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Präsens Editionen

Red On - Phantom Easy

LP | 2024 | UK | Original (Präsens Editionen)

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Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Preorder shipping from 2025-03-21

Where does pop start and experimental music end? Instead of drawing lines, Red On keeps on exploring the spaces in between these supposed poles with his latest album Phantom Easy, a record that offers moments of pure beauty as well as unpredictable, uncontrollable wilderness.

The spaces Red On moves in aren’t per se terra incognita, but have been explored in recent years by like-minded musicians such as How To Dress Well, Fever Ray, or Dawuna, as well as artists that are affiliated with Präsenes Editionen, where Red On’s album is published, such as Martina Lussi, Belia Winnewisser, or Magda Drozd. Yet, Phantom Easy is an exploration of its own: The melancholic album, which is informed by pop, electroacoustic music, rhythm-focused jazz, and krautrock, is carried by Red On's voice, which appears in ever-changing stages of alienation. The wistful tone of the twelve tracks is reinforced by single phrases sung by Red On that, through their repetition, develop an urgency that can hardly be escaped. The result is pop music that is brave enough to embrace the adventure; or experimental music that doesn’t shy away from offering catchy hooks and grand melodies.

Sopraterra - Seven Dances To Embrace The Ho

Seven Dances To Embrace The Ho

LP | 2025 | EU | Original (Präsens Editionen)

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Release: 2025 / EU – Original

Genre: Electronic & Dance

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V.A. - The Ring Orchestra

The Ring Orchestra

2LP | 2022 | EU | Original (Präsens Editionen)

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Release: 2022 / EU – Original

Genre: Electronic & Dance

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The Ring Orchestra is an eight-person effort, a collective coming together to tackle opera and one of the genre’s controversial poster boys. 18 compositions, the artists Born in Flamez, Gil Schneider, Simonne Jones, Leo Luchini, Legion Seven, P.A. Hülsenbeck, Isa GT, and Ixa create a collaborative musical score that uses Richard Wagner’s Der Ring des Nibelungen as the point of departure. Originally, the music was created for a staging of Der Ring des Nibelungen at Schauspielhaus Zürich, directed by Christopher Rüping and written by Necati Öziri. Far from being an affirmative tribute, the orchestra sets out to deconstruct and break down what Wagner and his opus magnum represent: collaboration over singularity and openness instead of conservative rigidity. The resulting score doesn’t shy away from ambivalence by decentralizing authorship and encompassing everything from ambient to pop, reggaeton, and a wider variety of non-western musical influences.

Martina Lussi - Balance

LP | 2021 | EU | Original (Präsens Editionen)

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Release: 2021 / EU – Original

Genre: Rock & Indie

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The New Album Of Swiss Artist Martina Lussi Joins What No Longer Is Conjoined. Conceived And Realized Over A Period Marked By Major Changes In Both The Private Sphere And The World At Large, Balance Brings Together The Before And After. The Album Is Held Together By A Common Feature: Lussi's Voice, With Which Every Composition Began. Her Singing, Modified By Effects, Is Supplemented By Other Sounds, Which Are Light At Times, Bittersweet At Others, And Sometimes Replace Her Voice Altogether, Like On The Album's Fulcrum "Fragments Of Attention." On The First Half Of Balance, Lussi's Singing Plunges "Meditation On The Multitab" Into A Cosmic Soundscape; Occasionally A Rhythm Irrupts Into It. On "Time Laps," A Track From The Album's Second Half, The Artist's Singsong Articulates Rhythmical Elements And Propels Them Towards A Reluctant Euphoria.Balance Appears Open And Fragile, At Times Even Vulnerable, But Lussi's Relentless Openness Derives From The Immense Strength Needed To Weather Changes Both Small And Large.

Magda Drozd - 18 Floors

LP | 2021 | EU | Original (Präsens Editionen)

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Release: 2021 / EU – Original

Genre: Electronic & Dance

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Magda Drozd is deeply concerned with listening in her artistic practice. Her second album, 18 Floors, Drozd focused on the apartment building she called home for several years, compiling a corpus of field recordings in and of the building, which she approached as a living organism rather than static material. The result challenges current assumptions about living together in urban settings. The field recordings were woven into eleven speculative tracks consisting of sounds including violins, guitars, synthesizers, drum machines, and Drozd’s voice. The music moves between sound art, ambient, indie rock, and R&B. 18 Floors presciently emphasizes the importance of the home, which has become glaringly obvious in the age of Corona. Her foresight constitutes her avant-gardism as much as her preference for documenting what might be over what actually is. The result is an album that creates a space for what is transient, uncertain, and unstable. And it creates a space for opportunities, which we need now more than ever.

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