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Thee Oh Sees

Thee Oh Sees Vinyl, CD & Tape 20 Items

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Thee Oh Sees

A Weird Exits Emerald Green Vinyl Editoin

2LP | 2016 | US | Reissue (Castle Face)

34,99 €*

VAT free plus Shipping Costs

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2025-03-21

Received a 7.5 rating from Pitchfork. Emerging from the distant light is the new double-LP from John Dwyer’s Thee Oh Sees—the first studio recordings to capture the muscular rhythm section of twin drummers Ryan Moutinho and Dan Rincon with ringer bassist Tim Hellman cracking spines. The groove and bludgeon one has come to expect from the band’s live shows is captured seamlessly here—they go from zero to head-splitter, and on the rare occasions they do let up on the gas a bit, you’re treated to some locked-in hypnotizers, too. The guitar sounds more colossal and ethereal at the same time, riding roughshod over the vacuum-sealed rhythm section, spiraling skywards, and diving into the emerald depths so quick your guts tingle. Synths, strings and smoke-soaked things crawl behind the scenes to make an extra far-out party platter, served on 45 RPM plates for most excellent listening quality. With amazing visuals (including a side-D etching by airbrush-van-art maestro Robert Beatty) and packed in vape-proof goatskin, it’s a beast and, come August 12th, it can be yours should you so choose.

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Thee Oh Sees

Live At Levitation

LP | 2023 | WW | Original (The Reverberation Appreciation)

26,99 €*

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Release: 2023 / WW – Original

Genre: Rock & Indie

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Thee Oh Sees

The Singles Collection 1 & 2

2LP | 2011 | US | Original (Castle Face)

29,99 €*

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Release: 2011 / US – Original

Genre: Rock & Indie

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The first two volumes of singles and B-sides from Thee Oh Sees. Twenty-four songs including the track “Tidal Wave” featured in TV’s gnarly Breaking Bad.

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Thee Oh Sees

Master's Bedroom Is Worth Spending A Night In

LP | 2008 | US | Reissue (In The Red)

25,99 €*

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Release: 2008 / US – Reissue

Genre: Rock & Indie

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Thee Oh Sees (ocs) began as songwriter / singer / guitarist John Dwyer's outlet for the experimental instrumentals he was producing in his home studio. Dwyer, who hails from Providence, RI, has been active on the San Francisco indie scene since the late '90s, working with The Coachwhips, Hospitals, Pink & Brown, Yikes, Dig That Body Up It's Alive, and Swords & Sandals, among others. He formed OCS (which is an acronym for Orinoka Crash Suite, Orange County Sound, or whatever Dwyer decided on any given day) to release a string of soundscapes and moody pieces that were decidedly lower key than his previous projects. In time, OCS morphed into an actual band, working under a flurry of names (most notably the Oh Sees or the Ohsees) and eventually settling on Thee Oh Sees. Sounding a bit like The Mamas & The Papas run through a seriously bent garage blender, this line-up features Dwyer on guitar and vocals, Brigid Dawson on vocals and tambourine, Petey Dammit on bass, and Mike Shoun on drums. The band signed with the German Tomlab label and released The Master's Bedroom Is Worth Spending a Night In in 2008. This record marked the first recorded appearance of the newly harder rocking version of the band and was immediately met with an enthusiastic response by fans and rock scribes. It went out of print after its initial pressing sold out quickly, and In The Red is pleased to announce the re-release of this incredible album on vinyl. Music like this is best enjoyed when spun on a turntable, and the gorgeous cover art can only be properly appreciated at 12 inches by 12 inches.

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Thee Oh Sees

Odd Entrances Orange Vinyl Edition

LP | 2020 | EU | Original (Castle Face)

22,99 €*

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Release: 2020 / EU – Original

Genre: Rock & Indie

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Thee Oh Sees

Panther Rotate

LP | 2020 | US | Original (Castle Face)

16,99 €*

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Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Still shrink wrapped but opened.
Record is slightly warped, otherwise close to NM.

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Thee Oh Sees

Live In San Francisco

2LP | 2016 | US | Reissue (Castle Face)

35,99 €*

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Release: 2016 / US – Reissue

Genre: Rock & Indie

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Perched in the belfry of The Chapel we caught thee mighty Oh Sees, alive and in their natural element, with our shutters aflutter and our tapes on a roll. After a short incubation period, the beast has reached full maturity and it is hideous. Over three nights they pummeled, and we’ve culled some great photographs, a wicked recording, and even a little live video action. Castle Face is happy to announce the first double LP in the Live in San Francisco series, presented on two discs, in a handsome double gatefold jacket, with live video shot by Brian Lee Hughes, Casey Anderson and their crew of merry gentlemen on an included DVD. Finally you depraved Oh Sees freaks have something to take home with you when you lose your shoes and your girlfriend at the show. Put it on at home and pretend to wait in line for the bathroom and it’s like you’re really there. The thrash, the throb, the mob is all present and pushed to the front. Dual drummers synced in each ear, Tim Hellman rounding out the bottom and Castle Face’s own John Dwyer up front on guitar, lasering young brains off and fomenting the crowd to a froth—it’s a great band, in a great room, with a great crowd and it’s cooked to perfection… Take a little bit of it with you this time.

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Thee Oh Sees

Live In San Francisco Colored Vinyl Edition

2LP | 2016 | US | Reissue (Castle Face)

30,99 €*

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Release: 2016 / US – Reissue

Genre: Rock & Indie

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Thee Oh Sees

Mutilator Defeated At Last Colored Vinyl Edition

LP | 2021 | US | Original (Castle Face)

21,99 €*

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Release: 2021 / US – Original

Genre: Rock & Indie

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Here we have a new batch from Thee Oh Sees for your absorption—nine muscular tunes primed to pummel. Last year’s Drop was more schizophrenic, ranging from heavy to whimsical and back; Mutilator Defeated at Last has more in common with the monolithic hugeness of Floating Coffin. With only two brief reprieves from its onslaught, this record is made to be played loudly and demands bodily sacrifice. Despite the plutonium heavy feel, Thee Oh Sees continue to be omnivorous. Synths and acoustic guitars wind throughout the album like veins of gold through granite. Any and all that stands in its way will be devoured and assimilated. This is the sound of a band doing what they do best.

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Thee Oh Sees

Grave Blockers

LP | 2006 | US | Reissue (Castle Face)

21,99 €*

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Release: 2006 / US – Reissue

Genre: Rock & Indie

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Reissued extremeley limited, long out-of-print EP from long-running garage rock band’s early formative period in San Francisco! Encased in a brown paper wrapping like a forgotten bit of smut from behind the beaded curtain, this unassuming disc is a time-capsule back to John Dwyer’s early SF days, janglingly fingerpicked wisps of melody and electronics baking in the all-too anemic sunshine of San Francisco’s elusive summer. Like a seashell to the ear, one can hear within it Baker Beach bike ride excursions, holding court and gently harassing passers-by on a Haight street stoop, and midnight rambles with friends from out of town, daring the sun to come up. Somewhere chronologically between the folky whisper of Songs About Death And Dying and the recently reissued Cool Death Of Island Raiders, this one’s been vexing to find for way too long and Castle Face has decided to give it “the treatment”. May it awaken the gentle glow of possibility dappled with the dancing shadow of danger that it stirs around this castle.

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Thee Oh Sees

An Odd Entrances

LP | 2016 | US | Original (Castle Face)

27,99 €*

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Release: 2016 / US – Original

Genre: Rock & Indie

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From the same misty mountain top tape spool as August’s A Weird Exits, Thee Oh Sees bring us a companion LP titled An Odd Entrances. Delving more towards the contemplative side than the face-skinning aspects of A Weird Exits, An Odd Entrances is a cosmic exercise en plein aire with Dwyer and co double drum shuffling, lounging with cellos, following a flute around the groove, and spooling a few Grimm-dark lullabies along the way. Lurking in the grass are a snake or two, like the celestial facing instrumental buzz of Unwrap The Fiend Pt. 1…but for the most part this is a relatively hushed affair, a morning rather than evening listen perhaps. You could say it's the sound of Dwyer and co. going even more out there with some amazing smoked out grooves and enjoying the power of repetition. Probably the nearest yet to his solo Damaged Bug output. The band plans on donating half of their profits from the first pressing to Elizabeth House, a local charity here in Pasadena that specifically helps homeless women with children from the San Gabriel Valley get back on their feet.

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Thee Oh Sees

A Weird Exits

2LP | 2016 | US | Original (Castle Face)

32,99 €*

VAT free plus Shipping Costs

Release: 2016 / US – Original

Genre: Rock & Indie

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Emerging from the distant light is the new double-LP from John Dwyer’s Thee Oh Sees—the first studio recordings to capture the muscular rhythm section of twin drummers Ryan Moutinho and Dan Rincon with ringer bassist Tim Hellman cracking spines.

The groove and bludgeon one has come to expect from the band’s live shows is captured seamlessly here—they go from zero to head-splitter, and on the rare occasions they do let up on the gas a bit, you’re treated to some locked-in hypnotizers, too. The guitar sounds more colossal and ethereal at the same time, riding roughshod over the vacuum-sealed rhythm section, spiraling skywards, and diving into the emerald depths so quick your guts tingle. Synths, strings and smoke-soaked things crawl behind the scenes to make an extra far-out party platter, served on 45 RPM plates for most excellent listening quality.

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Thee Oh Sees

Mutilator Defeated At Last

LP | 2015 | CZ | Original (Castle Face)

35,14 €* 36,99 € -5%

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Release: 2015 / CZ – Original

Genre: Rock & Indie

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Thee Oh Sees

Singles Collection 3

LP | 2013 | US | Original (Castle Face)

26,99 €*

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Release: 2013 / US – Original

Genre: Rock & Indie

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It's no secret that John Dwyer and Thee Oh Sees put out a ton of stuff. Not just full-lengths—of which there are many—but singles, split releases, compilations and even books. The dude cooks in many kitchens, but the sauce is always tasty.

Castle Face is proud to continue their tradition of occasionally corralling these rarer gems onto the convenient LP format. For even the most insane Oh Sees collectors, the inclusion of an unreleased, mutated live version of “Block of Ice” makes this a must-have. To sweeten the deal, the tunes have been gussied up ever-so-slightly to knock you nightly, and the incredible tritone artwork by Shalo P is printed on blinding silver-foil jackets.

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Thee Oh Sees

Floating Coffin Black Vinyl Edition

LP | 2013 | US | Original (Castle Face)

18,99 €*

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Release: 2013 / US – Original

Genre: Rock & Indie

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A brandy-new full length from the tour sharpened OH SEES, featuring the louder, grungier, synth-meltier sound they've been bludgeoning audiences with lately. This newest chapter in the story of Thee Oh Sees, show the band fixomg their fury against the onrushing night. It's another blistering demonstration of Thee Oh Sees greatest trick: they're the only prolific band who doesn't put out records often enough. Featuring terrifying artwork from MATT BRINKMAN and JOHN DWYER.

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Thee Oh Sees

Carrion Crawler / The Dream Transparent Pink Vinyl Edition

LP | 2011 | US | Reissue (In The Red)

28,99 €*

VAT free plus Shipping Costs

Release: 2011 / US – Reissue

Genre: Rock & Indie

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What’s the first thing you think of when someone mentions Thee Oh Sees? Probably their riot-sparking live show, right? Visions of a guitar-chewing, melody-maiming John Dwyer careening across your cranium, rounded out by a wild-eyed wrecking crew that drives every last hook home like it’s a nail in the coffin of what you thought it meant to make 21st-century rock ’n’ roll? Yeah, that sounds about right. But it misses a more important point—how impossible Thee Oh Sees have been to pin down since Dwyer launched the project in the late ’90s as a solo break from such sorely missed underground bands as Pink and Brown and Coachwhips. (While Dwyer still records songs on his own, Thee Oh Sees is now a five-piece featuring keyboardist / singer Brigid Dawson, guitarist Petey Dammit, drummer Mike Shoun and multi-instrumentalist / singer Lars Finberg.) That restlessness extends to everything from the towering, thirteen-minute title track of 2010’s Warm Slime LP to the mercurial moods of 2008’s The Master’s Bedroom Is Worth Spending a Night In. Now, Thee Oh Sees chase the home-brewed symphonies of Castlemania with the scrappy, high-wire hooks of Carrion Crawler / The Dream. Originally envisioned as two EPs, it was cut live to tape in less than a week at Chris Woodhouse’s Sacramento studio in June, reflecting the battering-ram bent of the band’s live show better than any bootleg ever could. “As I’m sure most would agree,” explains Dwyer, “Castlemania was more of a vocal tirade. This one’s meant to pummel and throb.” That it does, whether one blasts the slow, speaker-bruising build of “The Dream,” the sunburnt organs and dovetailing guitars of “Crack in Your Eye” or the interstellar instrumental “Chem-Farmer,” a perfect example of what happens when one takes a well-oiled machine—a gang of rabid road warriors, really—and adds a second, groove-locked drum set to the mix. To listen is to realize that Dwyer’s music is as manic as the underground comic inclinations of his artwork; colorful and confusing in a way that’s more than welcome. It’s downright refreshing, like a slap in the face at 5:00 in the morning. Or, as Dwyer puts it, “You have to leave a mark somehow.”

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Thee Oh Sees

Warm Slime Green With Orange Hi-Melt Vinyl Edition

LP | 2010 | US | Reissue (In The Red)

26,99 €*

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Release: 2010 / US – Reissue

Genre: Rock & Indie

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The ridiculously prolific Bay Area band Thee Oh Sees are back with another full-length long-player. Warm Slime is guaranteed to please fans of their whacked-out garage / psych / punk jams. Recorded by Sacramento sultan of sound Chris Woodhouse, Warm Slime carries on in the same tradition as the group's previous In The Red release, Help, showcasing their more electrified and rocking side, in comparison to other recent home-recorded releases. The centerpiece is undoubtedly the mind-bending title track, which clocks in at nearly 14 minutes and takes up the entirety of the album's first side. It's a psychedelic epic of "Inna Gadda Da Vida" proportions! John Dwyer's guitar playing is at its quadra-spazzed best here. The results are stunning.

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