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Concentric Circles

Concentric Circles HHV Records 4 Items

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Concentric Circles

Industrial Sponge

LP | 2024 | US | Original (Concentric Circles)

29,99 €*

VAT free plus Shipping Costs

Release: 2024 / US – Original

Genre: Rock & Indie

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Slithering out the fertile depths of Olympia, Washington circa 1985, Industrial Sponge “released” a lone 90 minute cassette onto the unsuspecting public. And by “released” we mean they would gift wrap the tape and leave it around Olympia and nearby Aberdeen at bus stops, on the sidewalk or in coffee shops, waiting for their bizarre manifestations to be discovered by whoever was in the mood for a mystery present.

Industrial Sponge was spearheaded by “Fearless” Frank Gunderson (who was also a member of Human Skab, with his pre-teen cousin Travis) and a number of his classmates at The Evergreen State College, where they attended at the time. Fueled by various illicit substances, Frank and friends would record their rants and raves for hours on end, the 4-track machine as their only witness.

Although lines can be drawn from Adrian Sherwood or PIL’s most scorched and dubbed out productions to Nervous Gender’s blasts of early synth-punk, Industrial Sponge’s racket was a sound all their own. With a sense of humor that would make more serious calamity searchers blush over their bowls of borscht, the ‘Sponge combined clattering drum machines, in-the-red vocals and dinky keyboards into a surprisingly catchy whole. For maximum effect, there were no spaces between any of the songs, everything crammed up against each other in a thick morass of sound.

Concentric Circles is delighted to announce a first time reissue of this undiscovered, damaged gem. In their own words, this is “reptilian industrial music,” made by goofball freaks from the Pacific Northwest.

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John Di Stefano

For The Moment

LP | 2019 | EU | Original (Concentric Circles)

21,99 €*

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Release: 2019 / EU – Original

Genre: Electronic & Dance

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Concentric Circles presents ''For the Moment'', which features tracks from some of Di Stefano's early cassette releases, as well as a number of unheard explorations of Indian polyrhythms from the early 90s. Di Stefano’s prescient and unique work will appeal to fans of Cybe, Joel Graham, UnknownmiX, Zru Vogue, and provides a fascinating view of the 80s US electronic underground.
American-born, Japan-based composer John Di Stefano self-released a number of cassettes as part of the 80s DIY underground on his own imprint Oktron Produktions, including Klang's Drift, a collaboration with Joel Graham.
Living in San Francisco, Di Stefano had access to multiple University electronic music studios, where he had an impressive array of synthesizers at his fingertips, including both Buchla and Serge modular systems. Combining his knowledge of modular synthesis with a background in percussion, his early releases were a uniquely human approach to electroacoustic music, with flourishes of post punk in the mix. Di Stefano developed an interest in world music, studying Indian music theory and tabla, and after an extended trip to Indonesia in the mid 80s, he was particularly drawn to Javanese gamelan music. Future recordings would forever be indebted to the sounds he heard during those travels.

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Crawling With Tarts

Tearoom

LP | 2023 | CZ | Original (Concentric Circles)

33,99 €*

VAT free plus Shipping Costs

Release: 2023 / CZ – Original

Genre: Electronic & Dance

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While Crawling With Tarts (michael Gendreau and Suzanne Mckee) are now best remembered for their lengthy experimental works, their 1984 cassette Tearoom, reissued on LP for the first time by Concentric Circles in an edition of 300, reaches back to a more primitive, elemental time for the duo. Tearoom is a notable document of Gendreau and McKee’s early music, where guitars and voices collide in unexpected ways, with buzzing organs and wispy clarinets tangling over thudding drums. While it sits comfortably within the parameters of the eighties cassette underground, Tearoom has its very own character, one untroubled by any need to align with the dominant stylistic moves of the music made by their peers. Opening track “Ithurial’s Spear” remarkably foreshadows the pared-back, home-baked non-rock of labels like Siltbreeze and Majora. With wah-fuzz guitar scrawled over a Peter Hook-esque bassline and McKee’s naive, almost childlike voice murmuring in the listener’s ears, it’s a perfect example of kitchen-sink psychedelia. From here, Tearoom continually unravels itself, taking off layers as it progresses to its close. The delay-drenched guitar of “Gentle Wind” could have fallen from an early Roy Montgomery release, while “Chilada” takes slurred, slowed voices and rubs them up against clattering guitar, tin can percussion and tetchy bass. The rest of the second side is a wild ride, shuffling between organ/clarinet spray, scrawling tape spew, and on closer “House Spirit,” a typewriter ticking out letters as the city goes about its everyday business outside the bedroom window. Tearoom is the perfect example of an album with surprises lurking around every corner, ricocheting from and finely riding the line between the most abstract of pop and experimentation in the truest sense of the term. With the humblest of means Crawling With Tarts created a musical world all their own, in the process making a truly revelatory experience for curious ears and gently twisted brains alike.

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Shizuka

III

LP | 2023 | CZ | Original (Concentric Circles)

44,99 €*

VAT free plus Shipping Costs

Release: 2023 / CZ – Original

Genre: Rock & Indie

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During the 1990s Shizuka self-released a series of four cassettes, barely heard by anyone outside of their inner circle. Culling together live recordings and home demos, these served as companions to the scant amount of proper Shizuka releases at the time (including the recently reissued Heavenly Persona). Concentric Circles is proud to present the third and most anomalous cassette from Shizuka, simply titled III, on vinyl for the first time in an edition of 500 copies. Formed by guitarist and singer Shizuka Miura, alongside husband Maki Miura, who’d previously played with both LES Rallizes Dénudés and Fushitsusha, the group known as Shizuka started in the early 90s with JUN Kosugi (also of Fushitsusha) on drums, and a revolving cast of bass players, including J.J. Junko, whose sole recorded appearance with the band is here on III. Devoid of any of their trademark noise and bombast, III feel distinct from their studio and live albums of the era, largely due to its fragility; haunted and spare, the songs revolve around Shizuka Miura’s gentle, unforced sighs, and Maki’s flickering, flinty guitar. The first side of the album features four songs—“For You,” “Lunatic Pearl,” “The Night When The Door Opens” and “To The Sky”—which will be well-known to Shizuka fans from previous recordings, but the drastically understated renditions here are particularly moving for their quietude and intimacy. The second half of III consists of a side-long duo session, just Shizuka and Maki Miura together at home, circling around the simplest two-chord motif for twenty minutes, Shizuka singing the most heavenly melody, strung through the sky of this lengthy improvisation. It’s an astonishingly beautiful performance, one that stills time through its becalmed repetition, pointing towards the endless forever. In this respect, it feels like an ultimate extension of Opal’s early recordings, Big Star’s 3rd or even Galaxie 500’s quietest moments. III lifts the darkness away, allowing for a softer, more gentle Shizuka to shine through, bringing with it a side to the band that most never knew existed. A lovely discovery if there ever was one.

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