Vinyl, CD & Tape 50693 Items

Release: 2024 / EU – Original

Genre: Hip Hop

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Limited edition of 100 copies on cassette. Only 1 per customer!

In the midst of North Carolina's Tobacco Road and ACC basketball flowed an eloquent and bizarre Hip Hop juggernaut known as Yaggfu Front. The genuinely warped minds of D'ranged & Damaged, Jingle Bel and Spin 4th fused to form this acronym, a simple edict declaring "You're Gonna Get Fucked Up If You Front".

The 1993 debut album "Action Packed Adventure!" runs deep in lyrics and thick in production. Some of the lyrics are well within the ballpark of MC comprehension, while some transcend left field for the parking lot and on out to the f*#@ing highway. Beat fiends will incredulously shake their heads as the production crackles like that of crate PHD's Diamond and Pete Rock.

Available in a limited run on 2LP+7", CD in jewel case, cassette and digitally on all major platforms.

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

12" | 2024 | EU | Original (Gettraum)

Release: 2024 / US – Original

Genre: Rock & Indie

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DJ Deep & Traumer

Connected EP

Piper Y Su Orchestra Pimienta

Release: 2024 / EU – Original

Genre: Electronic & Dance

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French house legend DJ Deep takes control of get-traum s twelfth installment, incl. a rework from label head Traumer.

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Pensamiento

7" | 2024 | EU | Original (Vampisoul)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Over The Hump 30th Anniversary Green Vinyl Edition

The Kelly Family

LP | 2024 | EU | Original (Kel-Life)

Release: 2024 / EU – Original

Genre: Pop

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Cosmic American Music: Motel California Black Vinyl Edition

2LP | 2024 | US | Original (Numero Group)

7" | 2024 | EU | Original (BBE Music)

Release: 2024 / US – Original

Genre: Rock & Indie

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A companion to 2016's private countryrock overview Cosmic American Music,this second volume goes way past GramParsons' "country-rock plastic dry-fuck"and explores the twangy falsettos andcommercial curiosity that sent the Eaglessoaring. Though rooted in the west coastfolk rock of the late-'60s, these newkids in town rendered a safe-for-thesuburbssound bleached of the hippie era'spolitical strife. 20 tracks, two LPs, andgatefold tip-on sleeve for easy seed andstem separating are included.

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The Cromagnon Band

Bad Night Quadrant

19,99 €*

Release: 2024 / EU – Original

Genre: Hip Hop

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Terrestrial Ultra-Doula EP

Rolando Simmons

12" | 2024 | EU | Original (Analogical Force)

LP | 2024 | EU | Original (Batov)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Not much to say on this one, Mattias Ostling aka Rolando Simmons is back on AF. You should know what you're in for: undeniably beautiful acid stuff, somewhere between propulsive and melancholy, lush but fidgety 4/4 beats...'Terrestrial Ultra-Doula EP' is a 4-track adventure that deftly dabbles in rave, IDM, techno and beyond in classic RS style. In his own words "Every completed project is the failure of an original idea and the triumph of a successful adaptation. These tracks were inspired by a dream and my subsequent reflections on it. Playing music for others is an act of alchemy that can alter thought patterns and life paths to varying degrees. It is a formidable power to wield." Ostling is one of those artists who works in a specific continuum but adds his own touch here and there--and when it comes to reverb-drenched, acid-lashed, wound-up IDM pitter-patter, not many can do it as well, or as elegantly, as this. Word, you're gonna need this one.

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Momo.

Gira

Release: 2024 / EU – Original

Genre: Organic Grooves

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MOMO. releases his 7th album Gira, on Batov Records bringing together some very special musicians and guests from London"s bustling and hustling jazz community, with fellow Brazilian artists, recorded and cut to tape at East London"s Total Refreshment Center.

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Halloween Nuggets: Haunted Underground Classics

LP | 2022 | EU | Original (Rockbeat)

Release: 2022 / EU – Original

Genre: Pop

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LP | 2020 | US | Original (International Anthem)

Jeff Parker

Suite For Max Brown

Antraum (Anton & Traumer)

Release: 2020 / US – Original

Genre: Organic Grooves

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"I'm always looking for ways to be surprised," says composer and multi instrumentalist Jeff Parker as he explains the process, and the thinking, behind his new album Suite for Max Brown, released via a new partnership between International Anthem and Nonesuch Records.
"If I sit down at the piano or with my guitar, with staff paper and a pencil, I'm eventually going to fall into writing patterns, into things I already know. So, when I make music, that's what I'm trying to get away from-the things that I know." Despite its musical departures, in presentation Suite for Max Brown is an informal companion piece to The New Breed, Parker's debut release on International Anthem, which was honored as one of the "Best Albums of 2016" by New York Times, Observer, and Los Angeles Times.
"I made The New Breed based off these old sample-based compositions and mixed them with improvising," Parker says. "That's in a nutshell how I make a lot of my music; it's a combination of sampling, editing, retriggering audio, and recording it, moving it around and trying to make it into something cohesive... With Max Brown, it's evolved." Though Parker collaborates with a coterie of musicians under the group name The New Breed, theirs is by no means a conventional "band" relationship.
Parker is very much a solo artist on Suite for Max Brown. His accompanists are often working alone with Parker, reacting to what Parker has provided them, and then Parker uses those individual parts to layer and assemble into his final tracks. The process may be relatively solitary and cerebral, but the results feel like in-the-moment jams-warm-hearted, human, alive. Suite for Max Brown brims with personality, boasting the rhythmic flow of hip hop and the soulful swing of jazz.

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OMAKASE 004

12" | 2024 | EU | Original (Omakase)

Spiritual Basslines Black Vinyl Edtion

Release: 2024 / EU – Original

Genre: Electronic & Dance

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When the duo promised to release some of their most sought after tunes at a faster pace, they werent lying? Antraum is back for the fourth installment of their Omakase imprint ? reserve your copy, while you can !

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Frits Wentink

12" | 2024 | EU | Original (Clone Royal Oak)

CD | 2024 | US | Original (Fat Beats)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Frits Wentink returns to the Clone Royal Oak series with a smooth 4 track EP with his signature intricate rhythms, lush melodies, and playful approach to production. But rather than a technical issue this is all about the spiritual connection with the bassline! Bumpy basslines on the title track, playful and laidback basslines on "Eternity" and "Golfcart Joyride", and last but not least the smooth, deep driving basslines on Olympiad! Works in the club, works in your home. Spiritual connected and well-produced modern house tracks from the man Wentink!

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Masta Ace & Marco Polo

Richmond Hill

18,99 €*

SCKT10 Galaxy Vinyl Edition

Release: 2024 / US – Original

Genre: Hip Hop

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Richmond Hill, the highly anticipated follow up to Masta Ace and Marco Polo's Breukelen Story, is inspired by Marco's childhood in the titular neighborhood, a small town in Ontario, just outside of Toronto. Between interstitials about Marco's passion for hip-hop and cartoons, his struggle with addiction, and the support of his parents, Marco Polo and Masta Ace tackle the issues of the day head-on with clarity, the rapper using his decades-worth of rapping experience to slice through the producer's warm soul samples and crisp percussion. A cinematic journey that explores how the past echoes through the present, the album welcomes guest appearances from notable names from all eras of rap history, including Inspectah Deck, Coast Contra, Blu, Che Noir, Speech of Arrested Development, Masta Ace's longtime collaborators Stricklin and Wordsworth, and many more.

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Markus Suckut

12" | 2024 | EU | Original (SCKT)

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Subtle and straight groovin techno mover. All tracks written and produced by Markus Suckut. Revinyl Version.

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Ken Boothe

Let's Get It On

28,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2024 | Original (Nettwerk)

Boa

Whiplash

Release: 2024 / Original

Genre: Rock & Indie

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Backside Of 30 Colored Vinyl Edition

Cody Jinks

2LP | 2024 | EU | Original (Late August)

22,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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12" | 2024 | EU | Original (Juanita)

Rex84

Come For You

13,99 €*

7" | 2024 | UK | Original (VP)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Alonzo and M Parent join forces bringing their gutter-laced sound, through combining their analog and modular studios into a dark cohesion for Juanita Recordings. Alonzo is a Brooklyn based producer, originally from Miami and has released on W.T., Zement, Cultivated Electronics, Kraftjerkz, Rotterhague (as Lithium Parasites with Vidrio), and LSE amongst others. M Parent is a Philly based producer, originally from Connecticut and has released on Zement, Sons of Traders, Acid Camp, Lost Soul Enterprises, and Spectral Sound (as Seer with Maroje T) amongst others.

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Tenor Saw

Highest Grade

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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La Onda De Elia Y Elizabeth

Elia Y Elizabeth

LP | 2014 | EU | Original (Vampisoul)

LP | 2024 | Original (Smoke Sessions)

Release: 2014 / EU – Original

Genre: Rock & Indie

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The recordings that the sisters Elia and Elizabeth Fleta made, hand in hand with music arranger Jimmy Salcedo in the early seventies in their native Colombia, remained hidden like lost pearls in the undervalued musical pop history of Latin America until today. Their concise and natural mix of styles sways between soft-pop with a touch of tropical-pastoral funk, singer-songwriter sweetened by the subtle perfume of Caribbean music and the psychedelia of a world in the midst of discovering all the possibilities offered by the recording studio. These elements blended graciously and fortuitously, brimming with freshness, in a perfect partnership of sharp melodies with lyrics inspired by a genuine juvenile curiosity about life's mysteries, love and nature in their simplest forms.

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Peter Bernstein

Better Angels

Release: 2024 / Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Sound Of Liberation)

Kant

Paranoia Pilgrimage

Release: 2024 / EU – Original

Genre: Rock & Indie

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Music For The Complete Jazz Dance Class With Lea Darwin

Rick Panzer

2LP | 2024 | EU | Original (BBE Music)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Primordial State)

SU01

Margin EP

CD | 2024 | US | Original (Dead Oceans)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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For the 3rd release Primordial State drops a driving techno EP by Su01 with a remix by the label heads themselves.

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Bright Eyes

Five Dice, All Threes

16,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Fall Of Spring White Vinyl Edition

Endon

LP | 2024 | US | Original (Thrill Jockey)

Classic Der Dicke & Snares

Release: 2024 / US – Original

Genre: Rock & Indie

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The world of ENDON is one of constant evolution and revolution. The Tokyo-based ensemble of Taichi Nagura, Koki Miyabe, and Taro Aiko have made a name for themselves with their relentless exploration of sonic extremes in the vein of artists such as the Boredoms and Merzbow. The resulting music is a powerful emotional release for both artist and listener. Their commitment to evolution and dystopian noise as a playground for exploration and pure expression carried them through the recent departure of their drummer Shin Yokota and the tragic death of brother and band member Etsuo Nagura in 2020. Where some might have tried to replace members, ENDON"s core pressed forward with an autobiographical work exploring these changes and the shifts in their lives. Honest and raw emotions delivered with uncompromising sonic intensity, Fall of Spring is a thrilling tidal wave of sound and raw emotions born of the psyche of three individuals musically congregating into one tumultuous voice.Fall of Spring captures the electricity and unpredictability of ENDON"s live performances in vivid detail. The album harnesses the power of their storied performances through unpredictable movements, deft arrangements and an exhilarating textural palette. By imbuing their sound with raw feeling at every edge of obliteration, the trio are able to create what they call "organic music with inorganic material." For ENDON, those moments of suspense and surprise are the core of their music. As with their shows, Fall of Spring is a vessel for band and audience to share moments, to suspend time and move through grief and pain, and to bask in catharsis and resilience. ENDON continues to be a mercurial force in the world of extreme music.

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1990 EP + Instrumentals

LP | 2024 | DE | Original (Krekpek)

LP | 2024 | EU | Original (Tapete)

Release: 2024 / DE – Original

Genre: Hip Hop

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Limited to 500 copies.

Classic der Dicke & Snares release their new groundbreaking record titled '1990'. The EP contains six carefully selected songs that are characterized by personal experiences and thoughts. The lyrics are profound and offer an honest insight into the life of Classic der Dicke. The beats are thoughtful and powerful, literally carrying the listener through the tracks. With this album, the artists manage to create a perfect blend of honest lyrics and infectious beats. For the first time, Classic der Dicke shows a very open side - this is exactly how hip-hop should be!

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Levin Goes Lightly

Numb

Release: 2024 / EU – Original

Genre: Rock & Indie

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Party Album Green Vinyl Edition

Famous

LP | 2024 | EU | Original (Untitled)

CD | 2022 | EU | Original (Mnrk)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Over the course of two wildly varied and acclaimed EPs, 2019's England and 2021's The Valley, shape-shifting London outfit Famous has forged its own inimitable sound. A sound that subverts pop's Gospels. A barrage of halcyon melodies, despondent electronics jutting against warming acoustics, and scintillating song structure, all this the singular creative vision of Jack Merrett - Famous' singer, lyricist, core songwriter and only consistent member - that finds convulsively spectacular expression in their forthcoming debut album, Party Album. Coming to prominence as a part of the cele...

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Mount Westmore

Snoop Cube 40 Short

Release: 2022 / EU – Original

Genre: Hip Hop

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LP | 2022 | US | Original (Waxwork)

Masaru Sato

OST The Sword Of Doom

Jimmy Salcedo Y Su Onda Tres

Release: 2022 / US – Original

Genre: Soundtracks

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Waxwork Records is honored to present THE Sword OF Doom Original Motion Picture Soundtrack by Masaru Satô! Directed by Kihachi Okamoto, The Sword of Doom is a 1966 Japanese samurai movie that tells the bloody and brutal tale of revenge and redemption. This deluxe LP features new artwork from Yuko Shimizu and marks the first time that the soundtrack is available on vinyl!

Starring Tatsuya Nakadai and featuring Toshirô Mifune, The Sword of Doom tells the story of Ryunosuke Tsukue, a masterful but heartless swordsman in feudal Japan. After deliberately killing an opponent in a training exercise, Tsukue then murders his mistress and flees town. After spending time in a haunted geisha house, Tsukue sees the ghosts of all his victims and spirals into madness, leaving a trail of destruction and bloodshed in his wake. As time passes, the years of brutal killings and evil deeds begin to weigh on his mind, ending in a climactic battle between Tsukue, a group of assassins, and the ghost of his past.

The Sword of Doom soundtrack, composed by Masaru Satô (Yojimbo, Godzilla vs. Mechagodzilla), is full of dark and yet melodic cues, and takes many influences from traditional Japanese instruments and music. A minimalist yet powerful score that brings to life the struggles of Tsukue’s inner demons. The tone ranges from brash fight scene orchestrations into quiet and lilting flute themes, but underscoring it all, Satô's music feels the evils of Tsukue.

Available for the very first time on vinyl, Waxwork Records is honored to work with Toho to present The Sword Of Doom re-mastered on 180 gram Snow, Blood, Flames, and Katana swirled color vinyl, deluxe packaging, new artwork by Yuko Shimizu, heavyweight gatefold jackets with matte satin coating, a 12"x12" art print, and more!

THE Sword OF Doom Original Motion Picture Soundtrack Features:

The Complete Soundrack by Masaru Satô Available For The First Time On Vinyl 180 Gram "Snow, Blood, Flames, and Katana" Swirled Color Vinyl New Artwork By Yuko Shimizu Heavyweight Gatefold Jackets with Matte Satin Coating 12"x12" Art Print

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El Mundo De Jimmy Salcedo Y Su Onda Tres

LP | 2022 | EU | Original (Vampisoul)

OST Color Out Of Space Cosmic Magenta Swirl Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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Many music fans will remember Jimmy Salcedo due to his wonderful work as arranger and producer with the duo Elia and Elizabeth in the early 70s. Their delicate songwriting acquired, after his treatment, a special Tropical aroma that even included the funk influences received by Salcedo at that time. He released with his band, La Onda Tres, a few LPs and singles that had a limited distribution, mainly in Colombia only. This anthology comprises a selection of songs that celebrate Salcedo's sound signature: a base of coastal funk with vocals and melodic bubblegum-bomb arrangements and hints of light psychedelia. Many of the compiled songs became popular radio hits in Colombia that Jimmy Salcedo and La Onda Tres recorded and arranged at the Zeida studios in Medellín.These recordings include Latin-jazz tracks ('Mira') with stunning percussion solos, songs recorded under a heavy Caribbean-soul influence ('¡Qué linda es Colombia!' and 'Lo mismo de siempre') 'Maranguango', an irresistible mix of Afrolatin percussion and catchy Tropical harmonies spiced up with moog keyboard sounds, fuzz and wah wah guitars and even touches of hammond, in a psychedelic funk style, an exhilarating moog driven instrumental with a heavy Afro-funk rhythm ('Moogambo') and revisited Latin classics ('Moliendo Café').Jimmy Salcedo's big popularity in Colombia is due however to his long career as TV presenter at 'El Show de Jimmy', running for over 20 years, where he would also perform with his band and act as a comedian. His life was tragically cut short and died in 1992, when he was only 48, due to health issues. This compilation celebrates his superb musical legacy and makes most of these songs available again for the first time.

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Colin Stetson

LP | 2020 | US | Original (Waxwork)

35,99 €*

Release: 2020 / US – Original

Genre: Soundtracks

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In partnership with Milan Records, Waxwork Records is proud to announce the deluxe soundtrack vinyl release to COLOR OUT OF SPACE Original Motion Picture Soundtrack by Grammy Award-winning saxophonist and multi-instrumentalist, song writer and composer Colin Stetson!

Directed by Richard Stanley (Hardware, Dust Devil), Color Out of Space is based on the short story by H.P. Lovecraft. After a meteorite lands in the front yard of their farmstead, Nathan Gardner (Nicolas Cage) and his family find themselves battling a mutant extraterrestrial organism as it infects their minds and bodies, transforming their quiet rural life into a technicolor nightmare.

About Colin Stetson:

A highly-coveted collaborator to Bon Iver, Arcade Fire, Tom Waits, LCD Soundsystem, The National and more, Stetson brings with him an expansive body of work that includes both genre-defying, avant-jazz records as well as critically-acclaimed original scores for major film, television and game titles (Ari Aster’s Hereditary, Red Dead Redemption 2). Of the soundtrack, Stetson says:

"The question posed initially when conceiving of this score was what exactly is the sonic representation of a cosmic alien color that does not exist in this terrestrial reality? I began trying to answer that by layering the sounds of coral reefs, processing that cacophony and finding the order revealed through harmonic generation of these hyperdensities, and then continued to chase that same concept of 'transfiguring the natural' down every path and application I could see. Turns out it's somewhere between magenta and hot pink :)"

Waxwork Records is thrilled to present the complete soundtrack by Stetson pressed to 180 gram "Cosmic Magenta" swirled vinyl, housed within a heavyweight printed inner sleeve inserted into an old-style tip-on jacket with film laminate gloss coating, and new art by Matt Taylor.

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12" | 2024 | EU | Original (Equilibrisme)

Eqlb 003

Alexander Kowalski & Rebar

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Berlin-based record label, Equilibrisme, has just revealed its third vinyl release. This EP continues the tradition of its predecessors by offering a skillful blend of deep minimal techno, chords, and dubby groove to energize the dancefloor. The release includes tracks from producer Man-L, a collaboration between Man-L and Berlin-based Uruguayan producer and musician Martin Teysera, and Canadian dub techno legend Altitude aka Matt Thibideau.

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When Darkness Surrenders To The Light Claudio Prc Remix

12" | 2024 | EU | Original (Made Of Concrete)

7" | 2024 | US | Original (Ill Adrenaline)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Stripped down techno groovers.New Made Of Concrete by Alexander Kowalski & Rebar.

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Uzoo

Attack Bw Hollow Soul

12" | 2024 | EU | Original (Winthorpe Electronics)

Release: 2024 / US – Original

Genre: Hip Hop

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Uzoo came to existence in the winter of 2015. Aware of the depth of talent in the Connecticut hip-hop scene, and fed up with being overlooked, Joey Batts called upon his closest friends to form a CT-based supergroup. By bringing the best of the best together into a cohesive unit - one that allowed for individual talents to shine alongside the overall power of the group as a whole - Uzoo brings forth a musical experience reminiscent of the 90's-era Wu-Tang Clan, reminding hip-hop fans of how revolutionary a collective has the power to be. The dynamic collective boasts an eclectic offering of artistry, as each member brings their unique style to the table. Uzoo has something for everyone. The fact that such a wide array of styles are blended together so fluently on wax is a testament to the level of talent that exists within the group. Feeding off of one another's energy, the animalistic tendencies of each emcee is apparent as they trade bars and verses over rugged, grimy production. "Attack" (2017) on the a-side of this limited edition 45 was the group's very first official single - a rugged and grimy posse joint featuring all the Uzoo members, very similar to the Wu's classic "Protect Ya Neck". The b-side contains the catchy but still raw "Hollow Soul (Remix)" with Joey Batts and Crissb. Amazing delivering another certified banger.

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Crispy Jason

Shadowcon One

13,99 €*

If Music Presents: You Need This!

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Crispy Jason is a moniker of Rian Trench. Trench, once half of Solar Bears (Planet Mu, Sunday Best, Warp), branches out here into acid-focused IDM. Shadowcon One explores spaced out 303s via retro arcade against furious breaks and ambiguous moodscapes with an offset of introspective disco

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Handson Family

2LP | 2024 | EU | Original (BBE Music)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Grau Splatter Vinyl Edition

Kontrolle

LP | 2024 | EU | Original (Holy Goat)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (V2)

Bongloard

Dytyr?

22,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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12" | 2024 | EU | Original (Hivern Discs)

Absis

Fenix EP

16,99 €*

Tom Holkenborg aka Junkie XL

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Absis returns to Hivern Discs with his Fenix EP. Six cuts that dive deep into Salva's more abstract and slow side keeping his signature reverberating drums and droning landscapes. Comes with poster that will be printed, together with the sleeve, at L'Anacronica in Barcelona, with letterpress on a shiny silver cardboard.

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Mad Max: Fury Road

2LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Pop

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Cumbia Cumbia Cumbia!!! Vol. 2

2LP | 2024 | EU | Original (Vampisoul)

33,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Carlos Pickling Y Orquesta

Cumbia Morena

7" | 2024 | EU | Original (Vampisoul)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Traffic Sound / Black Sugar

La Camita / La Camita 78

7" | 2024 | EU | Original (Vampisoul)

On The Lips Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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`La Camita' is an incredible Latin funk nugget -recorded in Peru by Traffic Sound and later on by funk pioneers Black Sugar, comprising all the right ingredients to shake dance floors worldwide. Both takes on the song were released on records that today are extremely difficult to find in any condition. In 1971 Traffic Sound recorded 'La Camita' where their Latin influences overpowered the psychedelic prog vibe of their previous records. The song became a local hit and several versions were recorded by different Peruvian artists. On the other side of this single we find Black Sugar, a Peruvian band considered to be a pioneer group in Latin America in mixing funk influences with rock and Latin rhythms. In 1976, following their gig at Coliseo Amauta in Lima, opening the night for the legendary Spanish band Barrabás, they started to show a growing interest in disco music, resulting in some line up changes with members leaving the project due to their lack of interest in the new sound and new ones joining in. Their own take on 'La Camita' was released in 1978 and adds a modern twist to the original song, becoming decades later a winner spin at the most discerning dance floors worldwide. Latin party music in all its glory!

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Molly Lewis

LP | 2024 | US | Original (Jagjaguwar)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Reissue (Numero Group)

Eccentric Funk

26,99 €*

Return Of The Hellsingers Black Vinyl Edition

Release: 2020 / US – Reissue

Genre: Organic Grooves

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Twelve unstoppable deep funk burners from across the Numerosphere. A smorgasbord of sounds from R&B's dapper younger cousin. Loose guitars and chunky drums lie in wait for discerning break-makers to finely chop and flip. The only funk record you'll ever need to own.

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Hellsongs

LP | 2024 | EU | Original (Tapete)

Release: 2024 / EU – Original

Genre: Pop

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12" | 2024 | EU | Original (Frustrated Funk)

214

Easing Into The Night

Release: 2024 / EU – Original

Genre: Electronic & Dance

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My log saw something, something significant... Shut your eyes and you will burst into flames.

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Holy Beat! (A Collection Of 60s Italian Christian Beat)

LP | 2024 | EU | Original (Aberrant)

Ode To Io Remastered Gold Nugget Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Holy Beat! - A collection of 60's Italian Christian beat from the vaults of Ariel Records. Nine tracks from three amazing Italian bands, Angel and the Brains, I Barritas & The Bumpers. Originally released as La Messa dei Giovanni in 1966 and recorded live the same year, this record has been the stuff of legend for deep cut Pop connoisseurs and 60's Beat archeologists, a beautiful and mesmerizing gem that goes way beyond the Christian novelty. Presenting here three amazing Italian bands (Angel and the Brains, I Barritas & The Bumpers), this is not just a Christian pop record, this is a collection of beautifully crafted Italian 60's Beat that will blow the mind of anyone remotely interested in 60's music, a must!

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Lowrider

LP | 2020 | EU | Reissue (Blues Funeral)

LP | 2020 | EU | Reissue (Meant Well)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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The ultimate edition of the debut album from the progenitors of Swedish desert-rock, fully remastered with bonus tracks in gatefold sleeve!In the wake of defunct Palm Springs originators Kyuss, musicians worldwide coalesced to craft their own visions for the desert rock sound. Standing foremost among them was Lowrider, whose debut, "Ode to Io," became the blueprint countless others would follow. Following their return in 2020 with new album "Refractions," we proudly reissue their seminal chronicle of rumbling desert-heaviness!In their own words:Ode To Io (1-10) was recorded and produced by ourselves at KM Studios, Karlskoga, Sweden in Novembre of 1999.Tracks 11 & 13-16 were previously released as the Nebula and Sparzanza -Lowrider split singles. We recorded and produced them as well, also at KM Studios, Karlskoga, Sewden in May of 1998 (tracks 13-16) and August of the same year (track 11).Track 12 previously released as the "I Am Vengeance" Soundtrack in 2001. We recorded that some time in 2000 - it's a bit of a blur that one.Peder salvaged his dusty old artwork files in a crate and remastered & updated them from the ground up.Ode To IO cover photographs were captured by Daniel Önnerlöv in 1999 at an old creepy viking burial site, Live photograph from Hellfest 2014 captured by Falk-Hagen Bernshausen Press Quotes: 'Ode to Io is desert-rock in its purest and heaviest form. Almost the whole album is indeed explosive, fuzzy and straight to the point... the best definition of stoner-rock you could get.' - Nuno / Sputnik Music, 'Lowrider paved the way for a whole generation of European fuzz...there was Kyuss in the US, and there was Lowrider here.'" -Beeho / The Heavy ChroniclesThe LP is metallic gold nugget vinyl!

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Donovan Woods

Without People

Release: 2020 / EU – Reissue

Genre: Pop

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Mosainga Re-Visited Splattered Vinyl Edition

Jeff Mills

12" | 2022 | EU | Original (Psycho Thrill /)

13,99 €*

From Dead Horizon ... To Dead Horizon

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Limited Splatter Vinyl Version! There is no doubt that the native Detroiter Jeff Mills, as >The Wizard<, put his own mark on the Cologne Psycho Thrill club-nights and thus the entire West German Rhine Area in terms of Techno in the years 1991-2007 through his innumerable appearances in the Cologne ClubEvent institution. Mills track >Mosainga<, which was given to Claus Bachor in 1996 for publication on his own label, also played a significant part in this well beyond the 2000s. In 1997 for the first time (unofficially) released in advance via Roland Caspers Essence label on a >Psycho Thrill EP< White-Label limited to 500 copies, Mosainga finally appeared remastered in 2004 on Psycho Thrills own >Motor City Dayz Vol.1< (ptne 2111) compilation including a DJ-friendly bonus loop and then finally made its way straight into the clubs of the world. The track then received renewed attention beyond its natural decay value in the Cologne Bnkr years (2011-2016), which were deeply shaped by Psycho Thrill itself for Colognes nitelife, in which the Cologne label completely redefined the entire Techno culture of the Dome metropolis in its own way 2 be propelled forward once again. The desire quickly arose to give the relatively short running time of the original track of around 4 minutes a more extended club play character, which with the longer running time corresponded even more to the dark, monotonously driving sound philosophy of the old Wkii bunker walls. The two Psycho Thrill >Bnkr boyz< Claus Bachor and Chris Baumann therefore re-edited the track in 2 slightly different, powerful variants, and so >Mosainga< succeeded in becoming a downright hypnotic Future Club Classic, whose bass always hit the audience in sheer quality Club euphoria drove. Berlins own Milton Bradley, a friend of the family who was also often present at the Bnkr turntables, subsequently developed his own two Roland TB303-affine >alien Rain< remixes, which stripped >Mosainga< down to its basic structure. And the two new versions further created a floor-effective 90s Acid-House hallucination feel to keep it movin when the crowd said >Go!<. The occasion of the threshold of the labels 29th to 30th anniversary, was exactly the right time to press the tracks interpretations nowadays on vinyl for posterity. Where the Psycho Thrill Bnkr (somewhere in Cologne ...) and Mills legendary Vinyl sets are long gone, >Mosainga< is >written in stone< so to speak, as a timeless, powerful club-anthem, especially in the current Psycho Thrill residency at Düsseldorfs famous Golzheim Club. And a true masterpiece of top-notch quality >forever and one day<, which still continues to leave time and space Mills unmistakably typical behind itself.

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Obscene

LP | 2022 | EU | Original (Blood Harvest)

29,99 €*

7" | 2022 | EU | Original (Blow Up)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Conjured in 2016, OBSCENE are a death metal quartet from Indianapolis, Indiana. Following their Sermon to the Snake demo in late 2017, they quickly caught the attention of Sweden's BLOOD HARVEST, who reissued the demo on cassette and digital formats in early 2018. 2020 saw the release of OBSCENE's debut LP, The Inhabitable Dark. The record, earning year-end accolades from the likes of Zero Tolerance, Invisible Oranges, Grizzly Butts, Last Rites, etc. continues to garner praise of fans and critics internationally. 2020 prevented OBSCENE from performing live; in 2021, the band resurfaced for successful festival appearances at Tri State Terror and Full Terror Assault alongside acts such as Nunslaughter, Wraith, and Bat as well as a Chicago crusher with Skeletal Remains and Molder while resuming writing and recording ...From Dead Horizon to Dead Horizon. Now 2022 sees the release of that highly anticipated second album, ....From Dead Horizon to Dead Horizon. Recorded by engineer Noah Buchanan (Midnight, Nunslaughter) at Mercinary Studios and mastered by Dan Swano (Bloodbath, Hail of Bullets) at Unisound AB, the follow-up to the band's critically acclaimed The Inhabitable Dark full-length is as bulldozingly devastating as it is infectious and memorable. Far and away their most surgical performance to date, ...From Dead Horizon to Dead Horizon bursts at the seams with world-eating rhythms, barbaric riffs, and pained howls at the moon. OBSCENE don't care about reinventing the wheel; rather, they opt to keep the faithful wheel turning. The album is suitably adorned with the cover art of Skadvaldur (Coffin Rot, Ripped to Shreds). To kick of the release of ...From Dead Horizon to Dead Horizon, OBSCENE will be touring the United States in support of Morta Skuld. And the wheel keeps turning!

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Big Boss Man

Juju Funk

12" | 2022 | EU | Original (Delsin)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Grab while you can. The tracks have already received very strong radio responses from around the world. Both tracks being supported by Gideon Coe and Cerys Mathews at BBC Radio 6 Music, whilst Nasser Bouzida from the band discussed the rhythm influences of Return Of Baron Samedi on the Cerys Mathews show. Specialist funk shows from Australia, Germany, France, Canada and the US have already been supporting these tracks. The tracks are also set to appeal to fans of one of Big Boss Man's biggest tracks 'Sea Groove', which is currently one of the UK's biggest home-grown funk recordings on Spotify currently close to 7 million streams. These are the first new releases from Big Boss Man since their fourth album Last Man on Earth on Blow Up Records.

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Artefakt

Brain Dripper EP

12,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Artefakt dives deeper into their electronic universe with a worthy follow-up on their Days Bygone LP on the Delsin Interstellar series from early 2021. 'Brain Dripper' EP explores adventurous paths in dreamy electronics, experimenting with emotive melodies and floating chords rendered into immersive idm and ambient pieces. On the flip the pair fuses their trademark deep techno jams with stepping electro brain workouts.

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John Sinclair Presents Detroit Artists Workshop

2LP | 2022 | EU | Original (Strut)

LP | 2022 | EU | Original (Silver Knife)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Strut and Art Yard present the culmination of a 5-year project researching the archives of author, DJ and activist John Sinclair with the first ever retrospective of the influential Detroit Artists Workshop spanning 1965 to 1978. This first compilation of Detroit Artists Workshop is a revelation for any fan of jazz, featuring previously unreleased recordings by Byrd, Moore, English, Woodard, Bennie Maupin and Teddy Harris accompanied by extensive sleeve notes from John Sinclair, Robin Eichele and Herb Boyd. All tracks are remastered from the original tapes by Technology Works.

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Amanda Shires

For Christmas

Release: 2022 / EU – Original

Genre: Pop

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12" | 2020 | US | Reissue (Reprise)

Fleetwood Mac

Rumours

19,99 €*

LP | 2022 | EU | Original (Siyal Music)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Note: INCOMPLETE!
Side 1 & 2 only, side 3 & 4 is missing.
Includes original insert.
Cover close to NM.

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Kutiman

Open Black Vinyl Edition

12" | 2022 | EU | Original (Kias)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Open is the sixth studio album from acclaimed composer, producer, filmmaker and multi-instrumentalist, Kutiman. It is an addictive & irresistible twelve-track trip taking in elements of classic soul, Middle Eastern psychedelia, Afrobeat, Thai funk, jazz fusion, cosmic library soundscapes and more.

The uptempo “Vanishing Point” opens proceedings, recalling both Abstract Orchestra’s 2017 Dilla tribute and the lounge OST/library music flips of Tosca and DJ Vadim fame.

My Everything introduces prominent guest & frequent Kutiman collaborator, Dekel, whose soul-pop vocals coupled with jangly acoustic guitar riffs tip to contemporary indie artists such as Michael Kiwanuka and SAULT. “A Day Off passes through” Anatolian psych and Khruangbin-esque Thai funk whilst the afrobeat/jazz fusion “Confetti” pays tribute to Kutiman’s other namesake, Fela Kuti.

Dekel rejoins for the beatdown, lilting dub-soul “Believe In You” with hints of Lord Echo and the sun-inflected New Zealand dub-soul sound. The Tuareg-leaning guitar lines on “Canoe” travel across the Saharan desert easterly towards Sudan and Ethiopia by the end, whilst meditative and Coltrane-adjacent album closer “Ripples” provides a final moment of reflection from a truly global excursion of soundscapes.

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Fiedel

Transference EP

12,99 €*

Elke + Dutch Acid Federation

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Novel German Techno label Kias hits the trail in media res with a debut EP delivered by much esteemed techno veteran Fiedel. This first release was aptly titled Transference in reference to the discombobulated personal journey experienced by many artists & creatives since March 2020.

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Groeten Uit Arnhem

Tape | 2022 | EU | Original (Dance Drugstore)

28,99 €*

Spirit Exit Silver Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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super rar limited Tape release from Hollands Dance Drugstore crew! Acid live forever baby!

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Caterina Barbieri

2LP | 2022 | EU | Original (Light-Years)

32,99 €*

LP | 2014 | EU | Original (KIDinaKORNER)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The musical vortexes of Caterina Barbieri rewire time and space. Listening to the Italian composer and modular synth virtuoso has felt like traveling at light-speed and slow-motion all at once since 2017's breakthrough double-album Patterns Of Consciousness. 2019's acclaimed Ecstatic Computation pushed even further with the lead single "Fantas", where a haunting melody hurtling towards its supernova climax felt like witnessing the life and death of a burning star. Far beyond any new age trope or modern synth trend, her music stands alone in its ecstatic intensity and cataclysmic emotional impact. Marking the debut album on her new label light-years, Barbieri now delivers her most profound work yet - a journey through inner-space as vast as a universe and as intimate as a heartbeat. The Spirit Exit opens and we fall in.

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Imagine Dragons

Night Visions

LP | 2022 | EU | Original (Hassle)

Release: 2014 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed.

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Petrol Girls

Baby Pink Vinyl Edition

LP | 2022 | EU | Original (Lewsberg)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Time is supposed to mellow us, but for Petrol Girls it has distilled their feminist politics into an ever more potent cocktail. Fitting, given that their logo from day one has been a flaming molotov. Since their formation in 2012, the band has been known for playing fast-paced, chaotic punk that takes aim at everything from sexual violence to immigration policy, but over the last few years their sound has evolved in a more nuanced direction. Their 2016 debut album Talk of Violence was a blast of pure political rage, while 2019's Cut & Stitch saw vocalist Ren Aldridge exploring familiar themes from a more personal perspective. Now their latest offering, Baby - to be released through the London-based independent label Hassle on June 24th - sees the band turn another new corner. This time, by embracing irreverence. "We wanted [this album] to be less epic and less preachy from day one," Aldridge says. "I hate sanctimoniousness. Like, really fucking hate it. But I also know that I have been mega preachy, and felt very pressured to be sanctimonious, because we've always played in a very political punk scene. I lost my fun side, and I really needed to come back to that." Recorded with Pete Miles at Middle Farm Studios in Devon, Baby embraces a more playful sound. A focus on groove and repetition - driven by guitarist Joe York, drummer Zock and bassist Robin Gatt - give the songs a Talking Heads feel, while retaining the band's formative post-punk energy. The lyrics, too, are a departure for Aldridge. While she continues to address heavy topics like burn out, femicide and police violence, the lyrics balance directed anger with tongue-in-cheek humour where appropriate. Angular opener "Preachers" puts the self-aggrandising nature of call-out culture on blast with lyrics like "feeling dead important in the comments", while lead single "Baby, I Had An Abortion" is intentionally puerile from title to finish. On the flip side, tracks like "Violent By Design" see the band kicking back against carceral feminism in the wake of a news cycle dominated by Black Lives Matter protests and PC Wayne Cousins' brutal murder of Sarah Everard. Similarly, "Fight For Our Lives" - a harsh, borderline industrial song - was lyrically co-written by activist and vocalist Janey Starling. Aldridge deliberately wrote the verses to sound like a manifesto, and the lyrics reference Starling's Dignity For Dead Women Campaign with Level Up, which successfully called for the UK media to change the way it reports on fatal incidents of domestic violence. Baby saw Petrol Girls working in new ways - scrapping entire songs rather than trying to force things that didn't feel right, recording to tape for the first time, and deliberately leaving in imperfections. It was a more carefree process, which Aldridge - having gone through a particularly bad period of mental ill-health at the start of 2021 - welcomed. "Our whole thing for a long time, and a big focus of the last record, was

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Lewsberg

In Your Hands

Get On The Otherside Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Sometimes change comes with big shocks, sometimes it comes with small steps. On 'In Your Hands' Lewsberg's new album a bit of both seems to be happening. Take the second song, 'The Corner'. A remarkably discreet song; a violin plays a simple melody, a gentle drum loop keeps its finger on the pulse. "This brick is a brick to build", it sounds, though a little later: "This brick is a brick to throw". A brick offers many possibilities, for those who want to see it. One time as a part of something bigger to come, the next time just as a simple stone, left on the ground. After all, most things are relative. Sometimes one can achieve more by breaking something than by building something. If you think you can determine which of these two is needed, you'd be fooling yourself. 'In Your Hands' embodies the moment when all the bricks are there, but the wall has yet to be built. It's a moment with perspective, a moment where everything still seems possible, but caution is advised. The album sounds both smaller and more spacious than the previous albums. Guitar chords are plucked instead of fiercely struck, the bass guitar is given more room for melodic explorations, the drum kit is dismantled to just a tom and a tambourine. There is doubt in the lyrics, but it's a strong kind of doubt. A doubt that can stand in the way of a wrong decision, but can also invite for a good conversation. The old Lewsberg has been professionally demolished and the building blocks are on display. Ready for future applications and already finished at the same time. 'In Your Hands' is therefore an ode to the potential and a call to carefully give way to it. "Skewed, defiantly left-field indie rock" - Clash // "Van Vliet's idiosyncratic lyrics and buttoned-up delivery complement the bracing, no-frills performances." - Uncut // "Stripped down.. clever rock and roll of the highest quality" - Louder Than War // "You should get on board with Rotterdam's answer to Velvet Underground" - NME // "Rotterdam Talking Heads/Television enthusiasts ju...

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Bobby Oroza

LP | 2022 | US | Original (Big Crown)

Release: 2022 / US – Original

Genre: Organic Grooves

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2LP | 2022 | EU | Original (Animalia)

Microevolutions

Mönche Der Benediktinerabtei Münsterschwarzach

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Animalia presents the first in a series of 2 x 12" compilations... For volume one, comes Microevolutions... An homage to the label's continued growth and evolution, a label dedicated to authentic celebrations of talented local artists. Here, Animalia returns to its roots with a release compiled by the members of Menage (plus special guests Ebbs n Flow), all compiled in the northern suburbs of Naarm (Melbourne). The compilation showcases the various moods and facets that make up the deep yet somehow undefinable Animalia sound. From deep techno to UK garage and everything in between, Microevolutions is an earnest reflection of the diversity of sound that makes Animalia so special.

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Gregorianischer Choral

LP | 2022 | EU | Original (Clearaudio)

29,99 €*

Release: 2022 / EU – Original

Genre: Classical Music

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Frank Popp Ensemble X Fünf Sterne Deluxe / Maria Ghoerls feat. Aydo Abay

Scarecrow Kids / Leave Me Alone

7" | 2022 | EU | Original (Unique)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (El Paraiso)

Rude Skott Osborn Trio

The Virtue Of Temperance

32,99 €*

12" | 2022 | EU | Original (Dream Ticket)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Martin Rude & Jakob Skott Duo released 2 albums in 2020: The Discipline of Assent & The Dichotomy of Control. For the third installation in their Stoic opus, they join forces with Tamar Osborn on saxophone & alto flute. Similar to their first 2 albums, Rude & Skott improvised a tidal wave of ideas and grooves in the studio of Causa Sui's Jonas Munk, the perks of which were shipped to the UK for Osborn's overdubs of echo-drenched sax and wah-flute. An improvisation rippling across time & space, merging a river of constantly in flux head-on improv, as well as making room for floating harmonies and studio-wizardry. Playful, experimental and explorative, the trio ventures into a free wash of exotica drenched in deep modal jazz-vibes - with splashes of something more futuristic and modern. But contrary to what the title suggests, there are also roaring waves of energy, sizzling funky grooves to complement the ambient undercurrent. It's a record akin to the library & film music of the 60's and 70's and an ode to the willful river of experimental moderation. Far in. Bios: Tamar Osborn: Saxophonist, composer and multi-wind instrumentalist is the creative force behind modal jazz ensemble Collocutor (On The Corner Records). She is a long-standing member of the Dele Sosimi Afrobeat Orchestra, performs and collaborates regularly with Sarathy Korwar, Jessica Lauren, Emanative, Ill Considered and DJ Khalab, and is an in-demand session musician. Martin Rude: Multi-string instrumentalist & lead singer in Sun River, as well as stand-in bass player in Causa Sui. Jakob Skott: Drummer in Causa Sui with a slew of side projects on El Paraiso, as well as responsible for the label's visuals.

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DJ Arg

Acid Inferno

12,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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DJ ARG is back on Dream Ticket and once again he is Not. Fucking. Around. Four headmelters from the master himself that traverse breaks, house, techno and booty. Hardware was indeed harmed in the making of this record. Live with it!

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Dominance And Submission: A Tribute To Blue Oyster

2LP | 2022 | EU | Original (Ripple)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Humming)

Ätna

Push Life

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Suburban)

Scumbag Millionaire

Speed

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Unique Leader)

Vomit The Soul

Cold

Release: 2022 / EU – Original

Genre: Rock & Indie

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Virtual Dreams: Ambient Explorations In The House & Techno Age 1993-1997

2CD | 2020 | EU | Original (Music From Memory)

19,99 €*

Not An Ordinary Sunday Sepp Remix

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Music From Memory is delighted to be turning 50 with a special release: Mfm050 - V/A - Virtual Dreams: Ambient Explorations In The House & Techno Age, 1993-1997 (3xLP/2xCD). The first in a series of compilations, alongside more in depth artist-focused releases, Virtual Dreams will delve into music produced during the 1990’s that redefined the boundaries of ‘Ambient’. This was music that explored the possibilities of Ambient music within a new setting, created often by House & Techno music producers for a world beyond dance floors but made very much with the pre and post-clubbing listener in mind. When House and Techno exploded out of America in the mid 1980s a whole generation was redefined not only musically but also culturally and chemically speaking. Peaking, quite literally, with a second ‘Summer of Love’ in 1988, millions of young people across the world would experience the life-changing ups of a brave new world but with it of course came the downs; enter the concept of a ‘Chill-out’ room. Whilst early Chill-out rooms lacked a specific sound and were often soundtracked by music such as reggae and soul, slowly young Techno and House producers themselves would become increasingly interested in developing a futuristic ‘Ambient’ soundtrack to a world beyond the thud of the main room. ‘Ambient’ in this new age now though had sharper teeth than in Brian Eno's key text for ‘Music for Airports’, instead here the sounds were the mode of transport rather than the backdrop. While the melodies were pretty, the soundscape steered away from the pastoral, dreaming of outer-space and technology as opening up exciting new dimensions. Much like in the first Summer Of Love; the musicians were again exploring psychedelic, mind-altering and transcendental possibilities of music. And also much as in the first Summer Of Love, a psychedelic visual language would accompany the music. Though now the tracks could be accompanied by music videos, utilising early CGI techniques, they would look almost entirely to the future: envisioning technology, nature and humanity intertwined in a new Utopian future. Virtual Dreams of a better world. From Ambient and early Chill-out classics, to lesser known one-off projects, as well as Ambient deviations by some of House and Techno’s leading producers, Volume One of Virtual Dreams features tracks by Bedouin Ascent, LA Synthesis, LFO, Marc Hollander, Mark Pritchard & Kirsty Hawkshaw, Richard H. Kirk and more. To celebrate our 50th release the first 1000 copies include a holographic 'Virtual Dreams' sticker plus a special insert poster with artwork by Victoria Pacheco and design by Steele Bonus.

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Vlad Bretan

12" | 2020 | EU | Original (H24)

Dark Myth Equation Visitation

Release: 2020 / EU – Original

Genre: Electronic & Dance

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fresh & crispy minimal incl Sepp Rmx

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Sun Ra

LP | 2020 | EU | Original (Strut)

Skullcrusher Transparent Cloudy Clear Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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In the years leading up to 1971, Sun Ra wrote many compositions and poems specifically inspired by the ancient African Kingdoms and many others with associated mythological and heliocentric connotations. As such, a visit to Egypt and the opportunity for the Arkestra to play there was a matter of necessity. Ra's first ever concerts outside of the US had occurred in late summer and autumn of 1970 with performances in France, Germany and the UK and a second European tour was arranged for late 1971. At the end of that second tour, Ra caught wind of cheap flights from Denmark to Cairo. This release comprises recordings made by Arkestra member Thomas "Bugs" Hunter made in December 1971 in the streets around the Mena House Hotel, Giza, from a concert held at the house of Goethe Institute ex-pat Hartmut Geerken in Heliopolis, from a live Cairo TV channel broadcast and a concert at the Ballon Theatre in Cairo. The impact and significance of these few weeks upon Sun Ra can be measured by the growth and development of his output over the next few years; the immediate post-Egypt period included new studio and live recordings on the Saturn, Blue Thumb, Atlantic and Impulse labels and the 'Space Is The Place' movie. Ra also edited the three LPs of the 'Live In Egypt' series which were subsequently released on his Saturn record label and its affiliated twin, Thoth Intergalactic: 'Dark Myth Equation Visitation', 'Nidhamu' and 'Horizon'. These three albums are now reissued as single LP editions in their original artwork.

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Skullcrusher

12" | 2020 | US | Original (Secretly Canadian)

Release: 2020 / US – Original

Genre: Rock & Indie

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Sundowner Black Vinyl Edition

Kevin Morby

LP | 2020 | US | Original (Dead Ocean)

LP | 2020 | US | Original (Merge)

Release: 2020 / US – Original

Genre: Rock & Indie

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In the winter of 2017 I moved back to my hometown of Kansas City from Los Angeles. The move was sudden and unforeseen, just as I was tying a bow on the writing process for what would become my 2019 album, Oh My God. I bought a Four Track Tascam model 424 off of an old friend to help me get to the finish line, but much to my surprise and excitement, this new piece of equipment in my all-but-bare home didn't help complete one album but rather inspire another: Sundowner. The new collection of songs came quickly and effortlessly as I did my best not to resist or refine the songs, but instead let them take shape all on their own. As the songs kept coming I cleared out the crowded shed that was sitting dormant in my backyard and built a makeshift studio before adding drums, lead guitar and piano to complete the demos. Each day I would teach myself basic recording techniques, watching the channels illuminate and pulse as if the machine were breathing, and then emerge in the evenings as the sun was getting low: - around 5:30 in the winter, when the Kansan sunsets look icy and distant, like a pink ember inside of a display case, and 9 o'clock in the summer, when the sunsets are warm and abstract. Landing back home felt jarring juxtaposed with a life full of chaos and adventure with my band on the road. But at the very least, I was happy to have - for the first time in my adulthood - a place to close the door, with no temptations other than to work on music and reflect on what I had built since I left. It was a new form of isolation, one I had never explored or expected to experience. Not ready to let go of the hand of the California desert, I spent the winter decorating the best I knew how; with mementos from my previous home, cactus and aloe vera and covering the walls in pinewood - immediately earning my house it's nickname, The Little Los Angeles. In January 2019 I contacted my friend and producer Brad Cook to help recreate what I had made in my shed. We chose to work in Texas; we wanted to make sure the record was done far away from any coastline, and in the heart of America. Brad played bass and some keys on the album, but beyond that he encouraged and inspired me to play almost everything else. All lead guitar, proper drums (save the drums on "A Night At The Little Los Angeles"), mellotron and what I believe to be the albums secret weapon - a Wwii era collapsible and slightly out-of-tune pump organ - were performed by me. We did, however, bring in James Krivchenia towards the end of the session to fill out the percussion. It was an honor to work with him as he built maracas from pecans and played on the floor of the live room, adding flourish wherever he saw fit. On the last evening of the session, after everything had wrapped, we all climbed on top of an empty water tower on the property, giving us a view in all directions. To the North you could see an endless Texas, with long wisps of cirrus clouds above the desert floor, and to the South there was Mexico, the recent detention camps only a mile beyond, with large cumulus clouds hovering over, bringing us to an ominous pause. To the West, towards the setting sun, the two families of clouds merged, holding the last light of the day in purple and orange. Below, a freight train cut the landscape in half as it whistled in the distance. Almost as soon as the session wrapped, I was off and away on press trips and then proper tours for Oh My God, which came out in April that same year. Sundowner sat inside of a hard drive back at Sonic Ranch and did not see the light of day, until I found myself, as did the rest of the world, stuck inside their home and in quarantine in March 2020. My second year of touring for Oh My God was cancelled. Brad, Jerry and I worked from our respective homes, sending notes back and forth as we worked alone but together to mix the album, and suddenly, just like that, Sundowner was finished. Songs, like sunsets, are fleeting, and it's only due to a willingness and desire to catch them that you ever, if even only for a moment, grab a hold of one. When writing Sundowner, I was lucky to have had the Tascam 424 there to help capture both. Sundowner is my attempt to put the Middle American twilight -- it's beauty profound, though not always immediate -- into sound. It is a depiction of isolation. Of the past. Of an uncertain future. Of provisions. Of an omen. Of a dead deer. Of an icon. Of a Los Angeles themed hotel in rural Kansas. Of billowing campfires, a mermaid and a highway lined in rabbit fur. It is a depiction of the nervous feeling that comes with the sky's proud announcement that another day will be soon coming to a close as the pink light recedes and the street lamps and house lights suddenly click on. -- Kevin Morby, Kansas, 2020.

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Sneaks

Happy Birthday

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Epitaph Europe)

The Ghost Inside

12" | 2020 | EU | Original (Droughtwerk)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Los Angeles based outfit THE GHOST INSIDE is poised to release their fifth studio album. The self-titled album is a true triumph over adversity. The band was involved in a shocking road collision one tragic night in November 2015; a truck crashed into the band's tour bus near El Paso, Texas, killing both the bus driver and truck driver as well as leaving vocalist Jonathan Vigil, guitarist Zach Johnson, and drummer Andrew Tkaczyk in critical condition. Tkaczyk was in a coma for 10 days and eventually lost his right leg. The metalcore heroes have spent the past four years recovering, with each member documenting their recovery process openly. In February 2019, the band released a video featuring some new music they were working on in the studio. Shortly thereafter, they also announced their first concert since the bus crash. It was to be a "one time only" event to take place in August in Los Angeles. 7000 tickets sold out within five minutes after they went on sale on March 1st. Bassist Jim Riley speaks of the writing process for the new album, "For anyone that has followed the story of THE GHOST INSIDE for the last 5 years, one line in "Aftermath" sums it all up: "Triumph over tragedy". We went into the writing process knowing full well that every song and every lyric would be influenced by what we've been through, but we tried our best for them to be relatable to everyone. With "Aftermath" we let it be much more personal - this one is us telling OUR story. So when it was time to choose a first song to share with the world, it felt right for it to be "Aftermath". It allows anyone that listens into our world, but it also lets us put final punctuation on that chapter of our lives. "Aftermath" is a total catharsis for us. We let it all out in the song so that it's not bottled up inside us anymore and we can heal and move on, since after all, the beat goes on".

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Droughtwerk

Exit Burdock EP

Once Bitten Acoustic Bytes

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Droughtwerk with their first release called "Exit Burdock EP? is a 4 tracker that is made for peaktime hunters. Treated with minimalistic warehouse elements, full of attitude and hints of melodys. All 4 productions come around in a more raw`ish kinda way, but thats wanted. A mix of ?close to a full banger, but still a toolish timeless set of mind.

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Jack Russell

LP | 2020 | EU | Original (Deadline)

26,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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2x12" | 2020 | EU | Original (Quartz)

Flug

Flug The Collection

Roos Rebergen & Sunsunsun Orchestra

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Having carved out a lane truly his own in the often harshly competitive world of techno, Argentinian-born / Barcelona-based producer Sebastian Lopez, alias Flug, has long proven to be no bit player in the scene and his compositions have kept signalling a fighting fit producer, whose highest standards of floor skippering and experimentation-friendly approach have never failed him over the years. Resurfacing three years after the drop of his debut vinyl album, "In Safe Hiding", Flug clocks in on Quartz Rec with "Flug I The Collection" - a long-player bound to reconnect fully with the club and produce very energetic tracks that represent the techno he loves playing during his DJ sets. All tracks were originally written on tour, on the plane or in hotel rooms to better capture the dancefloors vibe, using field recordings from around the globe and later processed in the studio via his analogue arsenal of preference.

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LP | 2024 | EU | Original (Mars Worldwide)

Release: 2024 / EU – Original

Genre: Pop

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Arashi With Takeo Moriyama

Tokuzo

LP | 2024 | EU | Original (Trost)

33,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Sound Of Liberation)

Kant

Paranoia Pilgrimage

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Sound Of Liberation)

Kant

Paranoia Pilgrimage

Release: 2024 / EU – Original

Genre: Rock & Indie

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Decide Black Vinyl Edition

DJo

LP | 2024 | US | Original (DJO)

LP | 2024 | Original (Relapse)

Release: 2024 / US – Original

Genre: Rock & Indie

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Decide ist das zweite Studioalbum des amerikanischen Schauspielers und Singer-Songwriters Joe Keery unter seinem Pseudonym Djo. Das Album des Stranger Things-Stars wurde bereits 2022 veröffentlicht, erlebt aber aktuell einen zweiten Frühling aufgrund des TikTok-Hypes um den Song "End of Beginning". Das Album ist bereits sehr mehreren Wochen in Albumcharts vertreten, End Of Beginning ebenfalls seit mehreren Wochen in den Singlecharts.

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De Mannen Broeders

Sober Maal

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Ignition)

Courteeners

Pink Cactus Cafe

28,99 €*