Bob Marley & The Wailers HHV Records 66 Items

There are few musicians whose music has indisputably advanced humanity. Reggae figurehead Bob Marley--a songwriter, poet, activist, and visionary--is one of them. The idea that a single-disc collection could represent the depth, breadth, and power of Marley's achievement is far-fetched, but LEGEND makes an excellent attempt. Every single one of its tracks is outstanding, and the artist's different faces--revolutionary ("Get Up Stand Up"), romantic ("Is This Love"), devout Rastafarian ("Buffalo Soldier"), and prophet ("One Love/People Get Ready") are equally represented.In addition to his moving message of love and unity, Marley is a master songwriter, as the timelessness of songs like "Stir It Up," "I Shot the Sheriff," and the gorgeous, poignant "Redemption Song" proves. Of course, a true sampling of Marley's output would require some early ska material, the Wailer's debut (CATCH A FIRE), the definitive NATTY DREAD, and his later-period opus EXODUS, but LEGEND provides a highly satisfying, if brief, overview of Marley's genius. A record well suited to any location, season, or time of day, it has proven universal in its appeal. The music herein is as essential as air.

45 RPM, 200g

Analogue Productions' UHQR, the pinnacle of high-quality vinyl!
45 RPM Ultra High Quality Record release limited to 4,500 copies
Mastered from the original tapes by Ryan K. Smith at Sterling Sound
Pressed at Quality Record Pressings using Clarity Vinyl®
Purest possible pressing and most visually stunning presentation and packaging!
By the time Bob Marley died, he was one of the world's first global superstars, famous and lauded from Europe through Africa and the Americas. Some even saw him as not just a reggae singer but as a folk hero, a sort of freedom fighter, and to this day his enduring image feels greater than the music he made, writes Pitchfork.
In the 21st century, Bob Marley is a global cultural icon and the first Jamaican inducted into the Rock & Roll Hall of Fame. 1977's Exodus — recorded in London exile after a failed attempt on his life — turned out to be Marley's biggest-selling studio album. Time magazine named it the greatest LP of the 20th century.
Other Marley discs had bigger hits and still others had better album tracks, but the balance Marley strikes between politics, religion, and romance on Exodus — compare and contrast the urgent title track and the laid-back "Jamming" — shows a pop star at the peak of his powers.
Now, Analogue Productions presents perfection — Exodus in UHQR 45 RPM format on Clarity Vinyl. This Ultra High Quality Record release will be limited to 4,500 copies, with gold foil individually numbered jackets.
After the success of 1974's Natty Dread and 1976's Rastaman Vibration, Bob Marley was not only the most successful reggae musician in the world, he was one of the most powerful men in Jamaica. Powerful enough, in fact, that he was shot by gunmen who broke into his home in December 1976, days before he was to play a massive free concert intended to ease tensions days before a contentious election for Jamaican Prime Minister. In the wake of the assassination attempt, Marley and his band left Jamaica and settled in London for two years, where he recorded Exodus.
Exodus represented a subtle but significant shift for Marley; while he continued to speak out against political corruption and for freedom and equality for Third World people, his skill as a songwriter was as strong as ever, and Exodus boasted more than a few classics, "including the title song, 'Three Little Birds,' 'Waiting in Vain,' and 'Turn Your Lights Down Low,' tunes that defined Marley's gift for sounding laid-back and incisive at once," writes AllMusic.
This UHQR is remastered at 45 RPM by Sterling Sound's Ryan K. Smith from the original analog master tapes. Each UHQR will be pressed on 180-gram vinyl at Acoustic Sounds' industry-leading pressing plant Quality Record Pressings (QRP) using hand-selected Clarity Vinyl® with attention paid to every single detail. These records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.
Exodus — now a landmark production on 180-gram 45 RPM Analogue Productions UHQR Clarity Vinyl!

45 RPM, 180g

Mastered by Ryan K. Smith at Sterling Sound from the original master tape
Two 45 RPM LPs pressed on 180-gram vinyl at Quality Record Pressings
Deluxe Old-Style Tip-On Stoughton Printing gatefold jacket
Kaya, released in 1978, was the tenth studio album by the Jamaican band Bob Marley & The Wailers, comprising tracks recorded alongside those released on the Exodus album. On Kaya, the band continued what has become an unspoken tradition in the evolution of Bob Marley & The Wailers discography — blending western sounds and motifs with the icons and traditions from the very core of Jamaican society.
Released in 1978, Kaya wasn't necessarily made with American tastes in mind, but it was an album that presented a more accessible version of Bob Marley. Lyrically, the songs avoided the political commentary or Rastafarian philosophizing that was at the forefront of Natty Dread and Rastaman Vibration, and instead emphasized tunes about love and ganga, such as "Easy Skanking" and the title cut. And the palpable musical tension that simmered beneath the surface on the Wailers' earlier material gave way to a more laid-back riddim that was more comfortable but a bit less demanding. Kaya presented a gentler and friendlier version of Bob Marley & the Wailers, but it also documented Marley and his group at the peak of their abilities.
Likewise, Kaya could also be easily construed as an open love letter or musical paean to the lifestyle that Marley so eagerly embraced and promoted. Evidence that the spirituality that permeates the Wailers music is real and not lip service.
Now, Analogue Productions presents Kaya in sonic perfection — featured on 180-gram vinyl pressed at 45 RPM at Quality Record Pressings. Housed in a deluxe Old Style Tip-On Jacket from Stoughton Printing

Limited double tri-color vinyl LP pressing. Digitally remastered 30th Anniversary Edition. Originally released in 1984, Bob Marley's LEGEND illustrates the remarkable life and recording career of one of Reggae music's most important figures. This collection not only serves as the perfect introduction to the music of Bob Marley, it has become an essential part in every Marley collection. It remains the world's best-selling Reggae album and continues to be one of the best-selling catalog albums.

45 RPM, 180g

Mastered by Ryan K. Smith at Sterling Sound from the original master tape
Two 45 RPM LPs pressed on 180-gram vinyl at Quality Record Pressings/Also on Hybrid Multichannel SACD
Deluxe Old-Style Tip-On Stoughton Printing gatefold jacket
Uprising would be the final studio album featuring Bob Marley & the Wailers to be released during Marley's lifetime. Prophetically, it also contains some of the band's finest crafted material, as if they were cognizant that this would be their final outing.
Released in 1980, Uprising stands as one of Bob Marley's most poignant and spiritually charged albums, embodying both his enduring reggae genius and his reflective, almost prophetic musings on life and faith. What makes Uprising particularly unique in Marley's discography is its duality-balancing socially conscious anthems with deeply personal expressions of faith, hope, and mortality.
Tracks such as the iconic "Redemption Song," with its acoustic simplicity and universal message of liberation, and the haunting "Forever Loving Jah," reveal a man at peace with his spirituality. Meanwhile, songs such as "Could You Be Loved" deliver infectious grooves and crossover appeal, proving Marley's ability to blend message and melody effortlessly.
Critics and fans alike hailed Uprising as a high point in Marley's career. It received acclaim for its mature sound and cohesive vision, with reviewers highlighting its raw emotional power. While it didn't achieve the explosive commercial success of Exodus or Kaya, it cemented Marley's status as a global ambassador for reggae and freedom.
For Marley fans, it's more than an album — it's a testament to his enduring spirit.
Now, Analogue Productions gives Uprising the deluxe treatment this album, with its rich heritage, deserves. Pressed on 180-gram vinyl pressed at 45 RPM at Quality Record Pressings. Housed in a deluxe Old Style Tip-On Jacket from Stoughton Printing.

45 RPM, 200g

Analogue Productions' UHQR, the pinnacle of high-quality vinyl!
45 RPM 2LP Ultra High Quality Record release limited to 4,500 copies
Mastered from the original tapes by Ryan K. Smith at Sterling Sound
Pressed on 180-gram at Quality Record Pressings using Clarity Vinyl®
Includes "12 x 12" 8-page booklet featuring new liner notes by musician and Marley biographer Leroy Jodie Pierson (APO Records Direct-To-Disc AAPO 005), plus exclusive photos by Kim-Gottlieb Walker
Purest possible pressing and most visually stunning presentation and packaging!
When Rastaman Vibration was first released in America in 1976 it did what some in the music industry considered nearly impossible at the time. It took Bob Marley into the Top Ten alongside disco records and corporate rock, points out Rolling Stone, which rates the album 4 stars.
Despite the good cheer of the title track and the upbeat "Roots, Rock, Reggae," Rastaman Vibration contains some of Marley's most intense images of oppression, paranoia and despair. Tracks such as "Who the Cap Fit," "Crazy Baldhead" and "War" are offered by the Wailers with dire urgency as Marley's brutal visions are echoed by his own church choir, the I-Threes. More than four decades later, neither Marley's music nor his message has lost its sting.
Now, Analogue Productions presents perfection — Rastaman Vibration cut at 45 RPM in UHQR format on 180-gram 2LP Clarity Vinyl. This Ultra High Quality Record release will be limited to 4,500 copies, with gold foil individually numbered jackets.
For Bob Marley, 1975 was a triumphant year. The singer's Natty Dread album featured one of his strongest batches of original material (the first compiled after the departure of Peter Tosh and Bunny Wailer) and delivered Top 40 hit "No Woman No Cry." The follow-up Live set, a document of Marley's appearance at London's Lyceum, found the singer conquering England as well. Upon completing the tour, Marley and his band returned to Jamaica, laying down the tracks for Rastaman Vibration (1976) at legendary studios run by Harry Johnson and Joe Gibbs. At the mixing board for the sessions were Sylvan Morris and Errol Thompson, Jamaican engineers of the highest caliber.
Of the material on Rastaman Vibration, "War," for one, remains one of the most stunning statements of the singer's career. Though it is essentially a straight reading of one of Haile Selassie's speeches, Marley phrases the text exquisitely to fit a musical setting, a quiet intensity lying just below the surface. Equally strong are the likes of "Rat Race,""'Crazy Baldhead," and "Want More." These songs are tempered by buoyant, lighthearted material like "Cry to Me," "Night Shift," and "Positive Vibration." Not quite as strong as some of the love songs Marley would score hits with on subsequent albums, "Cry to Me" seems like an obvious choice for a single and remains underrated.
This UHQR is remastered at 45 RPM by Sterling Sound's Ryan K. Smith from the original analog master tapes. Each UHQR will be pressed at Acoustic Sounds' industry-leading pressing plant Quality Record Pressings (QRP) using hand-selected Clarity Vinyl® with attention paid to every single detail. These records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.
In addition to the UHQR booklet the package will contain a 8-page 12" x 12" booklet containing new liner notes by musican and Marley biographer Leroy Jodie Pierson as well as exclusive photos by Kim-Gottlieb Walker. Pierson is a past performer for Blues Masters at the Crossroads, the two-night historic blues festival at Blue Heaven Studios in Salina, Kansas. He's also recorded a Direct-To-Disc blues album for APO Records. (AAPO 005)
Rastaman Vibration — now a landmark production on 180-gram 45 RPM Analogue Productions UHQR Clarity Vinyl!

45 RPM, 200g
Analogue Productions' UHQR, the pinnacle of high-quality vinyl!
45 RPM Ultra High Quality Record release. Limited to 4,500 copies
Mastered by Ryan K. Smith at Sterling Sound from the original master tape
Pressed at Quality Record Pressings using Clarity Vinyl® on double LP!
Custom clamshell box — highest quality pressing and packaging!
Burnin' is the Wailers' sixth album, released in October 1973. All three members of the band — Bob Marley, Peter Tosh, and Bunny Wailer (the last time before Tosh and Bunny departed for solo careers and the band became known as Bob Marley & The Wailers) — wrote for, recorded and produced the album in Jamaica. Burnin' promoted the Wailers into international fame, led by the classic hits "I Shot The Sheriff" (a subsequent U.S. No. 1 for Eric Clapton) and the enduring anthem of people power, adopted by civil rights activists worldwide "Get Up, Stand Up."
Burnin' was, to some degree, a summary of the Wailers' progress to this point. An album full of revolutionary fire and fervor, it was also the last, heroic distillation of a lineup that had taken the teenaged Wailer, Tosh, and Marley on a journey from the streets of Trenchtown to the brink of global stardom.
Although a "new" act in Britain and America, the Wailers had been singing and recording together since 1963, and could boast a plentiful catalog of songs which were largely unknown outside Jamaica. Several of the tracks on Burnin' were re-recordings of songs that had been released before. "Put It On," a gentle, spiritual groove with the more emollient chant of "Lord I Thank You," had been released as a single on the Studio One label in Jamaica in 1965, when it was one of the first songs to coin the word "toasting" to refer to the lyrical style of chanting by the dancehall DJs. Likewise "Duppy Conqueror" and "Small Axe" were both new recordings of songs that were old favorites in the Wailers' story.
From Burnin' forward it would be Bob Marley who was very much the man in charge.
Here, with our UHQR format in Clarity Vinyl, you receive the added bonus of a 45 RPM cut that enhances the clarity and transparency of the music. It's all set against Quality Record Pressings' usual noiseless backgrounds 180-gram flawless records. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

45 RPM, 200g

Analogue Productions UHQR, the pinnacle of high-quality vinyl
Definitive limited run reissue Ultra High Quality Record!
45 RPM 2LP release limited to 4,500 copies
Mastered by Ryan K. Smith at Sterling Sound from the original master tape
Pressed at Quality Record Pressings using Clarity Vinyl®
Custom clamshell box — highest quality pressing and packaging!
Natty Dread, the seventh album by Bob Marley & The Wailers, released in 1974, was Marley's first recorded without Peter Tosh and Bunny Wailer as the Wailers. Natty Dread was most popularly received in the U.K., where it peaked at No. 43 and sold in excess of 100,000 copies, making it a gold album. Over time it gained popularity in other parts of the world, and in 2003 it was ranked No. 181 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Natty Dread was a pivotal album in Bob Marley's discography, embodying the spirit of Rastafarian culture and the socio-political landscape of Jamaica during that era. It's key track "No Woman, No Cry" not only became one of Marley's most famous and most-covered songs, it served as a powerful anthem of resilience and hope, capturing the struggles and joys of everyday life in the ghetto.
Natty Dread propelled Marley to international fame and acclaim and established his worldwide reputation. Today, Natty Dread is considered Marley's finest album, the ultimate reggae recording of all time.
Flawless is the only way to describe these limited edition 180-gram vinyl reissues. Featuring mastering by Ryan K. Smith at Sterling Sound from the original analog tape, and custom pressing at Quality Record Pressings, these beauties are created using Clarity Vinyl, for the purest sound and most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection.
Natty Dread — now a landmark production on Analogue Productions UHQR Clarity Vinyl!

Easily one of the greatest roots reggae albums of all time, Soul Rebels resulted from the intensive partnership brokered by the group and maverick producer, Lee ‘Scratch’ Perry. It was the first Wailers ‘concept’ album, conceived as a long-player based on a rebellious theme, rather than a collection of isolated singles, and the presence of the Barrett Brothers in the rhythm section pointed the way for greater glories to come. The Wailers first formed as an unruly 5-piece in 1963, with Junior Braithwaite as lead singer and Beverley Kelso an early member, sometimes replaced by Cherry Green. During their long tenure at Studio One, Bob Marley gradually shifted to the lead vocal role and the robust core of Marley, Peter Tosh and Neville Livingston, aka Bunny Wailer, soon emerged as the mainstays of the group. Perry was involved with the Wailers at Studio One, using their talents for backing vocals on some of his solo work, but the partnership that yielded Soul Rebels was in an entirely different league. The title track, Tosh’s anguished “400 Years and “Corner Stone” are legendary for their intense power; “It’s Alright” set the template for the later “Night Shift,” “My Cup” was an individual barebones reading of James Brown’s “I Guess I’ll Have To Cry Cry Cry,” while the playful “Try Me” and “No Water” are suggestive odes. Tosh’s dejected “No Sympathy” and the spirited “Soul Almighty” are other winners and the “Cloud 9” revamp “Rebel’s Hop” is another joy. All killer, no filler!

33 1/2 RPM, 200g

Analogue Productions' UHQR, the pinnacle of high-quality vinyl!
Definitive limited run reissue Ultra High Quality Record!
Mastered by Ryan K. Smith at Sterling Sound from the original master tape
33 1/3 RPM LP release limited to 4,500 copies
Pressed at Quality Record Pressings using Clarity Vinyl®
Custom clamshell box — highest quality pressing and packaging!
Burnin' is the Wailers' sixth album, released in October 1973. All three members of the band — Bob Marley, Peter Tosh, and Bunny Wailer (the last time before Tosh and Bunny departed for solo careers and the band became known as Bob Marley & The Wailers) — wrote for, recorded and produced the album in Jamaica. Burnin' promoted the Wailers into international fame, led by the classic hits "I Shot The Sheriff" (a subsequent U.S. No. 1 for Eric Clapton) and the enduring anthem of people power, adopted by civil rights activists worldwide "Get Up, Stand Up."
Burnin' was, to some degree, a summary of the Wailers' progress to this point. An album full of revolutionary fire and fervor, it was also the last, heroic distillation of a lineup that had taken the teenaged Wailer, Tosh, and Marley on a journey from the streets of Trenchtown to the brink of global stardom.
Although a "new" act in Britain and America, the Wailers had been singing and recording together since 1963, and could boast a plentiful catalog of songs which were largely unknown outside Jamaica. Several of the tracks on Burnin' were re-recordings of songs that had been released before. "Put It On," a gentle, spiritual groove with the more emollient chant of "Lord I Thank You," had been released as a single on the Studio One label in Jamaica in 1965, when it was one of the first songs to coin the word "toasting" to refer to the lyrical style of chanting by the dancehall DJs. Likewise "Duppy Conqueror" and "Small Axe" were both new recordings of songs that were old favorites in the Wailers' story.
From Burnin' forward it would be Bob Marley who was very much the man in charge.
Flawless is the only way to describe these limited edition 180-gram vinyl reissues. Featuring mastering by Ryan K. Smith at Sterling Sound from the original analog tape, and custom pressing at Quality Record Pressings, these beauties are created using Clarity Vinyl, for the purest sound and most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection.
Burnin' — now a landmark production on Analogue Productions UHQR Clarity Vinyl!

33 1/2 RPM, 200g

Analogue Productions UHQR, the pinnacle of high-quality vinyl
Definitive limited run reissue Ultra High Quality Record!
33 1/3 RPM LP release limited to 4,500 copies
Mastered by Ryan K. Smith at Sterling Sound from the original master tape
Pressed at Quality Record Pressings using Clarity Vinyl®
Custom clamshell box — highest quality pressing and packaging!
Natty Dread, the seventh album by Bob Marley & The Wailers, released in 1974, was Marley's first recorded without Peter Tosh and Bunny Wailer as the Wailers. Natty Dread was most popularly received in the U.K., where it peaked at No. 43 and sold in excess of 100,000 copies, making it a gold album. Over time it gained popularity in other parts of the world, and in 2003 it was ranked No. 181 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Natty Dread was a pivotal album in Bob Marley's discography, embodying the spirit of Rastafarian culture and the socio-political landscape of Jamaica during that era. It's key track "No Woman, No Cry" not only became one of Marley's most famous and most-covered songs, it served as a powerful anthem of resilience and hope, capturing the struggles and joys of everyday life in the ghetto.
Natty Dread propelled Marley to international fame and acclaim and established his worldwide reputation. Today, Natty Dread is considered Marley's finest album, the ultimate reggae recording of all time.
Flawless is the only way to describe these limited edition 180-gram vinyl reissues. Featuring mastering by Ryan K. Smith at Sterling Sound from the original analog tape, and custom pressing at Quality Record Pressings, these beauties are created using Clarity Vinyl, for the purest sound and most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a custom clamshell box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection.
Natty Dread — now a landmark production on Analogue Productions UHQR Clarity Vinyl!

Limited 180 gram vinyl LP pressing including original artwork. Recorded in London following an attempt on his life, Exodus shows Bob Marley mellowing a bit. Despite some powerful political tracks, Marley adopts a less fiery, more reflective approach than his previous outings. Now available in original artwork featuring the original gold metallic jacket with embossed lettering. Bob Marley was a Jamaican reggae singer, song writer, musician, and guitarist who achieved international fame and acclaim. His music in the 70s established his worldwide reputation and produced his status as one of the world's best-selling artists of all time, with sales of more than 75 million records.

Limited 180 gram vinyl LP pressing including original artwork. Uprising would be the final studio album featuring Bob Marley & the Wailers to be released during Marley's lifetime. Prophetically, it also contains some of the band's finest crafted material, as if they were cognizant that this would be their final outing. The album's blend of religious and secular themes likewise creates a very powerful and singular quest for spirituality in a material world. Bob Marley was a Jamaican reggae singer, song writer, musician, and guitarist who achieved international fame and acclaim. His music in the 70s established his worldwide reputation and produced his status as one of the world's best-selling artists of all time, with sales of more than 75 million records.

Island 50th Anniversary Special Edition. There are few musicians whose music has indisputably advanced humanity. Reggae figurehead Bob Marley--a songwriter, poet, activist, and visionary--is one of them. The idea that a single-disc collection could represent the depth, breadth, and power of Marley's achievement is far-fetched, but LEGEND makes an excellent attempt. Every single one of its tracks is outstanding, and the artist's different faces--revolutionary ("Get Up Stand Up"), romantic ("Is This Love"), devout Rastafarian ("Buffalo Soldier"), and prophet ("One Love/People Get Ready") are equally represented. In addition to his moving message of love and unity, Marley is a master songwriter, as the timelessness of songs like "Stir It Up," "I Shot the Sheriff," and the gorgeous, poignant "Redemption Song" proves. Of course, a true sampling of Marley's output would require some early ska material, the Wailer's debut (CATCH A FIRE), the definitive NATTY DREAD, and his later-period opus EXODUS, but LEGEND provides a highly satisfying, if brief, overview of Marley's genius. A record well suited to any location, season, or time of day, it has proven universal in its appeal. The music herein is as essential as air. (Note: The Deluxe Edition CD includes two bonus tracks and an additional disc of remixes.)

Hybrid Stereo SACD release from Analogue Productions
Mastered Direct To DSD by Ryan K. Smith at Sterling Sound from the original master tape
Plays in all CD and SACD players
By the time Bob Marley died, he was one of the world's first global superstars, famous and lauded from Europe through Africa and the Americas. Some even saw him as not just a reggae singer but as a folk hero, a sort of freedom fighter, and to this day his enduring image feels greater than the music he made, writes Pitchfork.
In the 21st century, Bob Marley is a global cultural icon and the first Jamaican inducted into the Rock & Roll Hall of Fame. 1977's Exodus — recorded in London exile after a failed attempt on his life — turned out to be Marley's biggest-selling studio album. Time magazine named it the greatest LP of the 20th century.
Other Marley discs had bigger hits and still others had better album tracks, but the balance Marley strikes between politics, religion, and romance on Exodus — compare and contrast the urgent title track and the laid-back "Jamming" — shows a pop star at the peak of his powers.
After the success of 1974's Natty Dread and 1976's Rastaman Vibration, Bob Marley was not only the most successful reggae musician in the world, he was one of the most powerful men in Jamaica. Powerful enough, in fact, that he was shot by gunmen who broke into his home in December 1976, days before he was to play a massive free concert intended to ease tensions days before a contentious election for Jamaican Prime Minister. In the wake of the assassination attempt, Marley and his band left Jamaica and settled in London for two years, where he recorded Exodus.
Exodus represented a subtle but significant shift for Marley; while he continued to speak out against political corruption and for freedom and equality for Third World people, his skill as a songwriter was as strong as ever, and Exodus boasted more than a few classics, "including the title song, 'Three Little Birds,' 'Waiting in Vain,' and 'Turn Your Lights Down Low,' tunes that defined Marley's gift for sounding laid-back and incisive at once," writes AllMusic.
Exodus — now a landmark production on Analogue Productions Hybrid Stereo SACD!

180g

Kmpx Live FM Radio Broadcast: Oakland Auditorium, Oakland, California, USA - 30th November 1979

Mastered Direct to DSD by Ryan K. Smith at Sterling Sound from the original master tape
Hybrid Multichannel SACD
Plays in all CD and SACD players
Uprising would be the final studio album featuring Bob Marley & the Wailers to be released during Marley's lifetime. Prophetically, it also contains some of the band's finest crafted material, as if they were cognizant that this would be their final outing.
Released in 1980, Uprising stands as one of Bob Marley's most poignant and spiritually charged albums, embodying both his enduring reggae genius and his reflective, almost prophetic musings on life and faith. What makes Uprising particularly unique in Marley's discography is its duality-balancing socially conscious anthems with deeply personal expressions of faith, hope, and mortality.
Tracks such as the iconic "Redemption Song," with its acoustic simplicity and universal message of liberation, and the haunting "Forever Loving Jah," reveal a man at peace with his spirituality. Meanwhile, songs such as "Could You Be Loved" deliver infectious grooves and crossover appeal, proving Marley's ability to blend message and melody effortlessly.
Critics and fans alike hailed Uprising as a high point in Marley's career. It received acclaim for its mature sound and cohesive vision, with reviewers highlighting its raw emotional power. While it didn't achieve the explosive commercial success of Exodus or Kaya, it cemented Marley's status as a global ambassador for reggae and freedom.
For Marley fans, it's more than an album — it's a testament to his enduring spirit.
Now, Analogue Productions gives Uprising the deluxe treatment this album, with its rich heritage, deserves. Featured here on Hybrid Multichannel SACD. Plays in all CD and SACD players.

Hybrid Multichannel SACD
Mastered by Ryan K. Smith at Sterling Sound from the original master tape
Plays in all CD and SACD players
Kaya, released in 1978, was the tenth studio album by the Jamaican band Bob Marley & The Wailers, comprising tracks recorded alongside those released on the Exodus album. On Kaya, the band continued what has become an unspoken tradition in the evolution of Bob Marley & The Wailers discography — blending western sounds and motifs with the icons and traditions from the very core of Jamaican society.
Released in 1978, Kaya wasn't necessarily made with American tastes in mind, but it was an album that presented a more accessible version of Bob Marley. Lyrically, the songs avoided the political commentary or Rastafarian philosophizing that was at the forefront of Natty Dread and Rastaman Vibration, and instead emphasized tunes about love and ganga, such as "Easy Skanking" and the title cut. And the palpable musical tension that simmered beneath the surface on the Wailers' earlier material gave way to a more laid-back riddim that was more comfortable but a bit less demanding. Kaya presented a gentler and friendlier version of Bob Marley & the Wailers, but it also documented Marley and his group at the peak of their abilities.
Likewise, Kaya could also be easily construed as an open love letter or musical paean to the lifestyle that Marley so eagerly embraced and promoted. Evidence that the spirituality that permeates the Wailers music is real and not lip service.
Now, Analogue Productions presents Kaya in sonic perfection — featured on Hybrid Multichannel SACD. Plays in all CD and SACD players.

Hybrid Stereo SACD release from Analogue Productions
Mastered Direct To DSD by Ryan K. Smith at Sterling Sound from the original master tape
Plays in all CD and SACD players
When Rastaman Vibration was first released in America in 1976 it did what some in the music industry considered nearly impossible at the time. It took Bob Marley into the Top Ten alongside disco records and corporate rock, points out Rolling Stone, which rates the album 4 stars.
Despite the good cheer of the title track and the upbeat "Roots, Rock, Reggae," Rastaman Vibration contains some of Marley's most intense images of oppression, paranoia and despair. Tracks such as "Who the Cap Fit," "Crazy Baldhead" and "War" are offered by the Wailers with dire urgency as Marley's brutal visions are echoed by his own church choir, the I-Threes. More than four decades later, neither Marley's music nor his message has lost its sting.
For Bob Marley, 1975 was a triumphant year. The singer's Natty Dread album featured one of his strongest batches of original material (the first compiled after the departure of Peter Tosh and Bunny Wailer) and delivered Top 40 hit "No Woman No Cry." The follow-up Live set, a document of Marley's appearance at London's Lyceum, found the singer conquering England as well. Upon completing the tour, Marley and his band returned to Jamaica, laying down the tracks for Rastaman Vibration (1976) at legendary studios run by Harry Johnson and Joe Gibbs. At the mixing board for the sessions were Sylvan Morris and Errol Thompson, Jamaican engineers of the highest caliber.
Of the material on Rastaman Vibration, "War," for one, remains one of the most stunning statements of the singer's career. Though it is essentially a straight reading of one of Haile Selassie's speeches, Marley phrases the text exquisitely to fit a musical setting, a quiet intensity lying just below the surface. Equally strong are the likes of "Rat Race,""'Crazy Baldhead," and "Want More." These songs are tempered by buoyant, lighthearted material like "Cry to Me," "Night Shift," and "Positive Vibration." Not quite as strong as some of the love songs Marley would score hits with on subsequent albums, "Cry to Me" seems like an obvious choice for a single and remains underrated.
Rastaman Vibration — now a landmark production on Analogue Productions Hybrid Stereo SACD!

Hybrid Stereo SACD release from Analogue Productions
Mastered Direct To DSD by Ryan K. Smith at Sterling Sound from the original master tape
Plays in all CD and SACD players
When Rastaman Vibration was first released in America in 1976 it did what some in the music industry considered nearly impossible at the time. It took Bob Marley into the Top Ten alongside disco records and corporate rock, points out Rolling Stone, which rates the album 4 stars.
Despite the good cheer of the title track and the upbeat "Roots, Rock, Reggae," Rastaman Vibration contains some of Marley's most intense images of oppression, paranoia and despair. Tracks such as "Who the Cap Fit," "Crazy Baldhead" and "War" are offered by the Wailers with dire urgency as Marley's brutal visions are echoed by his own church choir, the I-Threes. More than four decades later, neither Marley's music nor his message has lost its sting.
For Bob Marley, 1975 was a triumphant year. The singer's Natty Dread album featured one of his strongest batches of original material (the first compiled after the departure of Peter Tosh and Bunny Wailer) and delivered Top 40 hit "No Woman No Cry." The follow-up Live set, a document of Marley's appearance at London's Lyceum, found the singer conquering England as well. Upon completing the tour, Marley and his band returned to Jamaica, laying down the tracks for Rastaman Vibration (1976) at legendary studios run by Harry Johnson and Joe Gibbs. At the mixing board for the sessions were Sylvan Morris and Errol Thompson, Jamaican engineers of the highest caliber.
Of the material on Rastaman Vibration, "War," for one, remains one of the most stunning statements of the singer's career. Though it is essentially a straight reading of one of Haile Selassie's speeches, Marley phrases the text exquisitely to fit a musical setting, a quiet intensity lying just below the surface. Equally strong are the likes of "Rat Race,""'Crazy Baldhead," and "Want More." These songs are tempered by buoyant, lighthearted material like "Cry to Me," "Night Shift," and "Positive Vibration." Not quite as strong as some of the love songs Marley would score hits with on subsequent albums, "Cry to Me" seems like an obvious choice for a single and remains underrated.
Rastaman Vibration — now a landmark production on Analogue Productions Hybrid Stereo SACD!

Classic Wailers recordings done with Lee Perry early 70s. Tuff roots rhythms with early stripped down versions to later well known tracks such as "Sun Is Shining" "African Herbsman" "Keep On Moving" and many more.

Hybrid Stereo SACD release from Analogue Productions
Mastered Direct To DSD by Ryan K. Smith at Sterling Sound from the original master tape
Plays in all CD and SACD players
Burnin' is the Wailers' sixth album, released in October 1973. All three members of the band — Bob Marley, Peter Tosh, and Bunny Wailer (the last time before Tosh and Bunny departed for solo careers and the band became known as Bob Marley & The Wailers) — wrote for, recorded and produced the album in Jamaica. Burnin' promoted the Wailers into international fame, led by the classic hits "I Shot The Sheriff" (a subsequent U.S. No. 1 for Eric Clapton) and the enduring anthem of people power, adopted by civil rights activists worldwide "Get Up, Stand Up."
Burnin' was, to some degree, a summary of the Wailers' progress to this point. An album full of revolutionary fire and fervor, it was also the last, heroic distillation of a lineup that had taken the teenaged Wailer, Tosh, and Marley on a journey from the streets of Trenchtown to the brink of global stardom.
Although a "new" act in Britain and America, the Wailers had been singing and recording together since 1963, and could boast a plentiful catalog of songs which were largely unknown outside Jamaica. Several of the tracks on Burnin' were re-recordings of songs that had been released before. "Put It On," a gentle, spiritual groove with the more emollient chant of "Lord I Thank You," had been released as a single on the Studio One label in Jamaica in 1965, when it was one of the first songs to coin the word "toasting" to refer to the lyrical style of chanting by the dancehall DJs. Likewise "Duppy Conqueror" and "Small Axe" were both new recordings of songs that were old favorites in the Wailers' story.
From Burnin' forward it would be Bob Marley who was very much the man in charge

Compiling the dub music of Bob Marley once again! This is a must have for both Marley and reggae maniacs everywhere!

Featuring tracks cut on one-off acetate dubplates specifically made for sound systems, singles that were only ever distributed in Jamaica, and other Marley dubrock rarities, this compilation, specifically compiled by Rita Marley for P-vine, Welcome to Dubrock shows the king of reggae the way Jamaican sound systems saw him! We’ve selected the tracks released after his major label contract from that compilation, and reissued them on first time limited edition vinyl, with an obi-strip attached! There’s no doubt that this is going to drive any fan of reggae mad! So make sure to get yours while you can!

Recorded after the release of “Natty Dread” in 1974, Live At The Quiet Night Club June 10th, 1975, sees Bob Marley & The Wailers deliver a true “Trenchtown Experience” live! Delivered to you on vinyl for the first time ever, this double LP is a must have for all music lovers!

Recorded in a small, predominantly African American club on the Chicago leg of their US tour, this recording sees Bob Marley & The Wailers at the height of their powers, with reggae rhythms that’ll instantly transport you to Kingston! Even among the plethora of posthumous Bob Marley live recordings, Live At The Quiet Night Club June 10th, 1975 stands out as one of the best. The Wailers, despite changes to their lineup, are in tip-top shape. Compared to the heavily Rastafarian, almost ritualistic live shows that would become a hallmark of later shows by Bob Marley and The Wailers, this show is pure, unadulterated good reggae vibes. With sound quality that’ll have you shocked that it was recorded in 1975, an obi-strip, a gatefold jacket, and photos from Japanese photographer Mitsuhiro Sugawara, this is one of the best sounding, and best looking Bob Marley records ever!

Recordings from a studio jam session before Bob Marley & The Wailers’ legendary performance at San Francisco's The Matrix reissued on vinyl for the first time ever! After the release of their world debut Catch A Fire, Bob Marley & The Wailers would embark on a U.S. tour supporting the legendary Sly And The Family Stone. Yet after five dates, they were fired from the tour, supposedly for upstaging the main acts! Left with no money and nowhere to go, they performed one legendary show at San Francisco's The Matrix. These recordings, taken from a studio session before their legendary performance, find Bob Marley and The Wailers at their best. Featuring the classic lineup of Bob Marley (vo/gt.), Peter Tosh (vo/gt), Joe Higgs (per.), Earl Lindo (pf.), Family Man Barrett (b.), and Carlton Barrett (ds.), the Wailers are imbued with the kind of Rock and Roll energy that could only come from outshining Sly Stone. Even sweet rocksteady ballads such as “Stir It Up” take on the form of a rock and roll anthem in this session! Despite internal tensions that would result in Tosh leaving the band the following year, The Wailers are tight as they ever were, with their iconic vocal harmonies and rhythmic prowess on full display. Discovered and released on CD by P-vine in 2005, these mythical studio recordings are finally getting a long deserved analog release! The double LP on black vinyl comes complete with an obi-strip! Put this on your player and let Kingston come to you!

Limited 180 gram vinyl LP pressing including original artwork. Natty Dread is considered Bob Marley's finest album, the ultimate reggae recording of all time. This was Marley's first album without former band mates Peter Tosh and Bunny Livingston, and the first released as Bob Marley & the Wailers. The material presented here defines what reggae was originally all about, with political and social commentary mixed with religious paeans to Jah. Bob Marley was a Jamaican reggae singer, song writer, musician, and guitarist who achieved international fame and acclaim. His music in the 70s established his worldwide reputation and produced his status as one of the world's best-selling artists of all time, with sales of more than 75 million records.

Limited 180 gram vinyl LP pressing including original artwork. After conquering England on tour, Bob Marley returned to Jamaica to record Rastaman Vibration with his band. The album reached the Top 10 in the U.S. Bob Marley was a Jamaican reggae singer, song writer, musician, and guitarist who achieved international fame and acclaim. His music in the 70s established his worldwide reputation and produced his status as one of the world's best-selling artists of all time, with sales of more than 75 million records.

Limited 180 gram vinyl LP pressing including original artwork. Containing what is considered Marley's most defiant and politically charged statement to date, Survival concerns itself with the expressed solidarity of not only Africa, but of humanity at large. The album was controversial right down to the jacket, which contains a crude schematic of the stowage compartment of a typical transatlantic slave ship. Bob Marley was a Jamaican reggae singer, song writer, musician, and guitarist who achieved international fame and acclaim. His music in the 70s established his worldwide reputation and produced his status as one of the world's best-selling artists of all time, with sales of more than 75 million records.

This concert was held during a political civil war in Jamaica between opposing parties Jamaican Labour Party and the People's National Party. The concert came to its peak during Bob Marley & The Wailers' performance of "Jammin'", when Marley joined the hands of political rivals Michael Manley (pnp) and Edward Seaga (jlp

Double vinyl LP pressing. Digitally remastered and expanded deluxe edition. 40th Anniversary of Bob Marley & The Wailers' classic Kaya album. Recorded in part during Marley's and the band's 1977 exile in London, Kaya is very much the sibling record to Exodus. Fittingly, as Ziggy Marley revisited the original session recordings for last year's Exodus 40 celebration, this year sibling Stephen Marley revisits the original session recordings to commemorate Kaya, bringing a fresh perspective to this suite that's quietly referred to as the Peace Treaty album. The Kaya album has a very relaxed, laid back sound, lacking much of the militant quality of the Wailers lyrically and musically. The album's songs primarily revolve around love, as well as marijuana.

Limited 180 gram vinyl LP pressing including original artwork. Natty Dread is considered Bob Marley's finest album, the ultimate reggae recording of all time. This was Marley's first album without former band mates Peter Tosh and Bunny Livingston, and the first released as Bob Marley & the Wailers. The material presented here defines what reggae was originally all about, with political and social commentary mixed with religious paeans to Jah. Bob Marley was a Jamaican reggae singer, song writer, musician, and guitarist who achieved international fame and acclaim. His music in the 70s established his worldwide reputation and produced his status as one of the world's best-selling artists of all time, with sales of more than 75 million records.