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James Rushford Vinyl, CD & Tape 3 Items

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James Rushford
James Rushford - Block Gifts
James Rushford
Block Gifts
LP | 2022 | EU | Original (Holidays)
13,64 €* 20,99 € -35%
Release: 2022 / EU – Original
Genre: Electronic & Dance, Classical Music
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Block Gifts is a collection of three works for organs composed by James Rushford between 2015 and 2018. Using harmonium, portative organ and electric organ, each piece is linked by Rushford’s idiosyncratic combination of strict intervallic systems in different tunings (Werckmeister, quarter-tone, equal temperament), and haptically-informed rhythmic and expressive freedom. Creaks, stutters and sweeping fingers on keys become instrumental sounds in their own right, creating a further logical layer in Rushford’s compositional world. An intimate, nocturnal, and slightly suffered dialogue between the instrument and the body building a shining and fragile monument to the ephemeral nature of the organ, one of the most intriguing and ancient families of musical instruments in history. Mixed by Joe Talia, mastered by Giuseppe Ielasi, cut by Daniel Krieger at SST, Frankfurt am Main. Composed and recorded 2015-2018 at Akademie Schloss Solitude (Stuttgart), California Institute of the Arts (by Sam Dunscombe) and Chinatown Studios, Melbourne (by Joe Talia). Cover artwork and fold out poster by Graham Lambkin.
James Rushford - The Body's Night
James Rushford
The Body's Night
LP | 2019 | EU | Original (Black Truffle)
20,99 €*
Release: 2019 / EU – Original
Genre: Electronic & Dance
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Black Truffle is pleased to announce the release of Australian composer-performer James Rushford’s The Body’s Night. Known to many through his collaborative works with Oren Ambarchi, crys cole, Kassel Jaeger, Klaus Lang, Joe Talia and many others, this LP is Rushford’s first solo release in a decade and the very first he has composed, performed and recorded entirely alone. Primarily recorded in Los Angeles in 2017, The Body’s Night is a single electro-acoustic suite stretching over thirty minutes, utilising field recordings, flutes, ocarina, microphones, organ, percussion, piano, tape, analogue synthesizers, viola and voice. True to its title, the record immediately ushers into a nocturnal, intimate, claustrophobic space where the hyper-amplified rustle of clothing and vocal mumbles are shadowed by uneasy synth tones, fluttering white noise and distant filigrees of ultra-high-pitched tones at the edges of aural perception. While the influence of contemporary composers such as Klaus Lang and Jakob Ullmann (both of whose music Rushford has performed extensively) makes itself felt in the music’s attention to the liminal space between sounds, Rushford also draws on the bedroom synth explorations of 80s acts like DDAA and the harmonies and production values of black metal, drawing a common thread between these influences in terms of their shared interest in atmosphere and deliberate retreat from perspicuity. Relief from this claustrophobic atmosphere comes through the episodic structure of the piece, where like an already dark shot fading to black, each sequence retreats from our ears before we feel we have properly grasped it. Rushford uses classical electro-acoustic techniques and plays elegantly on the fundamental ambiguity of the acousmatic situation, in which we can never be sure of the source of the sound we are hearing. But rather than a tribute to the masterworks of musique concrete, this is defiantly idiosyncratic and personal music. Meticulous in production values and exploratory in timbre, tonality and form, The Body’s Night is a key work from one of the most singular young composers at work today.
James Rushford - Turzets
James Rushford
Turzets
LP | 2024 | EU | Original (Blank Forms Editions)
29,99 €*
Release: 2024 / EU – Original
Genre: Classical Music
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The latest in a prolific string of solo and collaborative releases by James Rushford, Turzets collects a pair of newworks primarily created and recorded last year while the Australian composer-performer was in residence at LaBecque, an art center on Lake Geneva in Switzerland. The side-length piece "Fallaway Whisk" explores hesitationin its many forms_reticence of speech, sonic restraint_using live, abstracted translations of text from English toGerman against a lush and swelling soundscape. On the flip side, "Quire" is a work in ten movements influencedby the composer's study of late medieval repertoire on portative organ, weaving the instrument's woodsyinterlocking melodies with angelic Yamaha CS-80 synth sweeps and stuttering glitches. The combined effort issomewhat a departure for Rushford, working in traces of Klaus Schulze, concrete poetry, and ars subtilior into aprecise and ever-unfolding tapestry.Rushford's work draws from a wide range of collagist and improvisatory musical languages, staking out anidiosyncratic stylistic space that has been variously described as "electro-acoustic experimentation with a beatingheart" (Boomkat) and "haunted Jacobean ASMR" (The Wire). Investigating the creases, cracks, and folds intraditions ranging from early music to New Age, Rushford's work subtly exaggerates seemingly liminal aspectssuch as atmosphere and the bodily presence of the performer until these take on a weight equal to musicalelements such as pitch, rhythm, and timbre. In recent years, Rushford's solo work has been guided by histheorization of sonic images, particularly the shadow, which has inspired pieces as diverse as an hour-longcompanion to Federico Mompou's 1959-67 piano cycle Música Callada (2016) and a sumptuous translation of theplay of light across flat surfaces into synthetic sound (The Lake from the Louvers, Shelter Press, 2021). Hislong-standing performance practice for piano, portative organ, synthesizers, and electroacoustic devices, isconstantly infuse...
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