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Nikki Lane - Denim & Diamonds Vinyl Me, Please Edition
Nikki Lane
Denim & Diamonds Vinyl Me, Please Edition
LP | 2024 | US | Original (Vinyl Me, Please)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-09-27
Why you'll love it...
Following the massive success of her 2017 album Highway Queen, Nikki Lane was uncertain whether she wanted to make another album. Exhausted from touring, she spent time at home and was happy lending support to fellow artists like Sierra Ferrell, Lana Del Rey and Spiritualized.

‘’I hadn’t made a record in years and did not really feel interested in making another one,'' she shared. ''What I realized was how many little nuggets I was sitting on.''

Connecting with Queens of the Stone Age frontman Joshua Homme, Lane entered the studio for her next album. With talent on the album like Queens of the Stone Age collaborators Alain Johannes (guitar), Dean Fertita (organ), Michael Shuman (bass), Matt Helders of Arctic Monkeys (drums), Carla Azar of Autolux (drums) and Matt Pynn (steel player), Denim & Diamonds marks Lane's massive return.

Limited to 1,000 copies, the VMP exclusive edition of Denim & Diamonds is pressed on 1LP Seaglass vinyl at United Record Pressing. The album will arrive in a single direct-to-board, foil stamped and numbered jacket along with an 11x22 poster. The album is mastered by Gavin Lurssen of Lurssen Mastering.

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Willie Nelson - Willie Nelson And Family Vinyl Me, Please Edition
Willie Nelson
Willie Nelson And Family Vinyl Me, Please Edition
LP | 2024 | US | Original (Vinyl Me, Please)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Why you'll love it...
Sound-wise, 1971’s Willie Nelson & Family is no different than the 11 studio albums that precede it: They are awash in the Countrypolitan sound, with strings, horns and backing singers. But the version of ‘’Sunday Mornin,'' complete with its guitar solo — one of the first on Nelson’s legendary Trigger guitar — feels like the first act of defiance and a statement of intent. ‘’If Kris Kristofferson can do this, I can do it too,'' Nelson seemed to be saying. Within 18 months, he’d be in New York making Shotgun Willie, free to follow his muse wherever he went, cementing Kristofferson’s outlaw country jumpoff point. And that’s why Willie Nelson & Family is such an interesting artifact: It’s the last album Willie made in his ‘’Before'' timeline; it’s the point where he started putting it all together and asserting his creative ideas in tangible ways.
Joshua Hedley - Neon Blue Vinyl Me, Please Edition
Joshua Hedley
Neon Blue Vinyl Me, Please Edition
LP | 2024 | US | Original (Vinyl Me, Please)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Why you'll love it...
Joshua Hedley's sophomore album goes forward in time from his debut's 1950s and '60s country ballads. Neon Blue explores the early 1990s territory of country while still having Hedley's modern flare.

Hedley said, “The last bastion of country music was the early 1990s, roughly 1989 through 1996. You could turn on the radio and immediately know you’re hearing a country song. You could still hear steel guitar and fiddle. But there was a hard fork around 1996 or ‘97, when country veered off into pop territory. Neon Blue asks, 'What if that fork never happened? What if country kept on sounding like country?'”

The album is co-produced by Jordan Lehning and Skylar Wilson, and mixed by Kyle Lehning.
John Michael Montgomery - John Michael Montgomery Vinyl Me, Please Edition
John Michael Montgomery
John Michael Montgomery Vinyl Me, Please Edition
LP | 2024 | US | Original (Vinyl Me, Please)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Why you'll love it...
"Remembrances of ’90s country largely reduce the genre to the twin pillars of Garth and Shania, with a wholesale writing-off of the artists who made the genre as commercially successful as pop in the early-to-mid ’90s. And while it might not be the most beloved period among country connoisseurs — the 2010s and the ’70s seem to be the ordained decades — the era’s artists are worthy of reappraisal, its albums way more charming and enduring than they’ve been given credit for. John Michael Montgomery is a symbol of an era, but it’s also 10 songs of earnest, open and, most importantly, fun country music that you can absolutely love like that."
Dolly Parton - Hello, I'm Dolly Vinyl Me, Please Edition
Dolly Parton
Hello, I'm Dolly Vinyl Me, Please Edition
LP | 2024 | US | Original (Vinyl Me, Please)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Why you'll love it...
'Hello, I'm Dolly' is Dolly Parton's debut album and the Vinyl Me, Parton Record of the Month for October 2023. It's pressed on 180g Flame Galaxy vinyl with AAA lacquers cut from tapes by Ryan Smith at Sterling Sound.
Daniel Rossen - You Belong There Vinyl Me, Please Edition
Daniel Rossen
You Belong There Vinyl Me, Please Edition
LP | 2024 | US | Original (Vinyl Me, Please)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Why you'll love it...
As the lead vocalist of Grizzly Bear and a founding member of Department of Eagles, Daniel Rossen has long been steeped in the spotlight alongside bandmates. You Belong There is his debut solo album, written across an isolated location in upstate New York and in Santa Fe with Daniel Rossen performing almost all of the parts on the album. The album explores themes of adulthood and the adventure of new possibilities. After all, a solo album is a new adventure in itself.
Carson McHone - Still Life Vinyl Me, Please Edition
Carson McHone
Still Life Vinyl Me, Please Edition
LP | 2024 | US | Original (Vinyl Me, Please)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Why you'll love it...
Still Life, Carson McHone’s third album and first release with Merge Records, quivers like a tightrope, with songs about existing within the tension of the in between and surviving beyond the breaking point. These are stories of sabotage, confusion, and surrender. The album is a testament to the effort of reaching, sometimes flailing, for understanding and for balance. Still Life invites us to gasp at our own reflection and acknowledge the unsettling beauty in this breath.
Caroline Rose - Superstar Vinyl Me, Please Edition
Caroline Rose
Superstar Vinyl Me, Please Edition
LP | 2024 | US | Original (Vinyl Me, Please)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Why you'll love it...
With one foot in a bucket of painfully earnest reflection, and the other in a pool of the sick, sunny oddball pop satire she does so well, Caroline Rose wrote, recorded and produced Superstar in her 10’x12’ home studio and on a portable rig she’d set up in green rooms while touring behind her 2018 album, LONER. The album’s first track finds its protagonist the recipient of an accidental call from Hollywood’s glamorous Chateau Marmont hotel, which they take as a sign to leave everything behind and pursue their star-studded destiny. What ensues is an indulgent, glistening sonic wonderland located at the crash site of innate personal aspiration and a bloated, absurd and fickle collective definition of success, fame and the artist in the era of late-capitalism. Superstar is a double-edge examination of the destructive and motivating forces of the human ego in a time and place that stokes its most aggrandizing desires, all wrapped up in brilliant, wonky modern earworms and a world as shiny as it is unsettling.
Alex Williams - Waging Peace Vinyl Me, Please Edition
Alex Williams
Waging Peace Vinyl Me, Please Edition
LP | 2024 | US | Original (Vinyl Me, Please)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Why you'll love it...
Alex Williams became recognized as a one-to-watch outlaw country artist, drawing comparisons to Chris Stapleton and Sturgill Simpson for his signature, cavernous vocal and gritty, go-your-own-way charisma. Now, following his major label debut in 2017 (Better Than Myself / BMLG), he returns with his sophomore record, Waging Peace.

“Before I made my first record, I had not toured. I had no road band and a very slim amount of experience in the studio,” Williams adds. “These past 4 years since leaving Big Machine to become fully independent, and the release of Better Than Myself has been a whirlwind. I’m very glad that I waited 5 years to make another record because it’s given me time to really find my voice as a songwriter, experience life on the road and all the pain and joy that has come my way in more ways than one.”

Limited to 300 copies, the VMP exclusive edition of Alex Williams' Waging Peace is pressed on Clear vinyl at The Vinyl Lab. The 1LP will arrive in a single, direct-to-board, autographed and numbered jacket. It was mastered by Pete Lyman at Infrasonic Mastering.
Muscadine Bloodline - Coastal Plain Signed (Maroon Vinyl Editoin
Muscadine Bloodline
Coastal Plain Signed (Maroon Vinyl Editoin
LP | 2024 | EU | Original (Stancaster Music)
37,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Lainey Wilson - Whirlwind Tan Vinyl Edition
Lainey Wilson
Whirlwind Tan Vinyl Edition
2LP | 2024 | EU | Original (BMG Rights Management)
34,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-18
Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-10-18
Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
The Saddle Sores - I'm Over Bein' Sober Over You Sweet Tooth Baby
The Saddle Sores
I'm Over Bein' Sober Over You Sweet Tooth Baby
7" | 2024 | EU | Original (El Toro)
13,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-04
Sandy Bull - Still Valentine's Day 1969
Sandy Bull
Still Valentine's Day 1969
LP | 2024 | EU | Original (No Quarter)
33,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Sandy Bull was an American folk musician who rose to prominence with a series ofalbums on the Vanguard label in the 1960's and 70's. Still Valentine's Day 1969 ispulled from two live shows recorded at The Matrix in San Francisco in 1969 with Bullplaying shimmering electric guitar and oud, accompanied by tape loops. Previouslyavailable on CD, but now out of print in all formats - this is the first ever vinyl pressingand includes the original liner notes from Byron Coley.
Drew & The Neighbors Holcomb - Strangers No More: Volume 2
Drew & The Neighbors Holcomb
Strangers No More: Volume 2
LP | 2024 | US | Original (Magnolia Music)
25,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-04
This is a band at the peak of it's powers. Drew Holcomb and his Neighbors recorded 21 songs over a 2 week period of time, and split them into two volumes. Volume II features a breadth of genre defying recordings of songs about love, loss, betrayal, the passage of time, and the ties that bind and break us as humans. There are songs centered around specific human experiences like Suffering, Forgiveness, Imagination, and Shelter which take the listener through a rock n roll and soulful journey into the unanswerable questions of how to navigate the joy and pain that we all face. There is the classic heartbreaker of Burn, which features Holcomb's wife, Ellie's arena stomping soulful background vocals over guitarist Nate Dugger's wailing guitar solo. The highlights are Soul's a Camera which finds Holcomb taking lyrical photos of a lifetime's worth of memories, reminding us all that we are made up of our stories and experiences, and the soul is indeed a camera. Green Light is a rollicking ode to the band's wives putting up with their troubadour lifestyle. Easy Together is a classic soulful song in the Marvin Gaye family tree, a blatant attempt to help the world make love. Way Back When is a heartbreaking ballad about the passage of time from a father to a son, and the inevitable end that faces us all, while trying to find a legacy to leave behind.
Johnny Cash - Songwriter Clear With Black Splatter Vinyl Edition
Johnny Cash
Songwriter Clear With Black Splatter Vinyl Edition
LP | 2024 | Original (Universal)
58,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Limited Clear with Black Splatter Colored Vinyl. Johnny Cash recorded an album's worth of self-penned songs in 1993. Shortly thereafter, he released the American Recordings albums and re-established himself as one of the world's greatest songwriters, introducing him to a new generation of fans. Songwriter's unreleased 11 songs have been updated and produced by his son John Carter Cash and co-producer David Ferguson.
Shelby Lynne - Consequences Of The Crown Gold Vinyl Edition
Shelby Lynne
Consequences Of The Crown Gold Vinyl Edition
LP | 2024 | US | Original (Monument)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Michael Morley - Pushed Streets
Michael Morley
Pushed Streets
LP | 2024 | US | Original (Thin Wrist)
39,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Over the last ten years, Michael Morley has embraced the acoustic guitar as the means of channeling the darkest threads that have run through his work since the early 1980s. While he largely made a name for himself as a maverick of primitive electric guitar and electronics in The Dead C and Gate, Morley's love of song form has never been far from the surface. In recent years, chance discoveries of Spanish and classical guitar records languishing in the discount and free bins at junk shops in South Dunedin proved to be a revelation. These records, largely recorded in the 1950s and 60s, began to shift Morley's work and lead him to piece together a new musical language from elements completely removed from the rock and avant-garde underground from which he first emerged. Spanish, Mexican and South American composers such as De Fossa, Ponce, Lauro, Barrios, Pujol, Albéniz, Falla, and Villa-Lobos as well as more traditional classical guitar composers like Schubert, Haydn, and Scarlatti all began to etch themselves into his consciousness. Rather than emulate them, Morley "channeled the experience of listening to these strange guitar sounds" as he began to play the acoustic guitar for hours at a time every day as an almost meditative exercise and a way of discovering a new way to play. This new musical language is realized on Pushed Streets, a suite of 12 songs Morley recorded at home in Kōpūtai/Port Chalmers, New Zealand. The music is quiet, almost ephemeral. Chords and melodies are traced in a dark atmosphere with Morley's unmistakable voice almost imperceptibly double tracked, words softly sung and stretched, sometimes at a near whisper. There are no amplifiers, no effects, nothing to distract from Morley's words and the tone of his guitar. Recorded with two 1970s guild guitars, an orchestral six string and dreadnaught twelve string, the guitar sound is rich and dynamic, chords and melodic figures are struck with what sometimes seems the gentlest possible gesture, resonating and floating away into the night. The music and voice, the lyrics are all of that dark thread, distilled with frightening clarity. The music is intimate and fragile, unadorned and heartbreaking in a way that recalls the spirit of lonely and world-weary albums by Skip Spence, Bill Fay, and Loren Connors; yet against the backdrop of the absolute finality of today's culture, the album's alchemy of Spanish and classical influences with Morley's formative work avant garde work, Pushed Streets exists in its own hauntingly desolate realm.
Jim Lauderdale - Long & Lonesome Letting Go
Jim Lauderdale
Long & Lonesome Letting Go
LP | 2024 | US | Original (Sky Crunch)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Cody Dickinson - Homemade
Cody Dickinson
Homemade
LP | 2024 | EU | Original (Petaluma)
33,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Arisa Nakano - Aoi Sakana (Blue Fish)
Arisa Nakano
Aoi Sakana (Blue Fish)
7" | 2024 | JP | Original (P-Vine)
21,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Arisa Nakano is a talented young Japanese actress who recently appeared in Wim Wenders' latest film Perfect Days, which was nominated for Best International Feature Film at the 96th Academy Awards. She sings Sachiko Kanenobu's song 'Blue Fish' which is also played in the film, and P-vine have the honour of releasing the cover as a 7" single. Produced by Seiichi Yamamoto, also known as a former member of the Boredoms, her dignified singing voice combined with Yamamoto's sound arrangement creates a musical chemical reaction.
William Loveday Intention - Secret Intention
William Loveday Intention
Secret Intention
LP | 2024 | US | Original (Spinout Nuggets)
29,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-10-04
Taylor Hollingsworth - Yahola
Taylor Hollingsworth
Yahola
LP | 2024 | EU | Original (Dial Back Sound)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Taylor Hollingsworth, the fingerpicking songwriter hailing from the vibrant city of Birmingham, AL, is back with an electrifying, foot stomper of an album titled "Yahola." With his unique blend of folk, rock, and blues, Taylor has carved out a distinct musical niche that he calls "folk n' roll" or electric folk. In a world full of manufactured pop sensations and cookie-cutter artists, Taylor Hollingsworth stands apart as a true maverick of original music.Taylor's dedication to his craft has earned him accolades and recognition both within and outside the local music scene. His immense talent on the guitar, coupled with his remarkable songwriting abilities, has earned him a rightful place among music connoisseurs. Notable achievements in Taylor's musical journey include having his works featured in popular TV shows, podcasts, and movies, showcasing his ability to strike an emotional chord with listeners. Esteemed artists such as Conor Oberst and Phoebe Bridgers have recognized Taylor's songwriting prowess by covering one of his songs.
Dan Reeder - Smithereens Red & Yellow Splatter Vinyl Edition
Dan Reeder
Smithereens Red & Yellow Splatter Vinyl Edition
LP | 2024 | EU | Original (Oh Boy)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Red & Yellow Splatter Vinyl.Dan Reeder is a multi-faceted artist, recently championed byboygenius. He is Oh Boy Records longest signed artist, andwas personally signed by the legendary John Prine himself.Reeder is releasing a collection of songs titled,Smithereens, aneclectic mix of songs, many recorded and played on gear hebuilt. A true DIY maestro, Dan seamlessly assumes the roles ofproducer, mixer, mastering engineer, and visual artist,imbuing every facet of his artistry with his distinct touch. Hismusical stylings often draw comparisons to the likes of BlazeFoley, Bon Iver, Sufjan Stevens, and Ween.
Ever-Lovin' Jug Band - Move That Thing
Ever-Lovin' Jug Band
Move That Thing
LP | 2024 | UK | Reissue (Jalopy)
25,99 €*
Release: 2024 / UK – Reissue
Genre: Rock & Indie
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Pettersson & Fredriksson - Sotali
Pettersson & Fredriksson
Sotali
LP | 2024 | EU | Original (Nordvis)
20,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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“Sotali” (2010) by Swedish folk duo Pettersson & Fredriksson – featuring members of Otyg and Solsaate – becomes available on vinyl for the first time. Renowned for mastery with the keyed fiddle and mandola, the pair bridges their Västerbotten heritage with influences ranging from Sigur Rós’s avant-garde creativity to José Gonzalez’s serene melancholy. “Sotali” emerges as an opus that balances the energy of traditional melodies with the tranquillity of modern folk artistry.
Ray Lamontagne - Long Way Home
Ray Lamontagne
Long Way Home
LP | 2024 | Original (Liula)
26,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Hamish Hawk - A Firmer Hand White Vinyl Edition
Hamish Hawk
A Firmer Hand White Vinyl Edition
LP | 2024 | UK | Original (So)
34,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Hamish Hawk - A Firmer Hand Black Vinyl Editoin
Hamish Hawk
A Firmer Hand Black Vinyl Editoin
LP | 2024 | UK | Original (So)
30,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Hamish Hawk - A Firmer Hand
Hamish Hawk
A Firmer Hand
Tape | 2024 | UK | Original (So)
13,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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V.A. - Forever Gamblin' On You HHV Exclusive Orange Vinyl Edition
V.A.
Forever Gamblin' On You HHV Exclusive Orange Vinyl Edition
LP | 2024 | EU | Original (Forager)
25,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Rock & Indie
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HHV Exclusive edition on orange wax, limited to 200 copies worldwide.

A full tank of gas, the gentle glow from the radio dial, & stretches of open highway await, Forever Gamblin’ On You meanders through miles of soulful AOR, funky folk, & dusty soft rock obscurities. A follow up to Sky Dust Drifter, this compilation was gleaned from American private press oddities & rarities of the 70s & 80s, all of which are seeing their first official reissues on this album. A celebration of love, rebirth, and exploration radiating like the warmth of a loved one from the passenger seat.

Featuring “Feeling The Fire”, a jazzy, AOR grooving declaration of love and desire taken from the sole release from The Mad Brother. The compilations’ title track “Forever Gamblin On You” by Petroc And Pals, features an echo-laden folk rock recollection of hard feelings delivered with swelling guitar in a mournful soft psychedelia. Angie Pepper’s “Miss You Too Much” dwells on a past love, rolling along with an effortlessly cool rhythm section, while Roy McComas croons of his manifested “angel of love” on the swirling psych folk cut “Girl Of My Dreams”.

Forever Gamblin’ On You unfolds as a hopeful yet equally melancholic collection of nomadic anthems, primed for a memorable journey along the back roads of familiar American landscapes.

Original artwork by Arina Kokoreva. House in a case wrapped style jacket for a period correct look & feel. Includes a 12”x24” fold out poster insert.
Osamu Okuno - Utauhito
Osamu Okuno
Utauhito
LP | 2024 | JP | Original (Super Fuji Discs)
35,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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First LP release of Osamu Okuno's 2003 masterpiece "Utauhito," featuring Takeshi Shibuya, Hiroshi Funato, Ren Takada, Kanji Nakao, and Takero Sekijima. Kyoto singer-songwriter Osamu Okuno was rediscovered by the younger generation during the rock boom of the time with the first CD release of "Osamu Okuno" in 2000 and his first new album in 10 years, "Kaerou." Made in 2003, this is a miraculous album, with deep shadows and youthful songs riding on the ambience-filled playing of Takeshi Shibuya, Hiroshi Funato, Ren Takada, Kanji Nakao, and Takero Sekijima.
Laiz & The New Love Experience - Ela Partiu
Laiz & The New Love Experience
Ela Partiu
CD | 2024 | EU | Original (Agogo)
14,99 €*
Release: 2024 / EU – Original
Genre: Hip Hop, Rock & Indie
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Brazilian Hip Hop, with a golden-era glint and a 20-strong cast is given fresh impetus on Ela Partiu, 24 year old rapper Laiz"s breakout recording on Agogo Records.Glowing with Pan-African collaborations, and rooted in Laiz"s love and appreciation of magical realism, tropicália and Brazilian music old and new - think Tom Zé and Marcelo D2 - Ela Partiu features Sudanese trap-rapper Zeyo Mann, Ghanian percussionist and singer Eric Owusu (Jembaa Groove, Pat Thomas) and produced by young.vishnu & Pachakuti, from the up and coming crew, and Laiz"s label mates, The New Love Experience.
Laiz & The New Love Experience - Ela Partiu
Laiz & The New Love Experience
Ela Partiu
2LP | 2024 | EU | Original (Agogo)
30,99 €*
Release: 2024 / EU – Original
Genre: Hip Hop, Rock & Indie
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Brazilian Hip Hop, with a golden-era glint and a 20-strong cast is given fresh impetus on Ela Partiu, 24 year old rapper Laiz"s breakout recording on Agogo Records.Glowing with Pan-African collaborations, and rooted in Laiz"s love and appreciation of magical realism, tropicália and Brazilian music old and new - think Tom Zé and Marcelo D2 - Ela Partiu features Sudanese trap-rapper Zeyo Mann, Ghanian percussionist and singer Eric Owusu (Jembaa Groove, Pat Thomas) and produced by young.vishnu & Pachakuti, from the up and coming crew, and Laiz"s label mates, The New Love Experience.
X0o0x_ - Ningyou
X0o0x_
Ningyou
LP | 2024 | JP | Original (Cutting Edge)
66,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Shovel Dance Collective - The Shovel Dance
Shovel Dance Collective
The Shovel Dance
LP | 2024 | Original (American Dreams)
23,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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The Shovel Dance is the most powerful release to date from nine-piece folk group Shovel Dance Collective, bringing studio fidelity and trickery to the rich arrangements and soaring vocals of their concerts. Their new album revolves around the group’s interplay and close listening, no matter how many members of the band play on a given song or how many instruments feature (there are twenty-five instruments and eight voices). With production by Mike O’Malley (caroline) and mastering by Matt Colton (Thurston Moore, Laura Marling), they give their arrangements an experimental edge—as close to Scott Walker or Swans as Shirley Collins or Bert Lloyd—that situates them on the bleeding edge of folk music, with unique beauty, force, and political charge.
Midland - Barely Blue Gold Marble
Midland
Barely Blue Gold Marble
LP | 2024 | Original (Universal)
36,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Michelle Malone - Home Grown
Michelle Malone
Home Grown
LP | 2024 | Original (BFD)
32,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Stenhjärta - Gryning Kommer Röd
Stenhjärta
Gryning Kommer Röd
LP | 2024 | US | Original (Grapefruit)
26,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Grapefruit Records is proud to introduce Stenhjärta (translates to Stoneheart), a new duo consisting of Gustaf Dicksson & Magnus Jäverling. Both are active in the Swedish Underground music scene centered in Gothenburg. Gustaf is known for his shape-shifting prolific solo project, Blod, as well as his participation in the legendary music collective, Enhet FÖR FRI Musik. Magnus is somewhat newer to the scene, appearing on some Blod recordings as well as releasing a fascinating concept album called Bowdark on the Discreet Music label in 2022. As a duo here they are exploring classic prog-folk motifs with very Swedish influences. Gryning Kommer Röd (which loosely translated means Dawn Will Be Red) is yet another gorgeous album delivered to us from the heads and hearts of two mercurial musicians of the outstanding Swedish Underground.
Kevin Fowley - À Feu Doux
Kevin Fowley
À Feu Doux
12" | 2024 | EU | Original (Basin Rock)
20,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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New signing to Basin Rock label who released breakthrough albums by Julie Byrne, Nadia Reid, Aoife Nessa Frances, Jim Ghedi, Andrew Tuttle, Trevor Beales….Limited edition black vinyl with download code.French lullabies and traditional folk songs dating as far back as the 14th century, adapted with contemporary arrangements and faint tape manipulations in Dublin, Ireland.Imagine Serge Gainsbourg, John Martyn and Gábor Szabó squeezed on a small stage in the early hours of a smokey backstreet Parisian jazz club, slowly hypnotising the audience into hypnagogic hallucinations.
Atarashii Gakko! - Ma Ningen Purple Vinyl Edition
Atarashii Gakko!
Ma Ningen Purple Vinyl Edition
12" | 2024 | JP | Original (Atarashii Gakko!)
51,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Hillbilly Thomists - Marigold
Hillbilly Thomists
Marigold
LP | 2024 | Original (Vere Music)
73,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Endless Valley - Kaskashir
Endless Valley
Kaskashir
LP | 2024 | EU | Original (Copper Feast)
68,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Joni Mitchell - Joni Mitchell Archives Volume 4:The Asylum Years 1976-1980
Joni Mitchell
Joni Mitchell Archives Volume 4:The Asylum Years 1976-1980
4LP | 2024 | Original (Rhino)
124,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Kelsea Ballerini - Patterns
Kelsea Ballerini
Patterns
2LP | 2024 | Original (Black River Entertainment)
33,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Dasha - What Happens Now?Orange Crush Vinyl Edition
Dasha
What Happens Now?Orange Crush Vinyl Edition
LP | 2024 | US | Original (Warner Bros.)
31,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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V.A. - That's Why We Stand
V.A.
That's Why We Stand
LP | 2024 | Original (New Folk)
25,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Maggie Antone - Lady May
Maggie Antone
Lady May
7" | 2024 | US | Original (Love Big)
15,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Norman Blake - Pilgramage To Rising Fawn
Norman Blake
Pilgramage To Rising Fawn
LP | 2024 | US | Original (Iconic Ent. Group)
22,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Sweet Megg - Bluer Than Blue
Sweet Megg
Bluer Than Blue
LP | 2024 | US | Original (Turtle Bay)
36,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Julia Fordham - Earth Mate
Julia Fordham
Earth Mate
LP | 2024 | UK | Original (444 Records)
31,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Peter Bjorn Thisell - Visseltofta Folkfest
Peter Bjorn Thisell
Visseltofta Folkfest
LP | 2024 | UK | Original (Continental Song Cit)
33,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Rheingans Sisters - Start Close In
Rheingans Sisters
Start Close In
LP | 2024 | UK | Original (Rheingans Sisters)
44,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Oliver Anthony Music - Hymnal Of A Troubled Mans Mind
Oliver Anthony Music
Hymnal Of A Troubled Mans Mind
LP | 2024 | UK | Original (Oliver Anthony Music)
29,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Holly Macve - Wonderland Strawberry Red Vinyl Edition
Holly Macve
Wonderland Strawberry Red Vinyl Edition
LP | 2024 | UK | Original (Loving Memory)
29,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Gemma Hayes - Blind Faith
Gemma Hayes
Blind Faith
LP | 2024 | UK | Original (Gemma Hayes Music)
35,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Southall - Borrowed Time Gold Vinyl Edition
Southall
Borrowed Time Gold Vinyl Edition
LP | 2024 | EU | Original (Smoklahoma)
29,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Zach Top - Cold Beer & Country Music
Zach Top
Cold Beer & Country Music
LP | 2024 | Original (Leo33)
25,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Half Waif - See You At The Maypole
Half Waif
See You At The Maypole
LP | 2024 | EU | Original (Epitaph Europe)
30,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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See You At The Maypole, the sixth full-length album in Half Waif"s prolific catalog, is a recognition of personal sadness, and a call to ecstatic togetherness. It"s gathering the colors of our spirit, in all its shades, and making something intricate and remarkable. The ceremonial folk dance performed around a maypole is filled with fauna and flora, with ribbons woven into complex braids incapable of unraveling; these dances are survivals of ancient ritual, honoring the living trees, and the return of Spring and fertility. These patterns -- this dance -- cannot be completed alone, and so, Half Waif welcomes others to join her, a collective of bleeding color. "We are so much stronger for the colorful experiences we go through," she says. "That"s where we find our humanity and find each other." While the seclusion of grief feels infinite, Rose brought the songs to her trusted friend and longtimecollaborator of the past decade, Zubin Hensler. The pair worked away from others for Mythopoetics, carefully crafting each note and flourish themselves but something else was needed for See You At TheMaypole. To that end, Hensler and Rose welcomed a wealth of players and friends into the world of the record: Jason Burger and Zack Levine on drums and percussion; Josh Marre (Blue Ranger) on guitar; HannahEpperson and Elena Moon Park on violin; Kristina Teuschler on clarinet; Willem de Koch on trombone; Rebecca El-Saleh on harp; and Spencer Zahn on upright bass. Andrew Sarlo (Big Thief, Bon Iver) lent hisdeft mixing skills to many of the tracks, including lead single "Figurine.""This wasn"t just my story, I wanted to say. It was every story of loss-the loss of a life, the loss of a dream, the loss of trust and hope and faith. A story of finding a way back again," Rose explains. "My own avenue back to the land of the living was through my relationships with people and with the natural world. It only seemed right that these songs would invite those people in to build the very heart of the sound."
Davide Van De Sfroos - Manoglia
Davide Van De Sfroos
Manoglia
LP | 2024 | EU | Original (BMG)
37,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Badiaa Bouhriz - Kahrumusiqa
Badiaa Bouhriz
Kahrumusiqa
LP | 2024 | EU | Original (Akuphone)
25,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Rock & Indie
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KahruMusiqa is a musical retrospective by Tunisian singer and composer Badiâa Bouhrizi AKA Neysatu. She is known as the author behind the protest songs that became the anthems of the Tunisian revolution.

KahruMusiqa means electronic music, but is never used as such in Arabic to name the genre. The record is a collection of sonic experimentations that started when she first got her hands on music production softwares in the 2000s. The tracks are based around poems in classical Arabic language or Tunisian dialect written by Badiâa herself or female poets she admires, such as Palestinian authors Fadwa Tuqan or Salma Al Jayusi, or the Tunisian poet Noureddine Werghi. Most of the vocal work are improvisations recorded with a computer microphone. A take on the classic Turkish folk song Muhabbat is almost a modern harmonic rewriting, using only classical guitar, vocals and delays.

KahruMusiqa’s themes are in line with Badiâa Bouhrizi ideological trajectory. She is a queer woman in the moving sands of Tunesia in the song Transrimel. She also questions the political contract that led to Balfour and the displacement of millions of Palestinians in 1948, describing a journey between London and Nablus, in Fil Madinatil harima (“In The Old City").

This lo-fi bedroom album also displays several songs that have become classics of the Arab underground milieu like Ila Selma, and is the first ever record Badiâa Bouhrizi was willing to release.
Nanbu-Shiki - Shukusai Kumiie Ondo / Nanbu-Shiki Dong Pang Bushi
Nanbu-Shiki
Shukusai Kumiie Ondo / Nanbu-Shiki Dong Pang Bushi
7" | 2024 | JP | Original (Bunderbridge)
22,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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The modern folk music unit Nambu-shiki, consisting of Gottan player Jinta Terahara and Taiko drummer Takahiro Yamanochi, redefines the concept of folk music. They reconstruct current folk traditions based on their own living environment and create new festival music.
Lucy Sissy Miller - Pre-Country Clear Pink Vinyl Edition
Lucy Sissy Miller
Pre-Country Clear Pink Vinyl Edition
LP | 2024 | UK | Original (Metron)
30,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie, Electronic & Dance
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The French-British artist calls this idiosyncratic take on ambient country “an album about memories and how we stitch up these moments,” and that comes through in the record’s fragmentary form; its mix of lo-fi tape collages, live-in-the-room performances, and digital mischief feels like a contemporary update of last century’s scrapbooks—pixelated, enhanced, run through the occasional playful filter, but every bit as heartfelt.
Bingo Trappers - Karaoke Parkman Blues
Bingo Trappers
Karaoke Parkman Blues
LP | 2024 | US | Original (Grapefruit)
34,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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The Amsterdam based Bingo Trappers are the moniker of songwriter and singer Waldemar NOË and multi-instrumentalist WIM Elzinga, who also creates the arrangements and recordings of their prolific oeuvre, which began in 1995 with the cassette More/Soul on the legendary Shrimper label. They’ve been active ever since, Rolling Stone mentions them as a special pick with their CD-only release Juanita Ave. in 2001, and in the last decade they’re on a steady vinyl-streak with the albums Sister Planet (’13), Elizabethan (‘18) and ‘Giddy Wishes (’20) (for the complete discography, see their Bandcamp-page). Their music is tasty enough to dub it a delicious stew of sixties-twangs, bluesy strums, luring slide-guitars or pedal-steels, warm vocals and tickling choirs. Please enjoy.
Arianne Churchman & Benedict Drew - May
Arianne Churchman & Benedict Drew
May
2LP | 2024 | US | Original (Love's Devotee)
41,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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MAY is a double-LP collection of recordings made between 2020–2023 by Arianne Churchman & Benedict Drew (ac&bd), whose ongoing series channels, inhabits and transmogrifies the vast corpus of traditional English folksong celebrating the most fertile of months. An auditory tapestry, MAY employs at its base a flank of analog synthesizers, field recordings and Churchman’s layered vocals, each combining to form a beautifully dizzy sonic collage that often spirals out across long durations into hypnotic rhythms and jubilant melodies. Both multi-disciplinary artists with roots in the English countryside and a fascination with folklore, Ac&bd tap into the multifarious manifestations of folk music across eras throughout the British isles, pushing it towards a new, noisy din with their experimental approach. This might represent a further dimension of “British visionary music” as described by Rob Young in his pivotal Electric Eden book. Perhaps an Electronic Eden? Opening track “The Cuckoo” begins with an atmosphere reminiscent of the more pastoral moments of Broadcast before devolving into a trance-like wall of noise, binaural beats and whispered incantations. “The Green Bushes” sets Churchman’s multi-tracked vocal harmonies atop a pulsing, single-chord foundation. MAY’s varied reference points include Anne Briggs, The Copper Family, Cyril Poacher, Steeleye Span and Shirley Collins, to name just a few. Originally released digitally by Drew’s Thanet Tape Centre label, new Pennsylvania label Love’s Devotee presents the first vinyl release of Ac&bd’s MAY, with tracks reedited and reconfigured by the artists especially for this compilation. Mastered for vinyl by Giuseppe IELASI—whose credits include releases by Alvin Curran, Catherine Christer Hennix and Charlemagne Palestine—MAY brings Ac&bd’s music out of the digital realm and into a physical release truly worthy of deep reverberation throughout your abode. Limited to 350 copies.
Isabell Gustafsson-Ny - Rosenhagtorn
Isabell Gustafsson-Ny
Rosenhagtorn
Tape | 2024 | UK | Original (Warm Winters Ltd.)
13,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Isabell Gustafsson-Ny joins Warm Winters Ltd. with Rosenhagtorn, a suite of short pieces for piano, violin and voice. Absorbing in its profound focus on listening, this collection is a striking exploration of these sound sources; their repetitions, harmonics and oscillations. Conceiving of the release as a house, a different song is playing in each room, Gustafsson-Ny was able to explore the rawness and fragility of each instrument with incredible freedom and sensibility. She describes the album in the following words: "In the music there is both repetition and flow, but also the creak of the pedal organ. Here are Radigue traces and slow slow piano. Here is the violin again, resumed after many years of almost fallow. Here are the overtones and the scratchy strings. Here I dare to open the door to the voice." A unique kind of dusty, intimate folk music.
Venla Ilona Blom - Nevrak
Venla Ilona Blom
Nevrak
LP | 2024 | EU | Original (Nordic Notes)
30,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Jerry Lee Lewis - Killer In Stereo: Cold, Cold Heart
Jerry Lee Lewis
Killer In Stereo: Cold, Cold Heart
LP | 2024 | US | Original (Sun)
41,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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V.A. - Cosmic American Music: Motel California Neon Sky Vinyl Edition
V.A.
Cosmic American Music: Motel California Neon Sky Vinyl Edition
2LP | 2024 | US | Original (Numero Group)
41,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Neon Sky Vinyl.A companion to 2016's private countryrock overview Cosmic American Music,this second volume goes way past GramParsons' "country-rock plastic dry-fuck"and explores the twangy falsettos andcommercial curiosity that sent the Eaglessoaring. Though rooted in the west coastfolk rock of the late-'60s, these newkids in town rendered a safe-for-thesuburbssound bleached of the hippie era'spolitical strife. 20 tracks, two LPs, andgatefold tip-on sleeve for easy seed andstem separating are included.
V.A. - Cosmic American Music: Motel California Black Vinyl Edition
V.A.
Cosmic American Music: Motel California Black Vinyl Edition
2LP | 2024 | US | Original (Numero Group)
38,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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A companion to 2016's private countryrock overview Cosmic American Music,this second volume goes way past GramParsons' "country-rock plastic dry-fuck"and explores the twangy falsettos andcommercial curiosity that sent the Eaglessoaring. Though rooted in the west coastfolk rock of the late-'60s, these newkids in town rendered a safe-for-thesuburbssound bleached of the hippie era'spolitical strife. 20 tracks, two LPs, andgatefold tip-on sleeve for easy seed andstem separating are included.
Tir Na Nog - The Dark Dance
Tir Na Nog
The Dark Dance
LP | 2024 | Original (Mega Dodo (Code 7))
28,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Ella Jenkins - You'll Sing A Song And I'll Sing A Song
Ella Jenkins
You'll Sing A Song And I'll Sing A Song
LP | 2024 | US | Original (Smithsonian Folkways)
31,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Ella Jenkins - A Long Time To Freedom
Ella Jenkins
A Long Time To Freedom
LP | 2024 | US | Original (Smithsonian Folkways)
31,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Laura Jane Wilkie - Vent
Laura Jane Wilkie
Vent
LP | 2024 | UK | Original (Hudson)
42,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Guy Van Nueten - Decent Music
Guy Van Nueten
Decent Music
LP | 2024 | EU | Original (Teles Music)
66,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Hannes Aitman - Weak Point White Vinyl Edition
Hannes Aitman
Weak Point White Vinyl Edition
LP | 2024 | EU | Original (Freebird Entertainment)
53,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Hannes Aitman - Weak Point
Hannes Aitman
Weak Point
LP | 2024 | EU | Original (Freebird Entertainment)
38,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Jeremy Harmer - Idiosyncratics And Swallows Wings
Jeremy Harmer
Idiosyncratics And Swallows Wings
CD | 2024 | EU | Original (Sommor)
15,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Mega rare UK private album (99 copies originally pressed in 1969) by singer/songwriter Jeremy Harmer, featuring David Costa of psych-folk band Trees on guitar. Melancholic, introspective psych-folk with chamber/ baroque feel. Guitar, flute, viola, bass, drums… Jeremy Harmer started singing and playing at school and university, where his circle of friends included aspiring folk musicians like Nick Drake and pre-Trees David Costa. Jeremy has a long history as a singer/songwriter and performer, along with his work in the field of English language teaching. “Idiosyncratics and Swallows’ Wings” was recorded one night in 1968 at the studios of Anglia Television, Norwich, while Jeremy was at the University of East Anglia. Along with Jeremy singing and playing guitar, the album features a mini-chamber ensemble of flute, viola, bass and drums with orchestral arrangements written by John Trevitt from the School of Fine Arts. Jeremy’s friend David Costa (prior to forming the psych-folk band Trees) played guitar on several tracks and co-wrote “Tuesday P.M.” Only 99 copies were pressed at the time and all were sold to people at the University, making it impossible to find now.
Orville Peck - Stampede Bone Colored Vinyl Edition
Orville Peck
Stampede Bone Colored Vinyl Edition
2LP | 2024 | US | Original (Warner Bros.)
54,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Kaitlin Butts - Roadrunner! Bang Bang Red
Kaitlin Butts
Roadrunner! Bang Bang Red
2LP | 2024 | Original (Kaitlin Butts)
36,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Lily Yoshikai - Anokoro, Soshite Kinoumade
Lily Yoshikai
Anokoro, Soshite Kinoumade
LP | 2024 | JP | Original (Bookridge)
35,99 €*
Release: 2024 / JP – Original
Genre: Rock & Indie
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Lily Yoshikai releases an analog version of the album, which is immersed in the feeling of the Showa era and offers innovative arrangements! The album contains 8 songs including "Ai no Sanka" and "Kassai" from the album "Lily Yoshikai", "Koi no Fuga", a cover of The Peanuts song newly recorded for this analog release, and "Punishment Game" featuring Orquesta de la Luz, which will be packaged for the first time on this analog release!
Maya Ongaku - Electronic Phantoms
Maya Ongaku
Electronic Phantoms
LP | 2024 | EU | Original (Guruguru Brain)
29,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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Charles Brown - I Just Want To Talk To You Black Vinyl Ediiton
Charles Brown
I Just Want To Talk To You Black Vinyl Ediiton
LP | 2024 | US | Original (Numero Group)
30,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Queer country rock from south ofthe Mason-Dixon line. High schoolfolkie Charles Brown teamed up withregional rural rock rascals SleepyCreek, triggering an unrequitedinter-band love story and this album'smelancholy title track. This 15-songLP gathers Brown's solo and band workfrom 1976-'82, and Jon Freeman'saccompanying essay dissects the originstory of this private pr ess pioneer.
Tony Rice - Native American
Tony Rice
Native American
LP | 2024 | Original (Real Gone Music)
38,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Joe Ely - Driven To Drive Standard - Sunburst
Joe Ely
Driven To Drive Standard - Sunburst
LP | 2024 | Original (Rack'em - Thirty Tiger)
32,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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The Vintage Yell - The Vintage Yell
The Vintage Yell
The Vintage Yell
LP | 2024 | Original (Mesquite St.)
24,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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49 Winchester - Leavin' This Holler
49 Winchester
Leavin' This Holler
LP | 2024 | US | Original (New West)
30,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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49 Winchester - Leavin' This Holler
49 Winchester
Leavin' This Holler
LP | 2024 | US | Original (New West)
28,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Twisted Pine - Love Your Mind
Twisted Pine
Love Your Mind
LP | 2024 | US | Original (Signature Sounds)
27,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Charles Brown - I Just Want To Talk To You Sleepy Creek Silver Vinyl Editoin
Charles Brown
I Just Want To Talk To You Sleepy Creek Silver Vinyl Editoin
LP | 2024 | US | Original (Numero Group)
32,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Sleepy Creek Silver Vinyl. Queer country rock from south ofthe Mason-Dixon line. High schoolfolkie Charles Brown teamed up withregional rural rock rascals SleepyCreek, triggering an unrequitedinter-band love story and this album'smelancholy title track. This 15-songLP gathers Brown's solo and band workfrom 1976-'82, and Jon Freeman'saccompanying essay dissects the originstory of this private pr ess pioneer.
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Yasmin Williams
Acadia
LP | 2024 | Original (Nonesuch)
33,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Charley Crockett - Visions Of Dallas
Charley Crockett
Visions Of Dallas
LP | 2024 | EU | Original (Son Of Davy - Thirty Tigers)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-29
Benjamin Tod - Shooting Star
Benjamin Tod
Shooting Star
LP | 2024 | Original (Benjamin Tod - Thirty Tigers)
26,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Lost Dog Street Band - Rage And Tragedy
Lost Dog Street Band
Rage And Tragedy
LP | 2024 | Original (Lost Dog Street Band - Thirty)
26,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-09-27
Benjamin Tod - I Will Rise
Benjamin Tod
I Will Rise
LP | 2024 | Original (Lost Dog Street Band - Thirty)
26,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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