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Alien Nosejob

Alien Nosejob Vinyl, CD & Tape 6 Items

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Alien Nosejob - Paint It Clear Black Vinyl Edition

Paint It Clear Black Vinyl Edition

LP | 2021 | US | Original (Feel It)

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Release: 2021 / US – Original

Genre: Rock & Indie

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Alien Nosejob - Suddenly Everything Is Twice As Loud

Suddenly Everything Is Twice As Loud

LP | 2020 | EU | Original (Drunken Sailor)

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Release: 2020 / EU – Original

Genre: Rock & Indie

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You'd think Jake Robertson would already have his hands full playing in the likes of Ausmuteants, Leather Towel, School Damage, Drug Sweat et al. But no, evidently there's always time for one more thoroughly wracked project, and Alien Nose Job's focus is as kaleidoscopically scattershot as you'd expect from a man with such a short attention span. Just to confirm: yes, that's a good thing. From the off, we glide through the Coneheads-style Devocore of Television Sets before romping through the jangling lo-fi pop of Weight of the World, which skips and mopes while making like The Clean setting light to their parents' carpet with a magnifying glass. There's also charmingly scruffy soul-pop, chugging sci-fi slop-punk, straight-up college rock balladry and much, much more. But these aren't sketches or tossed-off genre exercises. They're bona fide works of consummate skill that resonate sincerely and effortlessly. Essentially, each song sounds like a challenge to the one that follows, a cry of 'step the fuck up'; Suddenly Everything is Twice as Loud is a treasure trove of mini-masterpieces. Rough as fuck mini-masterpieces, sure, recorded with a cheap drum machine and guitars that sound like rusty drills cutting through power cables, but mini-masterpieces nonetheless. When venerable doyens of the pop establishment make albums of such eclectic scope and genuine songwriting talent, they get called geniuses. When punk as fuck wiseguys like Robertson pull it off, words like 'maverick' get tossed around. Rest assured, his Alien Nose Job project covers both angles. This second album is an instant classic that deserves to be heard far beyond the underground - but if it isn't, who cares? He's probably playing in another seven bands already by the time you read this. I've not heard them yet either, but I can tell you they're all fucking amazing. Just buy this record and join the cult. Will Fitzpatrick.

Alien Nosejob - The Derivative Sounds Of

The Derivative Sounds Of

LP | 2023 | US | Original (Goner)

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Release: 2023 / US – Original

Genre: Rock & Indie

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Less than twelve months on from the triumphant rock ’n’ roll record that was Stained Glass, Australia’s most tasteful sonic culinary artiste Jake Robertson serves up The Derivative Sounds Of, another platter in his never-ending, ever-extending Alien Nosejob banquet.

Since initially firing out similar flavors on his first offering, Alien Nosejob has conquered the challenges of disco, hardcore, new wave, rock and roll (all drowned in his characteristically sweet sense of humor) before finally returning back to his musical roots: the jangly, adolescent feel of 1960s garage.

After one of Robertson’s first bands, The Frowning Clouds, reunited for a few shows in September 2022, he found himself digging up old songs and riffs from the period, some spanning back to as early as 2006 and up until around 2012. This record features many of those song ideas—some reworked, some rewritten, some exactly the same. All together now as one hot package.

Leaning into his musical tastes from the Clouds’ period of existence, Robertson digs up inspiration in some teenage staples: The Troggs, Mike Furber, the under-appreciated bands that make up the Shutdown ’66 / Back From The Grave compilations, without overdoing the sugar, salt, MSG, whatever one wants to call it. This record was recorded by Robertson all by his lonesome over a weekend in his garage. There’s no paisley shirts, no skinny-ties, no winkle-pickers, no slim-fit suits and no haircuts—just Robertson and his 1964 MacBook Pro.

Garage rock revival is a sound that’s often overdone, drenched in nostalgia and small-minded attitudes, but this album is not just a throwback to the sounds of yesterday. It doesn’t belong with the golden oldies or the usual garage resuscitations. Goner Records is proud to present, The Derivative Sounds Of, the sixth piece of Alien Nosejob’s eternal buffet and the “all you can eat” of record titles.

Alien Nosejob - Paint It Clear Colored Vinyl Edition

Paint It Clear Colored Vinyl Edition

LP | 2021 | US | Original (Feel It)

VAT free plus Shipping Costs

Release: 2021 / US – Original

Genre: Rock & Indie

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Alien Nosejob - Once Again The Present Becomes The Past (Australian Pressing)

Once Again The Present Becomes The Past (Australian Pressing)

LP | 2020 | AU | Original (ANTI FADE)

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Release: 2020 / AU – Original

Genre: Rock & Indie

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Alien Nosejob - Turns The Colour Of Bad Shit

Turns The Colour Of Bad Shit

LP | 2024 | US | Original (Total Punk)

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Release: 2024 / US – Original

Genre: Rock & Indie

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Only 10 measly months has passed sinceAlien Nosejob released their Garage Rock record “The Derivative Sounds of…Or… A Dog Always Returns to its Vomit” (Goner / Anti Fade). Since its release, there’s been two international tours, two interstate tours and a bunch of chillaxing on the beach. ANJ is now back in the office and the next record is fast approaching.

“Turns the Colour of Bad Shit” will be Jake Robertson’s seventh solo record under the extremely vast and evolving umbrella that is Alien Nosejob. On September 20 Anti Fade Records (au), Total Punk (us) & DrunkenSailor (uk) join forces to split the shit pie into three different shades ofBad Shit and feed the 5000 hungry fans across the globe.

Taking musical inspiration from the late 70’s punk sounds of J.T. IV, Elton Motello, X-Ray Spex, ‘Bad Shit' came to life in April 2023 when Jake occupied friends’ Mikey and Raven’s home studio for a weekend and took to the controls on his own.

The album opens with the gut-wrenching terror that is 'Bird Strike’. A song made up of a hypnotic riff, haunting saxophone line (courtesy of Alannah Sawyer) and grotesque lyrical imagery that parallels Revee Bendixen's mutilated album artwork. 'Trapped in Time' lightens the mood with an upbeat tempo and words that poke fun at those stuck living in the past, while 'Annoying Riffs' points the finger at almost all of society (including himself). Jake reminds us that he can most certainly play a guitar solo (In case anyone forgot the Stained Glass record) on 'The Ostrich’ before the blistering 24 minutes wraps up with ‘Medical Treatment’; a 3 minute, minor chord Birdman worship. This record has a little something for everybody.

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