HHV Records Sale 294 Items

Svart Records proudly present Swallow The Sun's magnum opus "Songs From The North I, II & Iii" vinyl reissue

Swallow The Sun, Finnish Death-Doom band hailing from the city of Jyväskylä, released their sixth studio album "Songs From The North I, II & Iii" back in 2015 via Century Media. This 5LP monolith is now getting the reissue treatment by Svart Records for the first time with the original album art and presented in a glorious box set. Containing a booklet and with three different vinyl color variants, this soon-to-be-collectors-item is pressed in limited quantities and will be available on June 14th 2024.

Swallow The Sun was established in 2000 by Juha Raivio. The band's Death-Doom style focuses on both melody and atmosphere, while also moving around more gothic and black metal territories. "Songs From The North I, II & Iii" is an epic triple album of Gloom, Beauty, and Despair. It depicts the three different facets of the band's style with Gloom being the death/doom album, Beauty mostly acoustic and folksy material, and Despair the funeral doom album.

Theme songs from the movies “Nausicaa of the Valley of the Wind” which was released 35 years ago, “Castle in the Sky” and “My Neighbor Totoro” have been loved by many people up until now and even appeared in music textbooks. The original 7” singles will be reissued and included in the box set. Remastered for this time, you can enjoy the vinyl only sound. We hope you experience the greatness of vinyl record.

Behold! Every single raw, filthy, ripping old school punk/(death)metal note from Seattles' legendary lords of destruction ever recorded is within this box!

contains: †Black Breaths' 1st demo on cassette! (available for the first time ever!) †Razor To Oblivion EP (with 2 previously unreleased tracks!) †Heavy Breathing vinyl LP †Sentenced to Life vinyl LP †Slaves Beyond Death 2xLP

This essential box also contains a killer 8 page booklet with tons of photos, liner notes from Todd Jones (nails) and a tribute to bass player: Elijah Nelson.

Malfunkshun is an American punk/Love-rock/proto-grunge band formed in 1980 by brothers Andrew (aka Landrew) and Kevin Wood with drummer Regan Hagar.

Combining glam influences with distortion, they were one of the earliest grunge bands from Seattle. Andrew would become the frontman for Mother Love Bone.

"Olympus Awaits" is a definitive compilation of all Malfunkshun recordings. It includes their Return to Olympus album (here on vinyl for the first time ever), compilation appearances and very rare demo recordings with a dark-punk hardcore aesthetic.

This is thee ultimate Love Rock archival release of Mfunk!

Sealed copy!

Includes a total of 12 songs, including the JR Tokai TV commercial song "Nozomi". Shuta Nishida (Gt.), Takuro Okada (Gt.), Tokutaro Hosoi (Gt.), Kazuya Oi (Dr.), Yuichi Fukaya (Dr.), Anzu Suhara (Vn.), and many other musicians whom odol trusts, together created this 5th album.

He is a member of The Boogie Playboys, a band active in the Hong Kong rockabilly scene that focuses on the 1950s sound, and The Wolfman Jack Blues Band, a Chicago blues style band. SzeChai “Bluesman”, who pursues Cantoblues (Hong Kong blues) as a solo artist, has released his second album following his debut solo album "Kowloon Blues and Other Assorted Love Songs" on colored vinyl and cassette at RSD 2024!

Poetic POP Music DUO per se by Stephen Mok and Sandy lp, who debuted in 2013 and are popular in Hong Kong as a representative of Cantopop. "deca", which was released as a monumental EP to celebrate the 10th anniversary of its debut in 2022, will be released on RSD 2024 as a limited edition split colored vinyl, including the bonus track "The End of Love (Japanese version)”! A 45 rpm high-quality lacquer cut by Tohru Kotetsu (jvc Kenwood Creative Media), who is known as one of Japan's legendary mastering engineer.

Protective sleeves are among the indispensable basics of vinyl care. Our sleeves are Made in Germany and help to preserve the cover artwork permanently, as they significantly minimize the risk of ring wear. In addition, they protect against edge wear of the record sleeve and the vinyl itself from dust and dirt.
We recommend the transparent and robust films for any well-maintained record collection.
The vinyl LP protective sleeves are part of the Vinyl Care by HHV product range, which stands for best quality at an attractive price. In the development of our Vinyl Care products we directly incorporate the experiences of our customers at HHV.de and offer collectors and enthusiasts high-quality tools for cleaning, care and presentation of their vinyl treasures.

Record Outer Sleeve 12" Vinyl Schutzhülle - specific details:

• dimensions: 325 x 325 x 0.15 mm
• material: translucent polyethylene, 150µ
• selling unit: 1000 pieces
• Made in Germany

Free from plasticizers, solvents, bisphenol A and is REACH certified.
Does not contain PFAS and PFOA. Substances from the ECHA candidate list are not included.

Beats, rhymes and cuts by Buck 65.

Limited to 500 copies.

DRAGONBALL SUPER is a Japanese anime produced by Toei Animation Studios. Scripted by original Dragon Ball author Akira Toriyama, it follows his work and begins shortly after my defeat of Boo in Dragon Ball Z..

"Four years after Boo's death, peace has returned to Earth, and everyone is living in peace.
Goku has become a farmer, and Vegeta spends time with his family. However, the desire to train and grow stronger never leaves them.
Goku goes to train with Master Kaio, who tells him that a powerful enemy has awakened from a 39-year slumber: Beerus, God of Destruction. The latter is looking for a warrior who appeared to him in a dream, the Divine Super Saiyen, against whom he wishes to measure himself."

The anime has been broadcast since 2017 in France on Toonami in a censored version, then in an uncensored version 1 month later. There are 131 episodes and 2 features.
The anime doesn't resume until 2025.

Live artist Innellea dropped his limited vinyl deluxe album. ‘The Belonging’ including two bonus tracks, poster and colored vinyls. The LP forms part of a conceptual storytelling project. The album features focus track ‘Shelter’ w. CamelPhat & Monolink, along with diverse and significant collabs with Grammy winner Flowdan, Swedish indie singer/songwriter Karin Park, live musician Juan Hansen. Additionally the deluxe vinyl album includes Innellea´s feature with Paris Paloma 'under Earth'.

Lift off lid box with crushed emerald felt lining, Includes Embossed Gatefold edition Double Tri-Colour Splatter Vinyl.

Includes Signed Insert, Limited edition Black Classical Music branded ProMark Drum Sticks, and branded Afro Comb.

The Shadow Ring (1992-2002) presents a comprehensive overview of the work produced by British musiciansGraham Lambkin, Darren Harris, and later Tim Goss over the course of a decade. Throughout theirlegendary ten-year run, this shambolic rock outfit, formed by a group of teenagers in the port townFolkestone, were an enigmatic force on the international musical sub-underground. The group have leftbehind a mighty run of eight LPs, a handful of 7-inches, and a spate of raucous live shows and cryptic zineappearances on both sides of the Atlantic. In aggregate, this significant collection not only plums the depths of theband and its attendant lore, but reveals a vivid minor history of mail-order networks, bedroom recordingsessions, cross-USA couch-surfing, and encounters with fellow travelers such The Dead C, Harry Pussy,Charalambides, Richard Youngs and the No-Neck Blues Band. Where is the connecting thread between RalfWehowsky and Squirrel Nut Zippers? Inquire within.The roughly 200 songs in this set trace the band from its earliest days recording in Lambkin's parents' house(SHP Studios), through its brooding mid-period, garnering word-of-mouth notoriety that peaked with the trioturning down an invitation to tour with Pavement, to a string of increasingly uncompromising experimentswith electronics, voice, and tape. Although the band's sound morphs considerably during this time period,from spartan beginnings using pots and pans as a drum set to their ultra-deconstructed latter-day approach,certain core sensibilities are apparent throughout: brash youthful rawness, wry and m...

A landmark publication celebrating the life and work of American musician and composer Arthur Russell, the man the Guardian called 'One of the 20th century's true musical visionaries'

The music of Arthur Russell defies classification. From his pioneering compositions as part of New York's vibrant avant-garde scene (alongside artists including Philip Glass, David Byrne, Laurie Anderson, John Cage, and Allen Ginsberg) to his genre-expanding disco productions, from his new wave and art pop to his posthumously released folk songs, Russell crafted timeless and foundationally influential work until his premature death in 1992 from AIDS-related illnesses.

Now, in a landmark publication assembled by critically-acclaimed writer Richard King, Travels Over Feeling collects the extensive ephemera found in Russell’s New York Public Library archive, along with pieces from the personal collections of those who were closest to him. Combining unseen visual material—handwritten scores, lyrics, photos, letters, and drawings—with new texts by King and extensive original interviews with Arthur’s collaborators, contemporaries, family, and friends, Travels Over Feeling paints a portrait of Arthur Russell unlike any which has come before, revealing a true picture of one of the most distinctive artists of the last fifty years.

Charles Arthur Russell Jr., better known as Arthur Russell (May 21, 1951—April 4, 1992) was an American cellist, composer, producer, singer, and musician from Iowa whose work spanned a disparate range of styles. After studying contemporary composition and Indian classical music in California, Russell relocated to New York City in the mid-1970s, where he became involved with both Lower Manhattan's avant-garde community and the city's burgeoning disco scene. His eclectic music was often marked by adventurous production choices and his distinctive voice. He died from AIDS-related illnesses in 1992.

Richard King was born in South Wales and for the last twenty years has lived in the rural county of Powys, in mid-Wales. He is author of Original Rockers (2015), which was shortlisted for the Gordon Burn Prize, and How Soon Is Now? (2012), which was Sunday Times Music Book of the Year. The Lark Ascending was published in 2019, and was a Rough Trade, Mojo, and Evening Standard Book of the Year. His latest book, Brittle with Relics, was published in February 2022.

SOURCED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 4,000 NUMBERED COPIES:

MOBILE FIDELITY'S 180G SUPERVINYL LP PRESENTS 1985 BLOCKBUSTER IN AUDIOPHILE SOUND, PLAYS WITH EXCEPTIONAL CLARITY
PCM digital master to analogue console to lathe



Whitney Houston’s self-titled debut album has few parallels. Viewed solely through the lens of sales numbers, Whitney Houston is a watershed statement on par with the most commercially successful and culturally dominant LPs ever released. Having sold more than 14 million copies in the U.S. and upwards of 25 million units worldwide, the 1985 LP became the equivalent of the television show or blockbuster film that everyone collectively experiences and discusses. Nearly four decades later, it’s lost none of its appeal or magnetism — and its artistic significance and historical import have only grown.

Sourced from the original master tapes, pressed at RTI on MoFi SuperVinyl, and strictly limited to 4,000 numbered copies, Mobile Fidelity's 180g SuperVinyl LP of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.

It does the same for the songs’ cascading melodies and captivating arrangements. Individually produced by one of four renowned industry veterans — Kashif, Micheal Masser, Jermaine Jackson, and Narada Michael Walden — each composition feels grander, closer, more genuine. A vocal spectacular, Whitney Houston benefits from the high-end characteristics of SuperVinyl, which include a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces. This is how an album that changed the direction of popular music — opening previously inaccessible doors for Black artists; bringing smooth-singing vocalists back into the mainstream; kickstarting a movement that soon included several “divas” who would command the charts through the early 21st century — should look and sound.

Though Houston’s seemingly effortless performances suggest otherwise, creating the record Rolling Stone ranks as the 257th Greatest Album of All Time wasn’t easy. Nearly 18 months were required to identify songs suitable for a still-unknown singer who did not fit into the conventional frameworks of the mid ‘80s. Confident, powerful, and prodigiously talented, Houston would forge her own parameters with Whitney Houston. In the process, she obliterated the stubborn lines between R&B and pop, Black and white radio. She dared to reimagine who could be a superstar and then went out and defined the role. Recorded for nearly $400,000 and released on Valentine’s Day, the LP exceeded the wildest expectations of those most closely associated with it — save for Houston and her family.

Having made her first public appearance at the age of 11 singing at a Baptist church, Houston understood pressure and knew her way around, inside, and through a song. The invaluable guidance and support she received from her mother, Cissy, an accomplished gospel vocalist who backed Aretha Franklin and Elvis Presley, are on display throughout Whitney Houston. They arrive in the types of authoritativeness, discipline, and diction rare for even most seasoned veterans — and unheard-of for a 21-year-old newcomer. Houston brings a soulful elegance, understated glamour, and in-the-moment rapture to every note. Moving up, down, or staying in the middle of the vocal ladder; channelling softness or sweetness; showing restraint or increasing the volume, she is a marvel of emotionalism, a dynamo who can seamlessly transition from one mood to another within a verse.

Though the 10-track LP largely concerns itself with the ballad tradition, Houston covers the bases, getting into an R&B groove on the fleet “Thinking About You,” turning up the heat on the duet “Take Good Care of My Heart,” and investing the contagious dance-pop confection “How Will I Know” with all the anxiety, hope, energy, and enthusiasm its lyrics demand. Featuring her mom on background vocals and Houston’s pitch-perfect tone, uncanny precision, and skyscraper highs (no AutoTune here, friends), the synth-based anthem propelled Whitney Houston into the stratosphere, the vocalist into regular MTV rotation, and the term “crossover” into popular parlance. The double-platinum single reached No. 1 on the Hot 100, Hot R&B, and Adult Contemporary charts — a trifecta that foreshadowed accomplishments that would ultimately crown Houston as the most-awarded female artist of all time.

Whitney Houston became the first album by a Black female performer to top the Billboard charts. It remained there for 14 non-consecutive weeks en route to claiming the title of the best-selling LP of 1986. It stands as the first debut and first album by a solo female artist to spawn three No. Hits, as well as the first album by a Black female artist to top the year-end charts in Australia and Canada. These are just a handful of the accolades — along with four Grammy nominations — that surround a set that also contains the unforgettable ballad “Saving All My Love,” string-accompanied “Greatest Love of All,” and sensual “You Give Good Love.”

As TIME observed in an article written two years after the album took the world by storm: “This is infectious, can't-sit-down music, and her performance dares the listener not to smile right back.” We’re still smiling.

SACD

Sourced from the original master tapes and strictly limited to 3,000 numbered copies, Mobile Fidelity's hybrid SACD of Whitney Houston presents the breakthrough in audiophile sound for the first time. The signature traits Houston exhibits on every song — her three-octave range, radiant warmth, personal conviction, impossibly controlled register — come across with exceptional clarity, focus, and presence. Free of artificial ceilings and constricted dynamics, this reissue plays with an openness, airiness, and balance that put the singer’s once-in-a-lifetime instrument and immortal artistry into proper perspective.

The remastered edition of the City Music Tokyo multiple compilation, curated by Cunimondo Takiguchi (Ryusenkei), originally released on CD and digital formats by Nippon Columbia in 2023, is now making its debut on vinyl!! The compilation is a chronicle curated by Cunimondo Takiguchi (Ryusenkei / City Music Tokyo), specializing in curation from the vast catalog owned by Nippon Columbia. It serves as a chronological account of the most exciting and innovative originators and key artists in the genre of City Pop.

What would you do if you harnessed the ability to change the past? Would the outcome be better or worse than your present? Very Ok Vinyl opens the portal to find out with Steins;Gate Original Soundtrack. This 2009 Visual Novel game developed by Mages spins the story of Okabe Rintaro after he receives a text message from the future and the ripple of change that creates. This soundtrack covers all the emotions of Okabe’s epic adventure of past, present, and future, to change it back. We dare you to travel through the fast-paced synth, heart-felt piano, harpsichord, and suspenseful orchestral strings. This is a powerfully emotive compilation, busting with the intensity of every decision. You will not be the same when you return.

Quantity: 4500
Release type: RSD Exclusive Release

Wilco’s legendary 2011 album now on three LP’s. Expanded to include all related single, EP and bonus tracks - plus A selection from The Loft's archive of live in-studio performances and previously unreleased alternate mixes and demos. Includes Wilco classics "Art of Almost", "Dawned on Me”, "Sunloathe” . 3LP Box

Protective sleeves are among the indispensable basics of vinyl care. Our sleeves are Made in Germany and help to preserve the cover artwork permanently, as they significantly minimize the risk of ring wear. In addition, they protect against edge wear of the record sleeve and the vinyl itself from dust and dirt.
We recommend the transparent and robust films for any well-maintained record collection.
The vinyl LP protective sleeves are part of the Vinyl Care by HHV product range, which stands for best quality at an attractive price. In the development of our Vinyl Care products we directly incorporate the experiences of our customers at HHV.de and offer collectors and enthusiasts high-quality tools for cleaning, care and presentation of their vinyl treasures.

Record Outer Sleeve 12" Vinyl Schutzhülle - specific details:

• dimensions: 325 x 325 x 0.10 mm
• material: translucent polyethylene, 100µ
• selling unit: 500 pieces
• Made in Germany

Free from plasticizers, solvents, bisphenol A and is REACH certified.
Does not contain PFAS and PFOA. Substances from the ECHA candidate list are not included.

RSD limited exclusive release. Band’s Reprise albums collected on wax for the first time, includes live tracks, B-Sides and unreleased demos all making their debut on vinyl, band just released a new album, “Plastic Eternity” and constantly tour. Steve Turner’s new book, “Mudride” just came out in June. First North American pressing of their Reprise debut: Piece Of Cake.

4 LP box set featuring all of Linda's '70s Asylum albums. The first album, Don't Cry Now, is celebrating it's 50th anniversary in 2023. Don't Cry Now (1973) Prisoner In Disguise (1975) Hasten Down The Wind (1976) Simple Dreams (1977)

Foghat formed originally in 1971 in the UK and has achieved eight gold records, one platinum, and one double platinum record. This is all previously unreleased live material recorded over two nights in New Orleans in 1973 (band touring their second Bearsville album) with highlights chosen by Roger Earl. This is the first live release that features the band’s early-era, blues-based material and will appeal to fans of Peter Green’s Fleetwood Mac, John Mayall and the Bluesbreakers w/Eric Clapton, Cream, The Faces and many more.

Faces Live at the BBC is the second set of highlights from the band's many memorable performances at the BBC over the years. Collected mostly from Top Gear and the David Lee Travis Show, this compilation highlights top performances from 1970 and includes rarer tracks and fan favorites like "Wicked Messenger", "Shake, Shudder, Shiver", and of course, "Had Me A Real Good Time."

The Dwight Yoakam Rarities Box Set series is a collection of the artist’s early work, packaged neatly in exclusive sets spanning the eighties and early nineties. The 80's Box set includes the prolific singer, songwriter and accomplished musician’s debut album Guitars, Cadillacs, Etc., Etc., alongside his other successful 1980’s releases. Each box set also includes an exclusive full disc of rarities from that decade, curated by the artist himself.

Dead By Sunrise is a band fronted by Linkin Park's Chester Bennington, and included Ryan Shuck and Amir Derakh from Orgy. Their only album, ""Out of Ashes"" was released in 2009 on CD and digital, and a very limited vinyl pressing in Europe.

This is the first release on vinyl in North America, and is pressed in a limited edition for RSD on Black Ice Vinyl.

The original album has been expanded to include the track ""Morning After"", previously a bonus track on the Japanese CD. Also included are 5 unreleased acoustic songs performed in Las Vegas."

Fetty Wap rose to popularity after his debut single, “Trap Queen,” featured on this album, reached #2 on the Billboard Hot 100 and helped him secure a deal with 300 Entertainment. He followed that up with two Top 10 hits, “679,” and “My Way,” which are also included on this debut record. This debut on vinyl has been out of print since original release in 2016 and will include additional bonus tracks new to vinyl.

The second of the Beat's three albums expanded to included 2 sides of non-LP tracks and B-sides. Wha'ppen reflects the band's signature melange of musical styles and influences, shifting from a heavy reggae/ska/punk sound to a more eclectic sound that included African, steel drum, and dub influences for a wholly original sound. Social Conscious and politcally oriented lyrics that remain as relevant today as the context of the album's original release during the 1981 riots in England.

45th anniversary of cult classic solo album from Little Feat founder Lowell George, released weeks before his untimely death in 1979. Includes original album cut AAA from original master tape and bonus album including previously unreleased alternate versions and outtakes from recording sessions.

For the first time on vinyl, we will be releasing Nightfall OF Diamonds, newly mastered on 4LP, 180-gram black vinyl, with an 8th-side etching and TBD Premium Jacket. Limited Edition Status TBC This live album recorded on Bob Weir’s birthday, was from the final night of a 5-Night Run at the Meadowlands on October 16,1989 and, originally released as a 2CD set in 2001.

Deluxe reissue of 1971 album from Captain Beefheart. Includes original album cut AAA from original master tape and bonus album including previously unreleased alternate versions and outtakes from recording sessions.