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Adrian Younge

Adrian Younge HHV Records 12 Items

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Adrian Younge

Adrian Younge Presents Linear Labs: Sao Paulo

LP | 2024 | US | Original (Linear Labs)

27,99 €*

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Release: 2024 / US – Original

Genre: Organic Grooves

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LINEAR LABS: Sao Paulo sparks a new golden era of musical genius defined by the maestro Adrian Younge. Step into an extraordinary psychedelic and soulful experience with Adrian Younge presents Linear Labs: Sao Paulo: a compilation of new songs showcasing the musical brilliance of Adrian Younge with artists from around the world. Essentially, the album features one unreleased song from an array of forthcoming albums Younge has produced for Linear Labs, includingSomething About April Ill, the tertiary installment of Younge's masterwork trilogy, and a new blaxploitation adventure from hip hop legend Snoop Dogg, entitledDon't Cry For the Devil.

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Adrian Younge

Adrian Younge Presents: OST Black Dynamite

LP | 2025 | US | Original (Linear Labs)

27,99 €*

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Release: 2025 / US – Original

Genre: Organic Grooves

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"Adrian Younge Presents: Black Dynamite (Original Motion Picture Soundtrack)" is the first official release from composer and producer Adrian Younge. The album, inspired by the great blaxploitation soundtracks of the 1970s, is the meticulously crafted sonic accompaniment to the cult classic, Black Dynamite. Younge commands the Rhodes electric piano, Hammond organ, Hohner Clavinet, harpsichord, synthesizer, vibraphone, guitar, bass, flute, sax, cello, and more to craft a singular vision of the era. Recorded and mixed by Adrian Younge at Linear Labs, the preeminent analog studio of Los Angeles, CA.

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Adrian Younge

Adrian Younge Presents: Something About April Part 3

LP | 2025 | US | Original (Linear Labs)

26,99 €*

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Release: 2025 / US – Original

Genre: Organic Grooves

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With Something About April III (saa Iii), Adrian Younge pushes the musical franchise forward with fearless conviction, surpassing its predecessors, SAA I and SAA II, as an essential piece in today's vinyl culture. This highly anticipated album is the epitome of analog transcendence, a sonic world fueled by a 30-piece orchestra, analog synthesizers, breakbeats and Brazzilian vocalists that carol psychedelic melodies in Portugese.

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Adrian Younge

Adrian Younge Presents: Something About April Part 2

LP | 2025 | US | Reissue (Linear Labs)

27,99 €*

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Release: 2025 / US – Reissue

Genre: Organic Grooves

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ADRIAN YOUNGE PRESENTS SOMETHINGABOUT APRIL II synthesizes the boundariesbetween Black American soul and classicEuropean cinema. The album features anarray of entrancing vocalists: LaetitiaSadier (Stereolab), Bilal, Raphael Saadiq,Loren Oden and Israeli star, Karolina, whodelivers haunting chants over concertos.Younge is the experimental spirit of themodernist vanguard, looking into the pastto create the future. Recorded and mixedby Adrian Younge at Linear Labs, thepreeminent analog studio of Los Angeles,CA.

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Adrian Younge

The American Negro

2LP | 2021 | US | Original (Jazz Is Dead)

38,99 €*

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Release: 2021 / US – Original

Genre: Organic Grooves

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The American Negro is an unapologetic critique, detailing the systemic and malevolent psychology that afflicts people of color. This project dissects the chemistry behind blind racism, using music as the medium to restore dignity and self-worth to my people. It should be evident that any examination of black music is an examination of the relationship between black and white America. This relationship has shaped the cultural evolution of the world and its negative roots run deep into our psyche. Featuring various special guests performing over a deeply soulful, elaborate orchestration, The American Negro reinvents the black native tongue through this album and it’s attendant short film (TAN) and 4-part podcast (invisible Blackness). The American Negro - both as a collective experience and as individual expressions - is insightful, provocative and inspiring and should land at the center of our ongoing reckoning with race, racism and the writing of the next chapter of American history.

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Adrian Younge

Jack Waterson Instrumentals

LP | 2019 | US | Original (Linear Labs)

23,99 €*

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Release: 2019 / US – Original

Genre: Organic Grooves

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Jack Waterson is the acid that Adrian never took as a kid. The result, as you’d expect, is both colorful and dark; full of sonic and musical surprises. The creative relationship they have questions the social order of the United States, yet theirs is a quintessentially American Story: Kindred spirits.
Punk rock and hip hop came from the same place, fueled by identical sentiments: people taking the music back, reclaiming it, and finding a new audience. Waterson, primed from the mid-70s Punk scene, began his musical career in ’79 as a founding member of Green on Red. They inspired artists as diverse as My Bloody Valentine, Wilco and Mazzy Star with their records and psychedelic palette. Years later, Waterson continued his influential journey by opening the revered musical instrument store, Future Music, a Los Angeles staple.
In ’99, an 18 year-old Younge realized that he wanted to create music that sounded like the records he was sampling. Unbeknownst to him, he serendipitously wandered into Future Music. It’s there, he realized his dream was possible. Intrigued by the stores focus on pre ’83 equipment, Waterson soon became a mentor in developing Younge’s unique analog sound. They spoke heavily about the importance of vintage equipment and it’s use in creating revolutionary worlds.
During these years, Waterson schooled Younge on psych and art rock; Younge returned the favor by schooling him on Hip Hop, the origins of sampling, and its source music. Together this unlikely duo manifested new revolutionary worlds with Waterson appearing on every Younge album within the last decade.

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Adrian Younge

Tony Allen Gold Vinyl Edition

LP | 2023 | EU | Original (Jazz Is Dead)

29,99 €*

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Release: 2023 / EU – Original

Genre: Organic Grooves

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The genius that is Tony Allen departed this mortal world in April of 2020, but not without leaving an unmatched legacy that crossed oceans and borders, bridging cultures and forging a sound that changed music. As the drummer for Fela Kuti"s revolutionary Africa 70, Allen"s polyrhythmic drumming defined Afrobeat. His contributions as an artist and cultural ambassador left an indelible impact on every genre of popular music, from Techno to Jazz to Rock and Hip-Hop. Tony Allen"s music stands as an ongoing testament to the interconnected musical relationships and dialogues across the African diaspora, and their lasting influence on how we listen. For Jazz Is Dead producer Adrian Younge, it is no small honor to share new music recorded with the drummer revolutionary Tony Allen.

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Adrian Younge

Adrian Younge Presents: Something About April Part 3

CD | 2025 | US | Original (Linear Labs)

14,99 €*

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Release: 2025 / US – Original

Genre: Organic Grooves

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Adrian Younge

Voices Of Gemma Instrumentals

LP | 2018 | US | Original (Linear Labs)

26,99 €*

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Release: 2018 / US – Original

Genre: Organic Grooves

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In the great and ongoing culture war between high and low, raw and refined, the real versus popular, certain territories have been ceded:
styles considered mainstream get to be pretty, lovely and optimistic. Styles originating underground are presumed to be gritty, burly
and practical.
So it’s a subversion of a kind, and definitely an intellectual challenge, to bathe a foreboding bass line in a lilt. To make gloomy shine.
Adrian Younge’s Voices of Gemma embodies the potential of the hybrid. By just saying no to the borders a label like underground might
impose on a creativity like his, he’s able to fashion a sound that elbows its way past your defenses, whatever they are. You don’t want
to hear anything grim today? Had enough of that on the news, thanks? Younge has a couple of angels on hand to waft a hard truth over
so that when it hits it feels like a kiss. Sick of the saccharine piped over aisle 4 at Walgreens? Younge’s palming you a melody fit for
impending doom.
Voices of Gemma comes from Younge’s refusal to accept the premise. His stance is there in every artist’s job description — the
determination to suction up sounds and flavors and phrases from all over the past and present and imagined and documented, and then
splice and dissolve what he finds into more possibilities and new ways of seeing, something fresh.
On this project his songs are precise, the set ups delivered with a satiny finish and, in the low end, just a hint of louche. Care has been
given to every detail, and the old way of doing a thing (bring in an orchestra, record to tape) is the way it’s done; it’s like listening to a
five-star hotel.
Voices of Gemma is luxurious, a style that we forgot could be present day, as accustomed as we are to sampled and thrice-removed
versions of it. This is high-class signified, a world-class realization.

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Adrian Younge

The Electronique Void: Black Noise

LP | 2016 | US | Original (Linear Labs)

26,99 €*

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Release: 2016 / US – Original

Genre: Organic Grooves

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It was made the way they made electronic music in the good old days, all analog everything, right after synthesizers shrunk to a manageable size and you didn’t have to trek down to a university to use one anymore. Electronic music as practiced and developed by pioneers like Dick Hyman and Raymond Scott and Wendy Carlos is precise and intentional. In making his first electronic album, Younge took his cues from them, reminding a contemporary audience what a synthesizer, deep in its heart, really could be. “Black Noise” is men talking to men about women; “Lemonade” is a woman talking to women about men, and they both orbit around a failure we take for granted like the sun: loving you is complicated. It’s a skill; we forgot. Adrian Younge calls “The Electronique Void” an academic album, by which he means it is both instructional and informational. There’s a problem at the heart of it, a woman who’s been told that she’s loved, but she doesn’t recognize that, can’t feel it, may have heard it all before, may be worrying about the wrong things. Jack Waterson, long a guitarist in Younge’s band, plays the role of narrator, sounding professorial and rather superior as he lays out for the woman where she’s erred. That vocoder you hear is Adrian, talking to her on a subterranean level, the way an artist must. The discourse on the album is the kind of thing that happens when you go blonde and then you can’t keep ‘em off you. These truths are cold and hard, and our hero begrudges the well-meaning advice being rained down upon her as any independent woman would. The science of love, its formulas and if-then constraints, causal relationships and observable properties, is best taught experientially, but learning it hurts so, so bad. Music, especially electronic music, reliant as it is on abstraction and unrepentant as it is about hijacking your physiological responses to tempo and rhythm and dynamics, is a way to get there without going through it.

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