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Nancy Sinatra & Lee Hazlewood

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Two 180-gram, 45 RPM LPs cut from new 2021 transfers and pressed at RTI, featuring bonus tracks from the original album sessions
Previously unreleased 7” single: Live at Beat Club, Germany (April 1971)
Repro of 1971 French edition 7” single: Something On Your Mind b/w One Night Of Love
Both 7” singles pressed at Third Man Pressing and housed in old-style tip-on jackets
20-page booklet featuring unseen photos and liner notes by Lenny Kaye with contributions from Nick Cave and Devendra Banhart
Housed in a special, expanded trifold jacket

Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Light in the Attic is honored to celebrate the 50th anniversary of In My Own Time with a special edition of this monumental classic.

Featuring Dalton’s interpretations of songs like “Are You Leaving for the Country,” “When a Man Loves a Woman,” “Katie Cruel,” and her posthumously recognized signature performance, “Something On Your Mind,” the album will be available in a 50th anniversary Deluxe Edition, which expands exponentially upon Light in the Attic’s 2006 reissue of the album, co-produced by Nicholas Hill.

This 50th Anniversary Deluxe Edition features the newly remastered (2021) In My Own Time album, presented on three sides of 45-RPM, 180-gram vinyl pressed at Record Technology Inc. (RTI), with the fourth side showcasing alternate takes from the album sessions. The set also contains two 7-inch singles, featuring previously-unreleased live recordings captured at Germany’s Beat Club in 1971, both pressed at Third Man Record Pressing and housed in tip-on jackets. All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters. A 20-page booklet—featuring rarely seen photos, liner notes from musician and writer Lenny Kaye, and contributions from Nick Cave and Devendra Banhart—rounds out the package, which comes housed in a special trifold jacket.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early 60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process but was also willing to offer gentle encouragement and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While 70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, many artists would name Karen Dalton as an influence including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recently acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul… you can hear it in her music.”

1–10: Originally released as Just Sunshine – PAS 6008, 1971

11–13: Alternate Takes from album sessions, 1970/71

14–15: Recorded live at Beat Club, Germany, April 21, 1971

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Nancy & Lee Sundown Metallic Gold & Clear Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

24,49 €* 48,99 € -50%

Nancy Sinatra & Lee Hazlewood

Release: 2023 / US – Original

Genre: Rock & Indie

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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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Nancy & Lee Again Big Red Balloon Swirl Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

20,39 €* 33,99 € -40%

Tracy Chapman 35th Anniversary Black Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* LP available on Standard Black Wax plus Special Limited Color Editions
* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin
* Vinyl pressed at RTI
* Beautifully packaged and expanded gatefold LP featuring a 20-page booklet
* Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea
* Never-before-seen photos from Nancy Sinatraâ€™s personal archive
* CD housed in a digipak and featuring a 28-page booklet
* 8-track also available
* Actual LP pressing color may differ from mock-up image

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Tracy Chapman

LP | 1988 | Reissue (Rhino)

2LP | 1972 | US | Reissue (Light In The Attic)

Release: 1988 / Reissue

Genre: Rock & Indie

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TRACY CHAPMAN - Originally released by Elektra Records in April 1988, Tracy Chapman has long been unavailable on vinyl. This anniversary reissue has been prepared for release by Chapman and the album's original producer, David Kershenbaum, pressed on 180-gram vinyl and sourced from an analogue master. The album package includes an insert of translated lyrics, which accompanied the original international release. Featuring the classic singles'Fast Car', 'Talkin' Bout A Revolution', and 'Baby Can I Hold You', the album earned three Grammy Awards and went on to become one of the most successful debuts of all time, peaking at #1 in multiple countries and selling more than 20 million copies worldwide.

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Lee Hazlewood

13 Deluxe Edition

25,89 €* 36,99 € -30%

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Newly Expanded Deluxe Double LP Edition! Includes the original 1972 album, plus all of Larry Mark's acoustic demos and tracks from his unreleased 1970 LHI LP for the first time on vinyl Previously unreleased session outtake of “Cold Hard Times” plus demos of obscure Hazlewood compositions “Drums,” “The Start,” “Susie,” “Miracle on 19th Street,” and “Peppermint Morning” 30 total tracks Remastered by GRAMMY®nominated mastering engineer John Baldwin Liner notes by GRAMMY®nominated reissue producer Hunter Lea including interviews with Larry Marks, Joe Cannon, Torbjörn Axelman & Suzi Jane Hokom Lee Hazlewood comic strip, the story of 13 told through original artwork by Jess Rotter Double LP housed in a gatefold jacket “Pimps… whores… pushers… dopers… gangsters… and bottom of the human chain shitheels. Now you’re probably thinking I’m writing about major record companies and their unscrupulous executives… and lawyers. You could be right… but this time… You’re Wrong! I’m describing the characters in my album ‘13’ …Some I knew… some I invented … some are true… some are false… some I liked… some I didn’t. But they all had a story to tell and I told it…none of ‘em seem to care… and I don’t either… have fun…" Lee Hazlewood

“He (Lee) took my voice off the album and put his voice on the album. Now don’t forget these were in my keys, it was my charts, it was my everything. Lee Hazlewood was not even remotely going to be considered as an artist for this album and that’s the way he wanted it.” Larry Marks

The album 13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The Bombastic brass heavy funk, deep blues and soul paired with Hazlewood’s subterranean baritone would be best enjoyed with a tall Chivas in an offstrip seedy Vegas lounge. By 1972 Lee Hazlewood had settled in his new homeland of Sweden. His days were spent carousing, making movies with Torbjӧrn Axelman and releasing albums. To keep up his prolific recorded output, Lee began to mine the recently defunct LHI Records archives for material. One such gem, was an unreleased album by Larry Marks (lhi producer, artist and the voice of the first ScoobyDoo theme). Larry’s concept was to take Hazlewood’s strongest compositions and arrange them in a soul vibe. An album was completed, but with no distribution in America and no funding, Lee had no vehicle to release Larry’s record. The tapes were taken to Sweden, Larry’s voice was wiped and Hazlewood’s was dubbed… 13 was born.

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Country Funk Volume 3 1975-1982

2LP | 2021 | US | Original (Light In The Attic)

18,39 €* 45,99 € -60%

Release: 2021 / US – Original

Genre: Rock & Indie

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Volume 3 in LITA’s acclaimed Country Funk series! Featuring Dolly Parton, J.J. Cale, Conway Twitty, Larry Jon Wilson, and Billy Swan, amongst many others Includes previously unreleased track by Tony Joe White Special 2xLP edition pressed on Clear wax with Red & Blue Swirl and housed in a foil-stamped jacket Newly remastered audio New original artwork by renowned artist J. William Myers (artist for Robert Altman’s Nashville, Waylon Jennings and Willie Nelson’s Waylon & Willie album, and LP covers for the Charlie Daniels Band) Description: The horse still bucks, the band still funks, and well…the fire still burns.

That’s right—Country Funk is back.

In the summer of 2012, a new sound blew in from the dusty desert. It was a sound difficult to pin down, to codify; a sound that, like some wild horse, resisted one’s grasp. But this was no trend, no flash-in-the-pan movement, no shotgun marriage of styles, no ma’am. This sound went back decades, back to the latter half of the 1960s and early 1970s when adventurous artists started to blend country hoedown harmony with the elation of gospel, the sexual thrust of the blues and a touch of inner-city grit. This was a new sound with a simple name: Country Funk.

Country Funk 1969-1975, first released in 2012 and co-produced by Zach Cowie, Patrick McCarthy and Matt Sullivan, brought together a disparate group of artists that were neither bound by geography nor a shared ideology, but connected through the simple feel of their songs. Country Funk is alternatively playful and melancholic, slow jammin’ and booty-shakin’. It’s a sound both studio slick and barroom raw, as evident in the artists featured on Volume I: Johnny Adams, Mac Davis, Dale Hawkins, Tony Joe White, Bobbie Gentry, Larry Jon Wilson, and many others. Just two years later, we chased Volume I with a new collection of songs for Country Funk 1967-1974 (lita 116, 2014). Volume II didn’t let up, dealing out all the loose-talking and lap-steel twangin’ one could handle. Heavy hitters like Willie Nelson, Townes Van Zandt, Kenny Rogers, Dolly Parton and J.J. Cale shared barstools with the lesser-known voices of Bill Wilson, Donnie Fritts and Thomas Jefferson Kaye.

With Country Funk Volume III 1975-1982 (lita 194) we’re here to say there’s more funk left in the trunk yet. This time around, the jeans are tighter, the hair is bigger and the disco ball spins along to a country-synth beat. Produced and compiled by Jason Morgan (Bay Area DJ/collector) and Patrick McCarthy (co-producer/compiler of Volume I & II), the tracklist features regulars Dolly Parton, J.J. Cale, Larry Jon Wilson and Tony Joe White (whose track is released here for the first time) alongside new faces like Steven Soles, Gary & Sandy, Conway Twitty, Travis Wammack, Billy Swan, Rob Galbraith, Brian Hyland, and so many more. As the 1970s began to wane and the 1980s approached, the Country Funk pallet expanded to include disco beats, heavy Moog synth bass lines and more clavinet than you could shake a stick at. Volume III shows artists continuing to buck traditional country tropes and production while embracing modern soul, disco, and coked-up 80s synth-pop. This is the true soundtrack of the Urban Cowboy. Saddle up, partners.

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The Original Sound Of Mali 2

LP | 2025 | UK | Original (Mr Bongo)

The LHI Years: Singles, Nudes & Backsides (196871)

Release: 2025 / UK – Original

Genre: Organic Grooves, Rock & Indie

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The liberation of Mali from French rule in 1960 led to an explosive musical renaissance, and on this latest 2xLP compilation, Mr Bongo seek to remonstrate the nation's excellence in the face of much strife. After 1970, amid revived drives to document many national and regional music productions from the West African nation, Malian culture underwent a fertile transformation, with state-sponsored bands and orchestras able to record with sound engineers for the first time. Compiled by French writer and journalist Florent Mazzoleni and Mr Bongo's own David Buttle, we hear here the likes of Ousmane Kouyate & Ambassadeurs Internationaux, Rail Band, Les Messagers du Mali, Mystere Jazz de Tombouctou and many more, where bright, fuzz-packed tones whirl about our ears in serene squalls of balafon-driven funk, rumba, wassoulou, jeli and blues.

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Lee Hazlewood

2LP | 2012 | US | Reissue (Light In The Attic)

43,99 €*

Rainy Day Beer Colored Vinyl Edition

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Cuts from essential albums like Cowboy In Sweden Features duets with Suzi Jane Hokom, AnnMargret and Nina Lizell Audio remastered from original tapes Unreleased song “I Just Learned To Run” Indepth liner notes & unseen photographs As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee Hazlewood’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

With his handlebar moustache and booming baritone, Lee Hazlewood was one of the defining stars of the late ‘60s. Though he’s perhaps best known for his work with Nancy Sinatra (including writing megahit “These Boots Are Made For Walking”), Hazlewood did stunning work away from that particular glamour queen and found latter day champions in Beck, Sonic Youth, and Jarvis Cocker. Now, for Record Store Day 2012, we are kicking off our excavation of the Lee Hazlewood archives with this anthology, Singles, Nudes & Backsides, collecting the best of Lee’s solo songs and duets from his LHI (Lee Hazlewood Industries) imprint.

As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

See the sleeve: surrounded by nude girls, each wearing a fake moustache, Hazlewood wears a suit, eversoslightly awkwardly playing the role of the ‘60s playboy. Just like the picture, the songs present a man conflicted; he’s the tenderhearted romantic, the brokenhearted loser and the rugged cowboy, all in one. It’s there in the western swing of “Califia (Stone Rider)”, the loneliness of ”The Bed” and the bleak beauty of ”If It’s Monday Morning.” Hazlewood’s tremulous voice was made for duets (indeed, he wrote ”Some Velvet Morning”, one of the greatest of all time); here, Suzi Jane Hokom, AnnMargret and Nina Lizell play counterpart to his manly tones.

In the wonderful liner notes, written by British journalist Wyndham Wallace, the writer describes his friend Hazlewood as “a curmudgeonly, unpredictable sort at the best of times, as impatient with his own talent as he is with other people.” The Hazlewood Wallace knew was puzzled by the growing interest in him in the last two decades of his life, which was ended by cancer at age 78. That late flurry of interest saw him perform at the Royal Festival Hall in 1999, his first ever solo performance in the UK.

A natural wanderer, Lee lived a big life, fighting in the Korean War, working as a radio DJ in Phoenix, Arizona, setting up Viv Records in the ‘50s, working as a bigshot LA producer in the ‘60s, signing Phil Spector to his Trey Records label and prematurely announcing retirement in the wake of the mid‘60s British invasion. He didn’t: Nancy Sinatra came along, the hits started flowing and he continued producing characterful solo albums into the ‘70s, which saw his move to Sweden. By 2007, Hazlewood was living in Vegas, and begrudgingly enjoying that flurry of latterday interest in his work. This landmark compilation promises to create many more converts.

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Rainy Day

LP | 1984 | EU | Reissue (Klimt)

Dancing At The Edge Of The World

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Rainy Day was an album released in 1984 on the now-defunct indie label Enigma. It consisted of cover songs performed by various musicians from California's so-called "Paisley Underground" scene. This loose collective was assembled by David Roback, who was then a member of Rain Parade and later of Opal and Mazzy Star. Other participants included Roback's Rain Parade mates (brother Stephen Roback, Matthew Piucci, Will Glenn) and members of the then-little-known Bangles (Susanna Hoffs and Vicki Peterson), the Dream Syndicate (Kendra Smith, Dennis Duck, Karl Precoda), and the Three O'Clock (Michael Quercio). The songs that were chosen indicated the influences that were generally shared by bands from that scene; not only is a Velvet Underground song covered, but also one by Big Star, and two by the Buffalo Springfield which both happen to be Neil Young compositions. Some other selections are old folk songs which are best remembered as Byrds and Beach Boys recordings. Hendrix and the Who also made the list.

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Brooke Combe

LP | 2025 | Original (Modern Sky)

31,99 €*

Release: 2025 / Original

Genre: Rock & Indie

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Hillbillies In Hell: The Bards Of Prey Red Vinyl Edition

LP | US (Iron Mountain Analogue Research)

18,49 €* 36,99 € -50%

Release: US

Genre: Rock & Indie

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Keep Walkin': Singles, Demos & Rarities 1965-1978 Black Vinyl Edition

Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

23,99 €* 43,99 € -45%

Release: 2023 / US – Original

Genre: Rock & Indie

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Tokyo Bliss - Japanese Funk, Boggie And City Pop From King Records 1974-1988

LP | 2025 | EU | Original (Wewantsounds)

LP | 2024 | US | Original (Palilalia)

Release: 2025 / EU – Original

Genre: Rock & Indie

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Following the success of the "Tokyo Glow" and "Funk Tide" sets, Wewantsounds once again teams up with Tokyo-based DJ Notoya for a breezy selection of Funk and Boogie recorded in Japan for King Records in the 70s and 80s. Most tracks here are making their debut on vinyl outside of Japan and the album, like its predecessors, has been designed by Optigram"s Manuel Sepulveda and is annotated by DJ Notoya. The audio has been newly mastered in Tokyo by King Records and remastered for vinyl by Colorsound in Paris.

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Bill Orcutt

How To Rescue Things

What's My Name (1967-1970)

Release: 2024 / US – Original

Genre: Rock & Indie

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"Charlie Parker's first album with a string section landed in 1950, ten years after his debut recordings. Although the overtly lush arrangements of Charlie Parker with Strings were Parker's idea, the record must've been something of a relief to producer Norman Granz, especially when the sides went on to become Bird's best-seller, by a long shot. The record (and its follow-up) sparked something of a jazz-strings virus, infecting Nina Simone, Paul Desmond, Clifford Brown, and (later) Miles and Trane. And while the latter entries in that list were clearly bending their arrangements into space-age forms (and the arrangers—Gil Evans, Eric Dolphy—were becoming much hipper), these ubiquitous strings albums established a jazz cliché of sorts. They were a shot for the charts at worst, an attempted reinvigoration of tired easy-listening ear candy at best. How to Rescue Things, landing 15 years into Bill Orcutt's 'rediscovery' years, marks a somewhat tardy entry into the string- sweetening sweepstakes. In a post-chart, post-irony world, no one is going to mistake this as a bid for mainstream ears—nor are too many pop-gobblers going to paste this into their 'Chillax' playlist. With loops of dulcet, birdsong choruses, syrupy strings, and plucked harps clipped from an RCA easy-listening disc, the zombie strings conjure not red leather couches, cotton slankets, and yuzu martinis, but rather a clockwork mortuary, an undead Who-ville and a cigarette butt drowned in bottom-shelf scotch. In contrast to Orcutt's previous reanimation of yesterday's hit parade, How to Rescue Things instead takes as its foundation the oily underbelly of the American songbook, the relentless gears that churn melody into newly consumable and marketable forms—simultaneously ersatz, soothing, and funereal. It's easy to use saccharine, easy-listening settings to deconstruct the romanticism of the past. Yet How to Rescue Things is not an ironic record. True to its title, the transparently corny strings serve not as a meditation on cultural vacuity, but as an attempt to rehabilitate the clichés of the past, 'rescuing' them as improvisational grist for new melodic content. They serve as a harmonic substrate for some of Orcutt's most complex playing, and free him to explore the solo-as-such without the need to imply an underlying tune (unlike Orcutt's previous acoustic explorations of nostalgic song). Orcutt's razor-sharp Fender slices through the satiny settings in angular and unexpected ways, particularly in the final tracks 'Requiem in Dust' and 'The Wild Psalms,' where his double picking swerves into almost Sharrock-ian territory. But ultimately, true to the Parker records that started this whole trope in the first place, Orcutt sticks to a complex yet tonal path throughout, imbuing tracks like 'Not Reconciled' (with its crooned 'Oh my god' and a cheeky 'amen' tacked to the end) with wide-eyed romantic optimism that goes down strange in a deathbed ballad. But ultimately, it's not strange at all. Rather, this palliative track celebrates a necessary, death-defying joy in the face of darkness—whether genuine or performative is unimportant. And what's more genuinely American than whistling past the graveyard? Just ask Judy Garland."—Tom Carter

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Henson Cargill

LP | 2023 | Original (Iron Mountain Analogue Research)

9,99 €*

The Slam! Years (1983-1988)

Release: 2023 / Original

Genre: Rock & Indie

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* Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes! * Full dynamic range 2023 remasters direct from the first-generation analogue master tapes! * Limited Edition 500 LPs – 250 ‘Plastic People’ Red LPs! / 250 ‘Gnashville Nihilist’ Black LPs! (randomly inserted) From the people who brought you 'Hillbillies In Hell'... Stellar songs, heartfelt performances, the finest Nashville players and the greatest set of tonsils to ever wrap themselves around Activist Country-Pop... Here are the almost forgotten masterpieces of Henson Cargill, sourced directly from the Monument Records vault and presented together for the first time on LP. Hear Henson's smooth baritone lambast apathy ('None of My Business'), chide neglectful parenting ('Skip A Rope'), ponder the byzantine tableaux of love ('Four Shades of Love'), dismiss the space race and dissect de-evolution ('Going Backwards') and name-check both Adolph Eichmann and Cecil B. DeMille in one very lysergic song ('What's my Name?'). Across 1967-1970, Cargill pioneered a unique and radical New Nashville Sound. Swinging, dobro-led shuffles with controversial, cosmic/striking themes and insightful lyrics. Dystopian and defiant anti-war laments. Tender and timeless brooding ballads of regret. Wise, worldly and weary. 16 prime cuts of Psyche-Gnashville brilliance. Witness the Hillbilly Zen of 'Row Row Row', the Apocalyptic revelations of 'This Generation Shall Not Pass' and the acerbic disestablishmentarianism of 'Reprints (Plastic People)'. Nashville 1967, something was in the water and Henson Cargill drank his fill.

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Hamid El Shaeri

LP | 2022 | EU | Original (Habibi Funk)

LP | 1963 | EU | Reissue (Sony Legacy)

Release: 2022 / EU – Original

Genre: Rock & Indie

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If you were to ask for a defining Habibi Funk track, there are a few that come to mind: from Fadoul’s “Sid Redad,” Dalton’s “Soul Brother” to Ahmed Malek’s “Omar Gatlato.” However, none are as widely connected with us at this point as Hamid Al Shaeri’s “Ayonha.” We heard the track for the first time when we were working on selecting tracks for your first compilation and we instantly loved it. We obviously had heard of Hamid El Shaeri’s music before, but only material from his Al Jeel phase when he was already the full-blown superstar he is now. Listening to his releases from the early 1980’s opened a whole new door for us. At the time, Hamid had just left Libya to pursue his career in Egypt via a detour in London, where he recorded his first album.

Hamid’s distinct sound of the sound is quintessentially reliant on heavy synths and so it was particularly important to purchase these synths in a timely manner. “Whenever a new one [synthesizer] would come out, we would have to buy it immediately, otherwise someone else would get their hands on that sound.” London also played an important role for Hamid as a musical epicenter. He fondly reminisces about the many live shows he attended there, including some of the biggest international musicians like Freddie Mercury and Michael Jackson.

After returning to Cairo where he also recorded his following albums, he connected with Slam! for the release of his debut, laying the foundation of a collaboration that lasted for 5 albums.

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Bob Dylan

Freewheelin Bob Dylan

LP | 2017 | EU | Original (Rykodisc)

Release: 1963 / EU – Reissue

Genre: Rock & Indie

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Vinyl LP pressing including digital download. The Freewheelin' Bob Dylan is the second studio album by legendary singer/songwriter Bob Dylan. Whereas his self-titled debut album Bob Dylan had contained only two original songs, Freewheelin' represented the beginning of Dylan's writing contemporary words to traditional melodies. Eleven of the thirteen songs on the album are Dylan's original compositions. The album opens with "Blowin' in the Wind", which became an anthem of the 1960s, and an international hit for folk trio Peter, Paul & Mary soon after the release of Freewheelin'. The album featured several other songs which came to be regarded as among Dylan's best compositions and classics of the 1960s folk scene: "Girl from the North Country", "Masters of War", "A Hard Rain's a-Gonna Fall" and "Don't Think Twice, It's All Right".

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Gillian Welch

The Harrow & The Harvest

31,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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2LP | 2015 | US | Original (Mercury)

Chris Stapleton

Traveller

36,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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Traveller is the highly anticipated Mercury Records Nashville solo debut album from rising superstar Chris Stapleton. Already a world-renowned songwriter, Stapleton has enjoyed five #1 hits including the five-week No. 1 "Never Wanted Nothing More" recorded by Kenny Chesney, George Strait's "Love's Gonna Make it Alright" and Luke Bryan's "Drink A Beer." Recorded at Nashville's historic RCA Studio A (with additional production at The Castle and Blackbird Studio), Traveller was produced by Dave Cobb (Sturgill Simpson, Jason Isbell) and recorded by Vance Powell (Jack White). In addition to renditions of Dean Dillon and Linda Hargrove's "Tennessee Whiskey" and Don Sampson's "Was It 26," the album features twelve original songs, including fan-favorite "Sometimes I Cry."

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Taiji No Yume Clear Vinyl Edtion

LP | 1977 | JP | Reissue (P-Vine)

12" | 2025 | EU | Original (Music Takes Me Up)

Release: 1977 / JP – Reissue

Genre: Rock & Indie

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Continuing from her debut album, Yuji Ohno once again joins as arranger, further enriching the musical depth of Sai’s surreal and eerie world, reminiscent of Kyusaku Yumeno’s literary strangeness. As suggested by the title Taiji (Fetus), this album delves even deeper into an introspective spiritual journey. At just 24 years old, Yoshiko Sai stood as a poet, painter, and singer—an artist in a league of her own. The album’s artwork is a masterpiece, and the reissue features a nearly transparent clear vinyl, evoking the ethereal world of the unborn.

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Fatima

Douz Douz

LP | 2025 | US | Original (Sony Int'l Network)

Release: 2025 / EU – Original

Genre: Organic Grooves, Rock & Indie

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First time re-issue of this Arabic language gem from 1984. Fronted by Moroccan singer Fatima Makdadi and recorded in Paris, Douz Douz featured on the B Side on a now very hard to find 7". Now pressed loud on a 45rpm 12” with an extended version on the flip.

"Half a decade after Zohra’s spellbinding Badala Zamana launched the label, Mtmu returns with an equally obscure and catchy piece of Arab funk by Fatima. "

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Maruja

Tir Na Nog

LP | 1965 | US | Reissue (Antarctica Starts Here)

Release: 2025 / US – Original

Genre: Rock & Indie

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"Tir na ng" is a fully improvised piece recorded live on 12th September 2024 at the New Adelphi Recording Studios in Salford University. Manchester based four-piece combining the working-class footings of jazz and punk, whilst splicing in aggressions of post-punk and hardcore. Debut EP 'Knocknarea' ended last year as the number 1 rated EP on RateYourMusic. Selected by Anthony Fantano amongst his top 3 EPs in 2023.

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Jackson C. Frank

LP | 1972 | DE | Reissue (Universal)

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Jackson C. Frank’s eponymous album is the embodiment of folk legend. Issued in late 1965 on the UK Columbia label, it was for many years more famous for its producer (Paul Simon) and the musicians who would go on to cover its songs (Nick Drake, Bert Jansch, Sandy Denny) than for the hauntingly beautiful music contained inside.

Frank’s backstory certainly adds to the legacy: born in Buffalo, New York, he used the settlement from a childhood accident to sail to London where he quickly became a fixture of the bustling folk scene. Performing a mix of blues standards and originals, he met fellow ex-pat Paul Simon who would put up the money to record Frank’s only LP.

For such a sparsely recorded work, Jackson C. Frank covers a lot of ground. From the rugged, world-weary opener “Blues Run The Game” to the stunning melancholy of “Milk And Honey,” Frank’s nimble acoustic guitar and passionate howls are all that is needed to power such authentic songwriting. Captured in a single-day session, these ten tracks are stark, gritty and seemingly out-of-place with time. There may be no ‘60s folk record that is simultaneously as rare and influential as Jackson C. Frank’s self-titled debut.

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Nick Drake

Pink Moon

Release: 1972 / DE – Reissue

Genre: Rock & Indie

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Low Sun / Los Chicos Tristes (El Michels Affair Remix)

Hermanos Gutiérrez

7" | 2024 | US | Original (Easy Eye Sounds)

Release: 2024 / US – Original

Genre: Rock & Indie

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Parallelograms Blue Vinyl Edition

Linda Perhacs

LP | 1970 | EU | Reissue (Elemental)

LP | 2025 | US | Original (Stones Throw)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Limited blue colored vinyl LP pressing. Released by the Kapp label in 1970, Parallelograms was the first album by American psychedelic folk singer Linda Perhacs. Disappointed by the meagre promotion of the LP by Kapp, she retired from the music world and continued working in her profession as a dental hygienist. Perhacs wouldn't record again until 2014, when she presented The Soul of All Natural Things. Despite all of these things, Parallelograms slowly developed a cult following and is now highly acclaimed by music lovers and critics.

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Eddie Chacon

Lay Low Blue Smoke

LP | 2025 | EU | Original (Wewantsounds)

Release: 2025 / US – Original

Genre: Rock & Indie

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"Low-key R&B legend" Eddie Chacon returns with Lay Low, out January 31st. Having collaborated with John Carroll Kirby on his last two albums, Eddie Chacon teamed up with Nick Hakim to produce this new collection of songs of loving and letting go.

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Al-Qasar

Uncovered

21,99 €*

Muschelsammlung 2025 Repress

Release: 2025 / EU – Original

Genre: Rock & Indie

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Wewantsounds is delighted to announce the release of Al-Qasar"s new album, "Uncovered", is a side-project from the group featuring covers from the Western and Arabic repertoires, as well as new originals composed by the group. The album was recorded in Europe and Africa and features guest appearances by Alsarah, Mamani Keita, Cheick Tidiane Seck and Sami Galbi. The group, who has recently come out of a US tour will give more concerts in 2025 to support the album and spread further their Arab-futurist psych rock sound.

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Brannten Schnüre

LP | 2017 | EU | Reissue (Milder Wahn)

Release: 2017 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Preorder shipping from 2025-03-21

LP | 1977 | JP | Reissue (P-Vine)

Mikkou Blue Vinyl Edtion

Strange Trails 10th Anniversary Edition

Release: 1977 / JP – Reissue

Genre: Rock & Indie

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Preorder shipping from 2025-07-18

Centered around the theme of stowaways, this masterpiece album unfolds Yoshiko Sai’s mesmerizing fantasy world, rich with the exotic atmosphere of the Silk Road. A realm only a woman could depict, this sonic journey gently leads the listener into an introspective trance. The deep blue of the Silk Road, wandering through the restless nights of the mind, is beautifully reflected in the vinyl color.

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Lord Huron

LP | 2015 | US | Reissue (Imperial Distribution)

43,99 €*

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2025-04-11

Habibi Funk: An Eclectic Selection Part 2

2LP | 2021 | EU | Original (Habibi Funk)

32,99 €*

LP | 2021 | EU | Original (Habibi Funk)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Second compilation by Habibi Funk, following the success of the first part, featuring a wide range of music from North Africa and the Middle East.

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Roger Fakhr

Fine Anyway

Khaled Barkat, Cheb Tati & Asif

Release: 2021 / EU – Original

Genre: Rock & Indie

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"Beautiful melange of folk, jazz and sound from Lebanon. Recorded in late 1970s Beirut by Rogér Fakhr who at the time also played guitar for Ziad Rahbani and Fairouz.“

Rogér Fakhr is a musician from Lebanon. He recorded these songs in the late 1970s in Beirut (and some during a brief exile in Paris). Some were circulated on hand copied cassettes among friends, others like "Had To Come Back Wet" were never released. His music effortlessly combines folk with touches of jazz and soul. He wrote, composed and arranged all songs. While working on his own music he also played for Ziad Rahbani, Fairouz and other musicians.

When we first heard Roger's music we were blown away! The music was a mixture of folk with touches of other genres. Maybe one could also refer to it as “singer-songwriter”, since all of the songs were Roger’s own compositions. Songs of unique beauty both musically as well as lyrically. At the same time they gave me the feeling of them being somehow time and space isolated capsules. Nothing really revealed, where they could’ve been recorded and without knowing it was Beirut, my first guess maybe would have rather been California, sometime in the 1970s. The immersive effect of his compositions and voice are just incredible. I was stunned and proposed Roger to work on a re-release, which he politely declined, saying he had no interest in this music being reissued.

The vinyl version comes with a 8 page booklet and a DL code.

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Maghreb K7 Club - Disco Singles Volume 3

12" | 2024 | EU | Original (Sofa / Les Disques Bongo Joe)

18,99 €*

Gillian Welch & David Rawlings

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Here's the third installment of Sofa Records' Disco Single series! Featuring four standout tracks from Algeria's 1980s music scene, this collection showcases the cultural diversity and creativity of the country. Listen here. Galouli Enshara (a1) and Zourini (b1) are two captivating pop-boogie-funk tracks by Khaled Barkat, a self-taught multi-instrumentalist from Algiers. Produced by Khaled himself in 1983, and recorded at the esteemed brothers Torki’s studio in Algiers along with his friends—and talented musicians —Yazid Fentazi, Redouane Ayoub, Mustapha Mekerkeband Mhenni Benlala. The album, if he had a certain success (Khaled Barkat is considered as a pop music iconin his country)was somewhat overshadowed by the popularity of other genres in Algeria, such as raï music. We're thrilled to put if for the first time on vinyl! And spread this music to a wider audience. Dub El Hammam (a2) is by raï vocalist Cheb Tati, hailing from Oran. In the 1980s, as raï gained recognition in the global music industry, Tati was brought to London in 1989 to record an album with reggae/dub producer Denis Bovell. Among other tracks, this heavy, top-notch 1980s digital dub track resulted from their collaboration. Last but not least, the final track on the single is sourced from the only known recording of Asif, a Kabyle band from Lille formed by three brothers. The band was created in the late 1970s, and the selected track, Tafsut (b2), was recorded in 1985. A beautiful pop-boogie tune that we considered a marvelous conclusion to this single. This record was made in collaboration with Les Disques Bongo Joe. All tracks are fully licensed.

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Woodland

LP | 2024 | EU | Original (ADA)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Acony Records is proud to present Woodland, the new album by the preeminent songwriting team Gillian Welch & David Rawlings. Following up their homespun GRAMMY-winning release All The Good Times, this ambitious 10 song album mingles full band tracks with intricate duet performances all tied together with the duo's signature sound and remarkable lyricism. Woodland was recorded in Nashville, Tennessee at Welch and Rawlings' own Woodland Sound Studio (newly rebuilt after the 2020 tornado) and cements the duo's iconoclastic position at the forefront of acoustic music.

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Reputation Record Store Day 2025 Pink Vinyl Edition

Dusty Springfield

LP | 2025 | WW | Original (Warner)

Release: 2025 / WW – Original

Genre: Rock & Indie

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Coming Soon 2025-04-12, 10:00 CEST

LP | 2019 | EU | Original (Glitterbeat)

Altin Gün

Gece

Francoise Hardy Gatefold Sleeve Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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Nominated for a Grammy!

Following their hotly tipped 2018 debut album “On” – Altın Gün returns with an exhilarating second album. “Gece” firmly establishes the band as essential interpreters of the Anatolian rock and folk legacy and as a leading voice in the emergent global psych-rock scene. Explosive, funky and transcendent.

The world is rarely what it seems. A quick glance doesn’t always reveal the full truth. To find that, you need to burrow deeper. Listen to Altın Gün, for example: they sound utterly Turkish, but only one of the Netherlands based band’s six members was actually born there. And while their new album, Gece, is absolutely electric, filled with funk-like grooves and explosive psychedelic textures, what they play – by their own estimation – is folk music.

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Francoise Hardy

LP | 2017 | EU | Original (Dol)

15,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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Derya Yıldırım & Grup Şimşek

Nem Kaldi

12" | 2017 | CH | Original (Bongo Joe / Catapulte)

LP | 1965 | EU | Reissue (Legacy)

Release: 2017 / CH – Original

Genre: Rock & Indie

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The debut-EP of this Anatolian psych-pop sensation consists of four heart-melting gems in which Turkish folk music meets groove and electric action! Singer/multi-instrumentist Derya Yildirim teams up with fantastic drummer Greta Eacott (G-Bop Orchestra, One-Take Records) and three-quarters of Orchestre Du Montplaisant (Antonin Voyant, Graham Mushnik and Andrea Piro). With members originating from Turkey, Germany, France, Italy and Great Britain, Grup Simsek encapsulates the Outernational generation. Unlike in western pop culture, Turkish pop music is often focused on traditionalised songs and endless ways of reimagining these. Grup Simsek take the righteous and rich Turkish poetry to the future whilst not losing awareness of the past.

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Bob Dylan

Highway 61 Revisited

LP | 1999 | EU | Reissue (Domino)

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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180 gram pressing!

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Bonnie Prince Billy

I see a darkness

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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7" | 2024 | EU | Original (Les Rythmes Ruban)

Blundetto

La Playa

12,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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"La Playa" is a folk single infused with very acoustic sounds produced by Blundetto. It's a cover of originally sung by Marie Laforêt in 1970. It features the French singer Juliette Magnevasoa, a voice of rare singularity. Together, they have crafted the perfect blend for a moment of softness, melancholic and soothing, already resonating as a classic gem.

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LP | 1975 | EU | Reissue (Wewantsounds)

Mangekyou

The Whole Love (Expanded) Record Store Day 2024 Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Wewantsounds is delighted to announce the release of one of Japan"s most coveted albums of the 70s, "Mangekyou" by singer-songwriter Yoshiko Sai. Produced in 1975 by Master musician Yuji Ohno, the album features Yoshiko Sai"s superbly crafted songs and crystal clear voice over Ohno"s lush, funky sound and breezy arrangements. A strong buzz has been growing around the album over the years and original copies now change hands for large sums of money. This is the first time "Mangekyou" is available outside of Japan, featuring remastered audio, original artwork and a 4 page insert including new liner notes by Paul Bowler.

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Wilco

3LP | 2011 | EU | Reissue (Sony Music Catalog)

70,29 €* 73,99 € -5%

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Quantity: 4500
Release type: RSD Exclusive Release

Wilco’s legendary 2011 album now on three LP’s. Expanded to include all related single, EP and bonus tracks - plus A selection from The Loft's archive of live in-studio performances and previously unreleased alternate mixes and demos. Includes Wilco classics "Art of Almost", "Dawned on Me”, "Sunloathe” . 3LP Box

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2LP | 2023 | EU (Nukleuz Blue)

Istanbul 70 Volume I-VI

53,99 €*

LP | 2023 | EU | Original (Habibi Funk)

Release: 2023 / EU

Genre: Rock & Indie

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Quantity: 950
Release type: 'RSD First' Release

The original 2011 release is one of the first projects that globally focused on the golden era of Turkish popular music of the 1970s. Back then, both originals and a selection of remixes were released and created serious hype in collector scenes with rare (300 copies each) 7"s that have never been pressed again. Meanwhile, the Turkish psychedelic-folk-disco style got more popular and some collectors discovered it via this series.

Now at its 10th anniversary Nublu Records is compiling these 12 remixes under a special edition double-LP pressed on 180g purple vinyl.

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Ahmed Ben Ali

Subhana

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Mangekyou Red Vinyl Edtion

LP | 1976 | JP | Reissue (P-Vine)

Grace & The Hodge Podge Bowers

Release: 1976 / JP – Reissue

Genre: Rock & Indie

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Yoshiko Sai’s 1975 debut album was a groundbreaking work, showcasing her deeply aesthetic and fantastical musical world. Blending traditional Japanese folk elements with an ethereal, dreamlike atmosphere, this masterpiece transports listeners into a mystical realm. The album’s hauntingly beautiful melodies are further elevated by Yuji Ohno’s masterful arrangements. A deep crimson red suits this mesmerizing classic perfectly.

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Wine On Venus

LP | 2025 | US | Original (Grace Bowers Music)

LP | 2025 | EU | Original (Basin Rock)

Release: 2025 / US – Original

Genre: Rock & Indie

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Wine On Venus Grace Bowers & The Hodge Podge / Wine on Venus, her debut, finds her part of a crack band-which includes Josh Blaylock on keyboards, Brandon Combs on drums, Eric Fortaleza on bass, and Prince Parker on rhythm guitar, plus Esther Okai-Tetteh on lead vocals-and produced by John Osborne of the Osborne Brothers.

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Jim Ghedi

Wasteland

American IV: The Man Comes Around

Release: 2025 / EU – Original

Genre: Rock & Indie

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3rd album from Sheffield folk artist blending traditional songs and original compositions.What Ghedi has done on this record is create a remarkable space where deeply intimate and personal feelings coexist with reflections on environment, place and society, while also interweaving historical context via traditional songs. Wastelandis as much of a world to explore and exist in as much as it is an album, with Ghedi carving out his distinctly unique sonic language and voice to explore that singular environment.

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Johnny Cash

2LP | 2002 | EU | Reissue (Universal)

38,99 €*

LP | 1995 | EU | Reissue (Wewantsounds)

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Reissue of this classic produced by Rick Rubin on 180 gram vinyl

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Fairuz

Kifak Inta

7" | 1973 | EU | Reissue (Arsivplak)

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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Wewantsounds is delighted to reissue Fairuz"s classic album "Kifak Inta" produced by her son Ziad Rahbani in the late 80"s and only released on cassette and CD in 1991. Composed and arranged by Rahbani, who had already produced "Wahdon" (1979) and "Maarifti Feek" (1987), "Kifak Inta" features his usual blend of Jazz, funk and Arabic music, spiced up with Brazilian influences serving Fairuz"s beautiful voice. The album successfully pursue the path that made "Wahdon" and "Maarifti Feek" such in-demand albums, modernising the sound of the Lebanese Diva with contemporary arrangements. It is the first time "Kifak Inta" is released on vinyl, retaining the original cassette artwork. The album - curated by Mario Choueiry from Institut du Monde Arabe (Paris), who also wrote the liner notes (Fr/En) - has been newly remastered by Colorsound Studio in Paris.

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Figen Han

Pisi Pisi / Haydi Bastir

26,99 €*

LP | 2008 | EU | Reissue (XL)

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Incredibly cool & rare Turkish 45 from 1973 with super-groovy, psychedelic, jazzy, hot sounds reminding both Rita or Cal Tjader. Not to mention the cover artwork! You will Never find this original in more than VG+, no care what you’re willing to pay. Get this super reissue now and get your party on fire!!! Licensed 1000 copies press.

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Adele

Release: 2008 / EU – Reissue

Genre: Rock & Indie, Pop

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Bon Iver 10th Anniversary Edition

Bon Iver

2LP | 2011 | UK | Reissue (4AD)

37,99 €*

Release: 2011 / UK – Reissue

Genre: Rock & Indie

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LP | 2021 | EU | Original (Not Now)

Ink Spots

Best Of

18,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Imaginary Appalachia Red Vinyl Edition

Colter Wall

LP | 2024 | Original (RCA)

LP | 2025 | EU | Original (Big Lake Music)

Release: 2024 / Original

Genre: Rock & Indie

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RCA Records - Imaginary Appalachia - Colter Wall - Red Vinyl Reissue of Imaginary Appalachia.

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Gizmo Varillas

El Dorado

23,99 €*

Release: 2025 / EU – Original

Genre: Rock & Indie

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None Of Us Are Getting Out Of This Life Alive Gold Vinyl Edition Ltd Edt

The Streets

LP | 2020 | Original (Universal)

22,99 €*

Release: 2020 / Original

Genre: Rock & Indie

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Lookaftering - Expanded Edition

Vashti Bunyan

2LP | 2025 | UK | Original (FatCat)

32,99 €*

Daniel Ögren Of Dina Ögon

Release: 2025 / UK – Original

Genre: Rock & Indie

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Tracklist 2LP:A-Seite01. Lately02. Here Before03. Wayward04. Hidden05. Against The Sky06. Turning BacksB-Seite01. If I Were02. Same But Different03. Brother04. Feet Of Clay05. Wayward HumC-Seite01. Lately (Live, The Echo, Los Angeles, 2006)02. Here Before (Demo, 2005)03. Wayward (Alternative take, 2005)04. Hidden (Demo, 2002)05.Against The Sky (Demo, 2004)D-Seite01. Turning Backs (Demo, 2003)02. If I Were (Demo, 2001)03. Same But Different (Demo, 2005)04. Brother (Demo, 2002)05. Feet Of Clay (Demo, 2002)

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Pine

2LP | 2025 | EU | Original (Playground)

7" | 2024 | EU | Original (Habibi Funk)

Release: 2025 / EU – Original

Genre: Organic Grooves, Rock & Indie

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One of Sweden's currently most celebrated musicians, Daniel Ögren, releases his album "Pine" on February 12th. Thanks to his solid musical background, he has established himself as one of the country's most influential and versatile creators, both as an artist, multi-instrumentalist and producer for some of Sweden's biggest names. He is one of the members of the two-time Swedish Grammy-award-winning band Dina Ögon, who have made a significant mark in the past few years. Recently, Ögren also released the four-track EP "Daniel Ögren med vänner tolkar Allan Edwall" consisting of interpretations of cultural icon Allan Edwall's musical treasure. Additionally, Ögren produced Broder John's new album "Följ inte mig" Beyond his fundamental role in Dina Ögon, Daniel has also collaborated musically with well-known artists such as Sven Wunder, Eva Dahlgren, Amason, Daniel Johnston, Anna von Hausswolff, Fatouma Diawara, The Greys and Anna Järvinen. As a member of Dina Ögon, Daniel has shaped one of the most celebrated and innovative bands in modern Swedish music.

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Cheb Bakr

Samh Almea'Ad

15,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Habibi Funk is excited to announce the release of Samh Almea'ad, a new 7" record by Libyan artist Cheb Bakr, hitting the shelves on December 6, 2024. Recorded in the early 2000s, Bakr’s music fuses the pulse of Libyan pop with R&B and hip-hop influences, bringing the energy of Benghazi to the dance floors of New York in the early 2000s. Cheb Bakr’s sound is a unique blend of styles that captures the essence of two worlds and includes production and vocals by Ahmed Ben Ali.

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10" | 2024 | UK | Original (Decca)

Salif Keita

Remixed

Release: 2024 / UK – Original

Genre: Rock & Indie

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Moment Of Truth (Rootbeer Color Vinyl)

Red Clay Strays

LP | 2024 | WW | Original (Hbyco Rec.)

26,99 €*

Release: 2024 / WW – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Guruguru Brain)

Maya Ongaku

Electronic Phantoms

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Start Walkin' 1965-1976 Tape Edition

Nancy Sinatra

Tape | 2020 | US | Reissue (Light In The Attic)

11,99 €*

Release: 2020 / US – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Wagram)

Italian Rare Groove

Release: 2024 / EU – Original

Genre: Rock & Indie

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Explore the fusion of world music with soul, funk and disco through the Rare Groove Collection. With this new volume 100% italian, discover rare gems from soundtracks of erotic and detective movies as well as more confidential music libraries.With Ennio Morricone, Goblin, Piero Piccioni, Guido e Maurizio De Angelis, Armando Trovajoli, Alessandro Alessandri, Toto Cutugno...

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2LP | 2024 | EU | Original (Efficient Space)

Someone Like Me

26,99 €*

Cowboy In Sweden Deluxe Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.

Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.

Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.

Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.

Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.

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Lee Hazlewood

2LP | 2016 | US | Reissue (Light In The Attic)

43,99 €*

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Newly Expanded Deluxe Double LP Edition! Double LP expanded edition includes outtakes, demos and instrumentals, including 10 previously unreleased recordings 26 total tracks Album remastered from pristine LHI master tapes by GRAMMY®nominated mastering engineer John Baldwin Liner notes by GRAMMY®nominated reissue producer Hunter Lea including interviews with Torbjörn Axelman, Suzi Jane Hokom, Nina Lizell, Don Randi, Hal Blaine and Shel Talmy Rare film production photos from the Torbjörn Axelman archive Double LP housed in a gatefold jacket By the end of the 1960s Lee Hazlewood’s LHI Records had burned piles of cash, gone through a half dozen distributors and failed to achieve the kind of chart success “Boots” had promised. Fortunately for Lee there was a land where he was still on the top of the charts, a place where women flowed like Brännvin...Sweden was calling. Released as the last LHI LP, Cowboy in Sweden was a soundtrack to the 1970 cult classic film of the same name starring Lee Hazlewood. The film was a surreal psychedelic account of Lee’s journey to his new homeland, while the soundtrack was a perfect compilation of Hazlewood’s orchestral melancholy country pop songs. Recorded over a prolific globe trotting three year period, Lee’s peak on LHI records was ironically the label’s swan song.

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Nippon Acid Folk 1970-1980

LP | 2024 | UK | Original (Time Capsule)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The birth of Japan’s nascent acid folk scene was rooted in the messy and invigorating political climate of the late 1960s. It is a story of Dadaists, communists, pharmacists and cult leaders, led by a young generation of upstart students, artists and dreamers hellbent on turning their world upside down.

Born on the campuses of Tokyo, Kyoto and Osaka, and centred around newly formed independent label and left-wing stronghold URC, this uniquely Japanese form of folk expression provided an outlet for musicians who were tired of aping Western sounds and instead found ways to sing in Japanese and integrate traditional forms in new ways.

At the forefront of this movement was Yellow Magic Orchestra’s Haroumi Hosono, a polymath innovator whose band Happy End released the first Japanese language rock album, and whose influence would go on to be felt across Japanese music for decades. Alongside, and informed by the Kansai scene’s Takashi Nishioka and Happy End collaborator Ken Narita, they experimented with cadences and accents of the Japanese language to open the door for others to experiment with their own forms of psychedelic folk too.

Some, like Nishioka, were more inspired by Dadaism than drugs, while others, like Kazuhisa Okubo, would ultimately find work as a chemist, having founded two further folk groups that flirted with varying levels of success. Obstinately uncommercial, relentlessly creative, the music featured on Time Capsule’s Nippon Acid Folk represents a broad church of influences.

Perhaps the wildest addition to this congregation however was Hiroki Tamaki, a classically-trained violinist and committed iconoclast, whose synth-prog odysseys hinted at his obsession with the divine. Subsumed by the teachings of Bhagwan Shree Rajneesh, he penned an album in praise of the infamous religious leader of which two superbly mind-bending tracks are featured on this compilation.

Charting the decade from 1970 to 1980 as the dreams of political and spiritual liberation seeded in the ‘60s turned to dust, Nippon Acid Folk surveys a little explored corner of Japanese music history, but one which ultimately laid the foundations for an independent music industry, launching the careers of Hosono and others in the process.

Nippon Acid Folk 1970-1980 is pressed on 12” vinyl and represents the start of Time Capsule’s deep dive into Japan’s rich history of folk and psychedelic soul music.

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Chou No Sumu Heya Purple Vinyl Edtion

LP | 1978 | JP | Reissue (P-Vine)

Release: 1978 / JP – Reissue

Genre: Rock & Indie

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Her first album in 30 years! After releasing Chō no Sumu Heya in 1978, Sai took a long hiatus, stating, "I won’t return until I create a song I’m satisfied with." Now, after three decades, she presents an enchanting and mesmerizing new world of sound. Supported by renowned artists such as Seiichi Yamamoto, Takeharu Hayakawa, Yasuyuki Yoshigaki, JOJO Hiroshige, and Hiroaki Katayama, with Shinji Shibayama from Nagisa Nite also participating, this album showcases a deeply refined and seductive Sai Yoshiko. The album cover features her own illustrations, and the vinyl color represents the boundless sands of Taklamakan—an endless desert landscape.

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All I've Got To Give / Hunk Of Heaven

Lemuria

7" | 2018 | JP | Reissue (P-Vine)

21,99 €*

Longing For Old Virginia 1976

Release: 2018 / JP – Reissue

Genre: Rock & Indie

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"Lemuria" is a project led by Kirk Thompson, an original member of the band Kalapana, which is iconic in the Hawaiian AOR scene. Kirk is not only a player but also as a producer, he has left behind numerous classic albums. The only album released in 1978 features high-quality sound production and songwriting filled with an island vibe, leading many artists to cover their songs. P-vine is reissuing this album's representative hits, "All I've Got To Give" and "Hunk Of Heaven," on a 7-inch vinyl for the first time in a long while.

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Johnny Cash

2LP | 2025 | EU | Original (Expensive Woodland)

Release: 2025 / EU – Original

Genre: Rock & Indie

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Johnny Cash live in 1976 – With a little help from The Carter Family.The superb 1976 recordings on this deluxe vinyl release, taken from a performance on the Jamboree USA Radio Concert series, suggest that the old faithful had it right all along and Johnny Cash, far from having lost any of the old magic, was as vibrant and potent in this era as he ever was. With a little help from members of the legendary Carter Family - not least Johnny's wife and life partner June - he storms through a set of both oldies and more recent tunes to rapturous applause from a clearly delighted audience. SIDE A:1. Help Me 2:432. Hold My Hand 3:453. Cannonball/Worried Man Blues 2:274. Ring Of Fire 2:515. Folsom Prison Blues 2:416. Pickin’ Time 2:54Total side length – 17:21SIDE B:7. Big River 2:248. There You Go 2:269. Sunday Morning Coming Down 3:5210. One Piece At A Time 4:1511. Give My Love To Rose 2:45Total side length – 15:42SIDE C:12. A Boy Named Sue 3:0813. Ragged Old Flag 3:5614. Comedy Act 5:2515. Yodel Song 1:30Total side length – 13:59SIDE D:16. Jackson 2:5317. I Still Miss Someone 2:1618. Hey Porter 1:2219. The Wreck Of The Old 97 1:4120. Casey Jones 1:1721. Orange Blossom Special 3:4122. I Walk The Line 3:18Total side length – 16:28

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1976 U.S. Tour Record Store Day 2025 Edition

Joni Mitchell

3LP | 2025 | WW | Original (Warner)

96,99 €*

Release: 2025 / WW – Original

Genre: Rock & Indie

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Coming Soon 2025-04-12, 10:00 CEST

Singapore Nuggets. The Ladies. Vol. 2

LP | 2025 | EU | Original (Akenaton)

20,99 €*

LP | 2023 | EU | Original (Glitterbeat)

Release: 2025 / EU – Original

Genre: Rock & Indie

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Second installment of this wonderful compilation of gems from the 60s and 70s Singapore music scene, focused on the amazing ladies that helped make it so vibrant. 14 gems of female fronted Pop Yeh Yeh, another eye-opening collection of amazing Singapore treasures. A new collection of female fronted Singapore recordings from the 60s and 70s, documenting one of the most vibrant music scenes during those incredible years. Be it as solo singers, backed by other bands or as band leaders, women had a huge presence on the Singapore music scene, and here's another 14 tracks to celebrate their legacy. All under the idiosyncratic Pop Yeh Yeh umbrella and each with her strong personality and musical tendencies, the music contained in this beautiful record is an absolute trip for anyone interested in 60s and early 70s music.

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Altin Gün

Ask

Derya Yildirim, Graham Mushnik

Release: 2023 / EU – Original

Genre: Rock & Indie

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The first thing that grabs you about Altin Gün"s new album is the energy. With Ask, the Amsterdam-based sextet turn away from the electronic, synth-drenched sound of their 2021 albums, Alem and Yol. While those two, created at home during the pandemic, paid homage to the electronic pop of the 80s and early 90s, Ask, marks an exuberant return to the 70s Anatolian folk-rock sound that characterised Altin Gün"s first two albums, On (2018) and Gece (2019). But there’s development here too. Ask is the closest the band have come so far to capturing the infectious energy of their live performances. "It"s definitely connecting more with a live sound - almost like a live album," says bassist Jasper Verhulst. "We, as a band, just going into a rehearsal space together and creating music together instead of demoing at home." "We didn't record it like we did the last album," agrees vocalist Merve Dasdemir. "We basically produced that one at home because of the pandemic. Now we've gone back to recording live on tape." How many more worlds do Altin Gün visit in this joyful expedition? "Rakiya Su Katamam" is glowering space rock, as though Gong had taken a stopover on the Bosphorus. "Canim Oy" is a psychedelic freak-beat stomper from a world where Istanbul's Kadiköy district was the Carnaby Street of the east. "Güzelligin On Para Etmez" is a dreamy acid-folk anthem. And the finale, "Doktor Civanim," is an irresistible slice of sci-fi disco camp with lava-lamp synth squiggles that wouldn't sound out-of-place next to Baris Manço"s "Ben Bilirim." Fresh yet timeless. Rooted in antiquity yet yearning for heavenly futures. Ask wants to take you places.

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Hey Dostum.Cak!

LP | 2023 | EU | Original (Buback)

22,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Gillian Welch & Rawlings,David

All The Good Times

LP | 2022 | EU | Reissue (ADA)

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Efficient Space)

Ghost Riders

Nancy Sinatra & Lee Hazlewood

Release: 2022 / EU – Original

Genre: Rock & Indie

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A North American road trip of coming of age garage soul mapped by Ivan Liechti, Ghost Riders is Efficient Space’s latest narrative compilation, hovering in a liminal emotional ravine between moonlight melancholy, teenage heartache and unchecked, unrealised ambition. Across 17 open hearted ballads recorded 1965-1974, the 2LP collects and connects dots between British Invasion fanatics, child prodigies, the loners and the luckless, in a kind of trans-continental survey of those swept up in rock’n’roll mania and buoyed by local newspaper ads promising fame and gold records.

From the tangerine dreams of 8th grade all-girl combo The Mod 4 to the tri-state jukebox aspiring echoes of The Tempters, The Yardleys' poetic Farfisa vamp and lilting folk pop, and The Landlords’ weepy break up b-side blues, these are mostly one shots by dreamers whose experience was brief before being checked back to the reality of suburban normality and realistic career options. Hailing from the regional backwaters of Illinois, Arkansas, Nevada, Massachusetts, Ohio, Idaho, Texas and beyond, the licensed artists were scouted by way of local fire departments, spiritualist fellowships and animal welfare centres, often barely a stones throw from where their contributions were originally laid.

A barely teenage Dennis Harte's ‘Summer’s Over’ perhaps best taps the collection’s essence. A gut-wrenching lament of the passing of the season as if it was the last on earth. Flanked by players from The Left Banke, Harte, a now-piano tuner to the stars, is from the minor segment that found longevity in showbiz. Likewise with Michigan icon Lyn Nowicki who cast her ghostly voice over Beatles cover song chameleons The Common People and Jerry McGee, The Ventures member and conduit of Dr. John’s ‘Twilight Zone’.

Ghost Riders simmers with the scent of youthful summers, the pang of schoolyard romance, and the excitement (and disenchantment) of teenage naïveté, delivered via a deceptively simple and frequently wonky garage band set up. The vision of record collector and graphic designer Ivan Liechti, these eternal psych-folk howlers are further crystallised by Colin Young’s fastidious audio restoration, the original artwork of Elise Gagnebin-de Bons and an aptly penned forward from Sonic Boom.

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Nancy & Lee Black Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Country Funk Volume 3 1975-1982 Clear Vinyl Edition

2LP | 2021 | US | Original (Light In The Attic)

17,99 €*

2LP | 2019 | EU | Original (Rough Trade)

Release: 2021 / US – Original

Genre: Rock & Indie

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Volume 3 in LITA’s acclaimed Country Funk series! Featuring Dolly Parton, J.J. Cale, Conway Twitty, Larry Jon Wilson, and Billy Swan, amongst many others Includes previously unreleased track by Tony Joe White Newly remastered audio New original artwork by renowned artist J. William Myers (artist for Robert Altman’s Nashville, Waylon Jennings and Willie Nelson’s Waylon & Willie album, and LP covers for the Charlie Daniels Band) Description: The horse still bucks, the band still funks, and well…the fire still burns.

That’s right—Country Funk is back.

In the summer of 2012, a new sound blew in from the dusty desert. It was a sound difficult to pin down, to codify; a sound that, like some wild horse, resisted one’s grasp. But this was no trend, no flash-in-the-pan movement, no shotgun marriage of styles, no ma’am. This sound went back decades, back to the latter half of the 1960s and early 1970s when adventurous artists started to blend country hoedown harmony with the elation of gospel, the sexual thrust of the blues and a touch of inner-city grit. This was a new sound with a simple name: Country Funk.

Country Funk 1969-1975, first released in 2012 and co-produced by Zach Cowie, Patrick McCarthy and Matt Sullivan, brought together a disparate group of artists that were neither bound by geography nor a shared ideology, but connected through the simple feel of their songs. Country Funk is alternatively playful and melancholic, slow jammin’ and booty-shakin’. It’s a sound both studio slick and barroom raw, as evident in the artists featured on Volume I: Johnny Adams, Mac Davis, Dale Hawkins, Tony Joe White, Bobbie Gentry, Larry Jon Wilson, and many others. Just two years later, we chased Volume I with a new collection of songs for Country Funk 1967-1974 (lita 116, 2014). Volume II didn’t let up, dealing out all the loose-talking and lap-steel twangin’ one could handle. Heavy hitters like Willie Nelson, Townes Van Zandt, Kenny Rogers, Dolly Parton and J.J. Cale shared barstools with the lesser-known voices of Bill Wilson, Donnie Fritts and Thomas Jefferson Kaye.

With Country Funk Volume III 1975-1982 (lita 194) we’re here to say there’s more funk left in the trunk yet. This time around, the jeans are tighter, the hair is bigger and the disco ball spins along to a country-synth beat. Produced and compiled by Jason Morgan (Bay Area DJ/collector) and Patrick McCarthy (co-producer/compiler of Volume I & II), the tracklist features regulars Dolly Parton, J.J. Cale, Larry Jon Wilson and Tony Joe White (whose track is released here for the first time) alongside new faces like Steven Soles, Gary & Sandy, Conway Twitty, Travis Wammack, Billy Swan, Rob Galbraith, Brian Hyland, and so many more. As the 1970s began to wane and the 1980s approached, the Country Funk pallet expanded to include disco beats, heavy Moog synth bass lines and more clavinet than you could shake a stick at. Volume III shows artists continuing to buck traditional country tropes and production while embracing modern soul, disco, and coked-up 80s synth-pop. This is the true soundtrack of the Urban Cowboy. Saddle up, partners.

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Lankum

The Livelong Day

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (P.W. Elverum & Sun)

Mount Eerie

A Crow Looked At Me

Roberto Musci / Giovanni Venosta

Release: 2017 / US – Original

Genre: Rock & Indie

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A new Mount Eerie album unlike anything else in the Mount Eerie or Microphones back catalog. Eleven stark songs about basic deep grief, loss, real death, love, significance and non-significance, reality. Nothing wise or learned, just the described experience of living through unimaginable domestic obliteration, with names and dates.

contains: 11 songs, 42 minutes, very nice sounding vinyl, foil stamped front and back covers, heavy old style gatefold tip-on jacket with special Neenah “Slide” paper as the inner liner, silver on black, all the lyrics, double sided art poster, free download card

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Water Messages on Desert Sand

LP | 1987 | EU | Reissue (Rer Vinyl)

21,99 €*

LP | 2016 | US | Original (Fat Possum)

Release: 1987 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Another great release in the prestigious ReR Recommended vinyl reissue series.
Water Messages on Desert Sand was the very first sound creation from the Italian avantgarde duo of Roberto Musci and Giovanni Venosta. A classic work in the genre, released by Chris Cutler's Recommended Records in 1987.
Back in the mid Eighties, Musci & Venosta, both on sampler, synthesizer, guitar, piano, effects and tapes were masters in overlaying and constructing rhythmic and harmonic pictures of transparent sound from electronic, acoustic and documentary source, taking ethnic field recordings (from Africa, Indonesia, Asia, India) as their thematic centre. "Water Messages" finds place In the realm of Eno-Byrne "My Life in the Bush of Ghosts" but far more accomplished and developed. A rich moving and still very stimulating work and an essential purchase for anyone interested in adventurous modern art informed by ethnic music and sound explorations. In two words: Highly Recommended!

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Blaze Foley

The Dawg Years

Release: 2016 / US – Original

Genre: Rock & Indie

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LP | 2025 | US | Original (Island)

Charley Crockett

Lonesome Drifter

LP | 1987 | EU | Reissue (Survival Research)

Release: 2025 / US – Original

Genre: Rock & Indie

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Charley Crockett - Lonesome Drifter - VinylLonesome Drifter is the new album from GRAMMY Award-nominated artist Charley Crockett. Crockett co-produced the album alongside multi-GRAMMY Award-winning musician and producer Shooter Jennings. Over the course of just 10 days, they cut 12 tracks live at the legendary Sunset Sound in Los Angeles. Crocketts Island Records debut is a culmination of all that has come before, with the same unapologetic spirit, die-hard work ethic, and no nonsense honesty that has driven his artistry across his 14 previous studio albums. In the end, Lonesome Drifter takes stock of Charleys road in the rearview as it paves a path into the future. Available on 180g black vinyl housed in a printed inner sleeve.

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Ali Farka Toure

LP | 2025 | Original (No Quarter)

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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One of the best-known African musicians of all time, the renowned Malian singer and guitarist Ali Farka Toure was one of the pioneers of African desert blues. Born to a noble cast, he was forbidden to play music but wound up representing Mali in the early 1960s on an international contest held in Bulgaria, where he bought his first guitar and was exposed to the music of John Lee Hooker, which became a big influence. This self-titled classic was recorded for Radio Mali in 1977 and captures Toure at his magnificent best, with just his guitar for accompaniment, and an unusual violin on both ‘Yer Mali Wolo’ and ‘Remobe.’

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Joan Shelley

Mood Ring

LP | 2025 | EU | Original (Holidays)

Release: 2025 / Original

Genre: Rock & Indie

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5 new songs from Joan Shelley pressed on a limited edition 1-sided 12". Limited to 1000 copies worldwide."Shelley scratches at unanswerable questions on the loamy Anne Briggs thud of Singing To You and Seven Steps' ominous Pink Moon of Kentucky, while embracing a kind of Astral Weeks minimalism." - MOJO // "[Mood Ring] is as spectacularly pretty as you could hope for... Goddamn. Don't skip this one" - Stereogum // "[Mood Ring] finds Joan's music sounding as gorgeously timeless as ever." - Brooklyn Vegan

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Nancy Mounir

Nozhet El Nofous

22,99 €*

LP | 2024 | US | Original (Black Cricket)

Release: 2025 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Nancy Mounir’s debut album, Nozhet El Nofous, is a remarkable communion with ghosts. Moody, hypnotic, and sneakily catchy, the album - whose title means “Promenade of the Souls'' in Arabic - explores microtonality, non-metered rhythms, and bold vulnerability through a musical dialogue between Mounir’s own arrangements and the sounds of archival recordings of once-famed singers from Egypt at the turn of the 20th century. Adding her own ambient arrangements over voices haunted with passion and desire as she creates a sound that is warmly familiar but utterly new.

On the album, Mounir slips into the gaps left by the lost frequencies of the aging recordings, finding space for counterpoint and harmony in a traditional sound built on monophony. Elegant melodies unfold in measured gestures as Mounir - who plays most of the instruments herself -revels in the plaintive intonations and brash lyrics of the departed singers. With layers enmeshed together, it’s at times hard to pin down when the past ends and the present begins, but beneath it all is a liberating attitude of defiance that feels timeless.

Nozhet El Nofous is brilliant in the way it explores the techniques and perspectives of a more freewheeling time period in Arabic music, before Arabic maqam (modal systems) and other musical foundations were standardized by the Middle East’s cultural power brokers in the early 1930s. As she summons a rich, atmospheric landscape of tone and texture, Mounir engages an older generation of musical rebels in a creative dialogue across time and space - and the results are stunning in their ambition and beauty.

Mixed by Adham Zidan. Mastered by Heba Kadry. Remastered for vinyl by Matt Bordin at Outside Inside Studio. Artwork by Egyptian filmmaker and photographer Ahmad Abdalla, with original typography and design by Salma Shamel. Lyrics translation by Katharine Halls.

includes an 8-page booklet with lyrics in English and Arabic.

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Iron And Wine

Archive Series Vol. 6

The Cowardly Traveller Pays His Toll 30th Anniversary Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Released as tour-exclusive merchandise during the 2024 Light Verse Tour, this is a compilation of covers.The last song, the Mazzy Star cover "Fade Into You", is a "hidden" track, not listed on the back cover. There is a false ending after the tenth song, which requires lifting the needle to play the last track.

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Simon Joyner

LP | 1994 | US | Reissue (Homeless)

LP | 2024 | EU | Original (ADA)

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Omaha, Nebraska native and singer/songwriter Simon Joyner has been writing about the dizzy and dark aspects of the human condition since 1992. The Cowardly Traveller Pays His Toll was originally released in 1994, on Sing, Eunuchs!, exclusively on vinyl, and marks the first major critical milestone in Joyner’s lauded career. John Peel famously played it in its entirety on his BBC radio program and Joyner’s underground cult status was solidified; in all of John Peel’s years in radio he had only played a record in its entirety three other times.

“Pound for pound, Simon Joyner is my favorite lyricist of all time. He has shades of all the greats (Van Zandt, Cohen, Dylan) but exists in a space all his own…He truly is an American songwriting treasure.” - Conor Oberst

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Old Crow Medicine Show

O.C.M.S.

LP | 2025 | US | Original (Stones Throw)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Acony Records proudly presents the debut album from Old Crow Medicine Show, available for the first time on vinyl. O.C.M.S. was originally recorded on analog tape at Woodland Sound Studios in Nashville, TN, and includes some of Old Crow's most enduring songs, like "Take 'Em Away", "CC Rider," and the platinum selling "Wagon Wheel." The album, originally produced by David Rawlings, has been lovingly mastered for vinyl on Rawlings' custom Ortofon amplifiers to a Neumann VMS-80 cutting system, plated and pressed at the all new Paramount Plating and Pressing in Denver, CO., and is presented in a deluxe gatefold package from Stoughton Printing.

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Eddie Chacon

Lay Low

Hosono House Revisited Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Haruomi Hosono

2LP | 2024 | US | Original (Stones Throw)

32,99 €*

2LP | 2020 | EU | Reissue (By Norse Music)

Release: 2024 / US – Original

Genre: Rock & Indie

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Haruomi Hosono is the legendary artist best known for his tenure in the seminal band Yellow Magic Orchestra. Hosono House Revisited is compilation of reworks of Haruomi Hosono’s iconic solo debut, Hosono House, celebrating 50 years since its release. This compilation sees musicians from the Stones Throw roster and beyond offer up their own interpretations of Hosono’s songs. Artists revisiting Hosono's songs include John Carroll Kirby ft the Mizuhara Sisters, Jerry Paper, Pearl & The Oysters, Sam Gendel, Cornelius, and more.

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Kalandra

The Line

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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For The Sake Of The Song Vinyl Me, Please Edition

Townes Van Zandt

LP | 1968 | US | Reissue (Vinyl Me, Please)

LP | 2024 | EU | Original (Escho)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Townes Van Zandt’s work, as far-reaching and as universal as it has become, begs for possessorship. It’s a love language understood by all who find it, yet one that remains acutely difficult to translate to those who haven’t.

No one understood this better than his earliest fans. It’s perhaps why his first studio album, For the Sake of the Song, remains a point of controversy among anyone who discovered Townes Van Zandt outside of these LP’s grooves. Townes Van Zandt the songwriter was the antithesis of bells and whistles, and so an album with such accoutrements, as this album has in spades, rings false — however unfairly — among purists. Taken in context, though, For the Sake of the Song is a gorgeous study in polarity. Each anchor is an artist from wildly different backgrounds, united under the profound effect of songcraft.

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Elias Ronnenfelt

Heavy Glory

9 To 5 And Odd Jobs Vinyl Me, Please Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Elias Rønnenfelt is a musician and poet best known as the lead singer and lyricist of Iceage. Heavy Glory is his debut solo album. Out October 25th via Escho. Heavy Glory was recorded in Copenhagen in chapters and moments over the course of a year. Collaborators include Iceage's Dan Kjær Nielsen, Danish punk godfather Peter Peter, and singers Joanne Robertson (Elias and Joanne have collaborated before, on a number of recent Dean Blunt releases) and Fauzia. "I've done this so many times," Rønnenfelt explains, speaking of the process of crafting a long player, "but capturing and crystallising an album remains a singular ritual, just with different circumstances. We are capturing something that is hard to hold down." Heavy Glory is a record that examines all the things that lovers do, from the most desperate to the most pure. The lover haunts the record, reappearing and provoking Rønnenfelt, pulling him in and pushing him away. Songs like "Close" describe the line between jealousy and protectiveness. "Unarmed" is a song of surrender. "River of Madeleine" harnesses toughness in the name of preservation, staying up all night to protect his lover's dreams. "Stalker" is an epic third-person story song in the tradition of the murder ballad. The record closes with two covers. The first, Spacemen 3's "Sound of Confusion," is a mission statement of the life Rønnenfelt has found and inherited in music. "Here it comes," the song famously promises, and flares out into noise. It is a joyful noise, because this life, in all its grit, is the life he chose. The second, Townes Van Zandt's "No Place to Fall," is a sweet plea, Rønnenfelt's final invitation to join him on his journey. This journey - this story, this record - will repeat and continue. It never stops. Rønnenfelt's life as an artist results in a sound that wobbles and rocks but never loses its centre, both fragile and tough, and always moving forward. It is dreamy yet bombastic, held together by the passion of certainty. Co-produced by Rønnenfelt and Nis Bysted.

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Dolly Parton

LP | 2003 | US | Reissue (Vinyl Me, Please)