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J Dilla - Anthem Feat. Frank N Dank / Trucks Black Vinyl Edition

Anthem Feat. Frank N Dank / Trucks Black Vinyl Edition

12" | 2013 | US | Original (Pay Jay)

VAT free plus Shipping Costs

Release: 2013 / US – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Pay Jay Productions, Inc. was the company James Dewitt “J Dilla” Yancey founded in 2001 to house his production company and his publishing company. The Estate of James Yancey has revived Pay Jay as a functioning imprint, and is announcing its release of J Dilla's long lost vocal album, The Diary. The first single features "Anthem" b/w “Trucks” - two of the songs J Dilla recorded in late 2001 and early 2002 as he put the finishing touches on what was supposed to be an album featuring his raps over production by the likes of Madlib, Pete Rock, Nottz, House Shoes, Karriem Riggins and others.
These two tracks, however, were produced by Dilla himself and come straight from multi-track masters found on 2” tape shortly after Dilla’s passing in 2006. These songs have been mixed by engineer Dave Cooley, who worked extensively with Dilla during his years in Los Angeles. Using Dilla’s original demo mixes as his guide, Cooley attempted to finalize Dilla’s vision for these tracks, while keeping all of the elements that Dilla had in place in his original demos present. Rounding out this 12” is Dilla’s original mix of “Trucks,” discovered as a two-track demo mix. We’ve included this mix as it features an alternate version of Dilla’s vocals and a third verse not found on Dilla’s final sessions for this song.

J Dilla - Ruff Draft: The Dilla Mix Instrumentals

Ruff Draft: The Dilla Mix Instrumentals

LP | 2018 | US | Original (Pay Jay)

VAT free plus Shipping Costs

Release: 2018 / US – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The producer’s own mixes – recently rediscovered – of his seminal EP, expanded with bonus tracks and now available in a special instrumental edition.

When Ruff Draft saw its initial release in 2003, J Dilla possessed production skills on par with anyone in hip-hop – technically and creatively. “At the top of his game,” says longtime friend and collaborator, Karriem Riggins. After years of building while modestly deferring to others of both greater and lesser notoriety, Dilla finally completed the first solo endeavor on his own label, entirely on his own terms. The significance of such an autonomous success often gets overlooked, and partly accounts for why Ruff Draft is one of the lesser-referenced entries in Dilla’s oeuvre. “It’s a mysterious little project,” says his mother, Maureen Yancey. “But out of his entire career, that was the happiest time.”
Prior to recording the EP, Dilla found himself at a crossroads. Estranged from his label, MCA, and separated from the mother of his youngest daughter, frustration abounded both personally and professionally. Dilla spent parts of 2002 and 2003 working on an album for MCA that featured his rapping over contributions from other producers with whom he had connected and whose music he respected. At the time, he was known primarily for his beats, yet reviled for his MCing by most anyone not from his hometown of Detroit. The project was to be an intentional freak of the industry.
The project would go on to spur his collaborative album with Madlib, Jaylib, and would first showcase the template that he would take to his greatest heights with 2006’s Donuts. The Stones Throw reissue of Ruff Draft from 2008 featured remixes of the songs from the album, done without Dilla’s involvement. This version of the album takes Dilla’s recently discovered mixes of the album and restores his vision for the project.

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