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Thee Headcoats

Thee Headcoats HHV Records 5 Items

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Thee Headcoats - Beach Bums Must Die

Beach Bums Must Die

LP | 1990 | EU | Reissue (Crypt)

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Release: 1990 / EU – Reissue

Genre: Rock & Indie

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Their 5th LP: 16 cuts, including 2 from the rare UK 3rd lp "HEADCOATS Down" LP and 2 from the equally rare "Kids Are All Square"

Thee Headcoats - In Tweed We Trust

In Tweed We Trust

LP | 1996 | UK | Reissue (Damaged Goods)

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Release: 1996 / UK – Reissue

Genre: Rock & Indie

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Finally out of moth balls! Reissue of Thee Headcoats' 1996 classic LP featuring some of their finest cuts!

Thee Headcoats - Irregularis The Great Hiatus Edition

Irregularis The Great Hiatus Edition

LP | 2023 | EU | Original (Damaged Goods)

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Release: 2023 / EU – Original

Genre: Rock & Indie

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The undisputed kings of garage rock are back! It's been 22 years since the last Headcoats album, but now Billy, Bruce, and Johnny return with a brand-new studio album! Recorded last year at Ranscombe Studios in Rochester. Billy, Bruce, and Johnny kindly answered some pertinent questions_You got back together recently as Thee Headcoats Sect to make the 'Tribute to Don Craine' EP. What was it like working with each other again after all this time?BILLY: It was 'fab' and 'gear.'BRUCE: The weirdest thing for me was how weird it wasn't. It was like time compressed, but to the 'good old days', early on. I was wary that it 'wouldn't be like Thee Headcoats', but it was.JOHNNY: I'm with Bruce and Billy on that one. I think we were all surprised how it all just worked. If I remember correctly, we kicked off role playing like we detested each other. Then we got started and well, you can hear the result.What were the first songs you ran through when you got in the studio?BILLY: That's a very good question. No idea.BRUCE: I can't remember. They all sound the same to me.JOHNNY: Bill had stuff on his phone that went "KSSHHCCCKSSHHHH"! So, we did that first.You've also paid tribute to Don with a track on the Irregularis album - 'Oh Leader We Do Dig Thee'. He was, along with the other members of Downliners Sect, a big inspiration to Thee Headcoats. When did you first become aware of his music and what was he like to work with?BRUCE: We were given (or possibly lent) a reissue of the Sect's first LP around 1977, marketed as 'Punk From The Vaults', which certainly floated our boats and definitely popped our corks, due to the somewhat aggressive yet carefree nature of the tunes and sound in general. Ollie, our old bassist, found an ad in a trade magazine for them with a contact number for a Michael O'Donnell, which I excitedly called almost immediately. T'was none other than Don his'self and we managed to convince him into venturing down to Rochester to record some tunes with us which be...

Thee Headcoats - I Am The Object Of Your Desire

I Am The Object Of Your Desire

LP | 2024 | Original (Damaged Goods)

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Release: 2024 / Original

Genre: Rock & Indie

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REISSUE OF THEE HEADCOATS' FINAL ALBUM IN THEIR ORIGINAL INCARNATION! Originally released by Friends Of The Buff Medway Fanciers Association Records in 2000! The final studio release by Thee Headcoats (until last year's Irregularis: The Great Hiatus) gets a long-awaited vinyl reissue! Includes eleven Billy Childish originals plus a cover of Bo Diddley's 'Great Grandfather'! Recorded at May Road & Red Studios. Engineered by Graham Semark. "Thee Headcoats, who put out their first album in 1989, have recorded raw, primordial romps that seem inspired by American Delta blues musicians like Sonny Boy Williamson or the Southern swamp rock of Hasil Adkins, while maintaining a decidedly English sound. They've recorded under a slew of monikers, and issued an amazing discography of full-lengths, EPs, 7"s, and what-have-you for virtually every cool indie label since they formed (including US-based labels like Sub Pop, Get Hip, Sympathy for the Record Industry, and K, among others). Whether he's covering songs with a Bo Diddley beat, garage rock chug, or playing one of his angry young man/dysfunctional family rantings ('The Day I Beat My Father Up', for example), Billy Childish has built up a solid and somewhat rabid fanbase by releasing songs that you wouldn't normally think would attract a huge audience to begin with. However, I Am the Object of Your Desire has the distinction of being the last album by this band, as their prolific leader Billy Childish moved on to a new band; they're called the Buff Medways, which is apparently an ancient and now extinct breed of chicken which had feathered legs. It's also the name of the UK imprint this record was released on. This collection kicks right off with the album-titled track reveling in pure Headcoats fashion: that warm, fuzzy vibrato guitar with Childish's fuzzy, electronically distorted voice (an effect repeated throughout the album); Johnny Johnson's soft, flowing bassline; and Bruce Brand's primeval drums. The group keeps this sort of mid-tempo riffage going for th...

Thee Headcoats - Heavens To Murgatroyd, Even! It's Thee Headcoats

Heavens To Murgatroyd, Even! It's Thee Headcoats

LP | 2023 | EU | Original (Damaged Goods)

Incl. VAT plus Shipping Costs

Release: 2023 / EU – Original

Genre: Rock & Indie

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REISSUE OF CLASSIC ALBUM ORIGINALLY RELEASED BY SUB POP RECORDS IN 1990!NOW WITH NEW ARTWORK + EXTRA TWO TRACKS ('Girl From '62' was originally released as the A-side of a single on Regal Select Records, USA 1991 / 'Troubled Times' - was the B-side of a single on Dog Meat Records, Australia 1990).Q&A with Billy Childish (September 2023)Q: What's the story behind the album title?A: "Heavens to Murgatroyd, even!" is a term of surprise by Snagglepuss, a bright pink lion, who starred in his very own Hanna-Barbera cartoon. The term was famously employed by The Downliners Sect on the intro to their top tune 'Leader of The Sect'.Q: This album originally came out on Sub Pop Records in 1990. The label was known for US grunge at the time, how come they ended up working with a Medway garage 'n' racket group?A: We prefer the term "Maximum Drums and Racket". It all came about because a young Steve Turner, of Mudhoney fame, when a young lad visiting England with his father, happened across Thee Mighty Caesars playing at The Cricketers Public House at the Oval. Fast forward five years and he is telling the Seattle Grunge mob all about how great we are. We were then invited to play with Mudhoney on their first Sub Pop jaunt in the UK. Bruce Pavitt, the Sub Pop visionary, saw our mass appeal and asked if we'd knock out an LP for Sub Pop. He also asked me to sign a contract. I replied - "what's a contract, can you eat it?" By this good chance we still owned the LP.Q: You recorded the album at Red Studios in Wouldham, near Rochester in Kent. What are your memories of recording there?A: It was all fine and dandy, I won't go into details as I don't want to embarrass Red Rodders, the engineer. Let's just say there was a lot of marsh gas down Wouldham way.Q: Some of the tracks were recorded with Ollie Dolot (The Squares) on bass and backing vocals. How long was he in the band and why did he end up leaving?A: Ollie was in for a good few months. Ron (Bruce) roped him in. Then whilst helping out The Cramps w...

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