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Call Of The Void

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Call Of The Void

The Adverts

Cast Of Thousands

LP | 1979 | UK | Reissue (Call Of The Void)

22,99 €*

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Release: 1979 / UK – Reissue

Genre: Rock & Indie

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Originally released to a fan base and music press that were unprepared for the band to move on from the punk fury of “Crossing The Red Sea”, The Adverts “Cast Of Thousands” has since been recognized as a lost classic of the time. TV Smith’s cutting observational lyrics and sharp musical instincts saw his song writing grow and move in unexpected directions. The primal thumping was replaced by dynamic and driving drumming, acoustic guitars and probing solos emerged, and Tim Cross joined to add keyboards and fill out the overall sound. The one constant was the pounding throb of Gaye Advert’s bass. Encouraged to experiment by surprise producer Tom Newman (Mike Oldfield “Tubular Bells”) the band found themselves stretching creatively, both in song writing and recording techniques. They might agonize over the sound of recording a match being lit in the middle of one song, while doing a single take of a vocal via a microphone hung in the bathroom for another. Giant choirs were built meticulously over multiple tracks, while the sound of a rat running through the reverb room would be captured forever. The results wrapped some of TV’s best songs in strange and inventive sounds to compliment his anti-pop smarts and rock and roll heart. They did not know it at the time, but the band was falling apart. Tensions would soon rise to the level that replacement players were called in to finish their final tour. Punk fans left them in droves. Critics skewered the singles from the album. Their record label had moved on to the next big thing. Feeling that they had reached a creative peak made the tumble even harder to swallow. Time has been very kind though, and fans discovering punk after the first wave have been able to hear “Cast” for what it is - a brilliant and biting collection of rock and roll. Still full of stomp and swagger even when stripped down on “My Place” or via the anthemic surge of “Television’s Over”, with TV’s hook factory on full display on the anti-love song “Love Songs”, and the band closing the album with the creeping ballad “I Will Walk You Home”; The Adverts had grown from a great punk rock band to a great rock band.

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The Boys

LP | 1977 | UK | Reissue (Call Of The Void)

22,99 €*

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Release: 1977 / UK – Reissue

Genre: Rock & Indie

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Classic Black vinyl, 1000 pressed. Arguably one of the best punk albums of the 70s, The Boys self-titled debut (produced by Dangerfield & Steel) is a cult UK classic. The album is filled with the pop punk gems, the kind of immediate salvos that would elevate Buzzcocks into the charts. In the intervening years, the history of punk rock has been written and re-written and a whole heap of bands have been sidelined. The Boys’ debut album, re-mastered here still sounds as fresh and immediate as it did back then and it also includes two classic punk rock singles in ‘I Don’t Care’ and ‘First Time’ (the latter, along with The Undertones "Teenage Kicks", the ultimate punk anthem of teenage romance and adolescent angst). Along with the Sex Pistols, Clash and the Damned, The Boys were part of the first wave of the mid-1970’s UK punk explosion. Armed with an arsenal of killer Steel/Dangerfield songs The Boys became the first UK punk band to sign an album deal in January 1977 and subsequently released two albums, their self-titled debut and the follow-up “Alternative Chartbusters” in quick succession. Highly regarded by the music press and their contemporaries, yet somehow criminally ignored by a wider punk audience, unable to grasp their heritage of vintage rock ‘n’ roll that went back to Chuck Berry courtesy of The Beatles. Their well-crafted songs, together with Steel and Dangerfield’s layered harmonies, even led to them being described as ‘The Beatles of Punk’.

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The Nightingales

Out Of True Record Store Day 2023 Edition

2LP | 2006 | US | Reissue (Call Of The Void)

37,99 €*

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Release: 2006 / US – Reissue

Genre: Rock & Indie

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1000 Pressed. Ltd Double Black vinyl, DL card. Out Of True, the shock comeback album by the Nightingales, was originally released more than a decade after Robert Lloyd's strange major label foray. Now getting the recognition the band deserve, following the critical success of The Nightingales documentary King Rocker (Stewart Lee), this 2006 comeback record is available on vinyl for the very first time. Spread across two LPs, with over an hour of banging tunes, this is an essential piece of the band's history and is packaged with liner notes from Robert Lloyd and a bonus download of the "What's Not To Love" EP.

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The Nightingales

In The Good Old Country Way

LP | 2022 | EU | Original (Call Of The Void)

35,99 €*

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Release: 2022 / EU – Original

Genre: Rock & Indie

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Classic Double Black Vinyl, DL card. The Nightingales' last original full-length for two decades stands as the final masterpiece postpunk album released before the C86 era. Back on vinyl for the first time in over 3 decades, the reissue is updated to include the whole of the 1985's 7" single "It's A Cracker" and "What A Carry On" 12" EP, plus a clutch of rare tracks never before released on vinyl and a bit of history from Robert Lloyd. Despondently anti-Thatcher and with an air of hopelessness, In The Good Old Country Way has the sense that time was allowed for experimentation and reflection during its creation. Expectations were high as The Nightingales released their sole Vindaloo album and possibly the most underrated album of the postpunk era. The opening number is heavy on the hoedown, not unlike records their pals The Mekons would release around the same time - a rootsy underlayment to songs of wit, energy and observation, adaptable both to lengthy groove-based observation and high-octane rants alike. Maria Smith's violin weaves in and out of songs, while the rhythm section of Pete Jenner (bass) and Ron Collins (drums) hold what might have been a disjointed mess, but it's multi-instrumentalist / arranger Pete Byrchmore who shares the spotlight with Lloyd. "It's A Cracker" stuns, not stylistically dissimilar to their recent records for the first ninety seconds, though featuring a bridge hinting at new developments in their sound which could be heard on the next Nightingales release, 'What A Carry On'. A sublime record, it features the powerful title track in two version, one of the band's best songs, "Comfort And Joy", and the tenderly alienating "First My Job". "Lloyd's cracked it. A fucking good album." Mark E. Smith, The Fall.

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The Prefects

Going Through The Motions

LP | 2019 | Original (Call Of The Void)

23,99 €*

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Release: 2019 / Original

Genre: Rock & Indie

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"One of the most obscure punk-era acts in the U.K" All Music. Standard Black Vinyl. 'Going Through The Motions' is the first full-length vinyl collection of The Prefects studio recordings.Although a few tunes don't stray from the general sounds of their time, there's innovation and humour here. Escort Girls may be the first recorded forerunner of American hardcore. The Bristol Road Leads To Dachau hints at Joy Division's later The Atrocity Exhibition. Taking it a step farther than Alternative TV's How Much Longer with its deliberate dirge, Going Through The Motions, mocks punk expectation against an almost psychedelic haze. Total Luck bears the early evidence of Lloyd's lone-man confessional style, and Barbarella's is a tongue-in-cheek tribute to their most-played local venue. Versions of The Modern Lovers' She Cracked and the Prefects' original 625 Lines were recorded live by Virgin on the final two nights of Manchester's Electric Circus. The Prefects refused release of their material, believing their first outing should be a studio recording, not a live track or two on a compilation. During the White Riot tour, members of Subway Sect, The Slits and The Prefects joined in on a live encore loosely based on Velvet Underground's Sister Ray. Incredibly difficult to listen to, the song was bootlegged widely before eventually appearing on The Slits' 1980 album of early demos in a 5'20" version called "No More Rock And Roll For You". Twenty years later, Vic Godard of Subway Sect edited a minute from the recording and released it on his Twenty Odd Years compilation. Two decades later, The Prefects have edited more than a minute from it and retitled it White Riot Tour. In another twenty years, it is hoped that the prolonged rite of ritual shortening of this song will leave no trace of it at all.

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The Nightingales

Pigs On Purpose

2LP | 1982 | UK | Reissue (Call Of The Void)

34,99 €*

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Release: 1982 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Blue vinyl Limited edition 2021 reissue. Cover is very close to NM. Few paper scuffs.

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The Nightingales

Pigs On Purpose

2LP | 1982 | UK | Reissue (Call Of The Void)

38,99 €*

Incl. VAT plus Shipping Costs

Release: 1982 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

2021 reissue on blue vinyl. Still sealed with hype sticker. tiny wear.

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The Nightingales

Pigs On Purpose

2LP | 1982 | UK | Reissue (Call Of The Void)

33,99 €*

Incl. VAT plus Shipping Costs

Release: 1982 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Near Mint

Blue vinyl is very close to NM. Still in shrink but opened with hype sticker. Tiny wear. Limited edition 2021 reissue.

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The Boys

Alternative Chartbusters

LP | 1978 | UK | Reissue (Call Of The Void)

22,99 €*

Incl. VAT plus Shipping Costs

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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Classic Black vinyl, 1000 pressed. A punk classic, gloriously anthemic power pop from the cult UK outfit. On 17 March 1978, a mere six months after the release of their self-titled debut, The Boys second album “Alternative Chartbusters” was released (once again, produced by Dangerfield & Steel). As AllMusic recognises, “Alternative Chartbusters” was way ahead of its time, a buried treasure that only got dusted off much later: “Condemned at the time for offering up little more than a straight carbon copy of its predecessor, the second Boys’ album has since ascended to the pantheon of power pop greats, a combination of the band's own inestimable position at the forefront of what, by early 1978, was already a burgeoning movement, and their seemingly effortless grasp of the rudiments of, indeed, a great pop song.” Along with the Sex Pistols, Clash and the Damned, The Boys were part of the first wave of the mid-1970’s UK punk explosion. Armed with an arsenal of killer Steel/Dangerfield songs The Boys became the first UK punk band to sign an album deal in January 1977 and subsequently released two albums, their self-titled debut and the follow-up “Alternative Chartbusters” in quick 7 succession. Highly regarded by the music press and their contemporaries, yet somehow criminally ignored by a wider punk audience, unable to grasp their heritage of vintage rock ‘n’ roll that went back to Chuck Berry courtesy of The Beatles. Their well-crafted songs, together with Steel and Dangerfield’s layered harmonies, even led to them being described as ‘The Beatles of Punk’

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