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ES Vinyl, CD & Tape 4 Items

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Your Old Droog

You Want A Piece Of Me?

LP | 2022 | CA | Original

27,99 €*

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Release: 2022 / CA – Original

Genre: Hip Hop

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Mississauga, Ontario emcee, Es joined forces with Scarborough, Ontario beatsmith J. Pal on his 6th solo release entitled “You Want A Piece Of Me?”. The two met through mutual friends back in ‘97 as McMaster University students who also had a mutual love for hiphop. J. Pal was host of an underground hiphop radio show at the time. Es, an avid fan and listener got put on to many a gem played on his show, “In Tha Kut” on Cfmu 93.3 in Hamilton.

Fast forward to 2012, the two would collaborate on two songs on Es’ debut album entitled “Feud For Thought”. After a 9 year hiatus, the two would decide to collaborate again. This time, on a full length release which speaks to the different aspects that define Es, the family man, the hiphop enthusiast and emcee.

About “You Want A Piece of Me?”: Chronicling who he is, where he came from, what inspires him, and what helps him to stand out, Es was supplied with the perfect backdrops to let you into the mind and soul of Es. This project was labeled “You Want A Piece Of Me?” to bring clarity, not a piece of [me] like physically challenge [me]. You want a piece of me? At 10 joints and around 35min run time, the goal with this project is to share pieces of Es' world that you may or may not have heard before. The aim was also to keep your palettes wet and wanting more.

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Less Of Everything

LP | 2023 | EU | Original (Upset The Rhythm)

20,99 €*

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Release: 2023 / EU – Original

Genre: Rock & Indie

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ES is Maria Cecilia Tedemalm (vocals), Katy Cotterell (bass), Tamsin M. Leach (drums) and Flora Watters (keyboards). Their 2016 debut EP, Object Relations, released on influential London punk label La Vida Es Un Mus, was described as "mutant synth-punk for our dystopian present" (Jess Skolnik, Bandcamp, Pitchfork). The band has since become a vital presence in London's underground DIY music scene, as well as having toured the UK with the Thurston Moore Group in 2017.

Less of Everything. The title of Es' first full length LP could be interpreted as a manifesto pledge, an outright demand or a purely literal sonic descriptor of the London quartet's glacial form of punk rock music. This tension between intent and interpretation has been a fundamental element of the group's output from their formation.

After a period with members split between Glasgow and London, Es recorded Less of Everything with Lindsay Corstorphine (Sauna Youth, Primitive Parts) in Tottenham in 2019. As in Object Relations, the dynamic between Cotterell's bass and Watters' keyboard is at the heart of Less of Everything's sound: intertwining sub-zero melodies, gothic anarcho-punk influences (think Kukl, Malaria, X-mal Deutschland) and some kind of entirely unlocatable aquatic component. When combined with Leach's precise drumming, the outcome is original and immediately recognisable. Es are a group who know how to leave space, how to strive for minimalism without sacrificing aggression or dynamism.

This dynamic provides the perfect backdrop for Tedemalm's relentless, pointed vocal style. While comparable 'cold' sounding groups might affect an impersonal, safer mode of lyrical or vocal detachment, Tedemalm's strategy is to "push the lyrics as far as I can thematically until they become absurd … overly dramatic ... while still being sincere in the feeling they're trying to invoke. I try to apply as much emotion as I can." The result is something intense but nuanced, confrontational but complex.

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Is EP

12" | 2021 | EU | Original (Chasing Sunsets)

17,99 €*

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Release: 2021 / EU – Original

Genre: Electronic & Dance

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The first and truly stunning release on the new Deeptrax sub-label Chasing Sunsets is one that is hard to describe... As an (electronic) multi-instrumentalist, ES has been making music on a daily base for more than 25 years but has not released anything meaningful to this day. When we asked for some demos, we were literally bombarded with hundreds of well-produced songs in a wide variety of styles. ES is a very creative artist who, in addition to making (video) art, creates his own world with his music. He is a musician with a completely unique sound that sometimes evokes a strong association with other music or artists. It sounds familiar and is pleasant to listen to because all the sounds seem to fall into place perfectly. But at the same time, it's totally fresh and sounds like nothing else. “I just want to make music and not worry about the hassle; you just have to do it for me...” was the answer to the question if we could talk about releasing some music on one of our labels. "Just pick the songs you like, releasing my music on vinyl would be great ..." So that's what we did... This first EP gives a nice overview of some of the many musical sides of ES. It's jazzy, funky, dubby and trippy electronica with bits of ambient, house, breakbeat, acid and many other weird ES sound mix-ups. The tracks are as they are, all recorded in one take/version. Unique songs with sharply programmed rhythm and bass complemented by brilliantly played guitar, piano and synth parts. It's a surprising debut from an artist who only shows a small part of his personality with this release. Welcome to the world of ES....

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Fantasy Curacao Color Vinyl Edition

7" | 2023 | UK | Original (Upset The Rhythm)

8,99 €*

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Release: 2023 / UK – Original

Genre: Rock & Indie

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If Es’ debut album for Upset the Rhythm explored the “tension between intent and interpretation”, the London group’s 2023 EP, ‘Fantasy’, constructs a coda for resistance against the distorted gaze. A four-track contact-high anxiety amid fact and facsimile, the new release attempts to define a sound that still resonates in an increasingly confused public theatre, where cerebral dreams manifest in corrupt fascination. Echoing the legendary Pylon or the later, disco-inspired releases from PIL, tracks like ‘Emergency’ and ‘Unreal’ blend the band’s established disjunctive style of gothic restlessness with brighter, poppy, and danceable tones. These stylistically unwind in transition with the increasingly claustrophobic pieces like ‘Too Late’ and ‘Swallowed Whole’, syncopating a parallel design of the frantic and the fashionable. Paired with a lyrical intricacy which emits a desire to break the fetish of false representation, ‘Fantasy’ reminds us that worthy punk records, like any manifesto of neurotic suspicion, balance testimonial, speculative-fiction, and social critique. Indebted to the past but pointed sharply to the future, Es deconstruct our modern wreckage of personhood and self-deceit, granting a sense of solidarity inside alienation. Inside ‘Fantasy’ we visualize our own estrangement, and it is only when this mirror fades that we find the tools to fight back.

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