Feeding Tube HHV Records 30 Items

Release: 2024 / US – Original

Genre: Rock & Indie

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Dead Sea Apes / Band Whose Name Is A Symbol

Eine Nacht 2

Release: 2024 / US – Original

Genre: Rock & Indie

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Dead Sea Apes / Band Whose Name Is A Symbol

Eine Nacht 1

Release: 2024 / US – Original

Genre: Rock & Indie

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Joseph Allred

Folk Guitar

You Think You Really Know Me

Release: 2024 / US – Original

Genre: Rock & Indie

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"A very nice return to unadorned acoustic guitar playing by one of the form's masters. Allred's last album for FTR, What Strange Flowers Grow in the Shade was more of an imaginary band outing, but Folk Guitar plays it straight. Joseph reports they'd been listening to a lot to pieces by 16th-century composer, John Dowland, and the solo work of Pentangle's John Renbourn while this album was gestating. They also note Hammer Studio horror-film soundtracks as a touchstone for certain tunes, while others were inspired by the music in Chinese fantasy TV shows, and poetic fragments by Sappho. All of which means, this is another deeply considered and beautifully rendered set of tunes by this Tennessee-based rambler. Unlike some of Allred's early solo work, which manifested the same sort of syncretic brassiness as Robbie Basho's Takoma-era work, several of the pieces here display an extreme clarity of attack that reminds me a bit of British guitarist, John Pearse, whose work also explored folk and classical traditions (sometimes simultaneously). But of course, Allred's playing is as original as always. They manage to blend whatever influences they have consumed into perfect gems of musical karma - each facet glimmering like a transcendental star. Folk Guitar is a work of unalloyed brilliance, and will prove to be a boon companion for anyone attuned to the art of solo guitar music." -Byron Coley, 2024

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Gary Wilson

LP | 1977 | US | Reissue (Feeding Tube)

$ 31.39*

Big Blood & The Bleedin' Hearts

Release: 1977 / US – Reissue

Genre: Electronic & Dance

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Gary WILSON's monumental 1977 LP reissued with a glamorously shiny foil cover bearing the original cover art (care of Owen Maercks's well-loved copy), delicately laid out by Scott Allison. Which makes it, perhaps, the last copy you'll ever need. You Think You Really Know Me (also the title of Michael Wolk's 2005 documentary about Wilson) was Wilson's second LP, but the first he recorded as a vocalist, hewing to his own bizarre vision—a syncretic collision of romance, new wave cocktail jazz, heartbreak, disco porn-soundtrack music, and experimental tape manipulation. Home-recorded in Endicott, NY, the album found a few fans when released, but subsequently became the exclusive purview of record collectors and the women who tolerate them. Beck namechecked Wilson in 1996, which made a few new people scratch their heads. And the album was reissued in 2002. Rediscovery followed, and records, the documentary, and some odd live shows. Most of Wilson's moves are stamped with his unique aesthetic, and are also documented on other three recommended Feeding Tube LPs—Lisa Wants to Talk to You (ftr 081lp), Forgotten Lovers (ftr 065lp), and Music for Piano (ftr 192lp). But as bodacious as these three albums are, the real root of Wilson's muse is most obvious on You Think You Really Know Me. It is the sound of a 23-year old oddball from upstate New York wrestling with his demons and actually winning. There's nothing quite like it. And it offers a story of hope to every weirdo who hears it. Hallelujah!

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Big Blood

LP | 2023 | CZ | Original (Feeding Tube)

LP | 2025 | US | Original (Feeding Tube)

Release: 2023 / CZ – Original

Genre: Rock & Indie

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Vinyl LP pressing. Seventh album by Big Blood on which they are abetted by the Bleedin' Hearts - Tom Kovacevic and Micah Blue Smaldone (who were Caleb & Colleen's bandmates in Fire On Fire) and Kelly Nesbitt (a Portland-based musician/performance artist). Recorded at home in South Portland Maine "at various times through various means," this session was originally released on CDR in 2008. For about half the album Big Blood retains it's duo/"ghost quartet" profile, with the core participants generating copious gusts of the avant/rural fog that was their early trademark. Tunes range from the "Graceless Lady" (with tense vocals recalling Nick Cave's "Weeping Song") to the cracked Americana twangin' of "Night Lighter." It also includes idiosyncratic tracks, such as "Tease It Like a Cop," pared down to Colleen's treated vocal ands piano, and a rare (and beautiful) cover tune - Syd Barrett's "Terrapin."

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Dylan Golden Aycock

No New Summers

LP | 2025 | US | Original (Feeding Tube)

Release: 2025 / US – Original

Genre: Rock & Indie

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Nice to hear the first solo LP in a good while by this most excellent guitarist who also runs the superb Scissor Tail label. Dylan writes, 'I made the title track a couple years ago at the beginning of summer. I was thinking about how as you get older you have fewer new experiences. That feeling of excitement for summer fades, after it used to be such a big deal as a kid. Those experiences can only be new and vibrant once. The rest of your life can be spent in nostalgia for them. It's a sad thought and maybe not true for everyone, but I suspect it is for most. The album is a sort of ode to that Stand by Me vibe of childhood. Which's a big part of why Cody M Lane 's photograph of the kid skateboarding in cowboy boots hit me so hard. That's a thing I've seen multiple times here in Oklahoma over the years and it cracks me up, but is also just a perfect photo in my opinion. All of his photography really captures my latchkey childhood -- wandering around the streets all day with friends, not a care in the world. The recording process was spaced out over 12 years. I compiled these songs around a theme although they weren't recorded with a theme in mind. My songs are usually extracted from longer recorded improvisations, then expanded. Some tunes like 'Good Directions' and 'No New Summers' were just made in one shot without overdubs. The track 'Buoyant' is me playing bowed upright bass and layering some found sounds and field recordings I've made over the years. 'Light Peeking Through' and 'Unanchored' are pedal steel songs. For 'Unanchored' I found a way to process my steel to sound like cello and oboe so, after lots of layers of classical instruments, the pedal steel sounds like an orchestra. 'Light Peeking Through' is another pedal steel song I recorded several years ago. When I met Gary Peters I asked if he might want to add to it. He gave the tune more low end and put in some very cool chords, adding more dissonance at times. I think it took some of the twee out of the song. A result I liked a lot.' We like all these songs a lot. Dylan's approach to composing and playing involves hybridizing American Primitive, folk, country, soundtrack and avant influences into a unique and powerful alloy. Spinning the record is nothing short of a goddamn trip. Transportational music of the highest order. Get some today." -- Byron Coley , 2025. Co-released with Worried Songs

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Bhajan Bhoy

Elektronik Zoo Sounds

Release: 2025 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2025-03-07

De Regering Van Treffelijke Zaken

Melle-Aan-Zee

LP | 2025 | US | Original (Feeding Tube)

Release: 2025 / US – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Feeding Tube)

Elkhorn

Distances

$ 39.76*

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Feeding Tube)

Dan Melchior

CB Odyssey

$ 38.71*

LP | 2011 | EU | Original (Feeding Tube)

Release: 2022 / US – Original

Genre: Rock & Indie

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"One of the great joys of the ever-evolving catalog of DAN Melchior is hearing where in the spectrum of styles that he has mastered each record falls. From studio recordings to lo-fidelity home experiments, full band rockers or plaintive solo excursions, fans never know what they are going to get until the needle drops. Those of us who have followed Dan on his prolific pathways are ready for anything but always assured that the spirit of the artist himself, one unique enough to be its own in any form, will deliver and somehow deal with the ramifications of an increasingly maddening world. Dan's first full length of 2021, CB Odyssey, (co-released by the Feeding Tube/Sophomore Lounge) continues in his fine tradition of excellence, this time finding the middle ground of his stylistic extremes. A master of modern song-craft, Melchior returns with CB Odyssey to deliver a further treatise on the agonizing futility of contemporary life. Neither pandering to sentimentality nor cultural trends, Melchior embraces the crass absurdity of modern existence, delivering a multi-faceted view of the everyday. These scenes offer illuminations into the hilarious, the macabre, the pointlessly hip, and most elegantly, the details of the normalcy that few writers of our time seem to be able to capture. The cast of characters on CB Odyssey range from middle-aged self-satisfied artists who have never courted popularity to woke millennials trying to teach mosquitos that it's not nice to bite. The listener is taken to vistas never before traveled such as encounters at the only Wendy's in North America that employs a real live sloth who can grow a beard while you wait for your fries. Melchior delivers these psychedelic visions, not ones of utopia or escapism but of a painfully blinding truth. And such is a truth that can only really be delivered in such a voice by Dan Melchior and CB Odyssey is among his finest examples of his craft. There will most assuredly be more. That is if the mosquitoes don't be the death of him."—Steve Lowenthal , 2022

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Tellavision

Music On Canvas

$ 24.06*

Release: 2011 / EU – Original

Genre: Electronic & Dance

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Tape | 2021 | US | Original (Feeding Tube)

Pg Six / Louise Bock

All Summer Long Is Gone

$ 18.83*

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Feeding Tube)

Michael Hurley

Living Ljubljana

LP | 1977 | US | Reissue (Feeding Tube)

Release: 2018 / US – Original

Genre: Rock & Indie

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"In March 1995, soon after the German Veracity label issued Wolfways, and just before they did Parsnips Snips (1995) (Hurley's first vinyl after a nine-year drought), the Great Snock undertook his first European tour. Joined by bassist Robert Michener (from the Richmond scene Hurley'd been involved in) and percussionist Mickey Bones (legendary Boston drummer & bones player), Hurley hit a bunch of places and Germany and also KLUB K4 in Llubjana, Slovenia, where this set was recorded. The sound is beautiful, the band plays with lazy perfection, and Hurley's vocals are energetically melodic. He does some songs that were only released on the series of cassettes that immediately preceded Wolfways ('Horse's Ass,' 'The Beggar's Terms'), stuff from Wolfways ('Letter in Neon,' 'Portland Water,' 'I Paint a Design'), classics like 'O My Stars,' and a few cover tunes. And More! Packed up in a new Hurley art cover design (based on the Euro tour t-shirt), with great liner notes detailing the rigors of a German press junket from right before the tour-proper, this package is sure to please discerning Snockophiles of all stripes. It's a fantastic spin. Dig in today." -Byron Coley, 2018.

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Alvaro

Drinkin My Own Sperm

Release: 1977 / US – Reissue

Genre: Rock & Indie

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Beautiful reissue of the 1977 debut solo LP by Alvaro - the Chilean with the Singing Nose. Alvaro Pena-Rojas was an advertising exec who ended up living in a squat in London when he chucked his professional career to fulfill his dream of being a musician. Rooming with he-who-would-become Joe Strummer, Alvaro was a founding member of the squat's pub-rock band, The 101ers. After the Pistols opened for The 101ers at the Nashville Rooms, Strummer felt like he was destined to become a punk, and founded The Clash. Alvaro took his own trio into the studio (along with singer Cathy Williams, then in Red Balune with her boyfriend, Geoff Leigh) and used his savings to record Drinkin My Own Sperm, which he then had pressed up on his own Squeaky Shoes label. The music is a mad melange - like Andean lounge music in parts, like berserk early Eno in others, and filled with the strange joy of Alvaro's keyboard inventions throughout. The album's title-track - which Alvaro has long claimed was an ode to his lonely existence in London - strikes us more like the move of a canny marketer. Because of it's title, the record was banned on the BBC and often noted in contemporary mainstream journals as yet another sign of the disgrace that was punk. Of course, we leave the ultimate decision to you, but one has to wonder. This new release has both the lyric insert that accompanied the second pressing back in '78, as well as an historical booklet penned by Brian Turner (of WFMU) and Byron Coley. 800 copies were pressed. -Byron Coley, 2015.

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Outrageous Cherry

Out There In The Dark

Release: 2024 / US – Original

Genre: Rock & Indie

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Tomoyuki Trio

Shitsuren

Release: 2024 / US – Original

Genre: Rock & Indie

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Cherry Blossoms

Stars Of Tennessee

Release: 2024 / US – Original

Genre: Rock & Indie

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MX-80 Sound

Better Than Life

$ 33.48*

Release: 2024 / US – Original

Genre: Rock & Indie

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Margarida Garcia / Manuel Mota

Domestic Scene

Release: 2024 / US – Original

Genre: Rock & Indie

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Adventures Before The Body

E Gone

Release: 2024 / US – Original

Genre: Rock & Indie

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Wednesday Knudsen

Soft Focus Volume Two

Release: 2024 / US – Original

Genre: Electronic & Dance

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Troposphere 7

To Keyi Toko Zonga

Release: 2024 / US – Original

Genre: Rock & Indie

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Troposphere 7

To Keyi Toko Zonga

Release: 2024 / US – Original

Genre: Rock & Indie

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Band Whose Name Is A Symbol

Verdun

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2017 | US | Reissue (Feeding Tube)

Louise Bock

Repetitives In Ilocality

$ 33.48*

LP | 2019 | US | Original (Feeding Tube)

Release: 2017 / US – Reissue

Genre: Organic Grooves

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"louise Bock is one of the performing names worn by Taralie Peterson of that most excellent duo, Spires That IN THE Sunset Rise. And the music on Repetitives in Illocality recalls a few aspects of Spires' recent live shows. It's akin to a dreamily aggressive take on the outer fringes of early ECM-style improvisation. A lovely hover between out-chamber-jazz, new music and the unknown tongue. Using cello, sax and treated lap harp, Louise Bock creates surfaces that are sometimes as chopped as ice sculptures made with a chainsaw, and at other moments as smooth as the soft expanse of Brian Eno's forehead. Those passages where the cello takes the lead are the most serious. Some passages, with their mournful sweep, almost sound like the slower parts of Kodály's 'Solo Cello Sonata.' The treated lap harp has resonance qualities not unlike a jaw harp at times, enabled to produce long tone lines, as well as to wobble like a jaw full of loose teeth. When Taralie's voice comes in, it can almost seem like Martin Rev is playing a solo on an old pushbutton phone while Judy Nylon blows clouds of aether into his wig. But the vocals combine with the sweet saw of cello in an entirely different way. Suggesting snippets of not-yet-discovered operettas about life elsewhere. Meanwhile, lap harp and sax appear to exist in a post-progressive universe where early '70s Gong may have actually had some serious moments. And this is some seriously amazing stuff -- solo, duos, trios and quartets drawn from the deep well of Louise Brock's imagination. Defy illocality. Come close and listen.”—Byron Coley, 2018 Edition of 300.

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Eugene Chadbourne

Solo Guitar Volume 2-1/3

$ 18.31* $ 26.15 -30%

Release: 2019 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2023 | Original (Feeding Tube)

Drew Gardner

Flowers In Space

Release: 2023 / Original

Genre: Rock & Indie

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LP | 2023 | Original (Feeding Tube)

Wednesday Knudsen

Soft Focus Volume One

Release: 2023 / Original

Genre: Rock & Indie

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LP | 2023 | Original (Feeding Tube)

Big Blood

Grove