2010s Vinyl Sale 59 Items

Blossomsare an Englishindie popband fromStockport,Greater Manchester. Formed in 2013, the band consists of Tom Ogden (lead vocals,guitar), Charlie Salt (bass,backing vocals), Josh Dewhurst (lead guitar,percussion), Joe Donovan (drums) and Myles Kellock (keyboards,synthesizer,backing vocals). Now, their self-titled debut is back in print.

Always driven by his search for balance, Crayon delivers here his most personal work. Post Blue presents a digital soul, both contemplative and rousing, where acoustic and electronic sounds mingle. This taste of paradox is essential from the beginning, and remains throughout all the EP. One feels at once relaxed and anguished, optimistic and melancholic.

11 tracks with influences trip hop, Arabic music, soul or delta blues, whose proposals give rise to a lively psychedelism and an ardent shamanism. An experimental album of a rare eclecticism of the unclassifiable Dutch trio My Baby.

Her second full-length album, Look Up Sharp , on her own Kallista records. Look Up Sharp is an evolutionary leap from the thick fog and pastoral stillness of her Blackest Ever Black missives, You Know What It's Like (2016) and The Garden EP (2017). Three years since her plain-speaking debut album, the Melbourne-via-Berlin artist finds herself absorbed in London's sprawling mess. The small-town dreams and inertia that preoccupied dal Forno's first album have dissolved into the chaotic city, its shifting identities, far-flung surroundings and blank faces. Look Up Sharp is the story of this life in flux, longing for intimacy, falling short and embracing the unfamiliar. Dal Forno connects with kindred spirits and finds refuge in darkened alleys, secret gardens and wherever else she dares to look. In her own territory between plaintive pop, folk and post-punk dal Forno conjures the ghosts of AC Marias, Virginia Astley and Broadcast through her brushwork of art-damaged fx and spectral atmospheres. The first half of the record is filled with dubbed-out humid bass lines, which tether stoned hazes of psychedelic synth work as on 'Took A Long Time' and 'No Trace.' These contrast with songs like 'I'm Conscious and 'So Much better' that channel the lilting power of YMG and are clear sequels-in-waiting to dead-eyed classics like 'Fast Moving Cars.' The B-side begins with the feverish bass and meandering melody of 'Don't Follow Me,' which takes The Cure's 'A Forest' as its conceptual springboard. It's the clearest lyrical example since 'The Garden' of dal Forno's unmatched ability to unpick the masculine void of post-punk and new wave nostalgia to reflect contemporary nuance. Look Up Sharp reaches its satisfying conclusion with 'Push On' - dal Forno's most explicit foray into an undiscovered trip hop universe between Massive Attack and Tracey Thorn. The album's last gasp finds personal validation in fragility: 'I push on / I'm the Place I'm Going,' a self discovery lifted by reverberant broken beats and glass-blown...

Clouds Clouds Clouds. With a weightiness the color of amethyst. Light on the horizon. A sun. No point, no pane, no space, no rainbow. A stripe. A circular course. A bee loop. Honey-colored amber. Words. Our glistening white glider jumps through with ease.

Benny Sings‘ first song on Stones Throw was a cover of “Passionfruit” originally by Drake. Some six years and three albums later, we’ve finally decided to put it out on vinyl. Side A is a cover of Christopher Cross’ 1979 classic “Sailing”, which Benny released late last year. Quantities are limited, so grab yours now. Once they’re gone, they’re gone.

2022 repress

The very team which helped Tellier create his cult classic song 'La Ritournelle' reunited: Tony Allen, of Fela fame, on drums. Rob, keyboardist for Phoenix. Emmanuel d'Orlando on string arrangements and Philippe Zdar (Cat Power, Beastie Boys, Kindness and part of Cassius) mixing the record. LP incl MP3!

Finally Taylor Swift’s album “Fearless” from 2008 gets a vinyl reissue as a 180g 2 LP.

Limited edition for record Store Day 2017!

UK National Album Day Limited Release.
Always & Forever is the debut studio album by British girl group Eternal. The album achieved six top 20 singles, two of which reached top 5 - "Stay" and "Oh Baby I...". Always & Forever was a huge success, peaking at number 2 on the UK Albums Chart, and was later certified 4× Platinum by the BPI for sales of over 1.2 million copies. The album spent over 76 weeks in the charts.

Jatinder Singh Durhailay and David Edren released Tea Notes as a cassette back in April of 2018. London-based Jatinder Singh Durhailay is a painter and student of Indian Classical music. He has trained in both the sitar and the Hindi singing technique, Dhrupad. He also plays two traditional Sikh instruments; the bowed, stringed Dilruba and Taus. Poetic Pastel Press issued his solo debut, The Last Ballad Of Mardana, in 2017. David Edren`s expertise lies with machines and modular synthesis. His Kosmische and New Age-Inspired electronics have featured on numerous cassettes, and compilations, produced for imprints from the current Belgian underground, such as Jj Funhouse, Social Harmony, and Ultra Eczema. These recordings appearing, since the turn of the millennium, either under his own name, or the moniker DSR Lines. Jatinder and David’s collaboration, Tea Notes, is a celebration, a meditation, on both the beverage, and the communal time shared imbibing. The coming together to partake in its ritual. Each of the six tracks represents a different infusion. The opening piece is a tribute to semi-oxidised Oolong, from China`s Wuyi Mountains, with hammered dulcimer-like glissando. Gongs shimmering, gently crashing, as if signaling a change in the weather. A calm of thin, stretched synths and Ai angels introduces Tulsi from India. The Holy Basil of Hinduism, used in the worship of Vishnu, Krishna, and Rama. A traditional herb of Ayurveda and Siddha medicine. Automated arpeggiated sequences raising a vibrating wall of hallucinatory sound. Pairing swooning strings with a racing robot heart. Ceylon is a modern twist on the classical raga. Serving to tell the story of a tea smuggled into Sri Lanka in the 19th century. Plants stolen from South West China, where the brew had been enjoyed since the days of the Shang Dynasty (1766 to 1122 BC). The contraband founding fresh industry in its new home when the indigenous coffee crops failed. Muted organ and sleepy, treated sine wave microtones describe Kava, the Polynesian fireweed root, whose extract serves as both sedative and euphoriant.Shincha are the first young leaves of the season. Picked in Southern Japan and steamed to prevent oxidization, retain their flavour and green / gold colour. Their musical counterpart finds Edren establishing an ecclesiastical drone, while Durhailay`s strings chart an ancient romantic ache. Sonic stars shine. Singing out to the infinite, the universe, before dissolving into knots of Radiophonic Workshop noise.Melodies treated with subtle sustain and delay denote Pu-Ehr, from the Yunnan province. The only truly fermented black tea - made distinctive by the action of bacteria, moulds, and yeasts. Its musical themes hovering in the vapour trails, the atmospheres, they themselves create. Spiraling, soaring, reaching for the heavens, while pretty music box glitches - tiny chimes turned in on themselves. Catching, reflecting, like light at play on fresh running water. (words: Robert Harris)

Recorded january to march 2018 in Antwerpen and London. Mixed and edited by David Edren at ll150.
Mastered & cut by Anne Taegert at Dubplates & Mastering Berlin. Artwork by Victor Robyn.

Limited to 3500 copies.

Available exclusively for Record Store Day 2022 on smokey green vinyl, is Sam Smith’s Nirvana EP. Originally released in 2013, the EP features some of Sam’s earliest releases, including an acoustic version of their hit single ‘Latch’. Product Info: • 12” vinyl / • 4-track 12” EP, cut at 45 rpm / pressed on smokey green vinyl

This release includes a download code.

The first album of Dodi El Sherbini, Fictions, is romantic, modern and dreamy, but also leaves room for humor. It is undoubtedly the love feeling that is at the forefront of Dodi El Sherbini's Fictions. "Dandy", "black prince", "shadow man", many formulas have tried to define Dodi El Sherbini, French iconoclastic pop singer appeared on the music scene in 2014. Mysterious, we know little about him if it is only he had a thousand lives: he spent his childhood moving, studied philosophy, chained small jobs (server, door-to-door salesman) then became a stylist to finally indulge in music , "A real luxury" according to his own admission. He illuminated the year 2015 with three EP noticed and applauded by the hexagonal press who laid the foundations of a dreamlike pop, not far from Christophe or Sebastien Tellier.

Limited Edition of 300 copies.

Limited edition of 300 copies for HHV Summer Of Jazz 2020!

Arising at the forefront of contemporary underground pop, Chicago-based duo GRÜN WASSER shapes the course of minimal electronic music and blurs the boundaries of art, songwriting and performance on their latest full-length Not Ok with Things out October 4, 2019. Vocalist Keely Dowd and producer Essej Pollock artfully bend and reconfigure popular trends in dance music into unconventionally catchy songs and a powerful live show. Their unique mix of hardware, software and sampling coalesce into irresistible rhythms and driving sequences that fuse perfectly with Dowd’s distinctive alto voice, forming music that is as instantly appealing as it is fascinating. With lyrics inspired by personal struggles and social inequality, GRÜN WASSER raises the bar on innovation in modern pop as they arrive on the national stage with Not Ok with Things.

As longtime friends, Dowd and Pollock formed GRÜN WASSER in 2015 out of the rich cultural hub of Chicago. Both had backgrounds in punk and electronic music and together crafted a dynamic live act that fit within a variety of niche genres and scenes. Amidst the hype of GRÜN WASSER’s first album Nein/9 in 2016, Dowd’s alluring stage persona blossomed, while offstage her personal life began to unravel due to alcoholism and resulting depression. Nevertheless, the two began touring the country while writing new material and by late 2017, Dowd was able to get sober just ahead of their self-released follow-up album. On 2018’s Predator/Prey, Dowd candidly spoke out against hyper-masculinity and challenged misogynistic cultural norms. The lyrics of her songs became woven into the live performance, with Dowd often venturing into the crowd and confronting audience members with an intensely honest portrayal of feminine empowerment. Perfectly paired, Pollock’s thumping, experimental beats complement Dowd’s hypnotic vocals and gripping stage presence, making GRÜN WASSER a potent combination of pop and art.

On Not Ok with Things, Dowd deconstructs her alcoholism and protests the gross imbalance of gender roles. This complex mixture of emotions provides a palpable overcast to Pollock’s cold bass lines and brooding synth tones. The lyrics on songs like “Translator” and “Tried Spitting at The Sun” depict a turbulent mind bracing the ups and downs of relapse and recovery, while “Worm” and “Gray/Grey” grapple with the social casualties of addiction. The heavy subject matter is delivered within organic arrangements that often deviate from a typical verse-chorus format, representing the revolving tides of raw emotional expression. GRÜN WASSER’s use of textural samples gives an environmental context, enhancing the composition and revealing influences from hip-hop, house and industrial music. Pollock’s abstract percussion techniques incorporate real-world sounds with high-hat rolls and thick sub bass, adding a gritty undertone to their polished sound design. Swells of backing vocals add highlights of nuanced melody that swirl in and around Pollock’s dense synthwork and precise drum programming. Not Ok with Things is a bold exposition and an inspiring symbol of female resilience in the modern world, giving GRÜN WASSER’s work dimensions beyond the audible.

GRÜN WASSER fully realizes their singular talent on Not Ok with Things, crafting meaningful pop music with unmistakable passion and evocative style.

Synthetic Flower Fields is probably a future classic in modern Synthwave / Italo / Disco, released on the notorious label Sunlover Records.