Rock 'n' Roll Vinyl 7 Inch 136 Items

Sababa 5 collaborate with India born singer Sophia Solomon on their most exciting double A-side to date, merging Bollywood-style songs with their signature blend of Middle Eastern grooves.

Limited edition remastered 7" pressing of this classic 1958 track backed with "Rawhide" o 450 copies ww o exclusive label and house bag design "Rumble" was banned in several US radio markets, because the term 'rumble' was a slang term for a gang fight, and it was feared that the piece's harsh sound glorified juvenile delinquency. The record is the only instrumental single ever banned from radio in the United States.owever "Rumble" was a hit in the United States, where it climbed to number 16 on the pop charts and number 11 on the R&B chart in the summer of 1958.In 2018, the song was inducted into the Rock and Roll Hall of Fame in a new category for singles.

Amazing cover of “shout TO THE Top” by Lemon, a singer active in various scenes, is now available on 7” analog! Included on the B-side is an original song “blue Light” by Geno Sato. Lemon, who was the lead singer of “The Hair” and “wack Wack Rhythm Band” and is now a solo singer, will release her first analog 7-inch under her solo name on Unchantable Records. The flip side “blue Light” is a pop and sorrowful original song written for Lemon by Geno Sato (ex.The Hair) of THE Geno London, a representative of the Tokyo Mods scene!

We are proud to announce the first reference of Discos Mapaches. Legendary Spanish band from Madrid Los Zinkos featuring the two killer tracks from their 1967 highly collectable and ultra hard to find 45 for tiny Spanish 60s label Sintonia. Side A. Tú mandas en mi (Tu me fais marcher) Organ driven cover of little known french soul singer Phillipe Monet Side B. No te puedo amar (I can’t please you) Northen soul classic by Jimmy Robins issued in USA & UK only Both tracks have been carefully restored and remastered respecting their original sound. Limited reissue of 444 copies hand-numbered including 4-page insert with info and pictures provided by original members of the band and one postcard with unseen photo.

Orgullosos de anunciar nuestra primera referencia de Discos Mapaches Los Zinkos, la legendaria banda española de Madrid incluyendo sus dos canciones de su raro y altamente coleccionable single de 1967 para el sello Sintonía Cara A. Tu mandas en mi (Tu me fais marcher) Oscura versión del cantante francés Phillipe Monet impregnada de órgano y redobles de batería saturados Cara B. No te puedo amar (I can’t please you) Clásico del Northen soul por Jimmy Robins que fue solamente editado en USA & UK Ambas canciones han sido profesionalmente remasterizadas respetando el sonido original Reedición limita a 444 copias numeradas a mano incluyendo folleto de 4 paginas con información y fotos facilitadas por la banda y una tarjeta postal con una foto nunca antes vista

LOS Cirros are one of the most obscure Spanish rock bands from the late 60s. Coming out of a tiny village in one of the smallest provinces of the country sure helped them being fully ignored, but how cool those guys proved to be when discovered in compilations such as “Viñedos” or “Pentecostés Vibrations”!!! They released two seven inches (1969 and 1970), both very very rare and featuring pretty cool songs in a blend of garage, light psychedelia and pop. Now, these two 45s are reissued (marketed together, not to be sold separately!), including an unreleased bonus track and with the usual attention to detail of the Madmua label, with the addition of an insert and two postcards. Limited to 500 copies.

This release is handmade and numbered silk screen cover. Reprint of Radio Martiko’s 2nd single from 2015.

"Louie Louie" by Belgian schlager legend Joske Harry's (aka Joe Harris) blows The Kingsmen's original version away. Absolute dancefloor-filler.
There must be about 11,283 versions of "Tabou." This ultra-rare gem by Burt Blanca just might be the ultimate version... or maybe not. Anyway, this is a must-have for your collection.

Carl Perkins was born into a sharecropper family in fertile northwestern Tennessee, separated from neighboring states Missouri and Kentucky by curvy bends of the Mississippi River. Even in his early days scouting talent, Sun Records founder Sam Phillips had it right when he met Perkins and declared with reverence ''this is one of the world's greatest plow-hands.'' Carl Perkins was a proud country kid.
With Sun Records, Perkins released eight singles and one studio album, but his recording legacy is often undeservedly simplified to this singular, million-selling 7'' record. Originally released in February 1956, ''Blue Suede Shoes'' b/w '''Honey, Don't'' is a rock and roll standard and critically praised as one of the first massive blockbusters of its kind. It walks down the road forged by Sister Rosetta Tharpe, Ike Turner, Bill Haley, Little Richard, Chuck Berry and Elvis Presley to fuse elements of blues, country, pop and gospel in a completely new direction.
Though Elvis Presley's cover would cement the song's status as a standard, Carl Perkins owes a good deal to Elvis for his name recognition and success as an artist. With Elvis's cover of ''Blue Suede Shoes'' recorded and ready to release at the same time as Perkins' original version, Presley requested that his major label distribution hold back his cover single until the original single sold one million copies, purely out of loyalty and consideration for his friend Perkins.

Here's a reissue of an Iowa roackabilly oddity, originally from 1961, complete with its exotica-tinged flip.

The 7'' Sun Records Reissue version of the Grammy Nominated Record Store Day Exclusive 10-inch facsimile of Elvis Presley’s first ever recording from 1953

Elvis Presley's first-ever record. Third Man will release a widely available 7-inch 45rpm featuring newly restored versions of the two songs. Working from a transfer done by industry expert Alan Stoker at the Country Music Hall of Fame, the audio will be as clean as modern technology can make it without losing the feeling and soul that makes these two songs both haunting and breath-taking.

An 18-year-old Elvis Presley walked through the doors of the Memphis Recording Service at 708 Union Ave. in the summer of 1953. He carried a beat-up guitar that he'd had since the age of 11 and enough money to make a $3.98 record of his own voice.

He sang two '30s ballads -- ''My Happiness'' and ''That's When Your Heartaches Begin'' -- hoping to catch the attention of Sam Phillips, who had started his own label, Sun. When he was done, Marion Keisker, who helped run the place with Phillips, typed his name on the back of a label for Sun act The Prisonaires, and Presley left with his acetate.

For more than six decades, that record of Elvis singing ''My Happiness'' was kept by the family of the high-school friend Presley left it with, Ed Leek. As part of an auction at Graceland on Jan. 8 (2015) -- which would have been Presley's 80th birthday -- it was valued at approximately $100,000. It sold to an unknown Internet bidder for $300,000.

That bidder was Jack White.

A piece of American musical history

Watch the digital transfer: https://youtu.be/wvtSMMaYUug

Manufacturer: United Record Pressing

Tracklisting:
A. My Happiness
B. That's When Your Heartaches Begin

Reissue of a psychedelic gem from Brazil's late '60s underground. This '68 release wasn't 'just' a genuine garage / soul killer, it also was meant as a provocation of the country's political society and dictatorship. 'LSD' was an abbreviation for "Lindo Sonho Delirante", which can be translated into 'Beautiful Trippy Dream'. Limited edition of 300 copies.

Acid Jazz group label Countdown Records is excited to announce the next release in our Mod Classics series – the fantastic, super-hip R&B of North London Group The Bo Street Runners, with an exclusive coupling of their ‘Bo Street Runner’ b/w ‘Baby Never Say Goodbye’. To those of us who grew up on the ’80s mod scene, they are two iconic tracks that filled floors from East London’s Regency Suite to Sneakers in the West.

The Bo Street Runners formed in 1964 and made their name playing at the Railway Hotel in Harrow – the same venue where The Who made their name. They recorded a super rare self funded EP on OAK before signing to Decca after winning the Ready Steady Win! competition. Their debut single was the Bo Diddley inspired ‘Bo Street Runner’ with its frenetic Harmonica.

When this didn’t chart the band’s contract was sold to Columbia who released their final three singles. The pick of these was the jazzy ’Baby Never Say Goodbye’ – which featured Mick Fleetwood on drums, on his way to greater success elsewhere.

Presented in the new Countdown Mod Classics monochrome geometric housebag and pressed on white vinyl. Limited to 500 copies.

Discodelic and Groovie Records present two incredible singles / amazing finds of musical archeology. Four recordings made in Panama in the 70s and lost in time, we finally managed to license these Latin Psych Funk gems through Tamayo Records in a deluxe limited edition. These four groups Conjunto Raza, The Meditators, The Scepters and Los Misticos, were groups that barely recorded a single, which were only used for radio stations and forgotten in warehouses, they represent the most underground and forgotten Panama!

LOS Riscos, Spanish band who released a few 7" from 1971 to 1976, get the Madmua treatment. This 7" includes their two best tracks, including the underground classic "Sombras" from their highly collectable, ultra hard to find 1971 EP. 500 copies only, with insert and two postcards.

Les Dynamites make a jubilant return to Batov Records" Middle Eastern Grooves series of vinyl 45s with two irresistible instrumentals capturing the spirit of the Mediterranean surf rock renaissance, "Uzi Kinrot" and "Sea Gull".

The next 7inch release from Bongo Joe. This one is from Collignon which comprises Yves Lennertz on guitar (and bass), Gino Bombrini on drums (and percussion) and Jori Collignon on the keyboards (and taking care of the production). The three friends have been making music together for some time, collaborating in different groups and settings, Jori and Gino as part of the band SKIP&DIE, Gino as a producer for Yves" former group, YIN YIN.

Tracks A1 to B1 recorded live at The Ritz in New York, NY on December 17, 1981. Tracks B2 and B3 recorded live at On Broadway in San Francisco, CA November 20, 1981. Henry Rollins of Black Flag was in the crowd for this performance and joined The Misfits on stage for track B3.

The only single by Delai Alamos con Los King Stay was released in 1965 on Discos MAG, around the same time as the first recordings by Los Saicos and Los Shain's, just another proof that teenage rock'n'roll energy was sky high in mid-60s Peru. The playing ability displayed on these two tracks wouldn't get these guys into any music school, but it just makes them utterly brilliant. Ramshackle rhythms, a singer that shifts between Elvis-like moments and wild screams, sloppy surf guitars_ and 100% garage punk attitude!

Finnaly we got it, after a long time waiting we were able to reissue this 1969 killer 7" of The Blue Condition, from Waukegan, Illinois. The original wax is a most wanted and a mega rare gem searched by garage punk collectors from all over the world. With "Coming Home" as the main track, a garage punk/freakbeat killer stomper. Fuelled with fuzz and groove. The record come with 2 postcards, linernotes and interview with the band members.

A rock'n'roll band consisting of ROY (Vo,B), Taxman (G,Vo), JIM (G), and Marcy (Dr), who have been classmates since their college days. Their songs are sublimated from their beloved Rhythm & Blues/Rock 'n' Roll roots. The band's style of all-English lyrics has earned them a strong following not only in Japan but also overseas. Special 7" from the album "Section #11", in celebration of the Record DAY 2020.

A rock'n'roll band consisting of ROY (Vo,B), Taxman (G,Vo), JIM (G), and Marcy (Dr), who have been classmates since their college days. Their songs are sublimated from their beloved Rhythm & Blues/Rock 'n' Roll roots. The band's style of all-English lyrics has earned them a strong following not only in Japan but also overseas. The Bawdies brings Garage Punk Freaks the Garage Punk of 2022 with their brand-new 4-track EP!!

Peanut Rubble was a power trio from Buckinhamshire, a rural area a few miles northwest of London. This Radio Luxembourg Studios recordings were made back in 1968, being an early sample of british heavy music one year before Led Zeppelin released their first album. They used to play in college/university circuit, airbases and youth clubs with 100w Marshall stacks, being too loud for some of those clubs. They supported bands such as Status Quo, The Pretty Things, Arthur Brown or Pink Floyd. The single contains three remastered songs of pure loud heavy blues, with a smooth drum playing and a thick fuzzy sound, being now released for the first time. It includes an insert with the story of the band.

The Black Chillies are the spiciest cocktail of rock'n'roll, latin surf and R&B. From Salamanca (Spain) they return with the wildest saxophonic fantasies to make you lose control with this sip of hi-energy instrumental. ''Suavesito!'' Enter soft and hit hard. The Black Chillies present their first single in advance of their forthcoming album.

The Millennium Stands As One Of The Most Remarkable Psychedelic Bands From '60s California.This Single Presents On Vinyl For The First Time, Two Rare Recordings That Never Made It Into The First Seminal Album "Begin" + 2 Demo Tracks.Essential Listening For Those Into Sunshine Pop Harmonies And Psychedelia!Detailed Info:The Millennium Stands As One Of The Most Remarkable Psychedelic Bands From '60s California Despite The Sales Of Their Only Lp, "Begin", Did Not Match The Big Expectations Created By The Great Critical Acclaim Received And The Huge Financial Costs Of Its Recording.Although Conceived As A Studio Group By Curt Boettcher (Ballroom, Sagittarius_), The Millennium Was A Real Band Despite Never Performed Publicly. Following A Carte Blanche Deal With Columbia, He Assembled A Group Of Talented Californian Singers And Musicians (Lee Mallory, Sandy Salisbury, Joey Stec, Doug Rhodes, Michael Fennelly And Music Machine Drummer Ron Edgar) To Record An Album, Resulting In A Sublime Pop Masterpiece, Combining Sunny Melodies, Outstanding Vocal Harmonies And Psychedelic Touches.This Release Presents Some Rare Recordings And Demo Versions By The Band On Vinyl For The First Time.

Los Saicos Created A Raw, Wild And Visceral Sound, The Southern Hemisphere Equivalent Of The Garage Rock That Was Coming Out Of The Us And Their Anthem 'Demolición' Is One Of The Most Insane '60s Punk Songs Of All Time. Unavailable On A 45 For Over A Decade, Here It Is Again! The Archaeology Of Rock'n'roll Is Much Like Any Other Form Of Digging. Significant Finds Demand The Re-Addressing Of Previously Considered Certainty. You Can Hear Direct Links To Both The Stooges And The Cramps Here And Several More Equally Enthralling Combos. The Latter Spawned Several Generations Of Individuals Who Would Dig Deep To Previously (Mostly) Unheard Seams Of Music And Other Forms Of Culture That Have Since Become Part Of The Mainstream Fabric. When Los Saicos' Front Man Erwin Flores Was Asked How Aware He And His Friends Were Of What Was Happening In Britain And The Us At The Time, Here's What He Had To Say: "We Knew The Beatles, They Were Our Idols. We Heard The Rolling Stones After Recording 'Demolición' And Also Bob Dylan And Others. The Primitive Nature Of Our Songs Is Something That Came Spontaneously Out Of My Head. The Band Had No Problem With Assimilating And Arranging It. We Thought Of Ourselves As Bad Boys And That Must Have Been A Driving Force." "Primitive To The Point Of Primordial, Los Saicos Are An Important Benchmark. Not Were. Who Ever Thought There Could Be A Combo Out There In Peru That Would Make The Sonics Sound Like Simon And Bloody Garfunkel? There Is Quite Possibly Some Other Music Out There, Someplace, That Could Well Make Us Re-Address This Consideration, But Until Then, Cherish This Short Course Of Saicotherapy."

Making their debut on Wick Records, New York's own Steady Sun deliver two sublime sides of ethereal psych. We're not talking about your run-of-the-mill fuzz fodder here, folks - Steady Sun delivers some of the most refreshingly satisfying psychedelia in decades! Truth is the Needle floats out of the speakers like lysergic vapor, engulfing the listener in layers of delicate guitar, spaced-out vocals, and pulsating bass that swirl around the heavy, grounded groove - generating an intoxicating juxtaposition. On the flip is Lash Around, whose insistent beat and hook-heavy melody will send you through a sonic wormhole that marries the experimentation of Barrett era Floyd with the hypnotic bounce of 1990s Manchester.

"Let me hear you say YEAH!!!". We’re proud to bring you the first official reissue of this essential 60s garage classic, after several bootlegs hitting the market in recent times and its appearance in countless compilations in the last 20 years. Done in cooperation with surviving band members Pat Walters and Danny Huntley, the single receives the usual deluxe treatment at Altercat and comes housed in a brand new picture sleeve, with a 12-page booklet with the band’s story written by Mike Stax (Ugly Things magazine) and previously unseen pictures. Sound mastered by Tim Warren (Crypt Records / Back From The Grave). We aim to get these to you Asap so they are available for the Christmas period. Read on below

Ace’s 45th anniversary 7-inch selection continues this month by taking us back to our roots, and bringing you incredible previously unreleased alternate takes of two all-time classics of rockin’ 1950s rhythm & blues.

R&B lovers will need no introduction to either Roy Brown’s ‘Boogie At Midnight’ or Lloyd Price’s ‘Lawdy Miss Clawdy’, but these recently discovered ‘Take One’s put whole new perspectives on two proven classics. The fast and furious ‘Boogie’ makes the issued 1951 master sound like a lullaby in comparison, while ‘Clawdy’ has an alternate opening line that would have guaranteed no airplay would have been forthcoming back in 1952.

Both tracks are taken from new transfers of the original acetate and tape sources, and both play loud and proud. Each side of the 45 offers a representation of the original label design that would have been used, had they been issued at the time of recording.

No self-respecting R&B singles collector will want to be without a copy of this essential commemorative single, featuring two of the greatest names in 1950s black American music.

In celebration of THE TWIST'S 60th anniversary, a 7" Single LP, backed by both original B-sides, will be available September 25th. Housed in a full color picture sleeve.

Classic U.K. Psychobilly from 1986!

Despite a scant recorded legacy, the Royal Chessmen were one of the more popular 60s bands of the Mid-Ohio area.

Originally named for their hometown, 25 miles south of Canton, the Dover Chessmen, or simply the Chessmen, were assembled in 1965 by 15 year-old guitarist David Bird along with Dover High classmates Ken Weigand on bass, Keith Whiddon on guitar and Jeff Gintz on drums.

By 1967 Rich Bellanco of rival band the Pendletones had replaced Gintz, and Dave’s older brother Rodney Bird, a junior at Ohio State, was recruited on organ.

As they began to pick up local gigs they added equipment manager Edward Hardesty. They also MOD-ified their moniker to the more regal Royal Chessmen.

Two previously unreleased tracks have been rescued from the vaults by B-W label owner Matt Baker and are presented in this handsome gatefold sleeve.

Another great R’n’B dancer from the Dolemite!

Double A side back to back – great rockin’ Jiver with pacey mid tempo driving mover on the flip.

Classic Rockabilly two sider.

The label on this single hits the nail on the head - Michigan's singing cowboy! Despite a very long 45-year career in country music as a promoter, radio station operator, artist and label owner, very little is known about Earl Peterson. In late 1952, he formed Nugget Records with his mother, basically as a means of self-releasing his music.
While shopping his music down South, he met Sam Phillips and agreed to release his song on Sun Records in the spring of 1954. This bouncing, twangy single would prove to be a cult hit and original pressings still command a lofty price. As the first remotely contemporary country single on the label, Peterson's single paved the way for Sun to later pivot into the country genre.
From there, Peterson's story becomes a bit murkier. He recorded the same song for Columbia in the fall of 1954, strangely disregarding his contractual agreements with Sun. He went on to release a couple more singles with Columbia and by the '60s, was holed up in rural central Michigan to run a radio station (WPLB) with his family.

Limited edition for Record Store Day 2017!

The topside here is the explosive cut 'The Drone Ranger', a surreal rockabilly sound sculpture featuring the pounding beat of the legendary (and former Panther Burns-member) James A. Sclavunos (also of Grinderman, Bad Seeds and Cramps fame). On the flip we find a radical reworked psychedelic stone funk groove version of the Junior Kimbrough/Panther Burns song 'Tram'. A Memphis song book classic!

Daptone Records is proud to present the debut 45 from a group of young fellas who are dominating the NOW sound in Rock N' Roll. That's right folks, Daptone Records, the world leader in today's soul music is now ready to take on the happenings of the modern rock scene. We present to you, on our newest subsidiary, WICK Records: The Myster y Lights.

Classic remasters of Little Richard cuts on 7" vinyl! Presented in cool 50's retro design 3mm spined sleeves. Limited to 350 copies. Includes liner notes by author & musician Max Decharne!

The pinnacle of the Indie Pop scene that continues to shine even a quarter of a century after its release in 2000! The long-awaited reissue of the classic song “Red Guitar” from Tiroleantape Chapter 4's classic mini-album! Also included on the B-side is the very nice cover “Sha-la-la-la-lee”, which is being made available on analog for the first time!

In 2024, Alberto Charro, better known as the creator and leader of the band Los Malinches, travels from his new residence in the German city of Hamburg to the Circo Perroti studios in Gijón in search of a sound faithful to the "nueva ola" that flooded the clubs and radios of the late sixties, emulating the purest sound of the mythical 7" released by labels such as DisPerú, Mag, Peerlees or Music Hall.

There he recorded a single with two original songs and a completely analogue production, produced by Jorge Explosión. This single includes his first hit "El Shake de la Autopista", a dark dancefloor breaker that recalls the famous shake dance of the youth of the sixties.

Back with a bang! The new single from Oakland's only rock n roll band. This comes hot on the heels of their triumphant return to Gonerfest. SO What picks up right where they left off with their previous "Deep Freeze" single, another banger inspired by 70s Aussie Rock a la Bon Scott-era Ac/dc and Coloured Balls. The lads even offered 'Hit The Bricks" to Ac/dc, but they passed, saying, "No mates, it's simply too good. Everyone will know we didn't write it." Real rock n roll for real rock n roll people.

THE Strikes, who will celebrate their 40th anniversary in 2025, will simultaneously release two new 7-inch singles, their first new recordings in 15 years! The seeds of Beat Music remained in Japan, far away from the UK, and The Strikes appeared like a meteor. In the late 80s, when many groups with roots in the 60s were active in Japan in what was called the “neo-GS boom,” they were probably the only group that possessed the genes of the early Beatles to this extent. The Strikes have restarted their live activities and are creating new music. The sweet voices, pop melodies and backbeat are still alive and well. Now you are about to know The Strikes!!

THE Strikes, who will celebrate their 40th anniversary in 2025, will simultaneously release two new 7-inch singles, their first new recordings in 15 years! The seeds of Beat Music remained in Japan, far away from the UK, and The Strikes appeared like a meteor. In the late 80s, when many groups with roots in the 60s were active in Japan in what was called the “neo-GS boom,” they were probably the only group that possessed the genes of the early Beatles to this extent. The Strikes have restarted their live activities and are creating new music. The sweet voices, pop melodies and backbeat are still alive and well. Now you are about to know The Strikes!!

Recorded in 1958, this album showcases Chet Baker’s undeniable charm as both a singer and trumpeter, embodying the essence of cool jazz. Accompanied by an elegant trio featuring Kenny Drew on piano, George Morrow on bass, and Philly Joe Jones on drums, Baker revisits standards with disarming grace. His soft, melancholic voice shines on tracks like “Do It the Hard Way” and “Everything Happens to Me,” where each note feels suspended in time. His airy trumpet subtly converses with Drew’s piano, creating moments of pure musical poetry. A must-listen for fans of intimate and refined jazz. Side A1. Do It The Hard Way2. I’m Old Fashioned3. You’re Driving Me Crazy4. It Could Happen To You5. My Heart Stood StillSide B1. The More I See You2. Everything Happens To Me3. Dancing On The Ceiling4. How Long Has This Been Going On?5. Old Devil Moon