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All Items / HHV Records / Vinyl, CD & Tape / Electronic & Dance

Electronic & Dance 4106 Items

Hip Hop 821 Organic Grooves 3273 Rock & Indie 3031 Electronic & Dance 4106 Drum & Bass | Jungle 286 Electro 331 Techno | Minimal | Tech-House 1518 House | Deep House 1435 Nu Disco | Disco Edits | Cosmic 209 Downbeat | Electronica | Leftfield 594 Nu-Jazz | Broken Beat 44 Dubstep 38 Grime 6 Garage | 2Step | UK Funky | Bassline 97 Breaks | Breakbeat 72 Bmore | Baile Funk 1 Mash-Ups 1 Trance 100 Reggae & Dancehall 1168 Pop 853 Classical Music 103 Soundtracks 218 Childrens 3
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Prince - Graffiti Bridge
Prince
Graffiti Bridge
2LP | 1990 | EU | Original (Paisley Park)
17,99 €*
Incl. VAT plus Shipping Costs
Release: 1990 / EU – Original
Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG+, Cover: VG
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Prince Quick Mix - You Are Sleeping (Remixes)
Prince Quick Mix
You Are Sleeping (Remixes)
2x12" | 2003 | US | Original (Yoshitoshi)
29,99 €*
Incl. VAT plus Shipping Costs
Release: 2003 / US – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG+
Purple label sleeve.
Records have some hairlines and a few superficial scratches.
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Priori - Lexica
Priori
Lexica
12" | 2024 | EU | Original (Kalahari Oyster Cult)
14,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / EU – Original
Genre: Electronic & Dance
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With a remix and a compilation cameo already under his belt, Canadian figurehead Priori makes his Kalahari return for the debut proper. 3 squelchy incursions complete with a hefty remix from fellow Oyster Cult acolyte Sansibar.

Known for traversing breezy, horizontal zones, the NAFF co-founder sets downbeat and ambient concerns aside for the direct and propulsive. Expect insistent, urgent forays down the wormhole as nocturnal jaunts made of ritual and darkroom throb coalesce with meditative, essential rhythm.

This is fractal gear born from the the traditions of European, Japanese and American Mid-West techno; tunnelling and immersive, conjuring moments of ascension for the gathered masses.

Finishing on Sansibar’s meaty refit, the one-two punch of seismic kick and dry-as-bone snare propels Priori’s original in a whole new direction. .
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Privacy - Human Resource Exploitation Manual
Privacy
Human Resource Exploitation Manual
12" | 2015 | UK | Original (Lobster Theremin)
29,99 €*
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Release: 2015 / UK – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
Writings on the labels! No insert! Record is close to VG+!
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Prizna Feat Demolition Man - Fire
Prizna Feat Demolition Man
Fire
12" | 1995 | UK | Reissue (Labello Blanco)
22,99 €*
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Release: 1995 / UK – Reissue
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
2003 repress
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Prizna - River Nile
Prizna
River Nile
12" | 1995 | UK | Original (Kickin' Underground Sound)
9,99 €*
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Release: 1995 / UK – Original
Genre: Electronic & Dance
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Procida Ritual Project - Misteri
Procida Ritual Project
Misteri
12" | 2024 | EU | Original (Salgari)
14,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Protecting the past by projecting it into the future, preserving identities, encouraging conversations across generations, and above all, safeguarding the island of Procida's vast intangible cultural heritage from extinction. Not the romantic and visionary notion of an island anchored to its roots, but a determined path aimed at revitalizing the ritual celebrations of the Procida community.
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Professor Supercool - If You Love Somebody
Professor Supercool
If You Love Somebody
12" | 1989 | EU | Reissue (Running Back Super Sound Singles)
13,99 €*
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Release: 1989 / EU – Reissue
Genre: Electronic & Dance
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The notion of house music as a form of uptempo soul music is intrinsic evidence with a record like the one on hand. Professor Supercool’s If You Love Somebody is many things at once: an example of a special brand of British pop music, influenced by US-American soul more or less from the get-go, the Second Summer of Love, the conception of Balearic as a music genre, the cultural interchange of European dance floors and DJs from across the pond and underground music marketing through the vessel of special one-time pressings. The mysterious Professor Supercool is actually a moniker for Dr. Rob of The Blow Monkeys’s fame, who produced the song with a veteran and legendary DJ of the Northern Soul scene „The Real Hector“ – a resident at the famous Wag Club.

Originally a part of the band’s Album Spring Time For The World, it appeared first as a special For-Promotion-Only-12“ in 1989 with limited information as a trial ballon to „avoid preconceptions“. The fear was without reason. Like the band’s other big dance floor record and Balearic fave LA Passionara a year later, it got played and supported by the DJs of its time. Next to Graeme Park at the Hacienda or Paul Oakenfold, it also got picked up by Mastermixer Tony Humphries and became a staple at his radio and club sets for KissFm respectively Club Zanzibar. While the vocal mix found its way on said album, the preferred 12“ instrumental version has never been released anywhere else up until now and made the record go for a substantial amount of Discogs dollars. Expanded with an edit by the label’s in-house DJ Gerd Janson that is supposed to work as a dub alternative to the vocal mix, the 12-inch and bundle download contain the original plus a faithfully restored and remastered version of the instrumental in demand. If you love this record it is impossible to let it go.
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Progression - Tenebris EP
Progression
Tenebris EP
12" | 2016 | NL | Original (Mord)
7,99 €*
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Release: 2016 / NL – Original
Genre: Electronic & Dance
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Progressivesyne - Happy New Year
Progressivesyne
Happy New Year
12" | US | Original (Not On Label)
19,99 €*
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Release: US – Original
Genre: Electronic & Dance
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Promo - Rude Awakening
Promo
Rude Awakening
12" | 2001 | NL | Original (The Third Movement)
9,99 €*
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Release: 2001 / NL – Original
Genre: Electronic & Dance
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Used Vinyl
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Hardcore! close to NM
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Prosumer & Murat Tepeli Feat. Elif Biçer - Turn Around
Prosumer & Murat Tepeli Feat. Elif Biçer
Turn Around
12" | 2008 | DE | Original (Ostgut Ton)
5,99 €*
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Release: 2008 / DE – Original
Genre: Electronic & Dance
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Psyk - Arcade E.P.
Psyk
Arcade E.P.
12" | 2013 | UK | Original (Mote-Evolver)
14,99 €*
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Release: 2013 / UK – Original
Genre: Electronic & Dance
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Psyk - Become Nothing
Psyk
Become Nothing
12" | 2024 | EU | Original (Non Series)
13,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Psyk returns to non series with a 4 tracker ep including an edit for vinyl of his track Fear of Sleep. Proper deep, atmospheric journeys.
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Psykofuk - Psykofuk
Psykofuk
Psykofuk
12" | 2010 | DE | Reissue (Decks Classix)
9,99 €*
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Release: 2010 / DE – Reissue
Genre: Electronic & Dance
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Pulp - Common People
Pulp
Common People
12" | 1995 | DE | Original (Island)
45,99 €*
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Release: 1995 / DE – Original
Genre: Electronic & Dance
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Pulsinger & Irl - Exu EP
Pulsinger & Irl
Exu EP
12" | 2018 | DE | Original (BigBeak)
5,99 €*
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Release: 2018 / DE – Original
Genre: Electronic & Dance
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Punk Anderson - Shave That Pussy
Punk Anderson
Shave That Pussy
12" | 1997 | DE | Original (Rough Trade)
5,99 €*
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Release: 1997 / DE – Original
Genre: Electronic & Dance
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seam split
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PuNto - Suture Records 001
PuNto
Suture Records 001
12" | 2024 | EU | Original (Suture)
14,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Pure Basic - 12th May
Pure Basic
12th May
12" | 2024 | EU | Original (Biometric Audio)
13,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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"The true narrative shall forever shroud itself in mystery to the outside world.
It is whispered that man never truly set foot on the moon, but merely touched it.
Just as the tale of this record unfolds, two souls from distant realms brushed ever so close, yet destiny denied them a lasting encounter, not even a fleeting union of Nino's and Ali's wings.
Perhaps, it was fated that the circle of a past life, woven with trust, blooming with flowers, and exchanged glances, must close in the cosmic pursuit of Venus, chasing the Crescent Moon, serenading love to its own Sun."
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Purple Disco Machine - Money Money
Purple Disco Machine
Money Money
12" | 2024 | EU | Original (Toucan Sounds)
16,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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"money, Money" feat. Pink Flamingo Rhythm Revue is a nu-disco club banger. YAM WHO's remix features a throbbing bassline alongside the catchy chorus. The two Robert PM remixes (vocal and instrumental) are much faster with a minimal techno feel that focuses on the drum beats. Custom label die cut sleeves with a sticker and full color labels. Out on Brooklyn's Toucan Sounds.
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Purzum - Filosofeline
Purzum
Filosofeline
LP | 2024 | BE | Original (Phantom Lure)
35,99 €*
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Release: 2024 / BE – Original
Genre: Electronic & Dance
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Pushermen - Something Missing
Pushermen
Something Missing
12" | 1999 | NL | Original (Work)
4,99 €*
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Release: 1999 / NL – Original
Genre: Electronic & Dance
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Pushmann - Alone In The World EP
Pushmann
Alone In The World EP
12" | 2024 | EU | Original (End Of Dayz)
15,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Q-Bass Feat. Joey Love - Come And Get Your Man
Q-Bass Feat. Joey Love
Come And Get Your Man
12" | DE | Original (Stonewall)
5,99 €*
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Release: DE – Original
Genre: Electronic & Dance
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Ql Research - Flying Machine
Ql Research
Flying Machine
2LP | 1996 | EU | Reissue (Sticky Shed)
55,99 €*
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Release: 1996 / EU – Reissue
Genre: Electronic & Dance
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QL Research is an industrial EBM project by Luigi De Donà, recorded when he was only 18 years old, in 1996, in his room in Limana, a small industrialised suburb of Belluno stretched out in the valley at the foothills of the Dolomites, in the northeast of Italy. He recorded on cassette using a 386dx computer with a Soundblaster and a Yamaha DX7, distributing the tape independently by hand at the Istituto Tecnico Negrelli in Feltre (bl), where he was attending a computer course. The experience of his older brother Spectrum 48K firing 8-bit sounds led him to delve deeper into the issue and develop a sort of sir Clive Sinclair cult. Years later he began programming and exploring the FM synthesis, while wearing a Manchester United scarf. In 2006, the company he worked for registered a patent in the US under his name: “Intelligent multicast module at the application level for multimedia transmission”. Publication number: 20060098664. Luigi died on 16 April 2009 at the age of 30 from an aggressive form of brain cancer, leaving behind a three-year-old daughter. A few months earlier, when his brother was supposed to take the disc with the last medical examinations to the head doctor, he had said to him: -Just bring the doctor a Throbbing Gristle CD.-
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Qnete - Clapping The Soles Of Your Feet
Qnete
Clapping The Soles Of Your Feet
12" | 2017 | DE | Original (Drowned)
6,99 €*
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Release: 2017 / DE – Original
Genre: Electronic & Dance
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Qoa - Sauco
Qoa
Sauco
LP | US | Original (Leaving)
21,99 €*
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Release: US – Original
Genre: Electronic & Dance
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Qoa - Sauco
Qoa
Sauco
Tape | US | Original (Leaving)
12,99 €*
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Release: US – Original
Genre: Electronic & Dance
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Qodeval - Cliff Loser
Qodeval
Cliff Loser
12" | 2006 | UK | Original (Underl_ne)
5,99 €*
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Release: 2006 / UK – Original
Genre: Electronic & Dance
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Quartz - Quartz
Quartz
Quartz
LP | 1978 | US | Original (Marlin)
5,99 €*
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Release: 1978 / US – Original
Genre: Organic Grooves, Electronic & Dance
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Quartz & Survey - Emeralds
Quartz & Survey
Emeralds
12" | 2018 | US | Original (Warm Communications)
6,99 €*
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Release: 2018 / US – Original
Genre: Electronic & Dance
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Quartz x Survey - Shrunken Heads
Quartz x Survey
Shrunken Heads
12" | 2018 | UK | Original (Acrylic)
17,99 €*
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Release: 2018 / UK – Original
Genre: Electronic & Dance
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White And Black Splatter vinyl
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Quazar - The Seven Stars EP
Quazar
The Seven Stars EP
12" | 2024 | DE | Original (Superstition)
14,99 €*
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Release: 2024 / DE – Original
Genre: Electronic & Dance
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QUAZAR are pioneers of the first house- and techno-generation of the early 90’s. Formed in Amsterdam by producer Gert van Veen, QUAZAR debuted in 1990 with the 12 inch ‘The Seven Stars/Day-glo’, which became an underground hit all over the world, from the UK and Germany to The USA, Goa and Australia. It’s still considered as one of the ultimate classics of the original rave-scene.
‘The Seven Stars’, a wild and exciting musical voyage, full of instrumental crescendoes and rushes, is a hard hitting techno-track that set dance floors on fire with its fierce energy.
The raw persuasive power of the a side and the acid tinged 'Moon Turns The Tide' is balanced by the gentle, melodic ‘Day-glo’ - a predecessor of the later minimal style and a favourite of Ricardo Villalobos, that unexpectedly became just as popular as ‘The Seven Stars’.
During the Amsterdam Dance Event 2024 ‘The Seven Stars EP'will be rereleased on vinyl, two weeks later followed by the rerelease of the first QUAZAR album ‘Seven Stars’.
‘The Seven Stars EP' 12" presents remastered versions of the three tracks on the original record plus a 2024 QUAZAR remake of ‘The Seven Stars’, mixed by Dutch house legend Olav Basoski.
To celebrate these releases, QUAZAR, still one of the best live-acts in the Netherlands, will do a special hardware-only live-gig at DOKA/The Volkshotel in Amsterdam on Wednesday October 16 2024.
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Queen - Hot Space
Queen
Hot Space
LP | 1982 | EU | Original (EMI)
22,99 €*
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Release: 1982 / EU – Original
Genre: Rock & Indie, Electronic & Dance, Pop
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Original inner sleeve
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Quelza - La Danse De L'albatros
Quelza
La Danse De L'albatros
12" | 2024 | EU | Original (Hayes)
16,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Origami unfolds on La Danse de l'Albatros to reveal an intricate universe - long-form narrative storytelling in direct opposition to disposable tools.
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Quench - Dreams White Vinyl Edition
Quench
Dreams White Vinyl Edition
12" | 1993 | EU | Reissue (Dance On The Beat)
13,99 €*
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Release: 1993 / EU – Reissue
Genre: Electronic & Dance
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Quentin Harris - Let's Be Young (Pt.1)
Quentin Harris
Let's Be Young (Pt.1)
12" | 2005 | UK | Original (NRK Sound Division)
7,99 €*
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Release: 2005 / UK – Original
Genre: Electronic & Dance
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Quiet Husband - Religious Equipment
Quiet Husband
Religious Equipment
LP | 2024 | UK | Original (Drowned By Locals)
20,99 €*
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Release: 2024 / UK – Original
Genre: Electronic & Dance
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Quiet Husband announces debut full-length album

'Religious Equipment' is set for release on 22nd November via Drowned By Locals 'Religious Equipment' is Richie Culver's debut full-length album under his Quiet Husband alias, and is set for a 22nd November release via independent Jordan-based label Drowned By Locals.

'Religious Equipment' drills deep into the gritty depths of industrial techno and noise, pulling no punches with a set of tracks named after opiate blockers or substitute drugs like Methadone and Subutex, which serve as sonic stand-ins for suppressed urges, blurring the line between resistance and surrender. Fresh from his live assault at Berlin's Atonal Festival, the album draws on the brutal, repetitive rhythms of techno, while spoken word passages — including one featuring his mother — cut through the chaos with a deeply personal narrative. From the gates of hell to the empty solace of noise, 'Religious Equipment' paints a harrowing portrait of addiction and substitution, where noise becomes a proxy for silence, and intensity replaces numbness. Accompanying the release is a text by curators Charles Teyssou and Pierre-Alexandre Mateos, which reads as an art piece in itself, mirroring the tracks' exploration of coping mechanisms through fragmented moments of self-reflection, despair, fleeting euphoria, and the endless substitution of one void for another:
It's still early. I cherish these moments with myself. The light is low, I 'm with my book, my map and my can of Coca Cola. It's a moment of pure intimacy, when we listen to ourselves under a microscope. My anxiety turns to delight. It's like the emptiness of a prison administration. The drab corridors of the operating theatre. Public transport season tickets. The taste of the rosemary-flavored aperitif cookies distributed on intra-European flights. I am a lost man… I want to hang myself to the pinacle, in the halo of death, where the self forms its empire. I am a lost man. My solitude is heavy in the nakedness of absence. Tear is linked to intoxication.
Hey. Read Message. How's it going, bro? Two people and I'm yours. Give me a specific time. So I can get organized. Zig Zag Hypergrid. Attack the sun. 0.8. Our existence is an exasperated attempt to complete being. 0.8.
To escape the cruel joy that emerges as soon as the evidence of my misery appears. I'm in a cul de sac, a night of torment where all possibilities are exhausted, where the impossible is rampant. Faced with the impossible, the exorbitant, unmistakable void. My desire is democratic. It wins by default. Drifting as a revolution of everyday life. I have no desire for money or property, or large new cars, or overexpensive homes. I am repugnate by sport, red district, root beers, ultravisible uban spectacle, crass appetite and buying on credit. Let your eyes plunge into the fixed stare of the satyr. I have been in my room for many long nights. My friend called it a desert of desolation.
Would you know accelerate? Beyond the prompt turbo car? I need your bag. Learn then how to substitutes. Dexterity for speed. There is nothing more profound, more mysterious, more pregnant, more insidious, more dazzling than a spoon squared by a single flame. Fibers, pathways, circuits, humming with junctions, messages and messengers Synaptic connexion with neurons, millions, trillions. I could see a new world with my middle eye, a world I had missed before. I caught images behind images, the walls behind the sky, the sky behind the infinites. Its liquid infrastructure... information rushing, it is a revelation.
There are happiness in slavery. Flashing blue and pink light in electric orgasm. The sexual frenzies of factory. I am reloading the same page. I am rampant slut, a golem from the darkroom. I said I have 24 even if I am 43. I pretend I am serbian slut. An Italian aristocrat. A gangstacore booty. But I am just a lost man. Human organism was driven by the avoidance of unpleasure or pain. A primary masochism. Its legal to torture and murder people with entertainment. I am ready to be escort. I can't afford my lifestyle anymore. An unlocked door in the prison of identity. It leads into the jail yards. My brain is the product of telegenetic engineering. An hybrid collapse created by meta-viruses. A prostituted holes flood by cum-pictures and sounds. I am feeling miserable even with this strange serenity, this cool challenge to the world, this smiling and beautiful death in life, or life in accepted death. Oblivion. My fuel banish melancholy, begets confidence, convert fear into boldness, make the silent eloquent and dastard brave. Easy the way that's leads to Avernus, Easy the way… Boredom is waiting for Madam Death.

Track list - Methadone / Kratom / Klonopin / Antabuse / Subutex / Temazepam / Suboxone / Naltrexone / Buprenorphine
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Quincy - My First Mistake
Quincy
My First Mistake
12" | 2010 | DE | Original (Detronome)
8,99 €*
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Release: 2010 / DE – Original
Genre: Electronic & Dance
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R.J.'s Latest Arrival - Harmony
R.J.'s Latest Arrival
Harmony
LP | 1984 | US | Original (Golden Boy)
9,99 €*
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Release: 1984 / US – Original
Genre: Organic Grooves, Electronic & Dance
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!!! - R!m!x!s
!!!
R!m!x!s
12" | 2014 | UK | Original (Warp)
11,99 €*
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Release: 2014 / UK – Original
Genre: Electronic & Dance
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Raccoglimento Parziale - Homoheterogeneity
Raccoglimento Parziale
Homoheterogeneity
12" | 2014 | DE | Original (Aut Records)
3,99 €*
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Release: 2014 / DE – Original
Genre: Electronic & Dance
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Radio Slave - Absolute Absolute
Radio Slave
Absolute Absolute
12" | 2011 | DE | Original (Apotek)
8,99 €*
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Release: 2011 / DE – Original
Genre: Electronic & Dance
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Radio Slave - Venti Remixes Volume 1
Radio Slave
Venti Remixes Volume 1
12" | 2024 | UK | Original (Rekids)
15,99 €*
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Release: 2024 / UK – Original
Genre: Electronic & Dance
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Solomun & Cassim remix two of the track rake from Radio Slave’s Venti album released earlier this year

Diynamic boss and Ibiza titan Solomun remixes Radio Slave ‘The Lunatics’ on Rekids, following the original’s inclusion in Matt Edwards’ acclaimed ‘Venti’ album in May. The original, a rework itself, reimagined the 1981 Fun Boy Three track ‘The Lunatics Have Taken Over The Asylum’, with Edwards’ ode to the band’s late lead vocalist and The Specials frontman Terry Hall winning support from Saoirse, Erol Alkan, Jennifer Cardini, Laurent Garnier, Paul Woolford, and Honey Dijon. Solomun’s remix of ‘The Lunatics’ is sparkling aural nostalgia executed with total joy. Crisp 80s drums, Stranger Things-esque Jupiter 8 synth swells, the vocoded titular vocal, and a gloriously rich sliding bassline combine to drag the listener back to 1983 in the best possible way. As the track builds, rousing guitars join the ensemble, completing what is a hypnotic, melodic trip to the 80s via what’s set to be a 2024 anthem.

CassimM’s remix of Radio Slave vs Audion’s ‘Mouth To Mouth’ continues the story of Matthew Dear’s classic, which Radio Slave revived and reinvented as part of his 2024 LP, ‘Venti’. Radio Slave’s hi-NRG disco cover of Audion’s minimal/maximal 2006 and era-defining anthem has dominated dancefloors since it emerged as a single in late 2023, with the likes of Erol Alkan, Job Jobse, Sean Johnston, Jennifer Cardini and Eats Everything continuing to play it today and the latter awarding it an Essential New Tune whilst sitting in for Pete Tong on BBC Radio 1. Now, recent Rekids alum CassimM continues his huge run of form with a chunky, main-room house interpretation that shows just why his recent release, ‘House of Moves,’ won DJ support from the likes of Tong, Arielle Free, Paul Woolford, Honey Dijon, and Jennifer Loveless. CassimS’s remix of Radio Slave vs Audion quickly follows Lindstrom and Solomun’s remixes of the ‘Venti’ LP’s tracks, which have seen support from the likes of Ivan Smagghe, Chloé Caillet, Nightmares On Wax, and more.
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Radio Slave - Werk Remixes
Radio Slave
Werk Remixes
12" | 2015 | UK | Original (Work Them)
5,99 €*
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Release: 2015 / UK – Original
Genre: Electronic & Dance
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RADIQ - Vida Noir Remixes
RADIQ
Vida Noir Remixes
12" | 2015 | JP | Original (op.disc)
7,99 €*
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Release: 2015 / JP – Original
Genre: Electronic & Dance
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Raf Reza - Why You Gotta? / Pineapple Island
Raf Reza
Why You Gotta? / Pineapple Island
7" | 2024 | US | Original (Star Creature)
12,99 €*
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Release: 2024 / US – Original
Genre: Electronic & Dance
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The Windy City label taps Toronto's RAF Reza here for an outer-space experience. On Side A "why YOU GOTTA?" delivers a chugging bassline & some atmospheric pads. While on the flip "pineapple Island" is a Balearic boogie that fits perfectly into a seaside sundrenched terrace.
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Rafael Anton Irisarri - Facadisms Black Vinyl Edition
Rafael Anton Irisarri
Facadisms Black Vinyl Edition
LP | 2024 | EU | Original (Black Knoll Editions)
31,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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The seeds of composer Rafael Anton Irisarri’s latest LP were first planted during his 2016 tour in Italy, months before that Autumn’s unexpected presidential election. The linguistic glitch of an innocuous diner in Milan named “il Mito Americano” – meant as “The American Dream” but translated literally to English as “The American Myth” – sparked a series of ideas, both conceptual and musical. Amid the chaos of 2020, while exploring the stark world of brutalist architecture and inspired by the false fronts of Potemkin villages, a vision started to take shape: Façadisms. Composed over three years, it’s a late capitalist lament of simmering electric despondency. Irisarri’s obsession with repeating motifs mirrors the cyclical nature of our tumultuous political history. The album’s eight tracks heave and storm like a tempest being drained of its rage. This is the sound of majestic dissipation, of morning afters, fashioned from a mournful haze with cavernous guitars and granular twilight. A euphony of a receding tide as one sifts through the remnants of what remains: dust, delusion, and memory. Opening with the somber gauze of “Broken Intensification," Façadisms moves fluidly between moments of absence and abandon. Ashen swaths of electronics billow above smoldering embers of melody, guitar, and scattered streaks of processed strings and voice, as on the rapturous doom of “Control Your Soul's Desire for Freedom,” featuring Julia Kent on cello and Hannah Elizabeth Cox on vocals. "The impoverished peoples of the Americas have known all along that 'freedom' is a cruel illusion crafted by the elites, akin to Potemkin's fake villages designed to impress Catherine the Great," Irisarri indicates. "Façadisms illustrates a twisted inversion where the rulers deceive their subjects with illusions of safety, democracy, and free speech to create a grotesque mirage of control over their own lives.” Elsewhere, Irisarri leans into passages of hushed oblivion (“Hollow,” “Dispersion of Belief”), while ragged drones rumble and disintegrate into wind-battered ambient wreckage. One has the sense that it’s all too late. The hour of fury has passed. The beauty has come and gone. Irisarri’s muse has become the crack in the façade of the unraveling myth. The record closes with a climax of grand departure. Co-written with Kenyan sound artist Kmru, “Red Moon Tide” surges from flickering elegy to celestial disquiet, roiling waves of hymnal descent, and bristling noise. The effect is unsettling and unmooring: a soundtrack for the soul leaving the body, only to discover a void. It’s the sound of the center not holding, of shared illusions being dissolved in a tunnel of white light. The cover photograph captures a profound sense of desolation. Taken in the historic shanty town of La Perla, Puerto Rico, where Irisarri spent his childhood, brutal colonial mysteries are lost to time. A skeletal concrete structure decays against an expansive blue horizon. Only the shadow of its shell ripples on the empty sea. Has the American myth finally run its course?
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Rafael Anton Irisarri - Facadisms Light Blue Vinyl Edition
Rafael Anton Irisarri
Facadisms Light Blue Vinyl Edition
LP | 2024 | EU | Original (Black Knoll Editions)
32,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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The seeds of composer Rafael Anton Irisarri’s latest LP were first planted during his 2016 tour in Italy, months before that Autumn’s unexpected presidential election. The linguistic glitch of an innocuous diner in Milan named “il Mito Americano” – meant as “The American Dream” but translated literally to English as “The American Myth” – sparked a series of ideas, both conceptual and musical. Amid the chaos of 2020, while exploring the stark world of brutalist architecture and inspired by the false fronts of Potemkin villages, a vision started to take shape: Façadisms. Composed over three years, it’s a late capitalist lament of simmering electric despondency. Irisarri’s obsession with repeating motifs mirrors the cyclical nature of our tumultuous political history. The album’s eight tracks heave and storm like a tempest being drained of its rage. This is the sound of majestic dissipation, of morning afters, fashioned from a mournful haze with cavernous guitars and granular twilight. A euphony of a receding tide as one sifts through the remnants of what remains: dust, delusion, and memory. Opening with the somber gauze of “Broken Intensification," Façadisms moves fluidly between moments of absence and abandon. Ashen swaths of electronics billow above smoldering embers of melody, guitar, and scattered streaks of processed strings and voice, as on the rapturous doom of “Control Your Soul's Desire for Freedom,” featuring Julia Kent on cello and Hannah Elizabeth Cox on vocals. "The impoverished peoples of the Americas have known all along that 'freedom' is a cruel illusion crafted by the elites, akin to Potemkin's fake villages designed to impress Catherine the Great," Irisarri indicates. "Façadisms illustrates a twisted inversion where the rulers deceive their subjects with illusions of safety, democracy, and free speech to create a grotesque mirage of control over their own lives.” Elsewhere, Irisarri leans into passages of hushed oblivion (“Hollow,” “Dispersion of Belief”), while ragged drones rumble and disintegrate into wind-battered ambient wreckage. One has the sense that it’s all too late. The hour of fury has passed. The beauty has come and gone. Irisarri’s muse has become the crack in the façade of the unraveling myth. The record closes with a climax of grand departure. Co-written with Kenyan sound artist Kmru, “Red Moon Tide” surges from flickering elegy to celestial disquiet, roiling waves of hymnal descent, and bristling noise. The effect is unsettling and unmooring: a soundtrack for the soul leaving the body, only to discover a void. It’s the sound of the center not holding, of shared illusions being dissolved in a tunnel of white light. The cover photograph captures a profound sense of desolation. Taken in the historic shanty town of La Perla, Puerto Rico, where Irisarri spent his childhood, brutal colonial mysteries are lost to time. A skeletal concrete structure decays against an expansive blue horizon. Only the shadow of its shell ripples on the empty sea. Has the American myth finally run its course?
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Rafael Anton Irisarri - Facadisms Light Clear Petrol Vinyl Edition
Rafael Anton Irisarri
Facadisms Light Clear Petrol Vinyl Edition
LP | 2024 | EU | Original (Black Knoll Editions)
32,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Preorder shipping from 2024-11-08
The seeds of composer Rafael Anton Irisarri’s latest LP were first planted during his 2016 tour in Italy, months before that Autumn’s unexpected presidential election. The linguistic glitch of an innocuous diner in Milan named “il Mito Americano” – meant as “The American Dream” but translated literally to English as “The American Myth” – sparked a series of ideas, both conceptual and musical. Amid the chaos of 2020, while exploring the stark world of brutalist architecture and inspired by the false fronts of Potemkin villages, a vision started to take shape: Façadisms. Composed over three years, it’s a late capitalist lament of simmering electric despondency. Irisarri’s obsession with repeating motifs mirrors the cyclical nature of our tumultuous political history. The album’s eight tracks heave and storm like a tempest being drained of its rage. This is the sound of majestic dissipation, of morning afters, fashioned from a mournful haze with cavernous guitars and granular twilight. A euphony of a receding tide as one sifts through the remnants of what remains: dust, delusion, and memory. Opening with the somber gauze of “Broken Intensification," Façadisms moves fluidly between moments of absence and abandon. Ashen swaths of electronics billow above smoldering embers of melody, guitar, and scattered streaks of processed strings and voice, as on the rapturous doom of “Control Your Soul's Desire for Freedom,” featuring Julia Kent on cello and Hannah Elizabeth Cox on vocals. "The impoverished peoples of the Americas have known all along that 'freedom' is a cruel illusion crafted by the elites, akin to Potemkin's fake villages designed to impress Catherine the Great," Irisarri indicates. "Façadisms illustrates a twisted inversion where the rulers deceive their subjects with illusions of safety, democracy, and free speech to create a grotesque mirage of control over their own lives.” Elsewhere, Irisarri leans into passages of hushed oblivion (“Hollow,” “Dispersion of Belief”), while ragged drones rumble and disintegrate into wind-battered ambient wreckage. One has the sense that it’s all too late. The hour of fury has passed. The beauty has come and gone. Irisarri’s muse has become the crack in the façade of the unraveling myth. The record closes with a climax of grand departure. Co-written with Kenyan sound artist Kmru, “Red Moon Tide” surges from flickering elegy to celestial disquiet, roiling waves of hymnal descent, and bristling noise. The effect is unsettling and unmooring: a soundtrack for the soul leaving the body, only to discover a void. It’s the sound of the center not holding, of shared illusions being dissolved in a tunnel of white light. The cover photograph captures a profound sense of desolation. Taken in the historic shanty town of La Perla, Puerto Rico, where Irisarri spent his childhood, brutal colonial mysteries are lost to time. A skeletal concrete structure decays against an expansive blue horizon. Only the shadow of its shell ripples on the empty sea. Has the American myth finally run its course?
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Rafet - You Are In The Embrace Of The History
Rafet
You Are In The Embrace Of The History
12" | 2024 | UK | Original (Research)
19,99 €*
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Release: 2024 / UK – Original
Genre: Electronic & Dance
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Composer and musician Daniel Rafet Grima, offers a thematic release via Research Records titled 'You Are In the Embrace of The History'.

The double A side nods to ambient music, jazz and devotional musics in its arrangement and lyricism; penned as an act of faith in something other.

Research Records' 12" vinyl release of 'You Are In the Embrace of The History' will feature B side reworks by Iti (uk) and Kuniyuki Takahashi (Japan).

Rafet studied music from a young age. Tertiary education brought about further teachings in jazz. Growing up in the family village of Miniara (North Lebanon) saw to an inquiry into maqamat and traditional arabic musics post study. After composing for multiple ensembles and performing in various projects over the years, Rafet settles into his own artistry with this debut.
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Raffi Versace - Angels Don't Play Haarp EP
Raffi Versace
Angels Don't Play Haarp EP
12" | 2024 | EU | Original (Headek)
14,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Welcome to Headek Records, a new label with the finest taste in 80s and 90s music.

From New Beat, Acid House, and Techno to Deep House, Trance, Goa, (and more) we offer an eclectic blend of tracks and artists. Each release is a colorful journey, with a story behind every record. Please fasten your seatbelts and enjoy the ride!

We proudly present our first release, **HDK - 1 Raffi Versace - Angels Don’t Play HAARP EP**. This debut brings you a classy blend of 80s New Beat and Acid House, infused with d eep house emotions to end your sets on a high note. **Side A** starts with "It's Bedtime," a track that will make you want to jump on your bed and dance the night away. Following this is "House It Up," guaranteed to rock the house with its delicious grooves. **Side B** takes you deeper, melding House and Deep House with 90s Techno influences. "Mozambique" sets the stage with a pure deep vibe, keeping you on the danceflo or.

The EP concludes with "Coincidance," melting your heart with its deep melodies and emotional strings. Please enjoy this first project and stay tuned for the next release, which will transport you to the early 90s Goa Trance movement, fused with a fr esh touch of Techno for a hybrid sound that bridges past and present.
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Raimond Ford - S.A.F.E. Project
Raimond Ford
S.A.F.E. Project
12" | 1998 | CH | Original (DJ Beat Records)
6,99 €*
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Release: 1998 / CH – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG+
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Raimond Ford - Volume Zero EP
Raimond Ford
Volume Zero EP
12" | 1998 | UK | Original (Eukahouse)
3,99 €*
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Release: 1998 / UK – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG
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RAL7016 - The Optimist / Sanguine
RAL7016
The Optimist / Sanguine
12" | 2020 | DK | Original (NM2)
4,99 €*
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Release: 2020 / DK – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: VG+
close to NM
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Ralphi Rosario - You Used To Salsa (Deep88 Remix)
Ralphi Rosario
You Used To Salsa (Deep88 Remix)
12" | 2014 | US | Original (Henry Street)
14,99 €*
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Release: 2014 / US – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
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Rambal Cochet - Carbon Vibration
Rambal Cochet
Carbon Vibration
12" | 2024 | EU | Original (Metallic States)
16,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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After a successful first release, Metallic States is back with a new black-smith joining the forge : Rambal Cochet. The producer shows again how prolific he is at the moment with a mini LP composed as a tribute to Need For Speed. At this occasion he crafted 6 surprising tracks, including 4 of his typical Neo Goa / Progressive Trance tracks and 2 aery Drum’n’bass experimentations to open the sonic spectrum of Metallic States.
Only one question remains : what’s coming next?
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Rambal Cochet - Ganja Fx EP
Rambal Cochet
Ganja Fx EP
12" | 2024 | EU | Original (Test Of Time)
13,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Contact is now established with mystic entity Rambal Cochet. Metallic movements and biological compositions project 4K renders to your mind’s eye. Voice fragments and expertly controlled oscillations advance you along the ascension path. Download these nebulous chronicles to the depths of your subconscious.
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Rambal Cochet, Leiwand & bevtelli - Can’t Do It Alone EP
Rambal Cochet, Leiwand & bevtelli
Can’t Do It Alone EP
12" | 2024 | EU | Original (Levres)
15,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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This EP features four tracks of mesmerizing basslines, evolving analog sounds and proggy house vibes, making it an ideal choice for dancefloor use. Designed to captivate, each track offers a unique blend of energy and atmosphere, ensuring its place in any record bag.

Limited to 200 copies, vinyl only and no repress.
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Ramon Tapia - Silent Assassin
Ramon Tapia
Silent Assassin
12" | 2024 | EU | Original (Planet Rhythm)
13,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Rampa - Keep House
Rampa
Keep House
12" | 2014 | DE | Original (Keinemusik)
9,99 €*
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Release: 2014 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
with CD
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Rampa & Re.You - Coming Down
Rampa & Re.You
Coming Down
12" | 2013 | DE | Original (aRARthing)
14,99 €*
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Release: 2013 / DE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG+, Cover: Generic
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Ramtin Niazi - Today's Youth
Ramtin Niazi
Today's Youth
12" | 2024 | UK | Original (Filter Union)
21,99 €*
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Release: 2024 / UK – Original
Genre: Electronic & Dance
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Today’s Youth a collection of Ramtin Niazi’s reworking of some Iran’s most beloved songs. He’s given new life to the music of Googoosh, Kourosh Yaghmaei, Marjan and Artoush. These songs are reimagined for a new generation and are a reminder that great music never goes out of style.
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Ramu - Gargantua EP
Ramu
Gargantua EP
12" | 2024 | UK | Original (3 Feet Deep)
16,99 €*
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Release: 2024 / UK – Original
Genre: Electronic & Dance
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Ramzi - Moon Tan
Ramzi
Moon Tan
12" | 2024 | EU | Original (Fati)
19,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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On its 14th album RAMZi addresses the Gremlin’s Paradox. Feeding the ‘World Fuzion Music’ frequencies, above every category and for all hearing ears, the beat-wielding imp meets each new quest with a sharp-toothed smile and a moon tan glow.

This new multi-quest pathfinder on FATi imprint was aided by Dave Biddle on sax, Loic Reeves-Blizzard on guitar and Zach Frempton on keyboard.
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Randal Fisher & Dexter Story - Wenge
Randal Fisher & Dexter Story
Wenge
Tape | 2024 | US | Original (Constellation Tatsu)
8,99 €*
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Release: 2024 / US – Original
Genre: Electronic & Dance
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Random Logic - Voko E.P.
Random Logic
Voko E.P.
12" | 1995 | BE | Original (Thee Blak Label)
18,99 €*
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Release: 1995 / BE – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: Generic
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Randomer - Running Dry
Randomer
Running Dry
12" | 2016 | NL | Original (Dekmantel UFO Series)
5,99 €*
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Release: 2016 / NL – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG+
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Randy Goodrum - Solitary Nights
Randy Goodrum
Solitary Nights
LP | 1985 | US | Original (GRP)
16,99 €*
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Release: 1985 / US – Original
Genre: Organic Grooves, Electronic & Dance, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Promo copy! Hype sticker. Original inner sleeve.
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Rank 1 - L.E.D. There Be Light & Remixes Vinyl
Rank 1
L.E.D. There Be Light & Remixes Vinyl
12" | 2024 | EU | Original (Be Yourself)
22,99 €*
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Release: 2024 / EU – Original
Genre: Electronic & Dance
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Picture
Coming Soon
Ranko
Happy World
12" | 2024 | DE | Original (ZYX Music)
16,99 €*
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Release: 2024 / DE – Original
Genre: Electronic & Dance
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Rap-Sody - On 45 (Dance Version)
Rap-Sody
On 45 (Dance Version)
7" | 1985 | DE | Original (baff)
8,99 €*
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Release: 1985 / DE – Original
Genre: Electronic & Dance, Comics
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
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Rarelife - Broken Gravitron
Rarelife
Broken Gravitron
LP | 2024 | US | Original (Shut Off Notice)
16,99 €*
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Release: 2024 / US – Original
Genre: Electronic & Dance
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A full grip journey through sonic planes . Through rhythmic heat pulling apart plate metal to outside the beyond . The Broken Gravitron Ep is a concept record whose artwork and tracks tell a story of a the famous fair ride breaking and flying into oblivion. With a slower tinkered out funk electro opener ‘Spun Light’ . Following tracks ‘Middle Man’ and ‘O Ring ‘ set a course thru acidic techno lines and heavy pressure drums . Finally ending in the grand gravity push n pull basslines of ‘ Oblivion Found ‘ . For fans of heavy exploration .
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Rat Heart & The Peanuts - The Pamela Peanut Kitchen Sessions
Rat Heart & The Peanuts
The Pamela Peanut Kitchen Sessions
2LP | 2023 | UK | Original (Shotta Tapes)
32,99 €*
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Release: 2023 / UK – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: VG, Cover: VG+
Limited White Vinyl Edition.
Cover with slightly dented corners.
Records are close to VG+
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Rathauz - Ciccio Bomba Cannoniere
Rathauz
Ciccio Bomba Cannoniere
LP | 2024 | UK | Original (Drowned By Locals)
13,99 €*
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Release: 2024 / UK – Original
Genre: Electronic & Dance
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ciccio bomba cannoniere (chunky monkey)
Is the sound weapon of the A-zienda rthz, illustrated by the render called M.E.R.I.C.O.O. (Erect, rechargeable intelligent machine with organic dog) This project of a definitive media A-ssailant presents all the necessary elements for the domination of social hierarchies:
trace of a human face for identification
a stalker server for omnipresence in digital field
a system of locomotion for moving in any field
a genetically modified dog for keeping counterfeiters away
comfy clothes and an M60 around the neck
The name derives from an A-ncestor rthz called Merico. Police officer who in the late 1800s left a tavern and rode on the back of his mule Cina with the objective of stopping a train so that he could light his cigar. And this happened. Merico was then tried and dishonourably discharged.
- rathauz, translated from Italian -
------------------------------------------------
"*warning In my research for this piece I downloaded an app I found buried in the press release, drove around an airfield as a wolfman with a rifle, then unlocked a wrestling concept album on Youtube by jumping towards the light, became a subscriber for 20 Euros a year to get access to exclusive content and almost bought 5 grams of dirt harvested from the area surrounding the Rathauz studio.*

ciccio bomba cannoniere is a gateway drug, a gateway into the cybernetic multimedia cvlt of Rathauz.
And while a physical release might run counter to the insanely futuristic drive of the Rathauz, it's probably the album of the year so buckle up.

For the uninitiated the A side might play out like merely the best goddam side of actually fun techno you've heard in 2020s. Rollicking acidic galompers. Tbh most techno can get in the bin these days but this swinging evil continuum championed by Acidic Male / Giant Swan / Missterspoon is more than right by us. Rathauz add internet dial up noises, reggaeton shuffle, distorted screams and frayed EBM arps into this heady heady mix, showing they're about twice as interesting as the top 10 techno on Bandcamp already. Seriously RA would be creaming themselves to hit the recommend button if they could grow a spine in the office between them.

But Then side B gets rolling with boom baps and distorted guitars in a kinda frat-trap circle pit. This is the sound online Rathauz disciples know and love; electro-punk-trap-pop twisted genius. Their scifi vision and demented humour reminds us most closely of our beloved Kinlaw & Franco Franco if Franco had spent more time living in Milanese squats. Policepunk=S.W.A.T. is classic anarcho scuzz hxc on speed and trap and.....maybe Show Me The Body albums and not enough sleep. Venetia-monitor rips off the riff to Smells Like Teen Spirit in glorious Midi chaos. TLC is the most fun you can have in 2 minutes.

After listening we have only one question: Where ARE THE Techno Punx Making Actual Fucking Punk EH? And why not do it on the same album?

Cos you are never gonna get to crowdsurf at Tresor, kid. The bouncers will make you disappear and you Will miss your flight back to Kansas.

God bless Drowned By Locals.
Vinyl with printed sleeve (with the best art you've probably ever seen)."

- Miles Opland, Rwdfwd -
------------------------------------------------
A-Biography (translated from Italian)
RAT is the surname Hauz is the survival place, we make house music in the municipality of the web like the pharmaceutical industry.

Rathauz is the A-zienda or company that produces perceptible frequencies from its works in reinforced concrete located in a farming plot forever ploughed and fertilised, the whole area surrounded by barbed wire. You can visit the works through A-ndroid A-pplication A-zugo ( play.google.com/store/apps/details?id=com.rthz.Azugo&gl=IT&fbclid=IwAR3VKIQzcLIoipGeeEBpGkE6vJg0NXC6MGe9_Ev6X5aRFi_W2gp8xN_n7iE ). Its workers have been embedded into the factory's walls and their names disappear absorbed in the structure. When they A-ppear they always wear their A-gro wear; wrestler shirts (emblems of expository hyperreality). In their productions they insert their singular individuality and relativistic abilities merging into a single quantum machine. They are the perfect emblem of the band: two brothers who share blood (a-), surname (Rat) and produce frequencies made at home (house music) but are almost always in conflict. Often during the A-ssembling of the frequencies they A-ttack each other as was reconstructed in WRESTLA-live, each product is then a derivation of a complex human skimming. Rathauz is focused A-utonomously on the primary sector, secondary, tertiary everything in the quaternary. They sow, grow, distil, peddle and often are the first consumers of the complexity of the material, creating their own A-utarchic world. They compete with other international labels but while those are associations made of many identities with different styles (the many Artists), Rathauz is the assembly of any frequential style recast by a single unique A-rtistic individualism, which has to overcome such role becoming the inhumane machine that produces and exports. The A-zienda only exists in relation to the A-utoproduction of the media, everything is developed only by the two laboratories. Both have productive activities in full with their identifiable subjective relativisms and these are not secondary but coexistent with the A-zienda A-ctivity. While the single A-'s (both laboratories with their own identities) work in a global context, Rathauz is simultaneously and exclusively dedicated to the cultural, media and technological development of the Italian state. This doesn't mean productions are inferior or superior but of a certain quality that differs from the products of individuals. The themes of both representatives in their individualistic projects are the visions of two Europeans squashed by imported capitalism and globalisation while Rathauz gathers the traditions and cultural movements of a particular region of Italy, Veneto, under the influence and the techniques of an imported capitalism and globalisation. Either when displaying their individual identities and when they act as the A-zienda, they confront a global context, but if they happen to emerge with their individualism of relative beings on the sea of international connection, the A-zienda is always the maker of a locally defined product, precise and calculated, which does not deny the inspiration but refines it to the limits of incomprehensible complexity. The A-zienda is a company that produces product (a metaphor for the identity of any artist under a label) but ultimately being the A-rtist as well, there are no thematic links or expressive limits, that is within the view of Italian cultural implantation in many demographic A-spects. The name Rathauz is the union of two concepts rat and hauz as A-forementioned, and yet the Anglosaxon A-nti-Italian sound that emerges recalls the great capitalist Corporations. Before launching the project Rathauz we had to clear the road as Rat-truppen. We fought club after club, we broke moulds with too-powerful basses, moshing where it was previously culturally inadmissible (only white shirts). With our dj-sets we imported the sound textures that later became the culture that "A-cquired value". Rathauz and many like it. As we moved from record to record many evenings a week we continued to produce a sound material yet to be emitted and which later contributed to lay the groundwork for the stable A-zienda. The first A-bsolute A-lbum we produced was in *2003 "Music Fear" (both laboratories had 8 and 12 years respectively) and this was the real starting point seeped in electronic textures, house and Drum'nBass and you can hear a first example of modern Base Trap, where we created a rap beat with a horror sample and used a distorted kick.
P.S.:
Usually as in the case of track 3030 (which deserves pages of in-depth A-nalysis), the sound is not only the basis but it is linked to the themes of production and later happened to become a sound standard as in the case of hdma where the distorted bass we came up with was an emulation of the stereo system at maximum volume of A- friend's car.

Original text by rathauz:
ciccio bomba cannoniere
È l'arma sonora dell'A-zienda rthz, illustrata con il render di M.E.R.I.C.C.O. (Macchina, eretta, ricaricabile, intelligente con cane organico). Questo progetto di definitivo A-ssaltatore mediatico presenta tutti gli elementi necessari alla dominazione delle gerarchie sociali:

parvenza di viso umano per l'identificazione

Uno stalker server per l'onnipresenza su campo digitale

Un sitema di locomozione per muoversi su ogni campo

Un cane geneticamente modificato per non lasciare avvicinare alteratori

Abiti comodi e al collo un M60

Il nome deriva da un A-ntenato rthz chiamato Merico. Carabiniere che a fine '800 uscì dall'osteria e salì in groppa della sua cavalla Cina con l'obbiettivo di fermare un treno per farsi accendere un sigaro. E ciò avvenne. Merico fu poi processato e congedato con disonore.

A-biography
"Ing: RAT is the surname Hauz is the survival place, we make house music in the municipio della rete like the industrie farmaceutiche."
Rathauz è l'A-zienda che produce frequenze percepibili dal suo stabilimento in cemento armato situato in un campo agricolo perennemente arato e concimato, tutta l'area è circondata da filo
spinato. E' possibile visitare lo stabilimento tramite l'A-pplicazione per Android A-zugo (https://play.google.com/store/apps/details?id=com.rthz.Azugo&gl=IT&fbclid=IwAR3VKIQzcLIoipGeeEBpGkE6vJg0NXC6MGe9_Ev6X5aRFi_W2gp8xN_n7iE). I lavoratori sono stati inglobati
nelle pareti della fabbrica e i loro nomi singoli scompaiono assorbiti dalla struttura. QuandoA-ppaiono indossano sempre la loro divisaAziendale; maglie di wrestler (emblema dell'iperrealtà espositiva). Nelle produzioni inseriscono le loro singole individualità e le loro relativistiche abilità fondendosi in un unica macchina quantica. Sono l'emblema perfetto della band: due fratelli che condividono sangue (a-), cognome (Rat) e producono frequenze fatte in casa (house music) ma sono quasi sempre in contrasto. Spesso durante l'A-ssemblamento frequenziale fannoA-botte come è stato ricostruito in WRESTLA-live, ogni prodotto è quindi derivazione di una complessa scrematura umana. Rathauz si occupa in modoA-utonomo del settore primario, secondario, terziario tutto nel quaternario. Coltivano, lavorano, raffinano, smerciano e spesso ne sono i primi fruitori data la complessità del materiale, creando il loro mondoA-parte. Competono con le altre etichette internazionali ma mentre esse sono associazioni con all'interno più identità con diversi stili separati tra loro ( i vari Artisti), Rathauz è l'assemblamento di qualsiasi stile frequenziale rielaborato da un solo ed unico individualismoA-rtista, che deve superare tale ruolo diventando anche l'inumana macchina che produce ed esporta. L'A-zienda esiste solo in base all'A-utoproduzione dei media, tutto viene svolto solo dai due lavoratori. Essi hanno entrambi attività produttive in proprio con i i loro relativismi soggettivi identificabili e tali non sono secondarie ma coesistenti all'A-ttività A-ziendale. Mentre i singoliA-( i due lavoratori con le proprie identità) lavorano in contesto globale, rathauz è parallelamente e prettamente dedito allo sviluppo culturale, mediatico e tecnologico dello stato Italiano. Ciò non significa che le produzioni siano inferiori o superiori ma di un certo tipo di qualità che risulta differente dai prodotti dei singoli. Le tematiche dei due esponenti nei loro individualistici progetti sono la visione di due europei pressati da un capitalismo e un globalizzazione importata mentre Rathauz raccoglie le tradizioni i movimenti culturali di una determinata regione d'Italia, Veneto, sotto l'influsso e le tecniche di un capitalismo e una globalizzazione importata. Sia quando hanno le loro identità singole che quando sono l'A-zienda si confrontano con un contesto globale ma se in un caso emergono con il loro individualismo di essere relativo a galla nel mare della connessione internazionale, l'A-zienda è sempre fautrice di un prodotto localmente definito, preciso e calcolato che non nega l'ispirazione ma la raffina a limiti di incomprensibile complessità. L'Azienda è un'azienda che produce prodotti (metafora dell'identità di qualsiasi artista in una etichetta) ma essendo comunque direttamente anche l'A-rtista non vi sono vincoli di tematiche o limiti espressivi, sempre però nell'ottica dell'implentazione culturale italiana in variAspetti demografici. Il nome Rathauz é unione di due concetti rat e hauz come giàA-ffermato prima, tuttavia il suono AnglosassoneA-ntItaliano che emerge richiama le grandi Corporation capitalistiche. Prima di avviare il progetto Rathauz Abbiamo dovuto spianare la strada come Rattruppen. Abbiamo combattuto club per club, rotto impianti per via di bassi troppo potenti, pogato in luoghi dove prima era culturalmente inammissibile (solo camicie bianche). Con i nostri dj-set abbiamo importato le sonorità che poi sono divenute la cultura che ha potuto "Apprezzare" Rathauz e vari simili. Mentre ci muovevamo di disco in disco facendo varie serate ogni settimana continuavamo a produrre materiale sonoro tutt'ora non rilasciato che ha contribuito poi a fornire le fondamenta dallo stabileA-ziendale. Il primoA-lbum inA-ssoluto che abbiamo prodotto è stato nel *2003 "Music Fear" (i due lavoratori avevano rispettivamente 8 e 12 anni) ed è stato il primo vero punto di partenza in quanto in mezzo a sonorità elettroniche, house e Drum'nBass si può ascoltare un primo esempio di Base Trap moderna, dove abbiamo creato un beat rap con un campionamento horror e usato kick distorti.
P.S:
Spesso come nel caso della traccia 3030 (che meriterebbe pagine diApprofondimento), il suono non è solo base ma legato alle tematiche della produzione e poi casualmente diviene culturalmente uno standard sonoro come nel caso hdma dove il basso distorto che abbiamo ideato era un'emulazione delle stereo a volume estremo dell'auto di un nostroA-mico.
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