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Roly Porter

Roly Porter HHV Records 2 Items

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Roly Porter - Third Law

2LP | 2016 | US | Original (Tri Angle)

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Release: 2016 / US – Original

Genre: Electronic & Dance

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As one half of pioneering duo Vex'd (alongside Jamie Teasdale, aka, Kuedo), Roly Porter was intrinsic in the development of what would come to be known as dubstep. When Vex'd decided to go their separate ways in the mid 00s Roly pursued a solo career in an attempt to escape the genre constraints he felt had become a restriction. With two solo albums behind him (Aftertime and Life Cycle of a Massive Star), his output has primarily been fueled by a desire to write beat-less music, something Roly is keen to specify he doesn't view as being the same as ambient music. Roly's music isn't about 'day to day' life. Instead it's an opportunity for him to think about 'larger' things outside his personal experience, which in turn has had a profound impact on how Roly is able to see his own life and that of others around him. Third Law is about combining everything Roly has loved and missed about producing sound-system music, with the more compositional ideas he began to explore on his solo work. While Third Law is related to his past, for Roly this album represents finally coming to terms with his goal of leaving dance music as it is, free to explore ideas of rhythm, bass, sound design within his own world without having to shape any of these elements to fit any preconceived ideas or rules.

Roly Porter - Kistvaen

2LP | 2020 | UK | Original (Subtext)

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Release: 2020 / UK – Original

Genre: Electronic & Dance

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Roly Porter returns to Subtext with 'Kistvaen'. The LP takes its name from a type of granite tomb found pre-dominantly in Dartmoor, an area in southwestern England. Scattered across the moorlands, the kistvaens were often found covered in a mound of earth and stone. They housed dead bodies, allowing them to lie facing the sun.

With 'Kistvaen', Porter speculates on the burial site as a mirror, or a gate in time. Excavating stories and images of ancient burial rituals, the record teases out similarities in emotional and social rituals between the Neolithic period and today. While a myriad of social, cultural and technological factors drastically differentiate our contemporary period and the end of the Stone Age, certain affinities may still be found in experiences of death across eras.

Venturing across histories, Porter soundtracks a moorland burial unanchored in time. Raw, unprocessed vocals are folded into field recordings made in the area, wordlessly relaying tableaus of burial rituals in Neolithic Dartmoor. 'Kistvaen' features three singular vocalists—Mary-Anne Roberts, from medieval Welsh music duo Bragod; Ellen Southern, of Bristol's Dead Space Chamber Music group; and Phil Owen, a singer and researcher in vocal traditions.

Recorded in part at BinkBonk studios in Bristol and during various performances and rehearsals, 'Kistvaen' is Roly Porter’s fourth solo studio album and his first since 2016’s 'Third Law,” released on Tri Angle. It follows previous releases on Subtext such as 2013’s 'Life Cycle of a Massive Star” and 2011’s 'Aftertime.'

The pieces that comprise 'Kistvaen' were developed for an audio visual piece of the same name with visual artist MFO, which has appeared at Unsound, Berlin Atonal, and Sonic Acts amongst others.

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