All Items 177961 Items

Asfalttidisco Black Vinyl Edition

LP | 2022 | EU | Original (Svart)

26,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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2LP | 2023 | UK | Original (NTS)

Ascend

39,99 €*

Release: 2023 / UK – Original

Genre: Electronic & Dance

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In the early 1990s, a handful of black metal artists were enticed by the possibility of conjuring new fantastical worlds from the deep isolation of their home setups. Rather than the dense metal sound of their existing projects, this new direction would be centred around intimate synth soundscapes: forlorn organs and otherworldly Midi theatrics.

The music on Ascend is predominantly from self-produced, self-distributed releases, typically manufactured in small numbers. Though some artists producing this style of music, most notably Mortiis and Burzum, gained wider recognition outside underground circles, it is only in recent years that the sound and its influence has really been appreciated. This is particularly the case with the late Matthew Davis and his recently reappraised Secret Stairways project, whose song ‘Lammas Tide’ (from the 1997 Enchantment of the Ring album) appears on Ascend. A simple home recording on a Yamaha Kx-w392 manages to be both elegant and tortured, ambiguously devotional and recalling latter years Popol Vuh.

This battle between dark and light is a constant thread through Ascend, with simple minimal synth lines that can be both delicate and menacing. Compilation opener ‘The Dark Dreamquest’ from Italian black metal group Evol is loaded with occult warning, and Finnish act Kadotus 609’s ‘The Summoning Through Crimson’ is languid, twisted and dark. In spite of the darkness, several pieces of the music on Ascend have formal similarities with the sometimes saccharine new age music that rose to prominence in that era: but to a rougher, darker ends. The closing song from Darkthrone icon (and past NTS radio host) Fenriz, under his Neptune Towers pseudonym, pulls us further out, with ‘To Cold Void Desolation’ — an astral synth project, akin to ’70s kosmische muzik masters Harmonia.

The gentler side can often amplify an uncannily sinister edge, heard in German act Dolch’s ‘Tumulus’, where orc marching horns contrast against delicate rompler harps and softly whispered chanting. It hammers home a deep loneliness and detachment constant throughout Ascend, made possible by these unusual contrasts, both unsettling and otherworldly.

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12" | 2023 | Original (Abstract Sounds)

ASBV002

Release: 2023 / Original

Genre: Electronic & Dance

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As The Days Go By Black Vinyl Edition

12" | 2021 | EU | Original (Day By Day)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Day By Day is back with its second VA. With tracks from Kineticat, aka Anderson, Emissive, DJ Gusch, and Optmst, these four tracks are a special blend of Techno, Trance and IDM. We hope you are as excited of this one as we are!

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12" | 2021 | EU | Original (Day By Day)

As The Days Go By

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

As-Shams Archive Vol. 1: South African Jazz, Funk & Soul 1975-1982

2LP | 2023 | EU | Original (As Shams)

28,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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As-Shams Archive Vol. 1 introduces the core catalogue of As-Shams/The Sun, the independent record label that documented some of the most exciting developments in jazz, funk and soul from South Africa in the 1970s. With 10 tracks from 10 iconic albums featuring 10 different artists and 10 original compositions, this 2LP compilation delivers 85 minutes of South African music history.

Including essential tracks by the likes of Dick Khoza, Black Disco and Harari, remastered from the original analog tapes and housed in a gatefold art sleeve, As-Shams Archive Vol. 1 is an unbeatable introduction to South African rare groove for new listeners as well as a long-awaited first anthology for the label’s many devoted followers.

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12" | 2023 | EU | Original (Telomere Plastic)

As It Approaches

Release: 2023 / EU – Original

Genre: Electronic & Dance

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As we continue the five part journey to say goodbye to the Telomere Plastic series, we as always, are excited to share with you Telomere 020.2.

This second VA, features producers, Anderson, Aspetuck, Bænglund and Watch Patrol.

We begin off the record with ‘Funk Inspector’ from Bænglund. The track name here sums it up pretty well. Full on quirky funk in the airwaves. A delicious cut to keep everyone on there toes!

Next on the A2 we have Aspetuck with his ‘As the Fog Rolls In’, Starting off with a bubbly soundscape the track progresses into a hypnotic acidic journey keeping the mood deep and melancholic. Handle this one with care!

On the B1 we have Anderson who delivers another deep and beautifully crafted soundscape. This is a timeless tune that takes you on a sonic journey from start to finish. This will work wonders on the dance floor and during your introspective moments laying in bed with your headphones bumping.

Lastly, we close out the release with the one and only Watch Patrol who we have all dearly missed. We hope you enjoy this slowed down IDM breakbeat gem!

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12" | 2023 | EU | Original (Boudica)

As Dark As It Gets

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Founded and curated by DJ and producer Samantha Togni, Boudica is a platform that aims to give visibility to women, trans* and non-binary artists. Since the platform was first launched in 2019, Boudica has evolved into a series of club events in London at venues like The Pickle Factory, Fold and E1, a radio show, a music conference and a record label.

Boudica's mission is to promote greater gender equality within the music industry. By showcasing diverse role models from marginalised communities across the music industry, they aim to engage and inspire young and upcoming artists to pursue music careers irrespective of their background and experience within the field.

In 2020, they launched the inaugural Boudica Music Conference at Freemasons' Hall. The full day included educational panels, workshops and live music designed to encourage more artists from marginalised genders to pursue careers in the music industry. In 2022, Boudica not only held London's edition of the conference at the same venue, but they also expanded to Europe. In partnership with Pioneer DJ, they held their first edition of the conference abroad in Bologna at the Museum of Modern Art. Boudica Music Conference is touring in Europe in 2023, featuring talks, workshops alongside Pioneer DJ and club nights.

Last year, they launched the Boudica label, to support and celebrate female, trans+ and non-binary producers. Supported by Arts Council England, the label features artists such as Feminyst, Nur Jaber, Wanton Witch, OCD, Infinity Dreams, Peachlyfe, Yazzus and founder Samantha Togni. Their previous releases have garnered support from major music publications such as RA and Mixmag, resulting in a third VA release.

The third vinyl, 'Dark As It Gets', is a reflection of Boudica's continual musical evolution. The release marks a first for the platform, as they issued a callout for trans+ producers across the world to send in a track to be included on the vinyl. 'Dark As It Gets' by Miiia was selected, and the title not only encapsulates the EP's energy but also Boudica's drive to support upcoming artists in the electronic music space.

The third vinyl commences with Rotterdam-based duo Animistic Beliefs' 'Vu Sua La Gi?'. The atmospheric track begins with menacing synths that are soon after enmeshed with vogue, gqom and percussive vocal chops that build towards a rewarding, melodic breakbeat cadence at its close.

New York-based Jasmine Infiniti's 'Top Shop' is the second track on the release. Skittish breaks and warped vocals skip across brooding, muted chords that eventually dissipate to reveal a hypnotic synth melody.

The vinyl's B-side begins with Metaraph's 'Emotional Intelligence'. The track marries pummelling kick drums, heady chords and transcendent melodies, all of which serve to guide the listener from triplet hard bass to trance bliss.

Finally, the title track, 'Dark As It Gets', produced by competition winner Miiia, delivers a powerful sonic ending to the vinyl. In her own words, the track's relentless momentum and intricate incorporation of sampling leads listeners on a 'hypnotic, sassy and intense' techno journey from beginning to end. The uncompromising track's fierce groove emblematizes Boudica's third vinyl commitment to forward-thinking, idiosyncratic production.

The third vinyl concludes the initial Boudica trilogy, depicting members of the Boudica community as contemporary royalty, drawing inspiration from the queen herself.

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As Above So Below Compilation Part 1

12" | 2022 | EU | Original (Rockets Audio)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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As 12 Mais Sertanejas Vol. 2

LP | 1979 | BR | Original (Chantecler)

9,99 €*

Release: 1979 / BR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

12" | 2021 | IT | Original (Arts)

ARTS V - disc 3

Release: 2021 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl is close to if not NM (paper scuffs).

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12" | 2023 | EU | Original (Ausblick)

Arts & Sciences Volume 1

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Mind is perched on a cloud, feet grounded to the beat. Emotions use rhythm as a vehicle to share their message to the world. Arts & SciencesVol 1 opens up with music from Matheiu and Max Jacobson for an everlasting dancefloor piece which was several times already presented to Berlin a welcoming Berlin audience. Kenji Tazaki's Eigene Zeit cools down the heat with a unique sense of depth and melody embarquing the listener into a sophisticated journey. Our dear Matt Star opens up Bside with a timeless moving piece, and Redrop closes down the house with a classic cocktail composed of 3 ounces of old school break beat, and 3 ounces of modular pads and bleeps.

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Artists For Peace - Love, Peace & Harmonies

LP+LP | 2022 | DE | Original (Sunny Bastards)

33,99 €*

Release: 2022 / DE – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Yellow / Blue vinyl

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Artificial Intelligence Volume I

2LP | 2022 | EU | Original (Artificial Intelligence)

30,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Artificial Intelligence was born in 2005 with the AI Series events in Madrid as a deep and sincere tribute to the pioneers of the early Bleep, Braindance and Idm sound. Thanks to labels such as Warp, Planet Mu, Skam Records, Rephlex… and artists such as Richard D. James, Autechre, Jega, Boards of Canada. Almost 20 years later we are back as a label with this first volume of 14 tracks by 14 different artists with the usual suspects along with some new faces where we want to express our love and respect for this sound.

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Artificial Intelligence Volume 2

2LP | 2023 | EU | Original (Artificial Intelligence)

30,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A deep and sincere tribute to the idm and electro sound through out 16 tracks from Artificial Intelligence Records.

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Artificial Intelligence Vol. I

2x12" | 2022 | ES | Original (Artificial Intelligence)

Release: 2022 / ES – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Cover with seam split at the upper edge and spine.
Records with just a few paper scuffs.

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Artificial Intelligence Ltd

LP | 2024 | EU | Original (Artificial Intelligence)

33,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 1992 | UK | Reissue (Warp)

Artificial Intelligence

31,99 €*

Release: 1992 / UK – Reissue

Genre: Electronic & Dance

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Are you sitting comfortably? Artificial Intelligence is for long journeys, quiet nights and club drowsy dawns. Listen with an open mind.

Back in 1992 when Warp released the Artificial Intelligence compilation it almost instantly changed both the course of Warp as a label and arguably what many would consider club music as an entity to be. Artificial Intelligence came housed inside a prog rock styled gatefold sleeve depicting a cover image of a robot blowing smoke rings whilst reclining on an armchair. Its extra long rolling papers and tin of tobacco just out of reach, whilst a high-end stereo plays out the sounds of Kraftwerk's Autobahn and Pink Floyd's Dark Side Of The Moon, their LP sleeves lay strewn across the floor. This image along with the above text that as printed on the sleeve acted as a guide for the listener on how to best experience this new mode of techno music, one that was designed for those nights when your body stays in but your mind steps out.

Having been in operation for three years by the time they compiled and released the Artificial Intelligence compilation, Warp had already proved itself as a worthy force within the world of quickfire 12 singles of acid house and the emerging hardcore scene. Starting as a predominant pusher of the new bleep 'n' bass sounds of their hometown Sheffield, Warp had enjoyed success with early anthemic singles from artists such as Nightmares on Wax, LFO & Richard H. Kirk's Sweet Exorcist project. These building blocks laid the foundations for what many would go on to define as the Warp sound but it was 1992's Artificial Intelligence compilation that cemented their place in music history.

Artificial Intelligence was notable for early appearances by people who went on to become pioneers of the hypnotic groove for both Warp and electronic music in its entirety. Artists such as The Black Dog/Plaid whose melancholic contribution The Clan (produced under the alias I.A.O.) bears long drawn out strings combine perfectly with the tear-drenched techno of Carl Craig with the trend for looped breakbeats to create a track that still resonates deeply every time it is played. Looking further out than most, B12's Telefone 529 with its recording of an automated incorrect phone number message carries an air of nostalgic puzzlement, while Preminition transports a diva vocal and hardcore piano roll into a zero-gravity soundtrack of space. Autechre's Crystel and The Egg offers the first steps towards the path of abstract oblivion that they would go on to travel throughout the post-AI years. Both pieces focus an acidic gurgle around some cut up vocals, its timeframe existing perfectly within a distinct hip-hop cylinder that brilliantly displays their roots within b-boy culture.

Aphex Twin appears under his alias The Dice Man, opening up the operation with a track that would become an alias in itself, Polygon Window in many ways formed the core sound of the Artificial Intelligence compilation and subsequent album series that followed it. Rolling post-acid dynamics, a strong knowledge of breakbeat techno and some serious subs keep the track in a full forward motion, Polygon Window still stands out as one of the most unbeatable techno tracks within Warp's discography. Elsewhere, chief ambient technologist Dr Alex Paterson put forward a four-minute cosmic ambient piece akin to his work as the central figure of which The Orb revolves around. Whilst Richie Hawtin made an appearance with his euphoric almost gabba track Spiritual High, produced under the name Up! his fellow Plus 8 producer Speedy J stepped in with De-Orbit, a track that you could say on reflection, almost helped shape the early steps towards what would turn into the deeper recesses of liquid drum & bass.

Warp co-founder Steve Beckett was quoted around the time of the Artificial Intelligence compilations release in 1992 as saying you started to hear tracks by B12 and Plaid and Speedy J that just didn't fit into any category, B-sides and last tracks on EPs. We just realised that they weren't meant for 12-inches, it was just that this was the only outlet for that kind of music. We realised you could make a really good album out of it. You could sit down and listen to it like you would a Kraftwerk or Pink Floyd album. That's why we put those sleeves on the cover of Artificial Intelligence - to get it into people's heads that you weren't supposed to dance to it!. This train of thought led to Warp putting together one of the most forward-thinking compilations to appear within the early 90s post-acid explosion, and many others tried to copy the formula but arguably no imprint ever came close to topping or even releasing anything that stands tall alongside Artificial Intelligence for its undeniably experimental, yet sheer futuristic scope and vision.

Listening back now, 30 years since its original release, it's striking how contemporary and fresh the music of Artificial Intelligence still sounds. While many tracks from those days still and will forever sound brilliant, many AI contemporary compilations have taken on the sheen of a more retro and throwback feel. When digested with a knowledge of what has been made within the last quarter of a century, the tracks that form Artificial Intelligence still carry a strong, almost outside of time feeling that's influence shines as strongly today as it did 30 years ago. A timeless record that will continue to point the way forward for electronic music for many years yet to come.

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LP | 1981 | JP | Original (Warner)

Arthur (The Album)

11,21 €* 14,95 € -25%

Release: 1981 / JP – Original

Genre: Organic Grooves, Rock & Indie, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Cover with OBI has tiny wear. With inserts. Vinyl seems unplayed. Original Japanese pressing.

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LP | 2022 | EU | Original (Wagram)

Arte Soul

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Wagram)

Arte Reggae

27,99 €*

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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LP | 2022 | EU | Original (Wagram)

Arte Electro

Release: 2022 / EU – Original

Genre: Organic Grooves

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Art That Kills Presents HHCOMP01

LP | 2023 | EU | Original (Art That Kills)

21,74 €* 28,99 € -25%

Release: 2023 / EU – Original

Genre: Hip Hop, Organic Grooves

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"I don't like rap music at all. I don't think it's music. It's just a beat and rapping." Nina Simone

Straight off the streets, Hip-Hop burst onto the scene, leaving no one indifferent, igniting a cultural revolution that would shape generations to come. Now, in celebration of its 50-year anniversary, Art That Kills proudly presents Hhcomp01.

Hhcomp01 aims to capture the freshness and innocence of a genre in the midst of defining itself. As the world embraced this new phenomenon, it was a time of raw creativity and unbridled expression. With a selection of seven fantastic tracks stepped out of the underground, Hhcomp01 is a window into the origins of a genre that has resonated with countless hearts and minds.

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Art Boi Sin / Tabu Subject

12" | 2023 | EU | Original (Lap)

9,59 €* 15,99 € -40%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LAP records is proud to present a new split EP, available on 12inch vinyl, featuring two very promising combos. The A-side kicks off with >Art Boi Sin< by Click Click & Najeh, a hard-hitting club gem that pays tribute to the New York gay scene. With its catchy vocal samples and driving acid bassline, this track will make you feel like you are in the middle of a wild night out. The B-side starts with >Tabu Subject< by aitch & Brut, a groovy techno tool that samples alluring phrases. This track is a playful and seductive affair that mixes crisp drums, bouncy bass, and cheeky vocals. This EP is a showcase of a timeless sound and a testament to the talent and passion of LAP records. LAP records is a division of PAL Hamburg.

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12" | 2019 | EU | Original (Arsenik)

Arsenik Displays Part 2

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Albert Van Abbe, Pfirter, Dustin Zahn & Johanna Knutsson. Arsenik Displays is a two part vinyl compilation and a collaboration between the label and artists across 7 countries. The tracks are made by artists that have been long time supporters of our label and whom we admire for their work. Despite the range of artists, they still manage to deliver music associated to the label’s sound. It’s a pure honor to accomplish this project together with Newa, Nihad Tule, Oisel, Savas Pascalidis, Albert Van Abbe, Pfirter, Dustin Zahn & Johanna Knutsson, and Sonia Sagan who shared her drawing for the A-side labels.

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12" | 2019 | EU | Original (Arsenik)

Arsenik Displays Part 1

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Newa, Nihad Tule, Oisel, Savas Pascalidis. Arsenik Displays is a two part vinyl compilation and a collaboration between the label and artists across 7 countries. The tracks are made by artists that have been long time supporters of our label and whom we admire for their work. Despite the range of artists, they still manage to deliver music associated to the label’s sound. It’s a pure honor to accomplish this project together with Newa, Nihad Tule, Oisel, Savas Pascalidis, Albert Van Abbe, Pfirter, Dustin Zahn & Johanna Knutsson, and Sonia Sagan who shared her drawing for the A-side labels.

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12" | 2018 | EU | Original (Arpege)

Arpege 001

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Estmode, Paul Walter, Samur & Atree, Paradroid. Founded in 2016, Arpege Records has come to be recognised for unveiling new talent and stimulating a strong electronic scene in their hometown of Nantes, France. Through innovative events, podcasts showcasing heterogeneous music styles, and select digital releases the Arpège crew have garnered a loyal and steadily growing following. Fans now have even more reason to get talking, as we are excited to announce the arrival of a tangible treat: Arpege's much anticipated first physical release.The label’s debut 12” is a four-track V/A, showcasing the label’s broad sonic palate and strong creative vision. Arpège have traversed Europe to procure a talented International line-up of up and coming DJ/Producers: Estmode, Paul Walter, Samur & Atree and Paradroid.

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Around The World - Daft Punk Tribute

LP | 2022 | EU | Original (George V)

20,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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12" | 2023 | EU | Original (Rocky Hill)

Armenian White Label

14,44 €* 16,99 € -15%

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Next up on Rocky Hill is a limited edition, vinyl only white label, featuring 2 edits licensed from Terrestrial Funk and Darone Sassounian's compilation from 2021, and two original tracks from LA - based DJ and producer, Lara Sarkissian. The A side (Silk Road Side), features two previous exclusives from Darone's compilation on Terrestrial Funk titled, 'Silk Road: Journey of the Armenian Diaspora (1971 - 1982)'. The two edits on the A side were only available digitally, on CD, and Cassette formats. A1 features an edit of Marten Yorgantz's "Ammenain Serdov [De Tout Coeur]" from NY-based DJ duo, Fundido. A2 features an edit of Jozeph Sefian's "Karoun E Yegel" from Darone Sassounian. The B Side (Lara Sarkissian Side), features two original tracks sampling duduk (Armenian woodwind), songs - named as Lezginka Dance Scene and Ojakhum Nightmare. The tracks are reworks of the originals from 2016 - 2017, when Sarkissian began the creation of her own unique process of synthesizing duduk as percussion, bass and voice. Both tracks have been used in her early live sets from 2017 - 2018. They're finally available now only on vinyl. This is Rocky Hill.

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Armageddon Over Wacken Underground

LP | 2008 | EU | Original (Wacken)

Release: 2008 / EU – Original

Genre: Rock & Indie

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Armageddon Over Wacken Power

LP | 2008 | EU | Original (Wacken)

Release: 2008 / EU – Original

Genre: Rock & Indie

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Armageddon Over Wacken Death

LP | 2008 | EU | Original (Wacken)

Release: 2008 / EU – Original

Genre: Rock & Indie

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Armada Music - House Legacy

2LP | 2023 | EU | Original (Armada)

32,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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12" | 2013 | RU | Original (Arma)

ARMA 06

7,99 €*

Release: 2013 / RU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 2023 | EU | Original (Use Vinyl)

Arlecchino Volume 3

31,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Third and final volume for the collection dedicated to the Arlecchino disco of Santa Maria Codifiume in the province of Ferrara, once again a double vinyl that collects the best of Afro, Funky, Rare Groove and Black Music, proposed in the club by resident DJs Giancarlo Lelli , DJ Ghello and DJ Frank.

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2LP | 2021 | EU | Original (Use Vinyl)

Arlecchino Volume 2

32,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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The Second Chapter, once again in double vinyl, by Arlecchino Disco Club in Santa Maria Codifiume - Italy - is out now. The release collects the best of Afro, Funky, Rare Groove and Black Music selected from the classics club's anthems by the residends djs Giancarlo Lelli, Ghello and Frank

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Arlecchino Volume 1 Selected By Lelli

2LP | 2020 | EU | Original (Use Vinyl)

31,99 €*

Release: 2020 / EU – Original

Genre: Electronic & Dance

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12" | 2023 | EU | Original (Forsvarlig Arkiv)

Arkiv I

Release: 2023 / EU – Original

Genre: Electronic & Dance

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After several years of showcasing talent and craftsmanship through its podcast series, Forsvarlig Arkiv announces the first release of original music under their label.

Accompanied by a full-blown artwork, 'Arkiv I' presents four crisp tracks on wax by artists that left a mark on the channel in the past, while simultaneously excelling through their productions.

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Argentinian Breakfast Volume 1

12" | 2023 | EU | Original (Nila's Quest)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Tobi's Nila Quest imprint follow-up on the debut success of the 'Arrival Of The Nila' EP from earlier this year with a brand new side series entitled Argentinian Breakfast. Volume One brings together a talented cast featuring Jovit and Ian Puchetti on the Dream Side with Bruno, Tobi and Dual Sense on the Sunset flip side. Dreamy, wispy, top shelf floaters from South America are the order of the day.

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12" | 2021 | EU | Original (Genera41)

Area41 Appearance1

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Techno and ravebangers! Genera41 is an artist collective from Basel & Berlin with a focus on hard driving techno & rave. Area41 is the first vinyl project of the group, four strong remixes by Wndrlst, Orgie, Trq-30, Polho Waste&Omicid of the best selling tracks are a statement and a preview into the future work of the label.

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12" | 2021 | EU | Original (Genera41)

Area41 Appearance1

9,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | US | Original (Paper +)

Are You With The Band?

Release: US – Original

Genre: Rock & Indie

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12" | 2024 | EU | Original (Furious Wax)

Are You Feeling It E.P.

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Are They Hostile? - Croydon Punk, New Wave & Indie Bands

LP | 2022 | EU | Original (Damaged Goods)

Release: 2022 / EU – Original

Genre: Rock & Indie

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An 18 track compilation featuring the best of Croydon's punk and post punk scene 1977-1985!Are They Hostile? Is a new documentary film about the Punk, New Wave and Indie scene in Croydon in the late '70s and early '80s. It takes its name from the first single by Croydon band Bad Actors. To coincide with the film's release Damaged Goods Records are releasing a compilation vinyl LP and CD featuring bands from in the film including Johnny Moped, The Marines, The Daleks, Case, Fanatics and also bands such as The Straps who played Croydon many times usually at The Star Pub in West Croydon. The CD version also features a specially recorded introduction by the legendary ex-Croydon Greyhound DJ Peter Fox.It's been argued that Croydon was the birthplace of Punk in the UK, largely due to The Damned and Johnny Moped. But there was a group of other, less well-known bands who were part of that scene, or who came just after, but who didn't achieve the same success or recognition. The film and album attempt to set the record straight by shining a light on bands such as Bad Actors, Case, The Daleks, The Heroes and Fanatics.The music still fizzes with the energy and enthusiasm of youth and the punk ethos of just doing it. And the participants, if a bit older and slightly less slim than forty years ago, come alive in the current interviews as if connected to the mains. As the saying goes, "old punks don't die", but they do remember.The documentary film takes us through the history of these bands, the people in them, the places they played and, through current interviews with "a bunch of old punks", what they did next, and how formative and important being in a band was for them growing up.The film is the brainchild of Bad Actor Griff Griffiths and Mark Williams and will premier at the David Lean Cinema in Croydon on 2nd September with a Q & A afterwards by Griff and Mark, and an aftershow party nearby with special celebrity guests TBC.Griff explains: "It's also a film about being young, being passionate, being...

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Archive Edits Volume 3 2022 Repress

12" | 2019 | UK | Reissue (Soma Quality)

Release: 2019 / UK – Reissue

Genre: Electronic & Dance

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- 2022 repress -

Slam rework Nitzer Ebb, Silent Breed, DK8, Terrence Fixmer and more for the final installment of their Archive Edit series.

Soma label heads Slam curate a specially designed package of tracks to finalize their Archive Edit project that sees them delve deep into Techno's past to bring some of the genre's best tracks into the modern age. The Archive Edit project started as a way for Slam to showcase and share the many different edits that had made their way into their DJ sets over the last few years. The pairing of Stuart McMillan & Orde Meikle have both raided their extensive collections, picking out tracks that have defined countless sets over their career. Tracks from luminaries such as Nitzer Ebb, Thomas P Heckmann (as Silent Breed), Damon Wild & Terrence Fixmer have been re-edited alongside some of Slam's own unreleased material, showcasing the duo's current sound; one that naturally evolves, matures and demonstrates why the duo have been at the forefront of the global scene since its inception.

This unique vinyl single release selects 4 of the best from the full Archive Edits LP.

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12" | 2023 | EU | Original (Spclnch)

Archive E

Release: 2023 / EU – Original

Genre: Electronic & Dance

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– Well, is it working? – Shh, I almost got it. – If we don't open the damn safe in three tries, we're screwed. The mutagens will be released immediately, turning us into useless, drooling brats. – Ew, I can't stand zombies!

Carefully moving the stethoscope along the cold thickness of metal, Cat was listening attentively in an attempt to analyse the clicks. The multiple amplification effect helped to ease the haste that hung in the air and hid between the lines even when one wanted to calm down. The dangerous scam with the intergalactic monetary fund had long matured and was finally executed. There, in the heart of the vault stuffed to the brim with bills and gold, the only feasible option was to guess the code.

– It seems that the lock connects to the opening mechanism, which can be anywhere on the door, via a system of gears. – Yeah, that leaves us with either the plasma cutting or C-4.

Spacelunch was awkwardly pulling an inverter out of his suitcase, anticipating a big boom in the same breath. It is hard to know which solution would have come first if the sensor on the smartwatch had not gone off. A squad of stormtroopers was already heading towards them…

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12" | 2023 | EU | Original (Spclnch)

Archive C

Release: 2023 / EU – Original

Genre: Electronic & Dance

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As it turned out, the archive with manuscripts from the C-500a dimension had sunk in the oceanic abyss of the planet Iguazu, which lies within the habitable zone and is similar in size, mass and temperature conditions to Earth. Multimeter waves could become a fatal obstacle to diving to extreme depths, not to mention the threat of decompression sickness.

When the underwater vehicle stealthily touched the bottom, the launch platform docked with the information storage. Cat started laying pipes with the help of hyperbaric welding to transfer the documents to the carrier vessel. Spacelunch was patrolling the nearby surroundings, holding a crossbow tightly in his hands and slyly exchanging glances with the nuclear moray eel.

The pneumatic mail quickly activated the reading shells, setting up a data transaction. The sonar equipment for scanning the bottom and the manipulator arms were not necessary this time, which means cryptanalysis is going to be launched in the near future.

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12" | 2019 | US | Original (Fresh Meat)

Archival 3

Release: 2019 / US – Original

Genre: Electronic & Dance

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FRESH MEAT drops a dope 4 track EP with Various Artists: ART OF TONES, YANN POLEWKA, AUDIO SOUL PROJECT and LUIS BARO. A1) "NORTH & DAMEN", a Chicago- style house cut A2) "MY RX", pays homage to 90's house. On the flip, B1) "THE LOOQ" is futuristic disco & B2) "REVES", filtered disco.

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Architects: Vol.Ii The Saga Continues...

CD | 1998 | EU | Reissue (Most Wanted)

21,99 €*

Release: 1998 / EU – Reissue

Genre: Hip Hop

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V.A. - Architects: Vol.II The Saga Continues...

Officially reissued and distributed by MWR! Remastered by Jee Van Cleef Mastering Artwork revised by Première Graphix

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12" | 2024 | UK | Original (Groove Arcade)

Arcade Sounds Volume 1

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The debut EP from Groove Arcade Records has landed. This various artist release perfectly encapsulates the sound of their parties and all of the players have been specially selected for sharing the same vision when it comes to music. Lungo and Mostly James take charge of the A side with 2 party bangers sure to do damage anywhere, anytime. In control of the B side is Emi Omar and Hanfry Martinez delivering the goods again with a couple of slick nugs, last but by no means least with these boys.

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Arabstazy presents Under Frustration Volume 2

LP | 2019 | EU | Original (Infine)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The “Under Frustration” project takes stock of the contemporary Arab electronic scene, and highlights its astonishing diversity, by deconstructing Western clichés that are still fantasizing about a culturally homogenous Arab world. In a context of post-revolutionary disillusion, this ambitious trilogy sets itself as a manifesto of a new, futuristic, underground wave that aims to uplift the Arab voice, once again. With this new release, Arabstazy allows the listener to walk among Shiite, Shaabi or Stambali lands - revealing new mystical sounds, reserved for trance ceremonies and ancestral rituals; all vivid in the eyes of the collective members, musicians, producers, videographers and photographers, nowadays, scattered between the United States, Tunisia, Germany, France, Sweden, Irak, Lebanon and Poland. Vol2 includes unreleased tracks of Dj Haram, Praed, Hello Psychaleppo, Okydoki and many more. Curated by Arabstazy, produced by Shouka, published by InFiné.

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12" | 2023 | EU | Original (Merman)

Aquarius EP

Release: 2023 / EU – Original

Genre: Electronic & Dance

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New label hailing from Madrid, Spain. Three techno bangers and an electro killer track signed by Elektrabel, Spidj, Akenaton and The Zenobit3. Solid release to start with!

More things to come on Merman Records. Stay tuned!

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Aquapelago: An Oceans Anthology

LP | 2022 | EU | Original (Discrepant)

20,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Anthology introducing the first of a series of albums based on the concept of Aquapelago.

‘’ Since the earliest days of the planet there has been a rhythm of tides that creates coastal interzones where humans have foraged and pursued various livelihoods. Developing boats to fish from and technologies that enabled them to immerse themselves deep underwater, the aquatic realm has been one explored, experienced and imagined in various ways. In an effort to express the vitality and richness of this environment I coined the term aquapelago in 2012. The wordplay was deliberate. The neologism was designed to distinguish the liquid inbetweenness of this space from the dry, scattered, lands of archipelagos.

The concept of the aquapelago coalesced around themes taken from various places. Epeli Hau’ofa’s idea of an Oceanic “sea of islands’” was formative but a number of songs were also inspirational. Torres Strait islander Seaman Dan captivated me with his experiences of pearl diving in the Darnley Deeps in his song ‘Forty Fathoms’ and Norfolk Islander singer Kath King imaged how sea-turtles might have experienced ecological change in her song ‘Tech me how fer lew’. Other reflections on watery realms also appealed. Debussy’s solo piano piece ‘La cathédrale engloutie’ soundtracked me as I researched myths of lost Lyonesse while Mike Cooper’s Kiribati, an ambient exoticist album about the imperilled archipelago (recently re-released on Discrepant), caused me to reflect on the social and cultural impact of sea level rise before that topic became a high-profile concern.

This compilation album takes the concept of the aquapelago into new depths and breaches it on fresh shores. The tracks are soaked with the aquatic. Bassy sonorities boom as if heard deep underwater. Bubbly textures breach the surface, water drips and seabirds soar high above waves. Sugai Kei samples fragments of text concerning the Ningen, a fantastic humanoid/whale that reflects the ‘aquapelagic imaginary’ of modern Japan and its preoccupation with industrial whaling. Andrew Pekler continues the orientation of his Phantom Islands project - a sonic atlas of imaginary places - with a soundscape as if heard by a swimmer just offshore, mixing sounds of the island and the sea together. Mike Cooper’s sonic reflection on Hong Kong’s Lamma Island is similar, combining the island’s ubiquitous barking dogs with the slurp of waves on rocky shores, conjuring a languorous time before Chinese crackdowns on the territory.

Taking another tack, the Dead Mauriacs gleefully water-ski through collage of tropical island exoticisms, replete with glitchy orientalism, while Babau combines skittering idiophone melodies with resonant glissandi. Vica Pacheco moves between dense and airy sounds, as if crossing between surf lines and the space above. Yannkick Dauby’s track is also imbued with in-betweenness, evoking ambient sounds heard through a ship’s hull. Sculpture’s ‘Froth Surfer’ realises its title, with bubbling sounds and rhythms that evoke Hawaiian surfing filtered through layers of time and distance. Reminding us of the shore necessary for aquapelagic spaces, Franceso Cavaliere and Tomoko Sauvage’s composition anchors the album, centred around shaken rhythms and resonant ringing tones and drones.

Taken together, the album sketches the contours of the aquapelago as it might be imagined and conjured in sound – an endless oceanic realm that laps on to beaches and crashes against cliffs. The performers navigate this space under alternately starry and cloudy skies, orientating themselves with sounds, textures and sonic samples of their terrestrial homes while we float with them. ‘’ Philip Hayward December 2021

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12" | 2024 | EU | Original (Warning)

Aqualaxy

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Welcome to Aqualaxy, a collaborative project where Warning joins forces with art historian C.C. McKee from Philadelphia and international queer activist dia_shi from Berlin. Accompanying McKee’s book on the debut album by late-90s electronic pop band Aqua, Aqualaxy is a compilation of contemporary queer artists from North America and Europe commissioned to create their own takes on songs from Aqua's debut album. The result is an expansive blossoming variety of music, from sizzling trance pop, to eerie darkwave atmospheres, to cheeky dancefloor weapons.

With Aqualaxy, Warning presents a release that playfully deviates from the label's usual tracks, highlights trans musicians, and offers fresh takes on nostalgic favourites to the community. Embrace Aqualaxy’s endless fluidity, a space where everything becomes possible, where some changes aren’t even a second thought. Did you know that when the kobudai reef fish reaches a certain size she changes her sex from female to male? Did you know that when the largest female in a school of Clownfish dies the male swaps sex to take her place? Protogyny, protandry, it all just seems like fun; not to mention the host of genders and ways of fucking we don’t even have words for as humans! In Aqualaxy, everything is possible under the water. Imagination, life is your creation!

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12" | 1990 | UK | Original (DMC)

April 90 - Mixes 1

Release: 1990 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Appendix Double Mixpack E.P.

2x12" | 2018 | DE | Original (Fiedeltwo)

18,99 €* 19,99 € -5%

Release: 2018 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Includes original insert.

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2LP | 2024 | EU | Original (Apnea)

Apnea Xx

30,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-08

For its landmark 20th anniversary, Apnea Records proudly presents XX, a double 12" compilation that chronicles the label's journey from its inception to its current cutting-edge form. Featuring both original innovators and fresh talents from its recent relaunch, this release is a sonic time capsule and a forward-looking statement. Spanning from deep techno to Detroit-infused house, Jamal Moss's abstract house, electro, and E.R.P.'s signature machine funk, XX dives into the label's broad sonic spectrum. With contributions from Alex Under, Damian Schwartz, Jamal Moss, E.R.P., Dopplereffekt, Thomas Brinkmann, and Kyle Hall & Kero, this collection serves as both a reflection of Apnea's past and a bold vision for the future.

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Aphelion Volume 2 Transparent / Deep Space Blue Splatter Record Store Day 2021 Edition

LP | 2021 (Rocket)

34,99 €*

Release: 2021

Genre: Rock & Indie

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Record Store Day 2021 Drop 2 release limited to 500 copies. Record Store Day exclusive's 'Aphelion Vol.1' and 'Aphelion Vol.2' bring together a selection of rare remixes from the Rocket Recordings back catalogue - all but one track are being released on vinyl for the first time. The LP's bring together tracks by Rocket favourites like Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Josefin Öhrn + The Liberation, Sex Swing, Gnoomes, Bonnacons of Doom and many more.

Tracklisting: 01. GUM Takes Tooth - NO Walls, NO AIR (broken English Club Remix) 02. Bonnacons OF Doom - Esus (JD Twitch Optimo Remix) 03. /josefin Ohrn + THE Liberation - Rainbow Lollipop (cherrystones Remix) 04. Petbrick - Roadkill Ruby (spooky J / Nihiloxia Remix) 05. Mamuthones - Symphony FOR THE Devil (giant Swan Remix) 06. J.ZUNZ - Four Women AND Darkness (jamie Paton Dub) 07. Ooba Tercu - Kqasan (negra Branca Remix)

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Aphelion Volume 1 Transparent / Deep Space Blue Splatter Record Store Day 2021 Edition

LP | 2021 (Rocket)

25,49 €* 33,99 € -25%

Release: 2021

Genre: Rock & Indie

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Apala - Apala Groups In Nigeria 1967-70

2LP | 2020 | UK | Original (Soul Jazz)

28,99 €*

Release: 2020 / UK – Original

Genre: Organic Grooves

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Soul Jazz Records new ‘Apala: Apala Groups in Nigeria 1964-69’ is the first ever collection of Apala music ever to be released outside of Nigeria.
The album focusses on a wide selection of recordings made in Nigeria in the 1960s, a time when Apala music was at the height of its popularity. Apala is a deeply rhythmical, hypnotic and powerful musical style that combines the striking nasal-style vocals and traditions of Islamic music, the Agidigbo (thumb piano), and the equally powerful drumming and percussion rhythms and techniques of the Yoruba of Nigeria.
The most significant figure in Apala music is undoubtedly Haruna Ishola who features throughout this album. Ishola holds an almost mythological status in his role as populariser of Apala music in Nigeria. Ishola’s singing was believed to be so powerful that, without proper restraint, it could kill the recipient of his music.
Apala is a popular music that also functioned as a form of cultural resistance – Apala music involved no western instrumentation and is sung in the Yoruba language, its aesthetic an implicit cultural rejection of the British Empire’s colonial rule over Nigeria which lasted from 1901 until independence in 1960.
Apala music was popular and widely accepted in Nigeria due to its philosophical and profound lyrical content alongside the complex rhythmic patterns of this heavily percussive style, which highlighted many of the percussion instruments of south-west Nigeria.
Apala is one of a number of popular urban styles of music that came out of Nigeria in the 20th century and sits alongside the more well-known (in the West) styles of Fuji, Highlife, Juju and Afrobeat. Of these modern forms Apala remains perhaps the most ‘roots’ style (sometimes described as ‘neo-traditional’) due to the authenticity of its sound. It has similar Islamic roots to other neo-traditional styles of Nigeria – including Waka and Sakara – examples of which are also included on this collection contextualising the music of Apala.
These recordings were originally made and released locally by Decca and EMI Records as well as a variety of independent labels in Nigeria and have never been released outside of the country before. Soul Jazz Records are releasing this album as a deluxe double gatefold vinyl (+ download code), CD, slipcase and booklet, both containing full text and photography.

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Aor Global Sounds Volume 5 1977-1984 Selected By Charles Maurice

LP | 2021 | EU | Original (Favorite)

22,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Favorite Recordings and Charles Maurice proudly present the 5th edition of the AOR Global Sounds compilations series: 8 rare and hidden tracks, produced between 1977 and 1984 in various parts of the world. Started in 2015, the AOR Global Sounds series was born from the will of Charles Maurice (aka Pascal Rioux) to share his longtime love for the AOR and WestCoast movement and highlight its influence for many artists in the late 70s and early 80s. In this 5th volume, he selected again highly forgotten productions, deeply infused with Disco and Soul flavors. Half of the compilation’s tracklist is naturally coming from the US, homeland of this music style, while the other half is made of productions from all over the globe, from France or United Kingdom to Venezuela. And for most of these beautiful songs, it came from artists and bands rather unknown and often released as private press. Often, these records will have a special story, sometimes they’re just part of the universal quest of finding true love. Nonetheless, they all carry a wide range of emotions magnified by the music. For example, “Don’t Take It Away” by Westside is as a love song about a new relationship, recorded in Minnesota and mastered on Sunset Bld. (Hollywood) by Bernie Grundman, who worked on Thriller – funny thing, the original LP is a picture-disc, which was still quite rare back in the days because the singer saw one from Mickael Jackson when visiting the studio. “Til’ Mornin’ Comes”, the only release by The Ferry Brothers, is also a love song, recorded in NYC with notably Gwen Guthrie, Vivian Cherry & Patti Austin singing as backup vocalists. On “What Its Meant To Me”, Jonathon Hansen remembers with emotion the good times spent with the members of his band including the vocalist he was in love with. On “J’Irai Squatter Ton Cœur”, Didier Makaga better-known as a French Boogie & Pop singer, arranger & composer, sings a charming declaration of love on a heavy and groovy eighties production. “You Never Know” by Rhapsody, recorded in Connecticut, sounds more like an East coast fusion of Soul and Jazz-Funk à la James Mason. “What You Do To Me” by Sugar Cane was highlighted on a Pittsburgh Rock Radio compilation: listening to this smooth ballad with its amazing Moog synth break will lift your soul. “Kailua” by Venezuelan Jazz-Funk band Esperanto, is a song about Hawaii which evocates bucolic dreamy nights facing the ocean, a typical AOR vibe. Finally, “I Need You” from Mark Williamson is a blue-eyed soul UK groover ending on a fouron-the-floor climax! And we could detail stories but our guessing is the best way to learn more about all these gems is to listen to the compilation, fully remastered from originals, and whether your preference is for vinyl or CD formats.

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Aor Global Sounds Volume 5 1977-1984 Selected By Charles Maurice

CD | 2021 | EU | Original (Favorite)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Aor Global Sounds Volume 4

CD | 2019 | EU | Original (Favorite)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Favorite Recordings and Charles Maurice proudly present the 4th edition of the AOR Global Sounds compilations series: 14 rare and hidden tracks, produced between 1977 and 1986 in various parts of the world. Started in 2015, the AOR Global Sounds series was born from the will of Charles Maurice (aka Pascal Rioux) to share his longtime love for the AOR and WestCoast movement and highlight its influence for many artists in the late 70s and early 80s. In this 4th volume, he selected again highly forgotten productions, deeply infused with Disco and Soul flavors.
Half of the compilation’s tracklist is naturally coming from the US, homeland of this music style, but the other half is made of productions from all over the globe, from France, Belgium, Italy, to Mexico. And for most of these beautiful songs, it came from artists and bands rather unknown and often released as private press.
As an example, “Come Back” is the result of a music talent competition won by a student band named Parenthèse, gaining a full recording session in a professional studio and the production of a limited promotional 7inch vinyl, which still completely obscure til now. “Mellow Out” comes from the only album by Pacific Dreams, which was fully self-produced and released by its leader Tommy Sweet. Fernando Toussaint, however having quite a solid career and discography as a drummer and with his brother forming the Mexican Jazz-Funk band Sacbé, had solely one solo album released in very limited quantities on Discos Alebrije, a label directed by Alain Derbez. As for “Never Was Love” by Russ Long, despite becoming quite famous when recorded and sang by Judy Roberts, it’s still surprisingly undiscovered in its original version, taken from Russ’ beautiful album from 1982, Long On Jazz In Kansas City.
And we could detail stories like this for each of the titles included in AOR Global Sounds Vol.4, but our guessing is the best way to learn more about all these gems is to listen to it, fully remastered from originals, and whether your preference is for vinyl or CD formats.

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AOR Global Sounds Volume 2 (1975-1983)

CD | 2016 | EU | Original (Favorite)

Release: 2016 / EU – Original

Genre: Organic Grooves

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CD | 2015 | EU | Original (Favorite)

AOR Global Sounds

Release: 2015 / EU – Original

Genre: Organic Grooves

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Following French Disco Boogie Sounds, DJ and producer Charles Maurice is back, this time engaging a musical World tour, in the search of hidden productions with a touch of AOR style. The result is AOR Global Sounds, a new compilation made of 8 forgotten and rare tracks produced between 1977 and 1982 in all parts of the globe. From Erik Tagg in Netherlands, and Arian in Ex-Yugoslavia, to Diane Tell in Quebec, and Nohelani Cypriano in Hawaï, Charles Maurice found a real link between these 8 great songs and artists, in their music clearly infused with this special AOR touch, in a Soulful and Disco way. This perfect soundtrack for the summer has been fully remastered from original versions!

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LP | 2014 | US | Original (Mississippi)

Anxious Color

27,99 €*

Release: 2014 / US – Original

Genre: Rock & Indie

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12" | 2010 | IE | Original (Antiqua)

ANTQ003 EP

5,99 €*

Release: 2010 / IE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Antologia Della Canzone Napoletana

LP | 2024 | EU | Original (La Canzonetta)

45,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Antologia De Música Atípica Portuguesa Vol.2: Regiões

LP | 2019 | UK | Original (Discrepant)

33,99 €*

Release: 2019 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover is close to NM.

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2LP | 2022 | EU | Original (Left Ear)

Antipodean Anomalies 2

38,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Antipodean Anomalies 2 is Left Ear Records' most ambitious project to date, a compilation that took over 4 years to license and includes 17 artists across a double LP. AA2 picks up where the first iteration left off, with co-compilers Chris Bonato and& Bridget Small continuing to dig through the music of the geographically isolating and maverick landscapes of Australia and& New Zealand.

As with the first iteration, Left Ear continues its to excavation ofe the music from these vast micro-scenes that evolved out of a number of small community-focused domains, creating their own unique reinterpretation of musical influences from near and far, spanning the years 1980 – 1992.

The compilation scopes an overlooked epoch from Adelaide, presenting acts such as the DNA Lounge, TCH & Will Kuiper. A close-knit community of like-minded mates that made distinctive electronic music together throughout the 80’s, all of which remained unreleased until now. Holbrook Buchanan capture the ambiance of Perth’s heat prodded afternoon’s perfectly with their track Hunger, a breezy 9-minute minimal-jazz jam that includes kalimba, water samples & conga. Furthermore, artists like David Watson & Colin Offord use samplers and handmade instruments to offer a more abrasive and experimental aesthetic.

To round out the compilation, artists such as Jane Stevenson, discovered a 7” at an op-shop and found the needle stuck on the word, ‘Aloha’. Using tape loops, she chose to highlight imperfections rather than hide them and in unison managed to cross boundaries of time; the 60s (album voice) and the 80s (my voice), of location; Hawaii and Australia, and of language; “Aloha and Hi”. This ethos echoes the compilation's vision, to champion artists that implement impromptu creativity, and who have a desire to create regardless of their surroundings and resources. AA2 signs off with the Back to Back Zithers, drawing inspiration from the haiku poems of Basho. To illustrate this, Kari set a Kacapi improvisation to the backdrop of the cicada chorus of summertime in outer Melbourne.

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Antilopen Geldwäsche Sampler

LP | 2022 | EU | Original (Antilopen Geldwäsche)

28,99 €*

Release: 2022 / EU – Original

Genre: Hip Hop

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LP | 2018 | EU | Original (Born Bad)

Antilles Mechant Bateau

Release: 2018 / EU – Original

Genre: Organic Grooves

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The West Indies - a sweet coastline subject to many clichés from another time. That postcard with coconut trees, a glass of rum to sip on, those so exotic madras dresses... Almost as many as in Compagnie Créole's "doudouist" songs, that say a lot about the misunderstandings from both sides of the ocean. West Indians are still as stuck with this distorted outlook as in the good old days of the colonies. Because, underneath the veneer of moldy images, a completely different reality is woven. 'They beat drums but were never number one' - to misquote the chorus by a Martinique-born French singer. This is the subject of this collection - musicians drumming on percussion as a way of asserting their creolized identity. Songs that tell, in veiled terms, a different reality from what mainlanders were fed with. Special cases, with cries of joy and laments accompanied by cadences, as an invitation to trance, all immersed in the Caribbean melting pot of rhythm.

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Antikhrist Visions Volume 1

12" | 2019 | EU | Original (Industrias Mekanikas)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Anacronismo Industrial, MTS76, Slaughtered Saint, Ruben Montesco, Do Or Die, Orlok 101. The third reference of the Madrid based Label has just come out of the oven, hand in hand with its capo, Ruben Montesco, consolidating itself as one of the most solid offers in terms of industrial music, elektro and techno, oriented to the dance floor.

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12" | 2022 | EU | Original (Lost In Translation)

Anthroposcéne

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Lost in Translation is a record label based in Brussels founded by two friends in the Spring of 2022. Anchored in the heart of Europe, the project aims to deliver a unique artist driven vision centered on a collaborative approach to musical storytelling.

Releases are built track by track, providing a space for the featured artists to bounce off of each other’s sonic influences, and weave together a cohesive musical story told from studios around the world.

Accompanied by audiovisual works and short-stories crafted around the music, each release is an exercise in multi-disciplinary world-building, setting out a narrative soundscape that invites listeners to get lost in its evolving atmospheres and rhythms.

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12" | EU | Original (Enzyme)

Anthology Series IV

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Enzyme)

Anthology Series III

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Enzyme)

Anthology Series II

Release: EU – Original

Genre: Electronic & Dance

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Anthems From The Underground

LP | 2014 | US | Original (1332)

21,99 €*

Release: 2014 / US – Original

Genre: Rock & Indie

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12" | 2023 | EU | Original (Noise To Meet You)

Antarctica, Station 4 EP

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Noise To Meet You presents hand in hand with Univac, Ivna Ji, Francois Dillinger, Lloyd Stellar, UHF, and Cosmic Lydén its 8th release, “Antarctica Station 4”. The darkest reference so far paying tribute to a masterpiece by one of the most influential artists within the global electronic music scene, The Thing by John Carpenter. A heterogeneous compilation that melds the nostalgic and sensitive side of electro with its most powerful nature.

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Antal Presents Beyond Space & Time Volume 2

2LP | 2022 | EU | Original (Beyond Space And Time)

29,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Regular Edition WITHOUT the 7".

Rainbow Disco Club and Rush Hour, a long-standing friendship that transcends continents! House, disco, new wave, Caribbean, rare groove, leftfield.. Antal compiles the second release on "Beyond Space And Time", loaded with personal choice cuts.

Internationally recognised and much-loved festival from Japan, Rainbow Disco Club’s offshoot project "Beyond Space And Time" record label presents their sophomore release! Following the work by DJ Nobu, their second compilation has been compiled by none other than Antal. Also known as the festival's headliner and the man behind Amsterdam record shop/label Rush Hour, all 11 tracks are selected by Antal in a 2 x 12-inch + bonus 7-inch format. From local Dutch newcomers to '80s Japanese cult music, rare grooves to danceable house music, and rare Caribbean soul, this compilation is a portrait of music enthusiast Antal Heitlager’s enormous collection and 30-year DJ career, a work of art that can be enjoyed by all music fans!

An afro electronics track recommended by South African collector DJ Okapi, who co-produced the masterpiece compilation "Pantsula!: Rise Of Electronic Dance Music In South Africa: 1988-90" released in 2017, which brought Kwaito back onto the map. A-1

Improvisation Organic Deep House track by New Zealand’s newcomer. A-2

A rare breezin' boogie by Larry Heard’s alias Trio Zero from 1989. Highly sought after by all collectors as a cult Balearic track. Previously unreleased version. B-1

From the 2015 album by L.A. funk maker DAM-FUNK on the prestigious Stones Throw label. LO-FI beats and synthetic breakdowns that are reminiscent of early Rush Hour works and ‘90s house. B-2

The debut single of Japanese idol unit, Shohjo-Tai. Haruomi Hosono also produced some of their tracks later on in their career. Japanese new wave disco from 1984. C-1

The soundtrack from the Japanese manga "Touring Express". RDC fans will recognize this track from the final hours of the festival. A nostalgic oriental disco from 1985. C-2

80s Silky Mellow Soul by Connecticut jazz vocalist Dianne Mower who also contributed to the re-press of the prestigious Numero Group. D-1

The original version is a masterpiece from 1983 by Zouk singer Jocelyn Mocka of French Guadeloupe. This edit still very much emphasizes an emotional mid-tempo Caribbean soul, nicely reconstructed by Rush Hour's Bonnefooi. D-2

The first 500 copies will include a limited 7-inch bonus disc featuring a Dutch artist.
Modal jazz track from the Han Litz Group led by Han Litz, a jazz flute player representing the local Amsterdam scene. A-1

A freestyle percussion jam track inspired by Brazilian and Klaus Weiss music. Los Calxunxos Tuyos, derived from the band Zuco 103 formed by students of the Rotterdam Conservatory. B-1

A mysterious electronic pop floating, between the dance floor and easy listening by Rush Hour's Kamma. B-2

A total of 11 tracks from all types of genres and generations, a true masterpiece and representation of Rainbow Disco Club’s vision “Beyond Space And Time”. Bringing you the love from Amsterdam to the world!

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Anniversary Sampler 2024 Repress

12" | 2022 | EU | Original (Gestalt)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Gestalt Records present the 4th installment of their Anniversary Sampler series, including brand new dancefloor cuts from Tywi, Route 8 and Reflex Blue, as well as a long-awaited reissue of 2 Trip 2gether’s 1995 classic, 'Same Trip'.

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Ann Arbor Blues & Jazz Festival 1972

2LP | 1973 | US | Original (Atlantic)

Release: 1973 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Records are close to VG+. Cover has ring wear.

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Anjunadeep Presents: Reflections Vol. 1

LP | 2020 | UK | Original (Anjunadeep)

60,99 €*

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

vinyl is close to NM. Original inner sleeve. tiny wear. Limited edition

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Anime & Manga Synth Pop Soundtracks 1984-1990

LP | 2022 | UK | Original (Time Capsule)

27,99 €*

Release: 2022 / UK – Original

Genre: Soundtracks

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Trailblazing instrumental synth pop experiments created to soundtrack Japan’s booming 1980s cartoon and comic industries. The brightly futuristic instrumentals on this collection reflect the mindset of composers and musicians who believed in a technological future where everything was possible.

In the late 1980s Japan experienced a brief but heady period where societal changes combined with new-found wealth to open up a world of possibilities. A huge influx of cash - artificially created by slashed interest rates after an agreement with the US to weaken the dollar relative to the yen - resulted in the inflation of real estate and stock market at a rapid pace. While the economic bubble it created was unprecedented and impossible to sustain, for a while money was in plentiful supply.

The musical genre City Pop reflected the aspirations of the country’s booming leisure class. Video games flourished with Nintendo's 1983 launch of their Family Computer (or FamiCom). Studio Ghibli was founded 1985 to later became one of the most famous and respected animation studios in the world, and Anime and Manga were established as major forms of entertainment for all generations of the Japanese public.

Music was no mere footnote to the anime and manga boom: the two forms of media often went hand in hand, and not simply through the presence of background melodies. With generous budgets available, even two-dimensional static manga comics could be released with an accompanying soundtrack of original music known as an ‘Image Album’.

Composer and arranger Kazuhiko Izu was one such beneficiary of this open budget approach. Written to accompany artist Katsuhiro Otomo’s manga comic Domu, the composer and arranger took advantage of the world-leading (and wallet-busting) Japanese synthesiser technology available at King Records’ fully equipped studio. Featured on this compilation, A3: Act 2 Scene 26 reflected the story’s sci fi themes with a blazingly futuristic yet warmly funky slice of synth pop that presents a joyful celebration of synthesisers and their seemingly endless possibilities.

Kan Ogasawara was another composer who made early mastery of the litany of synthesisers, drum machines and sequencers that had become available. Two tracks written to accompany the 1985 period manga Yume No Ishibumi are featured here; Honowo’s experimental electronic textures add spice to a jaunty electro pop melody that recalls the Rah band’s 1983 hit Messages From Stars; the jazz-tinged Utage rounds out Ogasawara’s shimmering synth textures with beautifully crafted backing from legendary musicians Yuji Toriyama (guitar), Pecker (percussion) and Jun Fukamachi (piano).

Before becoming one of the pioneers of Japanese Kankyo Ongaku (Ambient Music), Takashi Kokubo worked on the proto techno track Kiki (Jungle At Night). It was put together for the 1984 anime film Shonen Keniya (Kenya Boy) using some of the most expensive music technologies available at the time. This Africa-Inspired dance track offers a contemporary parallel to the early techno music that young Detroit based producers were then creating using cheap Japanese Roland drum machines and synthesisers.

This is the first compilation of Japanese anime and manga soundtracks curated by Kay Suzuki and Rintaro Sekizuka from Vinyl Delivery Service (a Tokyo based online record shop which also operates in East London's renowned wine and hifi shop Idle Moments). With a cover by artist Kazuki Takakura and two pages of liner notes, this vinyl only compilation of music never before released outside of Japan, captures a vital aural snapshot of an era whose forward-thinking sounds went hand in hand with cutting edge technology.

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Anima Pop Music From Estonian Animations 1965-1986 2024 Repress

LP | 2024 | EU | Original (Raadio Kohila R)

34,99 €*

Release: 2024 / EU – Original

Genre: Soundtracks

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Compilation of (mainly instrumental) music from 1960-80s Estonian animated films. Comes with 8-page full-colour booklet in Estonian with texts by Andreas Trossek and Berk Vaher. Musically all over the place, as you'd expect.

Note: The animated films of this LP can be watched online at kohilarecords.eu/ark

In the mid1970s, when Tallinnfilm animation studios recruited a youthful bunch of skilled artists and cartoonists, interesting things started to happen. Contemporary themes and ironic depictions of domestic life were introduced into Estonian animation – as well as pop-art aesthetics and even psychedelic imagery. Also, composers found their chance to exercise something beyond the routine standards of pop and academic music, to try their hand at the edges of orchestral sonic palette and electronic soundscapes.

Suddenly, pop art merged pop music, and electric guitars, Rhodes pianos and synthesizers were telling tales of a better future that still hasn’t fully arrived today.

Composers: Arvo Pärt, Rein Rannap, Sven Grünberg, Tõnu Aare, Tõnu Naissoo and Olav Ehala

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12" | 2024 | EU | Original (Cursed Dissonances)

Anima Mundi

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Angst Vorm Amt (A This Charming Man Records Compilation)

CD | 2017 | DE | Original (Visions Magazine)

3,99 €*

Release: 2017 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Copy close to NM

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Angola Soundtrack Volume 2

2LP | 2013 | EU | Reissue (Analog Africa)

32,99 €*

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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In 2010, against all odds, Angola Soundtrack Vol.1 was awarded the German Record Critics' Prize in the category "Black music". This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc's multi platinium record, "Good Things". Many were surprised that the award was handed to a compilation that covered obscure music, but it didn't surprise the team behind Analog Africa who believed such award should have come much earlier. Since discovering the music of Angola 15 years ago, styles such Kazucuta, Rebita and Semba have become an addiction for Samy Ben Redjeb, the compiler, who proclaimed a serious warning in the first edition liner notes:

"Listening to these tracks may cause addiction and provoke heavy rotation!"

Angola Soundtrack Vol.2 - Hypnosis, Distortions & other Sonic Innovations 1969-1978 - The unique blend of incomparable musicianship, passionate delivery and regional rhythms that make these tracks so combustible are no accident. An exceptional set of circumstances existed in the history of Angola before Independence that created the giant leap in the style and standard of bands and recordings of the time.

When Portuguese repressive measures prevented the small Turmas, street musician groups, from being able to perform in Carnaval celebrations in 1961, a Portuguese civil servant, entrepreneur and Angolan music fan named Luis Montês was already in a position to capitalise on Luanda's need for a live music scene. His self-designed "Kutonocas", Sunday afternoon live music festivals, delighted a Luandan population hungry for a communication between the city and musseques (townships). It also forced groups to adapt to a different style of playing that would accommodate large stages and broader audiences. They equipped themselves with electric guitars, and fed on the musical influences from Cape Verde, Congo and the Dominican Republic, while staying patriotically true to their own musical legacy and unique rhythms.

The intimacy of those participating in this musical revolution meant they playfully and professionally wanted to trump each other's style; communication between the groups was frequent as everyone studied each other's records and concerts and players were under a lot of pressure to outdo each other due to the limited recording and performing opportunities. Development of skill and ingenuity was a must, as well as addressing the highly politicised climate. The optimism of Independence can be heard in these recordings; a common goal between the audience and musicians.

Upon reading the characteristically generous liner notes of this new Analog Africa release, you will be given more hints of the crucial melting pot that allowed this short period to have such an outstanding productivity. Featuring 44 pages acquired in coordination with the National Library of Luanda and the art magazine "Note E Dia", Analog Africa head honcho Samy Ben Redjeb has managed to collect newspaper clips, extremely rare pictures of the bands on stage and printed interviews from the 70s.

The stunning pages of passionate photography and artistic design also include interviews with many of the original artists and their families, biographies of the three labels that made it all possible, and of Luis Montês, who was the pulse of the live music scene in Luanda. This compilation is a dedication to the short lived recording industry in Angola, a brief moment of history between 1969 and 1978 in which three recording companies produced approximately 800 records, mostly singles. They are rare jewels, each song with a significant story and feel behind it. You will hear exciting music blazed with the anticipation of emancipation, tracks fuelled with a sense of unity, community, importance and immediacy.

This addictive, outlawed music from Angola shakes and grooves with the smoothness of staccato machine gun fire. Do yourself a favor and submerge yourself into some of the most addictive music created by mankind!

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Angelheaded Hipster:The Songs Of Marc Bolan &T.Rex

2LP | 2020 | EU | Reissue (BMG Rights Management)

Release: 2020 / EU – Reissue

Genre: Pop

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Angel Dust Psychedelia 1968-1972

LP | 2014 | EU | Original (Frisco Speedball)

23,99 €*

Release: 2014 / EU – Original

Genre: Rock & Indie

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Non-hippie devastating guitar-psych and PCP induced hard-rock!! ANGEL DUST PSYCHEDELIA is a "100% killers, no fillers" compilation featuring obscure and unknown 45s / unreleased acetates from the US, most of them released on private labels. Many local underground bands of the late 1960s-early 1970s lacked the money and/or material needed to make a full-length album, and would put out a self-released 45 instead. Record collectors and writers have been slow to understand this treasure of vintage private press singles, with music that is every bit as good as hallowed underground LPs like Mystic Siva or Boa. 14 tracks including the monster acid-punker "Time gone to waste" by Local Traffic, post-Stereo Shoestring band Red House with an unreleased track, the mega rare acetate by Matchbox from Houston, tremendous acid-psych by Dick St John and Ragweed Patch, raw hard-rock by Masque and Zoo and more. The perfect companion to those legendary 80s psych comps like Brain Shadows, Acid Dreams, Endless Journey. Remastered sound for a stunning in-your-face heavy guitar experience. Limited to 500 copies.

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And You Don't Stop: A Celebration Of 50 Years Of Hip Hop

Box | 2023 | EU | Original (Tommy Boy)

71,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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And Now Our Lives Are Complete

2LP | 2014 | UK | Original (O Genesis)

8,79 €* 15,99 € -45%

Release: 2014 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

And Now For Something Completely Crunchy

2LP | 2019 | EU | Original (Crunchy Frog)

Release: 2019 / EU – Original

Genre: Rock & Indie

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12" | 2024 | EU | Original (Anarko Tekno)

Anarko Tekno 002

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" | 2023 | EU | Original (Anaoh)

Anaoh Invites 02

9,09 €* 13,99 € -35%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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One more year, we are now working tirelessly on our beloved label. Just as we did last year, this 2023, we are back with our 'anaøh Invites' series.

Last year we had the wonderful presence of James Ruskin and Ben Sims as guests of honor, that wonderful 12' vinyl sold out in a few weeks, however it is time to present our second volume, where again Dig-It and Fixon as hosts of the label invite 2 artists to join them and release original 4 tracks on a special edition 12' vinyl. In this second chapter we have the presence of a veteran whom we respect and love deeply, one of the main people responsible for the classic hardgroove sound , Mark Williams. As well as one of our wonder boys, the virtuous Cravo.

We feel honored and moved to have this second collaboration, which we hope will please everyone! Thank you for all the love and support during these first 7 years of adventure.

From México with Love. Fixon & Dig-It

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Anane presents 10 Years Of Nulu Vinyl Sampler

12" | 2019 | EU | Original (Nulu)