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Goofin
Sonic Youth - Daydream Nation
Sonic Youth
Daydream Nation
2LP | 1988 | US | Reissue (Goofin)
$ 38.71*
Release: 1988 / US – Reissue
Genre: Rock & Indie
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Daydream Nation was Sonic Youth’s sixth full-length, their first double-LP, and their last for an indie label before signing with Geffen. Widely considered to be their watershed moment, the album catapulted them into the mainstream and proved that indie bands could enjoy wide commercial success without compromising their artistic vision. More recently, Daydream Nation has been recognized as a classic of its time: Pitchfork ranked it #1 on their “100 Greatest Albums of the 1980s”; Spin listed it at #13 on their “125 Best Albums of 1985-2010”; Rolling Stone put it at #45 on their “100 Best Albums of the Eighties” list and #328 on their “500 Greatest Albums of All Time.” It was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry in 2006.
2007 saw the release of an expanded four-disc vinyl box set, but now the album is back in its original form after years of being out of print and highly sought after. As a special 21st century bonus, the vinyl now includes a digital download card—radical adults rejoice!
Sonic Youth - Bad Moon Rising
Sonic Youth
Bad Moon Rising
LP | 1985 | US | Reissue (Goofin)
$ 28.25*
Release: 1985 / US – Reissue
Genre: Rock & Indie
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Sonic Youth’s second full-length LP Bad Moon Rising was originally released on Homestead and Blast First in 1985. The album is a fascinating examination of “the junction where hippie idealism [meets] the cold hard world,” says guitarist Lee Ranaldo, “where Woodstock [meets] Altamont—Death Valley, Charles Manson, Brian Wilson, musicians, murderers, heroes and villains.” Its original eight-song tapestry of droning guitar feedback, distant clattering percussion, and sullen vocals, all held together with interstitial noise loops and shadowy haze, ambles through a long, dark night before the feverish “Death Valley ’69,” driven by runaway guitar riffs and a frantic Thurston Moore / Lydia Lunch vocal duet, pounds the capstone into place. Sonic Youth’s big leap forward from Confusion Is Sex and Kill Yr Idols “reflects the spirit of the time,” to quote All Music Guide. Bad Moon Rising views “American gothic through the glassy eyes of willful moonlit paranoia.”
Back in print on Goofin’ Records, this reissue includes bonus tracks “Flower” and “Halloween,” both from a 12- inch single of the same era. The sound collage morsels “Sa- tan Is Boring” and “Echo Canyon” are your cue to begin moving toward the exit and get out while you can.
Sonic Youth - Sister
Sonic Youth
Sister
LP | 1987 | US | Reissue (Goofin)
$ 28.25*
Release: 1987 / US – Reissue
Genre: Rock & Indie
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Vinyl LP pressing including digital download. Reissue. One of Sonic Youth's most beloved albums, 1987's Sister incorporated the dissonance of their earlier releases into more traditional song structures. It's an innovative and thrilling work assuredly delivered by a band at the peak of their powers. Sonic Youth formed in 1981 in New York. Founding members Thurston Moore (guitar, vocals), Kim Gordon (bass guitar, vocals, guitar) and Lee Ranaldo (guitar, vocals) remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, and rounded out the core line-up. In their early career Sonic Youth were associated with the no wave art and music scene in New York City. Part of the first wave of American noise rock groups, the band carried out their interpretation of the hardcore punk ethos throughout the evolving American underground that focused more on the DIY ethic of the genre rather than its specific sound.
Sonic Youth - EVOL
Sonic Youth
EVOL
LP | 1986 | US | Reissue (Goofin)
$ 28.25*
Release: 1986 / US – Reissue
Genre: Rock & Indie
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The third studio album by Sonic Youth, originally released in May 1986 on SST Records, shows the first signs that the band was ready to transform their no wave past into a greater alternative rock sensibility. “EVOL … mark[s] the true departure point of Sonic Youth’s musical evolution,” says Pitchfork, who place the album in the #31 slot of their Top 100 Albums of The 1980s. “In measured increments, Thurston Moore and Lee Ranaldo … bring form to the formless, tune to the tuneless, and with the help of Steve Shelley’s drums…, [impose] melody and composition on their trademark dissonance.”
Stereogum likewise praises the album as one that is “full of suspense…, the cornerstone [of] the Sonic Youth sound…, ground zero for the combination of chiming guitars and atonal skronk… [and] muggy delirium…. The virile ‘Tom Violence’ sounds less written than coaxed from a cauldron, the sort of song that fogs windows. The off-kilter [droning love song] ‘Starpower’ … is sung [by Kim Gordon] in a frosty [Nico-evoking] monotone. ‘In The Kingdom #19,’ featuring Mike Watt on bass and … vocals [by Ranaldo]…, is a harrowing story of a highway wreck over a suitably edgy instrumental backing punctuated by … live firecrackers into the vocal booth.”
“EVOL slithers into the unconscious,” notes Popstache. “Once the [detuned melodies and haunting riffs and] final whispers of feedback [of ‘Expressway to Yr. Skull’] depart from the speakers…, the music [leaves] a faded footprint, forever reeling the listener back for another strange trip.”
Sonic Youth - The destroyed room
Sonic Youth
The destroyed room
2LP | 2006 | US | Original (Goofin)
$ 32.43*
Release: 2006 / US – Original
Genre: Rock & Indie
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b-sides and rarities!
Sonic Youth - Smart Bar Chicago 1985 Bootleg Styled
Sonic Youth
Smart Bar Chicago 1985 Bootleg Styled
2LP | 2021 | US | Original (Goofin)
$ 60.69*
Release: 2021 / US – Original
Genre: Rock & Indie
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Sonic Youth - Confusion Is Sex
Sonic Youth
Confusion Is Sex
LP | 1983 | US | Reissue (Goofin)
$ 28.25*
Release: 1983 / US – Reissue
Genre: Rock & Indie
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Reissue on the band's own label, Goofin, comes with download. Originally slated to be a seven-inch single to follow up their self-titled debut, Sonic Youth's "Confusion Is Sex" blossomed into the band's 1st album: a brain-bludgeoning, completely fried endeavor of dissonance & disarray, a perfect soundtrack for running from a chain-wielding gang near the SIN Club. This was the sound of 1983 New York City.
Sonic Youth - Walls Have Ears
Sonic Youth
Walls Have Ears
Tape | 2024 | US | Original (Goofin)
$ 18.83*
Release: 2024 / US – Original
Genre: Rock & Indie
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“Culled from three 1985 gigs in the UK during a transitional and transcendent time in the band’s story, Sonic Youth’s The Walls Have Ears appeared / disappeared as a 2LP set in 1986, not just a live album but an artful tapestry full of live experimentation with songs, between-song tape segues, darkness, humor and audio verité. It’s now issued for the first time officially under the band’s auspices.

“The ’85 shows were the second time the band appeared on UK soil, Brits now getting juiced to the mythos of the emerging guitar-slinging American independent underground; an art / punk band from NYC sporting casual attitudes and tees sporting Bruce Springsteen, Madonna, and Prince made some good press copy on top of their bludgeoning stage appearance. Paul Smith of the newly-founded Blast First label acted as an overseas diplomatic envoy for Sonic Youth through their SST years as well as issuing their classic 1988 Daydream Nation outside the USA. However the Smith-produced ‘bootleg’ of their ’85 UK gigs surfaced much to everyone’s surprise, just before Evol was to be released. It turned out to be a marker of the group’s dissatisfaction that ultimately led to the release’s deletion, and the band and Smith parting ways after Daydream.

“In this 2LP set brimming with primitive classics like ‘The Burning Spear,’ ‘Death Valley 69,’ and ‘I’m Insane’ (uncredited on sleeve), segues and live guitar changes ooze together threaded by Madonna tapes and vocal loops off the board (somewhat a necessity for distraction until the band had a full fledged stage crew to prepare guitars). The first two sides of Walls are massive, cavernous, with newly-drafted drummer Steve Shelley. SY tear it up especially on one trash-fi excerpt of ‘Blood On Brighton Beach’ (actually ‘Making The Nature Scene’) from a legendary outdoor gig November 8th where [Thurston] Moore, [Kim] Gordon and [Lee] Ranaldo’s guitars treble-blast dissonant shockwaves over the black-stoned beach of Quadrophenia fame.

“The record’s second slab spotlights an April 1985 at London’s Hammersmith Palais and was one of the final appearances live of Bob Bert on drums, again featuring some molten takes on ‘Brother James,’ ‘Flower’ (listed as ‘The Word (E.V.O.L.)’), and others. This document remains an essential representation of some lean and mean years of the quartet’s throttling march out into the world.” – Brian Turner
Thurston Moore - Psychic hearts
Thurston Moore
Psychic hearts
2LP | 2006 | US | Original (Goofin)
$ 37.66*
Release: 2006 / US – Original
Genre: Rock & Indie
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Sonic Youth - Walls Have Ears Black Vinyl Edition
Sonic Youth
Walls Have Ears Black Vinyl Edition
2LP | 2024 | US | Original (Goofin)
$ 35.78* $ 39.76 -10%
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
“Culled from three 1985 gigs in the UK during a transitional and transcendent time in the band’s story, Sonic Youth’s The Walls Have Ears appeared / disappeared as a 2LP set in 1986, not just a live album but an artful tapestry full of live experimentation with songs, between-song tape segues, darkness, humor and audio verité. It’s now issued for the first time officially under the band’s auspices.

“The ’85 shows were the second time the band appeared on UK soil, Brits now getting juiced to the mythos of the emerging guitar-slinging American independent underground; an art / punk band from NYC sporting casual attitudes and tees sporting Bruce Springsteen, Madonna, and Prince made some good press copy on top of their bludgeoning stage appearance. Paul Smith of the newly-founded Blast First label acted as an overseas diplomatic envoy for Sonic Youth through their SST years as well as issuing their classic 1988 Daydream Nation outside the USA. However the Smith-produced ‘bootleg’ of their ’85 UK gigs surfaced much to everyone’s surprise, just before Evol was to be released. It turned out to be a marker of the group’s dissatisfaction that ultimately led to the release’s deletion, and the band and Smith parting ways after Daydream.

“In this 2LP set brimming with primitive classics like ‘The Burning Spear,’ ‘Death Valley 69,’ and ‘I’m Insane’ (uncredited on sleeve), segues and live guitar changes ooze together threaded by Madonna tapes and vocal loops off the board (somewhat a necessity for distraction until the band had a full fledged stage crew to prepare guitars). The first two sides of Walls are massive, cavernous, with newly-drafted drummer Steve Shelley. SY tear it up especially on one trash-fi excerpt of ‘Blood On Brighton Beach’ (actually ‘Making The Nature Scene’) from a legendary outdoor gig November 8th where [Thurston] Moore, [Kim] Gordon and [Lee] Ranaldo’s guitars treble-blast dissonant shockwaves over the black-stoned beach of Quadrophenia fame.

“The record’s second slab spotlights an April 1985 at London’s Hammersmith Palais and was one of the final appearances live of Bob Bert on drums, again featuring some molten takes on ‘Brother James,’ ‘Flower’ (listed as ‘The Word (E.V.O.L.)’), and others. This document remains an essential representation of some lean and mean years of the quartet’s throttling march out into the world.” – Brian Turner
Sonic Youth - Walls Have Ears Silver Vinyl Edition
Sonic Youth
Walls Have Ears Silver Vinyl Edition
2LP | 2024 | US | Original (Goofin)
$ 39.76*
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
“Culled from three 1985 gigs in the UK during a transitional and transcendent time in the band’s story, Sonic Youth’s The Walls Have Ears appeared / disappeared as a 2LP set in 1986, not just a live album but an artful tapestry full of live experimentation with songs, between-song tape segues, darkness, humor and audio verité. It’s now issued for the first time officially under the band’s auspices.

“The ’85 shows were the second time the band appeared on UK soil, Brits now getting juiced to the mythos of the emerging guitar-slinging American independent underground; an art / punk band from NYC sporting casual attitudes and tees sporting Bruce Springsteen, Madonna, and Prince made some good press copy on top of their bludgeoning stage appearance. Paul Smith of the newly-founded Blast First label acted as an overseas diplomatic envoy for Sonic Youth through their SST years as well as issuing their classic 1988 Daydream Nation outside the USA. However the Smith-produced ‘bootleg’ of their ’85 UK gigs surfaced much to everyone’s surprise, just before Evol was to be released. It turned out to be a marker of the group’s dissatisfaction that ultimately led to the release’s deletion, and the band and Smith parting ways after Daydream.

“In this 2LP set brimming with primitive classics like ‘The Burning Spear,’ ‘Death Valley 69,’ and ‘I’m Insane’ (uncredited on sleeve), segues and live guitar changes ooze together threaded by Madonna tapes and vocal loops off the board (somewhat a necessity for distraction until the band had a full fledged stage crew to prepare guitars). The first two sides of Walls are massive, cavernous, with newly-drafted drummer Steve Shelley. SY tear it up especially on one trash-fi excerpt of ‘Blood On Brighton Beach’ (actually ‘Making The Nature Scene’) from a legendary outdoor gig November 8th where [Thurston] Moore, [Kim] Gordon and [Lee] Ranaldo’s guitars treble-blast dissonant shockwaves over the black-stoned beach of Quadrophenia fame.

“The record’s second slab spotlights an April 1985 at London’s Hammersmith Palais and was one of the final appearances live of Bob Bert on drums, again featuring some molten takes on ‘Brother James,’ ‘Flower’ (listed as ‘The Word (E.V.O.L.)’), and others. This document remains an essential representation of some lean and mean years of the quartet’s throttling march out into the world.” – Brian Turner
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