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Modest Mouse

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Modest Mouse - Moon & Antarctica

Moon & Antarctica

2LP | 2010 | EU | Original (Music On Vinyl)

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Release: 2010 / EU – Original

Genre: Rock & Indie

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Modest Mouse - Good News For People Who Love Bad News

Good News For People Who Love Bad News

2LP | 2004 | US | Reissue (Epic)

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Release: 2004 / US – Reissue

Genre: Rock & Indie

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Their new album GOOD NEWS FOR PEOPLE WHO LOVE BAD NEWS, was produced by Dennis Herring and features a host of special guests such as: The Dirty Dozen Brass Band on "This Devil's Workday"; Tom Peloso playing upright bass and fiddle; and the Flaming Lips/Dave Fridmann, who remixed the track "The Good Times are Killing Me." Other tracks are "Float on," "The World at Large," "One chance," and many more....

Modest Mouse - Good News For People Who Love Deluxe Colored Vinyl Edition

Good News For People Who Love Deluxe Colored Vinyl Edition

2LP | 2024 | EU | Original (Sony Music Catalog)

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Release: 2024 / EU – Original

Genre: Rock & Indie

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Modest Mouse - We were dead before the ship even sank

We were dead before the ship even sank

2LP | 2007 | US | Original (Epic)

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Release: 2007 / US – Original

Genre: Rock & Indie

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the highly acclaimed new album with Johnny Marr of ex The Smiths on guitar ... 14 tracks on 180g heavy vinyl!

Modest Mouse - The Golden Casket

The Golden Casket

2LP | 2021 | EU | Original (Smi Epc)

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Release: 2021 / EU – Original

Genre: Pop

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Modest Mouse - Sad Sappy Sucker

Sad Sappy Sucker

LP | 1994 | EU | Reissue (Pias)

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Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Modest Mouse - The Fruit That Ate Itself

The Fruit That Ate Itself

LP | 1997 | EU | Reissue (Pias)

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Release: 1997 / EU – Reissue

Genre: Rock & Indie

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Modest Mouse - Moon & Antarctica

Moon & Antarctica

LP | 2000 | US | Reissue (Epic)

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Release: 2000 / US – Reissue

Genre: Rock & Indie

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The Moon & Antarctica is the third full-length album by American rock band Modest Mouse, first released by Epic Records on June 13, 2000. The album was the band's first release on a major label and was released on both compact disc and vinyl LP. It has since been reissued twice on CD and once on vinyl. The album peaked at number 120 on the U.S. Billboard 200 albums chart. The album was praised by critics and fans alike for it's in-depth discussion of dense subject matter, as well as front man Isaac Brock's clever and introspective lyrics. The album was also hailed for being an expansion of the band's unique sound. This was due both to the band's new major label tools as well as the production of Brian Deck. The title of the album is taken from the opening scene of Blade Runner, where the main character is reading a newspaper, headlined: "Farming the Oceans, the Moon and Antarctica."

Modest Mouse - Baron Von Bullshit Rides Again Black Friday Record Store Day 2024 Edition

Baron Von Bullshit Rides Again Black Friday Record Store Day 2024 Edition

LP | 2024 | Reissue (Legacy)

35,14 €* 36,99 € -5%

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Release: 2024 / Reissue

Genre: Rock & Indie

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RSD Exclusive, Limitation: 3500

Modest Mouse - The Moon & Antarctica By Zachary Petit

The Moon & Antarctica By Zachary Petit

12,74 €* 16,99 € -25%

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In 1999, Modest Mouse struck out for Chicago to record their major-label debut for Epic Records. Amid indie circle cries of “sellouts,” a largely untested producer, and a half-built studio, the trio recorded the instrumental basics of The Moon & Antarctica … and then singer/songwriter Isaac Brock got his face smashed by a hooligan in a park.

With barely any vocals recorded, Brock emerged from the hospital with his jaw completely wired shut, and returned to a mostly empty studio. And there, on a diet of painkillers, in a neighborhood that wanted to purge the band from its borders, a creative alchemy took place that would redefine Modest Mouse and indie rock at large.

The fact that the band finished the album at all is surprising. The fact that it is now considered by critics as “hands-down one of the greatest records ever made” (NME) is perhaps an utter miracle.

The Moon & Antarctica is an album so strange and enigmatic, from those sweet opening notes, to the plunging depths of the middle, to the shocking, furious end, that you almost hesitate to listen to it again for fear of it losing its chaotic magic. But then you do, and you discover all-new sounds-a lost harmonic here, a stray percussion element there, a fresh interpretation of a lyric that leaves you thunderstruck.

And that ever-looming question, years on: How the hell did Modest Mouse pull this off?!

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