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Nailah Hunter Vinyl, CD & Tape 2 Items

Vinyl, CD & Tape 2 Rock & Indie 1 Electronic & Dance 1
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Nailah Hunter
Nailah Hunter - Spells
Nailah Hunter
Spells
Tape | 2020 | US | Reissue (Leaving)
$ 15.69*
Release: 2020 / US – Reissue
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Spells is the debut release by Los Angeles based multi-instrumentalist and composer Nailah Hunter on Leaving Records. Each of the EP’s six tracks represent a spell, a unique sonic place forged by imagination and incantation. Ambient in nature, each spell highlights Hunter’s skills as a composer. “It really started off with me just wanting to kind of reclaim the way that I thought about creating music and then also performing it,” Hunter says. “I was like, okay. I need to get back to the basics of why I like to create and what it does for me … so I set out to make spells, in the sense that each layer is one of the steps in incantation... It became about purpose... the procedure and the ritual, so that when it came to performing it, I wasn’t able to get into my head about it because I was just carrying out these steps. Each track is its own incantation, its own spell, its own world.” Colorful atmospheres permeate Spells, each track offering tranquil, reflective setting. Hunter explains, “Another thing that I always wanted to focus on and through making this project have sort of been able to name is that, I like to create places, songs as locations ...whether there are field recordings [involved] or not.”

Opening track “Soil” is accompanied by a poem: “a seed is sown, a song from silence.” Its beautiful harp and angelic voices establish the album’s mode of beautiful stillness. This is followed by “Ruins,” a tranquil soundscape abetted by insect field recordings and a slightly warped, heaven-bound trajectory, described by Hunter as a love spell. “Another thing that’s really important to me about my relationship with music is synesthesia. It’s all very palette based... For the song “Ruins,” it comes on like magenta and clementine.” On the colors present in the single “White Flower, Dark Hill,” Hunter describes “the idea of the purples and navies of the night sky and the way that shadows appear under full moonlight, the different shades of moonlight, and how it always brings out the color white.” Each track’s nuanced production and big, emotional sounds do carry a charged energy, colorful and magnetic. The shifting phases and sustained drones of “Enter” mimic the feeling of approaching and walking through a rift into a fantastical world. The listener is advanced into album highlight “Quiet Light,” which Hunter states captures, “that feeling of being like golden light in a cold still pool of water, this very specific image and feeling that I just love so much.”

Spells is a powerful opening statement that uses this musician's innate artistic gifts to promote healing and self awareness. Of the album’s inspirations, she adds, “definitely rune magick and just the idea of creating places of rest … sonic places of rest, places to ponder and consider your feelings. Me making music, it’s always been about healing for me and making myself feel better. If other people listen to it and also feel better, then that is delightful.”
Nailah Hunter - Lovegaze
Nailah Hunter
Lovegaze
LP | 2024 | US | Original (Fat Possum)
$ 32.95* $ 47.08 -30%
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The LA-based multi-instrumentalist and composer Nailah Hunter has been recording mystical folk and ambient-inspired music since 2019, releasing a series of singles and two EPs: Spells and, most recently, Quietude. Now signed to Fat Possum, Lovegaze is Hunter’s debut full-length, an enthralling album that draws listeners into her enchanting cosmology. As the daughter of a Belizean pastor, Hunter began her musical journey in the church where she played drums, guitar and sang in the choir. She continued on to study music at CalArts, where she studied vocal performance and was given her first harp lesson. Associating the instrument with fantasy, psychedelia, and dream worlds, Hunter became an immediate devotee, locking herself in a room for six hours a day to practice the instrument. To make Lovegaze, Hunter decamped to a small coastal city along the English Channel where she began recording demos with a borrowed celtic harp. After being introduced to London-based producer Cicely Goulder, Hunter returned to England a year later to further develop the songs. The resulting collection, Lovegaze, is a bewitching testament to the resiliency of the natural world.
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