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Anthony Moore

Anthony Moore Vinyl, CD & Tape 7 Items

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Anthony Moore

Mare's Tail

LP | 2024 | EU | Original (Paradigm Discs)

27,99 €*

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Release: 2024 / EU – Original

Genre: Electronic & Dance

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Anthony Moore

Flying Doesn't Help

LP | 2022 | US | Original (Drag City)

28,99 €*

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Release: 2022 / US – Original

Genre: Pop

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40-plus years since its original release, the pop-punk-new wave inventions of Anthony Moore's Flying Doesn't Help are freshly remastered, blasting the sparkling, angular sounds into today with perfect vitality.After spending the early years of the 70s making experimental music first as a solo artist, then with Slapp Happy and Henry Cow, 1976's OUT sessions had reinvigorated Anthony's youthful love of the naive pop melodies of pop radio, the undeniable excitement of songs. While OUT ultimately went unreleased at the time, the iconoclasm clouding the late '70s air was addictive and transformative for Anthony. England seemed to be roiled as violently as it had been in counter-cultural days a decade earlier; the UK pop charts breathlessly reflected the changing spectrum with equal parts aging hippie and prog delicacies alongside new ascendant sounds: rough-hewn pub and punk rock, plus dub reggae and disco and ska and Stiff and Krautrock. . . . This proved to be an ideal environment for Anthony to make records by exploring, as he puts it, the "deep connection between minimalism, repetition, working with tape and celluloid and forming the modules of a three minute pop song."Caught up in a no-holds-barred era, Anthony was more than happy to play the out-of-his-head madman, raving through outrageous exchanges with the press, while "Judy Get Down" received Single of the Week honors from the NME (with review penned by Brian Eno). Represented by Blackhill Enterprises, Anthony did production work throughout '78-'79, on Kevin Ayers' Rainbow Takeaway, Manfred Mann's Earth Band's Angel Station and the first This Heat album, meanwhile cutting his own songs on a dead time deal at Workhouse Studio with engineer/producer Laurie Latham. Through the wee hours of countless nights, the two pieced together Flying Doesn't Help, with a little help from friends (an inspired bunch, including Bob Shilling, Charles Hayward, Chris Slade, Robert Vogel, Festus, Matt Irving, Sam Harley, Bernie Clark, Edwin Cross and Martine Moore on...

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Anthony Moore

Reed Whistle & Sticks

LP | 1972 | JP | Reissue (P-Vine)

39,99 €*

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Release: 1972 / JP – Reissue

Genre: Electronic & Dance

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Reed Whistle & Sticks was released in 1972 in a decade of transition for experimental composer Anthony Moore. Two years after the the album, his bands Henry Cow and Slapp Happy would merge briefly for a run of cult-favourite avant-garde records and swiftly detangle. A year after that, in 1976, he released his fourth solo record Out - its pop sensibilities, albeit avant-inclined, a chasm apart from the raw experimentation of Reed Whistle & Sticks. P-vine is proud to be reissuing Moore’s experiment in texture and looping for the first time on vinyl format, and bring new accessibility to an album that has been almost impossible to source on vinyl for 50 years.

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Anthony Moore

Out

LP | 2020 | EU | Original (Drag City)

32,99 €*

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Release: 2020 / EU – Original

Genre: Rock & Indie

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Rock and roll was a relief after the rigour of Henry Cow. That was one of the thoughts in Anthony Moore's brain in late 1975. Of course, leaving Henry Cow had meant the dissolution of the band he'd founded, Slapp Happy, as the two groups had essentially merged over the previous year. Still, there was plenty yet to do with music, and with Anthony's propensity for odd left turns, a solo career in the pop world seemed like a fine option to follow upon his adventure in soundtracks for experimental films, tape-based modern composition and avant-pop and experimental rock. For "the troubadour with Revoxes", this venture into playing guitar and singing in a professional context was a new thing. To access the pop life, Anthony signed a solo deal with Virgin - cutting sessions with producer Peter Jenner (Kevin Ayers, Roy Harper, Edgar Broughton Band) and some of Britain's new generation of progressive musicians facilities like Abbey Road, Air and Richard Branson's Oxfordshire getaway, The Manor. While the stars didn't align back in the day (the fantastic sounds recorded for OUT didn't see release until a CD issue of the late 1990s), we're finally making those historic recordings on vinyl with the long-lost original artwork restored. Kicking it off with a tricky asymmetrical keyboard riff reminiscent of Eno's Tiger Mountain phase and a belting Cale-esque vocal recounting the macho adventure narrative tone of that era's Dylan and Roger McGuinn, "Stitch In Time" floats essential elements of the mid-70s British art-rock boom with dreamy pop effervescence.It's been worth the 44-year (!) wait to get Anthony's full vision restored to OUT - an absolute lost chapter from mid-70s, proto-new wave Britain, bringing to mind the bright and subversive sounds of Wyatt, Ayers and so many other trail-blazers from that time while providing a worthy precursor to Anthony's celebrated 1979 LP, Flying Won't Help. A fantastic joy to the ears!

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Anthony Moore

Secrets Of The Blue Bag

LP | 1972 | ES | Reissue (Wah Wah)

19,99 €*

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Release: 1972 / ES – Reissue

Genre: Classical Music

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Secrets Of The Blue Bag', Moore's second solo LP for Polydor, was issued in 1972 but recorded in the Fall of 1971, just a bit before Slap Happy were backed by Faust on the recording sessions of their first album. Anthony Moore was joined by soprano Geeske Hof-Helmers, violinists Toni Sen and Patrick Strub, celloist Rolph Braun and Wolf Schreiber on fagott.

The missing link between British "art-rock" and the German "krautrock" scenes!

This is a 500 copies only reissue done in collaboration with Anthony Moore himself. Comes housed in its original artwork.

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Anthony Moore

Pieces From The Cloudland Ballroom

LP | 1971 | ES | Reissue (Wah Wah)

19,99 €*

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Release: 1971 / ES – Reissue

Genre: Classical Music

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British experimental musician, composer, performer and producer Anthony Moore was a founding member of Slap Happy and has worked with Henry Cow, Kevin Ayers, and Pink Floyd among other great names in the British scene. In 1971 he moved to Hamburg, Germany, and worked in the boiling experimental scene of the city. As a result, two LPs were issued on Polydor in 1971 and 1972, right before forming Slap Happy with old school pal Peter Blegvad and Dagmar Krause.

"Pieces From a Cloudland Ballroom" is the first of those early solo LPs by Moore on Polydor. It was released in 1971 under the production of Uwe Nettlebeck and featured Anthony Moore on conduction, Ulf Kenklies, Glyn Davenport and Gieske Hof-Helmers on vocals, plus Werner 'Zappa' Diermeier on hi-hat.

Pure minimalist experimentation with echoes of Richard Young's "Advent" or even Moondog, done just a month after Faust (who included Werner 'Zappa' Diermeier) recorded their first LP. The missing link between British "art-rock" and the German "krautrock" scenes!

This is a 500 copies only reissue done in collaboration with Anthony Moore himself. Comes housed in its original artwork.

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Anthony Moore

Home Of The Demo

LP | 2024 | US | Original (Drag City)

33,99 €*

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Release: 2024 / US – Original

Genre: Pop

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Anthony"s post-Slapp Happy output, for years an underrated-to-outright unknown quantity, achieves a new dimensional plane with this third archival release from his personal tape library. Home of the Demo triangulates upon the art-pop qualities found in his previously unreleased 1976 LP OUT, and "79"s new wave-adjacent Flying Doesn"t Help, finding Anthony"s early/mid-80s home recordings drifting whimsically in and out of the actual mainstream.

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