Rada Vinyl, CD & Tape 2 Items

Ángel Rada is one of the most interesting music experimantalists of Venezuela. He started his career in the late 1960s as a member of The Gas Light, one of the big names on Venezuela's live circuit in the era, sharing the stages with other artists such as Apocalipsis, Un Dos Tres y Fuera, Vytas Brenner, Daniel Grau, Pablo Schneider, Miguel Ángel Fuster... Rada is one of the three basic artists who set an electronic music scene in Venezuela, along with Miguel Ángel Noya and Vinicio Adames.

Rada had attended the Escuela Superior de Música José Ángel Lamas and then continued his studies in Germany, where he was impressed by krautrock music, especially by its more electronic side. He met Kraftwerk when they were recording at Kling Klang Studio, and also knew Klaus Schulze–who would become an example for him to to follow. This contact with the Kraut scene would be the biggest influence on his works from the 1970s, which would end synthesizing in Rada's first record: 1983's Upadesa, originally released on his own independent label Uranium Records. Since then he has released more than 20 albums up to date, making him one of the most prolific experimental musicians not only in his country but also in the whole world.

Rada's aproach to electronic music is based in what he calls ethnosonic music. He is interested in the mixture of various styles which he filters through the use of technology, so in his electronic compositions one can hear echoes of ethnic sounds from all over the globe as well as some jazz influenced improvisation, ambient and synthesized sounds.

The Wah Wah edition is the first ever vinyl reissue of this landmark LP and has been remastered for vinyl by Roger Prades @ Prades Mastering. Includes an insert with liner notes by Salvatore Maldera.

It is a strictly limited edition of 500 copies only.

Angel Rada, pioneer of experimental electronic music in Venezuela, has always been a restless mind, an experimentalist with his feet firmly planted on the ground of the art, his particular mix of sound design, cultural avant-garde attitude and spiritual inquiry led him to explore an impressively rich sound universe throughout his more than 20 productions (one of the most extensive in his country) making him the cult musician he is today. El Palmas Music, an independent record label in Barcelona, pays tribute to this visionary Venezuelan musician in its upcoming release entitled Rada: Tropical Cosmic Sounds from Space, a double LP compilation with 15 carefully selected tracks from Angel Rada’s extraordinary first period, coveted by experimental and cult electronics collectors around the globe. The main focus of the compilation is between 1980 to 1989, the time when Rada released cosmic-tropical experimental jewels such as Upadesa, Viveka, Continuvm, Armagedon & the Third Wave Revolution and Ethnosonic Impressions. Tropical Cosmic Sounds will also be also available in digital platforms and it comes with a code to download 7 additional songs, certainly a delight for music lovers.
Rada embraced psychedelia in his youth, his rock band named The Gas Light gave him the opportunity to experiment with electronic instruments, electric organs and the autoharp. This impulse led him to get his career to the next level. While he was taking music studies in Germany, gets in direct contact with cosmic music and iconic artists such as Klaus Schulze. Back in Venezuela, at the beginning of the eighties, he establishes the foundation of his work and begin to be known as a reference, subverting the industry rules, not only from the point of view of sound and production but also because of his self-management.
Although his direct influences: psychedelia, krautrock and experimental electronic, were a starting point for his work during his studies in Germany between 1973 and 1978, Rada not only mastered the art of analog synthesizers, creating totally new sounds, but put his efforts on the search for an original sound landscape, rooted in its native homeland as in spiritual matters. His music was tagged in his time by his German colleagues as “Latin Cosmic Psikraut”, a futuristic vision of the Caribbean Sea ahead of its time, full of innovative textures and amorphous envelopes with an almost narcotic effect. The general idea of Rada’s sound was to take his influences and evolve from that, from the minimal and repetitive to dynamic and melodic structures, always avoiding the “popular music’s complacency”.
Unexpectedly, while rehearsing, one day in 1999, a natural tragedy would take his studio away, and all those valuable instruments that had accompanied him throughout his life were forever gone. However, Rada was already on another spiritual level, in his own words: “only ceasing to intervene in external events will take the suffering away”. Rada is always adapting his life to the circumstances, he continues producing with his own label, overcoming ever more complex obstacles as the debacle of his country in the hands of the wildest corruption in its history or his own health issues. Still, nothing stops him, his work remains.