Folk 149 Items

Limited Blue Vinyl Edition.
Cover as new with slightly dented corners.
Includes OBI.

The second album from Paul Baribeau. Baribeau has been referred to as many things: American singer songwriter, troubadour extraordinaire, man with beard, reclusive hermit, photographer, Paul, Spotify hero, and creator of the City of Beachgrass newsletter. One guy, one acoustic guitar, and a live-in-one-take, personal approach. The songs deeply affect those that care. His three albums, long out of print, are much sought-after by, well, someone or other. “If you know, you know.”

The debut album from Paul Baribeau. Baribeau has been referred to as many things: American singer songwriter, troubadour extraordinaire, man with beard, reclusive hermit, photographer, Paul, Spotify hero, and creator of the City of Beachgrass newsletter. One guy, one acoustic guitar, and a live-in-one-take, personal approach. The songs deeply affect those that care. His three albums, long out of print, are much sought-after by, well, someone or other. “If you know, you know.”

The third album from Paul Baribeau. Baribeau has been referred to as many things: American singer songwriter, troubadour extraordinaire, man with beard, reclusive hermit, photographer, Paul, Spotify hero, and creator of the City of Beachgrass newsletter. One guy, one acoustic guitar, and a live-in-one-take, personal approach. The songs deeply affect those that care. His three albums, long out of print, are much sought-after by, well, someone or other. “If you know, you know.”

As a true Brazilian music aficionado, Skinshape was naturally captivated by Pedro Mizutani's charm. So, when Pedro visited Europe in the summer of 2023, Skinshape invited him to its London studio. Together, magic effortlessly unfolded. Pedro sets the rhythm, while Skinshape sets the grain. With Skinshape weaving in basslines and other arrangements around Mizutani's mesmerizing guitar playing, the collaboration was a breeze. The two musicians understood each other in the blink of an eye. Together, they crafted a true homage to bossa nova. Without overshadowing Mizutani's style, Skinshape brought out his full musicality. It was a seamless symbiosis. The duo created a one-of-a-kind work. In the spirit of the Afrobeats movement, one could even describe it as "bossa-pop," maintaining the essence of the genre while incorporating British aesthetic elements under Skinshape's discerning ear. A sprinkling of shimmering bells here, kicks dipped in reverb there, and jazzy basslines for that extra touch of groove. As for Pedro Mizutani, he excelled in delicacy as always and did not lose altitude, soaring to even greater heights.

Cover with small seam split at upper edge. Records have some hairlines and a few superficial scratches.

Japanese pressing. OBI is missing. Few paper scuffs. 1974 reissue.

Still shrink wrapped but opened.
Record with just a few paper scuffs.
Includes OBI.

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Record with just a few paper scuffs.
Includes OBI.

Close to VG+

US reissue.

The iconic, game changing Modern Sounds in Country And Western albums, combined into a single release for CD in the 2000s, will be restored and released individually, as originally intended. The significance of these records cannot be overlooked. They are proof that great country music is malleable, and open to interpretation.

Volume 1 quickly became one of the best-selling albums recorded by a Black musician of the time, as well as one of the best-selling country albums. It topped the Billboard Pop Album Chart of a month, and spawned four hit singles, including “I Can’t Stop Loving” which reached number one on the Billboard Hot 100, R&B, and the Adult Contemporary Charts, was nominated for Record Of The Year, and won the GRAMMY for Best Rhythm & Blues Recording at the 5th Annual Grammy Awards in 1963. “You Don’t Know Me” met with similar success. Ray Charles remains the first and only Black performer to earn a GRAMMY Award and a #1 Billboard Pop Chart Hit with a country and western song as he did with “l Can’t Stop Loving You.”

Volume 2 followed its predecessor by just six months, and is widely regarded as just as strong, if not stronger than the first - the second made with the confidence that this formula or country & soul works. With three hit singles on both the R&B and Pop charts, including the #1 hit You Are My Sunshine, both volumes changed the course of popular music and remain a testament to the genius of Ray Charles.

The iconic, game changing Modern Sounds in Country And Western albums, combined into a single release for CD in the 2000s, will be restored and released individually, as originally intended. The significance of these records cannot be overlooked. They are proof that great country music is malleable, and open to interpretation.

Volume 1 quickly became one of the best-selling albums recorded by a Black musician of the time, as well as one of the best-selling country albums. It topped the Billboard Pop Album Chart of a month, and spawned four hit singles, including “I Can’t Stop Loving” which reached number one on the Billboard Hot 100, R&B, and the Adult Contemporary Charts, was nominated for Record Of The Year, and won the GRAMMY for Best Rhythm & Blues Recording at the 5th Annual Grammy Awards in 1963. “You Don’t Know Me” met with similar success. Ray Charles remains the first and only Black performer to earn a GRAMMY Award and a #1 Billboard Pop Chart Hit with a country and western song as he did with “l Can’t Stop Loving You.”

Volume 2 followed its predecessor by just six months, and is widely regarded as just as strong, if not stronger than the first - the second made with the confidence that this formula or country & soul works. With three hit singles on both the R&B and Pop charts, including the #1 hit You Are My Sunshine, both volumes changed the course of popular music and remain a testament to the genius of Ray Charles.

Still sealed with price tag. 1984 reissue. Tiny corner wear.

US AMEX Vinyl. Original inner sleeve. With hype sticker and promo stamp.

Limited Red Vinyl Edition
Still shrink wrapped but opened.
Record is slightly warped but still enjoyable.

Tiny wear. Vinyl is close to NM.

A full tank of gas, the gentle glow from the radio dial, & stretches of open highway await, Forever Gamblin’ On You meanders through miles of soulful AOR, funky folk, & dusty soft rock obscurities. A follow up to Sky Dust Drifter, this compilation was gleaned from American private press oddities & rarities of the 70s & 80s, all of which are seeing their first official reissues on this album. A celebration of love, rebirth, and exploration radiating like the warmth of a loved one from the passenger seat.

Featuring “Feeling The Fire”, a jazzy, AOR grooving declaration of love and desire taken from the sole release from The Mad Brother. The compilations’ title track “Forever Gamblin On You” by Petroc And Pals, features an echo-laden folk rock recollection of hard feelings delivered with swelling guitar in a mournful soft psychedelia. Angie Pepper’s “Miss You Too Much” dwells on a past love, rolling along with an effortlessly cool rhythm section, while Roy McComas croons of his manifested “angel of love” on the swirling psych folk cut “Girl Of My Dreams”.

Forever Gamblin’ On You unfolds as a hopeful yet equally melancholic collection of nomadic anthems, primed for a memorable journey along the back roads of familiar American landscapes.

Original artwork by Arina Kokoreva. House in a case wrapped style jacket for a period correct look & feel. Includes a 12”x24” fold out poster insert.

The Buffalo sacrifice is a significant ritual among the Bahnar people, an ethnic group residing in the Central Highlands of Vietnam. It symbolizes a connection to ancestral spirits and the natural world. Prior to the sacrifice, the community gathers to prepare offerings and adorn the buffalo with symbolic decorations. The ceremony typically involves prayers, chants, and dances led by village elders. The sacrifice is performed with reverence and gratitude, honoring the buffalo's sacrifice for the well-being of the community. It's believed to ensure fertility, protection, and prosperity for the village. The ritual underscores the Bahnar people's deep-rooted spiritual beliefs and their harmonious relationship with nature. After the sacrifice, the buffalo's meat is shared among the villagers in a communal feast, fostering unity and solidarity within the community. This tradition serves as a cultural cornerstone, preserving the Bahnar's heritage and spiritual practices for generations. Recorded in the village of Plei Hven (Vietnam) in 2019 by Vincenzo Della Ratta, this unique album offers a deep immersion in this ancestral ceremony.

At it’s core, Watchhouse (formerly known as Mandolin Orange) is a duo - Andrew Marlin and Emily Frantz - from Chapel Hill, NC. Their harmonies are ethereal, their chemistry vibrant, bringing to mind the atmosphere invoked by classic duos such as Emmylou Harris and Gram Parsons, or Gillian Welch and David Rawlings. Andrew and Emily provide the foundation of the group's timeless Americana sound, while enlisting a full band to flesh out their dynamics. This Side of Jordan is the group's 3rd full length album and debut release on Yep Roc Records. Since signing to the label and releasing This Side of Jordan in 2013, the band has made quite a bit of noise on the folk/Americana circuit. They’ve received critical acclaim from NPR Music, Rolling Stone, The Wall Street Journal, Garden & Gun, No Depression and more. Their catalog has surpassed over 500 million streams and they’ve sold out worldwide tours. They have headlined Red Rocks and have graced the stage of the Ryman, Bonnaroo, and Newport Folk Festival.

1994 reissue