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Code: recorddeal on all HHV Records sale items.
Valid only until Sunday September 29th, 23:59 p.m. and only while stock last!
Code: recorddeal on all HHV Records sale items. Code: recorddeal
Valid only until September 29th, 23:59 p.m.

All Vinyl, CD & Tape Used Vinyl Merchandise Equipment

Crane City Music Hip Hop 5 Items

Name: Chong The Nomad / Stas Thee Boss - Love Memo / S'Women
Brand: Crane City Music
SKU: 636391
Price: 29.99 EUR
Availability: InStock

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[PIAS]

Crane City Music

Chong The Nomad / Stas Thee Boss

Love Memo / S'Women

LP | 2019 | US | Original (Crane City Music)

29,99 €*

Incl. VAT plus Shipping Costs

Release: 2019 / US – Original

Genre: Hip Hop

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* Two records for the price of one: The solo debut from THEESatisfaction’s Stas Thee Boss backed with EDM star Chong The Nomad’s first EP
* Pressed on 140g spattered vinyl in multiple colors, limited to 750 individually numbered copies
* Reversible cover design by Seattle artist Jennifer Campbell
* Specially mastered for vinyl by Adam Straney / This split LP from Seattle hip-hop label Crane City Music provides two entry points into that city’s flourishing underground hip-hop scene. It’s two records for the price of one! “S’WOMEN” is the highly-anticipated solo debut from THEESatisfaction’s Stas THEE Boss, while “Love Memo” is a runaway EP success from EDM wunderkind Chong The Nomad. Both artists are producers, singers, beatmakers and queer women of color creating distinctive music that expands our very definitions of genre.

Each project has amassed a wealth of accolades and album-of-the-year nods from national and local publications such as Pitchfork, Tom Tom Magazine, Earmilk, The Seattle Times, KEXP radio, and The Stranger. Chicago’s Dusty Groove Records praises the split vinyl, citing “hypnotic, abstract hip-hop vibe, moody beatcraft, insistent beats, and vocal samples... It's solid all the way.” Seattle Weekly calls this release “a perfect pairing.”

Chong The Nomad’s “Love Memo” landed “2018 Record of The Year” acclaim from The Seattle Times, Seattle Weekly, The Stranger and radio stations KEXP and 107.7 The End. In their review, The Stranger praised Chong The Nomad’s techniques of live-sampling ukulele and beat-box harmonica, alongside “heavy funk beats, marbles-scrambling bass frequencies, and torqued distortion… Holy shit.” NYC’s Tom Tom Magazine says that “multi-instrumentalist and producer Chong the Nomad is shaping the future of dance music.”

Pitchfork called Stas Thee Boss’s “S’WOMEN” a “sharp solo debut doused in heartbreak and identity.” She subtitles the record, “an aquatic explanation of failed female companionships.” Most songs are dense 120-second pops. French chefs have a name for their tiny, tasty morsels: “amuse-bouche” or “entertaining to the mouth.” Let’s call these songs “amuse-oreille” because they greatly entertain the ears… They’re little explosions of audio delight.

The first pressing of “Love Memo & S’WOMEN” is limited to 750 individually numbered copies. Every record is a different color with spatter accents.

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Perry Porter

Bobby Ro$$

LP | 2020 | US | Original (Crane City Music)

19,49 €* 29,99 € -35%

Incl. VAT plus Shipping Costs

Release: 2020 / US – Original

Genre: Hip Hop

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The seventh record in the Crane City Music collection
The 140g black vinyl pressing is limited to 250 copies and individually numbered
There is only one single pressing. Once these are sold out, they’re gone for good
Cover photography by visual artist Izzy Vibes
Specially mastered for vinyl by Adam Straney (BreakPoint Mastering)

Crane City Music is proud to release Bobby Ro$$ from accomplished Seattle rapper and visual artist Perry Porter. His first full-length, Bobby Ro$$ is a vibe-heavy hustle through the landscape of art, blackness, and self-love. On it, he inhabits the alter ego of Bobby Ro$$, the trap music avatar of the much-loved PBS painter, Porter uses snippets of interviews with cultural luminaries such as Kara Walker, Jean-Michel Basquiat, and Maya Angelou as a narrative lattice to paint himself into the canon of black art.

Originally from Tacoma, Washington—by way of rural Spanaway—Porter grew up playing drums and rapping over his own beats. His first foray into hip-hop was as half of buzzy local duo Sleep Steady, who received much acclaim in the Pacific Northwest and placed two songs in major video game titles (EA Sports UFC 2 and Cyberpunk 2077). He has since released several solo mixtapes, including 2018’s critically-acclaimed Channel Surfing mixtape.

As a visual artist, Porter’s dreamlike watercolor portraits and lush murals have been shown in galleries across the country. His notable collectors include several NFL Seahawks players. He incorporates live painting into his performances and is currently planning a 30-city pop-up painting tour of record stores for Spring 2020.

Bobby Ro$$ is the seventh record in the Crane City Music collection, a library of the hottest recent hip-hop albums from the Pacific Northwest on wax. The record assembles a wide variety of Seattle- and Tacoma-area talent, including producers Chong The Nomad, Jamie Blake, and Khris P, alongside rappers Blake Anthony, Romaro Franceswa, and Jarv Dee. The Crane City “Black Excellence” edition of Bobby Ro$$ is limited to 250 copies on black vinyl and features a cover designed by visual artist Izzy Vibes and liner notes by music journalist Martin Douglas.

Perry Porter has opened for national touring artists such as Joey Badass, SuperDuperKyle, and The Flavr Blue, and performed to sold-out crowds at 2019’s Capitol Hill Block Party music festival.

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Aj Suede & Specswizard

Long May We Rain And Lost Gems

LP | 2021 | US | Original (Crane City Music)

29,99 €*

Incl. VAT plus Shipping Costs

Release: 2021 / US – Original

Genre: Hip Hop

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* The eleventh record in the Crane City Music collection * Only one pressing of 500 copies on individually-numbered 140g black vinyl * Cover design by Seattle artist Damascus Purnell * Liner notes by Martin Douglas (kexp) * Specially mastered for vinyl by Adam Gonsalves (Telegraph Mastering)'

Here's a split vinyl of quarantine protest jams from two Seattle heavy-hitters: AJ Suede & Specswizard. Both artists were inspired by 2020's Black Lives Matter protests, mask-wearing, and stay-at-home orders to produce boom-bap tunes that could only exist in the 21st Century. Insomniac magazine praises the pair's 'next level lyricism.' The Seattle Times picked AJ Suede's brilliant 'Long May We Rain' as one of the best albums of 2020. On the flip side of this cross-generational split LP, you'll find the vinyl-only 'Lost Gems' project from Specswizard. He's a veteran of Seattle's scene, releasing dozens of self-produced albums and EPs since his start in 1988. On his latest, the familiar sound of buzzing amps and tape hiss makes way for major-key soul turned into pensive bangers. Specswizard’s low, late-night-in-the-living-room baritone conjures the feeling of recording in a cramped apartment while the neighbors are sleeping. Still, the beats knock like side doors and his narratives hover like heavy rain and cumulus clouds of weed smoke. Together, these two records provide a powerhouse portrait of Black life in the American Northwest today. Only 500 individually numbered copies have been pressed.

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Aj Suede & Specswizard

Long May We Rain And Lost Gems

LP | 2021 | US | Original (Crane City Music)

24,99 €*

Incl. VAT plus Shipping Costs

Release: 2021 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG

Limited Edition.
No. 232/500

Cover corners dented, otherwise VG+
Record with just a few paper scuffs.
Includes original insert.

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Aj Suede

Avada Kedavra

LP | 2023 | US | Original (Crane City Music)

43,99 €*

Incl. VAT plus Shipping Costs

Release: 2023 / US – Original

Genre: Hip Hop

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“Avada Kedavra Deluxe,” by Seattle rapper AJ Suede, is a 21-track, self-produced, self-referencing, double-vinyl labyrinth of experimental boom-bap. Building on a signature style that Spin magazine describes as “stream-of-consciousness rhymes, containing everything from socio-political commentary and blunted cinematic allusions to psychedelic visions,” Suede’s creation is as compelling as it is unclassifiable. On the first LP, Suede demonstrates his substantial skills as a beatmaker and rapper, chopping up what Seattle’s Kexp calls “the smoothest, jazziest, weirdest samples” and overlaying parkour bars about Grunge, success, and social justice. From the first cut, “Nebuchadnezzar,” which New York’s Major Stage describes as a “powerful chant-like hypnotic loop,” these 10 tracks capture an elusive mood of too many hours inside watching YouTube and trying to piece together fractured connections. The album’s title is derived from an Aramaic spell: “Let this thing be destroyed.” On the second LP, Suede invites 13 guests to “destroy” the original songs. This disc of remixes and reworkings showcases underground voices from across the Northwest (Seattle’s Wolftone, Khrist Koopa, Portland’s Fines Double), from across America (New Jersey’s Fatboi Sharif, California’s mudwater, Ohio’s Lord Olo, New York’s Bloodblixing), and around the world (Tel Aviv’s Argov and Japan’s Wazasnics). Seattle rappers Astral Trap, Blake Anthony, Mika’il, and Greg Cypher are featured on a bonus “posse” cut. With “Avada Kedavra Deluxe,” AJ Suede has tapped into the moment, using what Deeply Rooted Hip-Hop calls “a subconscious steeped in the mystical.” As Kexp says: “Quite predictably, the whole album bangs.”

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