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Dialogo
Piero Umiliani - Africa
Piero Umiliani
Africa
LP | 1970 | EU | Reissue (Dialogo)
14,99 €*
Release: 1970 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG+
Still shrink wrapped but opened.
Record with just a few paper scuffs.
Includes OBI.
Piero Umiliani - Continente Nero
Piero Umiliani
Continente Nero
LP | 1975 | EU | Reissue (Dialogo)
19,99 €*
Release: 1975 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Used Vinyl
Medium: VG, Cover: VG+
Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Record with just a few paper scuffs.
Includes OBI.
Piero Umiliani - Africa
Piero Umiliani
Africa
LP | 1970 | EU | Reissue (Dialogo)
22,99 €*
Release: 1970 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Piero Umiliani’s Africa was released in January 1972, a years-ahead record that includes the prog-tingedblack rhythm of “Africa To-Day”, the ‘fourth world’ inspiration coming from Jon Hassell’s “Green Dawn”, the‘exotic’ references in Martin Denny’s style (“Lonely Village”, “Echos”), the electronic new wave (hearing is believing!) of “Sortilège”, the folk music (“Rite”, “Folk-Tune”). An incredible album summarizes sounds and styles that will make the fortune of much more celebrated and popular musicians and artists.

Africa (1972) In 1972 Piero Umiliani was above all the man of a thousand soundtracks and the first Italian jazz experiments; from his later career we’ll soon learn that wasn’t enough for him, showing just a tiny part of a more complex picture. Closed within the walls of his Sound Work Shop Studio, the Maestro was weaving much more complicated and satisfying plots, incorporating dozens of influences from a life spent experimenting and discovering new sounds. Among the most fascinating ones, those who came from a continent like Africa, as much fabled as actually little known, but enchanting to the point that Umiliani dedicated to it the entire Africa - which is paired with its twin-record Continente Nero - and released it as M. Zalla, pseudonym used when it came to tidying up uncompromising and avant-garde music textures, as will later happen with masterpieces such as Suspense, Problemi D’Oggi or Mondo Inquieto. Always keep in mind when this album had been released, in January 1972, before approaching its content: here the prog-tinged black rhythm of Africa To-Day, the ‘fourth world’ inspiration coming from Jon Hassell’s Green Dawn, the ‘exotic’ references in Martin Denny’s style (Lonely Village, Echos), the electronic new wave (hearing is believing!) of Sortilège, the folk music (Rite, Folk-Tune). Many years in advance, in Africa Piero Umiliani summarizes sounds and styles that will make the fortune of much more celebrated and popular musicians and artists.
Piero Umiliani - Continente Nero
Piero Umiliani
Continente Nero
LP | 1975 | EU | Reissue (Dialogo)
22,99 €*
Release: 1975 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Released in 1975, “Continente Nero” is the perfect flip side of “Africa” (1972), an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in “Percussioni ed Effetti Speciali” and “To-Day’s Sound”. It does so by taking inspiration from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, but also from the Afro-American jazz history of Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others.

Continente Nero (1975) Released via the Omicron label in 1975, three years after Africa, Continente Nero is the perfect flip side of an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in records such as Percussioni ed Effetti Speciali and To-Day’s Sound or experimenting new solutions that drew from a musical heritage little known at the time such as the African one. Without bothering with the usual alias M. Zalla, Umiliani reveal his birth name and surname for a second foray into a territory that pays homage to an entire continent. And it does so by taking inspiration not only from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, invaluable documents of an artistic heritage still today almost impossible to map in its complexity, but also from the Afro-American jazz history by Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others. It sounds clear in tracks such as Nuovi Fermenti, Rivoluzionari, Riscossa or Ultimo Stregone that show Umiliani’s extraordinary ability to grab a distant tradition essential traits and put them effortlessly into a personal imaginary world, as much exciting as the original one.
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