana”, an album with a truly exotic, psychedelic, and ahead of its time sound.
Originally, the album was sponsored by the Shell Company in Venezuela, given away to customers, employees and friends of the company as a Christmas gift in 1973. It was titled “4 Fases del Cuatro - Música Venezolana desarrollada Electrónicamente por Chelique Sarabia” (“4 Phases of Four – Venezuelan Music Electronically Developed by Chelique Sarabia”). Once the exclusivity period with the petrol company was over, Chelique did a commercial release, this time under the name of “Revolución Electrónica en Música Venezolana” (“Electronic Revolution in Venezuelan Music”). Thanks to this, Chelique and his team were considered electronic music pioneers in Latin America.
“In the past five decades, there have been many attempts at modernizing the vast folkloric tradition of Venezuela, but nobody has reached the level of depth that CHELIQUE SARABIA did when he put his impeccable reputation as a composer and arranger at risk with this out-of-the-blue revolutionary musical manifesto in 1971. 47 years later, an album that remains ahead of its time.” - Alex Figueira (Fumaça Preta)
Toots & The Maytals - Funky Kingston
Toots & The Maytals
Funky Kingston
LP | 1973 | EU | Reissue (Music On Vinyl)
26,99 €*
Release: 1973 / EU – Reissue
Genre: Reggae & Dancehall
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Toots and the Maytals' Funky Kingston is a brilliant reggae album and suitable for both beginners as for experienced listeners. The album was released twice and with so much success that it charted in the Billboard 200 and eventually made it to the Rolling Stone's list of The 500 Greatest Albums of All Time.
Ze Roberto - Lotus 72 D
Ze Roberto
Lotus 72 D
7" | 1973 | EU | Reissue (Mr Bongo)
15,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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The most requested Mr Bongo reissue /// Ze Roberto aka Joaquim Roberto Braga is a composer, singer and instrumentalist from Brazilian folk music roots.

'Lotus 72 D' is a tribute to the Brazilian Formula 1 world champion driver of 1972, Emerson Fittipaldi.
In Roberto's own words: "Lotus 72 D is a tribute to the sensational talent of Formula 1 driver, Emerson
Fittipaldi, who was crowned world champion in 1972. I can't remember the names of the musicians who participated in the recording because they were hired by the original record label, RCA/Victor. The production team consisted of artistic co-ordinator, Henrique Gastaldello, and arranger, Severino Filho. The year of recording was 1973. I'm not aware of another fast version of the song 'Lotus 72 D'... My contract with the RCA/Victor was for 2 years. All my musical works belongs to me.”

The mystery surrounding the ‘fast version’ stems from the Via Brazil compilation from 2001 – the version featured was pitched up.
Hence, a lot of people know it at that tempo, because it is otherwise impossible to obtain!
Three-Headed Dog - Hound Of Hades
Three-Headed Dog
Hound Of Hades
LP | 1973 | EU | Reissue (Sommor)
21,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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A mysterious three-piece from Birmingham, Three-Headed Dog played underground hard-rock, clearly influenced by early Judas Priest and Wishbone Ash. Before disappearing in the mist of time, they left behind an ultra rare demo tape - recorded in 1973 - which included a couple of cover versions from Wild Turkey and Edgar Broughton Band along with self-penned material. This demo was handled to Norman Hood, manager of other Brum bands such as Necromandus and Flying Hat Band, who was involved in promoting Three-Headed Dog at the time.
Marvin Gaye - Let's Get It On
Marvin Gaye
Let's Get It On
2LP | 1973 | EU | Reissue (Vinyl Lovers)
22,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Back in print with revised price ! Two 180-gram LPs with 15 bonus tracks from the deluxe CD edition. Despite his huge success with his 1971 political concept album What's Going On, Marvin Gaye left social concerns behind for those of a more intimate nature with this 1973 album. Let's Get It On album broke new ground, gaining its place in history as one of the most sexual albums ever recorded, laying the basis for every slow jam ever after, and making Gaye both socially concerned and sexy -- a potent commercial combination.
Pharoah Sanders - Izipho Zam
Pharoah Sanders
Izipho Zam
LP | 1973 | EU | Reissue (Strata East)
36,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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RELEASED TWO YEARS AFTER THE DEATH OF MENTOR, JOHN COLTRANE. MUSICALLY, THE ALBUM HEADS TOWARDS THE VERY EDGES OF EASTERN MUSIC AND OFT STRAYS OUTSIDE THE LINES OF WHAT COULD BE CALLED JAZZ BUT IS A WONDERFUL RECORDING, FULL OF DEPTH OF VISION AND HEARTFELT SOUL.
Sadik Hakim - Sadik Hakim
Sadik Hakim
Sadik Hakim
LP | 1973 | US | Reissue (Return To Analog)
23,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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The Metro-Tones Inc. - Get Together
The Metro-Tones Inc.
Get Together
10" | 1973 | UK | Reissue (Honest Jon's)
11,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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Dedicated ‘to the United Nations and especially young people’, this is slow-burning, steeply screwed, early-seventies Atlanta funk by James Conley and co, spun out of a line from Eliza Hewett’s nineteenth-century hymn, When We All Get To Heaven.

The flip is deadly, too: a super-soulful blend of Sly & The Family Stone with Kool & The Gang, movingly confused and sincere in its pleading (without threats or machismo) to be loved back.

Both sides come with instrumentals. Check part two of Get Together.

Beautifully sleeved.
Perception - Perception & Friends
Perception
Perception & Friends
LP | 1973 | UK | Reissue (Souffle Continu)
24,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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“After their first album which came out in 1971 on Futura Records, Perception wanted to rapidly record a second, but Gérard Terronès did not want to produce another, especially so soon after the first. Therefore, the only solution was to produce it themselves. It is thus completely logical that it came out on the label of the Association for the Development of Improvised Music (A.D.M.I.) created by Didier Levallet with the aim of promoting creative music ( and, on this subject, it was this same label which also produced the excellent Inter Fréquences by the Free Jazz Workshop).

As the album was entirely created from A to Z by Perception, they decided on a more ambitious project, exploring a wider palette of colours by augmenting the original quartet with additional instruments. So, it was with numerous guests including Teddy Lasry, Jean-Charles Capon, Kent Carter and Jean-François Jenny-Clark, that Perception developed still further the apparently contradictory directions which were their specificity. This is further highlighted by the fact that Siegfried Kessler, largely absent on this recording, is temporarily replaced by Manuel Villaroel, a pianist from Chile with a completely different temperament (and, by-the-by, already the name behind the superb Terremoto with the Matchi-oul Septet).

Contrary to the first album, which seems in comparison much more compact and united this second (and second-to last, not counting the live recordings), with the many different options proposed, would seem to predict the different directions that musicians from Perception would subsequently take. One track, by Yochk'O Seffer, who had already been part of Magma two years previously, looks forward to the more structured Neffesh Music, whilst, in the opposite direction, another track, by Didier Levallet, is more evocative of the future arrangements on Swing Strings System. It is, to sum up, a nice paradox that all these different elements, from tightly written pieces to wild improvisation, work so well together and are one the key attributes of a group free like few others.”
Perception - Mestari
Perception
Mestari
LP | 1973 | UK | Reissue (Souffle Continu)
24,99 €*
Release: 1973 / UK – Reissue
Genre: Organic Grooves
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“To finally become oneself: that was the lesson, in the 1960-1970s, that European musicians attracted to improvisation had learned from American free-jazz. Following this idea, the musicians of Perception, whilst individually accompanying Mal Waldron, Slide Hampton, Johnny Griffin or Hank Mobley when they played in Paris, decided early on to break free from what was going on across the Atlantic and seek their own authenticity.

When Mestari, their third and final album, came out, Yochk'O Seffer, Siegfried Kessler, Didier Levallet and Jean-My Truong had four years of questing and originality behind them developing their own individual language. A language in which the spontaneity of the improvisations did not exclude influences taken from European folk or classical traditions.

Balanced, ethereal and structured, Mestari was a return to the original core quartet (the previous album included numerous guest musicians). It opens infinite perspectives and is totally in phase with what was being produced in France at the same time by Cohelmec Ensemble and the Dharma Quintet.”
Sweet Mixture - I Love You / House Of Fun And Love
Sweet Mixture
I Love You / House Of Fun And Love
7" | 1973 | EU | Reissue (Discs Of Fun And Love)
12,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Discs Of Fun and Love are back and incredibly happy to announce the second release “House of Fun and Love” by Sweet Mixture. A fully licensed and remastered issue of this holy grail crossover record.
Originally recorded in 1973 at Ron Rice’s Bazar Studios in Chicago, Sweet Mixture’s “House of Fun and Love” is a sensational crossover holy grail with the slower smooth A side “I Love You” (perfect for those after hour listens). This hyper-rare record has been trading hands for around £1000 in the last few years so we are incredibly pleased to release the fully licensed and remastered issue to the world. Fully licensed from Ron’s family and remastered by Grammy nominated mastering house the Carvery for this release and the record comes in another striking company sleeve.
"Finally out again on a 45, from discs of fun and love" - Gilles Peterson
"Very excited to hear this magnificient and super rare record is being reissued. Don't sleep on the beautiful House Of Fun and Love" - Waxist
The Who - OST Quadrophenia
The Who
OST Quadrophenia
2LP | 1973 | EU | Reissue (Polydor)
38,99 €*
Release: 1973 / EU – Reissue
Genre: Soundtracks
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Sir Joe Quarterman & Free Soul - Sir Joe Quarterman & Free Soul Record Store Day 2020 Edition
Sir Joe Quarterman & Free Soul
Sir Joe Quarterman & Free Soul Record Store Day 2020 Edition
LP | 1973 | EU | Reissue (Mr Bongo)
22,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Record Store Day 2020 Release.
Elvin Jones - Mr.Jones
Elvin Jones
Mr.Jones
LP | 1973 | EU | Reissue (Blue Note)
25,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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Lou Reed - Berlin
Lou Reed
Berlin
LP | 1973 | EU | Reissue (RCA)
26,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Janis Joplin - Janis Joplin's Greatest Hits
Janis Joplin
Janis Joplin's Greatest Hits
LP | 1973 | EU | Reissue (Columbia)
26,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Gerardo Manuel & C.V.P. - Gerardo Manuel & C.V.P.
Gerardo Manuel & C.V.P.
Gerardo Manuel & C.V.P.
LP | 1973 | EU | Reissue (Discos Monterey)
22,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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We have the great honour of presenting to you the first official reissue of the last project of Gerardo Manuel´s trilogy with Humo . Recorded in 1973 in the style of his previous two albums, although this is the most progressive. As the lyrics leant toward social protest, the military in power didn´t want this music to be popular and as a result of this most of the copies were destroyed. This has made the album extremely rare and an authentic lost jewel of South America Rock.
Tadao Sawai,Kazue Sawai,Takeshi Inomata,Norio Maeda,Hozan Yamamoto - Jazz Rock
Tadao Sawai,Kazue Sawai,Takeshi Inomata,Norio Maeda,Hozan Yamamoto
Jazz Rock
LP | 1973 | EU | Reissue (Mr Bongo)
22,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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They say you can't judge a book by its cover, and going by 'Jazz Rock', nor a record by its title. Though entering into jazz territory and featuring some distorted guitar, 'Jazz Rock' is more a beautiful marriage of funky breakbeat drumming and spiritual jazz instrumentation, combined with traditional Min'y music performed on the koto and shakuhachi.
Originally released in 1973, the record sounds simultaneously vintage and contemporary. It is akin to something Madlib might dream up whilst lost in Japan collaborating with Min'y players at a recording session. The record features some amazing shakuhachi (bamboo flute) playing by Hozan Yamamoto, which gives the music a haunting, dreamlike atmosphere. You can almost visualise the long grass blowing in the wind, and ear the bamboo rustling in the distance on a long hot summer's day. Takeshi Inomata, Tadao Sawai and Kazue Sawai anchor the session. Takeshi's exceptionally funky-drum work will almost certainly get some producers dusting off and firing up their MPC's. Whilst Kazue and Tadao work their magic on the koto (a traditional string instrument). Though certainly not an ambient record, 'Jazz-Rock' has the same meditative, other-worldly quality that invites you to sit back, listen and be transported somewhere else. Unfortunately, until now the 'Jazz Rock' album is a scarcity that commanded a high price-tag only for the most hardened of record collectors. So it is pleasure to make it accessible to all, and we hope you dig this lost, obscure future classic as much as we do.
Le Theatre Du Chene Noir - Miss Madonna
Le Theatre Du Chene Noir
Miss Madonna
7" | 1973 | EU | Reissue (Souffle Continu)
12,99 €*
Release: 1973 / EU – Reissue
Genre: Organic Grooves
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"Two years after having recorded Aurora, which Gérard Terronès released on his Futura Records label in 1971, the Théâtre du Chêne Noir put on another show, Miss Madona, first at Avignon, and then at Ariane Mnouchkine’s Théâtre du Soleil. From this play, Gérard Gelas’ group took three sound extracts which they made, with no further ado, into a single.

Miss Madona is thus the second recording by Théâtre du Chêne Noir. The two sides(and three tracks) offer up an unbelievable instrumental theatre with something of a white magic ritual about it. The actors, so much better for the record, were also musicians; alongside Miss Madona, ex-star of the circus and now idol, were the piano and electric organ of Daniel Dublet, the saxophones of Pierre Surtel and Jean-Louis Canaud, and the trumpet of Gilbert Say.

But there are also the vocals of Beatrice Le Thierry, Bénédicte Maulet, Jean Paul Chazalon, Monik Lamy, Nicole Aubiat... which added to the mystery of what happened on stage. The sound of this particular theatre may remind us as much of John Coltrane as of Ravi Shankar, Pierre Henry or the Art Ensemble of Chicago. There are voices from beyond the grave, inspirational for future musicians: Steven Stapleton, for example who included Théâtre du Chêne Noir in his Nurse With Wound List."
Mikis Theodorakis - OST Serpico Record Store Day 2020 Edition
Mikis Theodorakis
OST Serpico Record Store Day 2020 Edition
LP | 1973 | EU | Reissue (Wewantsounds)
26,99 €*
Release: 1973 / EU – Reissue
Genre: Soundtracks
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Special record store day edition of the Serpico classic soundtrack from 1973 composed by Mikis Theodorakis. Reissued on vinyl for the first time in decades, it features remastered audio, gatefold sleeve, artwork by Eric Adrian Lee and sleevenotes by film critic Jason Wood including a special interview with arranger Bob James.
The Rolling Stones - Goats Head Soup
The Rolling Stones
Goats Head Soup
LP | 1973 | EU | Reissue (Polydor)
28,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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The Power Of Attorney - Changing Man / I'm Just Your Clown
The Power Of Attorney
Changing Man / I'm Just Your Clown
7" | 1973 | US | Reissue (Nicetown / Brewerytown Beats)
11,99 €*
Release: 1973 / US – Reissue
Genre: Organic Grooves
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In the early 1970s, the funk / soul band Power Of Attorney was formed at the Pennsylvania State Correctional Institution at Graterford (30 miles northwest of Philadelphia). The story of their formation is just as powerful as the music that they left behind. In late 1972, the prison’s Activities Director Theodore “Ted” Wing broke ground on a new recording studio. As part of the rehabilitative arts and music initiative, the space was built to offer a creative outlet for incarcerated individuals to express their musical talents. In November of ‘72, an audition was held throughout the prison to form a band. It has been reported that over 1,600 men auditioned for a spot in the band. Wing ultimately settled on a lineup that consisted of William Smith (lead guitar), Charles McDowell (bass), Merion Wilson (tenor saxophone), Edward J.X. Smith (guitar), and Otis Graham (drums). With a lineup of gifted musicians and a fresh new recording studio to practice and lay down tracks in, the band Power Of Attorney was officially born. In January of 1973, Power of Attorney got the chance to record at Sigma Sound Studios, the legendary space that helped birth the Philadelphia International sound as well as classic albums like David Bowie's Young Americans. Taking the routines that they had rehearsed for a reported five hours each day, the band laid down the tracks — including the reflective “Changing Man,” an original composition by McDowell. “It tells the story of a man who made a mistake, and after a while in jail, he gets his head together, and realizes it’s time to straighten it out,” the 21-year-old serving life for murder told The Philadelphia Daily News upon the single’s release. The 7-inch single was released on the Nicetown label in 1973. Sold directly from the prison activities office, 500 copies were originally made. After more practicing and recording, one year later James Brown & Polydor Records offered The Power Of Attorney’s lone full-length, 1974’s From The Inside… Between 1973 and 1975 the band played 400+ concerts outside of the prison walls. Even opening for Stevie Wonder at Lincoln University and also making a live appearance on the Mike Douglas show. Forward to 2020 – While digging through the Sigma tape archives at Drexel University, Brewerytown Beats owner Max Ochester – known for deep-dive Philly reissues by The Thompsons and Sounds Of Liberation – noticed two tapes, with only “P.O.A.” scribbled on the spines. Upon further inspection, it was discovered that these 2-inch multi-reels contained six songs, four of them previously unreleased, all from 1973. The full original studio tapes for Power Of Attorney’s “Changing Man” sessions had been found, 47 years later. Expertly mixed and remastered from the original reels, Power Of Attorney’s Changing Man (out now on Brewerytown Records) is a document of the joy and pain of a handful of men trying to make the best of an impossible situation. The bittersweet love ballad “I’m Just your Clown” is featured on the flip. The reissued single is available now on Brewerytown Records on vinyl and streaming platforms. The label will follow this up with the vinyl and streaming release of all 6 songs found on that long-lost Sigma tape, on vinyl & CD in late 2020.
Black Sabbath - Sabbath Bloody Sabbath
Black Sabbath
Sabbath Bloody Sabbath
LP | 1973 | EU | Reissue (BMG/Sanctuary)
25,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Bridget St John - Thank You For...
Bridget St John
Thank You For...
LP | 1973 | EU (Trading Places)
16,99 €*
Release: 1973 / EU
Genre: Rock & Indie
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Canterbury-based progressive jazz-rock act Ben only released one obscure album, issued on Philips’ prog subsidiary Vertigo in 1971, but it’s a lovely collective of extended instrumental jams, worthy of discovery for those that missed it the first time around. Peter Davey’s saxophone and clarinet melodies push the material to high peaks, against an understated backing from future Nashville Teens bassist, Len Surtees and former Graham Bond drummer, David Sheen, keyboardist Alex Macleery and guitarist Gerry Reid adding flourishes at key moments. The songs “The Wooing Of The Child” and “The Wooing Of The Man” credit a certain K Jarrett as songwriter, making this rare beast all the more intriguing.
Flower Travellin' Band - Make Up
Flower Travellin' Band
Make Up
2LP | 1973 | EU | Reissue (O-Music)
32,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Make Up is the fourth album by Japanese rock band Flower Travellin' Band, released in 1973, featuring both live and studio recordings. After returning from Canada, Flower Travellin' Band began the recordings of a new effort. The mix of live and studio recordings was planned from the beginning. So they tried acoustic pieces and experimented with material that would be hard to reproduce live. Growing as a band and as individuals, more individual contributions were made. Tracks 1, 2, 5, 7 and 8 were recorded live at Yokosuka Bunka Kaikan in Yokosuka on September 16, 1972, while track 9 is a live studio recording. The band's founder and producer Yuya Uchida provides guest vocals on "Blue Suede Shoes"
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