Techno | Minimal | Tech-House Used Vinyl 177 Items

close to NM

close to NM

Close to VG+

Stickers and writing on cover and label sticker. Limited edition.

Cover with a beginning seam split at the upper edge.
Includes original inner sleeves.

close to NM

close to NM

test pressing with different handmade designed label stickers

Cover with beginning of seam split on top spine

close to NM. 2023 repress

Label cover.

Gold marbled vinyl

Record with just a few paper scuffs.

Very close to NM. With insert.

Cover with a bent corner.

Copy is close to NM!

Cover with seam split at the spine.
Record with just a few paper scuffs.

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Includes original insert.
Record with just a few paper scuffs is close to VG+.

Cover with a beginning seam split at the upper edge.
Record with just a few paper scuffs.

Record is slightly warped but still enjoyable.

Record is slightly warped but still enjoyable.

Test pressing. Writing on label sticker.

Writing on label sticker.

Price tag residue on front. Writing on label stickers. Vinyl is Close to VG+. Limited edition

close to NM

White vinyl Limited edition. With insert. Still in shrink but opened. tiny wear

White vinyl Limited edition. With insert

Yellow vinyl. Limited edition, Still sealed with hype sticker. Shrink wrap is partially torn, but vinyl is still sealed. Tiny damage on back cover.

Yellow vinyl. Limited edition, Original inner sleeve. Still in shrink but opened with hype sticker.

Yellow vinyl. Limited edition, Stuffed corner. Original inner sleeve.

White labels. Cover with light ring wear.

Vinyl is close to if not NM (paper scuffs).

Still in shrink but opened. tiny wear

Still sealed. 2021 repress.

Still in shrink, but opened, with hype sticker

Brown vinyl

Roger Van Lunteren is an artist of enviable experience. For more than two decades the dutchman has been developing and perfecting his sound. After his first steps on Heimelektro Ulm in 1999, Van Lunteren has shown his talents on labels like 030303, Diffuse Reality and Something Happening, Somewhere. It is this knowledge, and his musical craftsmanship, that Van Lunteren draws upon for his debut on FireScope: Future Wounds. The EP is a veritable universe of delights. At either ends of the galaxy you’ll find two takes of the same piece. The textured “Stop (Sync In)” opens. Satellite bleeps bob on a flotsam and jetsam of pads as strings soar above hedged claps. “Stop (Original) flows in a beatless ambience, heady yet light and ephemeral. Coquettish and playful, “Spätzünder” is an altogether different entity. Dancing between braindance and house, this jam has all the spontaneity of a live track with flourishes of the silken-funk of Chicago. Clouds gather for “IRF4.” Haunted modulations and reel scratches lurk before a slow rhythm lumbers forth. Stalking through a moonless sky, the track is chillingly atmospheric with an undeniable lo-fi groove. Drums stagger and swell in the sweetness of “Coinc.” Bright and dreamy, the track cherry-picks from a spread of influences and sounds and is emblematic of the EP. Future Wounds is a constellation of Roger Van Lunteren’s music. From cheerful and innocent to shadowy and subtle, this quintet is a cross-section of this artist’s abilities. Rich and infinitely varied, five tracks to explore and return to.

Music From Memory are excited to present the first compilation of works by British electronic pioneers MLO aka Peter Smith and Jon Tye. Titled ‘Oumuamua’ and second up in the Virtual Dreams series, the compilation is an in-depth artist focused release containing twelve thoughtfully selected tracks that touch on highlights from the duo’s discography as well as newly (re)discovered music drawn from a vast archive of unreleased pieces, sketches and extended jams recorded between 1993-1995.

MLO’s ambient explorations began when Pete and Jon, having first met in rival punk bands during the late ‘70s, found themselves with unlimited access to an incredibly well-equipped studio, having been hired to produce an Icelandic pop star’s record in the early ‘90s. Particularly charmed by the Korg PS 3300 and an Emulator 2, Smith and Tye were also deeply fascinated by outer space and set about developing a musical landscape informed by both this new state of the art musical equipment and what lay beyond the Earth’s limits. Painting with a palette informed by classical minimalism, new age and the works of Cluster & Eno; the duos primary colours were drones, sustained tones, washes, calming tides, gentle temple bells and soft angelic voices with flickering glimpses of percussion and drums that hinted at the possibilities of a dance floor.

‘Oumuamua’ is a collection of music to get lost-in, a wander down the mazed, mirrored corridors of the subconscious. Peaceful, flowing, fresh-water patterns, drawing the listener toward a mediative, inner space. Not strictly ambient, rather the music rests temporarily within the boundaries between drum ‘n’ bass, library music, soundtracks and Techno. Or how Jon Tye himself puts it: “It really feels like music from a different place, a different time, made by different people.”

Artwork by Vica Pacheco, design by Steele Bonus, liner notes by Dr. Rob