All Items 11312 Items

2LP | 2011 | EU | Reissue (Dot Matrix)

Release: 2020 / EU – Original

Genre: Rock & Indie

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"Eivät enkelitkään ilman siipiä lennä" is the second studio album by the Finnish band Maustetytöt. It was released on November 13, 2020. The album achieved gold certification in the spring of 2021 and was the best-selling vinyl record in Finland in 2020.

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Clem Snide

Ghost Of Fashion

38,99 €*

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Siberia Acoustic Black Friday Record Store Day 2022 Sky Blue Vinyl Edition

Lights

LP | 2011 | US | Reissue (Mnrk)

31,99 €*

Artus / Camelot Limited Golden Vinyl Edition

Release: 2011 / US – Reissue

Genre: Pop

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Black Friday Record Store Day 2022 Reissue. Color: Sky Blue. Limitation: 3000. Out of print for ten years, this gold vinyl edition comes to record stores first for RSD Black Friday, with a download card.

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Schandmaul

2LP | 2020 | EU | Original (Vertigo Berlin)

30,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Manhattan Stories Record Store Day 2021 Edition

Charles Lloyd

2LP | 2014 | EU | Reissue (Resonance)

42,99 €*

LP | 2014 | EU | Reissue (Naive)

Release: 2014 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release. Extensive booklet with rare fotos / first re-pressing after the 2014 release / Limited 180g Gatefold Vinyl, new remastered

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Avishai Cohen Trio

From Darkness

20,99 €*

Release: 2014 / EU – Reissue

Genre: Organic Grooves

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LP | 2020 | EU | Original (Playground Music)

Steve 'N' Seagulls

Another Miracle

22,99 €*

Tape | 2020 | US | Original (Jump Up)

Release: 2020 / EU – Original

Genre: Rock & Indie

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-Our Fourth Album Another Miracle Began To Find It's Form After Our Line-Up Renewed In 2019. We Felt That We Were On The Verge Of Something New And Exciting. We Knew Our Roots And Wanted To Hold On To Them, But At The Same Time We Wanted To Explore And Find New Colors And Shapes To Our Music. We Felt Energized And Fresh. Those Elements Can Be Found On The Album Also. One Can Find The Straight Forward Hammering Common To Our Band And Also New Tones And Beauty.-Pre-Production Period Was A Bit Longer Than On The Previous Albums And The Producer Timo Kämäräinen Was A Vital Part Of That Process. We Had Plenty Of Material. Some Re-Arranged Classics And Also More Original Music. In The End We Had A Whole And Complete Album On Our Hands. Band Sounds Stronger And More Colorful Than Ever. Producer Kämäräinen And Recording Engineer Abdissa "Mamba" Assefa Pushed Us With A Gentle Touch Towards New Adventures. Another Miracle Is An Album That Honours Musical Traditions And At The Same Time Comes Out Fresh And Modern.

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The Skoidats

The Times

12" | 2020 | EU | Original (Bordello A Parigi / Slow Motion)

Release: 2020 / US – Original

Genre: Reggae & Dancehall

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Cassette Week 2020 release. A classic from the Moon SKA NYC days, this streetpunk oi/ska classic was one the the labels most popular titles and is now on tape for the first time every. Expanded edition (90 minutes) with bonus material taken from early demo tapes and live shows.

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Franz Scala

Mondo Della Notte II EP

Live At Beethovenhaus Bonn

Release: 2020 / EU – Original

Genre: Organic Grooves

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As head of Italian (centric) Slow Motion label (and international artist sister imprint, Wrong Era), and through his own productions and remixes, Franz Scala has been pioneering the retro-futuristic aesthetic of club culture weaving together elements of proto-house, wave and Italo for the nuovo contemporary dancefloor long before it’s current vogue. Now alongside Bordello A Parigi, and supported by Sameheads, Slow Motion presents Scala’s Mondo Della Notte. This is part 2 of the album, which is also available as 2LP bundle.

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Rosset Meyer Geiger

LP | 2020 | UK | Original (Unit)

18,99 €*

Release: 2020 / UK – Original

Genre: Organic Grooves

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10 Years Of Abuse (And Still Broke) Splattered Vinyl Edition

Eyehategod

2LP | 2020 | EU | Original (Svart)

18,99 €*

12" | 2020 | EU | Original (Groove Minority)

Release: 2020 / EU – Original

Genre: Rock & Indie

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No one album could ever capture the claustrophobia-to-catharsis of an Eyehategod show, but this compilation of live tracks and demos comes as close as it gets. Giving you an idea of Eyehategod’s uncompromising, single minded purity of expression and exertion of raw nerve, “10 Year Of Abuse” is a monumental document all the way from the demo era to their later, legendary relentless live tour set. Many other bands have tried unsuccessfully to emulate Eyehategod and have never quite captured their dynamic. Formed in 1988 in New Orleans they have become one of the most well known bands to emerge from the Nola metal scene. Eyehategod note bands like Melvins, The Obsessed, Discharge, Black Flag, Black Sabbath and Saint Vitus as major influences, but are often mentioned in the same breath as any of these legendary bands. Drawing comparisons to Grindcore, Crust Punk and Sludge Metal, their heavy bluesy, detuned rock and roll has been a lynchpin for the misanthropic and disenfranchised. Eyehategod has released five studio albums to date with a sixth in the works and have toured all over the world in a career spanning over thirty years. Though the band has never released a live album, we are left with “10 Years” as the only official witnessing document to decades of decimating live sonic abuse. Released on May 29, 2001, “10 Years” spans seven live tracks from their European tour in 2000, a live radio show from August 1994 and four songs from an early 1990 demo. The result is a feedback-laced window into that wonderful, brutal Eyehategod “sound”, that addictive, lower-than-low note that nestles somewhere in the pit of your burning, alcohol-soaked, nauseated stomach. The booklet alone is a delight for anyone who worships at the altar of Eyehategod’s oppressively heavy, crushing riffs. With personal liner-notes, that set the scene and describe the unique vibe of the band’s sound and live show, including old flyers and posters from concerts and photos of the different line-ups from 1990 until today, the package is an immersive insight into one of the paramount heavy Sludge bands of our time. A vision of pain and neglect, they’ve done thousands of shows, never predictable in their tension and ultimately, release. Glory in their downtuned vision of depravity and despair, for the End Times aren’t coming, they’re here and they’ve always been here. Revel in the power of Nines, in the power that is Eyehategod. Licensed from Century Media and released in a limited edition of 600 on black vinyl, and 400 on green splatter vinyl. Expertly remastered by Jaime Gomez Arellano (Paradise Lost, Cathedral, Ghost).

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Groove Minority

EP #2

11,99 €*

LP | 2020 | EU | Original (BMG)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Second EP by mysterious Groove Minority. Killer Disco edits.

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Steps

What The Future Holds

Release: 2020 / EU – Original

Genre: Pop

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LP | 2020 | Original (Through Love)

Neander

Eremit

19,99 €*

Release: 2020 / Original

Genre: Rock & Indie

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Anime, Trauma And Divorce

Open Mike Eagle

LP | 2020 | EU | Original (Auto Reverse)

17,99 €*

Release: 2020 / EU – Original

Genre: Hip Hop

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Sowas Von Egal 2 (German Synth Wave Underground 1981-84)

V.A.

LP | 2020 | EU | Original (Bureau B)

27,99 €*

Release: 2020 / EU – Original

Genre: Pop

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LP | 2020 | EU | Original (Radicalis)

Melodiesinfonie

Fragments

Release: 2020 / EU – Original

Genre: Hip Hop

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Carlos Nino & Miguel Atwood Ferguson

Chicago Waves

LP | 2020 | US | Original (International Anthem)

As Lost Through Collision

Release: 2020 / US – Original

Genre: Organic Grooves

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In late November of 2018, long-time collaborators (& life-long Los Angelenos) Carlos Niño & Miguel Atwood Ferguson flew to Chicago to participate in the album release performance of Makaya McCraven's Universal Beings. Just 11 months prior, Carlos & Miguel were part of recording the 'Los Angeles Side' of Universal Beings at Jeff Parker's house in Altadena, California, and this performance in Chicago would be the first time that all of the musicians reunited to re-learn and perform the music they'd collectively composed during those sessions. The Universal Beings performance and preceding days of rehearsal took place at the iconic South Shore Cultural Center - a historic gilded-era urban club-turned-public facility deep on Chicago's Southside and right along the reedy shore of Lake Michigan, giving the building's backdrop an infinitely blue Northern expanse.

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Sprain

LP | 2020 | US | Original (The Flenser)

Down In The Weeds, Where The World Once Was Red & Transparent Orange Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Written at home and refined on the road, the 5 new tracks that comprise As Lost Through Collision are parts monolithic and minimalist, manic and mellow. Engineered by Josiah Mazzaschi at The Cave (Built to Spill, The Jesus and Mary Chain) and mixed by Tim Green at Louder Studios (The Melvins, Lungfish, Jawbreaker), the music here retains its organic purity and captures Sprain in its truest state. The listener can hear every instrument and every tonal deviation while the band members embrace musical and philosophical abstraction in their art practice; they emphasize sound as force, differentiating the concept of pure sound from music. And although As Lost Through Collision is a departure from their previous EP, it still retains Sprain’s former slowcore aesthetic. “This record was a conscious effort to move beyond the initial style we experimented with on our last EP into something more unique — something more ‘us,’” they comment.

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Bright Eyes

2LP | 2020 | US | Original (Dead Oceans)

The Neon Black Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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First pressing on limited edition Transparent Red + Transparent Orange vinyl - 2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Erasure

LP | 2020 | EU | Original (Mute)

Release: 2020 / EU – Original

Genre: Pop

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LP | 2020 | EU | Original (Relapse)

Zombi

2020

Release: 2020 / EU – Original

Genre: Rock & Indie

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12" | 2020 | EU | Original (Strctr)

Ruff Stuff

Bouncing Hearts

LP | 2020 | US | Original (Wonderwheel)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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STRCTR's latest and greatest EP comes from Ruff Stuff. Italian born, Berlin based Gianfranco “Nanni” Barnaba, is the mind behind Ruff Stuff. His music rooted in the influences of old school House, Deep and Garage with a propensity to find the newest, freshest sounds. Delivering them in a unique style in the booth, and relentlessly attacking the studio. An essential label for dance floor vibes, delivering time and time again with beats to make you moooove!

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Poirier

Soft Power

Ayrilik Günümüz / Gilgamis

Release: 2020 / US – Original

Genre: Electronic & Dance

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"With his first album dating back to 2001, Poirier is a prolific, creative and eclectic Canadian producer / musician with a 20 year journey of creating music. Constant in his albums and DJ performances is a desire to build bridges between different languages, communities, and cultures. His open, uninhibited musical mind means that his works bend boundaries, resulting in compositions that mix several styles and eras. He now has produced a total of 11 albums and many EPs with labels such as Ninja Tune, Nice Up Records and, more recently, Wonderwheel Recordings. Active in Montreal, his successful monthly dance party Qualité de Luxe is dedicated to African and Caribbean music, attracting crowds for over six years. Poirier is also the man behind Bounce le Gros and Karnival, parties with legendary status in Montreal nightlife history.

As usual with Poirier, it's hard to pin point all the genres and references on his new album. Soft Power has an irresistible warm vibe that will make anyone move and dance. It's warm, it's acoustic, it's electronic. Tracks ""Café Com Leite"" feat. Flavia Coelho and ""Me Leva"" feat. Flavia Nascimento transport the listener to Brazil while ""Sim Bombei"" and ""Sowia"", both featuring Samito, while the Sounds of West Africa influence ""Nidiaye Sam"" feat. Daby Touré. Then it's across the Atlantic to Montréal and Mexico with ""Contigo"" feat. Boogat, while ""Pull Up Dat"" feat. Red Fox is a Jamaican jam perfect for any dancehall party. ""Nou Pare"" feat. Coralie Hérard captures the heart of Haiti while ""Do Kase"" feat. Mélissa Laveaux fuses Canada and France with Haïti in the background. In his instrumental tracks, Poirier throws an afro house party at 4am with ""The Junction"", travels back in time on an island in the Mediterranean Sea circa 1987 with ""Forma"", and, finally, relaxes in the sun with ""Coconut Beach."

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Cem Karaca & Apaslar

7" | 2020 | EU | Original (Türküola)

14,99 €*

LP | 2020 | EU | Original (Ketchup)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Türküola releases maybe the most outstanding piece of Cem Karaca & Apaşlar in their adventure in Germany. Cem Karaca was a new born Anatolian Pop star from rock’n’roll roots and Apaşlar was a surf band when they united in 1967. In the end of 1967 they toured Germany and began to record with Ferdy Klein Orchestra (which was a version of Werner Müller Orchestra) between 1968-1969. “Gılgamış-Ayrılık Günümüz” is one of the singles recorded as a cooperation between the band and the “big band” . Therefore the A side of the single “Ayrılık Günümüz” (Our Day of Departi reflect this cooperation between Werner Müller Orchestra and CK & Apaşlar with a feeling of mod scene, a rock ballad with polyphonic arrangements. On the other hand the flip side of the single gives out the band’s own groove and performance with the instrumental psychedelic rock peace “Gılgamış” (Gilgamesh). Gılgamış is inspired by the Epic of Gılgamesh and the band plays a powerful groove with a Mesopotamian mood and riffs. The Apaşlar line-up playing in this piece was Mehmet Soyarslan (electric guitar), Seyhan Karabay (bass), and Leon Habib (drums). Beginning with Seyhan Karabay’s solid bass riffs which is followed by drums of Leon Habib serving an energetic groove; Soyarslan plays his Epiphone guitar with psychedelic effects which sometimes take the main theme to a micro tonal scale. Today we have the opportunity to hold this unique piece in compliance with the authentic cover coated with gelatine and its vinyl produced from the master tapes. Thanks to Türküola for this generous reissue for the collectors of Turkish psychedelia.

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Pabst

Deuce Ex Machina

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Rhythm Section International)

The Colours That Rise

Grey Doubt

Electroconvulsive Therapy Vol Two: Fuzz Dance

Release: 2020 / EU – Original

Genre: Electronic & Dance

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On a collision course with earth from the furthest reaches of the universe, The Colours That Rise
announce their debut album “Grey Doubt’ on the inimitable Rhythm Section International. Comprised of producer duo Simeon Jones and Nathanael Williams, The Colours That Rise have previously turned heads with 2017’s “2020” EP released on Breaker Breaker (the label credited with breaking Ross From Friends).
Returning with their most accomplished offering to date, “Grey Doubt” features acclaimed guests such as Yazmin Lacey, Yussef Dayes and Andrew Ashong, each respectively complementing the incredible musicianship on display here, capturing the true zeitgeist of present day UK. Combining live instrumentation and analogue synths, intricate, intertwining textures and melodies run deep throughout this beautifully crafted afrofuturist voyage, exploring the darkest recesses of the galaxy, through weatherbeaten and asteroid damaged synth waves and broken drum patterns reverberating out into the vastness of space.
Pre-announcement single ‘Home Time’ has picked up steam with support across BBC 6 Music and 1Xtra through the likes of Benji B, Tom Ravenscroft, Jamz Supernova and Mary Anne Hobbs, who awarded it as her ‘Near Future’ track. The duo are also set for a live performance at Rhythm Section’s showcase at SXSW 2020.

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V.A.

LP | 2014 | US | Original (Medical Records LLC)

MTV Unplugged: Live At Hull City Hall

Release: 2014 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Multi colored vinyl.

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Liam Gallagher

LP | 2020 | EU | Original (Warner)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Adult Themes Black Vinyl Edition

El Michels Affair

LP | 2020 | US | Original (Big Crown)

23,99 €*

LP | 2020 | EU | Original (SaS Recordings)

Release: 2020 / US – Original

Genre: Organic Grooves

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Big Crown Records is proud to present Adult Themes, the latest full length offering from El Michels Affair. This album takes the band's "Cinematic Soul" aesthetic literally and sends the listener on a journey through a whirlwind of moods and energies. With their 2005 debut album Sounding Out The City, EMA spearheaded an instrumental funk / soul movement that inspired a slew of bands and even lead to the creation of a few independent record labels. El Michels has since lent his signature sound to artists from Adele to Dr John, Lana Del Rey to Aloe Blacc, and a who's who list of others. In 2016 he co-founded Big Crown Records and has since produced the lion's share of its output. A short stint as the touring band for Wu Tang Clan in 2007 led to the cult classics Enter The 37th Chamber (2009) and Return To The 37th Chamber (2017). Adult Themes marks the long awaited, highly anticipated return to an album of original compositions from El Michels Affair. In 2017 in between producing, playing, and recording on other artists' records Leon Michels began creating compilations of short interludes intended to be sampled by hip hop producers. Some of these wound up becoming songs by Jay Z & Beyonce, Travis Scott, and Don Toliver. These minute-long snippets were inspired by the dense moody work of `60s composers like David Axelrod, and Francois de Roubaix, as well as Moondog's brand of classical jazz. Michels was having so much fun creating these instrumental / orchestral nuggets that he decided to expand on some of the ideas and create what would become the soundtrack for a movie that has yet to be made, an imaginary film entitled "Adult Themes." The album plays like the colors on an artists pallet. Songs like "Rubix" and "Villa" are densely orchestrated with the hard-hitting drums that El Michels Affair is known for. On "Life of Pablo", Leon's son makes his first appearance on record and intros a song with an epic arrangement and a moving mood. "Hipps" is a drum heavy ballad that could've easily fit on EMA's debut record, Sounding Out the City. Other compositions like "The Difference" and "Kill The Lights" are bare, melodic mood pieces with sparse drums and sophisticated chord movement. All of these tunes come together to make perfect backgrounds for dialogue and action. One of the beautiful things about instrumental music is that the listener can decide what the narrative is. With Adult Themes El Michels Affair has created a "choose your own adventure" in musical form.

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Becker & Mukai

Time Very Near

17,99 €*

LP | 2020 | UK | Original (Social Beats)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Becker & Mukai is a coming of titans. Parisian cinema composer Jean-Gabriel Becker, best known for his work alongside Massive Attack on acclaimed film soundtracks and recorded with John Foxx, teams up with Susumu Mukai, one of London’s most sought after musicians, whose list of collaborators includes Floating Points, Vanishing Twin, Alexis Taylor and Fimber Bravo.
Together they’ve created fresh new music that floats effortlessly above traditional genre delineation, with a dubbed-out and experimental melange of modern acid house, post punk, global grooves and clattering beats.
After releasing their first EP ‘Eyes’ in 2018, and their collaborative EP of space-disco-meets-experimental-electronics with label mates Auf Togo in 2019, the duo are now ready to release their tentacular debut album, ‘Time Very Near’, on SaS Recordings.
Still not complying to genres, ‘Time Very Near’ gathers sounds and inspiration from an ever-expanding palette of influences, assembled into something amorphously intangible that’s simultaneously refreshing and sharp, meandering and cosmic, futuristic but timelessly vintage.

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Flink

It's Dangerous

Release: 2020 / UK – Original

Genre: Organic Grooves

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Fourth Dimension White Vinyl Edition

BBC Radiophonic Workshop

LP | 2020 | UK | Original (Silva Screen)

27,99 €*

LP | 2020 | EU | Original (BMG)

Release: 2020 / UK – Original

Genre: Soundtracks

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Limited to 500 copies.

Paddy Kingsland was the first Radiophonic composer to see a solo release of his compositions, although he is not credited on the sleeve. "Fourth Dimension", first released in 1973, showcased Kingsland's theme tunes for television and radio while at the BBC Radiophonic Workshop. The recordings feature a rock-style backing band and synthesisers including the VCS 3 and "Delaware" Synthi 100, and the track "Reg" from the album was also released as the B side to the 1973 single release of the iconic Doctor Who theme tune. Kingsland remained at the workshop for 21 years, leaving in 1981, during which time he composed music for much loved TV shows The Changes, Doctor Who and The Hitchhikers Guide to the Galaxy among others.

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The Boomtown Rats

Citizens Of Boomtown

3LP | 2020 | EU | Original (BMG)

Release: 2020 / EU – Original

Genre: Pop

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The first album after the 36 years.

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Hank Williams

Only Mother's Best

38,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Silver Tongue Black Vinyl Edition

Torres

LP | 2020 | US | Original (Merge)

LP | 2014 | US | Original (Skin Graft)

Release: 2020 / US – Original

Genre: Rock & Indie

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A person whose words are so potent that they cause the people and beings around them to vibrate is said to have a "silver tongue." It's apt, then, that Mackenzie Scott_who has spent the 2010s making boundarypushing pop music under her TORRES moniker_has chosen to call her fourth album, and first release on Merge, just that. Recorded at O'Deer in Brooklyn, New York, Silver Tongue is a full-scale realization of the world Scott has created over TORRES' last few albums. Even when singing in more subdued tones, Scott's voice is fervent, her lyrics stirring and unyielding as she draws from both the divine and the everyday. It's also the first TORRES record produced solely by Scott. After having shared production duties on her first three albums, the latter two alongside PJ Harvey collaborator Rob Ellis, she found the process liberating: "I made exactly the record I want, and it feels very `me.'" Silver Tongue fastidiously chronicles the impulses that make up desire_ from the dreamy first blushes of infatuation through the slightly terrifying wonder that accompanies connection with another. In between, Scott wrestles with the highs and lows of what "being in love" might mean over heady guitars and swirling synths. While potent vocal hooks punctuate songs like the sparkling "Dressing America," which combines New Wave glitter with hovering frustration, and the brooding "Good Grief," which gently pokes at the idea of fetishized sadness, the knottiness lurking underneath reflects Scott's realtime processing of her emotions while making the record. Silver Tongue's musical world is vast and at times seemingly infinite. Edge-of-the-world synths add gravity to the vulnerability of "Two of Everything," and refracted guitars offer a gnarled counterpoint to Scott's increased determination at the end of "Last Forest." On "Gracious Day," one of TORRES' most forthright love songs, Scott's voice hovers over a starlit landscape in a way that transcends the mundane and enters the otherworldly as she sings. TORRES' music has long navigated the space between the physical and the metaphysical, and Silver Tongue faces that conflict head-on, examining the ways in which the actions of others can stir up deep-seated feelings and seemingly alter the space in which one exists.

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Child Abuse

Trouble In Paradise

22,99 €*

Silva Lenheira / Zazueira

Release: 2014 / US – Original

Genre: Rock & Indie

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In their ten years of existence, Child Abuse have become much more than a jarring name. The NY trio has fused elements of Noise, Death Metal, Free Jazz, and Grind (among other things) into something entirely their own, all the while becoming one of the most innovative, and polarizing bands in New York. Trouble in Paradise, the band's third full-length release, expands on their forays into uncharted musical territory. “After hearing Child Abuse the trio's moniker seems more like a reference to violence inflicted by a toddler rather than upon one. The group's growled vocals, manic riffs and copious double-kick drumming nod to death metal. These loopy tones align with TIM DHAL’s fuzzed-out bass and Orran Canfield’s dense, swinging beats to create a highly technical sound that's also weirdly playful.”—Time Out New York

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Wilson Simonal

7" | 2014 | UK | Original (Mr Bongo)

11,99 €*

LP | 2014 | UK | Original (Polydor)

Release: 2014 / UK – Original

Genre: Organic Grooves

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Mastered and cut at 45rpm for high quality and loud sound, these 7"s are packaged in lovingly produced Brazil45 sleeves. Dancefloor essentials for all DJs and collectors!

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Nick Mulvey

First Mind

Release: 2014 / UK – Original

Genre: Rock & Indie

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CD | 2011 | EU | Original (Chinese Man)

Chinese Man

Racing with the Sun

17,99 €*

2LP | 2020 | US | Reissue (TKO)

Release: 2011 / EU – Original

Genre: Hip Hop, Electronic & Dance

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On the heels of two volumes of the “Groove Sessions” compilations, the time had come for the three warriors of Zen mind to set their course
by the sun and create a real first album of Hip Hop, Dub, Electro and other sounds if compatible...

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Poison Idea

Blank Blackout Vacant

49,99 €*

7" | 2014 | US | Original (Nature Sounds)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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When it came to the follow-up of their 1990 magnum opus Feel The Darkness, failure was not an option for Poison Idea. Seeking a way to expand their musical horizons while still retaining their cranked-up style, UK-cum-Chicagoian producer Iain Burgess (Big Black, The Effigies, Naked Raygun) was brought in to assist in this audacious feat. The results—1992’s Blank Blackout Vacant—successfully showcased a meshing of Poison Idea's classically surging sound and a new found refinement: demonstrated by the brass section on tracks like the driving opener “Say Goodbye” or the chugging, Motörhead-esque “Forever and Always”. Rolling on with their relentless reissue schedule for Portland’s Kings of Punk, TKO replenishes the double-disc edition of Blank Blackout Vacant first introduced back in the maddening year of 2020. Along with the album’s original batch of thirteen tracks capped off by a thundering version of New York Dolls'’ “Vietnamese Baby”, you get a bonus LP containing a bevy of B-Sides, covers by acts as disparate as Lords Of The New Church, The Who, and Booker T. & The MGs., as well as a live on-air performance on Portland’s long-running community radio station Kboo from the Fall of 1991. Originally released at a pivotal point in the band's career, Blank Blackout Vacant remains an essential component in the understanding of the band's epic trajectory.

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Blu

The West

6,99 €*

Release: 2014 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 2011 | US | Original (Mush)

DJ Gman & Blu

The Almost Lost Tape

3,99 €*

Release: 2011 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Iamnobodi / Melodiesinfonie

Beatgeeks 004

7" | 2014 | DE | Original (Beatgeeks)

6,99 €*

Release: 2014 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Hydra Clear & Black Marbled Vinyl Edition

Within Temptation

2LP | 2014 | EU | Reissue (Music On Vinyl)

37,99 €*

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Reissue (Gusstaff)

Hugo & True Spirit Race

Starbirth

23,99 €*

Watch Me Drive Them Dogs Wild Black Vinyl Edition

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Hugo"s True Spirit deliver a lush, sonic love letter of rock, electronica and dramatic orchestration, based in blues, hypnotic repetition and sonic exhilaration. Michelangelo Russo is a huge part of this atmosphere; his approach to music is that of an artist with a palette of mysterious implements and machinery, but the entire band and production is incredible from start to finish. Starbirth is 48 minutes of mind expanding, mind blowing, heel tapping tunes, with its sister album "Stardeath", a dub version of remixes that will send you searching for your own exploding star somewhere in the sky."Starbirth" is international maverick and music icon Hugo Race"s 15th album with his band of True Spirits. The Vinyl includes a download code of both albums Starbirth and Stardeath. Starbirth was recorded during Australia"s bushfire summer apocalypse of 2019 and mixed as the 2020 covid-19 pandemic hit.

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Merce Lemon

LP | 2014 | EU | Reissue (Darling)

2LP | 2020 | EU | Original (Steamhammer)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Within the quiet, cascading corners of Pittsburgh lies a community - essentially one large family - that spans neighborhoods and generations.Upon this foundation, Merce Lemon built her latest album: Watch Me Drive Them Dogs Wild. These are earnest songs, of belonging and longing, in which romantic and familial love rip into and out of themselves in a flurry of reckoning. There is a fierceness, a persistence in this vulnerability, that is matched by the wildness of her band.Merce took a step back from music in 2020, after releasing her debut album Moonth, to reassess. "[Music] was just something I'd always done, and I didn't want to lose the magic of that - but I was just having less fun." In this time of restless confusion, she got back to her roots."I got dirty and slept outside most of the summer. I learned a lot about plants and farming, just writing for myself, and in that time I slowly accumulated songs." A creative hunger, supported by her community, had been newly fertilized. From this rediscovery, imbued with the vitality of earth's green magic, Watch Me Drive Them Dogs Wild sprouted forth.

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Magnum

The Serpent Rings

32,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2011 | EU | Original (Suburban)

Gingerpig

Ways Of The Gingerpig

Release: 2011 / EU – Original

Genre: Rock & Indie

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Everyone Loves You...Once You Leave Them

Amity Affliction

LP | 2020 | EU | Original (Pure Noise)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2014 | EU | Original (JazzSick)

Philipp-Trio- Van Endert

Presence

15,99 €*

Release: 2014 / EU – Original

Genre: Organic Grooves

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Hard Times And Nursery Rhymes

Social Distortion

2LP | 2011 | EU | Reissue (Epitaph Europe)

27,99 €*

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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LP | 2011 | EU | Reissue (Erased Tapes)

Nils Frahm

Felt

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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The People's Key Tangerine Orange Vinyl Edition

Bright Eyes

2LP | 2011 | EU | Reissue (Dead Oceans)

30,99 €*

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Original (Reprise)

Neil Young

Homegrown (1975)

23,99 €*

LP | 2014 | EU | Reissue (Anette)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Neil Young finally releases his 1975 album "Homegrown" which was shelved back then due to him feeling uncomfortable with it being to personal.

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Björn Peng

Dark Rave

Electric Baile / Pushin' Too Hard

Release: 2014 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Technopunks 'Last Mensch Standing' with his darkest and well-conceived album ever. Including guest appearances by Julian of 'Scheissediebullen', Luna Nogood and Frittenbude.

Dark Rave is a document of time, Dark Rave is 1994, Dark Rave is 2006, Dark Rave is 2024, Dark Rave is 2034. Somehow, it's simply the place where past and future inevitably merge. For a brief moment. Somewhere between dancing, dreading and rejoicing, because it goes on and on and on...

Björn Peng liebt Metall. Metall, Blut und Knicklichter. In seinem Keller lagern 1000 VHS Kassetten. Alles B-Movies, Horror - und Heimatfilme. Oft bastelt er in seinem Studio an Songs für morgen die klingen wie die Zukunft von gestern. Der Chaos-Computer-Club sind seine Nachbarn. Oft ist es hell draussen, drinnen ist es dunkel, sehr dunkel. Dark Rave, eine Reise.

Dark Rave ist ein Zeitdokument, Dark Rave ist 1994, Dark Rave ist 2006, Dark Rave ist 2024. Dark Rave ist 2034. Irgendwie halt einfach auch die Stelle an der Vergangenheit und Zukunft unweigerlich miteinander verschmelzen. Für einen kleinen Moment. Irgendwo zwischen tanzen, fürchten und freuen klebt es, aber nicht fest, denn es geht immer so weiter und weiter und weiter…

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Master Plan

12" | 2020 | EU | Original (Running Back Super Sound Singles)

13,99 €*

2LP | 2020 | CZ | Original (Geffen)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Master Plan was the Chicago based dance music project of Pepper Gomez and Tom O’Callahan. Spanning from 1984 to 1986, the groups development is in sync with the dance music scene of Chicago during that era. While their first record „Pushin’ Too Hard“ is a Windy City version of the NYC club music of the time and its European cross-pollination, „Electric Baile“ from two years later down the line is almost a quantum jump into house music. With the engineering help of Matt Warren, it bears the marks of Ron Hardy, Chip E, Farley Jackmaster Funk or the Wbmx dance party craze, if you will. Here you have remastered and updated versions by Enzo Elia and Gerd Janson. The first ones’ edit attempt of „Electric Baile“ ignited this edition. A custom-tailored main mix is completed by a dub and useful bonus beat version to do, what DJs used to do. Concluded by two edits of „Pushin’ Too Hard“ by GJ, you get two great slices of yesterday that are still major dance music blue prints today.

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Guns N' Roses

Greatest Hits

38,99 €*

Release: 2020 / CZ – Original

Genre: Rock & Indie

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2LP | 2020 | EU | Original (New State Music)

The Beloved

Happiness

22,99 €*

LP | 2020 | EU | Original (Warner)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Happiness LP reissue - Double 180g Heavyweight Vinyl. After this January’s reissue of their 1987 indie – facing compilation of early singles – ‘Where It Is’, The Beloved are back with a 30th Anniversary Reissue of this 1st album proper - Happiness. Available as a 180g heavyweight double vinyl package for the first time, ‘Happiness’ has been remastered from the original analogue studio masters (by John Davis at Metropolis Studios) and has a significantly louder and clearer audio than the original release.

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Lianne La Havas

Helen Merrill Mono Edition

Release: 2020 / EU – Original

Genre: Pop

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South London’s Lianne La Havas re-entered our musical consciousness at the end of February with her emotionally stirring soul-gem ‘Bittersweet’. This came in conjunction with an Annie Mac Hottest Record, a mind-blowing live show at the Barbican with the BBC Symphony Orchestra & Jules Buckley and an incredible Colors session – all of which helped put Lianne firmly back on the cultural map for 2020.

‘Lianne La Havas’, Lianne’s third album and her first in five years and is an album of startling beauty and insight—made entirely on her own terms which has been quite a journey. In one sense, geographically: La Havas spent a lot of time moving back and forth between the UK and the States working on writing and exploring her own identity. As a result, ‘Lianne La Havas’ feels spacious and luminous. Its sunbaked sounds recall, in places, the Brazilian singer, songwriter, and guitarist Milton Nascimento (on “Seven Times”). You might also hear the curveball chords of Joni Mitchell and Jaco Pastorious’s jazz explorations (“Green Papaya”), or the puttering drums and inviting warmth of golden-era Al Green (“Read My Mind”). And throughout the record, there’s a sense of empowerment that has its roots in the crisp ‘90s R&B of Destiny’s Child.

‘Lianne La Havas is ten songs that span the arc of a love relationship. The album’s opener, ‘Bittersweet’ functions as a kind of an overture, setting out what follows, before the giddy, love-struck rush of ‘Read My Mind’. If these first few songs suggest a flower opening its petals, that’s no coincidence: “What plays a big role in the album is the idea of the life cycle of plants and nature—equating this journey with a seasonal thing that blooms, thrives, goes away, and comes back even stronger,” La Havas says. Over the five years it took for the album to come together, she found herself watching the changing foliage outside her window in south London, struck by how she was growing and changing herself—not always comfortably. “A flower has to dry up and die in order to be reborn,” she says. “You have to get to the rock bottom to rebuild yourself.”

After relentless touring and promoting of her first two albums as well as personal and emotional events in her life, it was becoming increasingly difficult to find time, inspiration and confidence to get back in the studio for a follow up. As it came about, the recording process of album number three began in earnest by accident; returning from a glorious, sunny Glastonbury festival performance in June 2019, La Havas and her core band decided to see if they could nail their lithe live version of Radiohead’s ‘Weird Fishes’ in the studio. “I had the most wonderful, nourishing experience recording that,” she says, “And that’s where I decided: the rest of the album needs to be like this. It’s got to be my band, and I’ve got to do it in London, whenever people have time.” By October, she had all ten songs, and by December, everything was recorded—mainly in London, and also in Bath and New York. In keeping with the album’s intimate feel, everyone who contributed to the record is a trusted collaborator, including long-term songwriting ally Matt Hales, co-producer Beni Giles, and guest co-producer Mura Masa.

The confidence that La Havas has cultivated, both personally and creatively, is audible in the fact that ‘Lianne La Havas’ is a record that feels utterly real—a living, breathing thing. It hasn’t been polished to a squeak in favor of a “clean” recording; La Havas followed her gut on this album, going with what feels good.

Beauty never really goes by the book, and ‘Lianne La Havas’ is a breathtaking example of this. Now thirty years old, she is excited about playing these powerful songs live. “The best part is that I own them, and really believe in them,” she says. “And, you know, it’s me. So I can’t be afraid of doing what I do, and being who I am.”

‘Lianne La Havas’—an exquisite, rich, and tender expression of love, loss, and rebirth that marks a new era for the British artist.

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Helen Merrill

LP | 2020 | US | Original (Acoustic Sounds)

46,99 €*

12" | 2014 | US | Reissue (Ubiquity)

Release: 2020 / US – Original

Genre: Organic Grooves

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Helen Merrill attributed her childhood musical influence to her mother's singing. Truth is, she didn't wait long herself to make a mark as a teenage jazz ingénue, following-up with the notable self-titled LP you have in your hands, newly remastered, and reissued by Analogue Productions.
Helen Merrill arrives, remastered by Kevin Gray at Cohearant Audio, and plated and pressed to 200-gram vinyl by the dedicated crew at Quality Record Pressings, supervised by plating expert and general manager Gary Salstrom. No less than an old-style, tip-on Stoughton Printing gatefold jacket would suffice for such a phenomenal-sounding reissue. Rare photographs inside the gatefold originally appeared as sleeve art for the 7-inch singles recorded and released in conjunction with the original 1955 album release.
Helen Merrill was born in New York City on July 21, 1930. Her professional career began at the age of 15 when, after singing at theatres and winning amateur contests, she landed a job as vocalist with Reggie Charles' Band. Merrill was later signed by Mercury Records to their EmArcy label. "Helen Merrill" is her debut studio album, backed by among others, trumpeter Clifford Brown and bassist/cellist Oscar Pettiford. The legendary Quincy Jones produced and arranged the album when he was just 21-years-old!
The success of Helen Merrill prompted Mercury to sign her for an additional four-album contract. AllMusic reviewer Scott Yanow gave Helen Merrill 4 1/2 stars. »The music is essentially straight-ahead bop, yet the seven standards ... are uplifted by the presence of Merrill (in top form) and Brown.« Her success associated Merrill with the first generation of bebop jazz musicians.
Merrill's career continued with recordings and concerts throughout six decades, until the early 2000s. Her emotional, sensual vocal performances, particularly this engaging debut, stand as testament to her immense talent.
This is a high-quality reissue of a rare and valuable record. Original copies have sold for more than $1,000!

Recording: in mono

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Darondo

Didn't I Edits

15,99 €*

LP | 2011 | EU | Reissue (Sony)

Release: 2014 / US – Reissue

Genre: Organic Grooves

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With Darondo’s passing in 2013 the world truly lost a singular and unique talent. “Didn’t I” was undoubtedly his most beloved and well-known song making the rounds in Soul collectors’ circles for some time and reaching a much wider audience with numerous placements on TV and movies including the iconic show “Breaking Bad.” Three producers from across the globe have paid him homage by adding their touches and flavor to the classic tune. French producer GUTS remix was previously included on a limited double 7in EP called “Brand New Revolution”. His take on the tune became a summer time favorite with it‘s laid back groove and Darondo’s emotion-tinged vocals layered on top. Florent F also from France, adds some heavier live drums to create a harder-hitting version on his mix. Hailing from Montreal, Canada, noted edit and remix producer Dave Allison’s version picks up the tempo, highlighting the groovier elements of the track transforming the soul tune to a dancefloor mover.

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Paul Kalkbrenner

Icke Wieder

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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