Electronic & Dance 33461 Items

Flora HHV Exclusive Daisy Yellow Vinyl Edition

Release: 2023 / Original

Genre: Hip Hop, Organic Grooves, Rock & Indie, Electronic & Dance, Reggae & Dancehall, Pop, Soundtracks

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Bonus Coins

The HHV Records universe in 14 high quality screen print stickers black-and-white on an A4 format sheet. It can be so easy.
Good Stuff Carefully Composed in 14 stickers.

On the sheet:
• HHV Logo Sticker, square
• KEATS Logo Sticker, square
• Beat Jazz International Logo Sticker, square
• For the RECORD Logo Sticker, round
• PMC Lettering Sticker, round
• PMC Logo Sticker, round
• HHV Mag Logo Sticker, round
• HHV Boombap 45's Logo Sticker, round
• 90's Tapes Logo Sticker, round
• For The CULTURE Logo Sticker, round
• Vinyl Diggers Logo Sticker, round
• DIGGIN IS A SCIENCE Logo Sticker, round
• 20 Years HHV Logo Sticker, round

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Hiroshi Yoshimura

2LP | 2006 | WW | Reissue (Temporal Drift)

$ 52.31*

Music Can Hear Us Magenta Vinyl Deluxe Edition

Release: 2006 / WW – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2025-03-20

HHV Exclusive pressed on "Daisy" Transparent Yellow colored vinyl - limited to 300 copies! Following their 2024 reissue of Hiroshi Yoshimura’s classic album, Surround, Temporal Drift proudly presents the first-ever reissue of Flora, Yoshimura’s underappreciated ambient classic. Flora was originally recorded and completed in 1987, and remained unreleased until 2006, nearly three years after Yoshimura’s passing in 2003. The album is chronologically and stylistically a follow-up to his acclaimed 1986 works Green and Surround, wherein Yoshimura continues to play with the ambience of sound and the sound of ambience, underscoring his mastery in the field of environmental music. Yoshimura’s other recorded works include Music For Nine Post Cards (1982), originally produced to be played back inside a museum space, and Pier & Loft (1983), commissioned as accompaniment to a contemporary fashion show. "Flora is an album that is listened to perpetually, Passed on from one listener to another, And the charm of the sound- and music-loving figure known as Hiroshi Yoshimura, Just might come drifting through. Like the scent of a small flower." — Junichi Konuma *

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DJ Koze

2LP+7" | 2025 | EU | Original (Pampa)

$ 42.90*

Hallucinating Love HHV Exclusive Dark Orange Vinyl Edition

Release: 2025 / EU – Original

Genre: Electronic & Dance, Pop

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Koze's new work with a lot of famous guests.

DJ Koze’s Music Can Hear Us is, according to the artist, a 64-minute trip into space and back.
An album that races like a runaway rollercoaster in a zigzag through a parade of planets, from which magicians like Damon Albarn, Soap&Skin, Ada, Sophia Kennedy, Markus Acher von The Notwist und Marewrew wave. This record is the most potent legal drug currently available on the open market.
A cosmic synapse rodeo with an incredibly high density of wonder, a place you didn’t even know existed.

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Maribou State

LP | 2025 | UK | Original (Ninja Tune)

$ 29.29*

Music Can Hear Us HHV Exclusive Transparent Curaçao Vinyl Edition

Release: 2025 / UK – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Limited edition of 200 copies!

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DJ Koze

2LP | 2025 | EU | Original (Pampa)

$ 36.62*

Keinemusik (&Me, Rampa, Adam Port)

Release: 2025 / EU – Original

Genre: Electronic & Dance, Pop

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Preorder shipping from 2025-04-04

Limited to 500 copies in transparent curacao, only available at HHV.

DJ Koze’s Music Can Hear Us is, according to the artist, a 64-minute trip into space and back.
An album that races like a runaway rollercoaster in a zigzag through a parade of planets, from which magicians like Damon Albarn, Soap&Skin, Ada, Sophia Kennedy, Markus Acher von The Notwist und Marewrew wave. This record is the most potent legal drug currently available on the open market.
A cosmic synapse rodeo with an incredibly high density of wonder, a place you didn’t even know existed.

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Send Return 2024 Repress

3LP | 2021 | EU | Reissue (Keinemusik)

Butterfly (Vincent Gallo & Harper Simon)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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It's been four eventful years since Keinemusik's Adam Port, &ME and Rampa joined forces and laid down their collaborative debut album ‘You Are Safe.’ Taking time to explore new territories and sourcing material for their second offering, 'Send Return' is the product of this creative 'time-out:' a positive message requiring positive feedback, and hopefully making things a little better along the way. To get that message across, the boys invited a variety of voices from both past collaborative projects and new ties built over the last few years, to take part.

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The Music Of Butterfly

LP | 2025 | US | Original (Family Friend)

$ 52.31*

2LP | 2024 | Original (Other People)

Release: 2025 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2025-02-28

More than two decades since he blew minds with a suite of brilliant releases on Warp, Vincent Gallo returns to the world of music at long last in Butterfly, his duo with Harper Simon, with the project’s full-length debut, “The Music of Butterfly”. A gesture of gentle, DIY / bedroom left-field pop, falling within the rough territory for which Gallo became renowned during the late '90s and early 2000s, while interweaving fascinating flirtations with minimalism and experimentalism, it’s a truly captivating piece of work that’s hard to get off the turntable after the first needle drop. *180g vinyl in Deluxe textured heavy gatefold cover, with paste-on artwork and special anti-static innersleeve.* In the arts, the lines between genius and madness, as well as fact and fiction, often blur. Such, it seems, has always been the life of the artist, filmmaker, actor, musician, and composer Vincent Gallo. A cult figure and a member of various creative undergrounds for the better part of half a century, Gallo has courted controversy, ruffled feathers, and made some of the most singular statements to flirt at the outer edges of popular culture that can be called to mind. Arguably most well known for his work in film, during the late '90s and early 2000s - notably with his soundtrack for “Buffalo 66” and a suite of releases on Warp - Gallo became something of a sensation in the world of independent music for a visionary, incredibly unique and sensitive approach to sonority. For a time, the world was abuzz, waiting on bated breath for more, and yet time passed. Bar a few fragments, appearing here and there, almost nothing has been heard from Gallo, within the world of music, for more than 20 years. That is, until now, with the release of “The Music of Butterfly”, the debut full-length of Butterfly, his duo with Harper Simon: beautifully produced and issued by Family Friend Records - Gallo’s own label, founded in 1981 - in a deluxe edition that simply left us speechless: 180g vinyl in textured heavy gatefold cover with paste-on artwork and thick anti-static innersleeve. More or less picking up from where we last encountered him, spinning captivating melodies and gentle song-craft within the quieter temperaments of DIY, left-field pop, once again, and at long last, Vincent Gallo, encountered in an incredibly successful collaboration with Harper Simon as Butterfly, reminds us that he’s as much a force within the realm of music as he is within film. Not to be missed. This one isn’t going to sit around for long.

Vincent Gallo’s biography reads like the stuff of blaring beauty: a figure of moderate fame in his own right, who has remained at the centre of cultural ferment as the decades have rolled by. Born in 1961, in Buffalo, New York, as the story goes he ran away to New York City at the age of 16 and fell into the brewing counterculture of the Downtown scene, William Burroughs and John Giorno, in addition to the cream of his own peers, and began making paintings, music, and experimenting with film. In addition to being a member of the now legendary band Gray, with the artist, Jean-Michel Basquiat, and the filmmaker, Michael Holman, Gallo appeared in the cult 1981 film “Downtown 81”, before slowly beginning a career as an actor and catching the eye of Claire Denis, who brought his talents into the broader cultural gaze. Catapulted into the public by his own subsequent career as a filmmaker with “Buffalo '66” (1998) and “The Brown Bunny” (2003), both of which were marked by controversy and praise, Gallo further captivated the public with a partially brilliant, if not relatively brief, flurry of activity in the realms of music.

While Gallo had already been making music for roughly two decades at the time of his release of the “Brown Bunny” soundtrack, and the four release issued by Warp in rapid succession between 2001 and 2002 - “When”, “Honey Bunny”, “So Sad”, and “Recordings of Music for Film” - the almost fanatical fandom reached a fever pitch at the moment, allowing him, for some, to be regarded as much, if not more, as a musical artist than an actor and filmmaker. Anyway you cut it, in a few short years, he proved himself to be a polymath of rare talent. Somewhere along the way, while both were working as members of Yoko Ono's Plastic One Band, Gallo met the New York based, highly regarded singer-songwriter, guitarist, and producer, Harper Simon, who also happens to be the son of Paul Simon. The pair fell into an incredibly fruitful duo collaboration, which came to be called Butterfly, and “The Music of Butterfly” being their debut full-length release.

Written, performed, and recorded by Vincent Gallo and Harper Simon in New York City between the winter of 2018 and the spring of 2019, the ten tracks comprising “The Music of Butterfly” are cumulatively a gesture of gentle, DIY / bedroom left-field pop, falling within the rough territory for which Gallo became renowned during the late '90s and early 2000s, making one feel like barely a moment had passed since we’d encountered his graceful hand at song-craft. Stripped back and raw, while retaining a sense of warmth and intimacy, across the length of “The Music of Butterfly” the duo of Gallo and Simon weave something completely captivating at the juncture of minimalism, experimentalism, and pop: meandering moments of texture and tone, slowly forming toward flirtations of melody that flower into song and back again. Somehow playful and light, while also remarkably emotive and personal, it’s almost as though each of these tracks crystallised out the air, unlabored and exactly as they should be without a note or beat more.

An engrossing immersion into both Gallo and Simon’s remarkably accomplished minds, having followed the path toward one another after radically different experiences and careers, “The Music of Butterfly” is one of those records that’ll be hard to get off the turntable after that first needle drop, and rarely leave the listening pile for some time to come. Issued by Family Friend Records in a beautiful deluxe edition that is unmatched even among the most stunning recent productions we can call to mind - 180g vinyl in textured heavy gatefold cover with paste-on artwork and thick anti-static innersleeve - it’s lovely to have Gallo back in the musical mix after so many years.

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Nicolas Jaar

Piedras 1 & 2

$ 32.43*

7" | 2025 | UK | Original (Scruniversal)

Release: 2024 / Original

Genre: Electronic & Dance

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The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.

Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).

The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.

The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.

This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.

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LTF

At The Pier

Ten Days White Vinyl Edition

Release: 2025 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Local Sugar Diggers is a series from label head Scruscru that draws together a fine selection of re-edits and reworks of a mix of hard-to-find old records, all done by his mates. This time out it is LTF who steps up his 'At The Pier' is an effortlessly funky jam with some laid-back horn work adding extra spice next to the jumbled percussion. Flip it over and you find 'Con Ritmo Y Melodia' which is a slower, steamier, more Latin-flavoured sound with shuffling percussive grooves and big old breaks to get the floor going.

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Fred Again..

LP | 2024 | EU | Original (WMI)

$ 43.94*

2LP | 2001 | EU | Reissue (Daft Life)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Limited white colored vinyl. Fred Again's upcoming album, "Ten Days", follows his successful Actual Life series and features a collection of tracks inspired by ten significant days in his life over the past year. Fred Again has described these songs as reflections on "small, quiet, intimate moments," with some capturing intensely joyful experiences and others representing more challenging emotions. The album includes collaborations with a variety of artists, such as Anderson.Paak, Sampha, Skrillex, Four Tet, and Emmylou Harris, among others.

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Daft Punk

Discovery

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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Bar Mediterraneo 2nd Edition

Nu Genea

LP | 2022 | EU | Original (NG)

$ 25.11*

True Electric Limited Numbered Edition w Poster

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further. Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers merging in a unique musical blend. Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu Genea's hometown, Napoli, becomes a true place of encounter. You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast. Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté", where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song, giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic, deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’ Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions. Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions, they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to unexpected musical journeys.

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Röyksopp

3LP | 2025 | EU | Original (Embassy Of Music)

$ 41.85*

Release: 2025 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2025-05-09

12" | 2025 | EU | Original (Junction Forest)

Alvar

Moon Ritual

Hallucinating Love Indies Only Colored Vinyl Edition

Release: 2025 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2025-03-28

Junction Forest introduces the first record of the night series, because mushrooms at night, glow differently.

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Maribou State

LP | 2025 | UK | Original (Ninja Tune)

$ 33.48*

Release: 2025 / UK – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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2LP | 2024 | UK | Original (Warp)

Nala Sinephro

Endlessness

$ 36.62*

Arp Frique & The Perpetual Singers

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Endlessness is a deep dive into the cycle of existence. The 45-minute album delicately spans 10 tracks with a continuous arpeggio playing throughout, creating an expansive, mesmerising celebration of life cycles and rebirth. Following Sinephro’s critically acclaimed 2021 debut album Space 1.8, Endlessness further elevates her as a transcendent and multi-dimensional composer, beautifully morphing jazz, orchestral, and electronic music.

The album was composed, produced, arranged, and engineered by Sinephro. Performing on the album are Sheila Maurice-Grey, Morgan Simpson, James Mollison, Lyle Barton, Nubya Garcia, Natcyet Wakili, and Dwayne Kilvington, joined by Orchestrate’s 21 string players.

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Hold The Line / Father Father / Holy Ghost (Another Taste Reworks)

12" | 2025 | EU | Original (Space Grapes)

West Coast Fog Machine Vinyl Edition

Release: 2025 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Space Grapes proudly presents Arp Frique's new project with The Perpetual Singers, featuring a range of stellar vocalists from LA to Amsterdam. For this one-off 12", Another Taste replayed & reworked 3 songs, giving them the live sound Space Grapes has become known for. Ready to be played out loud!

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Studio

LP | 2025 | US | Original (Ghostly International)

$ 32.43*

The Bomb! (These Sounds Fall Into My Mind) Massivedrum Remix

Release: 2025 / US – Original

Genre: Electronic & Dance

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Some called Studio, the project of Swedish musicians Dan Lissvik and Rasmus Hägg, "the missing link between The Cure and Lindstrom," Pitchfork heard Durutti Column and Can, as the duo's story became swept up in a loosely developing scene _ adjacent first to the label Service (Jens Lekman, The Whitest Boy Alive) and later Sincerely Yours (The Tough Alliance, jj) _ and a precursor to the 2010s boom at the axis of electronic and psychedelic music guided by indie greats like Caribou, Four Tet, and Darkside. West Coast, their seminal 2006 debut, captured a faraway romanticism of Balearic brushed up against Krautrock, disco, dub, and afrobeat, with pop lyricism lifted from new wave, all made modern by two art school grads in Gothenburg. First pressed in a small vinyl-only run via their own Information label, the album has been notably absent from most streaming services, and the internet's record of its initial impact is all but fossilized from a bygone blog era, while its sound is simply untraceable to any one moment in music. Outside of three 7" releases, they'd keep the music to themselves for several more years. In 2005, Hägg remembers, "We got our degrees and were kicked out of our studio spaces so all these recordings were just piled up. A year later we dusted them off and started to deconstruct and assemble them in a more drawn-out fashion." In the same breadth, they cite DJ Screw, J Dilla, and Joy Division, along with early `80s European live DJ sets from the likes of Beppe Loda, Dj Mozart, and Baldelli as reference points. "The anything-goes mentality was very encouraging and was a big cornerstone to the Studio sound," says Hägg. "But there's so much more to the picture, we were not that young then and had lots of musical baggage in our suitcases, the new thing was that we finally let it all come through, not bound by any borders that was often the case with music identity in Sweden during the 90s." In the afterglow of the record's 2007 reception, Studio receded from view, clouded behind a mountain of remix requests (including one for Kylie Minogue that saw release) and label bureaucracy. "It's easy to wish we would have done some proper recordings of our own instead," Hägg reflects. But both artists, now well into respective careers beyond Studio, have come to peace with West Coast as their most enduring effort together. Lissvik adds, "It serves as a good reminder for me to keep to that decision and promise and to continue exploring and growing."

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The Bucketheads

12" | 1994 | EU | Reissue (High Fashion Music)

12" | 2024 | EU | Original (Deep Medi Musik)

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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2024 repress Edition

Masters at Work member Kenny “Dope” Gonzalez is the genius behind The Bucketheads – The Bomb! (These Sounds Fall Into My Mind). An established History of House hall of famer’, The Bomb’ is a 90’s house, party soundtrack essential that mixies electro, hip-hop and 4/4 house it features samples from Chicago’s ‘Street Player’ & Green Velvet’s ‘The Preacher Man’ fused into a disco-funk and house groove with edgy, funky, rough and ready beats and subtle latino flavour. It easy to see why its ranked in the 100 Greatest Dance Singles of All Time! Portuguese house producer Massivedrum is on remix duties. He has remixed dance royalty from Bob Sinclar, Axwell, Mory Kantè, Alexandra Stan, DJ Chus, Kentphonik, Yolanda B Cool among many others. He lends his house sensibilities and ear for the floor to enhance ‘The Bomb’ to new levels for an unforgettable experience. Besides the Massivedrum remix and it’s dub, also the full 14’51” minutes original version is available on this double A sided release! The Massivedrum remix is taken from the album “High Fashion Dance Music 5 – Mixed by Ben Liebrand”, which is available on Lp/cd/mc and DCC.

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Mala

Changes

LP | 2005 | EU | Reissue (Faitiche)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Mala's "Changes", the legendary dubstep anthem first released in 2007 on Deep MEDi Musik, is back.

Widely recognized as a defining moment in the evolution of dubstep, "Changes" stands as a testament to Mala's artistry and influence.

This 'white label' vinyl repress reintroduces that unmistakable haunting melody and it's sound system crushing bassline. A timeless piece that defined an era and continues to inspire new generations.

Whether you're hearing it for the first time or rediscovering its brilliance, this music on vinyl is how it was meant to be experienced.

Mala's "Changes" is available now for pre-order via Deep MEDi Bandcamp and your fav retailers starting today.

Changes 13.12.24 12" White Label Vinyl

#DeepMediMusik

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Jan Jelinek

Kosmischer Pitch

$ 28.25*

Selected Ambient Works 85-92

Release: 2005 / EU – Reissue

Genre: Electronic & Dance

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A long-lost vinyl album is back in stock: for the last 20 years, Kosmischer Pitch by Jan Jelinek, originally released in 2005 on ~scape, existed only as a digital download. Right on time for the 20th anniversary the remastered album is available again on vinyl. The digital version includes two previously unreleased pieces from that period.

What the press said about Kosmischer Pitch back in 2005:

“For Kosmischer Pitch, Jelinek draws from the obsessed-over rock produced by his German countrymen in the 1970s. (…) Trance-inducing repetition is constantly modulated by variations that hover on the threshold of audibility. (…) one of the more remarkable bodies of work in electronic music.” - Pitchfork

„Like the cosmic compositions it delicately references, Kosmischer Pitch is proof that the higher and lower pleasures can triumphantly combine.” - The Wire Magazine

“ The old Jelinek approach can also be heard on the new album - not least the “Pitch” in the title, which, as Martin Büsser explains in the info sheet, refers specifically to Wild Pitch House, generally to manipulation/exploitation of the sense of time - but there are striking differences: clear vintage synth, guitar and drum sounds, very subtle club references.” - Groove

“t's impossible to know how many layers of sound Jelinek has stacked up on any of these eight tracks, but each one seems to take on a shadowy, ghost-like life of its own as it morphs across time and space. Minimalist, yes, in a way, but thick as a wool rug.” - AllAboutJazz

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Aphex Twin

2LP | 2008 | UK | Reissue (Apollo / R&S)

$ 30.34*

Voodoo Ray / Interplanetary Bounce

Release: 2008 / UK – Reissue

Genre: Electronic & Dance

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Originally released via the R&S Ambient sub-label Apollo in '92 and repressed more times than anyone could even begin to keep a count of, Aphex Twin's Selected Ambient Works 85-92 is not only one of the most important releases in both the Aphex catalogue but also electronic music as an entire entity. A richly woven tapestry of blissful sounds that offer the listener new surprises, twists and turns no matter how many times they venture through its cosmos. The techno equivalent of mainlining serotonin, Selected Ambient Works 85-92 should be prescribed on a daily dose twice a day for any and everyone reading this...

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Magic Source

12" | 2025 | EU | Original (Favorite)

Pela Internet / Marengo In Love

Release: 2025 / EU – Original

Genre: Electronic & Dance

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Magic Source is back with an exclusive 2 tracks single filled with their special rootsy cosmic funky touch.

Led by producer & notorious tape operator Björn Wagner (of Mighty Mocambos, Bacao Rhythm & Steel Band and Mocambo Records), the group follows up to the release of their 2nd LP last year, Voyage Spectral. This time again, the German band dives into the Tropical and international aspects of Disco and Funk music, always using 100% organic production and recordings material.

On this 2 tracks single, you’ll first find a blazing and unexpected covers of “Voodoo Ray” the classic acid-house track by A Guy Called Gerald, with special vocals by Mounam & Gizelle Smith. Following up to this already dancefloor classic, comes “Interplanetary Bounce”, a new and exclusive composition from the band also tailored to make you move, with its Boogie touch and heavy breaks.

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V.A.

7" | 2024 | UK | Original (Scruniversal)

Crest White Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Scruniversal hit gold once more with the fifth outing, this one from the label head Scruscru as well as Tony Lavurtz and DJ Pecan. This series is all about re-edits and reworks of old and rare records from Scru's friends' collections and first off is 'Pela Internet', a brilliantly sunny and percussive Brazilian number with great instrumentals and steamy Portuguese vocals. DJ Pecan steps up on the B-side with 'Marengo In Love' which is a more romantic sound for when the sun has gone down and you want to get up close and personal and gaze up at the stars while a sultry slow-motion funk groove unfolds.

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Bladee & Ecco2k

LP | 2022 | Reissue (Year0001)

Release: 2022 / Reissue

Genre: Electronic & Dance

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Preorder shipping from 2025-03-07

Neu! 30th Anniversary Signed Yellow Vinyl Edition

Andreas Dorau

2LP | 1994 | DE | Reissue (Universal)

$ 59.64*

Hello Feat. Dragonette White Vinyl Edition

Release: 1994 / DE – Reissue

Genre: Electronic & Dance, Pop

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On August 23, 2024, Andreas Dorau's 1994 album "Neu!" will be released in an exclusive "30th Anniversary" edition - for the first time as a yellow double vinyl, strictly limited to 500 copies and signed by the artist himself. It also includes two B-sides ("Meine Lieder (Musik wird wahr)" and "Von Siemens nach Telefunken") as well as two unpublished remixes that Mike Ink alias Wolfgang Voigt brought out of the basement especially for him and that were not released at the time. The double LP is rounded off with two remixes of "Komm wieder". The gatefold cover contains new liner notes by Hans Nieswandt. Each edition is hand-signed by Andreas Dorau. If you want, come to the HHV Store on August 30, 2024, where Andreas Dorau will celebrate the release of this record. There he will be happy to add a dedication to the signature.

“Neu!” was, from today’s perspective, a flawless 90s record. That this decade of innocent and still very fresh rave fun would become something completely legendary, a real place of longing that generation after generation of rave kids have fantasized about again and again since then, perhaps more so today than ever before – none of this was foreseeable in ’94.

“Neu!” is, thirty years later, as fresh and current as the decade from which this record comes, which in a certain sense never ended. If you want to be mentally transported back to its mythical, heroic pioneering days, either permanently or just for a bit of quality time, this album is perfect for you.

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Martin Solveig

12" | 2010 | EU | Reissue (Dance On The Beat)

Release: 2010 / EU – Reissue

Genre: Electronic & Dance, Pop

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12" | 1994 | EU | Reissue (Frl Classic Edition)

Kerri Chandler

Ionosphere EP

12" | 2025 | Original (Pampa)

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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We have a truly hero of classic house music, for the 10th FRL Classic Edition instalment. Mr. Kerri Chandler returns with this classic from 1994. All four tracks feature the trademark Chandler bassline, jazzed-out trippy chords, and chopped up vocals. Pure deepness musicality with an oldschool twist.

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DJ Koze

Buschtaxi EP

LP | 2019 | Reissue (Year0001)

Release: 2025 / Original

Genre: Electronic & Dance

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A-Side: Buschtaxi (Extended Version) - DJ Koze
Like an unleashed Tarzan, crashing through the skull directly into consciousness with his vine, Koze with Buschtaxi tears through the jungle.

With his unique recipe of psychedelic madness and spiritual potency, he picks up all the lost rave souls and drives them to a place no one knew existed.

Buschtaxi hits differently.

AA-Side: Brushcutter – DJ Koze feat. Marley Waters
A track like a displacement activity.

A deranged DJ Koze with a spinning brush cutter, alone in the desert – nothing to cut, just pure, unleashed power. The fight against nothingness.

Brushcutter isn’t music; it’s a trail burned straight through your consciousness.
It cuts deeper. Harder. Until the bigger picture comes into view again.

--

Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
“Brushcutter” contains elements from “Onto You” written and composed by Brendon Allyn Waters. Published by Marley Waters Publishing/Sony Sonata. Used by permission. All rights reserved.

Mastering by Hans Frage @ Deinklang
Cover Paintings: Gepa Hinrichsen
Artwork by Lilli Scheuerlein & Jonas Vogt

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Ecco2k

E Black Vinyl Edition

Release: 2019 / Reissue

Genre: Electronic & Dance

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LP | 2025 | EU | Original (Early Sounds)

Pellegrino & Zodyaco

Koinè

$ 30.34*

2LP | 2024 | UK | Original (DDS)

Release: 2025 / EU – Original

Genre: Electronic & Dance

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Koinè is the new album by Pellegrino & Zodyaco, a record that explores the desire to escape by interpreting it as an act of emancipation, an aimless journey in search of creative freedom. The demonstration that escapism, when it is conscious, can bring us back to the heart of things. Inspired by Éloge de la fuite by Henri Laborit, the album embarks on a journey to discover a “common language” (Koinè), blending Neapolitan roots with a global and contemporary musical vision. It blends melodic traditions with disco, funk, jazz fusion, and world music, experimenting with vintage instruments, ethnic percussion, and Mediterranean atmospheres. Pellegrino, a pioneer of the “new school” Neapolitan sound, after 4 years since his last LP “Morphé” (2020) continues the path started with Zodyaco I (2018), painting an authentic portrait of modern Naples and celebrating musical contamination as a form of creative euphoria.

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Shinichi Atobe

Discipline

Turkish Bazar (Chris Liebing Remake) Transparent Vinyl edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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For years people were convinced that Atobe was a well known artist (probably German) working incognito. Thanks to a flowery twitter feed, plus some interviews, all that distraction has been finally laid to rest. Still offering little in the way of biographical factoids, though, Atobe lets the music do the talking in typically emotively nuanced and special style on his 7th album ‘Discipline’, offering further refinements of prevailing, salient ‘90s deep house, dub techno and ambient scenes cultivated and pruned to near perfection. Hailing a sensuality and feel for spaced movement that’s been lost to club music’s EQ arms race over the decades, he comes poised with a near ineffable lightness of being, flush with a newfound effervescence that’s come to define his work in recent years. There’s a real electro-acousmagique in-the-mix that conveys beautifully at low or high volume, elegantly guiding bodies in motion like little else. Atobe’s grasp of deferred gratification and tempered gravitas is really the key thing, carrying from the fluttering 8-bit melodies and purring techno bass of ‘SA DUB 1’ to tender beatdown and blushing FM chords, then into flirtations with hair-kissing trance like Convextion and Agcg gone Goa in ‘SA DUB 2’, thru brisk Red Planet techno and a sort of shoegazing, acidic panorama in ‘SA DUB 5’, defining Terrence Dixon-esque levels of Motor City mechanical nous on ‘SA DUB 6’, and into the subaquatic, pearlescent dub house promise of ‘SA DUB 7’.

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Emmanuel Top

12" | 2025 | Original (CLR)

12" | 2024 | UK | Original (Scruniversal)

Release: 2025 / Original

Genre: Electronic & Dance

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Chris Liebing remakes Emmanuel Top's iconic 'Turkish Bazar'. A new version of the 1994 acid rave hit lands on Liebing's CLR.

Chris Liebing's long-awaited remake of Emmanuel Top's 1994 classic 'Turkish Bazar' arrives on CLR this December. Initially released via the Le Petit Prince label, 'Turkish Bazar' is an evergreen club hit, now painstakingly rebuilt by Techno powerhouse Chris Liebing, with each musical element reforged to create an essential new version.

Liebing's version of 'Turkish Bazar' features the instantly recognisable spoken word vocal of the original, while he ups its unmistakable 303 with an additional dose of acid. Raw, unfiltered licks are in tandem with pounding drums as airy pads and dainty sequences aim to soothe dancefloor madness. Extensively road-tested by Chris Liebing and blessed by Emmanuel Top for release via CLR, this is a mammoth revisit that lives up to the original's timeless appeal.

Founded by influential techno lynchpin Chris Liebing in 1999 and reemerging in 2021 after a five-year hiatus, Create Learn Repeat (CLR) has hosted a range of artists like Shlomi Aber, Dubfire, Flug, Bjarki, DJ Dextro and more while also focusing on developing newer acts in the scene such as Risa Taniguchi, The Southern, and Klint.

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Scruscru

Japanese Edits

12" | 2024 | EU | Original (R2)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Edit master Scruscru rarely misses no matter what sounds he decides to put under his scalpel. For this one on his own superb Scruniversal label he turns his attention to the lush sound world of City Pop over in Japan. On one vital 12" the maestro cooks up six varied but equally vital sizzlers starting with the funky sounds and big brass of 'One For Xsuxsu' then taking in the blissed out disco and house beats of 'Kyoto Sunshine', jazzy keys of 'Horomi & Rikishi', funky bass twangs of 'Secret Dream' and jazz lunge excellence of 'Nippon Bossa' before 'Scrutinised Tune' closes out with brown beats and sunny chords. Scruperb stuff.

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Osunlade

Prism EP

Move Feat. Malachiii Repress Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Osunlade returns with a 5 track EP of exceptional quality showcasing his unique talent for creating emotive, electronic, cerebral house music with soul. Even within these boundaries Osunlade finds scope for variation, be it irresistible bumping grooves(Sistagurl), meditative melodies with etherial thought provoking spoken word, (The Journey), or full on electronic soundscapes encompassing the tribal and the esoteric, (Prism). Pimpin’ takes a slowed down acid bass-line as the cue for a diatribe against the changes in the pimp game - a metaphor for today’s decline in standards of excellence. The jewel in this crown is a hark back to the days of raw house music with a powerful and emotive female vocal. The Way U Left Me is an emboldened declaration of independence from toxic love guaranteed to tear down any dance.

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Adam Port / Stryv

12" | 2024 | EU | Original (Keinemusik)

$ 13.59*

12" | 2024 | UK | Original (Comatonse)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Comes with slichtly different cover.

With just a handful of teasing plays, the ID requests for this tune here have been snowballing out of control. And rightly so. The track is a coproduction of Keinemusik's own Adam Port and California based producer Stryv. Both met in Kreuzberg, exchanged some ideas and came up with „Move" - the undeniably most sensual and well… moving club anthem of the season."

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Terre Thaemlitz

Tranquilizer Ep 3

12" | 2019 | EU | Original (a sexy)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Finally…Terre Thaemlitz saves the most sought-after cuts of her debut LP ‘Tranquilizer’ for the third and final of its 30th anniversary, first-time vinyl editions, including that stunning Memphis rap x proto-dubstep dedication to MLK - 100% essential ’90s ambient bass, oneiric concrète and breaks driven deep house for the heads.

Frankly unmissable if even just for the album’s opening killer ’040468’ - named for the day MLK departed - which sounds better than ever on its sumptuous vinyl cut, ‘Tranquilizer Ep3’ is the one the stans have been eagerly awaiting. It brings to a close a necessary reissue series for a prized totem of‘90s ambient music, conceived in the wake of the KLF’s inspirational ‘Chill Out’ album, after Terre had laid deep roots in NYC’s queer deep house club scene, and began to seed one of the most distinctive catalogues in contemporary electronic music.

Semi-autobiographical and coloured with an inherently political take on ambient music, the album can be heard to reference their background in the US Midwest via the track titles and aesthetic inference of wide open spaces at night, as in ‘2am on a Silo’, and on thru their formative journey of self-discovery in downtown NYC, where they took up residency at a queer bar playing earliest deep house to sex workers during the years of devastation from the Aids pandemic. While that would be expounded more explicitly in their later albums as DJ Sprinkles, on ‘Tranquilizer’ it’s implied by a deep sense of melancholy and longing.

‘Tranquilliser Ep3’ pretty much distills and triangulates the album’s most salient points in a discrete story unto itself. Her politics are writ in a titular nod to the day Martin Luther King died on ’040468’, which we’ve long marvelled at as a remarkable prototype for both booming Memphis rap instrumentals, and the mid ’00s halfstep dubstep sound, due to its sweeping subs that go all the way down, and then some, under a blanket of starlight twinkles and bluest pads. An absolute all timer - trust.

The nocturnal is also evoked in the wheezing electro-acoustic rawness and plangent beauty of ‘2am on a Silo’, like the soundtrack to a memory of a dream, and perfectly characteristic of a sound sensitivity that became Terre’s calling card, whilst ‘Raw Through a Straw’ offers the most tangible bridge between her deep house background and the emergent ambient house sound in its mingling of gorgeous organ ruminations rolling out into Dennis Coffey’s ‘Scorpio’ break, a cornerstone of hip hop deployed in deadliest deep house style.

Finally we can rest easy knowing this one’s on wax.

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Erobique (Carsten Meyer)

Urlaub In Italien

$ 12.91* $ 13.59 -5%

Release: 2019 / EU – Original

Genre: Electronic & Dance

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12" | 2024 | UK | Original (Comatonse)

Terre Thaemlitz

Tranquilizer Ep 1

12" | 1996 | EU | Reissue (Groovin)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Terre Thaemlitz’s precious 1994 debut album finally makes a vinyl appearance of sorts 30 years later, hailing its sublime downbeat highlight in three different versions that come with highest recommendations if you’re into classic Mo’ Wax, The KLF’s Chill Out, Urban Tribe, Blue Lines-era Massive Attack, DJ Sprinkles!

Tranquilizer’s mesmerising centrepiece ‘Hovering Glows’ is here deployed in 3 different versions totalling almost half an hour of amniotic bliss. The original 9 minute depiction of crepuscular Midwest ambience and dusted dub is beloved of anyone acquainted with the album over the years, finding Terre’s feel for electro-acoustic sound sensitivity flooded with a rarified sense of deep blue soul distilled to near-perfection. It mines a similar path to Future Sound of London productions of the same era, and in its moody abstraction foreshadows 4hero’s ‘The Paranormal In 4 Forms’ that would follow a couple of years later.

The OG is joined on by two alternative versions: a ‘Little Guy Mix’ that swerves the few minutes of sensuous atmospheric foreplay to slip right into the pendulous swing; and a longer ‘Vinyl Mix’ that duly opens out the intro with Terre’s unique grasp of subbass and tongue-tip atmospheric suss. Collected, they supply an extended session of beatdown ecstasy to discerning, romantic listeners who’ve awaited this release for decades, ‘cos as Comatonse fiends know, their releases always sound especially exquisite on vinyl.

please remember that we support Terre and Comatonse Recordings' efforts to keep projects offline, minor, and acting queerly. When purchasing this item, we ask you to refrain from uploading and indiscriminate sharing in any form. <3

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Hollis P. Monroe

I'm Lonely

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Days To Come 20 Years HHV Clear Vinyl Edition

Bonobo

2LP | 2006 | UK | Reissue (Ninja Tune)

2LP | 1998 | DE | Reissue (Virgin)

Release: 2006 / UK – Reissue

Genre: Electronic & Dance

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Limited to 1000 copies on clear vinyl in occasion of HHV's 20th birthday.

20 years HHV: our team has selected an album from each of these years that is particularly relevant and precious to us. On a monthly basis, we release exclusive and limited pressings of these records in collaboration with some of our favorite labels.

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Massive Attack

Mezzanine

$ 40.80*

Toca's Miracle White Vinyl Edition

Release: 1998 / DE – Reissue

Genre: Electronic & Dance

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2023 repress. Massive Attack's third album "Mezzanine" finally gets the reissue treatment. Essential!

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Fragma

12" | 2000 | EU | Reissue (Dance On The Beat)

Release: 2000 / EU – Reissue

Genre: Electronic & Dance

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Phoneglow / Eyes Go Blank

Burial / Kode 9

12" | 2024 | UK | Original (Hyperdub)

12" | 2024 | EU | Original (Panick Panick!)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Burial and Kode9’s acclaimed joint 12”, initially released as a Hyperdub webshop exclusive in summer 2024, now available in record stores worldwide, with revised label art and custom sleeve.

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Carl Finlow & Noha

Reprise

2LP | 2025 | UK | Original (Sähkö)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Panickpanick proudly presents its latest vinyl release, featuring a repress of two timeless classics by the electronic music maestro Carl Finlow.

Adding an exciting twist to these beloved tracks, we’re thrilled to present Noha’s innovative reinterpretation, breathing new life into these timeless compositions.

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Ø & Mika Vainio

Metri

$ 30.34*

A Soft And Gatherable Star

Release: 2025 / UK – Original

Genre: Electronic & Dance

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Mika Vainio's first album that many regard as one of the most essential foundations of electronic music.

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Jabu

LP | 2024 | UK | Original (do you have peace?)

$ 25.11*

12" | 1999 | EU | Reissue (Dance On The Beat)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Jabu return with ‘A Soft and
Gatherable Star’, an LP that sees the Bristol-based trio evolve from a uniquely spectral take on hip hop to proffer a singular vision
between cloudy, downered dream-pop, off-kilter ambient, and the warm, low-end throb of sound system culture. This development is
aligned with contemporaries like HTRK, Dean Blunt, Tarquin Manek, YL Hooi and Rat Heart Ensemble, whilst also harkening back to
the likes of AR Kane (with whom they are set to play shows and release a collaborative single), the languorous drift of 'Victorialand' era
Cocteau Twins or The Cure circa ‘Disintegration’. Comprising Jasmine Butt (vocals, guitar), Alex Rendall (vocals, keys) and Amos
Childs (production, bass guitar), the trio’s method may have shifted but the feel remains consistent - slow, spatial, sensuous and gently
melancholic. With a career arc unlike almost any other current guitar outfit, Jabu sit within a strong lineage of off-centre Bristolian
music, and a very British strain of home-spun DIY bands. Self-recorded between Jas and Amos’ home in South Bristol and Amos’
mum’s house in rural North Somerset, the album came together via a process of trial and error - learning to play on borrowed
instruments, using the equipment “wrong”, staying up late recording and slipping into strange, semi-conscious sleep
deprived/inebriated headspaces. Having captured over 50 tracks, they honed in on those they liked most, shaping them further, whilst
carving out space to allow input from people they love and admire - Daniela Dyson’s voice and Will Memotone's clarinet on ‘Ashes
Over Shute Shelve’, Birthmark's synth on ‘Gently Fade’ and ‘Sea Mills’, Rakhi Singh (Manchester Collective) and Sebastian
Gainsborough (Vessel)’s strings and arrangements on ‘All Night’, Josh Horsley’s cello on ‘If I Asked You, You'd Tell Me’, and Lorenzo
Prati’s sax, again on ‘Sea Mills’. The album was mastered by Amir Shoat (HTRK, ML Buch, Dean Blunt, Carla Dal Forno). Influencewise, the guitar-based material recalls the bands Amos listened to when younger, and Jas’ more folk-leaning inspirations. Deep-lying
dub, hip hop and soul influences are also evident in both the way the LP was mixed, and the space ingrained in their subconscious.
Tinged with melancholy, the songs cohere as a set of soliloquies and ruminations on love and tenderness. The album’s title comes
from a poem by Amos’ late father which hangs on his wall and seeped into the record. ‘Ashes Over Shute Shelve’ is formed of lines
from another poem of his. Recited by longtime collaborator Daniela Dyson and with Will Yates (Memotone) playing his mother’s
clarinet, the track was imagined as a conversation between his parents. Geography and location also play a big part in the record, with
several significant places name-checked in songs. Shute Shelve itself is a hill near Amos’ mum’s house, who explains “There’s a tree
at the top with a 360° view of the Mendips, where my dad’s ashes were scattered. We used to go up there when we could first buy
booze from the petrol station down the road, get drunk, light a fire, listen to music from my little battery powered CD player and sleep
out without tents.” Titled after a Bristol suburb near where Amos’ grandparents lived and where Jas would spend time as a teenager,
‘Sea Mills’ references her being abandoned by friends on the Downs while high on mushrooms, stranded and missing the bus back.
‘Kosiše Flower’ references the city in Slovakia where Amos and Jas holidayed shortly after getting together and a flower he gave her,
which she pressed in a book after an argument. ‘Oceanside Spider House’ is a location in Nintendo 64 game The Legend of Zelda:
Majora’s Mask, where someone seeks shelter from the falling moon.

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Alice Deejay

Better Off Alone

12" | 2025 | Original (Freerange)

Release: 1999 / EU – Reissue

Genre: Electronic & Dance

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2023 OFFICIAL VINYL REISSUE

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Demuja

Move EP 2025 Repress

PAWSA & Adventures Of Stevie V

Release: 2025 / Original

Genre: Electronic & Dance

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After 5 million Spotify plays for Turn Me On, 2 million for Move & the first press of the record selling for over £100 on Discogs. Demuja's Move EP was well overdue a repress .. so here it is!

On Demuja's Freerange debut, the Move EP offers up four original tracks, each with their own distinct flavour. Opening the release we have title track Move spring into action with simple Rhodes chords floating across a crisp, driving up-tempo groove showing off the deeper side to Demuja.

Next up B.O.O.M offers us a simple yet captivating, dancefloor-focused affair with a lone, repeating piano stab hooking us into the action.

Flipping over we have Into My Brain which brings some acid-tinged Italo vibes and a jacking beat to proceedings whilst the closing track Turn Me On cuts up a much loved Paradise Garage classic for a warm, soul-infused slice of classic, bumpy house music.

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Dirty Cash (Money Talks) Green Vinyl Edition

12" | 2025 | EU | Original (High Fashion / Altra Moda)

Echoes Of Italy - Artists In Wonderland - Early 90s House Vibes Volume 1

Release: 2025 / EU – Original

Genre: Electronic & Dance

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PAWSA & Adventures of Stevie V’s ‘Dirty Cash (Money Talks)’ Extended Mix marks an exciting evolution of the iconic dance track. With PAWSA’s innovative production skills and Adventures of Stevie V’s timeless vocals, this release captivates both longtime devotees of the original and a new audience discovering its energetic essence. On the flip is the classic Sold Out 12 Inch Mix had additional production, and the mix was done by David Morales.

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V.A.

2LP | 2025 | EU | Original (Jungle Fantasy)

Space Cowboy (Michael Gray Remixes)

Release: 2025 / EU – Original

Genre: Electronic & Dance

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Volume 1 of this expertly curated project of 90s Italian House - put together by Don Carlos.

If Paradise was half as nice… by Fabio De Luca.

Googling “paradise house”, the first results to pop up are an endless list of European b&b’s with whitewashed lime façades, all of them promising “…an unmatched travel experience a few steps from the sea”. Next, a little further down, are the institutional websites of a few select semi-luxury retirement homes (no photos shown, but lots of stock images of smiling nurses with reassuring looks). To find the “paradise house” we’re after, we have to scroll even further down. Much further down.

It feels like yesterday, and at the same time it seems like a million years ago. The Eighties had just ended, and it was still unclear what to expect from the Nineties. Mobile phones that were not the size of a briefcase and did not cost as much as a car? A frightening economic crisis? The guitar-rock revival?! Certainly, the best place to observe that moment of transition was the dancefloor. Truly epochal transformations were happening there. From America, within a short distance one from the other, two revolutionary new musical styles had arrived: the first one sounded a bit like an “on a budget” version of the best Seventies disco-music – Philly sound made with a set of piano-bar keyboards! – the other was even more sparse, futuristic and extraterrestrial. It was a music with a quite distinct “physical” component, which at the same time, to be fully grasped, seemed to call for the knotty theories of certain French post-modern philosophers: Gilles Deleuze, Félix Guattari, Paul Virilio... Both those genres – we would learn shortly after – were born in the black communities of Chicago and Detroit, although listening to those vinyl 12” (often wrapped in generic white covers, and with little indication in the label) you could not easily guess whether behind them there was a black boy from somewhere in the Usa, or a girl from Berlin, or a pale kid from a Cornish coastal town.

Quickly, similar sounds began to show up from all corners of Europe. A thousand variations of the same intuition: leaner, less lean, happier, slightly less intoxicated, more broken, slower, faster, much faster... Boom! From the dancefloors – the London ones at least, whose chronicles we eagerly read every month in the pages of The Face and i-D – came tales of a new generation of clubbers who had completely stopped “dressing up” to go dancing; of hot tempered hooligans bursting into tears and hugging everyone under the strobe lights as the notes of Strings of Life rose up through the fumes of dry ice (certain “smiling” pills were also involved, sure). At this point, however, we must move on to Switzerland.

In Switzerland, in the quiet and diligent town of Lugano, between the 1980s and 1990s there was a club called “Morandi”. Its hot night was on Wednesdays, when the audience also came from Milan, Como, Varese and Zurich. Legend goes that, one night, none less than Prince and Sheila E were spotted hiding among the sofas, on a day-off of the Italian dates of the Nude Tour… The Wednesday resident and superstar was an Italian dj with an exotic name: Don Carlos. The soundtrack he devised was a mixture of Chicago, Detroit, the most progressive R&B and certain forgotten classics of old disco music: practically, what the Paradise Garage in New York might have sounded like had it not closed in 1987. In between, Don Carlos also managed to squeeze in some tracks he had worked on in his studio on Lago Maggiore. One in particular: a track that was rather slow compared to the BPM in fashion at the time, but which was a perfect bridge between house and R&B. The title was Alone: Don Carlos would explain years later that it had to be intended both in the English meaning of “by itself” and like the Italian word meaning “halo”. That wasn’t the only double entendre about the song, anyway. Its own very deep nature was, indeed, double. On the one hand, Alone was built around an angelic keyboard pattern and a romantic piano riff that took you straight to heaven; on the other, it showcased enough electronic squelches (plus a sax part that sounded like it had been dissolved by acid rain) to pigeonhole the tune into the “junk modernity” section, aka the hallmark of all the most innovative sounds of the time: music that sounded like it was hand-crafted from the scraps of glittering overground pop.

No one knows who was the first to call it “paradise house”, nor when it happened. Alternative definitions on the same topic one happened to hear included “ambient house”, “dream house”, “Mediterranean progressive”… but of course none were as good (and alluring) as “paradise house”. What is certain is that such inclination for sounds that were in equal measure angelic and neurotic, romantic and unaffective, quickly became the trademark of the second generation of Italian house. Music that seemed shyly equidistant from all the rhythmic and electronic revolutions that had happened up to that moment (“Music perfectly adept at going nowhere slowly” as noted by English journalist Craig McLean in a legendary field report for Blah Blah Blah magazine). Music that to a inattentive ear might have sounded as anonymous as a snapshot of a random group of passers-by at 10am in the centre of any major city, but perfectly described the (slow) awakening in the real world after the universal love binge of the so-called Second Summer of Love.

For a brief but unforgettable season, in Italy “paradise house” was the official soundtrack of interminable weekends spent inside the car, darting from one club to another, cutting the peninsula from North to centre, from East to West coast in pursuit of the latest after-hours disco, trading kilometres per hour with beats per minute: practically, a new New Year’s Eve every Friday and Saturday night. This too was no small transformation, as well as a shock for an adult Italy that was encountering for the first time – thanks to its sons and daughters – the wild side of industrial modernity. The clubbers of the so-called “fuoriorario” scene were the balls gone mad in the pinball machine most feared by newspapers, magazines and TV pundits. What they did each and every weekend, apart from going crazy to the sound of the current white labels, was linking distant geographical points and non-places (thank you Marc Augé!) – old dance halls, farmhouses and business centres – transformed for one night into house music heaven. As Marco D’Eramo wrote in his 1995 essay on Chicago, Il maiale e il grattacielo: “Four-wheeled capitalism distorts our age-old image of the city, it allows the suburbs to be connected to each other, whereas before they were connected only by the centre (…) It makes possible a metropolitan area without a metropolis, without a city centre, without downtown. The periphery is no longer a periphery of any centre, but is self-centred”.

“Paradise house” perfectly understood all of this and turned it into a sort of cyber-blues that didn’t even need words, and unexpectedly brought back a drop of melancholic (post?)-humanity within a world that by then – as we would wholly realise in the decades to come – was fully inhuman and heartless. A world where we were all alone, and surrounded by a sinister yellowish halo, like a neon at the end of its life cycle. But, for one night at least, happy.

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Jamiroquai

12" | 2024 | UK | Original (Sultra)

$ 19.87*

Selected Ambient Works Volume 2 Expanded Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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September 26th, 1994 - Jamiroquai released a song that still to this day sounds futuristic. Blending electronic, funk, jazz, soul & pop.

The record was then famously remixed by the legendary David Morales, taking the song to a whole new audience and anthem level… giving the band their first ever Billboard Dance #1.

The iconic music video was directed by Vaughan Arnell & Anthea Benton, and features Jay Kay dancing around a blue room with multiple versions of him and the other band members appearing and disappearing. The use of motion control photography allowed for a seemingly continuous shot as the camera pans around the room.

2024, Michael Gray delivers a modern club interpretation of the classic Jamiroquai anthem on his Sultra Records imprint.

Keeping the original funk, soul undertones of Jamiroquai, he takes us on a housey ride of funky disco rhythms laden with hi-pitched synths, a soul oozing chord melody and grooving drum pattern that sits relaxed allowing the emphasis on Jay Kay’s vocal and new worked bass line to do it’s thing. A lovely alternative to the dance floor classic we all know and love.

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Aphex Twin

4LP | 2024 | UK | Original (Warp)

$ 59.64*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Sabato Italiano 2024 Repress

I Coccodrilli

7" | 2021 | EU | Reissue (Futuribile)

$ 12.55*

12" | 2005 | UK | Reissue (King Street Sounds)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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Blue curaçao, gin, triple sec, ice and a lemon zest. A cocktail with out-of-the-ordinary gradations is a prerogative of the Grand Hotel. Suggestive, Exclusive and luxurious. If your dream is to spend a perfect weekend that offers you more than just sun and relaxation the most suitable solution for you is this fantastic establishment located just a few kilometres from the Tyrrhenian Sea. Its splendid swimming pool is positioned on a terrace that offers an incredible and beautiful coastal panorama, a permanent agora from June to September where love flourishes and dies. The lapping of the placid waters is hypnotic, a sparkling sound that mingles with the ticking of the empty cups of Angelo Azzurro while easy listening music is played in the background. I Coccodrilli are the main band, they entertain the audience with a mix of positivity in their funky notes during those times when the jukebox’s on pause and it stops marking the passing of the hours. Sabato Italiano is their latest hit and it’s now available on 7”. Bikinis, the dancing and the kisses. The endless season of youth.

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Kerri Chandler

Bar A Thym

Remember Me Remixes Ice Blue Vinyl 2024 Repress Edition

Release: 2005 / UK – Reissue

Genre: Electronic & Dance

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King Street Sounds is on a mission to reintroduce timeless house classics to the dancefloor with another iconic release. Their aim, to educate a new generation about the sounds of the old school while also offering fresh remixes for everyone to enjoy.

Kerri Chandler's 'Bar A Thym' is back on 12-inch vinyl, featuring the full original 7:24 mix. This track builds, keeping listeners at the brink of euphoria and inviting them to dance. It’s THE perfect groove.

The original track is accompanied by a new version via South African producer Themba who adds his signature afro sound to the mix, infusing the song with swing, extra percussion, and heightened anticipation around the various drops.

Then the classic Foremost Poet's version, which was a great alternative to the timeless bomb. If you’re a house head, you need this in your life.

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Blue Boy

12" | 2020 | EU | Original (High Fashion Music)

Honey Yellow Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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2024 Ice Blue Vinyl Repress Edition

Following its release in 1997, ‘Remember Me’ was cemented as an international dance hit, peaking at #8 in the UK singles charts, as well as #2 in the American Dance Chart. Instantly recognizable for the iconic Marlena Shaw vocal samples and down-tempo chugging bassline, ‘Remember Me’ has gained cult status throughout the world as a dance-floor classic. Releasing the original over 20 years ago, the incomparable track has only received one previous official remix with Dutch producer and DJ, Franky Rizardo now injecting new life into an already seminal track also. The Dutch imprint has now asked non-other than David Penn to add his magic to this sure-fire repeat player! Madrid based David Penn get to grips with the Blue Boy classic and the results are spectacular! Some of you may have already heard it on David’s recent Live lockdown streams all over social media?! Now you have been hand-picked to help break this house anthems!

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Caribou

LP | 2024 | EU | Original (City Slang)

$ 28.82* $ 30.34 -5%

Madan (Martin Solveig Remixes)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Dan Snaith's latest album, "Honey," marks an intriguing new phase for Caribou. Over more than two decades Dan Snaith has had many guises. After putting every ounce of himself into Our Love and Suddenly, for his sixth Caribou album Snaith now pulls himself away a little in search of music that isn’t about any one person and is available to everybody. Huge dancefloor tracks twinkle, shimmer and surprise in a way only Snaith’s productions can but with a freshness that defines an artist who is too excited by music-making to ever truly settle into any one sound. There’s never been a Caribou record that sounds like the last, so change here is just as comforting as constant. They say expect the unexpected and you’ll never be surprised; well there’s plenty here to be surprised by, but then with a Caribou record you’d never expect anything less. "Honey" captures Snaith's curiosity and joy in music-making, offering a fresh yet quintessential Caribou experience.

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Salif Keita

12" | 2024 | UK | Original (South Street International)

Perro Bueno Edits Volume 3 Black Vinyl Edtion

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Originally released in 2002 the Martin Solveig remixes of Madan by Salif Keita is one of those rare releases that even now, 22 years on still gets played everywhere from festivals in Croatia to super clubs in Ibiza. Anyone who has graced any dancefloor in the past 20 years will no doubt instantly recognise this one!

Afro house with a French touch, Salif Keita, often referred to as the 'Golden Voice of Africa' lends his impeccable vocals to flawless production by Martin Solveig.

Until now the only way to obtain a copy on vinyl would be to pay close to £50 on second hand market. For the first time since its original release in 2002, South Street International have remastered and officially reissued this modern classic. Both the Exotic Disco Mix & Exotic Disco Dub are included here, one side each & cut loud for maximum enjoyment.

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Perro Bueno Edits

7" | 2025 | UK | Original (Perro Bueno Edits)

12" | 2024 | EU | Original (Are You House?)

Release: 2025 / UK – Original

Genre: Electronic & Dance

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Perro Bueno Edits is back with more muy bueno refixes of some classic disco sounds. This third such volume features two reimagined Afro-funk tracks by the mysterious label head Perro Bueno. The first track 'bowo' brings a nice driving groove with open hi-hats add some smoothness and funky guitar riffs and punchy horns adding some extra dancefloor bite without sacrificing the vintage roots. The second track 'msmo' is a heavier beat with vamping chords and guitar riffs really sending it home with clever sampling and modern enhancements. Both nostalgic yet fresh this is another tasteful disco, Afro and funk fusion for discerning dancers.

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June Jazzin

Shine On EP

Rise Up Green Vinyl Edtion

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Fresh off his latest release on Ndatl, June Jazzin presents his Shine ON EP on his own label “Are You House2?

The South African Artist shows what deep house is all about with 3 new lushy and joyful tracks.

Enjoy

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Yves Larock

12" | 2007 | EU | Reissue (Dance On The Beat)

Release: 2007 / EU – Reissue

Genre: Electronic & Dance

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12" | 2025 | Original (Toy Tonics)

Fimiani

Disco Music Remixes

$ 12.55*

7" | 2024 | UK | Original (G.A.M.M.)

Release: 2025 / Original

Genre: Electronic & Dance

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Disco Music is probably one of Toy Tonics’s catchiest tracks. Played by DJs like Palms Trax, A-Trak, Louie Vega, Folamour and tons of other big names, this track could become a anthem for the new wave of disco that is invading the clubs 2024. After techno and trance revivals of the last year not just the italo disco movement has become massive among the younger generation but all kinds of afro, latin, new wave and indie disco are invading the dancefloors.

Fimiani who made this track, inspired by a rare old song from the 1970ies played all instruments himeself with a group of friends (no samples).

Now its time to bring on variations of the track, Remixes by Young Pulse, the house maestro from paris, Elado, crazy edit king fro Tel Aviv, Berlin's Delfonic, who one more time proves that he knows how to tune a soul song into a dancfloor anthem and last but not east Paul Older, the guy who just released his debut EP on Toy Tonics with massive support himself by DJs like Folamour, Master at Work and many others..

These remixes are all dancefloor gold. Fimiani is on the roll.

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Kampinos

Golden Eggs

$ 19.87*

12" | 2024 | UK | Original (Houndstooth)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Straight from the Warsaw underground comes Kampinos with two killer Jungle / Drum 'N Bass reworks beautifully packaged together on a 7inch release.

On the A-side, we have 'Golden Eggs', a classic Tenor Saw jam transformed into a 90's Jungle track together with amen drums and big bass drops...proper!
On the B-side 'Menino De Outro Mundo' a cut which fuses the Brazilian sounds of Caetano Veloso, samba rhythms and rollin' Drum 'N Bass rhythms.
Big toooon!

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Djrum

Meaning's Edge

The K&D Sessions 25th Anniversary Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Djrum's first release since 2019, the Meaning’s Edge EP is an introduction to a whole new world. For the artist also known as Felix Manuel, it was created in the final stretches of six rather traumatic years work. Having carefully honed his techniques and aesthetics, and learned some hard-won emotional lessons over this time, finally he began to work in a quicker, lighter fashion – and to cleanse his palate a little by bringing in a fresh ingredient: his own flute playing. For listeners, though, it will serve as an appetiser, a way into the delights and complexities of this new phase of his creativity.

It’s a serious work in its own right, mind. The use of flutes – including Bansuri, Shakuhatchi, Western Classical, and synthesised all blending and blurring into one another – gives it a coherence and a sense of airiness that unites the five tracks over half an hour, however divergent their beats get. And as in all his music, Felix’s whole life is in here. Ethnomusicology studies, untold hours of DJing everywhere from the gnarliest squat raves to the most rarefied deep house clubs, explorations of his own neurological and emotional makeup, and the technical finesse of someone who is never not creating music or art, all roll into an experience that’s dazzling, delightful and keeps on giving.

Just the opening track ‘Codex’ alone touches on OG dubstep, Aphex Twin-like braindance, post-classical exploration, movie themes and more. The gentle tones and melodies that rise up out of it perfectly conjure Felix’s running theme of a protective bubble that provides a sense of safety and tranquillity even as the beats and acid gurgles and spurts all around it conjure up the slings and arrows of life’s difficulties.

The tone set, the EP moves through ultra-rarefied glass-like percussion in an almost ambient setting, hints of grime’s counterintuitive patterns, and even more hectic patterns influenced by Tanzania’s hyperspeed singeli style of dance music – but always with that perfect balance of chaos and control, unpredictability and protection. It rewards playing and replaying endlessly, it’s a profound and often joyous experience… and it’s only just the beginning. This is the return of a master craftsperson more focused than ever on his vision and vocation and ready to blow your mind all over again.

Mastered and cut on 140g black vinyl by legendary mastering engineer Matt Colton at Metropolis Studios, London. Pressed at optimal media, Germany.

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Kruder & Dorfmeister

6LP | 2024 | EU | Original (!K7)

$ 111.97*

12" | 2024 | UK | Original (Balkan Vinyl / I Love Acid)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Occasionally an album comes along that seems to capture the mood of the time. "The K&D Sessions" was one. In the late 1990s no afterparty, smoking session or languid Sunday afternoon was complete without Kruder & Dorfmeister blasting from the Bang & Olufsen. Now approaching it"s 25th anniversary the lore around this iconic release, steeped in a silvery cloud of smoke, retains a star quality which only shines brighter as time hurtles on. With the original having sold well over a million copies by this point in time, it"s hard to imagine a mix or remix compilation being able to inform a movement like "The K&D Sessions" has. To celebrate this monumental milestone, we"ve created a limited boxset in 6LP and 3CD of "The K&D Sessions", mastered and cut by LA luminary Bernie Grundman for a luxurious listening experience, with newly designed inner sleeves using unseen photos from the original photo shoot. Inserted in the box is a forty-page booklet containing multitudes more never before seen photos from the same shoot and notes which recount humorous tales surrounding the duo and the people who spent time with them in this epoch. Included on the 6th LP is their legendary 11 minute shimmering remix of Madonna"s "Nothing Really Matters". The 6th LP also contains Peter Kruder"s Powercut Mix of Roni Size"s "Heroes" and K&D"s remix of U.F.O, "L.O.V.E.". In addition there are two cerebral alternate remixes of Lewis Taylor, one being completely dubbed and the other the using the vocal line for this beautiful gem, "Lucky" and a special remix of "Speechless" by Count Basic. These have been staples in K&D"s sets and now take their rightful place collected in the canon of "The Sessions".

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Acidulant

I Love Acid 028

Tell Me Why / Let Me Stay Feat. Marvin White Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Maltese producer, DJ and label head Acidulant makes his I Love Acid debut with four tracks of proper acid house party gear.

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Prezioso

12" | 1999 | EU | Reissue (Dance On The Beat)

Release: 1999 / EU – Reissue

Genre: Electronic & Dance, Pop

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7" | 2025 | UK | Original (Chosen Spokes)

Nick Bike

Magic Party Breaks

$ 13.59*

LP | 2024 | EU | Original (Broc Recordz)

Release: 2025 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Nick Bike rides again on the Chosen Spokes label with another pair of his superb funk jams and killer breaks that need to be added to your collection and never allowed to leave. Magic Party Breaks is a 7" gem that opens with the infectious 'Move Move Move' featuring raw drum breaks, big claps and florid melodies that bring plenty of loose and playful energy for the floor. Flip it over for 'Extended magic' which is a horn-laced cut with characterful live drums, warm Hammond organ stabs and more superb breaks.

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Theodor

Holocene

Seven Days And One Week Blue Vinyl Edtion

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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After an acclaimed first self-titled album, Theodor is back! The German band brings back his psychedelic sweet soul in a 10 track LP with a wonderful piece of art as cover, made by Harald Hermann.

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BBE

12" | 1996 | EU | Reissue (Dance On The Beat)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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In Waves Limited White Vinyl Edition

Jamie XX

LP | 2024 | WW | Original (XL)

$ 28.25*

Release: 2024 / WW – Original

Genre: Electronic & Dance

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Moon Safari Live & Demos Record Store Day 2025 White Vinyl Edition

AIR

LP | 1999 | WW | Reissue (Warner)

$ 43.94*

Vantage Isle Remastered Clear Vinyl Edtion

Release: 1999 / WW – Reissue

Genre: Electronic & Dance

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Coming Soon 2025-04-12, 10:00 CEST

Quantity: 2900
Release type: RSD Exclusive Release

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Deepchord

3LP | 2018 | UK | Reissue (Echospace)

$ 54.41*

Trash Island Black Vinyl Edition

Release: 2018 / UK – Reissue

Genre: Electronic & Dance

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Written & Produced by Deepchord. Redesigned and Reshaped by Convextion (Gerard Hanson) cv313 (Stephen Hitchell) echospace / spacecho (Rod Modell + Stephen Hitchell) Additional Mastering, Mixing and Engineering by Ron Murphy @ NSC Mastering, Detroit, USA. Side E/F Remastering and Lacquer cutting by Dietrich @ Complete, NYC, USA. (2018)

Echospace [Detroit] is the label launched by Rod Modell (Deepchord) and Soultek's Steven Hitchell, two leading lights of the minimal dub techno scene. And as with anything Deepchord, the entire release has an air of mystery to it. Previously, as a near-mythical vinyl pressing with minimal packaging and restricted pressings, everything about Vantage Isle was geared toward the underground, or 'those who know.' However, there's nothing but love of craft driving these grooves, and now a lot more people will finally be able to hear this absolutely brilliant collection of spacial dub wonder on CD. Vantage Isle Sessions consists of a whopping 13 takes of the title track, reworked by Modell and Hitchell in various guises (cv313, Deepchord, Echospace, Spacecho), as well as a guest spot (and first ever remix) from Gerard Hanson (Convextion). Across their 13 versions, Modell and Hitchell manage to take the Deepchord template (analog synths, deep bass, gently throbbing beats, bursts of static and noise, and deep, deep chords) into a surprising variety of directions, akin to looking at the same giant glacier from a helicopter from every angle possible: some are beatless and undulating, some are pulsing and dynamic, some are looking up from under the ice and some are towering overhead. The aforementioned Convextion version is revelatory. It's built on cascading and echoing pieces of the original that are layered like shifting sands, for a distinctly dark and shimmering journey to the bottom of the frozen ocean and back. It's remarkable enough to get all these takes on one basic template to sound somewhat different, given that the source material is really just a skeletal array of sound sheets. Vantage Isle Sessions is for anyone looking for the logical successors to the Basic Channel throne, or just looking for something mellow for those steamy late summer nights. A stone-cold classic of the genre. Don't miss it." -Todd Hutlock, Stylus Magazine/Beatz by the Pound

"Steeped in mystery, Detroit musicians Rod Modell and Mike Schommer (aka Deepchord) are legendary for their hard to find twelve-inch dub techno releases. Their sound is heavily influenced by Berlin dub techno producers like Maurizio, Basic Channel, Chain Reaction, Rhythm & Sound, Blue Train and Pole. While the German sound often has a futuristic metallic edge, Deepchord are known more for the rust and grease, which is part and parcel of those metal parts. Static, analog sounds, deep bass thumps and, of course, deep chords blend in a timeless minimal manner. However, the real gems on this disc are the drifty ambient cuts devoid of beats. This is an excellent album that is on par with the classics from a decade ago!" -Exclaim

"In terms of ambient dub, if Basic Channel is the Father (the source, remote and inaccessible and very powerful) and Pole is the Son (dazzling but ultimately stranded halfway between man and the divine), than Rod Modell’s Deepchord and his Echospace label he run with Steve Hitchell is definitely the Holy Spirit." -Popmatters

"Deepchord’s dub-techno stealthily peels away melody, leaving a bare chassis of beats to ghost-ride down Woodward Avenue. Vantage Isle Sessions, which collects remixes of a 2002 Detroit Electronic Music Festival performance, finds the duo swerving through empty, neon-smeared streets, and recalls Berlin’s Chain Reaction label, minus the anemic minimalism." -xlr8r

"The album scales a magnificent peak in “Spacecho Dub II - Extended Mix” when smeary chords ricochet over a massively deep, bass-heavy pulse, and Hanson's light-speed missile of vaporous propulsion (“Convextion Remix”) is beautiful too. Long may they run." -Textura

‘Vantage Isle’ is a tremendous achievement that will most likely be held up as a high water mark of the genre for years to come." -Resident Advisor

"My favorite mix is by Convextion (his first remix for another artist). Reedy, distant synth tones sound like a science fiction soundtrack overheard rooms away. An undercurrent of echoes, many difficult to describe, drift in a sonic syrup." -Gridface

"Modell’s music always seems to be in this suspended animation, adrift and afloat in a majestic emptiness." -Dusted Mag

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Drain Gang

LP | 2019 | Reissue (Year0001)

Release: 2019 / Reissue

Genre: Electronic & Dance

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12" | 2025 | UK | Original (Illegal Disco)

Monsieur Van Pratt

Illegal Disco 002

12" | 2025 | DE | Original (ZYX Music)

Release: 2025 / UK – Original

Genre: Electronic & Dance

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Monsieur Van Pratt returns with a second volume of the Illegal Disco series and these sure are some naughty beats that are reimagined classics for contemporary clubs. The flame-hot 'Disco Fever' gets things going with a sleazy big sax line bringing the vibes to a strident disco beat with funky riffs and some great vocal work. 'Fanning The Flame' is another big one with funky drums and big open hi-hats all topped with another impassioned vocal and raw horns. Last of all is 'Rock It' which has a slightly more stripped-back groove but still motors onwards with organic percussion and live drums.

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Cappella

U Got 2 Let The Music

Release: 2025 / DE – Original

Genre: Electronic & Dance

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Flora Black Vinyl Edition

Hiroshi Yoshimura

2LP | 2006 | WW | Reissue (Temporal Drift)

$ 49.18*

12" | 2022 | EU | Reissue (Columbia International)

Release: 2006 / WW – Reissue

Genre: Electronic & Dance

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Following their 2024 reissue of Hiroshi Yoshimura’s classic album, Surround, Temporal Drift proudly presents the first-ever reissue of Flora, Yoshimura’s underappreciated ambient classic. Flora was originally recorded and completed in 1987, and remained unreleased until 2006, nearly three years after Yoshimura’s passing in 2003. The album is chronologically and stylistically a follow-up to his acclaimed 1986 works Green and Surround, wherein Yoshimura continues to play with the ambience of sound and the sound of ambience, underscoring his mastery in the field of environmental music. Yoshimura’s other recorded works include Music For Nine Post Cards (1982), originally produced to be played back inside a museum space, and Pier & Loft (1983), commissioned as accompaniment to a contemporary fashion show. "Flora is an album that is listened to perpetually, Passed on from one listener to another, And the charm of the sound- and music-loving figure known as Hiroshi Yoshimura, Just might come drifting through. Like the scent of a small flower." — Junichi Konuma

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Gala

Freed From Desire

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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Tale Of Genji Clear Vinyl Edtion

Haruomi Hosono

LP | 1987 | EU | Reissue (Victory)

Make Me Wanna Holler / Keep Me Hangin On

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 1987 as a film soundtrack, this expressly ambient work by the Japanese composer is based on the Gagaku style of ancient Japanese court music, but with a shimmer of tones created by one person using a computer. Unlike much of Hosono's catalogue, here the synthesiser acts mostly as an atmospheric texture and instead focuses on traditional Japanese instruments, particularly koto, flute and drums. The truly striking aspect of this soundtrack is the layering of the instruments, which accumulate to the point of becoming unfamiliar: throngs of finger-beaten strings sound like a beehive of insects, waves of gentle hand percussion sound like the swell of inhalations and exhalations, the elaborate flute suggests the howl of the wind.

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DJ A-L

7" | 2025 | US | Original (Retro-Respect)

Release: 2025 / US – Original

Genre: Organic Grooves, Electronic & Dance

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12" | 2025 | EU | Original (Keinemusik)

Rampa, Adam Port, &Me

Say What Feat. Chuala

$ 13.59*

Deviant Disco 2024 Repress

Release: 2025 / EU – Original

Genre: Electronic & Dance

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Chuala is back in the studio with Keinemusik, laying down „Say What“. Yet another highly infectious tune, on the heels of „Les Gout“ - her last contribution in alliance with Rampa. The tune debuted first at Exit Festival in 2023, and immediately caused tsunamis of ID requests, massive confusion, and creativity among fans about the potential title, only to became the sought after hit of the season. After countless bootlegs, edits, and pre-release fanfare, the original finally receives its official release day—and here we are at last.

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Mystic Jungle

LP | 2022 | EU | Reissue (Periodica)

LP | 2024 | US | Original (Dark Entries)

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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Mystic Jungle makes a much awaited return with Deviant Disco, a new 12” of sun-soaked groovers released through Periodica Records. A culmination of several years of writing, vibing, and influence mining, these compositions represent the producer’s most varied and expansive works yet, and to fully realize his vision, Mystic Jungle invited the entire West Hill Studio crew to contribute narcotizing layers of pop vocal mesmerism, and additional touches of guitar, bass, percussion, and synth. Strains of Italo disco, balearic boogie, and freaky funk are interspersed amidst passages of Nigerian highlife, soft focus AOR, kinetic Hi-NRG, and exotic lover’s rock, resulting in a personalized voyage through a paradise of sound, one that is unmoored from the concerns of modernity, and celebrates instead a hedonistic naivety, and a desire to dance all day in spiritual ecstasy.

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Corps Diplomatique

Dans Ta Nuit

$ 24.06*

12" | 2024 | EU | Original (Sacred Medicine)

Release: 2024 / US – Original

Genre: Organic Grooves, Electronic & Dance

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French coldwave act Corps Diplomatique comes to Dark Entries with Dans Ta Nuit, a collection of tracks recorded between 1984-1987. Founded in Marseille by Olivier Aubin, Marie-Eve Bensussan, Patrick Loubet and Nicolas Pélissie, Corps Diplomatique remain shrouded in mystery. The band only released one 7” during their time, 1988’s Paradis I, in addition to appearing with three tracks on the La Muse Vénale compilation, a holy grail for devotees of the French coldwave. Dans Ta Nuit brings us nine tracks from this cult band, seven of which have never before appeared on vinyl. These cuts are raw and unembellished but not at the expense of dramatic tension. Tracks like “Sin of Flesh” and “Eros Phobia” deliver the kind of high octane mix of despair and ecstasy that coldwave enthusiasts crave. Comparisons are inevitably to be made with fellow Marseille act Martin Dupont, and the bands were indeed close; Alain Séghir from Martin Dupont lent Corps Diplomatique synthesizers for their own recording endeavors. Cold hearts care for each other. The cover art for Dans Ta Nuit includes photographs of the band from a 1985 concert in Marseille, and the record includes an insert that includes a photograph of the band as well as lyrics and notes.

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Ron Trent

Sensual

Letting Go Of Forever Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2025-02-28

‘Sensual’ is the third chapter of Sacred Medicine’s sonic tale. A song carefully shaped by Ron Trent to resonate on the dancefloor through its deep powerful frequencies! An odyssey of fierce percussions and thunderous basslines, a sound journey of the highest caliber, a very indemand jam played all over the world by Joe Claussell and Ron himself during the last few months is finally available! Enjoy ‘Sensual’ in its full vibrating and hipnotising 11 minutes, cut on a phat slab of [one sided] vinyl!

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Sholto

2LP | 2024 | Original (DArkMAtter)

12" | 2024 | UK | Original (Comatonse)

Release: 2024 / Original

Genre: Electronic & Dance

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Having found support from tastemakers including Gilles Peterson, Deb Grant, Jyoty and Tony Minvielle for last year’s EP ‘The Changing Tides Of Dreams’, SHOLTO returns with his latest album ‘Letting Go of Forever’ – a 26-track expansive double LP. Housed in a beautiful tip-on gatefold jacket.
Drawing inspiration from Mozart’s ‘Lacrimosa’ and the work of David Axelrod, the album’s first offering ‘For The Love Of Stripes’ combines moving strings and choral orchestration with swirling flutes and twinkling percussion to create a hazy instrumental with moody, nostalgic undertones. SHOLTO took the imagery of stripes, applying a linear concept to his composition style, he shares:
“Stripes divide space and bind forms, and are inherently associated with in nature as a warning and signalling of the audacious. They grab attention and at the same time tell us to stay away. Throughout history, they have been the outfit for the outcast or maverick - I thought applying this linear concept to a piece of music could be interesting.”
The album’s second offering ‘Ligurian Storm’ was dreamt up on a stormy train ride from Milan to The Ligurian Region of Italy, and creates a mystical blend of harp, strings, vibraphone and synths to mirror the build of a growing storm swallowing a beautiful landscape. Musically sitting somewhere in between the Cinematic Orchestra and Surprise Chef, SHOLTO reflects: “I wanted to capture a scene of outstanding beauty becoming engulfed in clouds and rain as I watched the light disappear. A reminder of how quickly the tides can turn in any situation.”
Oscar 'SHOLTO' Robertson is a drummer, instrumentalist, producer & composer based in London. Growing up with a love for jazz, soul, kraut, and 60s & 70s soundtracks, his music expresses a warm array of colours, analogue instrumental grooves and euphoric sentimentality. His music career began in 2013, when a record deal took him to LA, leading to him working with producers like Nick Waterhouse (Allah-Las) before returning to the UK and collaborating with the likes of Inflo (Cleo Sol), and Dan Carey (Wet Leg, Squid). He is also one half of the production duo Sunglasses For Jaws.
With a writing style inspired by soundtrack composers from the 1950s-1970s like Piero Umiliani & David Axelrod, he also sits alongside soulful-soundtrack contemporaries like Robohands and The Ironsides. 2023’s ‘The Changing Tides Of Dreams’ introduced listeners to his world of psychedelic-infused, euphoric arrangements, drawing on disciplines from the world of film & classical music, as well as jazz and experimental arrangement techniques.

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Terre Thaemlitz

Tranquilizer EP 2

The Age Of Love Red Transparent Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The second in a series of EP's from Terre Thaemlitz, 1994, with almost half an hour of gorgeous, bleary-eyed dreamweaving that slots in the all-time sublime alongside The Art Of Noise’s ‘Moments In Love’, here pressed up on vinyl for the very first time, in two extended versions.

EP2 in the ‘Tranquilizer’ reissue series gives new afterlife to the curtain closer of Terre’s debut album with a previously unheard extended mix, and that gorgeous Art of Noise style version that also recalls SAW II-era AFX x Bryn Jones on a deep one. Both sides scroll right back to a nascent Terre, sensitively feeling out a sound between the tumultuous summer of ’93 and spring of ’94, in the years after she’d carved a name for herself as an influential deep house DJ in Manhattan’s queer bars and clubs.

Terre’s debut album ‘Tranquilizer’ would emerge as a reflective antidote to club pressures with a lushly melancholic, deeply atmospheric suite intended to cushion bodies and minds in a vein spawned by the dreamy collages of The KLF’s ‘Chill Out’ album in 1990, and further developed by a rhizome of international artists including Terre’s Instinct labelmate Dave Moufang (Move D), and the likes of The Orb, AFX, and many others whose work endures to this day.

‘Fina-Departure (Original Long Version)’ extends the balmy, beat-less scene of woozy keyboards, cicadas and swooping crop-duster planes to twice as long, with what we detect as a personal frisson of melancholy/nostalgia for the Midwest planes of Missouri, Kansas, where Terre grew up. The flipside’s ‘Fina’ feels like a hidden level addendum to the album, where night settles on the plains as distant drumming mingles in the hot air to form an utterly timeless scenario reminding us of the stark drum passages of Aphex Twin’s ‘Selected Ambient Works’ or the kind of ritualistic ambient pursued in Stroom reissues of ‘90s Pablo’s Eye. Aye, it’s a special one.

Some words from Terre:

Up until 1984 or so, there used to be a Fina gas station on North Glenstone Avenue in Springfield, Missouri. Sitting on the floor inside was a cardboard box filled with records for $1.00. It was a way station for unwelcome electronic music in a town of bluegrass, gospel and rock'n'roll. Neuromantic by Yukihiro Takahashi, Vapor Drawings by Mark Isham, Vistamix by Bill Nelson.... Albums that had strayed outside their intended distribution systems, only to get lost on old Route 66.

I was a faggy, gender-bending teen similarly stranded in that town ironically nicknamed the "Queen City of the Ozarks." Daily life consisted of being ritually bashed in public, and defeated by psychotic family dynamics in private. With nowhere to go, I drove aimlessly in a 1960 Ford Falcon woven of rust, dents and torn upholstery. Baby blue, four door, three-on-the-tree manual transmission. A little-old-church-lady car with a color coordinated baby blue rosary hanging from the rear view mirror. On the back seat sat a boombox for playing home recorded cassettes. I checked in on the box at Fina whenever possible, offering records a chance to depart. Between the gas and music, the kindly staff at that fueling station variously offered me the same. At the end of the day, that was our unspoken agreement.

please remember that we support Terre and Comatonse Recordings' efforts to keep projects offline, minor, and acting queerly. When purchasing this item, we ask you to refrain from uploading and indiscriminate sharing in any form. <3

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Age Of Love

12" | 2024 | EU | Reissue (DiKi)

Moderat (Apparat & Modeselektor)

Release: 2024 / EU – Reissue

Genre: Electronic & Dance

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(red transparent vinyl, limited edition of 1000) Age Of Love's 3 most famous remixes on 1 record: the legendary 1992 Jam & Spoon 'Watch Out For Stella' Mix, Charlotte de Witte & Enrico Sangiuliano's 2021 Remix & Solomun's 2017 remix.

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More Love Rampa &Me Remix

12" | 2023 | EU | Original (Keinemusik)

$ 12.55*

2LP | 2001 | EU | Reissue (Field)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Moderat, the electronic music Voltron formed by Apparat and Modeselektor, released ‘more D4ta’ last year to critical acclaim, their first full-length album since 2016. Keinemusik’s Rampa & &ME put their spin on the Moderat albums’ third single ‘more LOVE.“ — the vinyl single of the remix will be out December 8th, 2023.

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Monolake

Gravity

7" | 2025 | UK | Original (Trule)

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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Twenty-four years on from its original release, Monolake's seminal Gravity receives its first vinyl pressing courtesy of Field Records. Occupying its own space at the intersection of dub techno, minimal and electronica, it's an ageless album of staggering vision and technological prowess which has matured into an all-time pillar of electronic music. This edition, remastered by the album's key architect Robert Henke, follows on from the recent reissue of Monolake's first album, Hongkong.

Arriving just after the turn of the millennium, Gravity marked a turning point for Monolake. With co-founder Gerhard Behles moving on to other ventures, Henke produced most of the album solo and journeyed deeper into spatial exploration and the dub-informed principles that underpinned their project from the start. Minimalism and negative space run through the whole record, from the keen slithers of percussion pinging through lattices of delay to the hypnotising pulse of subliminal basslines anchoring the tracks. Gravity is a record which hangs on techno's linearity as a form of meditation, but the crystalline clarity of the mix allows every micro-fluctuation in rhythm and sound to cut through.

Compared to a lot of overly sterile digital music released in the early 2000s, Gravity endures thanks to the warmth and texture Henke elicited from his processes — even when leaning into none-more-digital effects like bit reduction. He described the ninth-floor view over Berlin from his studio at night as a key influence on the sound of the record, but the space Gravity shapes out feels thrillingly implacable. Unbound by the standard conventions of time and space, Gravity stands proud as a true original and finally gets the ceremonious vinyl pressing it so richly deserves.

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Holy Tongue

Ambulance

LP | 2025 | EU | Original (Isle Of Jura)

Release: 2025 / UK – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Holy Tongue (Valentina Magaletti, Al Wootton & Susumu Mukai) follow up their critically acclaimed album with a two track 7” on Trule. On the A Side ‘Ambulance Dub’ creeps in like John Carpenter at Firehouse. The B Side ‘The Bigger Tutti’ goes full on Steppers punk. They are all snakes now.

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V.A.

Instrumental Dubs #3

Mother Earth's Plantasia Green Vinyl Edition

Release: 2025 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Welcome to 'Instrumental Dubs #3', the ongoing series that delves into the world of the Dub Version and beyond. Side one explores the axis of UK Street Soul and Reggae with the opening two tracks produced by Howard Hill and originally released on his Passion Enterprises label in the late eighties. Both 'Versions' have a machine lead rhythm section paired with a reggae skank and snippets of soulful vox. The Proto House of Protek's 'I Love to Dance With You' featured on a Jura Soundsystem DJ Mix for Planet Trip, a one off single from the now sadly deceased Errol Parkes that's been re-edited with love by The Nightlark from Edinburgh.

The B side features The Cool Notes 'Natural Energy', which isn't strictly speaking a Dub Version, but it has that vibe with a primarily instrumental backing track featuring sparse vocals and spacey FX. The album closes with a secret weapon of Ilija Rudman 'Dub 4 Love' that pays homage to a famous track from Acid House's heyday.

Pressed on 180g Heavyweight Vinyl with full sleeve jacket design by Bradley Pinkerton.

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Mort Garson

LP | 1976 | US | Reissue (Sacred Bones)

$ 28.25*

Dummy 20th Anniversary Black Vinyl Version

Release: 1976 / US – Reissue

Genre: Electronic & Dance

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If you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears), you also took home Plantasia, an album recorded especially for plants. Subtitled “warm earth music for plants…and the people that love them,” it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog. Plants date back to the dawn of time, but apparently, they loved the Moog, never mind that the synthesizer had been on the market for just a few years. Most of all, the plants loved the ditties made by composer Mort Garson.
Few characters in early electronic music can be both fearless pioneers and cheesy trend-chasers, but Garson embraced both extremes, and has been unheralded as a result. When one writer rhetorically asked: “How was Garson’s music so ubiquitous while the man remained so under the radar?” the answer was simple. Well before Brian Eno did it, Garson was making discreet music, both the man and his music as inconspicuous as a Chlorophytum comosum. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell’s “By the Time I Get to Phoenix.” He could render the Beatles and Simon & Garfunkel alike into easy listening and also dreamed up his own ditties. “An idear” as Garson himself would drawl it out. “I live with it, I walk it, I sing it.”
But as his daughter Day Darmet recalls: “When my dad found the synthesizer, he realized he didn’t want to do pop music anymore.” Garson encountered Robert Moog and his new device at the Audio Engineering Society’s West Coast convention in 1967 and immediately began tinkering with the device. With the Moog, those idears could be transformed.
“My mom had a lot of plants,” Darmet says. “She didn’t believe in organized religion, she believed the earth was the best thing in the whole world. Whatever created us was incredible.” And she also knew when her husband had a good song, shouting from another room when she heard him humming a good idear. Novel as it might seem, Plantasia is simply full of good tunes.
Hearing Plantasia in the 21st century, it seems less an ode to our photosynthesizing friends by Garson and more an homage to his wife, the one with the green thumb that made everything flower around him. “My dad would be totally pleased to know that people are really interested in this music that had no popularity at the time,” Darmet says of Plantasia's new renaissance. “He would be fascinated by the fact that people are finally understanding and appreciating this part of his musical career that he got no admiration for back then.” Garson seems to be everywhere again, even if he’s not really noticed, just like a houseplant.

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Portishead

LP | 2014 | UK | Original (Island)

Hometown Girl White Vinyl Edition

Release: 2014 / UK – Original

Genre: Electronic & Dance, Pop

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Deluxe 180g remastered vinyl in gatefold sleeve.

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Ulla

LP | 2025 | UK | Original (28912)

$ 42.90*

Release: 2025 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2025-02-28

Butterfly Effect 2024 Repress

Shinichi Atobe

2LP | 2014 | UK | Reissue (DDS)

12" | 2025 | Original (Token)

Release: 2014 / UK – Reissue

Genre: Electronic & Dance

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Up until the release of his debut album in 2014, Shinichi Atobe managed to stay off grid since his release on Basic Channel’s Chain Reaction imprint back in 2001. He delivered the second-to-last 12” on the label and then disappeared without a trace, leaving behind a solitary 12” and a trail of speculation that led some people to wonder whether the project was in fact the work of someone on the Basic Channel payroll.

That killer Chain Reaction 12” was also a long time favourite of Demdike Stare, who had been trying to follow the trail and make contact with Atobe for many years before a lead from the Basic Channel office turned up an address in japan and - unbelievably - an album full of archival and new material. That material was compiled and released back in 2014 as Butterfly Effect.

And what a weird and brilliant album it is - deployed with a slow-churn opener that sounds like a syruppy Actress track, before working through a brilliantly sharp and tactile 9 minute Piano House roller that sounds like DJ Sprinkles at his most bittersweet, before diving headlong into a heady, Vainqueur inspired droneworld. It’s full of odd little signatures that gives the whole thing a timeless feel - like a sound bubble from another era.

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Altinbas

Voyage EP

12" | 2025 | US | Original (Upstairs Asylum)

Release: 2025 / Original

Genre: Electronic & Dance

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Altinbas returns to Token the only way he knows how. The Fuse resident's ethereal mark on driven techno comes this time with an aquatic touch, diving further into his bubbly architecture and melodic intrigue.

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The Robinson

The Al-Go-Rithmic EP

Release: 2025 / US – Original

Genre: Electronic & Dance

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12" | 2024 | UK | Original (Ministry Of Sound / B1)

Gala

Freed From Desire - 2024

Edward Maya & Vika Jigulina

Release: 2024 / UK – Original

Genre: Electronic & Dance, Pop

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Gala – Freed From Desire was first released in 1996 on NiteLite Records in Italy. 2024 and Ministry of Sound Recordings / B1 Recordings are happy to release two fresh new remixes for the first time on limited edition yellow transparent vinyl. Gala wrote this song when she was drawing on a Buddhist concept that challenges the constant craving for more and encourages us to value our principles and our own freedom instead. She believed that ‘Freed From Desire’ could resonate with people all over the world. Arguably one of the biggest sporting songs of all time, it has become a unifying sensation across the world. The main mix has been re-recorded for a whole new generation but is still very true to that original of ’96, whilst on the flip, Diplo; the American superstar, showcases his trademark, energetic, thumping style. A huge club and radio hit.

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Stereo Love

12" | 2010 | EU | Reissue (Dance On The Beat)

Release: 2010 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Leiter)

Nils Frahm

Paris