Chris Korda HHV Records 8 Items

Welcome to another polymeter dance! Feel free to express yourself, subordinate to any measures and cycles you prefer, there are plenty for everyone and any purpose. Every track represents a variety of rhythmic possibilities for any part of the body to communicate with. This allows you to resonate with the universe, but please always care for the environment! The dunning voice of today will introduce to you the core issues of tomorrow. As if a paralyzed mankind would not be able anymore to speak out the inevitable, a posthuman being has taken over. This entity is the master of ceremony who conducts an array of machines that will take further action to communicate, supported by complex polymeters.

Chris Korda’s upcoming release “More Than Four” is flagrant rhythmic heresy: electronic dance music that’s not only in odd time, but also in complex polymeter. Each of the album’s tracks uses at least four time signatures at once, typically including 3, 4, 5, and 7. The title isa pun on the 1966 Miles Davis album “Four & More.” The gatefold double LP has eleven tracks and features Korda’s artwork, and the digital version adds three bonus tracks.

Chris Korda is an internationally renowned multimedia artist, whose work spans thirty years and includes electronic music, digital and video art, performance and conceptual art, and culture jamming. Chris pioneered the use of complex polymeter in electronic dance music, and invented a unique Midi sequencer in order to explore polymeter composition techniques. Chris composes and performs music in a variety of genres, and has released many albums on labels such as Perlon, Mental Groove, and Gigolo Records. Chris also worked as a computer programmer for thirty-five years.

Her new album "Passion For Numbers" is one of the very few album in the world entirely composed in complex polymeter, meaning that each pieces of music uses several prime meters simultaneously. A unique way to compose music with a new generation of musical algorithmic, inside which Korda injects the DNA of neo classical, ambient and jazz music.

This refreshing album will please you whether you are into complex musical composition, experimental music or just seeking for a beautiful, emotional and accessible musical moment. This is a "In your hearts not the charts" album, as Irdial Discs once said.

Pleases read an extract of Chris Korda's letter about Passion For Numbers, included as insert in its entirety in this vinyl release:

This is an album of piano music, but I wrote it without a piano. Not having a piano turned out to be constructive, because I had to rely on my brain instead of my fingers, and particularly on my imagination and inner hearing. The album belongs to a category called phase music, and it’s also algorithmic, or more precisely rules-based generative music.

I don’t write music in the usual sense of the word “write.” I build kinetic sculptures, and the sculptures generate my music. My sculptures are virtual, meaning they’re invisible machines that exist only as data within my home-grown software. My process is related to the work of a relatively obscure early 20th century artist named Thomas Wilfred. Like me, Wilfred was an engineer-artist, and built machines that generated art from phase shift.

My music is in complex polymeter, meaning it’s not just in odd time, but in multiple odd time signatures, and not one odd time signature after another sequentially, but all of them running concurrently. Most music isn’t constructed this way, which is why I needed to develop custom software in order to compose my music. My software is called The Polymeter Midi Sequencer, and you can easily find it on the Internet. I also use music set theory, change-ringing and gray code, explanations of which can be found in Wikipedia.

Chris Korda is back with a EP titled "Not My Problem, I'll Be Dead", which serves as a brilliant counterpart to her 2020 release "Apologize to the Future". The EP explores the self-centered pursuits of present generations through Korda's unique artistic vision.

Partout's second USA East Coast release by the legend Chris Korda which is her first EP since her Perlon album debut. Four unreleased tracks from the early 2000s.

Chris Korda’s The (Wo)man of the Future finally arrives on vinyl for the first time, bringing the legendary 2003 album back into the spotlight. With tracks originally released on International Deejay Gigolo Records, this collection of subversive dancefloor anthems blends sharp social commentary with Korda’s unmistakable vocal delivery and stripped-down, hypnotic production.

Tracks like I Like to Watch and This Is Cheese mix biting satire with deadpan humor, while the title track delivers a prescient vision of the future. Twenty years later, The (Wo)man of the Future remains as unsettling as ever—Korda’s fearless critique of consumerism, mass media, and the illusions that shape modern life.

Seth Troxler & Phil Moffa’s Holoverse Research Labs imprint welcomes internationally-renowned multimedia artist Chris Korda to the label for its first non-Lost Souls Of Saturn Release. A pioneer of the use of complex polymeter in electronic dance music, Korda's boundary-smashing work spans thirty years across music, digital and video art, performance and conceptual art, philosophy, activitism and culture jamming. Korda's musical output has appeared on a host of revered independent labels including Yoyaku, Perlon, Mental Groove, and Gigolo Records.