Print & Design 478 Items

Intriguing stories of creative endeavour, volatile relationships, excessive lifestyles and bizarre events from the world of rock, as told by Hipgnosis co-founder, creative designer, photographer and filmmaker Aubrey Powell.

Founded in 1968 by Aubrey ‘Po’ Powell and Storm Thorgerson, Hipgnosis transformed album art with their designs for Pink Floyd, Led Zeppelin, Genesis, Paul McCartney and Wings and so many more. Brutally honest, entertaining and insightful, Po tells the incredible stories of creative endeavour, volatile alliances, high-risk/high-altitude photoshoots and downright bizarre events from the halcyon days of rock’n’roll. From his unique insider perspective, Po sets many records straight, bringing revelatory new details to legendary tales, including the genesis of The Dark Side Of The Moon, Houses Of The Holy, The Lamb Lies Down On Broadway, and Peter Gabriel’s trio ‘Car’ / ‘Scratch’ / ‘Melt’, each evidenced with photographs, documents, artefacts and artworks from Po’s own archive.

'Powell is an engaging raconteur' Literary Review

'Brutally honest, entertaining and revealing insider stories' Creative Review

'Gorgeously designed... Excess runs through most of these stories the way drugs flowed through the veins and lungs of the musicians back then' New York Journal of Books

'Adventures in the golden age of the gatefold' Uncut

About the Author: Aubrey Powell co-founded the album cover design agency Hipgnosis with Storm Thorgerson in 1968. The company was at the vanguard of rock iconography, creating some of the most innovative and surreal record cover art of the 1960s, 70s and 80s. Nominated five times for a Grammy Award, Hipgnosis created more than 400 album covers for many of the biggest rock bands of the era, including Pink Floyd, Led Zeppelin and Paul McCartney. Powell is currently the Creative Director for Pink Floyd. He is the author of Hipgnosis Portraits and Vinyl • Album • Cover • Art, also published by Thames & Hudson.

Format:Hardback Size:23.4 x 15.3 cm Extent:320 pp Publication date:10 February 2022 ISBN:9780500252376

Released to commemorate the 75th anniversary of the coolest and best- known label in jazz, this book celebrates over seven decades of extraordinary music from a company that has stayed true to its founders commitment to Uncompromising Expression. Tracing the evolution of jazz from the boogie- woogie and swing of the 1930s, through bebop, funk and fusion, to the eclectic mix Blue Note releases today, the book also narrates a complex social history from the persecution of Jews in Nazi Germany to the developments in music and technology in the late 20th century. Blue Note is not only known as the purveyor of extraordinary jazz but is also famous as an arbiter of cool. The photography of co-founder Francis Wolff and the cover designs of Reid Miles were integral to the labels success and this highly illustrated, landmark publication featuring the very best photographs, covers, and ephemera from the archives, including never-before-published material commemorates Blue Notes momentous contribution to jazz, to art and design as well as to revolutionizing the music business.

As Torch describes it:

In 2015, I decided to fly to NYC again. When I told Robert about it, he responded briefly: „I’m flying with you. I’ve never been to New York. Just book me the same flight as you.“ To my surprise, that’s exactly what happened. Our trip was from April 9th to the 21st, 2015, flying from Zurich to Newark. I had the contacts and knew my way around. He had the camera and captured everything. I was his guide on the ground, and he became my eyes.


Photography: Rob Hak
Texts: Frederik Hahn aka Torch
Authors: Robert Hak & Frederik Hahn


Written in 2024 / 1st Edition 2024
Editing: Adam Silverstein &
Bernd Kammerer / textonaut.de
Cover Design: Rob Hak / www.studiohak.de
Layout: studio hak, Rottweil
Printing: Otto Druck, Oberndorf a.N.
Bookbinding: Spinner, Ottersweier
Paper: Munken Print Cream

Entropy is Tuft's fourth monograph capturing the sublime and awe-inspiring beauty of nature as it is radically transformed under the unrelenting pressures of climate change.

A photographic exploration detailing the poetry and fragility of nature amidst the tragedy of climate change

Since 1998, mixed-media artist Diane Tuft has traveled the world recording the environmental factors shaping Earth’s landscape. Entropy is Tuft’s fourth monograph capturing the sublime and awe-inspiring beauty of nature as it is radically transformed under the unrelenting pressures of climate change.

The exquisite collection of photographs provide a captivating glimpse into the rapidly changing landscapes of our world. Tuft focuses specifically on water as its subject, contrasting global sea-level rise with water depletion in Utah’s Great Salt Lake. Compelling essays by prominent figures in art and science contributed by Bonnie K. Baxter, Ph.D., Professor of Biology and Director of Great Salt Lake Institute at Westminster University and twentieth-century art historian Stacey Epstein, Ph.D. add depth and insight to Tuft’s work and its significance in the context of climate change.

Weaving passages of haiku with her beguiling photographs, Tuft's newest monograph is packaged in a luxe-cloth-wrapped case screenprinted with her artwork Journey’s End featuring the Great Salt Lake. An extraordinary book, Entropy is a dramatic call to arms inspiring collective action for the critical preservation of nature.

About the author

Diane Tuft exhibits and lectures at institutions across the globe. Her work is included in such esteemed collections as the Whitney Museum of American Art; Nevada Museum of Art; International Center of Photography; and Parrish Art Museum, as well as many private collections. Tuft’s previous publications include UNSEEN: Beyond the Visible Spectrum (2009); Gondwana: Images of an Ancient Land (2014) and The Arctic Melt: Images of a Disappearing Landscape (2017). Tuft is also an award-winning producer of multiple short films, including Coastal Requiem (2019). She lives and works in New York City.

Bonnie K. Baxter, Ph.D. is Professor of Biology at Westminster College, and is founder and director of Great Salt Lake Institute, which serves to connect people to Great Salt Lake through research and education.

Stacey Epstein, Ph.D. is a specialist in twentieth-century American art and founder of Stacey Epstein Fine Art, where she advises auction houses, museums, corporate collections, artist foundations, and estates.

Reviews

‘A fascinating book.’ – Frames

‘This book offers a glimpse of the beauty we may be losing.’ – Blind Magazine

‘One of the most captivating books on the market linking fine art with climate change. The viewer can easily just enjoy it for its fantastic photography; it is literally one of the few books in the category where every image is a ten out of ten. For those interested in a more nuanced understanding of the work, the accompanying text manages to provide actual scientific analysis in an enjoyable, accessible format.’ – New York Journal of Books

Specifications:
Format: Hardback
Size: 350 × 260 mm (13 3/4 × 10 1/4 in)
Pages: 136 pp
Illustrations: 70 illustrations
ISBN: 9781580936705

*140+ Pages, Full Colour, Heavyweight Print *

DJ Koco on the cover. A growing superstar DJ, but with an old soul. He brings a classic beat digger’s approach to his impeccable 7-inch selections but peppers them with new-school DJ tricks and is now making waves that reverberate worldwide. Beyond this the issue will be chocked full with articles covering Brit-Funk, Taj Mahal, 23 Skidoo, DJ Parrot, the Monterrey dance scene in the 90's, Don Blackman, Hermeto Pascoal, Larry McDonald and much much more.

Wax Poetics presents the third issue since our 2021 relaunch with another heavyweight 148-page journal packed full of timeless music stories, record spreads, archival photography, and original artwork. Each issue now also comes individually stamped.

Continuing with the trademark double cover, the front is graced with Patrice Rushen, an accomplished jazz keyboardist who found her singing voice and embraced her love of R&B, becoming a bona fide star with the release of 1982’s Straight from the Heart, an album that featured the smash hit “Forget Me Nots.” Our other cover story dives into the history of Detroit techno, from the primordial electronics of Juan Atkins and the sonic upheaval of “Mad” Mike Banks’s Underground Resistance to Waajeed (featured on the back cover), whose Underground Music Academy aims to help the next generation of Detroit artists.

You’ll also find pieces on jazz organist Shirley Scott; the psychedelic soul group the Chambers Brothers; hip-hop icon Masta Ace; Jamaica’s musical incubator the Alpha Boys School; the Bill Evans Trio’s famous Village Vanguard recordings; trombonist Joseph Bowie’s trek from avant-garde jazz to NYC downtown funk; the history of Mo’ Wax Records; Brazilian singer-songwriter Joyce; London sax player Chelsea Carmichael; and nu-R&B multi-hyphenate KeiyaA.

The eighth issue of our quarterly underground hip hop magazine.

52 pages – no ads, full color, 5.5″ x 8.5″

Featuring: Yoni Wolf (WHY?) Interview by Peter Agoston – Illustration by 319 Heads, Butcher Bear ((iN)Sect Records) Interview by DJ Jester the Filipino Fist – Illustration by 319 Heads, Roughneck Jihad Interview by Luke Sick – Illustration by 319 Heads, Sampler Cafe Interview by Jonathan Balazs – Illustration by Aidan Searle, DJ Jester the Filipino Fist Interview and Illustration by 319 Heads, Rap Meets Opera Article by Werner von Wallenrod – Illustration by Allan Lorde, plus book reviews of Rap and Redemption on Death Row (The University of North Carolina Press) and Words From Wize (Parker Pubs).

Dark Entries Collected Music Graphics Compiled by Josh Cheon and Eloise Shir-Juen Leigh To celebrate 15 years of Dark Entries, this zine showcases the label’s visual aesthetic, bringing together some of the most iconic designs that we’ve released. While Dark Entries’ sonic mission has included sounds as diverse as synth-pop, Italo disco, darkwave, house, and techno, it is equally staggering to see the breadth of visuals the label has encountered and collected over the years. Included here are selected typography, logos, and illustrations from the label’s extensive catalog — well over 300 releases to date. Designs have been created using DIY analogue techniques as well as more contemporary digital approaches. A full discography is included at the end for reference and an essay by Shawn O’Sullivan (Led Er Est, Further Reductions). This zine serves as a source of inspiration for artists as well as a means of preserving and documenting these distinct graphics. Dark Entries Records is a San Francisco-based record label that was born in July 2009. Helmed by Josh Cheon, a vinyl-focused DJ and collector, the label has focused largely on excavating the 1980s underground era – but releases have spanned from sultry vintage disco to bleeding-edge contemporary techno. Graphic designer Eloise Shir-Juen Leigh has been responsible for most of the label’s artwork, whether reproducing original designs accurately for reissues or creating exciting new ones. Much care and attention is given to each release to represent the music in a memorable way as well as tell the stories behind these projects. Hand-stamped and limited to 200 numbered copies. 64 pages with neon cardstock covers. Measures 5×7 inches.

The Queen of Soul, Aretha Franklin, is here to take the stage in your music collection! Who will this musician collaborate with in your Pop! Rocks collection? Vinyl figure is approximately 4.35-inches tall.

Let’s roll! Get ready to rock out with Pop! Avril Lavigne, dressed in her outfit from her music video Sk8ter Boi. She’s hitting the stage in style now. Expand your Pop! Rocks set and re-create your favorite music moments with this noteworthy addition. Vinyl figure is approximately 9.5 cm tall.

A retrospective of Third Earth Visual Arts and the career of AbuQadim Haqq who as many of you know created art for Transmat, Drexciya and Underground Resistance.
The book covers his early life in Detroit to his last project for Third Earth Visual Arts in 2023.

Over 100 pages of art.
Over 100 pages of photos.
258 pages

Careful when you bring home Pop! Alien, this Xenomorph may try to hunt the other Pops! in your Alien collection. Collectible stands approximately 3.75-inches tall.

After ten years, Deathbeds is finally available again as a paperback with the original cover. Deathbeds was first released in 2007, compiling the lyrical content of Wesley EISOLD’s work in renowned bands American Nightmare, Some Girls and the beginning of his current moniker, Cold Cave. Along with tour journals, poems and prose of early fanzines, Deathbeds is the comprehensive work of an artist in their twenties trying to connect with the outside world and their discontent, confusion and the existential within. The book celebrates the beauty that is the struggle of depression and growth in a poignant and foreword way that is rarely written down or documented coherently. These words came from a place of desperation and isolation but ended up inspiring others with how relatable not being able to relate is. First published in 2007, Heartworm has sold over 10,000 copies of this cult collection between three paperback and three hardcover editions. 3rd edition paperback.

Turn up the volume in your music collection with English singer and songwriter, Pop! Ozzy Osbourne (1989)! Who will this performer collaborate with next in your Pop! Rocks collection? Vinyl figure is approximately 11 cm tall.

From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James “J Dilla” Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as “hip hop music” is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying?

Drawing from philosophy, critical theory and musicology, as well as Dilla’s own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist’s declining health as it is an example of what scholars call “late style,” placing the album in a musical tradition that stretches back centuries.

152 pages.

Bring home the DeLorean drivin', time travelin' Doc Emmett Brown in Pop! form for your Back to the Future collection. Collectible stands approximately 3.75-inches tall.

After being out of print and in high demand for years, Cholo Writing is finally available in a beautiful hardcover edition. Cholo Writing is the 20th century’s oldest form of graffiti, a Mexican-American phenomenon evident in Los Angeles long before the appearance of tags and pieces in the late 1960s New York. It has had a major influence on the visual expressions of Californian popular culture, including the lowrider, surf, skate and hip-hop movements. «Placas» are territorial inscriptions created to define a gang’s turf, a genuine, constantly evolving urban calligraphy with strict codes used by Latino gangs for street writing since the late 1930s. Here, the aesthetic evolution of Cholo Writing is documented and the influence of blackletter typefaces and calligraphic models such as Old English is traced through two collections of photographs. One by Californian Howard Gribble, who photographed Chicano gang graffiti over a wide geographic area in the early 1970s, and one by French graphic designer and writer François Chastanet, who traveled to the same Los Angeles neighborhoods in 2008 to document early 21st century inscriptions. The main essay of this second edition has been updated according to the latest historical research on lettering sources. With foreword by Dr. Chaz Bojórquez, East Los Angeles graffiti pioneer and Godfather of West Coast Cholo Writing for over 50 years.

If you're interested in the Microphones box set but maybe you don't actually enjoy music (or maybe you have the records, or maybe it's sold out), here you can buy just the book.

It's pretty fancy on its own. 12.5" x 12.5", 107 pages, perfect bound with huge french flaps, packed with beautiful photos and artwork, notebook spreads, studio track sheets, show posters, etc. These were made at the sustainability-award-winning Hemlock Printers in Burnaby, B.C., a splurge.

It works as either a semi-abstract aesthetic art thing or as an abundantly packed collection of background materials that should satisfy even the most curious Microphones music listener.

A crossroads of reggae and punk; a travelogue of Jamaica, UK, and Japan from 1982 to 2023, written and photographed. To resist is to live. 1982-2023. Jamaica, UK, Japan. The intersection of reggae and punk. There are photographs that take on new meaning as time passes. The lifework of photographer Masataka Ishida, who has been following the world's rebel music. A record of his 41-year journey in search of true freedom. The first product from Type Slowly.

On the cover of the magazine: 19 page special feature – inside the sound world of David Lynch, including a new interview with the director and his music collaborators Chrysta Bell Zucht and Dean Hurley + essays on Dune, Eraserhead, Twin Peaks, Lost Highway, The Straight Story, Wild At Heart, backwards speech, wind sounds, drones, finger clicks, lip-syncing, and more.

Also in the magazine: interviews with Copper Sounds, Miaux, and Theodora Laird & Caius Williams, plus: Invisible Jukebox: Dhangsha, Unlimited Editions: Discreet Music, Epiphanies: Lonnie Holley, The Inner Sleeve: Mabe Fratti, Global Ear: Monterrey, and 36 pages of reviews including Vijay Iyer, World Service, Joe McPhee, Paul Burwell, new histories of krautrock and free jazz, Chicago Jazz String Summit, and more.

Finally: all copies of the August issue come complete with a free CD of The Wire Tapper 65 featuring 16 new tracks by Farida Amadou, Mettani, Landless, Noémi Büchi, Doc Sleep, TAU, and more.

eye_C Magazine's first cover this time is dedicated to the mag's legacy and their Spring 24 collection titled ‘Snow in April’. The cover shoot, shot in Tokyo is also accompanied by an interview with one Jockum Hallin, one of the label’s co-founders. Their second sees the return of norbit by Hiroshi Nozawa as a cover brand featuring an editorial shot in the mountains west in the Greater Tokyo area. Lastly a simple cover dedicated to eye_C Magazine's love of Navy featuring some of the latest pieces from the editor’s choice x SEE SEE.

eye_C Magazine also included several multi-brand editorials for this issue featuring a plethora of different labels alongside their regular product highlights.

Avril Lavigne is here to take the stage in your music collection! Jam out with this Pop! Albums Cover featuring Pop! Avril Lavigne from her hit album, Let Go! Pop! figure is adhered to the base and backdrop to ensure display integrity. Approximate dimensions of protective case: W 22.2 cm x H 22.2 cm x D 9.5 cm.

Turn up the volume in your music collection with Pop! Duff McKagan, legendary bass guitarist of Guns N' Roses! Who will this performer collaborate with next in your Pop! Rocks set? Vinyl figure is approximately 10.8 cm tall.

For millennia, “nirvana” has been a term associated with belief systems of the Indian subcontinent. But in 1988, a band from a small coastal town in Washington state decided to create some new associations with this word . . . through their music.

Active for just six years, Nirvana left an indelible mark on the late twentieth century that remains visible today. Photographer and self-described “music fanatic” Charles Peterson, a fellow twenty-something from the suburbs of Seattle, was present with his camera as a genre took form, and his images have become synonymous with the sounds, styles, movement and attitude known as grunge.

Charles Peterson’s Nirvana, in the tradition of many great documentary photobooks, expands beyond Peterson’s iconic images of the band seen repeatedly over the last thirty years (on album covers, in magazines, and in dozens of compilation books and exhibitions focused on this music and its birth era) to highlight gems never before published. Over a five-year photo edit, Peterson looked at each one of thousands of frames, considering what drew him to Nirvana in the first place—their songs. He honed in on the compositions that stimulated visceral memories of their live performances.

The resulting selection of photographs and their carefully constructed sequence mash up venues and years, suffering and the sublime, to arrive at a visual experience that one cannot help but also feel, and hear.

Book design by Jeff Kleinsmith.

9 x 12.25 inches vertical; ~90 black and white photographs; 168 pages;. Hardcover. Foreword by Krist Novoselic.

Charles Peterson (b.1964, Longview, Washington) is internationally known for his photographs of the Seattle music scene of the late eighties and nineties. He began making photographs while a student at Bothell High School, and then went on to study photography at the University Washington, where he first met as friends many of his future subjects.

Peterson’s distinct visual style and early work for Sub Pop Records became an important signifier of the phenomenon known as grunge.

His photographs have been featured in numerous publications, as well exhibited in group and solo exhibitions around the world. They are included in many private collections, and the permanent collections of the Seattle Art Museum and MoPOP.

Krist Novoselic (b. 1965, Compton, California) is co-founder of Nirvana.

Nirvana originated in Aberdeen, Washington in the late 1980s through the energies of Novoselic and Kurt Cobain. They were joined by drummers including Chad Channing (1988–1990) and David Grohl (1990–1994). Nirvana’s live performances, music videos, and albums Bleach (1989), Nevermind (1991), Incesticide (1992), In Utero (1993) and MTV Unplugged in New York (1994) made their music a defining component of the late twentieth century internationally.

Turn up the volume in your music collection with Pop! Axl Rose, legendary singer and songwriter of Guns N' Roses! Who will this performer collaborate with next in your Pop! Rocks set? There's a 1 in 6 chance you may find the chase of Pop! Axl Rose in an alternate outfit! Vinyl figure is approximately 10 cm tall.

Pop! T-Pain is ready to take the stage in your music collection in the stylish ensemble from his hit song “That’s Just Tips”! Who will this rap artist collaborate with in your Pop! Rocks collection? Vinyl figure is approximately 11.5 cm tall.

Highlights of our Crush issue include… Karabo Mookie… The brilliant thing about authenticity is that you are either authentic or not. There’s no way to try it, no way to buy it. And that’s why, in the current climate of everybody wanting to be everything at any given time in praise of rising follower numbers, the work of Johannesburg-based photographer and filmmaker Karabo Mooki - and the way he explores local subcultures - cannot be appreciated highly enough.

Alison Blickle… Myths are deeply embedded in basically every culture on our planet. They were necessities to explain our surroundings and the world itself, long before any kind of elaborate academic vocabulary offered a different view on things. And, in actuality, people still love to create them in order to make sense of a world that’s changing at warp speed. Los Angeles-based artist Alison Blickle now combines the ancient with the contemporary to form urgent and highly topical narratives in her amazing paintings.

DRE Dogue… If you understand life as a state less shaped by borders and rules but by connectivity and options, then it makes perfect sense to be constantly in motion instead of showboating your permanent residence. And celebrated photographer Dre Dogue does exactly that. From Manila to Tokyo, from Bangkok to Hong Kong. And then some more. Living the life of a full-time urban nomad for many years already, he travels Asia’s primate cities and beyond with his trusted analog cameras - and luckily, he isn’t getting tired of it at this point.

JAY Wilkinson … Your sense of self is much more defined by what your mind tells you about yourself than by the actual truths your very own storyline is offering. It’s way more fiction less facts. It’s basically a composition of disjointed half-truths placed on a rather porous timeline that keeps you going. Texas-based painter Jay Wilkinson is very much aware of this fact, and his latest series “free Dirt“ is his take on how memories are built by the permanent absorbance of information.

- plus more elaborate features and visual awesomeness from the likes of: John Brosio, Sunandbass, Mark Gonzales, LA Pools, and many others.

Roll out the red carpet for Pop! Tupac. He’s hitting the stage in style, dressed in quintessential 90s fashion, microphone in hand. Expand your Funko Pop! Music set and re-create all your favourite music moments with this noteworthy addition. Who will you collaborate with next? Vinyl figure is approximately 10.5 cm tall.

Get ready to shake your hips! Funko Pop! Shakira is taking the stage, and she’s dressed in her outfit from the Super Bowl LIV halftime show. Commemorate all your favourite music moments and hold your own impromptu concert. Who will Pop! Shakira collaborate with next in your collection? Vinyl figure is approximately 9.7 cm tall.

The fifth issue of We Jazz Magazine, "Amaryllis" for Mary Halvorson. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN English. Stories include Mary Halvorson by Peter Margasak, Pi Recordings by Will Layman, Tyshawn Sorey by Marc Medwin, Women On the Syllabus by Tina Edwards, A Love Supreme Festival by Gareth Allen, Odysseus Festival by Dave Waller, Bob Rutman by Marialuisa Bonometti, Sarathy Korwar & Joanna Duda in conversation by Debra Richards, Tokyo Jazz Joints Vol. 3 by Philip Arneill, reviews, plus more.

Turn up the volume in your music collection with Pop! Slash, legendary lead guitarist of Guns N' Roses! Who will this performer collaborate with next in your Pop! Rocks set? Vinyl figure is approximately 12.8 cm tall.

Enjoy a spine-chilling performance with Pop! Brendon Urie (Demon)! This artist is taking the stage in his ensemble from Panic! at the Disco’s “Emperor’s New Clothes” music video! Who will Panic! at the Disco collaborate with next in your Pop! Rocks collection? Vinyl figure is approximately 10.8 cm tall.

Shakira is here to liven up your music collection! Complete your Pop! Rocks lineup by welcoming Pop! Shakira to the stage as this Fijación Oral Vol. 1 Pop! Album Cover! Pop! figure is adhered to the base and backdrop to ensure display integrity. Approximate dimensions of protective case: W 22.2 cm x H 22.2 cm x D 9.5 cm.

Roll out the red carpet and hang the disco ball. Pop! Snoop Dogg is hitting the stage in style, dressed in his outfit from the Sexual Seduction video. Expand your Funko Pop! Music set and re-create all your favourite music moments with this noteworthy addition. Vinyl figure is approximately 10 cm tall.

On the cover: Tomeka Reid. Inside: KMRU, Gordan, Bodies in Motion: Malik Nashad Sharpe + NWAKKE + Bianca Scout, Tongue In The Mind, Nick Dunston, Nika Son, Henry Birdsey, Sisso & Maiko, Invisible Jukebox: Karl Bartos, Global Ear: Belgrade, Unlimited Editions: Notice Recordings, Unofficial Channels: A Moon Age Daydream, The Inner Sleeve: Alison Cotton on John Cale & Terry Riley’s Church Of Anthrax, Epiphanies: Jim Staley + 40 pages of reviews including Sun Ra, Chris Corsano, Skin Graft label, Nilotpal Das, Winter, Elton Dean, Cecil Taylor, Eno, Kim Gordon, Jeff Mills, Charles Curtis and specialist columnists including Steve Barker and Byron Coley + charts, letters, listings, and more.

Breaking the global record for streams in a single day, nearly 10 million people around the world tuned in to hear Kendrick Lamar's sophomore album in the hours after its release. To Pimp a Butterfly was widely hailed as an instant classic, garnering plauditory albums reviews, many awards, and even a canonized place in Harvard's W. E. B. Du Bois archive. Why did this strangely compelling and masterful record stimulate the emotions and imaginations of listeners?

This book takes a deep dive into the sounds, images, and lyrics of To Pimp a Butterfly to suggest that Kendrick appeals to the psyche of a nation in crisis and embraces the development of a radical political conscience. Kendrick breathes fresh life into the black musical protest tradition and cultivates a platform for loving resistance. Combining funk, jazz, and spoken word, To Pimp a Butterfly's expansive sonic and lyrical geography brings a level of innovation to a field dominated by the predictability of trap music. More importantly, Kendrick's introspective and philosophical songs compel us to believe in a future where we gon' be alright!

Trip-hop described some of the 1990s' best music, and it was one of the decade's most revealing bad ideas.

The music itself was an intoxication of beats, bass, and voice. It emerged amid the social tensions of the late 1980s, and as part of hip-hop's rise to global dominance. It carried the innovations of Jamaican soundsystem culture, the sweet refuge of Lovers Rock, the bliss of club jazz dancefloors and post-rave chill-out rooms. It went mainstream with Massive Attack, Portishead, Tricky, DJ Shadow, Kruder & Dorfmeister, and Björk; and with record labels like Ninja Tune and Mo' Wax. To the artists' despair, the music was tagged with a silly label and packaged as music for the boutique and the lounge; made respectable with awards and acclaim.

But the music at its best still sounds experimental and dramatic; and its influence lingers through artists like FKA twigs, Sevdaliza, James Blake, Billie Eilish, and Lana Del Rey. This short book is a guide to 'trip-hop' in its context of the weird 1990s: nostalgia and consumerism; pre-millenium angst and lo-fi technology; casual exoticism amid accelerating globalization and gentrification. This book presents a survey of the music and its leading artists, packed with recommended listening, essential tracks, great remixes, and under-recognized albums.

Finally, a brilliant exploration of the German rock band Can's monumental 1971 album Tago Mago.
Tago Mago is a hugely unique and influential album that deserves close analysis from a fan, rather than a
musicologist. In this officially approved account of one of the most influential and powerful albums of the 1970s, Scottish novelist Alan Warner details the
concrete music we hear on the album as well as how it was composed,
executed and recorded—including the history of the album in terms of
its release, promotion and art work. Warner includes a backtracking of
the history of the band up to that point and also some description of Can's unique recording approach taking into account their home studio set up. Yet this tale of Tago Mago is more than just a history of the band; it is also the tale of a young man obsessed with record collecting
in the dark and mysterious period of pop music before Google.
Through a combination of Warner’s own experiences and interviews with the two surviving members of the band (drummer Jaki Liebezeit, keyboardist Irmin Schmidt and bassist Holger Czukay) Can’s Tago Mago
is a hilariously personal and illuminating picture of one of the biggest names in experimental rock.

160 pages, paperback.

Extravagantly opaque, willfully vaporous — Aphex Twin’s Selected Ambient Works Volume II, released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. In the United States, it was Richard D. James's first full length on Sire Records (home to Madonna and Depeche Mode) under the moniker Aphex Twin; Sire helped usher him in as a major force in music, electronic or otherwise.

Faithful to Brian Eno’s definition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill out rooms, the sanctuaries amid intense raves. Choreographers and film directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse-engineered its fragile textures for performance on acoustic instruments. Simultaneously, “ambient” has moved from esoteric sound art to central tenet of online culture. This book contends that despite a reputation for being beatless, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes.

144 pages.

Limited Edition Custom Playing Cards illustrated by El Oms - Released in conjunction with the new El Michels Affair 7" featuring Bobby Oroza // We had this idea years ago and a phone call to our very talented friend El Oms brought it to fruition. El Oms illustrated all the charcters on the card faces and our own Danny Akalepse designed the backs and the box. In talking about this deck of cards we decided to release a 7" with it and El Michels Affair cut a track for Bobby Oroza to write to which plays up the theme here and is aptly titled "Stack The Deck". For good measure we dug in the vaults and made the B Side El Michels Affair's crushing cover of the Notorious B.I.G.'s "Things Done Changed". This playing card collaboration is a limited 500 piece run. Standard 52 card poker deck, 2 jokers , and 2 logo cards in a customized box. A collectors item on release and a great gift for fans of the label, El Oms, and card players. The 7" is available if you would like to offer the full collaboration. We hope this is right on time to usher in the days of hanging out with friends listening to music, playing cards, and enjoying one another's company.

High Energy / Disco Mexican Flyer 1980 – 2000 is a collection of sonidos music event flyers collected in Mexico City by Hector Mosko.

It gathers more than 120 artworks in the fantastic art style. Originally hand printed on different sort of papers, sizes and colors to promote Sonideros or club parties.

Second edition 100ex Format : 17×17,5cm 92 pages

Ready to spin into a toe stand and moonwalk across the stage? Pop! Michael Jackson™ is here to rock your Pop! Music set. He’s dressed in the outfit he wore in his Dirty Diana music video. Relive your favourite music moments and expand your Pop! Rocks collection. Make this noteworthy addition the star of your collection. Vinyl figure is approximately 10.8 cm tall.

Limited edition, detailed vinyl toy of BoBF- Grogu w/ Armor out of the Funko Pop Star Wars series. Highly collectible!
Grogu is safely clothed in his chainmail armor. Protect Pop! Vinyl Grogu with Armor and help him find Mando in your Star Wars™: The Mandalorian™ collection. Vinyl bobblehead is approximately 9.1cm tall.

»Queen Of Nowhere« is the result of the photographic works by Kourtney Roy and the musician Dayve Samek (Trance Farmers). Samek has recorded his first album in 2014 on Leaving Records (Stones Throw Records). His music ranges between sweaty, garage-born ballads brush shoulders with drifter anthems and gasoline drenched doo wop with at some points some beats close from the past Anticon works. The Canadian photographer Kourtney Roy was born in Northern Ontario in 1981. She conjures an intimate universe pervaded by both wonder and mystery. Her photographer’s eye is drawn to places and settings whose lyrical qualities underscore the sublime banality of everyday life.

Why is it that thousands of clubbing tourists land at Berlin Schönefeld airport every weekend? Why have clubs like Berghain become the stuff of legend the world over? Why have some of the best-known producers and techno DJs like Richie Hawtin and DJ Hell moved with their labels to this city? These are the kind of questions explored in Lost and Sound by Tobias Rapp, a German music journalist who has been living, working and partying in Berlin since the beginning of the nineties. He has spoken with DJs, clubbers, label bosses, hostel managers and urban planners; he has looked and listened carefully; and most important of all, he has been part of the dance floor himself. Every day of the week – from Wednesday night (in Watergate) right through to Wednesday night (back in Watergate).

Lost and Sound is not one of those books that try to grasp techno from a desk-bound position. Rapp zooms in to relate intimate moments in front of the DJ booth and at the bar, and then cuts to historical tangents and theoretical reflections. Detailed research is interspersed with accounts from a first-person perspective. An excellent portrait of Ricardo Villalobos, the biggest star of the Berlin minimal techno and after-party scene, stands alongside a precise sociological portrayal of the queue for Berghain. Through this interplay of music, architecture, infrastructure and drug-induced explorations of personal limits, Rapp is able to capture what makes Berlin such a unique place for electronic music and how this music is experienced.

Following its publication in Germany in February 2009, Lost and Sound made an impact not
seen from a book about popular music for a long time. This was undoubtedly due in part to the
term coined for its subtitle: the ‘Easyjet set’ is a new group of music fans who – thanks to the
deregulation of the European air travel market – now regard the aeroplane as a taxi service for
parties, effectively making Barcelona, London and Paris suburbs of Berlin.

"For A Fleeting Moment" is the result of the dialogue between the Swiss photographer Simone Kappeler and the Japanese musician Tomotsugu Nakamura initiated by Iikki, between March 2023 and May 2024.

Tomotsugu Nakamura is a musician and graphic designer residing in Tokyo, Japan. His primary artistic practice is to compose music with some fragments of minimal acoustic and electronic tones and some field recordings. In Concert, he he has played with various genre of musicians and his works have been released by Kaico, Audiobulb Records, and more recently by the French label Laaps.

Born in 1952 in Frauenfeld (Switzerland) where she lives and works, Simone Kappeler started taking pictures at the age of 11. After studying German literature and art history, she studied photography at the Zurich University of the Arts. During a three-month trip to the United States in 1981, she took her first pictures using cheap cameras, especially the Diana camera. Hasselblad, Leica, Diana, Brownie, Polaroid, disposable camera, expired or infrared films, since 1970, Simone Kappeler has explored all types of photographic techniques. Her work, experimental and poetic, reveals to us the curiously foreign world that surrounds us. Since 1982, ongoing projects in southern France and the Grisons.1982/83, studio in New York, conceptual photography and Super 8 films. 1983/84, theater photographer, Schauspielhaus Zürich. 2009, six-week photographic study of Japan, 2015 studio in New York. Her work was the subject of a first monograph: "Seile. Fluss. Nacht. Fotografien 1964–2011", edited by Hatje Cantz and is regularly exhibited in Galleries and Museum in Europe and United States. For A Fleeting Moment is her first book gathered exclusively a part of her wide polaroid works from 2011 to 2023.

Fine Art Book, Ltd. to 700 copies: Hardcover book printed on Glossy Modern Paper 170g/m2 // 104 pages, 19cm x 22.5cm, 66 photos // Front cover points and back cover logo embossed // Selective UV varnish // Hand-numbered.

deadHYPE is back with the 3rd issue of their magazine deadHYPE CLTV. As always you can look forward to various interviews, articles and photo series from and about the community of the Berlin based creative collective.

“Raghunath’s transformation shows how one person’s choice to evolve can change the lives of so many. This book is real, funny, and inspirational.” – Jay Shetty The heartfelt memoir of Ray Raghunath Cappo, a legendary hardcore-punk musician-turned-monk—and pioneer of the straight-edge movement—told with warmth, candor, and humor. Ray Cappo was a hardcore-punk singer and pioneer of the straight-edge movement living on the Lower East Side of New York City in the ’80s, where his band Youth OF Today played to packed clubs and touched thousands of people across the globe. But despite the accolades from fans, the popularity of his records, and the positivity he’d brought to the punk music scene, none of this success gave Ray joy. He felt stagnant, and he yearned for something more. This, along with his father’s untimely death, led him to abruptly quit the band and buy a one-way ticket to India in pursuit of the answers to life’s great mysteries. Living as a monk in the sacred city of Vrindavan and traveling across the country on a series of train trips, Ray embraced the rich, spiritual culture he discovered there. As his unusual adventure unfolded, he encountered extraordinary characters, witnessed deep acts of devotion, and experienced profound moments of divine connection, leading to a radical transformation that was ego-crushing and blissful all at once. Inspired to write music again, Ray returned to the US, where he and other monks founded Shelter, a band dedicated to spreading a message of faith, hope, and love. Told with warmth, candor, and humor, this heartfelt memoir chronicles Ray’s emotional and

Multidisciplinary artist Kaws was first known for his work as a graffiti artist and his subversive approach to popular imagery on bus shelter and phone booth advertisements. This is the first comprehensive survey of the artist’s body of work.

On The Cover: Unpublished JOE Dilworth photo of MY Bloody Valentine, from sessions for their Isn't Anything record. My Bloody Valentine: Revelatory, unpublished interview excerpts from hours of tapes with Kevin Shields by editor Mike Mcgonigal conducted for his 33 book on Loveless. Inside: A great interview with Joe Dilworth by Mike Galinsky and pages of his photos of London's underground music scenes in the 1980s and '90s, including unseen images of MBV. Will Oldham: Great, lengthy conversation with his collaborator and longtime friend Nathan Salsburg, on the occasion of their record of Lungfish covers. Harvey Milk: Epic, well-illustrated oral history of the pioneering '90s Athens, GA-based doom/ heavy-rock/ experimental/otherwise unclassifiable and influential band. Justin Green: New scans of the underground cartoonist's music comics, many originally published in Tower's Pulse magazine. 18 full pages, with text by comics historian John KELLY."

Prince of Grass is the debut poetry collection from Dan Wriggins, songwriter and frontman of the band Friendship. Loving and absurd, Wriggins' poems are overflowing cauldrons of metaphor, always inviting, always in motion. For fans of James Tate, C.D. Wright, David Berman, and pie for breakfast. Dan Wriggins is a writer and musician from Maine. He records and tours solo and with the band Friendship. His debut poetry collection, Prince of Grass, is coming in July of 2024 from Dear Life Records. He lives in Philadelphia with his dog, Roy.

The first book by professional BMX athlete, entrepreneur, content creator, and cultural icon Nigel Sylvester; photographed by director, cinematographer, and graphic designer Harrison Boyce.

Inspired by his globally acclaimed digital series GO, which documents the Queens, NY native’s ambitious desire to ride his bicycle around the world, the two hundred-plus page coffee table book (out this October with Rizzoli) transports audiences to marquee cities worldwide, placing them in the front seat to various thrill-seeking moments documented through dynamic photos and short stories including sumo wrestling in Tokyo, fencing at Somerset House in London, racing Ferraris along the Malibu coast, and jumping out of a plane with his BMX bike in hand into the Dubai desert, just to name a few. Unprecedented moments like this make it easy to understand how the BMX icon's ubiquitous influence has redefined the sport on his terms and become one of the most recognizable faces in the sports world.

Sylvester's cultural relevance is also embedded throughout the book, with cameos from Nigo, Super Bowl champion wide receiver Victor Cruz, rapper Rick Ross, DJ Khaled, celebrity jeweler Greg Yuna, Jamie Chung, Asap Ferg, Steve Aoki, and NBA champion Nick Young.

Shellac, Arnold Dreyblatt, Robyn’s Rocket, Zoh Amba, Normil Hawaiians, Kalia Vandever, Antti Vauhkonen, Marion Cousin, Invisible Jukebox: Iceboy Violet, The Inner Sleeve: Kai Fagaschinski on The Jimmy Giuffre 3, Global Ear: Berlin choir A Song For You, Unlimited Editions: Ipecac, Unofficial Channels: Music Republic & Moroccan Tape Stash, Epiphanies: Tashi Wada on tuning systems, plus 40 pages of reviews including Tony Conrad & Jennifer Walshe, FUNK.BR: São Paulo, Christer Bothén featuring Bolon Bata, Somerset House Studios’ Assembly, and much more

JIMI HENDRIX™ had an electrifying career highlighted by ground-breaking live performances! The latest 3.75” scale, articulated JIMI HENDRIX™ Festival ReAction Figure is inspired by the legendary guitarists’ iconic festival looks and features him in a blue-and-white fringed tunic and bell bottom blue jeans, and comes with an electric guitar accessory. Adding this JIMI HENDRIX™ ReAction Figure to your collection of rock and roll legends is as easy a decision as you’ll ever have to make!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Electric guitar
• Package Dimensions (in): 9"x6"x1"
• Weight: 0.2 lb

The twelfth issue of We Jazz Magazine, "Worldwide" for Gilles Peterson. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Includes Gilles Peterson by Anton Spice, Ingrid Laubrock by Stewart Smith, Hannibal Lokumbe by Bret Sjerven, Universal Folks Sounds by Magnus Nygren, Spoken Word / Free Jazz by Alex Coles, Dutch Jazz Archive by Danny Veekens, Takuya Kuroda by Rob Garratt, Jan Roder and Michael Griener of Die Enttäuschung by Bill Meyer, divr by Daryl Worthington, Astro Can Caravan by Wif Stenger, Discaholic Column by Mats Gustafsson, J Jazz 1955-88 by Tony Higgins + album reviews & more.

In 1987, Salt-N-Pepa became the first female hip-hop act to achieve platinum status and have gone on to become icons of the industry as the First Ladies of Hip-Hop! This Salt-N-Pepa ReAction Figure 2-pack is inspired by the duo’s looks from their first hit music video “Push It” and includes a pair of microphone accessories. Add a little flavor to your collection with the addition of this Salt-N-Pepa ReAction Figure 2-pack!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: A pair of microphone accessories
• Product Dimensions (in): 3.75"
• Weight (lbs): 0.2 lb