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Mudhoney
Mudhoney - Mudhoney 35th Anniversary Edition
Mudhoney
Mudhoney 35th Anniversary Edition
LP | 2024 | US | Original (Sub Pop)
$ 29.29*
Release: 2024 / US – Original
Genre: Rock & Indie
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Sub Pop and Mudhoney celebrate the barnstorming self-titled debut album by Seattle punk/rock/fuzz/g****e legends Mudhoney, originally released in 1989, with a fresh colored-vinyl pressing. This classic album contains 12 tracks of roaring rock music, including the megahits "This Gift" and "Here Comes Sickness." Mudhoney frontman Mark Arm says "Turn up the tape hiss!!"This special 35th anniversary edition is limited to 1000 copies on Petrol Colored Vinyl, YES PETROL, it looks mighty fine, and comes in a single-LP jacket with poster insert!
Mudhoney - Superfuzz Bigmuff 35th Anniversary Vinyl Edition
Mudhoney
Superfuzz Bigmuff 35th Anniversary Vinyl Edition
LP | 1988 | US | Reissue (Sub Pop)
$ 28.25*
Release: 1988 / US – Reissue
Genre: Rock & Indie
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Limited Loser Edition on Mustard Yellow vinyl. In 1988 Mudhoney released their debut 7" single, "Touch Me I'm Sick," and it rapidly became the defining anthem of the Seattle scene that, shortly thereafter, took the world by storm. Punk? Garage? G****e? Who cares when it rips this much! The B side, "Sweet Young Thing Ain't Sweet No More," ain't no slouch, either. Later in 1988, the band followed up with Superfuzz Bigmuff, a six-song EP so overflowing with chaotic rock energy it warped thousands of minds, and inspired countless guitarists to immediately search for the titular fuzz pedals. In the words of Dynamite Hemmorage's Jay Hinman: "My feeling - and I know I'm not alone in this one - is that for all the play and worldwide attention several Seattle-area bands got during the 1988-92 period, at the end of the day (and even at the time), there was Mudhoney - and then there was everybody else. To me, you, and most everyone who was paying close attention to underground rock music during those years, Mudhoney still sound like the undisputed kingpins of roaring, surging, fuzzed-out, punk rock music. These first recordings were so life-affirming upon their release, connecting everything great about the sixties (biker movies, fuzzboxes, old guitars, three-minute songs) with the frothing, punk rock of the early 80s, that a whole new style of music was born. They called it grunge, but to me it was amped-up, clear-the-room, ramalama rock that exploded like Nagasaki live, and it was about as joyous and as fun a noise as anyone'd heard in years."These 2023 colored-vinyl editions of the two releases celebrate the 35th anniversary of Mudhoney's opening salvos, and we couldn't be more excited to have them back in print.
Mudhoney - Plastic Eternity
Mudhoney
Plastic Eternity
Tape | 2023 | US | Original (Sub Pop)
$ 14.64*
Release: 2023 / US – Original
Genre: Rock & Indie
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The world is filling up with trash. Humanity remains addicted to pollution. People are downing horse dewormer because some goober on television told them it cured Covid. The apocalypse is stupider than anyone could've predicted.Fortunately, the absurdities of modern life have always been prime subject matter for Seattle-based foursome Mudhoney, and the band take aim at all of them with typical barbed humor and muck-encrusted riffs on on 11th studio album, Plastic Eternity, which was recorded over nine days at Crackle & Pop! in Seattle with longtime producer Johnny Sangster. From taking on climate change from the perspective of the climate if the climate tried to play guitar like Jimi Hendrix ("Cry Me An Atmospheric River") to a driving rock and roll song about taking drugs meant for livestock ("Here Comes the Flood") to a classic punk attack on treating humans like livestock ("Human Stock Capital"), Plastic Eternity is a run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020's. It also contains a genuine love song in closing track "Little Dogs," an ode to the simple joys of hanging out with tiny canines. Mudhoney (vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters) remain the ur underground group, their gnarly primordial punk stew and Arm's sharply funny lyrics as potent a combination as they've been since the band's formation in the late 1980s. When asked why they continue making records nearly four decades after forming, Arm's answer is simple. "We like
Mudhoney - Plastic Eternity Silver Vinyl Ediiton
Mudhoney
Plastic Eternity Silver Vinyl Ediiton
LP | 2023 | US | Original (Sub Pop)
$ 28.25*
Release: 2023 / US – Original
Genre: Rock & Indie
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The world is filling up with trash. Humanity remains addicted to pollution. People are downing horse dewormer because some goober on television told them it cured Covid. The apocalypse is stupider than anyone could've predicted.Fortunately, the absurdities of modern life have always been prime subject matter for Seattle-based foursome Mudhoney, and the band take aim at all of them with typical barbed humor and muck-encrusted riffs on on 11th studio album, Plastic Eternity, which was recorded over nine days at Crackle & Pop! in Seattle with longtime producer Johnny Sangster. From taking on climate change from the perspective of the climate if the climate tried to play guitar like Jimi Hendrix ("Cry Me An Atmospheric River") to a driving rock and roll song about taking drugs meant for livestock ("Here Comes the Flood") to a classic punk attack on treating humans like livestock ("Human Stock Capital"), Plastic Eternity is a run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020's. It also contains a genuine love song in closing track "Little Dogs," an ode to the simple joys of hanging out with tiny canines. Mudhoney (vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters) remain the ur underground group, their gnarly primordial punk stew and Arm's sharply funny lyrics as potent a combination as they've been since the band's formation in the late 1980s. When asked why they continue making records nearly four decades after forming, Arm's answer is simple. "We like
Mudhoney - Plastic Eternity Black Vinyl Ediiton
Mudhoney
Plastic Eternity Black Vinyl Ediiton
LP | 2023 | US | Original (Sub Pop)
$ 28.25*
Release: 2023 / US – Original
Genre: Rock & Indie
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The world is filling up with trash. Humanity remains addicted to pollution. People are downing horse dewormer because some goober on television told them it cured Covid. The apocalypse is stupider than anyone could've predicted.Fortunately, the absurdities of modern life have always been prime subject matter for Seattle-based foursome Mudhoney, and the band take aim at all of them with typical barbed humor and muck-encrusted riffs on on 11th studio album, Plastic Eternity, which was recorded over nine days at Crackle & Pop! in Seattle with longtime producer Johnny Sangster. From taking on climate change from the perspective of the climate if the climate tried to play guitar like Jimi Hendrix ("Cry Me An Atmospheric River") to a driving rock and roll song about taking drugs meant for livestock ("Here Comes the Flood") to a classic punk attack on treating humans like livestock ("Human Stock Capital"), Plastic Eternity is a run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020's. It also contains a genuine love song in closing track "Little Dogs," an ode to the simple joys of hanging out with tiny canines. Mudhoney (vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters) remain the ur underground group, their gnarly primordial punk stew and Arm's sharply funny lyrics as potent a combination as they've been since the band's formation in the late 1980s. When asked why they continue making records nearly four decades after forming, Arm's answer is simple. "We like
Mudhoney - Every Good Boy Deserves Fudge 30th Anniversary Deluxe Edition
Mudhoney
Every Good Boy Deserves Fudge 30th Anniversary Deluxe Edition
LP | 2021 | US | Original (Sub Pop)
$ 35.57*
Release: 2021 / US – Original
Genre: Rock & Indie
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- Classic 1991 Album Remastered And Expanded With Rare And Previously Unreleased Tracks.- Extensive Liner Notes By Band Biographer Keith Cameron.- Album Is Considered A Landmark Of The Grunge Era.- Gatefold Jacket With Custom Dust Sleeves And Poster- Black Vinyl Pressing //By Going Back To Basics With Every Good Boy Deserves Fudge, Mudhoney Flipped Conventional Wisdom. Not For The First Time - Or The Last - They Would Be Vindicated. A Month After Release In July 1991, The Album Entered The Uk Album Chart At Number 34 (Five Weeks Later, Nirvana's Nevermind Entered At 36) And Went On To Sell 75,000 Copies Worldwide. A More Meaningful Measure Of Success, However, Lay In Its Revitalisation Of The Band, Casting A Touchstone For The Future. The Record Is A Major Chapter In Mudhoney's Ongoing Story, The Moral Of Which Has To Be: When In Doubt, Fudge It. The Album Began At Music Source Studio, A Large Space Equipped With A 24-Track Mixing Board - Downright Futuristic, Compared To The 8-Track Setup That Birthed The Band's Catalytic 1988 Debut, "Touch Me I'm Sick." The Music Source Session Quickly Turned Into A False Start When The Results, In Guitarist Steve Turner's Words, "Sounded A Little Too Fancy, Too Clean." Lesson Learned, The Band Went Primitive And Got To Work At Conrad Uno's 8-Track Setup At Egg Studio. Named After The Cartons Pasted On The Walls In An Optimistic Attempt At Sound-Proofing, Egg Boasted A '60s Vintage 8-Track Spectra Sonics Recording Console, Originally Built For Stax In Memphis. So It Was That, In The Spring Of 1991, Mudhoney Made Every Good Boy Deserves Fudge. The Resulting Album Is A Whirlwind Of The Band's Influences At The Time: The Fierce '60s Garage Rock Of Their Pacific Northwest Predecessors The Sonics And The Lollipop Shoppe, The Gnashing Post-Hardcore Of Drunks With Guns, The Heavy Guitar Moods Of Neil Young, The Lysergic Workouts Of Spacemen 3 And Hawkwind, The Gloomy Existentialism Of Zounds, And The Satirical Ferocity Of '80s Hardcore Punk. The Quartet's Special Alc...
Mudhoney - Morning In America Loser Edition
Mudhoney
Morning In America Loser Edition
LP | 2019 | US | Original (Sub Pop)
$ 25.11*
Release: 2019 / US – Original
Genre: Rock & Indie
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Morning in America consists of 7 songs that were recorded during the sessions for Mudhoney's 2018 album, Digital Garbage ("_an astute, politically relevant and commendably fired-up garage punk belter of an LP," - The Quietus). The tracks include "Let's Kill Yourself Live Again" (an alternate version of the Digital Garbage stand-out "Kill Yourself Live," and the bonus track for the Japanese CD version of that album), "One Bad Actor" (a new version of Mudhoney's track on the limited-edition, and now very sold-out, SPF30 split 7" single w Hot Snakes), album outtakes "Snake Oil Ch...
Mudhoney - Since We've Become Translucent
Mudhoney
Since We've Become Translucent
LP | 2015 | US | Reissue (Sub Pop)
$ 25.11*
Release: 2015 / US – Reissue
Genre: Rock & Indie
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re-issue on Vinyl of A long out of print Mudhoney album. For those of you who may have forgotten. Mudhoney is a four-piece rock group from the old, weird Seattle. For 27 years they have plugged into wall sockets all over the world, proving to be one of the most consistently electrifying acts to survive the grunge implosion, whatever that was. The wolfish howls of singer Mark Arm, soulful splatterings of guitarist Steve Turner and frenzied fills of drummer Dan Peters have produced 9 albums to date, most of which are considered neo-garage classics. In addition, they have had two bassists over the years, Matt Lukin, who retired in 1999, later replaced by the inimitable Australian Guy Maddison. 2002's Since We've Become Translucent was the first Mudhoney record to not include Matt Lukin on bass. Bass duties were ably taken up by Mr. Guy Maddison, formerly of Bloodloss and Lubricated Goat. If you don't own this then your life is incomplete. Word.
Mudhoney - Superfuzz Bigmuff
Mudhoney
Superfuzz Bigmuff
12" | 2009 | US | Reissue (Sub Pop)
$ 19.87*
Release: 2009 / US – Reissue
Genre: Rock & Indie
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Mudhoney - Sonic Infusion
Mudhoney
Sonic Infusion
7" | 2002 | US | Reissue (Sub Pop)
$ 11.50*
Release: 2002 / US – Reissue
Genre: Rock & Indie
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Brand new single from MUDHONEY. Strictly Limitet to 1500 copies worldwide. Includes "Sonic infusion" taken from the album "Since We've Become Translucent" plus ALICE COOPER cover "Long Way To Go".
Mudhoney - Suck You Dry: The Reprise Years Record Store Day 2024 Vinyl Edition
Mudhoney
Suck You Dry: The Reprise Years Record Store Day 2024 Vinyl Edition
LP | 2024 | Original (Rhino Warner)
$ 136.57* $ 151.75 -10%
Release: 2024 / Original
Genre: Pop
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RSD limited exclusive release. Band’s Reprise albums collected on wax for the first time, includes live tracks, B-Sides and unreleased demos all making their debut on vinyl, band just released a new album, “Plastic Eternity” and constantly tour. Steve Turner’s new book, “Mudride” just came out in June. First North American pressing of their Reprise debut: Piece Of Cake.
Mudhoney - Touch Me I'm Sick
Mudhoney
Touch Me I'm Sick
7" | 1988 | US | Reissue (Sub Pop)
$ 14.64*
Release: 1988 / US – Reissue
Genre: Rock & Indie
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Mudhoney - Mudhoney
Mudhoney
Mudhoney
LP (Sub Pop)
$ 29.29*
Genre: Rock & Indie
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Mudhoney - Every Good Boy Deserves Fudge
Mudhoney
Every Good Boy Deserves Fudge
LP | 1991 | Reissue (Sub Pop)
$ 29.29*
Release: 1991 / Reissue
Genre: Rock & Indie
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Mudhoney - Five Dollar Bob's Mock Cooter Stew Colored Vinyl Edition
Mudhoney
Five Dollar Bob's Mock Cooter Stew Colored Vinyl Edition
LP | 1993 | US | Reissue (Jackpot)
$ 33.48*
Release: 1993 / US – Reissue
Genre: Rock & Indie
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Most of us likely missed MUDHONEY’s ‘Five Dollar Bob’s Mock Cooter Stew’ when it first cratered here on Earth in late 1993, but we can ALL learn from our previous mistakes Right NOW!!! Out of print in any physical format for 30 years (!), here is their Reprise mini-LP for all to devour in real-time and roll in its naked glory. Initially recorded by the band as an offering for their fans to devour while they were between full-length albums, the majority of ‘Five Dollar’ was recorded in one short, inspired burst on August 1, 1993, between the hours of 9:30 and 10:15 PM (with friend and Fastback Kur(d)t Bloch egging them on from the production booth). They smashed this out in just 45 minutes.

It might be the band at their most ‘Stooge-esque’ since there is no flowery imagery; nothing to misinterpret; just in-your-face blunt despair (in that department, Black Flag’s ‘Damaged’ LP comes to mind, especially in Mudhoney’s gleefully punishing highlight: ‘No Song Iii’). Within two seconds of any of these songs hitting your mind (maybe even within one second), you knew it could only be Mudhoney. You can instantly recognize it, because they truly own it/you/the universe.
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