Electronic & Dance Tape 631 Items

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 2023 | EU | Original (Karl)

Purple Trap

The Stone

Tape | 2023 | UK | Original (Novel Sound)

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Purple Trap, the powerful trio of Keiji Haino (voice, guitar), Bill Laswell on bass and Rashied ALI (drums), recorded live on stage at The Stone. Recorded in december 2005, this furious live album by what can easily be called a super group remained unreleased till in 2023 Bill Laswell made it accessible in a rough-mixed digital version for his bandcamp subscribers program exclusively. For this vinyl version, the music has been newly mixed by Dirk Dresselhaus (SchneiderTM) and mastered / cut by RUY Mariné at Dubplates & Mastering Berlin. Purple Trap, the trio of Laswell / Haino / ALI, reunited for this one-off gig as part of a 5-day- Haino-festival at John Zorn’s venue „The Stone“, seven years after its only album Decided ... Already The Motionless Heart Of Tranquility, Tangling The Prayer Called "I" had been recorded (released on Tzadik in 1999). The six untitled tracks (+ one as digital bonus) deliver what can be expected from such musical masters: Rashied ALI, iconic free jazz drummer who played with John and Alice Coltrane, Pharoah Sanders, Sonny Rollins, James Blood Ulmer and countless more, is all drums, from quiet tiny sounds to high-energy rhythm patterns. Keiji Haino, one of the most prolific artists of the Japanese experimental / noise scene for almost 50 years now, switches between truculent guitar splatters and full-on psychedelic outbursts. Bill Laswell, who as producer and musician created a massive body of work in fiields as diverse as ambient, world music, funk, jazz (and often hybrids of these), has proven his mastery in improvisation in projects like Massacre, Painkiller or (early) Material and provides the low-end grounding with his signicature bass sound, or adds effect-laden ornaments to the whole. An overdue addition to a very small body of work by a clearly under-documented supergroup!

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Levon Vincent

Work In Progress

Tape | 2025 | UK | Original (29 Speedway)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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New tape from Levon Vincent

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Dorothy Carlos

Ear World

18,99 €*

Music For Saxofone & Bass Guitar

Release: 2025 / UK – Original

Genre: Electronic & Dance, Classical Music

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Ear World, out February 24th on Brooklyn-based record label 29 Speedway, is a collection of sound collage works by experimental cellist Dorothy Carlos. Her debut album ranges from song-like to abstract, incorporating site-specific sound installation work originally premiered in both 16-channel and quadraphonic formats. Voice and cello are reconstructed through glitch techniques to take on a digital form that is flirtatious and fleeting. Carlos is an experimental cellist active in Chicago and New York. Her work utilizes extended techniques and digital manipulation, merging free improvisation and computer music. She is interested in digital techniques as an opportunity to construct imaginary realities and capture a sense of intimacy.

Solo performances have been presented internationally by Experimental Sound Studio Chicago, Big Ears Festival, default, Center for New Music and Associated Technologies (cnmat) at UC Berkeley, Chicago Jazz String Summit, and Bemis Center. Her work has been featured in The Wire, New York Times, and The Quietus and released digitally with D.O.T. Audio Arts and American Dreams. Dorothy holds a Bachelor’s degree from NYU where she studied classical cello and anthropology and an MFA in sound from the School of the Art Institute of Chicago.

Tracks 2-4 “My Ideal is Windy” quadraphonic installation commissioned by Experimental Sound Studio and the Chicago Park District.

Track 8 “Alter, alter” 16-channel installation premiered at the Chicago Laboratory for Electro-Acoustic Theater (cleat).

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Sam Gendel & Sam Wilkes

Tape | US | Original (Leaving)

Release: US – Original

Genre: Electronic & Dance

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Tape | 2025 | US | Original (New Retro Wave)

Morgan Willis

Hotline Summer

Giulio Erasmus & The End Of The Worm

Release: 2025 / US – Original

Genre: Electronic & Dance

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Morgan Willis is back and this time with a full release on NRW.

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Live At Meakusma Festival 2024

Tape | 2025 | EU | Original (Meakusma)

The Devil And The River, Volume One

Release: 2025 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Over the past few years, Giulio Erasmus has been carving out his very own musical idiom, referencing the fragmentative cause-and-effect possibilities of soundsystem culture. Accompanied for the occasion by The End Of The Worm, the recording of this concert highlights the futurist intentions of early 80s underground music in the UK and beyond. Although the expression is clear, there's continuous room for exploration and innovation. With heavy delay effects often cut short, metallic percussion, murky vocals, deconstructed electronics, and miniaturist melodies with snippets of the grandiose and the absurdly urban, all tracks here are patient, explorative, and freeform. Through curves of darkness and curves of light, this is a choreography of ideas, a passing infatuation that runs deep.

Giulio Erasmus was a member of D.U.D.S, Handle, and released his first solo outing, Re-Adjustment, in 2021. His second album, called Second Attempt, was released to acclaim in 2024 and hailed as an extremely modern take on the possibilities of underground pop through the extended ripples of soundsystem culture. Being the son of musical royalty, his father is legendary Factory Records co-founder Alan Erasmus, is almost too easy a reference. Giulio taps into 80s counterculture sonic experiment as a universal musical language that allows for futurism and fragmentation, reversing narrative logic and the transmission of musical ideas.

This recording of the amazing live performance by Giulio Erasmus & The End Of The Worm beautifully captures the investigative and unforgiving nature of all the instrumentalists that were on stage on that warm night last August in Eupen, Belgium. Through spirals of ideas, fragments, and experiment, they built a vapourous yet focused suggestion of openness and endless possibilities.

This live incident involved: Fiona Brunet, Paul Cossé, Romain Simon, Lola Lextrait, Guyilo Erasmus

Recorded and mixed by Etienne Foyer

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William Fowler Collins

Tape | 2022 | EU | Reissue (Karl)

Text While Driving If You Want To Meet God! (5th Year Anniversary Reissue)

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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In his most recent solo release, “The Devil And The River: Volume One”, recorded live in his rural New Mexico studio, William Fowler Collins tremolo brushes his electric guitar using a calligraphy brush, playing a single chord with no overdubs to produce two compelling side-long pieces of music. Ever present are the minimalist widescreen reflections of the high desert environment in which he lives, with the two sides giving the impressions of a sun rising and then a sun setting over the vast and sparsely populated landscape. The music in the two pieces shifts dynamically from gentle and hypnotic to immense and resonant walls of drone, searing and overdriven. At times the music can suggest a collision between Terry Riley’s “Descending Moonshine Dervishes” and the loud, distorted, emotional abstractions of My Bloody Valentine.

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Vegyn

Tape | 2019 | UK | Reissue (PLZ Make It Ruins)

Tape | 2025 | US | Original (Enmossed)

Release: 2019 / UK – Reissue

Genre: Electronic & Dance

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London-based producer and musician Vegyn unveils the reprint of his debut mixtape, "Text While Driving If You Want To Meet God!", a 71-track project originally launched in June 2019, now available again on cassette format. This time, featuring a transparent red tinted cassette chassis, this reissue offers fans a nostalgic journey through Vegyn's early experimental soundscapes. Crafted with Super Ferro Normal-bias music grade tape, each cassette boasts 43 minutes per side, meticulously duplicated in real-time for optimal sound quality. With clear front and back cassette cases, alongside laser engraving, and a double-sided full colour printed 4 panel J-Card. This reissue is set to captivate listeners once again. The cassette repress is scheduled to hit shelves in June 2024.

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Florian Tm Zeisig

Trax Versions

Tape | 2025 | US | Original (100% Silk)

Release: 2025 / US – Original

Genre: Electronic & Dance

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“Ice silver” metallic j-card with holographic silver foil stamping Professionally duplicated at a carbon-neutral facility Edition of 120

"Mix made with 95 % exclusively prev unreleased original materials - edits, outtakes, versions, takes + oneoffs from recording sessions over the past few years.

Made with stems from recent projects and collaborators, including: raw nug tape recordings + snippets Jordan playing flute in a waterfall cave (the one i used in 'Night') + drum edits, live recordings from decks mixing sessions, Róisín's harp and vocal takes from upcoming project, track with Mari, remix for Felipe’s well frozen piano album, Etienne de Lavaulx zither improv mixed from youtube, demos, outtakes and voice memo type field recordings, unreleased track with Joel, unreleased edit of guitar part from JQ,+ outtake from Planet Inc sessions.

peace and blessings x" - Florian TM Zeisig

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Patioworld

Moonlight Beach

Tape | 2025 | US | Original (Not Not Fun)

Release: 2025 / US – Original

Genre: Electronic & Dance

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Debut physical collection by Berkeley producer patioworld (aka Benjy Toczynski) is a chic nocturnal suite of Pacific house, bioluminescent acid, and riptide reverie: Moonlight Beach. Crafted with synth emulators and sampled vintage drum machinery across the past year and change, the album’s 10 tracks move between sleek and slinky, breaks and bliss, liquid and low-slung. From cruiser’s delights (“Chicharrones,” “Andrea”) to white sand techno (“Gylpha,” “Málaga”) to shape-shifter pulse (“Glott,” “Crystal Palace”), patioworld maps a mode of restraint, refraction, and atmospheric motion, shimmering like violet light on a rising tide.

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Voyage Futur

Unseen Portal

Tape | 2025 | US | Original (Not Not Fun)

Release: 2025 / US – Original

Genre: Electronic & Dance

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Wolfgang Lehmann’s second album of VF’s latest creative cycle leans further into the project’s eclectic acoustic inclinations, arriving at a sound between balearic and kaleidoscopic, progressive and primordial: enter the Unseen Portal. Contributions from his partner Beate Lehmann and brass multi-instrumentalist Alex Kranabetter expand the album’s textural and emotional range, venturing through jazzy lunar fusion (“Moonrise”), 4th world frontiers (“Ancient Treescape”), northern lights new age (“Lost Memory”), and cloud forest downtempo (“Topographic Change”). Like the title makes clear, this is elusive, transportive music, 10 shimmering gateways to hybrid habitats of rhythm, reverie, and refracted magic.

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Voyage Futur

Inverted Land

Music to Watch Seeds Grow By 002: Davis Galvin - Prism (Delphinium Elatum)

Release: 2025 / US – Original

Genre: Electronic & Dance

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Viennese ambient voyager Wolfgang Lehmann returns with a lush, hushed, electro-acoustic suite of fantastical landscapes: Inverted Land. Crafted in collaboration with his partner Beate, and heavily inspired by a recently acquired marimba, the album unfolds in tactile, time-lapse panoramas of gradient color, spatial illusion, and changing light.

The arrangements echo the cosmic vistas of Lehmann’s debut, Secret Earth, but the interplay of VF in duo mode skews more veiled and telekinetic. Twilit silhouettes ebb and flow from a delicate palette of resonance and shadow, attuned to the subcurrents of remote utopias long since reclaimed by nature’s undertow.

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Woo

Tape | 2025 | UK | Original (Music To Watch Seeds Grow By)

Tape | 2025 | US | Original (100% Silk)

Release: 2025 / UK – Original

Genre: Electronic & Dance

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Music to Watch Seeds Grow By continues its series of plant-inspired soundscapes with new work from Pittsburgh-based sound artist Davis Galvin. This composition focuses on the Delphinium Elatum, capturing the quiet drama of this striking perennial through carefully constructed ambient textures.

Where their previous work explored the complex electronic territories of the outer technoid reaches, here Galvin turns their attention to the subtle processes of plant growth. The piece unfolds gradually, much like the Delphinium's own journey from seed to flowering plant. Gentle drones and atmospheric elements mirror the plant's various growth stages, from its initial emergence to its ascent to heights of up to two metres. You heard it here first.

The music creates an environment for contemplation, designed specifically for the moments of sowing and tending to these magnificent plants. Galvin's approach, as with all things they turn their ear to, emphasises patience and attention to detail, qualities essential to both gardening and deep listening.

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Indopan

In Opulence

Tape | 2024 | US | Original (Not Not Fun)

Release: 2025 / US – Original

Genre: Electronic & Dance

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Irish independent Andrew Morrison (The Cyclist, Buz Ludzha, etc.) returns as Indopan with a 70-minute suite of jazzy kinetics, lysergic breaks, and dusted swing: In Opulence. Inspired by a recent haul of modified rig acquisitions, including a Wurlitzer 206a, Korg Polysix, and analog Soviet drum brain called the Marsh UDS, the album skews his signature “tape throb” sound through a warmer, warbly lens, streaked with grit and sepia haze.

Morrison mentions themes of unattainable desire and hidden fracture as touchstones (“the breaking at the seams of a smile”), which are especially apparent in his two collaborations with vocalist Elaine Howley (“Shore Ellipsis” and “Antigreed”). But, throughout, the songs churn, burn, and billow with elusive movement, sweeping through rolling hills and misty city streets, in the shadow of uneasy futures.

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Shakali

Rihmastossa

Tape | 2024 | MX | Original (Aurora Central)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Based in the South Moravian city of Brno, Finnish multi-instrumentalist Simo Hakalisto aka Shakali crafts surreal terrariums of strings, synthetics, wood, and wind, teeming with bio-electronic synchronicities. Rihmastossa further finesses the project’s eclectic lexicon of electro-acoustic world-building, utilizing a gallery of instruments both ancient and advanced: solar-powered sine wave generators, singing bowls, metallophones, microtonal synths wired into tree slabs, lap harps, amplified found objects, percussion filters, flutes.

This is world music in the most naturalistic sense – subtle spatial ecosystems of climate, vibration, landscape, and species, as alluded to in the track titles about fungal colonies, extinct birds, rare worms, and pine forests. Hakalisto’s work in various exploratory duos (Gnäw, Lunar Horns, Thistle) has honed his instincts for atmospheric improvisation, but when alone he embeds even deeper into the terrain, acting as conduit as much as creator. Across seven free-flowing fugue states of texture and resonance, his touch simmers beneath the surface, guided by shifting light and hidden hands.

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Sarah Belle Reid

Mass

Release: 2024 / MX – Original

Genre: Electronic & Dance

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Tape | 2023 | US | Original (100% Silk)

Indopan

Yupana

One Weird Tip / Funkytown

Release: 2023 / US – Original

Genre: Electronic & Dance

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Named for a banned 60’s psychoactive stimulant, Indopan is the splinter entity of Irish producer Andrew Morrison, aka “tape throb” godfather The Cyclist. Its sound runs distinct but parallel, a fusion of blasted house and ghosted soul, smeared with dub, breaks, and redline grit. Yupana collects nine new tracks for a 50-minute trip through outer limits and altered states, cutting keys at the doors of perception.

Smoky horns, snaky bass, smeared organ, and deep torch laments spiral through kinetic, kaleidoscopic strains of dizzy swing, dusty jack, and jittery acid. Alternately weightless and weary, tense and unhinged, Morrison’s mastery of mood, rhythm, and restraint hits a supreme peak here. This is music of liquid nights, chemical bloodstreams, and ancient sorrows, ebbing and flowing from lost roots to fractured futures, unbowed and unknowable.

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Lemon Demon

Tape | 2023 | US | Original (Needlejuice)

10,99 €*

Bardo Todol & Robert Millis

Release: 2023 / US – Original

Genre: Electronic & Dance

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•7" vinyl •Lyric insert •Blue and pink swirled 7" •Download card

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A Magnetic Road To Hell

Tape | 2022 | EU | Original (Sucata Tapes)

Tape | 2022 | EU | Original (Preset)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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“A Magnetic Road to Hell” is Robert Millis and Bardo Todol’s first release as a duo. Recorded transcontinentally throughout 2021 and 2022 they traded sounds and ideas between Cordoba, Argentina and Seattle, USA with a stop in Mexico along the way: screamings, rivers, kids, radios, mellotron, records, 78rpm shellac, wax cylinders, field recordings, birds, electronics, guitars, percussion, haze, static, a destroyed Indian piano, talkative violins, talkative people from the 1920s, talkative black and white dreams, tin cans from the streets, Argentinian children's tales about cows being teachers, and more. You’re riding on an unspooling reel of tape, through sounds real and imagined, the tape flapping dangerously, shredding; we are all of us magnetized, attracting together, pushing apart, unwinding onto the floor, stumbling along the road to hell. Robert Millis and Bardo Todol have each released music on many different labels: Sublime Frequencies, Dinzu Artefacts, The Helen Scardale Agency, Discrepant, Abduction Records, Dust-to-Digital, Fire Breathing Turtle, Sub Pop, and Ikuisuus.

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MANASYt

Live At The Cage

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Tape | 2022 | UK | Original (Padre Himalaya)

Patricia Brito

Phmix003

9,99 €*

Release: 2022 / UK – Original

Genre: Electronic & Dance

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New quickstrike mixtape from Silvestre's Padre Himalaya label This time is Porto deejay Patricia Brito serving up Jungle, IDM, shoegaze and more.

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The Mixtapes: Volume 2 Mixed By DJ Ghost

Tape | 2022 | EU | Original (Bonzai Classics)

22,99 €*

Tape | 2022 | UK | Original (Paralaxe)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Our next mixtape features a superb, tight blend of some of the very best tracks to fly out of the speakers at the Cherry Moon Club. At the helm we have DJ Ghost, spinning the grooves to take us on a journey through the ages, through the genres, from twisted acid concepts to hypnotic trance and gut busting hardcore. Ghost aka Bjorn Wendelen has been a stalwart for us at Bonzai since the very early days. He’s delivered several cuts for us over the years and has branched out with his own Ghoststyle brand with great success. The famous Cherry Moon was and remains one of the biggest names in Belgian club-life, with 30 years of embracing club culture. Since the start in 1991, they have brought the best techno, hard-trance and house to the scene. During the 90's and early 00's, Cherry Moon was the place to be for clubbers from all over Belgium, France, the Netherlands and even other European countries. Housed on classic K7 tape, this comp features a host of tracks from the likes of DJ Ghost, Insider, Body-Shock, DJ Looney Tune, Jones & Stephenson, Push, Blue Alphabet, Final Analysis, Joyrider, Dreamland and more. So, dust off your vintage cassette machine and prepare to be blown away by the sound of Cherry Moon.

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Alloy Sea (Mor Ellian)

Xoomin

Ancient Nocturnal Summoning

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Full of dreamy textures and languid melodies, Xoomin is a soundtrack for drifting off into the abyss, but in the hands of Alloy Sea (a.k.a. Mor Elian), that journey feels downright playful. Although the Berlin-based producer is best known for her dancefloor-focused creations, 2020’s Petrichor (a 50-minute composition that officially debuted the Alloy Sea project) showcased an unexpected talent for abstract soundscapes and arrhythmic jitters, hinting at ambient techno but ultimately offering something much more adventurous.

Xoomin—an album that was specifically written for Paralaxe Editions after label founder Dania Shihab reached out to Elian about working together on a new Alloy Sea release—ventures into similarly ethereal waters as Petrichor, but it’s also brighter and more colorful than its predecessor, its gleaming FM synth improvisations flanked by scuttling rhythmic bursts and the occasional wonky bassline, not to mention celestial snippets of Elian’s own voice. It’s not pop, but it’s not quite ambient either, floating instead in a nebulous (and sneakily fun) zone that borrows from new age, IDM and the weirder corners of bass music.

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Corroded Spiral

Tape | 2022 | EU | Original (Shadow World)

Tape | 2021 | EU | Original (Evar)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Corroded Spiral is Iggor Cavalera (Sepultura, Petbrick) Dwid Hellion (Integrity, Psywarfare) and Cardopusher (boyznoise, Arca). Two legends of metal and hardcore come together with one of electronic music's most highly regarded collaborators, and the results are suitably dense, textured, brooding and gnarly. There are (good) hints in the project name and sound, to more binary industrial cues such as Coil or Nine Inch Nails, but actually, this music is more akin to thumping body music of Nitzer Ebb, acid techno, and the monolithic power electronics of Whitehouse or Merzbow. A really killer debut EP! Vital new supergroup Corroded Spiral - comprised of Sepultura co-founder Iggor Cavalera, Venezuelan electronic producer Cardopusher, and Dwid Hellion, founder of early hardcore trailblazers Integrity - announce punishing debut EP Ancient Nocturnal Summoning.

Corroded Spiral’s debut release crosses the boundaries of black metal, hardcore, new wave, industrial and EBM, a sum of decades of experience and powerful musicality from bona fide giants of their respective fields. Its three members contribute not just stylistic influence but three unique voices and a boundless ocean of abilities.

Ancient Nocturnal Summoning captures the intensity, horror and supernatural dread of its title. Its darkness is more creative and more demanding than distorted riffs or blastbeats; but instead is raw, spiritual, apocalyptic, and occasionally illuminated with sparks of melody that shimmer within a suffocating blackness. A seething tension that excavates deep, dark fissures of the soul.

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Sha Sha Kimbo

Total Chaos

Tape | 2013 | CA | Reissue (Tiger Blood Tapes)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Los Angeles native Sha Sha Kimbo undeniably lives for the rave. As exemplified through her every intentional move as a producer, DJ, promoter, radio host and label owner, Sha Sha radiates an unwavering love for amplifying, nurturing and supporting the culture of underground electronic music and the community that surrounds it, with her forthcoming release absolutely no exception to this.

Set for release as a digital download and limited edition cassette tape on August 13, the LA rave staple is happy to announce her debut EP on Evar Records, Total Chaos. A brilliant testament to the cathartic importance of staying up late and getting lost in a buzzing crowd of kindred spirits, Total Chaos harnesses the universal experience of having pent-up energy into massive, angst-ridden breakbeat anthems. Over six tracks, Sha Sha channels the hair-raising spirit of '90s rave along with her formative experiences with DMZ-via-Low End Theory dubstep and punk rock. Finding her place within LA's bass music, house, techno and rave scenes while defying easy categorization, Sha Sha personifies the no-rules electronic music ethos behind John Frusciante and Aura T-09's Evar Records. To supplement Total Chaos' three originals, Lyzza, Machine Girl and LCY provide three raw remixes highlighting various aspects of Sha Sha Kimbo's renegade rave spirit.

Drawing from the Los Angeles punk rock and '90s rave music that soundtracked her youth, Total Chaos personifies how she grew up on the dance floor, showcasing Sha Sha's tried and true ability to express rich, nuanced emotions through tracks that, first and foremost, can level a warehouse party. Kicking off the vibe on July 30, the EP's lead single "Save The World" is a perfect representation of this, with the jump-up rave cut employing a megaton breakbeat and sickly-sweet vocal samples over simmering base of dark, UK-influenced atmospherics. From the late night energy of the title track to the euphoric, dawn-breaking feel of "Limited Perfect," Total Chaos offers the refuge of a robust dance floor with the warm reassurance to be one with the universe.

Rounding out Total Chaos EP are three remixes that amicably and serendipitously support Sha Sha Kimbo's visionary aim to both explore the unknown and bring people together along the way. Brazilian-born, Amsterdam-based powerhouse Lyzza adds a full verse and a nest of serrated rhythms to her version of "Total Chaos," while New York's Machine Girl applies their trademark punk electronics approach to "Save The World." Meanwhile, Bristol's own LCY hollows out "Limited Perfect" into a haunting amalgam of post-punk minimalism and low-frequency pressure. A study of the opposing light and dark energies of underground dance music, Total Chaos presents a breakbeat-heavy vortex, sure to awaken everyone's inner raver.

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Luxury Elite

Fantasy

21,99 €*

Bloody Marys With An Angry Goddess

Release: 2013 / CA – Reissue

Genre: Electronic & Dance

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a dream come true. 2021 edition with 4 bonus tracks.

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Ian Richter

Tape | 2021 | EU | Original (Confused Machines)

Best Available Technology

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A short visit to the Indochinese Peninsula at the wrong time of the global pandemic breakout, led Ian Richter to over a year and a half of living in Vietnam, and to a deep love affair with the Vietnamese folk religion. Ian was intrigued to find a place drenched in culture and mysticism existing hand in hand with hyper capitalism (yet officially committed to socialism). Over the course of the last 18 month Ian recorded, mentally and physically, the sounds of his encounters and experiences. From daily life, through industrial and natural landscapes, to ancient and modern dance, forging foreign with familiar, mysticism with science, and claustrophobia with liberation.

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Untitled

Tape | 2021 | EU | Original (blundar)

Tape | 2021 | EU | Original (blundar)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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*c50 length Cassette Tape* "Best Available Technology joins `blundar ́ C50 tape series followed by Blundar12 LP"

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Bantam Lions

Untitled

Release: 2021 / EU – Original

Genre: Electronic & Dance

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100 copies only. C50 tape recording of Bantam Lions soundscapes. A preamble to a forthcoming 12” (blundar9) release in jointure with Best Available Technology.

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First Wave - Drift Ambient Compilation

Tape | 2020 | CA | Original (Drift)

25,99 €*

Tape | 2020 | EU | Original (Sucata Tapes)

Release: 2020 / CA – Original

Genre: Electronic & Dance

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First Wave is the very first compilation and physical release on Drift, the sub ambient label of Inner Ocean Records. We've gathered together some of the best emerging ambient artists, alongside artists who have been music creators for decades. The result is a very special and diverse collection of music, melding together a myriad of genres into a cohesive body of work to stand the test of time; a true work of art.

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Only Now & Orogen

Avuls

Tape | 2018 | CA | Original (Tiger Blood Tapes)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Longstanding collaborators & Bay Area based experimental duo Kush Arora & Lucas Patzek aka Only Now & Orogen return with ‘avuls’, the project’s sophomore release. Building on the unearthly, black hole transmissions and creaking, exospheric ambience of their self-titled debut, Only Now & Orogen present an abyssal, elemental broadcast from another unchartered extra-terrestrial zone. Remote and astronomical yet tied to a newfound sense of rhythmic structure, ‘avuls’ navigates a course through inverted beat-led frameworks, surging detonations of sub-bass, and severely turbulent, monumentally scaled soundscapes

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Geo Metro

Scivias

Moves Vs Talking Squirrel Beattape

Release: 2018 / CA – Original

Genre: Electronic & Dance

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Real time Hi-Res Audio cassette tape on grey-blue tinted shells. Limited edition of /50.

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DJ Moves

Tape | 2017 | CA | Original (Tiger Blood Tapes)

Tape | 2019 | CA | Original (Tiger Blood Tapes)

Release: 2017 / CA – Original

Genre: Electronic & Dance

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Pro dubbed on c60 cassette tape. Comes on Butterscotch Brick shells with double hit red ink pad printing in black back norelco cases and double-sided full colour printed J-cards. A limited ediition of 100.

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Farragol

Kalerloop

Tape | 2017 | CA | Original (Tiger Blood Tapes)

Release: 2019 / CA – Original

Genre: Electronic & Dance

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Pro manufactured on light blue tinted cassette tape with double hit violet pad printing in black back norelco cases and double-sided full colour printed J-cards. A limited edition run of 100.

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Toyohirakumin

Drive

Tape | 2019 | EU | Original (PRSPCT)

Release: 2017 / CA – Original

Genre: Electronic & Dance

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Pro manufactured limited edition run / 100 with LED printed shells and full colour artwork in norelco cases.

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Apzolut

Lost EP Feat. Goatzak

Tape | 2019 | US | Original (100% Electronica)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A download code is included. Apzolut & MC Goatzak are two brothers with a pretty damn unique background. These viking brothers measure over 2 meters in height each and most women out there wish they had long hair as good as them. Meeting them for the first time we expected them to come from somewhere near the fjords of Norway, but this turned out to be seriously mistaken.

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Negative Gemini

Body Work

Release: 2019 / US – Original

Genre: Electronic & Dance

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Tape | 2012 | US | Original (Stones Throw)

Vex Ruffin

Same Thing Tomorrow

10,99 €*

Wernyhora Nadchodzi Red Cassette Edition

Release: 2012 / US – Original

Genre: Electronic & Dance

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Ten new tracks from Chino, CA’s favorite son Vex Ruffin, only on cassette!

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Vertical Spectrum

Cassette | 2025 | EU | Original (Mord)

Tape | 2023 | EU | Original (Karl)

Release: 2025 / EU – Original

Genre: Electronic & Dance

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*** ..M.......o...... ......r............ ..............d...

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David Wallraf

Crudeltá Necessaria

Tape | 2025 | EU | Original (Infant Tree)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Noise artist David Wallraf returns with his second album on Karl - “ Crudeltá Necessaria” deals with the role of cruelty in the works of Pier Paolo Pasolini. David Wallraf is a noise artist and theorist living in Hamburg. His artistic work deals with the repressed and uncanny sonic residues of quotidian life, crafting soundtracks for the creeping disaster we inhabit. His works have been released on numerous international tape labels. A recent interest of his is the live scoring of silent films, including works by Luis Buñuel, Maya Deren and Jean Genet. In the academic world, Wallraf graduated with a BA in musicology at University of Hamburg, MA in time based media at Hochschule für bildende Künste, PhD on noise at Hfbk, h is PhD thesis “Grenzen des Hörens. Noise und die Akustik des Politischen” (Limits of Hearing. Noise and the Acoustics of the Political) has been published in German. He also regularly gives l ectures on power relations in music, noise-theory, sound art/studies and the politics of listening. “ Crudeltá Necessaria”, the follow-up to last year’s „The Commune Of Nightmares“, deals with the role of cruelty in the works of Pier Paolo Pasolini by blending noise, raw electronics and field recordings into a detailed dystopian sonic experience that „you don’t have to be afraid of“ (R. Mießner, taz). In the words of Wallraf himself: „ The world (another word for society) is cruel in a banal sense: unjust, brutal and segregating. Life under capitalism is the generalized and global form of this cruelty, organized by the logic of Kr119_d. Wallraf - Crudeltá Necessaria_infotext.pdf abstract labor and alienation. But cruelty also carries a different meaning, one that has resonated with a few artists of the 20 th century who positioned themselves against the cruel banality of their times. Cruelty in the sense of mercilessness or remorselessness, both a realism and a necessary stance in a battle against an overly powerful enemy. Antonin Artaud’s conception of the theater of cruelty exemplifies this stance, an “appeal to cruelty and terror [...] whose range probes our entire vitality, confronts us with all our possibilities” ( The Theater and Cruelty ). All our possibilities: an affirmation of radical difference. A similar posture, although it replaces Artaud’s mysticism with a communist viewpoint, can be found in the works of Pier Paolo Pasolini. Pasolini was a merciless analyst and critic of society under capitalist production. His answer to the banal brutality of capitalism was an artistic cruelty of his own design, a necessary cruelty which is evident in the films and texts that inspired these recordings. It is evident in the transformations and transitions of the novel-fragment Petrolio , it glares and screams from the screen in his films. You can hear it in the last and only words of the young cannibal in Porcile (“I killed my father. I ate human flesh. I quiver with joy.”), in Medea’s curse against Iason (“It’s useless! Nothing is possible anymore!”) and in the Sphinx’s desperate cry when murdered by Oedipus (“It’s useless! The abyss you’re throwing me in is in yourself!”). It gazes through the masks of mythological and historical settings. It is evident in the almost violent way Pasolini edited his films, a form of Verfremdungseffekt that exemplifies his remorseless stance towards his audience, the spectacle of the film industry, fascism and capitalistic society. This necessary cruelty serves as a last line of defense in the political and artistic struggle against societal and political pressure. With this release I hope to capture at least a fragment of this demeanor.”

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Laura Not & Andrew Hulme

Almost Something

Tape | 2025 | UK | Original (Accidental Meetings)

Release: 2025 / EU – Original

Genre: Electronic & Dance

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The tone of the album has a sustained dustiness, shrouded in a thick smog where feedback tones and scrapings on thick metal lurch at you. Sounds that can one minute appear as distant aeolian sediments suddenly become compact and then break into shards - you’re constantly in motion. You could almost liken it to feeling transported to an inner city reconstruction of Gordon Monahan’s ‘Aeolian Winds Over Claybank Saskatchewan’, if it stretched between the tunnels of the underground and the dark corner of a household boiler room.

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DJ.Mc

I'm So Cold

Otherworld Silver Tape Edition

Release: 2025 / UK – Original

Genre: Hip Hop, Electronic & Dance

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Bonus unreleased Dj.Mc mix on Side B. Limited run of cassettes, full on body print & double sided J-card, design by Ciaran Birch. Over the last couple of decades, Dj.Mc (Hyperdub / Planet Mu / Good Street) has been consistently laying down release after release. His unique take on footwork catching plenty a ear, beginning with his single 'Y Fall' on Mu's VA compilation in 2011. Fast forward to 2025 and he lands on UK label Accidental Meetings, a shapeshifting & forward thinking imprint.

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Jessie Frye

Tape | 2025 | US | Original (New Retro Wave)

Release: 2025 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2025-03-28

The Sounds Of Pseudoscience - 10th Anniversary Edition

Nikolaienko

Cassette | 2015 | EU | Reissue (Muscut)

Release: 2015 / EU – Reissue

Genre: Electronic & Dance

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10th anniversary edition of Nikolaienko's The Sounds Of Perudoscience (2015, Muscut / Graphical)

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Tape | 2024 | CA | Original (Ulyssa)

Toe Hunters

20,99 €*

Release: 2024 / CA – Original

Genre: Electronic & Dance

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Tape | 2023 | US | Original (Ulyssa)

Toejazz For Debby

20,99 €*

Release: 2023 / US – Original

Genre: Electronic & Dance

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Tape | 2023 | CA | Original (Ulyssa)

Bitches Toe

20,99 €*

Release: 2023 / CA – Original

Genre: Electronic & Dance

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Marianna Maruyama & Hessel Veldman

Salt Stroom

Tape | 2025 | EU | Original (Stroom)

Tape | 2024 | EU | Original (Un Je-Ne-Sais-Quoi)

Release: 2025 / EU – Original

Genre: Electronic & Dance

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"When it travels, the voice is a double agent, a trickster, or a dubious guru, but when it pauses for a recording, it's historical, capturing a mood or an emotion for all time. I didn't expect that I would hardly recognize the people who made Salt — myself and Hessel Veldman — a year and a half after recording it, but this is where I find myself now, so I'll say a few words about this temporary prosopagnosia.

Twelve years ago, when I moved to the Netherlands from Japan, I made a piece called How to Lose Your Voice. It was a YouTube hit because people wanted to learn how to actually lose their voices, though I doubt they found what they were looking for in the video. But I mention it because it's like a diary for me: my voice simply isn't the same now as it was then.

I wonder where my voice has gone.

I just listened to a radio interview with a woman who had her larynx removed.

About fifteen minutes after listening to her new voice, altered by the use of a voice prosthesis to make her audible, the interviewer played a recording of her pre-surgery voice. Of course, I was curious to hear it, and although it was immediately obvious that the gentle ease of her first voice was gone, this new voice, with its raw, gravelly sound, was even more intriguing because of its determined power to express that which needed to be expressed.

When Hessel and I first listened to the Salt in its entirety, I said in astonishment, "who wrote this?" Marianna Maruyama, sure, but this artist goes by more than one name. Many voices spoke through me in this album. You might even recognize one of them as yours."

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American Monoxide

Microwave Ensemble

Music To Watch Seeds Grow By 001: Woo (Sweet Peas)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Amateur planetarium music, slacker techno, and alternativeatmospherics from home recording hobbyist: Dimitri Manos

Dimitri Manos lives in downtown Tucson, Arizona. He has been home recording as "American Monoxide" since around 2009. The process is very personal like a journaling with sounds and a chance to experiment with recording. For this batch of songs he thought to change the framework and reach out to some friends for collaboration. These friends have become the "Microwave Ensemble".

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Woo

Tape | 2024 | UK | Original (Music To Watch Seeds Grow By)

Transit Tribe (Extended Version)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Woo, formed in 1975 by brothers Mark and Clive Ives in London, is known for its experimental blend of folk, jazz, ambient, and electronic music. Their sound, characterised by the delicate integration of acoustic and electronic elements, has earned them recognition in ambient and healing music spheres. Over decades, the duo has produced over 1,500 tracks, evolving a unique style that evokes dream-like atmospheres and a meditative, soothing quality perfect for moments of reflection.

Dedicated to intertwining the serene beauty of music with the nurturing process of planting seeds when the first new signs of life emerge in the growing season. A carefully crafted collection of ambient & minimalist soundscapes, occasionally branching into the new age. A soundtrack for quiet moments of sowing, nurturing, & witnessing the slow reward of growth.

Each artist will release a recycled cassette and digital format. We plan to release one cassette each month from November through June, aligning our releases with the ideal growing period. Each physical release will precede its digital counterpart by a few months, allowing the music to be experienced in its intended form first, with the tangible connection of a cassette and seeds before becoming accessible to a broader audience in the online sphere. This staggered release allows listeners to engage with the music more profoundly and intentionally, akin to the patience and care required in gardening. Best get that portable cassette player on eBay!

Each release will serve as a soundtrack to quiet moments of sowing, nurturing, and witnessing the slow, rewarding growth process, both in plants and in the listeners' lives. Whether tending to a window sill garden or simply seeking a peaceful retreat in sound, "Music to Watch Seeds Grow By" is an invitation to pause, listen, and cultivate.

Early DJ support including Tom Ravenscroft, Deb Grant, Vladimir Ivkovic,Ruf Dug, Eva Geist, Domenic Cappello, Fergus Clarke & Sofie K.

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Ulrich Troyer

Tape | 2024 | UK | Original (4Bit Productions)

Tape | 2025 | US | Original (Ghostly International)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Ulrich Troyer has been producing music now solidly for over twenty years within a largely genre free framework, but whilst navigating forms such as avant-garde, techno, leftfield, field recording, electronica, glitch and ambient it is the aesthetics of dub that guide his creative direction. Not really recognisable in an orthodox form as remixed versions of roots reggae songs but in the way sonics are manipulated with space, the application and layering of delay, reverb and echo that fixes his output well within the scope of what might be called futurist dub.

The nearest comparisons to his new album Transit Tribe can only be established by a synthesis of some of the more adventurous explorations in modern music such as African Head Charge, Jon Hassell, Pole (Stefan Betke), Bill Laswell or even Miles Davis; featuring a diverse selection of artists and friends not only from Vienna and environs but also from around the world, sounds are not so much fused but allowed to float along the continuous flowing tide of warm waves of bass.

Rather than to allow the names of Ulrich Troyer's collaborators be merely listed in the album credits, what they bring to this joyful affair needs to be outlined, albeit briefly: Co-producer credits go to Osman Murat Ertel from Istanbul, who employed a variation on the old foolproof Nick Lowe method for checking out the impact quality of his own sound productions by playing tracks through his car sound system speakers!
Murat is a member of the electro-psych-folk group Baba Zula where he plays electric saz, oscillators and theremin and played a key part in the creative development of the album. Mamadou Diabate, the balafon master originally from Burkina Faso and now resident in Vienna, has developed his own unique technique of playing solos that replicate the sound of three instruments playing in unison; however the multi-talented Mamadou is engaged here on singing and playing the talking drum. From South Tyrol Reinhilde Gamper is a member of the experimental trio Greifer who are bringing the sound of the zither into the twenty-first century using new playing techniques and electronic gadgets. Susanna Gartmayer is an Austrian composer and bass clarinetist specialising in improv and multimedia sound research. Diggory Kenrick has been engaged with creating new dub fusions and also re-energising classic rocksteady and roots reggae classics, renowned for his interventions on flute. Didi Kern is an electronic dance musician and drummer from Vienna with a focus on free improvised music. Hamidou Koita, a singer and multi-instrumentalist, is from a traditional Griot family in Burkina Faso but now resident in Vienna and a regular musical partner of Mamadou Diabate playing drums and calabash. Austrian Lukas Lauermann is both a studio and live musician playing cello, also working on electronic sound design and writing string arrangements. He has recorded extensively and appeared on stage with both Mark Lanegan and Hans-Joachim Roedelius. Martin Mallaun is a Tyrol-born specialist in both the development of the zither in modern music and also as a researcher in the effects of climate change on the vegetation of Alpine ecosystems. Mystica Tribe is the musical alias of Tokyo-based dub/techno producer Taka (Takafumi) Noda. He collaborated with Vienna's own Vegetable Orchestra on 2020's "Transplants (Mystica Tribe Version)". After studying classical percussion Flip Philipp is now a jazz vibraphone player and member of the Vienna Symphony Orchestra. Wolfgang Pfistermüller is a member of the Vienna Trombone Quartet and the developer of the incredible bass-trombone Aurora with its uniquely warm and resonant sound. Roger Robinson is a renowned British poet, winner of many contemporary poetry prizes and member of the experimental music group King Midas Sound. Kwame Yeboah is a Ghanaian born UK based keyboard wizard who tours regularly with Yusuf / Cat Stevens, Ms. Dynamite and Pat Thomas.

So contained on the album is an astonishing mix of musicians and instruments: sounds of cowbells recorded in the South Tyrolean alps processed by modular synthesizers and heavy analogue bass synths combined with instruments such as zither, bass-zither, electro saz, flute, talking drum, trombone, cello, vibraphone, marimba, djembe, contra-alto clarinet, melodica, Farfisa - all bound together by organic live-drums and dub effects.

Liner notes by Steve Barker
(DJ, Radio Presenter - On the Wire, BBC 1984 – 2023, now Slack City Radio & reggae/dub columnist and contributor to The Wire)

Credits:

Mamadou Diabate: vocals (3) & talking drum (3)
Osman Murat Ertel: electric saz (6, 7) & guitar (7)
Reinhilde Gamper: zither & bass-zither (9, 10)
Susanna Gartmayer: contra-alto clarinet (8)
Diggory Kenrick: flute (2)
Didi Kern: drums (1, 2, 5, 6, 7, 8, 11, 14), percussion (3, 6, 10, 14, 15), voice (14)
Hamidou Koita: vocals (3), djembe (3)
Lukas Lauermann: cello (1)
Martin Mallaun: zither (9, 10)
Taka Noda: melodica (11)
Wolfgang Pfistermüller: trombone (1)
Flip Philipp: vibraphone (10, 12, 15), c-marimba (1, 9, 12, 13), percussion (6)
Roger Robinson: vocals (4)
Ulrich Troyer: analog synthesizers (1-13, 15), analog drum-machines (1-15), e-bass (1, 5, 7), sampler (1-14), prepared zither (1, 10), field recordings (3, 6, 8, 11, 13, 14, 15), dub effects (1-15)
Kwame Yeboah: rhodes (5), vox (5), farfisa (5)

Written & arranged by Ulrich Troyer except 2 written by Diggory Kenrick & Ulrich Troyer / 3 written by Mamadou Diabate, Hamidou Koita & Ulrich Troyer / 4 written by Roger Robinson & Ulrich Troyer / 5 written by Kwame Yeboah & Ulrich Troyer / 6 & 7 written by Osman Murat Ertel & Ulrich Troyer / 11 written by Takafumi Noda & Ulrich Troyer / 14 written by Didi Kern & Ulrich Troyer

Recorded by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna - except: electro saz on track 6, 7 & guitar on track 7 recorded by Osman Murat Ertel at Saniki Studio, Istanbul / flute on track 2 recorded by Diggory Kenrick at Holloway Studio, London / melodica on track 11 recorded by Takafumi Noda at Mystica Sound Studio, Tokio / vocals on track 4 recorded by Roger Robinson at Dog Heart City Studios / vibraphone & c-marimba recorded by Ulrich Troyer at Konzerthaus, Vienna / rhodes, vox & farfisa on track 5 recorded by Kwame Yeboah at Kwashibu Music Studio, Accra

Mixed by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna
Produced by Ulrich Troyer & Osman Murat Ertel / kindly supervised by Diggory Kenrick
Cover Artwork: Ink drawings & design by Ulrich Troyer / kindly supervised by Eva Kelety
Mastering & Laquer-Cut: Kassian Troyer at Dubplates & Mastering, Berlin

Special thanks to Steve Barker, Mamadou Diabate, Osman Murat Ertel, Reinhilde Gamper, Susanna Gartmayer, Eva Kelety, Diggory Kenrick, Didi Kern, Hamidou Koita, Lukas Lauermann, Martin Mallaun, Roland Mitterer, Taka Noda, Wolfgang Pfistermüller, Flip Philipp, Roger Robinson, Kassian Troyer, Kwame Yeboah and Ben Ziel

Kindly supported by: City of Vienna (ma7 - Kultur), Federal Ministry Republic of Austria (Arts, Culture, Civil Service & Sport), Ske-fonds (at) & Amt für Kultur, Bolzano/Bozen (it)

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Studio

West Coast

Tape | 2025 | US | Original (The Flenser)

Release: 2025 / US – Original

Genre: Electronic & Dance

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Some called Studio, the project of Swedish musicians Dan Lissvik and Rasmus Hägg, "the missing link between The Cure and Lindstrom," Pitchfork heard Durutti Column and Can, as the duo's story became swept up in a loosely developing scene _ adjacent first to the label Service (Jens Lekman, The Whitest Boy Alive) and later Sincerely Yours (The Tough Alliance, jj) _ and a precursor to the 2010s boom at the axis of electronic and psychedelic music guided by indie greats like Caribou, Four Tet, and Darkside. West Coast, their seminal 2006 debut, captured a faraway romanticism of Balearic brushed up against Krautrock, disco, dub, and afrobeat, with pop lyricism lifted from new wave, all made modern by two art school grads in Gothenburg. First pressed in a small vinyl-only run via their own Information label, the album has been notably absent from most streaming services, and the internet's record of its initial impact is all but fossilized from a bygone blog era, while its sound is simply untraceable to any one moment in music. Outside of three 7" releases, they'd keep the music to themselves for several more years. In 2005, Hägg remembers, "We got our degrees and were kicked out of our studio spaces so all these recordings were just piled up. A year later we dusted them off and started to deconstruct and assemble them in a more drawn-out fashion." In the same breadth, they cite DJ Screw, J Dilla, and Joy Division, along with early `80s European live DJ sets from the likes of Beppe Loda, Dj Mozart, and Baldelli as reference points. "The anything-goes mentality was very encouraging and was a big cornerstone to the Studio sound," says Hägg. "But there's so much more to the picture, we were not that young then and had lots of musical baggage in our suitcases, the new thing was that we finally let it all come through, not bound by any borders that was often the case with music identity in Sweden during the 90s." In the afterglow of the record's 2007 reception, Studio receded from view, clouded behind a mountain of remix requests (including one for Kylie Minogue that saw release) and label bureaucracy. "It's easy to wish we would have done some proper recordings of our own instead," Hägg reflects. But both artists, now well into respective careers beyond Studio, have come to peace with West Coast as their most enduring effort together. Lissvik adds, "It serves as a good reminder for me to keep to that decision and promise and to continue exploring and growing."

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Kathryn Mohr

Waiting Room

Tape | 2024 | UK | Original (Astrophonica)

Release: 2025 / US – Original

Genre: Electronic & Dance

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The music of San Jose-based artist Kathryn Mohr exists in a liminal space of auditory dissociation. Drawing inspiration from lost items washing up on the shore of the San Francisco Bay, Mohr’s art chases the ephemeral nature of humanity, the warping of memory, and how trauma changes one’s experience of this world.

Her new album Waiting Room—out January 24 on The Flenser—was written and self-recorded over the course of a month in eastern Iceland, within the walls of a disused fish factory surrounded by remote nature. Mohr spent hours immersed in the writing and recording of this album in a windowless concrete room lit with a string of multicolored light bulbs (which made their way into the album art), taking breaks to wander the factory or disappear up the shoreline—field recorder in hand. What came out of those recording hours are songs inspired by horror as extravagant as limb amputation by a faulty elevator and lyrics as maze-like and misguided as the torturous love and fears they depict.

During this period of isolation in the tiny fishing village of Stöðvarfjörður, Mohr was all too aware of a feeling of waiting, attuned to all the worm-like emotions and memories that crawl out of the ground when there is nothing and no one to distract. She spent most time in the factory, which had sat derelict for a decade, and was in the process of being repurposed into a space for artists, with many parts left untouched since the last days of fish production and other rooms made new with heat and light. This state of incompleteness, of loss of meaning, and repurposing became a mirror of her inner world, her abandoned ideas of home, love, affection, and meaning dissolved by traumatic memories of violence. Waiting Room is a processing of nearly untouchable emotions—of rebuilding the foundation for which elusive words like affection, passion and home can have a meaning weatherproof to and detangled from the direct, physical and emotional violence that permeates our experiences on earth.

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Fracture

Slow860

Box Set | 2024 | UK | Original (Astrophonica)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Slow860 is the latest chapter in Charlie Fieber’s celebration of pirate radio culture...

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Fracture

0860 'First Aid Kit'

54,99 €*

Making Records: Home Recordings C. 1890-1920

Release: 2024 / UK – Original

Genre: Electronic & Dance

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0860 project by Charlie Fieber aka Fracture inspired by London Pirate Radio...

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Death Is Not The End

Tape | 2024 | UK | Original (Death Is Not The End)

Tape | 2013 | US | Original (Constellation Tatsu)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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A collection of DIY phonographic home recordings, transferred from blank and repurposed brown and black wax cylinders, dating back to between the late 1800s and early 1900s.

"Cylinder phonographs first entered the parlor in the late 1890s and stayed until displaced by newer technologies in the 1920s. They brought professional entertainers into our homes and let us command their performances at will. They also gave us the power to record. For the first time in human history we could take sonic selfies, audio snapshots with friends, and aural portraits of loved ones. Our phonographs captured the sounds of everyday life, both silly and serious: the baby's squalling, Johnny's naughty joke, Grandma's favorite hymn as only she could sing it, our letters to loved ones in foreign lands or 100 years in the future. In our own homes we spoke unfettered by commercial concerns or ethnographers' expectations. Our phonographs observed who we were and what we valued without interference or judgement." – David Giovannoni

Cover image text excerpt taken from How to Make Records at Home with an Edison Phonograph, 1910.

Recordings courtesy of The David Giovannoni's Collection of home cylinder recordings housed at the University of California, Santa Barbara cylinder audio archive.

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Angel 1

Purple Haze

Release: 2013 / US – Original

Genre: Electronic & Dance

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Tape | 2018 | US | Original (Constellation Tatsu)

Oca

Preset Music

Release: 2018 / US – Original

Genre: Electronic & Dance

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Tape | 2018 | US | Original (Constellation Tatsu)

Poemme

Moments In Golden Light

Release: 2018 / US – Original

Genre: Electronic & Dance

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Tape | 2020 | US | Original (Constellation Tatsu)

Loris S. Sarid

Music For Tomato Plants

8,09 €* 8,99 € -10%

Release: 2020 / US – Original

Genre: Electronic & Dance

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Tape | 2024 | US | Original (Hausu Mountain)

RXM Reality

No. 1 In The World

18,99 €*

Tape | US | Original (Leaving)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Chicago-based producer/composer Mike Meegan makes music under the moniker RXM Reality. Over the course of four albums on Hausu Mountain since 2018, Meegan refined a strain of electronic production that unites facets of breakcore, techno, grime, noise, and countless other styles into detailed composites that attest to his omnivorous tastes and bottomless technical acumen as a producer. While his live performances over the past few years and 2022’s Sick For You found him experimenting with his own lead vocals for the first time, pushing the dial somewhere closer to mutated-pop-music injected with distorted roars in the digital hardcore tradition, his new album No. 1 in the World (his fifth on HausMo) dives into the song-oriented branch of his work more than ever before. The album’s hour-long program spans twenty-four shorter tracks that highlight Meegan as the frontman and singer/songwriter of his own morphing one-person ensemble, without sacrificing any of the complex and unpredictable production decisions that animate his music. Acknowledging the influence of rock, punk, and pop music on his work, and embracing his desire to shine as a more legible human presence within his cybernetic-spreads of electronics, RXM Reality treats us to a vision of his music equally focused on concise songcraft and ballistic rave energy, all the while pushing his sound into a state of mind-bending total overload.

As RXM Reality cherrypicks and recombines signifiers from a deep history of experimental electronic vocabularies, one might worry that Meegan’s production runs the risk of collapsing under its own weight, yet it speaks to his experience as a producer that every juxtaposed element hits the mix with a stunning degree of clarity and separation. No. 1 isegues through far-flung genres and styles without ever losing a sense of cohesion, rooted in Meegan’s palpable presence at the center of each track.

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Xyla

Ways

Release: US – Original

Genre: Electronic & Dance

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Tape | 2024 | US | Original (Sound Signature)

Howard Thomas

Skin Breaker

Release: 2024 / US – Original

Genre: Electronic & Dance

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Tape | 2024 | UK | Original (Fine Grains)

Moroka

Junction Tape

10,99 €*

Tape | 2024 | UK | Original (Ambie-Tón)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Eight no-nonsense tracks, straight to the point. Moroka delivers the goods in this raw, unpolished gem of a release. Constructed in a week at home in Loughborough Junction after a conversation with FG boss Alex - these cuts are all about the energy, no time wasted on refinement. The drums rumble and shuffle, crashing into each other with an unpredictable rhythm that keeps you on your toes. The narrative here is simple: Mo, his neighbourhood, and his gear. Early support and plays from Shy One, Scratcha DVA, D Bridge & Mr Beatnick. Photography by Charlie Birch, design by Alex Horne, tape covers riso printed at Terry Bleu, Amsterdam.

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Ezmeralda

Ruido Y Flor

Tape | 2024 | EU | Original (In My Room)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Ambient? Sí. But also, a musing on transcendence. So lay down and close your eyes because, on this one, our querida joya @eezzmmeerraallddaa wonders what we all wonder every now and then: good old 'What happens when we die?' We sort of know the drill: the cling, the not wanting to go, the inevitable... the heartbreaking nostalgia of parting ways with this world... and also, the chance to end the pain. Then comes the grief: bye-bye sweetness, chao joy, adiós tenderness... then -¡ayayay! the terror, the slow fade-out, the nothingness. At last, that sparkle in the dark edge of the hiss shows us the way to the ultimate surrender, to then become a garden in the void, and finally return to mamá amor as big beautiful rainbows. This is Ruido y Flor, the first offering of Ambie—Tón: our brave new venture into the heart of the haze

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Trentemøller

Dreamweaver

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Tape | 2024 | UK | Original (Aird Tapes)

Marcy

Aird Tapes 1.2

Tape | 2024 | UK | Original (Aird Tapes)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Marcy is a DJ who has blessed many music scenes from being a part of The Rye Wax family to regularly appearing on Kindred radio, her sets span intricate realms of focused left field landscapes.

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Pasta Kebab

Aird Tapes 1.6

Tape | 2000 | UK | Reissue (Tru Thoughts)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Pasta Kebab is a true genre-bender with eardrums that love all things dubbed-out with wonkykicks and eclectic melodies. Pasta Kebab spreads her ears across the world, although there is always hints of the distinct UK sounds.

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Bonobo

Animal Magic

Release: 2000 / UK – Reissue

Genre: Electronic & Dance

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Tape | 2024 | UK | Original (The Tapeworm)

Runar Magnusson

Inside Out Of Chaos

Tape | 2024 | UK | Original (Mais Um)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Runar Magnusson is an Icelandic/Danish sound artist and musician, currently based in Austria. With a masters degree in Electronic Music Composition from The Royal Academy of Music, Aarhus, Denmark, he is inspired by the sounds of nature, noise, and meditation. Magnusson specialises in atmospheric disturbances through minimalist compositions. A sly humour cuts through the dark hues of his works.

Magnusson writes: "The two works which make up "Inside Out of Chaos" are somewhat related. They were made at the same time and share the same source materials somewhat – a pool of sounds I had been experimenting with for a couple of years. Two separate projects created the opportunities for me to realise them in these finished forms.

At the beginning of 2020 I was invited to participate in an acousmatic concert series at the Traktorfabrikken in Vienna. Curated by Austrian composer Christian Tschinkel and performed on his Akusmonautikum sound system this particular event, titled Kill & Kaoss, was the last in the series. I named my piece after the event and dedicated it to Tschinkel´s Akusmonautikum system. Without my knowing, I had witnessed this system in action half a year earlier at a concert at the Hermann Nitsch Museum in Mistelbach, with Hermann Nitch playing the organ and Tschinkel operating the sound system – a profoundly enjoyable performance. I was very happy when I connected the dots soon after the invitation to participate. I intended my work for Kill & Kaoss to be a way to greet the new lunar year of the rat – a year which held many surprises… The event took place on 22nd of February 2020 at Traktorfabrikken, Vienna.

"Inside Out (for Trattner)" was composed for Austrian artist Josef Trattner. It was the soundtrack for a film that was a part of his exhibition "Inside Out" at the Kiesler Foundation in Vienna, 2020. I assisted with the installation of the exhibition, itself a filmed action that evolved into the movie of which this is the score. The installation was a very hard physical process that left me bloody and blistered. It was also a fascinating, trance-inducing experience. Mining with ones bare hands, digging out this huge structure and creating a womblike cave, a tunnel system, a playground, a hideaway while experiencing ever-increasing pain in the fingers and hands. The exhibition ran from 27 February 2020 until 23 December 2020.

I consider this release as the final part of a trilogy I refer to as "the three sisters of sorrow". These three releases are an insight into my state of mind at the time – a mental collapse, somewhat triggered by a move to a new country, the death of my friend Jóhann Jóhannsson and the loss of my father a year later. Between 2018 and 2021 I had the trilogy almost ready but had not been able to finish them. I sought professional help to lift me up from the deep and was diagnosed with Adhd, which explained many things in my life. Only after the darkness had lifted could I see that these three releases were connected. They depicted both the mental state I had been in – an incapacitating downward spiral, a crushing chaos – and also my search for the light, a way out of the maze and my path up to the surface."

Runar Magnusson, Vienna, 13 November 2023

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Sanam

Live At Cafe Oto

18,99 €*

Tape | 2024 | US | Original (100% Electronica)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Live recording of the final show of Sanam's debut European 2023 tour at London's home for experiemntal music, Cafe Oto.

Beirut's Sanam burst on the scene in 2023 with their debut album Aykathani Malakon, chosen by The Guardian as one of their 5-star albums from 2023: "Aykathani Malakon thoroughly embodies their originating influences, whipping up kosmische, post-punk, psych rock, free jazz and Levantine folklore into an alchemical tour de force delivered with a defiant, DIY disposition".

Under difficult conditions, the band took to the road for a European tour in November 2023 with the final show at Café Oto. From their incendiary European debut earlier that month at LeGuessWho then rapturous, sold out shows in Switzerland, Belgium, Germany and the UK, spirits for the Cafe Oto gig were high and it was destined to be a tour highlight. 'Live at Café Oto' captures the intensity of the shows, a ritual where improvised rock, free jazz and noise underscored an exorcism of traditional Egyptian song and Arabic poetry.

Drummer Pascal Semerdjian adds: "On this tour, I felt the album evolve from being a set of improvised tracks captured spontaneously, into ripe solid songs. Playing these shows back-to-back, our chemistry kept growing, we got closer, and our live sets, at least to me, were an embodiment of this evolution. In a way, this was the real birth of the band"

Vocalist Sandy Chamoun: "We started the tour with a great push at LeGuessWho, and we kept this energy throughout the whole tour. Every gig felt like I was playing the songs for the first time, providing a new and fresh experience for me. We finished the tour with an emotionally intense gig at Cafe Oto, a dream venue. The audience was incredible, as if we had known each other for a long time and the energy was intense and intimate at the same time; it felt like we were in a small circle of fire together, both us and the audience."

"There was definitely magic in the air for our show at cafe oto - an iconic, humble and warm venue and the last show of the tour – it felt like everything was in the right place. It was my favourite show by far, specially that we were also comfortably able to talk about Palestine, the atrocity we have to live with and can't ignore." Pascal Semerdjian

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FM Skyline

Images

Release: 2024 / US – Original

Genre: Electronic & Dance

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Tape | 2024 | UK | Original (Never Sleep)

Joker

Live At Sonar 2009

15,99 €* 19,99 € -20%

Tape | 2022 | EU | Original (Fixt)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Never Sleep charity tape series continues with a legendary recording from the world famous Mary Anne Hobbs stage at Sonar Festival. UK phenomenon Joker encapsulates the era perfectly with his signature "Purple" sound and Dubstep sonics. A rowdy late night work out of his own productions, a rare dub from Skream, Bristolian funk from Gemmy and classic Mala. Hosted by an enthralled Gaslamp Killer and beautifully captures the feeling of the infamous stage. Timeless, cutting edge and a slight hint of nostalgia for any Sonar Festival aficionados. All proceeds go to Bristol based charity “The Cause" who help young locals in the creative arts.

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Freqgen

Future 1990s

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Tape | 2018 | EU | Original (Ikuisuus)

Indalaska

Poésie Surnaturelle

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Tape | 2021 | EU | Original (Ikuisuus)

Gas28a

Dao Hac

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Tape | 2022 | EU | Original (Ikuisuus)

Jukka Herva

Kultainen Nauha

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Tape | 2021 | UK | Original (Hospital Productions)

Regis

Play Neutral

11,99 €* 15,99 € -25%

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Tape | 2023 | EU | Original (Glossy Mistakes)

Hannah Archambault

Uneven Places Of Love

Tape | 2023 | EU | Original (Sucata Tapes)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Hannah Archimbault is a multidisciplinary French artist based in London. Hannah opens up her inner deep emotions throughout minimal sequences and loops of sustained and touching organ notes, with reminiscences of Philip Glass, Eva-Maria Houben, Harold Budd or Kali Malone and a contemporary vein that questions love in current times. "The EP came after a break up as I decided to compose in the process of going through this love grief and how you could grow from it, learn to love oneself after the break-up. Each song represents a different stage on this life chapter.". Indeed moving anger, sadness and acceptance are well represented on this sonic, brave redemption of the grief through the artform.

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Serpente

Cornos

A State Of Trance Year Mix 2022

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A more upfront and streamlined proposition than last year's 'Dias da
Aranha' on Souk, 'Cornos' is a reflection of Serpente's solo live
apparitions throughout this last year.
A cycle tainted by tragedies and a maze-like feeling of loss, 'Cornos'
mirrors both the urge of overcoming and its ghostly remnants through
five digressions that pulsate with crippled rhythmic symmetries and loner
harmonic motifs. Maybe just the sound of moving on with broken legs.

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Armin van Buuren

Tape | 2023 | EU | Original (Cloud 9)

24,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The Way Sound Moves Drawing Over And Over The Blueprint Of A Loop For Every Situation

Till Hormann

Tape | 2023 | DE | Original (Bad Boy Jesus Tape Club)

Tape | 2023 | US | Original (Hiraeth)

Release: 2023 / DE – Original

Genre: Electronic & Dance

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Music performed, recorded and mixed by Till Hormann. Mastered by René Huthwelker. Cover photograph by Raphael Dillhof.

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Escaping Aghartha

Avian

Release: 2023 / US – Original

Genre: Electronic & Dance

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Two Form A Click Vs Horacio Pollard

Backpfeifenphaseshift

Tape | 2023 | EU | Original (Futura Resistenza)

Tape | 2025 | UK | Original (100%)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Two Form a Click (DJ Snaffy, Wretchen Redspiders) collide with Horatio Pollard to deliver two sides of beautifully coalesced psychedelic synthesis, heavy with dub's production values and freed from the grid of analog electronics.

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Morcheeba

Escape The Chaos

Release: 2025 / UK – Original

Genre: Electronic & Dance

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CD | 2024 | UK | Original (Graded)

Midland

Fragments Of Us

Cheb Terro Vs. DJ Die Soon

Release: 2024 / UK – Original

Genre: Electronic & Dance

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‘Fragments of Us', the 13-track debut album from DJ/Producer Midland will arrive in stores physically in Vinyl, CD & Tape format and across all digital and streaming outlets on October 4th, 2024. The album comes via Midland’s own imprint, Graded. The cover art is a photo by his brother Dom Agius, and the type and graphics are by longtime friend and designer, Nick Shea.

Alongside the announcement, Midland has shared the lead single ‘Never Enough’.

The full length album from which the single is taken features the voices of some Midland’s artistic heroes including Arthur Russell, Marlon Riggs, David Wojnarowicz alongside the contemporary voices of Stereogamus’ Jonny Seymour and Horse Meat Disco’s Luke Howard.

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Cheb Terro & DJ Die Soon

Tape | 2024 | UK | Original (Drowned By Locals)

36,99 €*

Tape | 2024 | UK | Original (Yellow Swans Archive)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Cheb Terro vs DJ Die Soon features Cheb Terro's posthumous vocals on Die Soon's beats; a work that was finished one day before Terro's tragic passing. Starting somewhere in the last quarter of 2020, having approached Daisuke Imamura aka DJ Die Soon for a release, and just heard about Cheb Terro's work with his Toxic Club, Drowned By Locals made the hook up that would result in a match made in the Underplanet, as Terro would describe it.

Hailing from the city of Sousse in Tunisia, the site of the worst of several Jihadist attacks in recent years, Cheb Terro's writings and delivery embody the violence stemming from the frustration shared by Tunisia's new generation; and reflect sadness, rebellion and an obsession with death.

Rayen Hermassi, aka Cheb Terro, was a multifaceted artist; writer, rapper, video editor, designer and founder of Toxic Club, the first Tunisian movement to merge horrorcore, hip hop, hardcore punk, Memphis gangster rap, devil shyt, vaporware, tinged with occult elements taken from the country's mystic past.

Daisuke Imamura is a Berlin-based artist born in Japan. His releases include 'Kappa Slap' [Morphine Records], in which Die Soon collaborates with Ecko Bazz, Infinite Livez, MC Yallah, Lord Spikeheart from Duma, and MA; and his latest production for Sekelembele split with Swordman Kitala [Hakuna Kulala].

In commemoration of the too-soon departed Rayen Hermassi, Cheb Terro vs DJ Die Soon is planned to release on March 25th, 2022, the day of Rayen's passing, on digital and vinyl - Mastered by Rashad Becker.

Rayen Hermassi's share of proceeds will go to his family.

released March 25, 2022

Music and cover art by Daisuke Imamura
Vocals and lyrics by Rayen Hermassi
Mastered by Rashad Becker

Dbl10lp

Patrick Clarke | The Quietus | The Quietus Albums Of The Year So Far Chart 2022
https://thequietus.com/articles/31727-the-quietus-best-albums-mid-2022
Matador Recommends | Playlist by Matador Records
https://spoti.fi/3yayJRC
Zoe Camp | Bandcamp Daily | Essential Releases
https://bit.ly/3FXDbGV
Emna Maaref | Ma3azef |شب تيرو ودي جاي داي سون(Cheb Terro Vs DJ Die Soon) Review
https://bit.ly/3sKA7Za
Toxic Club | Nika7 Official Video Premiere
https://www.youtube.com/watch?v=CYUHaC2KoDw
Noel Gardner | The Wire — Issue 458 | Cheb Terro Vs DJ Die Soon Album Review
https://bit.ly/3loBBUO
Gonzo (circus) — Mind The Gap 154 | Cheb Terro Vs DJ Die Soon - Pine Review
https://www.gonzocircus.com/mind-the-gap-154/
Clot Magazine | Underplanet Official Video Premiere
https://bit.ly/39xZGWK
Nyshka Chandran | Resident Advisor | Cheb Terro vs DJ Die Soon - Abtal AL Digital Single Review
https://ra.co/reviews/34696
Ransom Note | Posthumous record from Cheb Terro alongside DJ DIE Soon set for release
https://bit.ly/3yJDpjn
Tom Ravenscroft | BBC Radio 6 Music
https://bbc.in/3G4JpVl

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Yellow Swans

Out Of Practice I

Tape | 2025 | UK | Original (Digital Stin)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Billed as the first in a series of releases documenting the duo’s reunion last year, ‘Out of Practice I’ finds Pete Swanson and Gabriel Mindel Saloman raiding their archive to excavate a bunch of fragments now arranged into “verrrry loose” songs. The first side was recorded at Denver’s Glob in November last year, and leads in remarkably slowly, spluttering through a haze of garbled noise and close-miked madness before Saloman’s unmistakable sustained wails just about emerge thru the static. Their saturated gusts curl around choral fragments as their guitar slowly mutates into a shoegaze gloop of strangled harmonics. And still, they’re not quite done: when the smoke clears, acoustic twangs shuttle us into a different landscape entirely, flipping the piece on its head. Dubbed at Austin’s Oblivion Access in June, ‘Side B’ is a different rendering of the same basic principles. The duo sail into cacophony quicker, offsetting their pebble-dashed concrète with visceral squeals, and when the harmonic relief finally arrives, it’s blown into foghorn trails of blistered feedback. It’s YS at their most ferocious, spangling through a good few minutes of harsh noise before the feedback wilts into melancholy, leading us out with a slow hum as electrical sparks shimmer into the aether.

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Cloud Management

Unfinished Business

Tape | 2025 | JP | Original (Zouen Keikaku)

Release: 2025 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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German trio Cloud Management approached Digital-Sting in late 2023 and started a conversation concerning a loose configuration of improvisations, studio experiments and rehearsaljam recordings. The timing was particularlyserendipitous with Feel Free Hi Fi fresh off a West Coast USA tour with Exotic Gardens where we had spent several long drives along the California coast listening to Cloud Managementsprior records on Altin Village. The second of which included collaborations with Exotic Gardens. This release " Unfinished Business" inhabitsmuch of the musical history and influences foundational to the Digital Sting sound and ethos making the link up an obvious one. I don't want to be overlypredictable in the comparison to the great body of work created by German legendslike Moebius, Roedelius, Plank and others but it is there. Also present are heavy doses of dub wandering not too far from the furthest out zones created by African Head Charge or Dub Syndicate. Some creeping psychedelic unease in the way of Industrial Records also sits in the mix. Comparisons aside, Cloud Managements embrace of collaboration and jammy experimentalism create a sound that is unique and a bit rare in the contemporary dub and electronic music continuumwhere perceptions of genre restrictions can guide a bit too much. The two side long continuoustracks documented in this release lock in and groove as much as they wander, drift and break apart in subtle shifting ways making for special repeat listening where something new is always waiting.

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Yaryu

Bongaku

Tape | 2025 | JP | Original (Zouen Keikaku)

Release: 2025 / JP – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Yaryu's second release, featuring Takuro Okada and Acid Mothers Temple's Makoto Kawabata, is now available on cassette tape. A cassette tape version of the second album by Yaryu, a musical group that keeps fixed members to a minimum, replacing them each time they create a song or perform live, and continues to improvise freely and uninhibitedly, will be released by Zoukei Kikaku. The improvisational nature of spiritual jazz, the fervor of psychedelic rock, and the spirituality of pure Japanese music all take shape in transparent ambient textures. A DL code for a collection of previously unreleased songs is included in the cassette tape version only.

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Yaryu

For Damage

Tape | 2025 | US | Original (100% Silk)

Release: 2025 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Soshi Takeda

Secret Communication

Love-Fidelity Or Hiss Goodbye

Release: 2025 / US – Original

Genre: Electronic & Dance

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Tokyo deep house master Soshi Takeda returns with a long-awaited six-song sequel to 2021’s landmark Floating Mountains, surfing deeper into mystery, motion, and liquid dreams: Secret Communication. Recorded across 2022 and 2023 at his home studio with a unique assemblage of 80’s and 90’s hardware, the tracks cruise through a latticework of skyways on lush pads, bubbling bass, and blissed BPMs, dusted in sunrise acid and cosmic piano. His is a dance music of idyllic emotions and inner worlds, yearning for new horizons.

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Nikolaienko

Cassette | 2025 | EU | Original (Muscut)

22,99 €*

Tape | 2024 | UK | Original (Kit)

Release: 2025 / EU – Original

Genre: Electronic & Dance

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"Love-Fidelity or Hiss Goodbye" is Dmytro Nikolaienko’s fourth solo album released on Muscut. Similar to his previous work, "Meta," this new album adheres to the same principles and limitations, focusing on acoustic and electro-acoustic instruments.

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Mazy Day

Go 'Swish

Tape | 2024 | UK | Original (Hobbes Music)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Goldsmiths graduate, visual artist and composer Maz Gilkes - aka Mazy Day - untethers a debut of simmering organ improvisations and disembodied pop, with Go 'Swish.

Working from organ recordings made in a Cornish church, Mazy can be heard toying with familiar structures, as popular music forms and progressions are delicately pulled apart and held up to the bliss and crackle of electroacoustic light.

The album reads like a crumpled collection of charcoal rubbings; melodies and hooks traced and pondered over like bundled inscriptions - a burnished record of exultant song, from a forgotten place and time.

Recommended if you like Sarah Davachi, Aphex Twin, Klein, Low.

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George Demure

Ear Candy Dandy

Tape | 2025 | EU | Original (Stroom)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Currently celebrating ten years of releasing music on vinyl & cassette and following hype for recent releases from Moscow (via Tallinn)’s Galun (glagol album) and Osaka's Kiji Suedo (Hosek EP & Riot album), Edinburgh's Hobbes Music label continues to mine a leftfield seam with this brand new album from singer/songwriter George Demure (Tirk, Output) aka DJ/producer George T (Greco Roman, Optimo), better known as George Thomson to his mum. And it’s another absolute peach if you have a taste for post-club sounds of a more leftfield persuasion.

This is the follow-up to his 'The Record Store' EP which came out via George's own All Noise imprint in 2021. He has also released the Roll On, King's Cross single via Hobbes Music under his George T moniker last November (plus various bits for the Paradise Palms and Ramrock labels in the interim).

“It all began with the Record Store EP in 2021,” explains George. “Limit my options. No samples, one drum machine, two analog synths (mono and poly), computer simply to record. I was so happy with the results I began with what you hear today. Same drums, same machines (or lack thereof) maybe some real percussion and melodica but hey, I only answer to me.”

Imagine, if you will, Scott Walker jamming with Kruder & Dorfmeister in a very small studio…

Bonus Album ‘Dandy In Dub’ features dubs, instrumentals and bonus tracks, with yet more regular flashes of pure brilliance. Be sure to check out opener 'After' and closer 'Blue Lou', which sound like George might well have sound-tracked some French 80s flick of the 'cinema du look' period (Betty Blue, Diva et al) in another life. Plus ‘Mr Minilogue’ with its clarinet-like synth.... Does it really get any better than this?!!

Sleeve art by the amazingly talented Bernie Reid, another local legend.

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Inkasso & Ml

Fashion Recession

Music To Watch Seeds Grow By 003: Graintable (Blue Flax)

Release: 2025 / EU – Original

Genre: Electronic & Dance

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"At the end of the day, a new one begins. Sometimes dust covers the wounded human spirits, nebulizing their ambitious world with melancholy from some far place. Today we met and melded our emotions. Improvisation is the art of becoming sound. Loose lyrics on Hollywood dreams, galaxy economy, and algorithm poetry, banned and warped in drama industrial, synth-journey-music, ghost pop, anger electronics, and analogue deserts. Improvised recording sessions for epochs where head liquefies the concrete. It’s all about fashion, now, that we have recession. Dressed to kill with murder fabrics. The anger of the machines. The happiness in their language. Inkasso & ML asked themselves"

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Graintable

Tape | 2025 | UK | Original (Music To Watch Seeds Grow By)